Podcasts about Quadrille

Micah Clasper-Torch is a Los Angeles-based artist, designer, and educator helping to lead the modern revival of punch needle rug hooking. With a background in fashion design from The Fashion Institute of Technology in New York City and the Politecnico di Milano in Italy, Micah blends fine art, heritage craft, and wearable design to create one-of-a-kind textile pieces that range from coats and accessories to wall hangings and soft sculpture. In 2019 Micah was formally trained as an Oxford Punch Needle Instructor at the Oxford Rug Hooking School in Vermont, and in 2020 she launched Punch Needle World, an online community, shop and educational platform dedicated to uplifting the craft and its history, and making high quality supplies and training accessible around the world.   Her debut book, Punch Needle Fashion, comes out next month, in June 2025 from Quadrille and brings punch needle into the world of contemporary fashion through 15 original projects and a beautifully photographed exploration of the medium. Punch Needle Fashion pre-order link Web: www.micahclasper-torch.com IG: @claspertorch & @punchneedle.world If you are able, consider supporting this podcast through our patreon account. There are 3 new tiers to choose from to support SewOver50's only podcast. Every podcast is free and the archive is gradually being uploaded on to the podcast YouTube channel. Sound with permission by Kaneef on YouTube. SewOver50 intersects with all communities. SewOver50 where we are so over ageism.  Our focus is the sewing talent each person shares on social media and providing recognition of their willingness to share their skills whether a beginner or experienced sewist. Make sure you listen to your SewOver50 friends in our SewOver50 podcast archive.    

Grab your Very Important Props and crunchiest snacks, dearest listeners! Join us as we step into the studio to meet the man behind the sound, Mitchell Kohen, to discuss his work as the ton's finest Foley Artist. We'll be learning how Mitchell made a splash in the industry, from his time curating airplane playlists, to working shifts at the Grey Sloan Memorial Hospital and bowing before the Queen of Regency England.As Mitchell takes us on a tour of the Foley stage, we'll be living a day in the life of Bridgerton post-production, walking in the footsteps of the Diamond, playing skittles with Prudence and putting on our heels to dance the Quadrille six times over. We'll also be uncovering the secrets of Lady Whistledown's quill, an earthy afternoon tea and the great escape of a soon-to-be-monarch. What crucial role does a toy train play in the Polin love story? Why will we forever shudder at the thought of ravioli? And, most importantly, what does Francesca Bridgerton really think about SunChips?Turn up the volume and listen close: if there is one thing you should know by now, it is that this podcast cannot keep quiet for long. *Show NotesFollow Mitchell on Instagram: @soundslikemitchellFollow Mitchell on Reddit: u/soundslikemitchell*Show Notes: Crumbs Radio Times: Bridgerton casts Gracie McGonigal in Season 4 AlloCiné: Interview with Nicola CoughlanReddit: *Spoiler Alert* Rumoured casting for Season 4Reddit: Chris Fulton at Land ConYouTube: Trailer for Tudum 2025Shorty Awards: The Bridgerton Chaise speaks outGold Derby: Netflix put forward Bridgerton cast for Emmy considerationHarper's Bazaar: Nicola Coughlan honoured with Konbini Commitment Award at CanneseriesWhatsOnStage: Nicola Coughlan to star in ‘The Playboy of the Western World' at the National TheatrePlaybill: Hannah Dodd and Rob Madge join the London cast of ‘Cabaret'WhatsOnStage: Rob Madge's ‘My Son's A Queer (But What Can You Do?)' announces New York runWhatsOnStage: Kitty Devlin joins the cast of ‘The Show That Goes Wrong'Regent's Park Open Air Theatre: James Phoon joins ‘Shakespeare For Every Day of the Year: Live'UKTV: Release date announced for Bessie Carter's ‘Outrageous'*Follow UsPatreon Instagram⁠ ⁠ ⁠TikTok⁠YouTube

Nicht nur der Opernball wird damit eröffnet: Woran man eine Polonaise erkennt und was man über Mitternachtsquadrillen wissen muss.

Nur wenige Tage vor der vorgezogenen Bundestagswahl hat sich die Auseinandersetzung um die Zukunft der Ukraine und des transatlantischen Bündnisses radikal zugespitzt. Europa und die Bundesrepublik sehen sich viel schneller und radikaler damit konfrontiert, in den USA keinen Verbündeten mehr zu haben. Grund sind die Auftritte des US-Verteidigungsministers Pete Hegseth und des Vizepräsidenten J.D. Vance auf der Münchner Sicherheitskonferenz, das Telefongespräch Donald Trumps mit dem russischen Präsidenten Wladimir. Und Putins und Trumps Äußerungen, die Ukraine sei selbst schuld am Krieg und Präsident Selenskyj sei ein "ungewählter Diktator". Stattdessen beobachten wir eine Angleichung rechtspopulistischer Diskurse in Washington und Moskau - mit starken Dependenzen innerhalb der europäischen Länder. Für jede mögliche Regierungskoalition, die aus den Wahlen am Sonntag entsteht, bedeutet das enorme finanzielle, politische und soziale Herausforderungen, die nicht nur die kommende Legislaturperiode entscheiden prägen werden. Warum ist das in den letzten Wahlkampftagen in all den Duellen und Quadrille dennoch fast gar nicht thematisiert worden? Welche Koalition wäre am besten aufgestellt, um die entscheidenden Weichen stellen zu können? Ist das überhaupt schon abzusehen, haben die Parteien wirklich schon begriffen, worum es eigentlich geht? Darüber spricht taz-Auslandsredakteur Bernd Pickert mit Barbara Junge, einer der beiden Chefredakteurinnen der taz sowie Sabine am Orde und Stefan Reinecke, im Parlamentsbüro zuständig für die CDU bzw. die SPD und die Linkspartei.

CHICK WEBB THE JUNGLE BAND New York, June 14 & 27, 1929 Dog bottom (wp vcl), Jungle mama [Jungle blues Ward Pinkett (tp,vcl)Edwin Swayzee (tp) Bob Horton (tb) Hilton Jefferson, Louis Jordan (as,cl) Elmer Williams (bt,cl) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu) Chick Webb (d) New York, March 30, 1931 Heebie jeebies, Blues in my heartShelton Hemphill, Louis Hunt (tp) Louis Bacon (tp,vcl) Jimmy Harrison (tb) Benny Carter (cl,as,arr) Hilton Jefferson (cl,as) Elmer Williams (cl,ts) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu,b) Chick Webb (d,celeste,bells) GEORGE LEWIS AND HIS NEW ORLEANS STOMPERS Edgar Mosley's Home, New Orleans, LA, May 15, 1943New Orleans hula, Don't go ‘way nobodyJim Robinson (tb-1) George Lewis (cl) Lawrence Marrero (bj) Sidney Brown (tu) Edgar Mosley (d) Live “Gypsy Tea Room”, New Orleans, LA, May 16, 1943Climax rag, Just a closer walk with thee, I ain't gonna give nobody none o' this jelly-roll, Careless loveKid Howard (tp) Jim Robinson (tb) George Lewis (cl) Lawrence Marrero (bj) Chester Zardis (b) Edgar Mosley (d) MIFF MOLE AND HIS MOLERS New York, August 30 & September 1,1927Imagination, Feelin' no pain, Original dixieland one-step, My gal SalRed Nichols (cnt) Miff Mole (tb) Pee Wee Russell (cl,ts) Fud Livingston (cl,ts,arr-1) Adrian Rollini (bassax) Arthur Schutt (p) Dick McDonough (bj-1) Eddie Lang (g) Vic Berton (d) JELLY ROLL MORTON Library of Congress, Washington, D.C., May 23-June 12, 1938“Tiger rag – Quadrille (y su metamorfosis)(Medley

