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My guest today is Ian Kerry who is a photographer and Hull enthusiast. And today's episode is a new direction for me as I take the microphone outside and travel 70 miles up the road from Sheffield to the Hessle Foreshore, sitting on a picnic bench taking in the view of the Humber Bridge. Ian, Gavin and I talk about the construction of the bridge and the effect of the bridge's arrival on the local community and the changes to the landscape and human relationships that the bridge brought about. We read a selection of Larkin's poems and prose and explore what the bridge and the wider Holderness area meant to Larkin. You will hear some ambient noises in the background- the wind, people walking past, the occasional car and seagull- I hope it helps to set the scene rather than presents a distraction! We also hear PLS member Chris Sewart, reading Bridge for the Living in full. This was recorded on the other side of the river in Barton Upon Humber, with the south pillars of the bridge just behind us. Thank you Chris for taking the time to record this for us.Larkin poems discussed:Here, The Whitsun Weddings, Bridge for the Living, High Windows, Aubade, The Building, Friday Night in the Royal Station Hotel, AbsencesOther references:Ian's English teacher- Kate TordoffA Rumoured City https://www.amazon.co.uk/Rumoured-City-New-Poets-Hull/dp/090642741XWizard of Oz (1939 dir Victor Fleming)Monitor, Down Cemetery Road with Philip Larkin https://www.youtube.com/watch?v=Coe11pgoj8EAlex Howard https://alexhoward.org/about/https://era.ed.ac.uk/handle/1842/35859Joe Riley https://podcasts.apple.com/ie/podcast/joe-riley-presents-the-whitsun-weddings/id1486735740?i=1000664101367Sketch Poetry podcast; https://open.spotify.com/show/4Ubm0zfLmjrOqVqMWulgf0https://www.theguardian.com/books/booksblog/2010/jun/24/hull-inspires-poets What fresh Hull is this?Philip Larkin's east Yorkshire home town has been called the most poetic city in England. Which town exercises – or defeats – your muse? By John KeenanSongs for Humberside by Christopher Rowe and Ian Clarkhttps://www.discogs.com/release/3734583-Christopher-Rowe-Ian-Clark-Songs-For-Humberside?srsltid=AfmBOorFZyFqtjKQJDPeTX6e7CYglsETWEwiawNbWL4HNZWYIDbVignNBridging the Humber https://www.youtube.com/watch?v=aepcHKLWgjs&t=1366sAlmost Instinct, Almost True booking link https://www.eventbrite.com/e/almost-instinct-almost-true-tickets-1334343379969?aff=oddtdtcreatorMusic: Lazy River (Louis Armstrong) played by Sidney BechetTheme music:The Horns of the Morning by Wes Finch and the Mechanicals Bandhttps://themechanicalsband.bandcamp.com/album/the-righteous-jazzProduced by Lyn Lockwood and Gavin HoggPlease email Lyn at plsdeputychair@gmail.com with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com
Dans cet épisode, je reçois Tania Partouche. Tania grandit à Toulouse, aînée d'une famille de filles, avec des valeurs clés comme le sens de l'effort et l'ouverture d'esprit inculquées grâce à ses parents commerçants. Après des études à la Sorbonne, Tania devient juriste en droit social et rejoint rapidement l'univers de la lingerie d'abord chez Calzedonia puis chez Etam ou on lui confie un poste de responsable RH avant d'intégrer les rangs d'Aubade en 2019 ou elle évoluera jusqu'à devenir DRH de la marque. Tania nous parle de la manière dont elle a grandit dans l'entreprise, au gré des rencontres, notamment celles de femmes qui ont marqué son parcours. Nous avons également parlé de l'importance pour elle d'encourager, à son tour, ses équipes à grandir chaque jour, d'abord en verbalisant ses aspirations comme elle l'a fait elle même mais aussi en osant aller de l'avant au quotidien. Aubade est une entreprise pensée par des femmes et pour les femmes et qui visent à soutenir celles ci dans toutes les étapes de leur vie. La maternité en fait partie et ce fut le cas pour Tania qui a eu ses deux enfants en parallèle de ses différentes prises de postes, preuve que selon les cultures d'entreprises, la maternité n'est pas toujours un frein dans l'évolution professionnelle. Nous avons également parlé de sa vision du rôle de la DRH, des conseils qu'elle aurait aimé entendre plus tôt et bien sur, de la notion d'ambition. Belle écoute ! NOTES DE L'ÉPISODE: Le podcast vous plaît ? Prenez 30 secondes pour le noter 5 étoiles sur Apple podcast ou Itunes, et commentez si vous le souhaitez, c'est très précieux pour moi !
Read by Aaron Novak Production and Sound Design by Kevin Seaman
This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comSebastian is an author, journalist, and war correspondent. He's been a contributing editor to Vanity Fair and a special correspondent at ABC News, and his debut documentary, Restrepo, was nominated for an Oscar. He's the author of many bestsellers, including The Perfect Storm, War, Tribe, and Freedom. His latest: In My Time of Dying: How I Came Face to Face with the Idea of an Afterlife. It's a fascinating account of his own brush with death — and how it changed his understanding of the universe and its mysteries.A brilliant writer and indefatigable reporter, he's also a Cape Cod neighbor. For two clips of our convo — the universal features of near-death experiences, and the mysteries of quantum physics — see our YouTube page.Other topics: growing up near Boston; his New Age mom and physicist dad; becoming a war correspondent and witnessing death; losing his photojournalist friend Tim Hetherington; Sebastian's atheism and rationalism; his vivid account of nearly dying from an aneurysm in the woods of Cape Cod; the novel way a doctor saved him at the last second; visions of his dead father beckoning him to the other side; his vivid dreams over the following months; the “derealization” of believing you're dead; how NDEs defy natural selection; the telepathy of some NDEs; how centrifuges can reproduce NDEs; the disciples' visions of Jesus after death; the book Proof of Heaven; the Big Bang; consciousness; panpsychism; stories vs. explanations — and why humans need both; Dostoevsky and his mock execution; how NDEs are similar to psychedelics; Michael Pollan; Pascal; Larkin's “Aubade”; and the last trimester of life.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Jon Rauch on the tribalism of white evangelicals, Ross Douthat on the supernatural, Evan Wolfson on the history of marriage equality, Yoni Appelbaum on how America stopped building things, Chris Caldwell on political upheaval in Europe, Nick Denton on the evolution of new media, and the great and powerful Mike White, of White Lotus fame. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.