CHICK WEBB THE JUNGLE BAND New York, June 14 & 27, 1929 Dog bottom (wp vcl), Jungle mama [Jungle blues Ward Pinkett (tp,vcl)Edwin Swayzee (tp) Bob Horton (tb) Hilton Jefferson, Louis Jordan (as,cl) Elmer Williams (bt,cl) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu) Chick Webb (d) New York, March 30, 1931 Heebie jeebies, Blues in my heartShelton Hemphill, Louis Hunt (tp) Louis Bacon (tp,vcl) Jimmy Harrison (tb) Benny Carter (cl,as,arr) Hilton Jefferson (cl,as) Elmer Williams (cl,ts) Don Kirkpatrick (p) John Trueheart (bj,g) Elmer James (tu,b) Chick Webb (d,celeste,bells) GEORGE LEWIS AND HIS NEW ORLEANS STOMPERS Edgar Mosley's Home, New Orleans, LA, May 15, 1943New Orleans hula, Don't go ‘way nobodyJim Robinson (tb-1) George Lewis (cl) Lawrence Marrero (bj) Sidney Brown (tu) Edgar Mosley (d) Live “Gypsy Tea Room”, New Orleans, LA, May 16, 1943Climax rag, Just a closer walk with thee, I ain't gonna give nobody none o' this jelly-roll, Careless loveKid Howard (tp) Jim Robinson (tb) George Lewis (cl) Lawrence Marrero (bj) Chester Zardis (b) Edgar Mosley (d) MIFF MOLE AND HIS MOLERS New York, August 30 & September 1,1927Imagination, Feelin' no pain, Original dixieland one-step, My gal SalRed Nichols (cnt) Miff Mole (tb) Pee Wee Russell (cl,ts) Fud Livingston (cl,ts,arr-1) Adrian Rollini (bassax) Arthur Schutt (p) Dick McDonough (bj-1) Eddie Lang (g) Vic Berton (d) JELLY ROLL MORTON Library of Congress, Washington, D.C., May 23-June 12, 1938“Tiger rag – Quadrille (y su metamorfosis)(Medley

Luciana Sagioro, de 18 anos, a primeira bailarina de nacionalidade brasileira a integrar o balé da Ópera de Paris, terá seus primeiros solos no espetáculo 'Paquita', em cartaz na Ópera Bastilha até o dia 4 de janeiro de 2025. Natural de Juiz de Fora, ela entrou para o corpo de baile - com contrato profissional vitalício até sua aposentadoria - no cargo de base Quadrille. Mas em menos de um ano, Luciana foi promovida à Coryphées, se destacando mais uma vez. Luiza Ramos, de ParisA primeira e, até hoje, única brasileira a ingressar na equipe de dançarinos na história do balé da Ópera de Paris foi recentemente promovida e fará seus primeiros solos no clássico 'Paquita', em cartaz na Ópera Bastilha. O espetáculo, criado na própria Ópera de Paris em 1846, faz sucesso devido as suas danças alegres e por ser um balé em que os dançarinos se manifestam por gestos e mímicas.Foi dançando um trecho de 'Paquita' que Luciana Sagioro venceu o concurso Prix de Lausanne, em 2022, aos 16 anos, quando conquistou uma vaga na prestigiada Escola de balé parisiense. Em 2024, ela foi contratada para o corpo de baile no cargo chamado Quadrille. Em menos de um ano, Luciana já foi promovida à Coryphée, se destacando mais uma vez.  Como Coryphée, Luciana terá mais destaques no corpo de baile, e por isso, alcançou a possibilidade de realizar alguns solos em 'Paquita' - nos dias 23 e 30 de dezembro e no dia 3 de janeiro.“A Ópera de Paris são 154 bailarinos. Somos muitos e todos muito bons, todos com uma grande excelência. Eu sempre soube que eu tinha minhas qualidades e que eu queria muito ser promovida de ano em ano, de temporada em temporada, para continuar a minha progressão. Mas eu sabia que seria muito difícil com a qualidade de todas as bailarinas do corpo de baile”, reconhece a jovem.“Eu precisei realmente trabalhar muito para isso. Não é muito comum, no primeiro ano de trabalho, já conseguir ser promovida. Então realmente eu sou muito grata por isso. Mas tudo foi pago com muito trabalho, então eu sei que eu fiz muito para chegar lá”, acredita a dançarina.A carreira de bailarinaNa progressão profissional na Ópera de Paris após o Coryphée vêm os Sujets, que são os solistas fixos. Depois, o profissional da dança pode ser promovido a Primeiro Bailarino ou Primeira Bailarina, que fazem os papéis principais dos espetáculos. Por último, o mais alto cargo da companhia, conhecido como Étoile - a Estrela -, ao contrário dos outros cargos, não passa por concurso, e sim por nomeação da diretoria da instituição. Luciana, que estuda balé desde os 3 anos de idade, convenceu seus pais a se mudar para o Rio de Janeiro aos 10 anos com a babá para se profissionalizar em dança. A jovem mora há três anos na capital francesa, enquanto seus pais e suas duas irmãs gêmeas mais novas continuam em Juiz de Fora. Ela, que afirma ter “um orgulho enorme de ser brasileira”, desde criança abdicou do convívio com a família pelo sonho da profissão de bailarina, que lamenta não poder ser vivido no seu país.“Infelizmente, hoje, como bailarina, se você escolhe essa profissão e quer realmente se dedicar a 100% e ser valorizado pela profissão que escolheu, você não consegue ser bem pago no Brasil. Desde pequena eu soube, eu pesquisei que para ser bailarina profissional você vai ter que sair do seu país”, diz Luciana Sagioro. Inclusão de talentos na Ópera de ParisA Ópera de Paris vem, há alguns anos, tentado ser mais inclusiva. Em 2021, a direção tomou a decisão inédita de revisar seus critérios de recrutamento para encorajar a entrada de artistas que não sejam brancos e contratou um "fiscal da diversidade", a exemplo do Metropolitan Opera de Nova York. Em 2023, a tradicional instituição francesa nomeou pela primeira vez em três séculos de existência um bailarino negro como Étoile, Guillaume Diop, um dos raros dançarinos negros ou mestiços da instituição.Como a primeira bailarina brasileira a ingressar na aclamada Ópera de Paris, Luciana afirma que o Brasil é rico em potencial para a dança. “Somos um país de muitos talentos”, confirma ela ao apontar nomes que se destacam no mundo das artes, dança e esportes na cena internacional. Luciana cita dançarinas em quem se espelha:“Eu tenho uma grande inspiração na minha antiga mestre, a Patrícia Salgado, que foi minha mestre de balé, foi uma grande bailarina solista no balé de Stuttgard na Alemanha. Ela me inspirou muito pela forma que aprendeu tudo como bailarina, mas pela forma que ela transmite hoje como professora. A bailarina Mayara Magri, Étoile do Royal Ballet em Londres, brasileira também. E a Dorothée Gilbert, Étoile aqui da Ópera de Paris, é uma grande inspiração e hoje divido o palco com ela. Isso é demais! Marianela Nuñez também, outra grande Étoile do Royal Ballet em Londres. A lista é enorme, mas essas são algumas”, brinca. Sonhar e realizar é possívelA mineira admira muitos artistas, mas também quer inspirar outros jovens brasileiros. Ela planeja em um dia poder ajudar outros bailarinos a alcançarem seus objetivos. “Hoje, com meu papel, sendo bailarina da Ópera de Paris, eu crio a esperança nas pessoas de que elas são capazes de realizar os sonhos delas. E o meu maior sonho como bailarina brasileira, vendo a situação do meu país, que infelizmente é um país que é pobre, não tem muitos recursos, como aqui na França, é criar uma associação que possa ajudar bailarinos que tenham os mesmos sonhos que um dia eu tive, mas não tenham a mesma facilidade, os mesmos recursos que eu tive, graças a minha família”, agradece Luciana.“Eu abdiquei realmente de muitas coisas. Nada disso foi fácil, foi muito trabalho, muita dedicação, muito esforço. É isso que eu quero inspirar nas pessoas. Muitas pessoas desistem porque o caminho é muito difícil e poucas pessoas falam do quão difícil é. A gente fala do glamour que chegar até lá. A gente fala que é muito gratificante, mas a gente esquece que a trajetória, os caminhos, foram difíceis”, pondera. Para Luciana, a força do sonho fala mais alto. “Muitas coisas vão tentar impedir que você alcance seus sonhos. Mas se você não for mais forte que tudo isso, ninguém vai ser por você. Sempre falo [que] tudo é possível, basta só você acreditar”, declara. A temporada de 'Paquita', que começou no início de dezembro e termina em 4 de janeiro de 2025, ainda tem ingressos disponíveis no site oficial da Ópera de Paris. Mas quem não conseguir ver a mineira Luciana Sagioro nesta temporada no clássico palco francês, terá ainda muitas oportunidades em espetáculos futuros. Afinal, a carreira da jovem cheia de brilho nos olhos pela dança está apenas começando. 

“What sort of a dance is it?” “Why,” said the Gryphon, “you first form into a line along the sea-shore—” “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way—” “That generally takes some time,” interrupted the Gryphon. “—you advance twice—” “Each with a lobster as a partner!” cried the Gryphon. “Of course,” the Mock Turtle said: “advance twice, set to partners—” “—change lobsters, and retire in same order,” continued the Gryphon. --- 생략된 이야기: 모조거북은 '랍스터 카드리유'(Lobster Quadrille)라는 춤에 대해 설명합니다. "그건 어떤 춤이에요?" "먼저 해안을 따라서 한 줄로 서." 그리폰이 말했다. "두 줄이야!" 모조거북이 소리쳤다. "물개, 거북, 연어 등등으로. 그리고 해파리를 전부 걷어내고 나서..." "그게 보통 시간이 좀 걸리지." 그리폰이 껴들었다. "두 번 앞으로 가." "한 번 갈 때마다 랍스터를 파트너로 해서!" 그리폰이 소리쳤다. "물론이지." 모조거북이 말했다. "앞으로 두 번, 파트너와 인사하고..." "랍스터를 바꾸고, 같은 순서로 물러나고." 그리폰이 이어서 설명했다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 1816년 레이디 저지(Lady Jersey)가 카드리유(Quadrille) 댄스를 영국에 처음 소개한 장면을 기록한 그림입니다. 왼쪽에서 두 번째가 레이디 저지입니다. https://en.wikipedia.org/wiki/Quadrille

Chart a course along the Yellow Brick Road system, Helmsman Catner. We're going to Oz! Captain Butz tries on some very fancy shoes. William Catner and Leonard Cattoy fall off the catnip wagon. Officer Charming drops in on a relative. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. The following also by Ned Wilcock. “Fuguenchillen” “Melodic Marauders Scared CHIPTUNE” “The CHIPTUNE Lazy River” “Melodic Marauder's Quadrille in G” “Things Are Getting Weird” The following songs are used courtesy of the YouTube Audio Library License. “SciFi Vintage Radio” by Freedom Trail Studio The following songs are from tabletopaudio.com. All of the 10 minute ambiences on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (https://creativecommons.org/licenses/by-nc-nd/4.0/). “Myconid Colony” “Arcane Athenaeum” • • • This actual play episode uses the Fate Accelerated RPG rules by Evil Hat Productions. This is a fanmade work of parody. Improv Tabletop is not affiliated with the Star Trek brand or its owner Paramount Global, nor with the Shrek brand or its owner DreamWorks Animation.

A duel to the death for the hand of Miss Cadence! Who will win? Colonel Fuzzwilliam, or Scooter? Miss Cadence reads some obscure law books. Janice tries to remember a song. Colonel Fuzzwilliam chooses a bad weapon. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. The following also by Ned Wilcock. "Fuguenflauten" “Fuguenchillen” "Fuguenthrashen" "Melodic Marauder's Quadrille in G" The following songs are by the fantastic Kevin MacLeod. Music: The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: https://filmmusic.io/standard-license • • • This actual play episode uses the Fate Accelerated RPG rules by Evil Hat Productions. This is a fanmade work of parody. Improv Tabletop is not affiliated with the public domain works of Jane Austen, nor with the Muppets brand or its owner The Jim Henson Company.

Welcome to the Lecker Book Club. Every month I'll pick a newly released food related book and talk to the author about the process of writing it. I'll also be cooking from the book and writing about that on Substack and Patreon. Join me there as well! On the first edition of the Lecker Book Club: Maria Bradford's Sweet Salone. Maria grew up in Sierra Leone and moved to Kent, UK in her late teens. Sweet Salone is the first English-language book of Sierra Leonean recipes published internationally, and in it Maria wanted to share the unique nature of the food of her home country, but also celebrate the country's people, including her own family. But it wasn't necessarily a smooth process writing the book, as you'll hear her talk about. We spoke about the culture shock she experienced on arriving in the UK; what it was like encountering strawberries and apples for the first time. But it was Maria's deep-rooted curiosity about all kinds of food that eventually led her on a path to training at Leiths and setting up her fine-dining catering business, Shwen Shwen - a Krio phrase meaning ‘fancy'. It's this outlook and experience that closely informs the recipes in the book: from traditional dishes learned from her mother and grandmother, to her very own brand of Afrofusion. Sweet Salone is out now, published by Quadrille. Find all of the Lecker Book Club reads on my Bookshop.org list. Support Lecker by becoming a paid subscriber on Patreon, Apple Podcasts and now on Substack. Music is by Blue Dot Sessions.

Join host, Ashlan Christoph, as she interviews Interior designer, photographer, and Author of New Rural: Where to Find It and How to Create It, Ingrid Weir.About Ingrid Weir:Ingrid Weir has designed interiors in Sydney and rural Australia, Los Angeles and Mexico. Clients include the Macquarie Group, The Sydney Opera House, National Art School, Charter Hall, National Parks and Wildlife, Australians in Film and the Australian Film Television and Radio School.Trained at Sydney University she holds a Bachelor of Science in Architecture. Her background is in set and costume design and she has worked extensively in film, television and theatre in Australia. She has designed shows for the Sydney Theatre Company, Tamarama Rocksurfers, ABC TV, Channel 9, Foxtel and numerous television commercials. Her first book New Rural:Where to Find It and How to Create It will be published by Hardie Grant in Australia, 29th September. It will be published by Quadrille in the US on October 19.Buy New Rural: Where to Find It and How to Create It https://www.ingridweir.com.auFollow Muse House Retreat: @musehouseretreatFollow Ashlan Christoph: @ashlanchristophSHOP: https://www.musehouseretreat.comVisit Our Store!Muse House Retreat4332 Tujunga Avenue, Studio City, CA 91604(818)-824-3290 Book A Reading: https://www.musehouseretreat.com/healersBook A Workshop: https://www.musehouseretreat.com/eventsDo you want to host your own retreat but can't find a space? Book our beautiful retreat space in the Santa Monica Mountains! Book Casa Muse: https://www.instagram.com/casa_muse/?igshid=YmMyMTA2M2Y%3D Follow Casa Muse: @casa_museFollow Ashlan Christoph: @ashlanchristophFollow Muse House Retreat: @musehouseretreatSHOP: https://www.musehouseretreat.com