'Opus' es el título del documental que dirigió Neo Soro, una carta de amor a su padre, en el que aparece solo Ryuichi Sakamoto tocando el piano por última vez. Recordamos al compositor y pianista japonés, que nos dejó el año pasado, leyendo varios pasajes de su libro 'La música os hará libres' y escuchando algunos temas de la banda sonora de 'Opus': 'Lock of love', 'Andata', 'Solitude', 'For Johan', 'Aubade 2020', 'Bibo no aozora', 'Tong poo', 'The sheltering sky', 'Happy end' y 'Merry xmas Mr Lawrence'.Escuchar audio
Send us a message!Has Amaris always been this dense? Come on girl! These chapters go quick, but quite a lot happens. And of course we get more questions than answers as part two of the book comes to an end. Music is by Alexander Nakarada.Support the show
Send us a message!As Nox, Ash and Malik make their way into Aubade, Amaris and Gadriel spend some time exploring the university to find a way to break the curse. Join us to discuss chapters 6-11 of the second book in Piper CJ's The Night and its Moon series. Music is by Alexander Nakarada.Support the show
This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comJeffrey Toobin is a lawyer, author, and the chief legal analyst at CNN, after a long run at The New Yorker. He has written many bestselling books, including True Crimes and Misdemeanors, The Oath, The Nine, and Too Close to Call, and two others — The Run of His Life and A Vast Conspiracy — were adapted for television as seasons of “American Crime Story” on the FX channel.You can listen right away in the audio player above (or on the right side of the player, click “Listen On” to add the Dishcast feed to your favorite podcast app). For two clips of our convo — why the Bragg conviction helped Trump, and the origins of lawfare with Bill Clinton — pop over to our YouTube page.Other topics: growing up in NYC as the only child of two journos; his mom was a pioneering TV correspondent; his dad was one of founding fathers of public television; Jeffrey at the Harvard Crimson and then Harvard Law; how Marty Peretz mentored us both; the conservative backlash after Nixon and rebuilding executive power; Ford's pardon; Jeffrey on the team investigating Oliver North; the Boland Amendment and the limits of law; Cheney's role during Iran-Contra; how Congress hasn't declared war since WWII; Whitewater to Lewinsky; Ken Starr and zealous prosecutors; Trump extorting Ukraine over the Bidens; Russiagate; the Mueller Report and Barr's dithering; how such investigations can help presidents; the Bragg indictment; the media environment of Trump compared to Nixon; Fox News coverage of Covid; Trump's pardons; hiding Biden; the immunity case; SEAL Team Six and other hypotheticals; Jack Smith and fake electors; the documents case; the check of impeachment; the state of SCOTUS and ethics scandals; Thomas and the appearance of corruption; the wives of Thomas and Alito; the Chevron doctrine; reproductive rights; the Southern border and asylum; Jeffrey's main worry about a second Trump term; and his upcoming book on presidential pardons.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Eric Kaufmann on liberal extremism, and Bill Wasik and Monica Murphy on animal cruelty. (Van Jones' PR team canceled his planned appearance.) Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.Here's a fan of last week's episode with Anne Applebaum:I loved your freewheeling interview with Applebaum. Just like the last time she was on, each of you gave as good as you got.I tend to agree more with her, because I fear that sometimes you come off as what Jeane Kirkpatrick called the “blame America first crowd” — not that we haven't committed our sins. But if we didn't exist, Putin would still be evil and want to recreate the Warsaw Pact, and the mullahs in Iran would still be fanatics despite our CIA involvement. It's complicated.Another on foreign policy:I despise Putin, my sympathies are totally with the Ukrainians, and I get angry when people like Rod Dreher and Tucker Carlson imply that the Russians were forced by the West to invade Ukraine. But, so what! You hit the nail on the head with the Obama quote — that Ukraine is never going to mean as much to us as it does to them (the Russians). You also made another very good point that the Russians can't even conquer Ukraine, but we're supposed to fear they will march West? How they going to do that?!Another took issue with several things from Anne:You raised the immigration issue, and Applebaum completely dismissed it: Hungary doesn't have a migrant crisis. … Because it's a useful symbol [to] create fear and anxiety. … This is the oldest political trick in the book, and the creation of an imaginary culture war is one of the ways in which you build support among a more fearful part of the population.WTF? Are Hungarians not allowed to see what is happening in every other European country that has allowed mass migration and see the problems it has caused and proactively decide to prevent this?! Are they not allowed to be concerned until Budapest has the banlieues of Paris, the car bombing gangs of Sweden, and the grooming gangs of England?! And in Germany, it has been recently reported that almost half of people receiving social payments are migrants.Applebaum followed that up with an even bigger gobsmacker about Biden's cognitive decline: “This is another road I don't want to go down, but I know people who met with Joe Biden a couple months ago, and he was fine” (meaning I just want to make my statement but will not allow you a rebuttal). And then:I've met [Harris] a few times, mostly in the context of conversations about foreign policy and about Russia and Ukraine and other things. And she's an intelligent conversationalist. … I was impressed with her. And these are way off-the-record conversations... And I was always more impressed with how she was off the record. And then I would sometimes see her in public. And I thought, she seems very stiff and nervous. … You'd like her if you met her in real life.Translation of both of these excerpts: “You plebes who aren't insiders just don't understand, but trust me — the connected insider — instead of your lying eyes.”Another adds:I think for the next few months, you're going to have to push people like Anne Applebaum to be more open to criticizing the Biden-Harris record. She's a smart person with important things to say, but she clearly dared not criticize the current administration, lest she be seen as helping Trump. And another:She says, unironically, that autocrats rig court systems with exotic new lawfare to attack their political enemies to seize or cling to power. I wonder what that makes Alvin Bragg and Merrick Garland.This Dishhead listened to the episode with his teenage son:The notion that Trump supporters want a dictator is beyond ridiculous. They are among the most individualistic and freedom-loving people in America. They are the Jacksonians, the Scots-Irish heart of this country. They are ornery as hell, and if Trump tried to force them into anything, he'd have another thing coming. Just look how he tried to get them to take “his” vaccine. That didn't work out so well, did it? The truth is, they view people like Anne as the ones who are taking away their rights and freedoms through their absolute dominance of the media and all cultural institutions. Now maybe Trump will deliver them from that and maybe he won't, but that is what they are seeking — not a dictator, but someone who will break the hideous grip that the liberal elite has on the culture.My son is 18 years old and was also listening to the episode. He is highly engaged in national and world affairs, and he also thought Anne was way off track. He's already announced to his mother (much to her chagrin) that he will be casting his first vote for Trump. And get this: he's going to Oberlin College this fall. I can assure you he's not looking for a dictator. He's looking to say “eff you” to a system that has no use for upper-class, normal white boys like him. The elites hate him and his friends.But I'm glad you have a diversity of