In der Mittagsfolge sprechen wir heute mit Johannes Roggendorf, Founder und CEO von Medwing, über die erfolgreich abgeschlossene Series-C-Finanzierungsrunde in Höhe von 44 Millionen Euro.Medwing ist ein HealthTech, welches dank einer innovativen Matching-Technologie Jobvorschläge in der Gesundheitsbranche auf Basis individueller Kriterien unterbreiten kann. Die Bewerbenden werden außerdem durch eine persönliche Beratung unterstützt und können kostenlose Zusatzangebote nutzen. Dazu gehören Weiterbildungen zur beruflichen Entwicklung und Kurse zur psychischen Gesundheit. Das Startup vermittelt so Festanstellungen mit verschiedenen Zeitmodellen und bietet Fachkräften die Möglichkeit, flexibel im Leasing bei Medwing zu arbeiten, um mehr Kontrolle über ihre Schichten, Zeit und Einkommen zu erhalten. Das HealthTech wurde im Jahr 2017 von Johannes Roggendorf in Berlin gegründet und beschäftigt derzeit rund 300 Mitarbeitende aus über 35 Nationen. Mit über 500.000 ausgebildeten Fachkräften verfügt das Startup nach eigenen Angaben über den größten Pool an Mitarbeitenden für medizinische und pflegerische Berufe in Deutschland. Mehr als 5.500 Kliniken, Pflegeeinrichtungen und Arztpraxen sind auf der Plattform registriert. Jeden Monat verzeichnet das Unternehmen rund 15.000 neue Registrierungen von Bewerbenden in Deutschland. Zudem werden monatlich 160 Fachkräfte in Festanstellungen und mehr als 40.000 Schichtbuchungen vermittelt.In einer Series C hat das Berliner Startup nun 44 Millionen Euro eingesammelt und erhöht damit die Gesamtfinanzierungssumme auf 87 Millionen Euro. Die bestehenden Investoren Quadrille Capital, Cathay Innovation, Northzone, Cherry Ventures und Atlantic Labs sowie die neuen Investoren Hambro Perks und SVB Capital beteiligen sich an der Runde. Die Investition soll dem Unternehmen dabei helfen, den führenden Marktplatz für Jobvermittlung in Europa aufzubauen.

The Mock Turtle tells Alice about his school years growing up under the sea, but is interrupted by the Gryphon who ask him to explain a dance called the Lobster Quadrille.  Of course it is as nonsensical as you could expect at this point and the Mock Turtle and the Gryphon act out the dance (sans lobsters) much to their own amusement.The Mock Turtle does this while singing a song about a whiting and a snail, who are both invited to the dance but quite sensibly decline. Alice recites some verses herself after some encouragement and finally the Mock Turtle entertains them by singing a song about soup.They hear a shout that the trial is beginning, and the Gryphon takes Alice by the hand to attend - leaving the Mock Turtle to sing to himself.

Wer im Quadrat tanzt, erzeugt innere Harmonie – so war das beim Menuett und er Quadrille und so ist das beim Squaredance. Unsere Reporterin Johanna Fricke hat den Dresdner Hoftanz e.V. besucht und bei Leipziger Squaredancern mitgetanzt.

Manoir Aux Quat'Saisons, a Belmond Hotel, una odisea culinaria en Oxfordshire Deby nos lleva de la mano a probar un vino refinado y de gran expresión Don Melchor cosecha 2019 Noche de hedonismo y placer en el club 51 en la torre Mayor de la Ciudad de México White rabbit en el hotel Quadrille en Polonia nos regala experiencia sensorial y mágica Cuatro increíbles experiencias para recibir el nuevo año 2023 Musa para viajeros y artistas: Clio, A Luxury Collection Hotel, en Denver RoLu, vinos orgullosamente mexicano --- Send in a voice message: https://anchor.fm/diariojudio-mexico/message

A blend of slow radio, gardening advice and conversation, and readings from the best garden and wildlife writing.   These notes may contain affiliate links.        Garden soundtrack   Winter bringing new and rare experiences – December snow in Kent, and recording the audio version of my new book.     Reading from To stand and stare 2:10 Read by Andrew Timothy O'Brien   To stand and stare: how to garden while doing next to nothing, by Andrew Timothy O'Brien. DK Life, 2023. https://geni.us/Qs2d     04:35  An introduction to From Seed to Bloom: a year of growing and designing with seasonal flowers, by Milli Proust. Quadrille, 2022 https://amzn.to/3hGlcNg     Reading from From Seed to Bloom 5:15 Read by Milli Proust     09:29  Interview with Milli Proust   10:55 The original plan   12:45 Working with intention – Milli loves a strategy     13:45 The other aspect of Milli's professional life!   Molly Wansell, 42 Management & Production https://www.42mp.com/     15:18 A sustainable business   Paris Alma Flowers https://parisalmaflowers.com/     17:08 Working as part of a team   On the business with Paris, on the book with photographer Éva Németh https://www.evanemeth.com/     18:54 The visual aspects of the book   Theatre, storytelling, atmosphere.   The human experience of connecting with nature.     23:03 Milli's earliest plants and gardens memories     26:53 A gardening (self)education     29:00 Why grow your own floristry supplies?     30:43 Using foliage, and the stories of plants in weather     34:00 Design principles in floral arrangement     38:00 From Seed to Bloom:     40:51 How becoming a mother might impact Milli's creative practice – new perspectives and opportunites     45:45 A seasonal perspective     48:30 Grower, or gardener? What's the difference?   ***   Thank you to Milli Proust for giving up her time to talk to me about the beautiful work she brings into the world from her patch of land in West Sussex.   You can find Milli on Instagram here https://www.instagram.com/milliproust/ Or on her website: https://www.milliproust.com/     My own book, To Stand and Stare; how to garden by doing next to nothing, will be published by DK Life on Feb 2, 2023, and is available to preorder here https://geni.us/Qs2d       I'm ever appreciative of all my listeners for your continued support and reviews, I really do appreciate them. You can support the podcast by buying its producer a virtual cup of coffee for three quid, at https://ko-fi.com/andrewtimothyOB. Proceeds will go towards equipment, software and the monthly podcast hosting fees.    A year of garden coaching If you'd like to find out more about my my 12 month online garden coaching programme, please visit the website, where you can read more details. There will be a few spaces opening up in spring 2023n, so do sign up to be the first to hear when you can book. http://www.andrewtimothyobrien.com     website: gardensweedsandwords.com email: gardensweedsandwords@gmail.com Instagram: instagram.com/AndrewTimothyOB Twitter: twitter.com/AndrewTimothyOB 

Part 1 - After a look at the weekend's weather, Neville James catches up with Kendall Henry on the workings of VICA, Stanley and the Ten Sleepless Knights, and Virgin Islands music scene. Sommer Sibily-Brown joins the conversation with details from her trip to explore regenerative agriculture. They then end the hour celebrating Quelbe and Quadrille.   

CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. “Same as if he had a bone in his throat,” said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:— “You may not have lived much under the sea—” (“I haven't,” said Alice)—“and perhaps you were never even introduced to a lobster—” (Alice began to say “I once tasted—” but checked herself hastily, and said “No, never”) “—so you can have no idea what a delightful thing a Lobster Quadrille is!” “No, indeed,” said Alice. “What sort of a dance is it?” “Why,” said the Gryphon, “you first form into a line along the sea-shore—” “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way—” “That generally takes some time,” interrupted the Gryphon. “—you advance twice—” “Each with a lobster as a partner!” cried the Gryphon. “Of course,” the Mock Turtle said: “advance twice, set to partners—” “—change lobsters, and retire in same order,” continued the Gryphon. “Then, you know,” the Mock Turtle went on, “you throw the—” “The lobsters!” shouted the Gryphon, with a bound into the air. “—as far out to sea as you can—” “Swim after them!” screamed the Gryphon. “Turn a somersault in the sea!” cried the Mock Turtle, capering wildly about. “Change lobsters again!” yelled the Gryphon at the top of its voice. “Back to land again, and that's all the first figure,” said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. “It must be a very pretty dance,” said Alice timidly. “Would you like to see a little of it?” said the Mock Turtle. “Very much indeed,” said Alice. “Come, let's try the first figure!” said the Mock Turtle to the Gryphon. “We can do without lobsters, you know. Which shall sing?” “Oh, you sing,” said the Gryphon. “I've forgotten the words.” So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:— “Will you walk a little faster?” said a whiting to a snail. “There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle—will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? “You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!” But the snail replied “Too far, too far!” and gave a look askance— Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance. “What matters it how far we go?” his scaly friend replied. “There is another shore, you know, upon the other side. The further off from England the nearer is to France— Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?” “Thank you, it's a very interesting dance to watch,” said Alice, feeling very glad that it was over at last: “and I do so like that curious song about the whiting!” “Oh, as to the whiting,” said the Mock Turtle, “they—you've seen them, of course?” “Yes,” said Alice, “I've often seen them at dinn—” she checked herself hastily. “I don't know where Dinn may be,” said the Mock Turtle, “but if you've seen them so often, of course you know what they're like.” “I believe so,” Alice replied thoughtfully. “They have their tails in their mouths—and they're all over crumbs.” “You're wrong about the crumbs,” said the Mock Turtle: “crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—” here the Mock Turtle yawned and shut his eyes.—“Tell her about the reason and all that,” he said to the Gryphon. “The reason is,” said the Gryphon, “that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.” “Thank you,” said Alice, “it's very interesting. I never knew so much about a whiting before.” “I can tell you more than that, if you like,” said the Gryphon. “Do you know why it's called a whiting?” “I never thought about it,” said Alice. “Why?” “It does the boots and shoes,” the Gryphon replied very solemnly. Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated in a wondering tone. “Why, what are your shoes done with?” said the Gryphon. “I mean, what makes them so shiny?” Alice looked down at them, and considered a little before she gave her answer. “They're done with blacking, I believe.” “Boots and shoes under the sea,” the Gryphon went on in a deep voice, “are done with a whiting. Now you know.” “And what are they made of?” Alice asked in a tone of great curiosity. “Soles and eels, of course,” the Gryphon replied rather impatiently: “any shrimp could have told you that.” “If I'd been the whiting,” said Alice, whose thoughts were still running on the song, “I'd have said to the porpoise, ‘Keep back, please: we don't want you with us!'” “They were obliged to have him with them,” the Mock Turtle said: “no wise fish would go anywhere without a porpoise.” “Wouldn't it really?” said Alice in a tone of great surprise. “Of course not,” said the Mock Turtle: “why, if a fish came to me, and told me he was going a journey, I should say ‘With what porpoise?'” “Don't you mean ‘purpose'?” said Alice. “I mean what I say,” the Mock Turtle replied in an offended tone. And the Gryphon added “Come, let's hear some of your adventures.” “I could tell you my adventures—beginning from this morning,” said Alice a little timidly: “but it's no use going back to yesterday, because I was a different person then.” “Explain all that,” said the Mock Turtle. “No, no! The adventures first,” said the Gryphon in an impatient tone: “explanations take such a dreadful time.” So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating “You are old, Father William,” to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said “That's very curious.” “It's all about as curious as it can be,” said the Gryphon. “It all came different!” the Mock Turtle repeated thoughtfully. “I should like to hear her try and repeat something now. Tell her to begin.” He looked at the Gryphon as if he thought it had some kind of authority over Alice. “Stand up and repeat ‘'Tis the voice of the sluggard,'” said the Gryphon. “How the creatures order one about, and make one repeat lessons!” thought Alice; “I might as well be at school at once.” However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:— “'Tis the voice of the Lobster; I heard him declare, “You have baked me too brown, I must sugar my hair.” As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes.” [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] “That's different from what I used to say when I was a child,” said the Gryphon. “Well, I never heard it before,” said the Mock Turtle; “but it sounds uncommon nonsense.” Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again. “I should like to have it explained,” said the Mock Turtle. “She can't explain it,” said the Gryphon hastily. “Go on with the next verse.” “But about his toes?” the Mock Turtle persisted. “How could he turn them out with his nose, you know?” “It's the first position in dancing.” Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. “Go on with the next verse,” the Gryphon repeated impatiently: “it begins ‘I passed by his garden.'” Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:— “I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie—” [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet—] “What is the use of repeating all that stuff,” the Mock Turtle interrupted, “if you don't explain it as you go on? It's by far the most confusing thing I ever heard!” “Yes, I think you'd better leave off,” said the Gryphon: and Alice was only too glad to do so. “Shall we try another figure of the Lobster Quadrille?” the Gryphon went on. “Or would you like the Mock Turtle to sing you a song?” “Oh, a song, please, if the Mock Turtle would be so kind,” Alice replied, so eagerly that the Gryphon said, in a rather offended tone, “Hm! No accounting for tastes! Sing her ‘Turtle Soup,' will you, old fellow?” The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:— “Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup!     Beau—ootiful Soo—oop!     Beau—ootiful Soo—oop! Soo—oop of the e—e—evening,     Beautiful, beautiful Soup! “Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup?     Beau—ootiful Soo—oop!     Beau—ootiful Soo—oop! Soo—oop of the e—e—evening,     Beautiful, beauti—FUL SOUP!” “Chorus again!” cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of “The trial's beginning!” was heard in the distance. “Come on!” cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. “What trial is it?” Alice panted as she ran; but the Gryphon only answered “Come on!” and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:— “Soo—oop of the e—e—evening,     Beautiful, beautiful Soup!”

Dans Evocation d'une vocation, un créateur d'aujourd'hui nous raconte les 5 bandes originales fondatrices qui ont façonné son ADN et lui ont transmis l'amour de la musique pour l'image. Pour ce nouvel épisode, nous accueillons une comédienne, autrice, chanteuse, parolière, dont les 6 longs-métrages emblématiques comme cinéaste s'intitulent Quadrille, Le Derrière, Palais-Royal, 100% cachemire, Marie-Francine et Aline, film pour lequel elle a été sacrée et consacrée par un César 2022 de la meilleure actrice. Crédits musicaux : I Wanna be like you, par Louis Prima - Extrait du Livre de la jungle (The Jungle book) Paroles et musique de Richard M. Sherman et Robert B. Sherman Editions Wonderland Music Company Inc. Mambo (Dance at the gym) - Extrait de West Side Story Musique de Leonard Bernstein / Paroles de Stephen Sondheim Editions Leonard Bernstein Music Publishing Co. La Gare, par Danielle Licari et José Bartel - Extrait des Parapluies de Cherbourg Musique de Michel Legrand / Paroles de Jacques Demy Editions Warner Chappell Music France / Universal Music Publishing France What's this, par Danny Elfman - Extrait de L'Etrange Noël de M.Jack (The Nightmare before Christmas) Paroles et musique de Danny Elfman Editions Buena Vista Music Co. So may we start, par The Sparks, Adam Driver, Marion Cotillard et Simon Helberg Extrait d'Annette - Paroles et musique de Ron Mael et Russel Mael Editions : inédit