views on the Dishcast. It really is the best. I look forward to listening to it every week.I can't back Trump, but I do think your son is onto something. On a few other episodes:Lionel Shriver — I love her! I wished you'd talked more about her novel, Mania. It's not perfect, but it's good.On the Stephen Fry pod, I was resistant! He's irritated me at times. But I loved it when you two started doing Larkin! I shouldn't admit this, but “Aubade” could be my autobiography. I think one or both of you misinterpret “Church Going.” Larkin doesn't wish he had faith. I don't think that's relevant to him. Fry talked about how he liked everything about Anglicanism except for the detail about God (and I always suspect that for Anglicans, God is a somewhat troubling detail). I'm probably just guessing, but I don't think that's Larkin. Larkin didn't wish he had faith. He was elegiac about the past in which there was faith. I think you'll see this sensibility in “An Arundel Tomb.”Agreed. Another on Shriver:She seems to think that “liberals” are mistaken in believing that everyone can be equal, but I think she is mistaken in thinking that is what they believe — at least those I know. Liberals do think that 1) expectations play a role in what people achieve; and 2) given the right circumstances, many people find they can achieve more than was expected. Low expectations do lead to low outcomes (and yes, there is research to support that statement). Does that mean everyone can do anything they wish? No. Neither you nor I will ever be a concert pianist, but let us not condemn everyone to the garbage heap based on false expectations.Thanks as always for your provocative discussions.Here's a guest rec:Musa Al Gharbi, a sociologist at Stony Brook, has written for Compact, American Affairs, and The Liberal Patriot. His forthcoming book, We Have Never Been Woke: The Cultural Contradictions of a New Elite, draws on Pierre Bourdieu's notions of cultural capital to analyze the ascendant symbolic capitalists — those who work in law, technology, nonprofits, academia, journalism and media, finance, civil service and the like — and how the ideology known as “wokeness” exists to entrench economic inequality and preserve the hegemony of this class. I have preordered the book, and it should be a timely read for an election in which class (education), not race, has become the preeminent dividing line in our politics.Here's a guest rec with pecs:I have a recommendation that may sound bonkers, but hear me out: Alan Ritchson, the actor whose career has taken off thanks to playing Jack Reacher on Reacher.The fact that he's really, really, really ridiculously good-looking is the least interesting thing about him. I'd love to hear a conversation between you and him for a few reasons. First, he's bipolar and speaks openly about it. Second, he started taking testosterone supplements after his body broke down from working out for Reacher, and he speaks openly about that too. Third, he's a devout evangelical Christian who speaks openly about his faith — and about his disgust with Christian nationalism and the hijacking of Christianity by many Trump supporters. Fourth, he posted what read to me as a thoughtful, sane critique of bad cops, thereby angering certain denizens of the Very Online Right. Thus, he could speak to a number of major Dishcast themes: mental illness, masculinity, and Christianity. To me, he manages to come across as a guy's guy whose comments on political matters sound like the result of actual reflection, rather than reflexively following a progressive script, which is how most celebrities come across. He's articulate, and the way he's navigating this cultural and political moment is fascinating. And if you do snag him, you should supplement the audio with video.Haha. But seriously, we're trying to keep the podcast fresh and this is a great out-of-the-box recommendation. Next up, the dissents over my views on Harris continue from the main page. A reader writes:I have no particular attachment to Kamala Harris, and share some of your concerns, but your latest column reads more like a Fox News hit piece than a real assessment. The main problem is that you seem to be judging Harris almost exclusively on the basis of statements she made in 2020, at the height of the Democrats' woke mania because of George Floyd. Do you not remember that she was destroyed in the primary because she was a prosecutor, and was to the right of almost everyone else in the primary, except for Biden and Sanders? That's why she lost: she wasn't woke enough. So as VP, of course she pivoted to shore up her appeal to the base, like any good politician would. It's terribly unfortunate that she had to tack hard left precisely as the country was moving back to the center and rejecting wokism, but that doesn't mean she's the “wokest candidate,” as you say. It just means she's a politician.My criticism also extended to her management and campaigning skills in the past. And look: I don't think it's fair to compare my attempt to review the evidence of her record with a Fox News hit-piece. It's important to understand her vulnerabilities as well as he core ideas, if she has any. This next reader thinks she is off to a good, non-woke start:I agree with your criticisms of Harris, at least some of them. We need to have stronger border enforcement, we can't have riots in cities, and racism is real but DEI excesses are also bad. And it's troubling that she has a history of being a bad boss. I can only hope that she has learned from her mistakes. But I take heart from her campaign speech in Wisconsin: she said not a word about DEI, nothing about “vote for me to show that you're not sexist/racist, because I'm a woman of color,” and not much about “Trump is a threat to democracy.” It was all, “I have experience dealing with sleazy crooks and sex offenders like Trump, and I want to help middle-class Americans and protect health care and a woman's right to choose.” Sounds like a popular message!You also say, “She is not a serious person.” Bro, have you *seen* the other party's candidate?
Recorded by Chrysanthemum Tran for Poem-a-Day, a series produced by the Academy of American Poets. Published on July 4, 2024. www.poets.org
Oscar Wilde once said, “All bad poetry springs from genuine feeling. To be natural is to be obvious, and to be obvious is to be inartistic.” But if that's the case, how do we explain Rupi Kaur? Ever since she came on the scene a decade ago, Rupi has seen equal measures of praise and scrutiny. And, youth and gender considered, it's hard not to feel that the backlash to her work is yet another instance of people hating anything that's popular. However, in this episode, Hannah and Maia are joined by special guest, poet Phoebe VanDusen, to peer behind the veil of Rupi's persona and ask some pressing questions. What exactly irks people about her work? Does all art need to be democratized? What is the line between anti-elitism and anti-intellectualism? And perhaps the most puzzling of all: is poetry something anyone can do? Tangent includes: Maia's shameless love of Nickelback. Support us on Patreon and get juicy bonus content: https://www.patreon.com/rehashpodcast Intro and outro song by our talented friend Ian Mills: https://linktr.ee/ianmillsmusic Poets mentioned by Phoebe: Tommy Pico Kim Hyesoon Etel Adnan Timmy Straw Frank O'Hara Alice Notley Ocean Vuong - "Aubade with Burning City": https://www.poetryfoundation.org/poetrymagazine/poems/56769/aubade-with-burning-city SOURCES: Javon Johnson, Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities, Rutgers (2017). Maria Manning, “Crafting Authenticity: Reality, Storytelling, and Female Self-Representation through Instapoetry” Storytelling, Self, Society, Vol. 16, No. 2 (2020). Audre Lorde, “Poetry Is Not a Luxury” (1985). Miski Omar, “Whether voice of a generation or queen of cringe, Rupi Kaur was a gateway to the world of poetry” The Guardian (2024). Soraya Roberts, “No Filter” The Baffler (2018). Rebecca Watts, “The Cult of the Noble Amateur” PN Review, vol.44 (3) (2018).
Betty Mackereth was Philip Larkin's secretary at the library at the University of Hull. They were work colleagues and good friends, growing closer and more intimate, as the years went on. Betty turns 100 on 27th June 2024. We begin with Betty herself in conversation with James Booth when James was beginning his research into his biography of Philip Larkin . James calls her, Larkin's ‘ageing muse of vitality'. After this, we hear directly from James Booth who spoke Lyn and trustee Philip Pullen at James's house earlier this year. Thank you and special birthday wishes to Betty and thank you to Magnus Mackereth, Betty's nephew, for giving us his blessing. Thanks again to James Booth and Philip Pullen and Simon Galloway for support with sound production. Mary Judd -- See "'What fun we had in the early sixties!' Philip Larkin and Mary Wrench (Judd)" by James Booth, in About Larkin 45 (April 2018). Having appreciated The Less Deceived, Mary (b.1923) applied for a post as Assistant Librarian in Hull in 1956, wanting to see "what a poet is like". Larkin interviewed her himself, and flattered (and also intimidated) by her familiarity with his poetry, saw her off from Hull on the coach with the words "I hope you'll come". She fitted into the Library well, befriending Maeve Brennan and Betty Mackereth, took part in the momentous move of the library into its new building in 1959, and stayed until 1964. She married Stephen Judd and Larkin visited her in the hospital where she gave birth to her first daughter, Helen in 1962. Larkin became a conscientious long-distance godfather to Helen, and kept in touch with Mary, sending her cards and the occasional letter. Suzanne Uniacke. (There is a village in County Cork called Uniacke. The Uniackes came over with the Conqueror. It's a rare name!) Suzanne was a Reader in the Philosophy Department in Hull from 2006 to 2013. Pauline Dennison was a library colleague of Maeve Bennan. She cut a formidable figure in charge of the Issue Desk in the Brynmor Jones for many years. Brenda Moon https://www.theguardian.com/books/2011/mar/31/brenda-moon-obituary Don Lee Don was a trustee of the PLS for many years, and developed many Larkin walks in sites across the country that are still used today. Ivor Maw Philip Pullen- My Friend Ivor Maw (About Larkin 42) https://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-42.pdf Poems mentioned: Love Again, The Dance, I Am Jake Balakowsky, Morning at last there in the snow, When First We Faced, We Met at the end of the party, Aubade, Symphony in White Major, Oxford, Broadcast, Toads Revisited, The Large Cool Store The Philip Larkin I Knew- Maeve Brennan (Manchester University Press, 2002) Philip Larkin: Life, Art and Love by James Booth (Bloomsbury, 2015) Letters Home by Philip Larkin ed. James Booth (Faber, 2018) The Importance of Elsewhere: Philip Larkin's Photographs by Richard Bradford (Francis Lincoln, 2015) Philip Larkin Collected Poems ed. Anthony Thwaite (Faber, 1988) The Complete Poems of Philip Larkin ed. Archie Burnett (Faber, 2012) Philip Larkin: A Writer's Life by Andrew Motion (Faber, 1994) https://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-35.pdf Early Days in Philip Larkin's Library Betty Mackereth https://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-25.pdf 'New Brooms' Philip Larkin Betty Mackereth Philip Larkin and the Third Woman https://www.youtube.com/watch?v=TRibIbHPAws ‘Former poet laureate Sir Andrew Motion discovers an unseen and unpublished poem by Philip Larkin when he returns to Hull to meet one of the poet's former lovers. Speaking for the first time about her relationship with Larkin, Betty Mackereth reveals the man behind the famous poems.' Cast: Andrew Motion First episode date: 7 December 2010 Robbins report https://en.wikipedia.org/wiki/Robbins_Report Music: Laura - Sidney Bechet Petit Fleur- Monty Sunshine Reckless Blues- Bessie Smith
It's true that the world is beautiful. And it's also true that the beauty and goodness in the world can dissolve in front of us. Life is unpredictable, like the author of Ecclesiastes says, it's a “chasing after the wind.” Click here for Robert Siegel's book A Pentecost of Finches. Here's a link to his poem "Aubade." I love the Bible Project. Here's their summary of the book of Ecclesiastes. Find the Lectio Divina scripture passage here. Here's a link to Micha's new book Blessed Are The Rest of Us: How Limits and Longing Make Us Whole. Find it at Target, Barnes and Noble, Amazon, and Bookshop.org. Leave a review for Blessed on Amazon here! It's availble at 40% off the price of other booksellers at BakerBookHouse. Just use the code SLOWWAY at checkout. Learn more about Micha's other podcast The Lucky Few at their website and instagram. Micha will be hosting a weekly virtual book club for paid subscribers this spring, following the release of her new book. If you're interested, become a paid subscriber and support her work! Here's a link to learn more. Find a transcript of this episode here. Find Micha's website and sign up for her weekly newsletter here. Find Micha on Instagram. Find Micha on Threads.