Notre nouvelle invitée du podcast Regard de cinéaste est une impératrice de l'humour, révélée à 25 ans par la série Palace de JM Ribes. Immédiatement, l'interprète s'est prise en main en signant ou co-signant ses premiers onewomen shows, en découvrant l'écriture de paroles de chansons, en enregistrant en 1996, un album entier, produit et composé par Bertrand Burgalat. Dans ce premier podcast, nous allons évoquer ses débuts comme autrice, son itinéraire de cinéaste, étrenné avec Quadrille, itinéraire où elle a dû apprendre à dialoguer avec un autre créateur, le compositeur… quitte, parfois, à utiliser des oeuvres pré-existantes. Crédits musicaux : Dans mon nombril, par Kahimi Karie Musique de Bertrand Burgalat / Paroles de Valérie Lemercier et Bertrand Burgalat Editions : inédit Quand je l'ai vu, par Valérie Lemercier Musique de Bertrand Burgalat / Paroles de Valérie Lemercier Editions Tricatel Cinq minutes pas plus - Extrait de Quadrille Musique de Bertrand Burgalat Editions Tricatel Inspector Clouseau Theme (The Sons of Italy) - Extrait du Derrière Musique d'Henry Mancini / Arrangement : Czerkinsky Editions EMI Catalogue Partnership Rond de jambe / Emprunt russe - Extrait de Palais-Royal Traditionnel / Arrangement : Bertrand Burgalat Editions Tricatel / La Madama Rue des Fossés St-Jacques (instrumental) Musique de Georges Moustaki / Arrangement et direction d'orchestre : Alain Goraguer Editions Paille Musique Pas plus monsieur, par Valérie Lemercier - Extrait de Quadrille Paroles et musique de Bertrand Burgalat Editions Tricatel

Lors du premier épisode, elle nous a raconté ses débuts comme parolière, son passage à la mise en scène avec Quadrille, sa collaboration féconde et fondatrice avec Bertrand Burgalat, sa réappropriation de compositions signées Henry Mancini ou Georges Moustaki. Aujourd'hui, nous allons évoquer l'aventure, je dirais même l'épopée musicale de son opus le plus abouti, Aline, faux biopic de Céline Dion, dont la conception même a posé mille et une problématiques, liées aux répertoire de la diva québécoise à la célébrité planétaire. Crédits musicaux : Power of love, par Céline Dion Paroles et musique de Gunther Mende, Candy DeRouge, Jennifer Rush et Mary Susan Applegate Arrangement : Steffen Harro Editions EMI Songs Musikverlag My heart will go on, par Céline Dion - Extrait de Titanic Musique de James Horner / Paroles de Will Jennings Editions : TCF Publishing / Fox Film Music Corp. / Blue Sky Rider Songs Love me tender, par Elvis Presley Musique de George Poulton / Paroles de Vera Matson et Elvis Presley Editions Universal MCA Music Publishing / Budde Music France All by myself, par Victoria Sio - Extrait d'Aline Paroles et musique de Eric Carmen Arrangement et direction d'orchestre : Rémy Galichet Editions PECF (Warner Chappell) Nature boy, par Nat King Cole Paroles et musique de Eden Ahbez Editions Morris Edwin Soc. Ordinaire, par Victoria Sio - Extrait d'Aline Musique de Robert Charlebois et Pierre Nadeau / Paroles de Mouffe Arrangement et direction d'orchestre : Rémy Galichet Editions Gamma / Les Editions Expérience Je sais pas, par Victoria Sio et Valérie Lemercier - Extrait d'Aline Musique de Robert Goldman / Paroles de Jean-Jacques Goldman Arrangement original : Eric Benzi Piano : Rémy Galichet Editions Jean-Jacques Goldman Editions (Sony Music Publishing France)

Max Tobias is co-founder of The Dusty Knuckle, a social enterprise bakery in London. "It's not for the feint-heart," he tells Elisa Roche in this episode of the Career Conversations podcast series. Max says the jobs is "very demanding" and really is a 24/7 endeavour: "People need their daily bread." It's fair to say Max has been slogging his guts out along with his two best friends to set up a community bakery that helps young people with difficult backgrounds to get back their confidence and learn new skills. Max now has a cookbook on sale, but he's very clear about how hard it has been to reach the stage he has. So, with all that hard work, is he a millionaire? "I haven't made any millions yet, and neither have my business partners."  Listen to the full episode to find out how the bakery came into being, and why they decided to call it The Dusty Knuckle. Max Tobias, Managing Director, The Dusty Knuckle Bakery Max Tobias is the Managing Director of The Dusty Knuckle Bakery. Prior to co-founding TDK, Max worked for ten years in the field of youth intervention, covering fields such as conflict mediation, youth violence, gang prevention and challenging behaviour management. He holds an MSc in Child Development. The Dusty Knuckle: Seriously Good Bread, Knockout Sandwiches and Everything In Between is his first book, published by Quadrille in April 2022. Dusty Knuckle founders – ran a bakery from a shipping container that they won in a competition(!) through to stocking the likes of Fortnums and Ottolenghi with their bread.  Their whole ethos came from wanting to help young people navigating dangerous lifestyles, and the bakery was their solution - The Dusty Knuckle helps young people to find meaningful employment.

I read from cotangent to cottage curtains.   This symbol Θ is Theta: https://simple.wikipedia.org/wiki/Theta   The classic Quadrille dance: https://youtu.be/YHhMvu_9r6U   A modern take on the cotillion dance: https://youtu.be/PxJwow2Ygzc   The word of the episode is "cothurnus". https://en.wikipedia.org/wiki/Buskin     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar 917-727-5757

On todays show we're going to talk to Bobbi Carleton about preparing for competitions. After that Ruth Hogan Poulsen will come  on to discuss a very popular charity event in Wellington "The Challenge of the Americas" quadrille. Wendy Murdoch will be here for a great monthly chat, and then  Reese and Phil will bring you a great trainer tip. Listen In...GUESTS AND LINKS DRESSAGE EPISODE 656:Co-Hosts: Reese Koffler-Stanfield and Philip ParkesPicture Credit: Bobbi CarletonGuest: Bobbi Carleton | Weatogue Stables | FacebookGuest: Ruth Hogan-Poulsen | Facebook | InstagramGuest: Wendy Murdoch | Sure Foot Youtube | Murdoch Method Youtube | FacebookHRN Merchandise!  Find a complete line of screen printed stuff....  and The embroidered merchandise at...Download the FREE Horse Radio Network app for iPhone and AndroidFollow Dressage Radio Show on  Facebook, and follow Horse Radio Network on TwitterCheck out this other great show in the HRN family: Horses in the MorningPlease visit our sponsors, who make all this possible Total Saddle Fit, Kentucky Performance Products, Sure Foot Equine Stability ProgramSupport the show (https://www.patreon.com/user?u=87421)

On todays show we're going to talk to Bobbi Carleton about preparing for competitions. After that Ruth Hogan Poulsen will come  on to discuss a very popular charity event in Wellington "The Challenge of the Americas" quadrille. Wendy Murdoch will be here for a great monthly chat, and then  Reese and Phil will bring you a great trainer tip. Listen In...GUESTS AND LINKS DRESSAGE EPISODE 656:Co-Hosts: Reese Koffler-Stanfield and Philip ParkesPicture Credit: Bobbi CarletonGuest: Bobbi Carleton | Weatogue Stables | FacebookGuest: Ruth Hogan-Poulsen | Facebook | InstagramGuest: Wendy Murdoch | Sure Foot Youtube | Murdoch Method Youtube | FacebookHRN Merchandise!  Find a complete line of screen printed stuff....  and The embroidered merchandise at...Download the FREE Horse Radio Network app for iPhone and AndroidFollow Dressage Radio Show on  Facebook, and follow Horse Radio Network on TwitterCheck out this other great show in the HRN family: Horses in the MorningPlease visit our sponsors, who make all this possible Total Saddle Fit, Kentucky Performance Products, Sure Foot Equine Stability ProgramSupport the show (https://www.patreon.com/user?u=87421)

Laura Pashby is a writer and a photographer. She tells stories using words and photographs on her blog, to her Instagram audience, for brands, and in magazines. Laura spent three years as the deputy editor of 91 Magazine – an independent magazine that covers all aspects of creative living. Across social media, but particularly on Instagram, she has an established and engaged following with an interest in her atmospheric imagery and soulful storytelling.  Laura's first book Little Stories of Your Life combines the wellbeing benefits of mindfulness, creativity and daily photography, showing you how to use words and photographs to capture moments, and how to share your stories in order to connect with others. Little Stories of Your Life is published by Quadrille and is available in bookshops now. In this episode we talk about: How you can use little every day stories to share your brand Exercises for sharing stories regularly What to do when you don't feel like you have anything to share How story telling can convey the personality of your brand  You can find more from Laura: Laura's book Laura's website Small Stories, her monthly email letter Laura's Instagram Laura's Twitter

A new Spanish wine bar in Rose Crescent, a visit to a local fruit farm with some unusual varieties and which supplies some of them to a local cider maker, new cookery books from Quadrille and how food can have a bigger role in the Greater Cambridge local plan.