S10E271: Micro-Plastenis - Join the Grims as we unearth the origins of the first power ballad, explore the unsettling discovery of microplastics in unexpected anatomical locations, marvel at the AI advancements reshaping our world, unravel the mystery behind severed limbs making headlines, disclose Metal Archives' stance on AI-generated music, and play heavy metal for your filthy earballs! (00:00:00) - Intro (00:00:57) - Aubade to Sorrow, SONG: Mantra (00:04:03) - Curse Upon a Prayer, SONG: A Heav'n Of Hell (00:13:11) - Conversation 1 (00:19:56) - Grandma's Pantry: Bloodgasm, SONG: Peeled Like a Pig (00:23:05) - Conversation 2 (00:35:53) - Cryptic Hatred, SONG: Mesmerized by the Malignant Gaze (00:40:11) - Voidkeeper, SONG: Dawn of the Morning Star (00:45:29) - Adon, SONG: Axiom (00:49:11) - Conversation 3 (00:58:14) - Rope Sect, SONG: Divine Decadence (01:04:45) - False Figure, SONG: Possession (01:07:51) - Conversation 4 (01:20:50) - Eyemaster, SONG: Fractured and Distorted Reflections of a World in Grief (01:24:40) - Adelon, SONG: Cycles (01:29:32) - Violence System, SONG: The Frailty of Flesh Labels: Time to Kill Records, Sodeh Records, Metal Incorporated, Neuropa Recoeds, Caligari Records
In the medieval tradition of courtly love, the aubade inverts the serenade. Where one heralds an evening arrival, the other laments a morning departure. In John Dunne's famous poetic contribution to the genre, he chastises the sun for waking and so separating lovers, but consoles us with the notion that the power of the sun is ultimately subordinate to the imperatives of love. More bleak, Philip Larkin's poem “Aubade" seems to abandon this indictment on behalf of love for one on behalf of self-love, perhaps even on behalf of life itself. Morning awakens us to both workaday drudgery and an awareness of our own mortality. As a consequence, life is harder to live by the light of day, the consolations of philosophy and religion notwithstanding, and vitality is confined to the sorts of evening revelry that make waking all the harder. Wes & Erin discuss whether life (and love) can be reconciled with human self-consciousness and all that it entails.
In the medieval tradition of courtly love, the aubade inverts the serenade. Where one heralds an evening arrival, the other laments a morning departure. In John Dunne's famous poetic contribution to the genre, he chastises the sun for waking and so separating lovers, but consoles us with the notion that the power of the sun is ultimately subordinate to the imperatives of love. More bleak, Philip Larkin's poem “Aubade" seems to abandon this indictment on behalf of love for one on behalf of self-love, perhaps even on behalf of life itself. Morning awakens us to both workaday drudgery and an awareness of our own mortality. As a consequence, life is harder to live by the light of day, the consolations of philosophy and religion notwithstanding, and vitality is confined to the sorts of evening revelry that make waking all the harder. Wes & Erin discuss whether life (and love) can be reconciled with human self-consciousness and all that it entails.
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Today we are joined by our society President, Rosie Millard. Rosie came to Hull as an undergraduate while Larkin was still librarian at the university and she has maintained close links with Hull ever since. She was made Chair of Hull City of Culture 2017 and appointed OBE in the 2018 New Year Honours List for services in the arts to the city of Hull. Rosie is a writer, broadcaster and arts journalist and is also the chair of BBC Children In Need. In today's podcast, Rosie and I discuss Solar, Money, Cut Grass and How Distant from High Windows to discuss as part of our preparations for the Philip Larkin Society Conference that is taking place in Hull March 14-15th 2024. Rosie starts us off by reflecting on her first 18 months as our president. With best wishes to Thomas Gordon and in memory of Andrew Eastwood. Philip Larkin poems referenced and discussed: This be The Verse, Annus Mirabilis, Going Going, How Distant, Here, The Whitsun Weddings, High Windows, The Old Fools, Absences, Cut Grass, The Mower, The Trees, Aubade, The Old Fools, The Explosion, At Grass, An Arundel Tomb, Solar, Sad Steps, Money Out of Reach: The Poetry of Philip Larkin by Andrew Swarbrick (St Martin's Press, 1997) Poets In Their Time: Essays on English Poetry from Donne to Larkin by Barbara Everett (Clarendon Paperbacks, 1997) Experience by Martin Amis (Jonathan Cape, 2000) ‘She's Leaving Home,' by The Beatles from Sgt. Pepper's Lonely Hearts Club Band (Parlophone, 1967) Music: Shoe Shine Boy, Just a Mood, Tiger Rag from Larkin's Jazz Disc 1 (I Remember, I Remember), Petit Fleur (Sidney Bechet) played by Monty Sunshine PLS Conference 2024 https://www.eventbrite.com/e/philip-larkin-society-conference-2024-tickets-769584597247 ‘They may not mean to' tote bag available here (thank you to Grayson Perry for the idea) and Tiny In All That Air pencils https://philiplarkin.com/shop/ New Eyes Each Year Exhibition 2017 https://philiplarkin.com/new-eyes-each-year/#:~:text=Larkin%3A%20New%20Eyes%20Each%20Year%20invites%20questions%20from%20the%20visitor,seen%20letters%2C%20photographs%20and%20doodles. https://substack.com/@rosiemillard The Haworth pub (once frequented by Philip Larkin and writers of Hull's Bete Noir literary journal edited by Jean Hartley, such as Alan Plater) https://www.greatukpubs.co.uk/haworth-hull/food-and-drink Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at lynlockwood70@yahoo.co.uk with any questions or comments PLS Membership and information: philiplarkin.com Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz
With his new book, ZERO AT THE BONE: Fifty Entries Against Despair (FSG), Christian Wiman fuses essay, poem, memoir and anthology in a singular work that explores how the act of writing a poem is a gesture of faith. We talk about the varieties of despair and joy, the question of whether the world is chaos or has order, and whether the relationship between art and life is a tension or an actual antipathy (as Henry James would have it). We also get into the urgency of mortality and the rare cancer that almost killed Christian on three separate occasions (including this year), the notion of having a calling and the difference between given and earned callings, who we're really trying to reach when we write a poem, whether Philip Larkin's Aubade is a poem of pure despair, how literature has taken the place of sacred texts, and what he's learned from teaching at Yale Divinity School. We also discuss The Void & how to tune it out, his thoughts on faith and Christ and how the incarnation of God in Jesus sacralizes the physical world, where poetry began for him, whether joy is passed down epigenetically like trauma (allegedly) is, what it's like having a Ninja Blender for a brain, coming around on poets in translation like Yehuda Amichai, the meaning of existence, and a lot more (I mean, if you can have a lot more after the meaning of existence). More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack
In this episode we talk to Beverley based poet Chris Sewart in his second appearance on Tiny in All That Air, and Phil Pullen, trustee of the PLS, who regular listeners will be familiar with from a number of previous episodes. We talk about Chris's poetry and his upcoming performance as the 'warm up' for Roger McGough in Beverley next year (details below). We also discuss Phil's new project for the PLS You-Tube account documenting the Larkin Trail. We end the episode considering three poems from High Windows- The Explosion, Livings and Forget What Did- as we look ahead to the 50th anniversary of the publication of High Windows in 2024 and the PLS Conference in March at the University of Hull. Larkin poems mentioned: Annus Mirabilis, Livings, Forget What Did, The Explosion, To The Sea, Going Going, The Building, Aubade, The Old Fools, The Trees, Solar,Cut Grass, Friday Night at the Royal Station Hotel, How Distant, I Remember, I Remember, MCMXIV, At Grass, Mr Bleaney, Absences, Broadcast, Dublinesque, Show Saturday, Here The Less Deceived (Faber, 1955) The Whitsun Weddings (Faber 1964), High Windows (Faber, 1974) Chris Sewart reads his poems A Boy and Cartoon Kiss. Home Is So Sad Beverley Art Gallery April 2023 : ‘Home is so Sad', showcased newly commissioned artwork, alongside pieces from the permanent collections of East Riding Museums and the Philip Larkin Society featured the paintings and installations of Seoul-based artists Yeonkyoung Lee and Sam Robinson. https://www.youtube.com/watch?v=Lr-IcSIS4mY A Joyous Shot https://www.visiteastyorkshire.co.uk/event/philip-larkin-%E2%80%93-a-joyous-shot/191184101/ Details of the PLS Conference and other events can be found here: https://philiplarkin.com/uncategorized/forthcoming-events/ The link for Chris's poetry workshop and appearance with Roger McGough at the Stage4Beverley festival is https://stage4beverley.com/ Today I Cycled to Beverley https://www.youtube.com/watch?v=6QYMXXnJ_e8 Lyn Talking about Sylvia Plath: Horror Poet https://www.youtube.com/watch?v=iVoi999Eywk The Beatles- Please, Please Me (1963, Parlophone) Sgt Pepper's Lonely Heart's Club Band (Parlophone, 1967), The White Album (1968, Apple) Oxford Book of Twentieth Century English Verse Book ed. Philip Larkin (OUP, 1973) Philip Larkin: Life, Art and Love by James Booth (2015, Bloomsbury) Somewhere becoming Rain: Collected Writings on Philip Larkin (Picador, 2019) The Philip Larkin I Knew by Maeve Brennan (MUP, 2002) Philip Larkin, The Marvell Press and Me by Jean Hartley (Faber and Faber, 2012) Philip Larkin: A Writer's Life by Andrew Motion (Faber, 1994) Letters to Monica by Philip Larkin ed. Anthony Thwaite. (Faber and Faber, 2011) Philip Larkin Selected Letters ed. Anthony Thwaite (Faber and Faber, 1993) Required Writing: Miscellaneous Pieces 1955-1982 by Philip Larkin (Faber and Faber, 1983) Philip Larkin: The Man and His Work ed. Dale Salwak (Palgrave, 1983) Philip Larkin, Monitor, Down Cemetery Road https://www.youtube.com/watch?v=Coe11pgoj8E Authors mentioned by Chris Kit de Waal | Kit de Waal Summerwater by Sarah Moss review – a dark holiday in Scotland | Fiction | The Guardian The Mersey Sound: Adrian Henri, Roger McGough and Brian Patten (Penguin, first published 1967, since reprinted many times!) Jonathan Edwards – The Poetry Society: Poems Rachel Long (rachel-long.com) 'Instead of a card' poetry pamphlets – UK based independent publisher (candlestickpress.co.uk) The Catch by Simon Armitage https://www.poeticous.com/simon-armitage/the-catch-forget Produced by Lyn Lockwood and Gavin Hogg PLS Membership and information: philiplarkin.com Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz
Enlivening Your Art: A Journey of Creativity Enlivening your art is about breathing life into your creations. It's the process of infusing your work with vitality, emotion, and a unique, personal touch that sets it apart. It's not just about making something look visually appealing; it's about making your audience feel a connection to your art, evoking emotions, and leaving a lasting impact. My wife gave me a box of cards for the holidays in 2022. I was puzzled because they were creativity cards and I thought, what the heck is this, I don't need them. Well, folks, I was wrong and I will attempt to do a card a week and record an episode about how I am utilizing the card I draw every week if you decide to pick up a deck and do these let me know. Links on Enliven Kickstart Creativity Frank O'Hara "On Seeing Larry Rivers Washington Crossing The Delaware at the Museum of Modern Art" Ocean Vuong "Aubade with Burning City" Yogi Bryan Points to Consider Amplified Creativity: Emotional Resonance Break Free from Perfectionism Interconnectedness Collaborate and Connect The Kernal of Enliven Create an ekphrasis by using words to describe something visual. Enliven Definitions Enliven to make something more interesting, to make it more interesting or active. Source Cambridge Dictionary Ekphrasis: a literary description of or commentary on a visual work of art Source Merriam Webster l Enliven Challenge Identify something fascinating you have recently seen, and summon ten vivid words to describe the thing. Take a trip to an art museum, or view a museum's collection online. Find one piece of art that captures your imagination, and describe it in a note to a colleague or loved one. Read an ekphrastic poem like Frank O'Hara's "On Seeing Larry Rivers" Washington Crossing the Delaware at the Museum of Modern Art". or Ocean Vuong's "Aubade with Burning City." Can you compose one of your own? Sign Up for the Create Art Podcast Newsletter Reach Out To The Podcast To reach out to me, email timothy@createartpodcast.com I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation. Email: timothy@createartpodcast.com YouTube Channel: Create Art Podcast YT Channel IG: @createartpodcast Twitter: @createartpod Special Message If you have found value in this podcast, please share it with a friend as that is the best way to discover new podcasts. I want this to be a 5-star podcast in your eyes so let me know what you would like to see. Speaking about sharing with a friend, check out my other podcast Find A Podcast About where I help you outsmart the algorithm and find your next binge-worthy podcast. You can find that podcast at findapodcastabout.xyz. I am trying to utilize YouTube more, so make sure to check out my YouTube Channel to see me doing the episodes right in front of you.
Today, we've got a pretty intriguing topic on our hands. We're diving into the world of properly fitting lingerie, the irresistible charm of French lingerie, and the fascinating history of one particular brand you'll love the renowned brand, Aubade. Plus, we're going to chat about the growing importance of sustainable choices in the lingerie universe. So, whether you're a seasoned lingerie lover or just dipping your toes in, this episode is here to make your day. To RSVP to the Aubade trunk show ar Sugar Cookies please click here and them know you heard about the event on The Stylishly Sustainable Podcast. Make sure to follow Aubade Instagram Instagram @Aubadeparis Follow Sugar Cookies @Sugarcookisesnyc Instagram MonicaDiazMode
Mélanie Bonis (1858–1937), a fine pianist herself, composed some 150 works for solo piano, publishing them with her first name shortened to ‘Mel' to disguise the fact that she was a woman – while she lived among the French haute bourgeoisie as Mme Domange. They sometimes show the influence of Chabrier and have points of contact with the music of Chausson, Debussy, and Pierné, who had been fellow students at the Paris Conservatoire. But they also reveal an individual approach to rhythm, harmony and tone-color – and it's clear that her conventional exterior hid a lively sense of fun, her many miniatures for children perhaps influenced by her own experience as a mother.Tracks Barcarolle in E-Flat Major, Op. 71 (publ. 1906) (4:40) L'escarpolette, Op. 52 (publ. 1901) (4:23) Les Femmes de Légende (publ. 2003) No. 1 Mélisande, Op. 109 (1922) (2:40) No. 3 Ophélie, Op. 165 No. 1 (1909) (5:00) No. 6 Salomé, Op. 100 No. 1 (publ. 1909) (4:26) No. 5 Phœbée, Op. 30 (publ. 1909) (3:21) Romance sans parole, Op. 56 (publ. 1905) (2:18) Mazurka, Op. 26 (publ. 1896) (3:59) Il pleut!, Op. 102 (publ. 1913) (2:34) Méditation, Op. 33 (publ. 1905) (3:08) Cinq petites piéces (publ. 1929) (9:17) Une flûte soupire, Op. 117 (1:59) Berceuse triste, Op. 118 (1:41) Boston Valse, Op. 119 (1:17) Agitato, Op. 120 (1:33) Cloches Iointaines, Op. 121 (2:47) Fauré Clair de Lune, transc. Bonis (publ. 1933) (3:12) Scènes enfantines, Op. 92 (publ. 1912)* (14:01) I. Aubade (2:10) II. Joyeux réveil (1:46) III. Cache-cache (1:37) IV. Valse lente (1:19) V. Marche militaire (1:57) VI. Frère Jacques (2:08) VII. Bébé s'endort (1:39) VIII. Carillon (1:25) Cinq pièces musicales (publ. 1897) (14:43) No. 1 Gai printemps: Impromptu, Op. 11 (publ. 1889) (2:52) No. 2 Romance sans Paroles, Op. 29 (3:16) No. 3 Menuet, Op. 14 (publ. 1889) (3:46) No. 4 Eglogue, Op. 12 (publ. 1889) (3:08) No. 5 Papillons, Op. 28 (1:41) *First Recordings This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
Cellist Issei Herr, classically trained at Juilliard, creates expansive waves of sound through the processing and layering of her instrument. Her debut record, Distant Intervals, includes ambient soundscapes that explore openness, vulnerability, and a sense of wonder, and is full of titles that hint at transformation, both musical and personal. There also seems to be a Zen element in her layers; they're contemplative, yet quite ordered as they build delicate crystalline structures. Issei Herr plays some of those pieces, as well as a brand new work where her acoustic cello interacts with forest sounds, in-studio. Issei Herr shares a bill with percussionist Matt Evans at the Noguchi Museum on Sunday. Aug. 27. Set list: Prelude & Aubade, Flutter, Aveu (The Beginning Is a Farewell) feat. Maria BC Watch "Prelude & Aubade": Watch "Flutter": Watch "Aveu (The Beginning Is a Farewell)" feat. Maria BC:
Philip Larkin was just five years old when Hardy died in 1928, but this English poet and novelist was going to have a profound influence on Larkin's writing. To discuss some of the connections between Larkin and Hardy, Lyn is joined by Emeritus Professor of English at the University of Hull Jane Thomas and composer Arthur Keegan. Thomas Hardy Novels: Jude the Obscure, Far From the Madding Crowd, Jude the Obscure, A Pair of Blue Eyes, Thomas Hardy Collections: The Dynasts, Winter Words, Poems 1912-13 Thomas Hardy poems: Drummer Hodge, Neutral Tones, Afterwards, Lying Awake, A Circular Philip Larkin poems: No Road, The Mower, Aubade, Skin Other references: DH Lawrence, Sappho, Darwin, JS Mill, WB Yeats, Dylan Thomas, Gustav Holst, Gerald Finzie, Ivor Gurney, Nicholas Moore (composer), Benjamin Britten, Imogen Holst, Robin Milford, Henry Handel Richardson, Early Larkin by James Underwood (Bloomsbury 2021) Philip Larkin: Life, Art and Love by James Booth (Bloomsbury 2015) The Oxford Book of Twentieth Century English Verse ed Philip Larkin (Oxford 1973) Required Writing- Miscellaneous Pieces by Philip Larkin (1955-1982) Faber 1983 (‘Wanted, a good Hardy critic') Astonishing the Brickwork by James L. Orwin (Dancing Sisters, 2022) https://philiplarkin.com/product/astonishing-the-brickwork-philip-larkin-set-to-music-jim-orwin/ Peaches by The Stranglers (1977)/ Budmouth Dears by Thomas Hardy (first published in The Dynasts, 1908), Elegies for Emma/Elegies for Tom https://www.arthurkeegan.co.uk/ Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at lynlockwood70@yahoo.co.uk with any questions or comments PLS Membership and information: philiplarkin.com Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz
Ned, Cadel, David and Pete evacuate. Hosted on Acast. See acast.com/privacy for more information.