This week in Creativity Talks I speak to writer and photographer Laura Pashby. We had a wonderful conversation about her recent book, her creative process and about the little details. Listen in as we discuss why those tiny details can be so important to the creative process and what she lines up on her stairs and why... and lighting, foggy mornings and lighting! This is the final guest interview of 2021 on the shoe and I hope you enjoy listening. In the next episode I will speak about creative challenges such as the 30 Day Sketchbook Challenge and why they can be beneficial for kick-staring a creative practice. See you next time. About Laura Laura Pashby is a writer and a photographer. She tells stories using words and photographs on her blog, to her Instagram audience, for brands, and in magazines. Laura spent three years as the deputy editor of 91 Magazine – an independent magazine that covers all aspects of creative living. Across social media, but particularly on Instagram, she has an established and engaged following with an interest in her atmospheric imagery and soulful storytelling. Laura's first book Little Stories of Your Life combines the wellbeing benefits of mindfulness, creativity and daily photography, showing you how to use words and photographs to capture moments, and how to share your stories in order to connect with others. Little Stories of Your Life is published by Quadrille and is available in bookshops now. You can find Laura online here: http://www.laurapashby.com http://www.smarturl.it/littlestories http://www.instagram.com/circleofpines http://www.twitter.com/circleofpines More Information For more information about this podcast please visit the Creativity Talks webpage here: www.creativitytalkspodcast.co.uk If you have enjoyed this podcast you can support me on KoFi here: https://ko-fi.com/susanyeates You can also find me online at www.susanyeates.co.uk or on Instagram @learninglinocut

Alice's Adventures In Wonderland-Ch-10 The Lobster

#036 - Writer, photographer and author Laura Pashby shares her small business journey. She discusses how to tell stories using words and photographs, together with the process of writing her recently published first book, 'Little Stories of Your Life'. Having studied English Literature, together with a Masters in Modern & Contemporary Poetry at university, she worked as a primary school teacher for several years. Then, in 2010, when she had her second of three sons she discovered blogs. After initially setting up a craft blog with a friend, she then started her own blog and joined Instagram. And over time her storytelling shifted from her blog to Instagram. She started creating content for brands on Instagram and writing for magazines, including 91 Magazine where she later became Deputy Editor. On leaving 91, she created some storytelling e-courses before deciding to take Beth Kempton's Book Proposal Masterclass.  After completing Beth's masterclass, in early 2020, she sent off her book proposal to a book agent. She signed with Quadrille and had nine months to write the book and take all the photographs. She shares her book writing process, its structure and contents. And the book was published this month - October 2021. Laura, who you may know on Instagram as @circleofpines, also shares her photography journey, her camera equipment and what she uses to edit her images. She discusses hints and tips about taking still life and self-portrait photographs. Listening to this episode, you'll hear about Laura's passion for words and images, and in particular how to use them effectively to tell an engaging story. At the end of the podcast, you'll discover her practical tips, which I'm sure you'll find very inspiring. Show notes are available on the My Small Business & Me website: https://mysmallbusinessandme.com/episode36

Banjo - aDAde Version I recorded in 2000 for my self produced CD "Banjo Stuff".

John "Dick" Summers was a prolific playing fiddler from Indiana, born before 1900. This week's Tune of the Week features one of his tunes, offered by Carl Baron who played it in the 1970's with the folk who actually recorded Summers. It's a happy beauty of a tune -- Lowery's Quadrille -- perhaps for dancing way back when.

Banjo - aDAde Recorded for TOTW 10-22-2021, the day before uploading.

Banjo - aDAde Version I recorded in 2000 for my self produced CD "Banjo Stuff".

Recorded in 1972 by Armin Barnett and Mark Gunther from which I made a banjo setting

John "Dick" Summers was a prolific playing fiddler from Indiana, born before 1900. This week's Tune of the Week features one of his tunes, offered by Carl Baron who played it in the 1970's with the folk who actually recorded Summers. It's a happy beauty of a tune -- Lowery's Quadrille -- perhaps for dancing way back when.

Banjo - aDAde Recorded for TOTW 10-22-2021, the day before uploading.

Recorded in 1972 by Armin Barnett and Mark Gunther from which I made a banjo setting

Lewis Carrol's beloved story of Alice's Adventures in Wonderland begins when Alice falls down a rabbit hole and encounters a world she wasn't expecting. This collection also contains Alice's Adventures Underground, Through the Looking Glass, and more selections from the worlds of Alice and Wonderland.

The Bantral System is not at war, so all's fair in longing looks across the dance floor? Join Sam, Lyla, Ceres and Big Steve as they navigate the treacherous minefield of social interaction, and begin to get tangle themselves up. (Episode 1 of 5) Mobile Frame Zero Firebrands by Meguey Baker (@NightSkyGames) and Vincent Baker (@lumpleygames). Pick up a copy at https://lumpley.itch.io/firebrands. Music by 8er41 on Pixabay Social Links: Just Roll With It: https://linktr.ee/rollwithitap Peter: https://linktr.ee/prcargill Kelsey: https://linktr.ee/islanderscaper Kori: https://linktr.ee/koriklinzing Steve: @DeeEmSteve

The Mock Turtle and Alice both share strange songs, but they are cut short when the trial approaches! Download free coloring pages on our website:https://windchimestorytime.wixsite.com/podcast/coloring-pagesRead along with the episode:https://windchimestorytime.wixsite.com/podcast/read-alongSupport us on Patreon:https://patreon.com/WindchimestorytimeWant to submit your story to be told on our podcast? Email us a copy at windchimestorytime@gmail.comSupport this podcast at — https://redcircle.com/windchime-storytime/donationsSupport this podcast at — https://redcircle.com/windchime-storytime/donations

Alexandre Guitry, dit Sacha Guitry, est un dramaturge, acteur, metteur en scène, réalisateur et scénariste français, né le 21 février 1885 à Saint-Pétersbourg (Russie) et mort le 24 juillet 1957 à Paris (7e). Auteur dramatique prolifique, il a écrit cent-vingt-quatre pièces de théâtre, dont beaucoup furent de grands succès. Il a également réalisé trente-six films (dont dix-sept adaptations de ses pièces), jouant dans la quasi-totalité d'entre eux, notamment Le Roman d'un tricheur, Désiré, Mon père avait raison, Quadrille, Ils étaient neuf célibataires, Si Versailles m'était conté.. Alexandre dit « Sacha1» Guitry est le fils du comédien Lucien Guitry (1860-1925) et de Renée Delmas (1858-1902), fille du journaliste René Delmas de Pont-Jest, qui s'est essayée elle aussi au théâtre. Il est le troisième d'une fratrie de quatre garçons dont deux mourront au berceau (l'aîné en 1883, le benjamin en 1887). Le cadet, Jean, né en 1884 à Saint-Pétersbourg, deviendra comédien et journaliste avant de périr dans un accident d'automobile en 19202. Comme ses deux aînés, Alexandre naît dans la capitale de l'Empire russe, où son père a signé un contrat de neuf ans avec le théâtre Michel pour la saison d'hiver. Il doit son prénom de baptême à son parrain le tsar Alexandre III qui appréciait le talent de Lucien Guitry. Ses parents se séparent en 1885, Renée Delmas refusant les nombreuses liaisons de son mari, notamment avec Sarah Bernhardt. Le divorce est prononcé en février 1889 et Sacha est confié à sa mère, ce qui n'empêche pas Lucien d'enlever son fils en octobre 1889 pour le ramener à Saint-Pétersbourg où il le fait jouer devant le Tsar et la famille impériale (à moins qu'il s'agisse d'une mise en scène concertée par les deux parents, l'enfant étant rendu après la saison de représentations). Élève médiocre, il est expulsé de onze lycées différents comme il le rappelle dans son Discours de cent lignes, prononcé lors du banquet du cinquantenaire de Janson-de-Sailly (en 1934). Il arrête ses études à dix-huit ans, après avoir redoublé dix fois sa 6e4, pour embrasser la carrière à laquelle il aspire : le théâtre.

Alexandre Guitry, dit Sacha Guitry, est un dramaturge, acteur, metteur en scène, réalisateur et scénariste français, né le 21 février 1885 à Saint-Pétersbourg (Russie) et mort le 24 juillet 1957 à Paris (7e). Auteur dramatique prolifique, il a écrit cent-vingt-quatre pièces de théâtre, dont beaucoup furent de grands succès. Il a également réalisé trente-six films (dont dix-sept adaptations de ses pièces), jouant dans la quasi-totalité d'entre eux, notamment Le Roman d'un tricheur, Désiré, Mon père avait raison, Quadrille, Ils étaient neuf célibataires, Si Versailles m'était conté

In this episode of The Para Dressage Podcast we're talking to South Africa's double Beijing 2008 Paralympic Gold Medallist Philippa Johnson-Dwyer, from South Africa. Philippa was an ambassador for this year's Quadrille competition held in Waregem, Belgium. It's one of the first competitions of the European calendar and often sets the scene for each year. This edition had an added interest of bring one of the first major 3 start competitions in Europe since the start of the pandemic. We talk about that, her memories of Beijing, her new horses, and how there's a horse out there with her name on it, literally.  

Alexandre Guitry, dit Sacha Guitry, est un dramaturge, acteur, metteur en scène, réalisateur et scénariste français, né le 21 février 1885 à Saint-Pétersbourg (Russie) et mort le 24 juillet 1957 à Paris (7e). Auteur dramatique prolifique, il a écrit cent-vingt-quatre pièces de théâtre, dont beaucoup furent de grands succès. Il a également réalisé trente-six films (dont dix-sept adaptations de ses pièces), jouant dans la quasi-totalité d'entre eux, notamment Le Roman d'un tricheur, Désiré, Mon père avait raison, Quadrille, Ils étaient neuf célibataires, Si Versailles m'était conté... Alexandre dit « Sacha» Guitry est le fils du comédien Lucien Guitry (1860-1925) et de Renée Delmas (1858-1902), fille du journaliste René Delmas de Pont-Jest, qui s'est essayée elle aussi au théâtre. Il est le troisième d'une fratrie de quatre garçons dont deux mourront au berceau (l'aîné en 1883, le benjamin en 1887). Le cadet, Jean, né en 1884 à Saint-Pétersbourg, deviendra comédien et journaliste avant de périr dans un accident d'automobile en 1920. Comme ses deux aînés, Alexandre naît dans la capitale de l'Empire russe, où son père a signé un contrat de neuf ans avec le théâtre Michel pour la saison d'hiver. Il doit son prénom de baptême à son parrain le tsar Alexandre III qui appréciait le talent de Lucien Guitry. Ses parents se séparent en 1885, Renée Delmas refusant les nombreuses liaisons de son mari, notamment avec Sarah Bernhardt. Le divorce est prononcé en février 1889 et Sacha est confié à sa mère, ce qui n'empêche pas Lucien d'enlever son fils en octobre 1889 pour le ramener à Saint-Pétersbourg où il le fait jouer devant le Tsar et la famille impériale (à moins qu'il s'agisse d'une mise en scène concertée par les deux parents, l'enfant étant rendu après la saison de représentations) Élève médiocre, il est expulsé de onze lycées différents comme il le rappelle dans son Discours de cent lignes, prononcé lors du banquet du cinquantenaire de Janson-de-Sailly (en 1934). Il arrête ses études à dix-huit ans, après avoir redoublé dix fois sa 6e, pour embrasser la carrière à laquelle il aspire : le théâtre. François Feroleto est né à Montreux, en Suisse. À 16 ans, il quitte l'école pour travailler dans la restauration en tant qu'apprenti cuisinier à Lausanne. Alors qu'il termine son apprentissage, il découvre le théâtre en jouant dans un spectacle amateur et décide de devenir comédien. Quelques mois plus tard, il se rend à Paris et s'inscrit au cours Balachova, dirigé par Vera Gregh, ainsi qu'au cours de Jean-Laurent Cochet. Parallèlement, il exerce divers métiers : il sera tour à tour vendeur, coursier, déménageur, correcteur dans l'édition… Il fait ses débuts sur scène en 1991 et, pendant quinze ans, c'est au théâtre que se déroule l'essentiel de sa carrière. Il joue principalement des auteurs contemporains, dans le théâtre public comme dans le théâtre privé, et travaille avec des metteurs en scène aussi divers que Marcel Bluwal, Jean-Claude Brialy, Jean-Claude Fall, Bernard Murat, Régis Santon ou Jacques Weber et aux côtés de partenaires tels que Béatrice Agenin, Niels Arestrup, Marie-Christine Barrault, Carole Bouquet, Jean-Pierre Cassel, Roger Dumas, Édith Scob… Avec Michel Bouquet et Claude Brasseur, il joue 490 représentations de À torts et à raisons2, spectacle qui obtient 11 nominations aux Molières en 2000 et pour lequel il est nommé au Molière de la révélation masculine.

The Mock Turtle sighs and sobs some more before eventually asking Alice if she has ever seen a lobster. Alice comes close to saying she's had one, but she stops herself and clearly says no. The Lobster-Quadrille is described by the Mock Turtle and the Gryphon as a dance in which all sea animals (except jellyfish) join forces with lobsters, advance from the seashore, and throw the lobsters out to sea. Even though they don't have any lobsters, the Mock Turtle and Gryphon decide to show Alice the first figure of the Lobster-Quadrille. The Mock Turtle sings a song about whiting and a snail as they dance. After they've finished dancing. The Mock Turtle sings "Turtle Soup" after Alice requests it. The Gryphon hears the cry and states"The trial has begun!" and whisks Alice away as the Mock Turtle finishes the tune. https://chimesradio.com http://onelink.to/8uzr4g https://www.instagram.com/vrchimesradio/ https://www.facebook.com/chimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

Lewis Carroll, Alice in Wonderland Chapter 10 The Lobster Quadrille --- Send in a voice message: https://anchor.fm/simon-r-anthony/message

What does it sound like when a turtle sings? You’ll find out in today’s chapter. Enjoy! Alice’s Adventures in WonderlandBy Lewis CarrollNarrated by Erin Robertsonhttps://www.gutenberg.org/files/11/11-h/11-h.htm Find me online: https://www.erin-robertson.com/ Thanks for listening!#narratedbyerinrobertson #classics #audiobooks #AliceInWonderland #publicdomain

The Mock Turtle sings, and therefore so do I.Art: Cartoon BazookaMusic: Picture Book by HeadlundYoutube: The Lobster's QuadrilleDiscussion: Disney's Alice in Wonderland (1951)