LALO: Concierto para violín y orquesta, Op. 20 (24.17). J.-J. Kantorow (vl.), Orq. Ciudad de Granada. Dir.: K. Bakels. Cuarteto de cuerda en Mi bemol Mayor, Op. 45 (Primer movimiento: Allegro vivo) (6.59). J. Leber (vl.), G. Klam (vl.), T. Adamopoulos (vla.), P. Cherond (vc.). Cuarteto de París. Aubade (3.49). L’ombre de Dieu (4.49). T. Christoyannis (bar.), J. Cohen (p.). Escuchar audio
What's an Aubade? Shout it out on tonight's Chompers! Learn more about your ad choices. Visit podcastchoices.com/adchoices
At the time of recording this podcast we received the sad news that our founding chairman Professor Eddie Dawes had passed away on the 3rd March 2023 at the age of 97. Gavin and I were very privileged to be able to record the very first Tiny podcast with Eddie at his home in Hull. Eddie was so open to new ideas and ways of doing things. He was so supportive of my crazy idea to have a society podcast and was extremely patient as I fussed around with my microphone and notes. But I knew that Eddie had to be our very first guest- he was- and still is- the world's leading authority on the history of magic, a pioneering biochemist, the PLS chairman for over 20 years and good friends with Philip Larkin himself. A remarkable lifetime and a really lovely, gentle person who, as current chair Graham Chesters said, did indeed wear his exceptional gifts lightly. Our guests this week are Clarissa Hard, PLS trustee and editor of About Larkin, and Francesca Gardner, who join me to talk about things and objects- objects in Larkin's poetry and the significant objects in Larkin's life; cigarette packets, socks, lawnmowers, vases, photo albums and more. Francesca Gardner Larkin's Meditating Machines (PLS Conference 2022) https://www.youtube.com/watch?v=XHFDxFakbq4 Clarissa Hard Larkin: Churchgoer? (PLS Conference 2022) https://www.youtube.com/watch?v=PARTGcDGyq8 Home is So Sad, from 1st April to 13th May at Beverley Art gallery. Home is So Sad presents newly commissioned paintings and installation art by Seoul-based artists Yeonkyoung Lee and Sam Robinson. Their work reflects a long-standing interest in the life and work of Philip Larkin, the details of everyday life, and the idea of ‘home' as a fluid concept. Alongside this, the artists have selected pieces from the permanent collections of East Riding Museums and the Philip Larkin Society. During the exhibition there is an additional display of Larkin artefacts on show in the red gallery and there is a beautiful vase used as the main image on the publicity poster of course. https://www.eastridingmuseums.co.uk/whats-on/?entry=home_is_so_sad A Joyous Shot Friday 14th April, East Riding Theatre, Beverley An evening of Larkin inspired words and music with Hull writer Vicky Foster, Beverley poet Chris Sewart and The Mechanicals Band- all of whom are old friends of the podcast. Please come along and enjoy what I'm sure will be a wonderful evening. https://www.eastridingtheatre.co.uk/philip-larkin-a-joyous-shot/ Larkin poems discussed: High Windows, The Mower, Aubade, Wires, Aubade, Reference Back, Ambulances, Afternoons, Self's The Man, Dockery and Son, Here, The Whitsun Weddings, Home Is So Sad. Other books and references: Rime of the Ancient Mariner by ST Coleridge, Ozymandia by PB Shelley, The Mower by Andrew Marvell, Richard Bradford, The Importance of Elsewhere (Francis Howard Publishing, 2015), J. H. Prynne Acquisition of Love, Mark Waldron I wish I loved lawnmowers, Bill Brown Thing Theory, Gaston Bachelard The Material Imagination. Podcast produced by Lyn Lockwood and Gavin Hogg PLS Membership and information: The Philip Larkin Society – Philip Larkin Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz
This episode is also available as a blog post: https://writingtheday.wordpress.com/2020/11/22/her-aubade/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/ken-ronkowitz/message
Recorded by Willie Lee Kinard III for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 9, 2023. www.poets.org
This episode's guests are Gavin Hogg and Bruce Lindsay and we are discussing Ivor Cutler, poet, writer, teacher and musician, who was born Jan 15th 1923 and so is a close chronological contemporary of Philip Larkin, although their paths never crossed. We look at their surreal sense of humour, their different experiences of World War II, their approach to poetry, letter writing, jazz, public performance and the cultural landscape of Britain in the twentieth century. Bruce Lindsay, Ivor Cutler: Life Outside the Sitting Room (Equinox, 2023) https://www.equinoxpub.com/home/ivor-cutler/ Gavin Hogg and Hamish Ironside, We Peaked At Paper An Oral History of Fanzines (Boatwhistle Press, 2022) https://www.boatwhistle.com/we-peaked-at-paper Ivor Cutler poems referenced: A Flat Man; Is that your Flap, Jack?; Creamy Pumpkins; Cycling; Giant: I Believe in Bugs; Mud; Pass the Ball, Jim ; Pickle Your Knees, Sleepy Old Snake; Life in A Scotch Sitting Room Vol 2 John Peel Sessions: https://peel.fandom.com/wiki/Ivor_Cutler Philip Larkin poems referenced: Bridge for the Living, Aubade, Essential Beauty, Mr Bleaney, Church Going The Sunday Sessions (Faber and Faber, 1980) The Selected Letters of Philip Larkin ed. Anthony Thwaite (Faber, 1993) Letters to Monica by Philip Larkin ed. Anthony Thwaite (Faber, 2011) Read more about Brunette Coleman in Trouble at Willow Gables and Other Fictions ed. James Booth (Faber and Faber, 2002) Other cultural references Centipede (band), John Peel, The Fall, Nick Cave and the Bad Seeds, Albert Ammonds, Miles Davis, Robert Wyatt, Spike Milligan, The Goons, John Betjeman, John Cooper Clark, Van Morrison, Linton Kwesi Johnson Forces of Victory (1979), Harold Pinter, Charlie Parker, Neil Ardley, Count Basie, Charlie Parker, Thelonious Monk, Sidney Bechet. Interludes – Thelonious Monk (Round Midnight and Thelonius) Produced by Lyn Lockwood and Gavin Hogg PLS Membership and information: The Philip Larkin Society – Philip Larkin Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz
Daniel Vince joined the PLS board of trustees earlier this year and is currently studying for a Masters by research on the post-war novel at the University of York having graduated from Canterbury Christ Church University earlier this year. He is also an antiquarian book seller and can often be found hunting down rare and wonderful books. When the Barbara Pym Society invited a member of the PLS to present a paper at their AGM in Oxford this year, Daniel bravely took up the challenge. Daniel speaks to Lyn and reads his talk A Few Green Leaves: Pym, Larkin and Rural Retirement. Larkin texts referenced: Aubade, Money, Spring, Here, Toads, The Mower, Cut Grass, High Windows, The Importance of Elsewhere, A Girl In Winter (Faber 1947) Barbara Pym novels: A Few Green Leaves, A Quartet in Autumn, The Sweet Dove Died Other writers/references: Ending Up by Kingsley Amis, The Second Sex by Simone de Beauvoir, Hippopotamus by TS Eliot, Further reading: The Adventures of Miss Barbara Pym by Paula Byrne (2021) A Very Private Eye: The Diaries, Letters And Notebooks Of Barbara Pym ed. Hazel Holt (Macmillan 1984) Presented by Lyn Lockwood. Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz Audio editing by Simon Galloway. Follow us and get it touch on Twitter - https://twitter.com/tiny_air Find out more about the Philip Larkin Society here - http://philiplarkin.com/
FRANCK: 3 Piezas para órgano (Fantasía en La mayor, Pieza heroica, Cantabile) (27.17). A. Marchal (órg.). Les Éolides (11.06). Orq. Sinf. de Basilea. Dir: A. Jordan. WIDOR: Sois hereuse (3.16). Aubade (1.32). (6 Melodías, Op. 22). A.-M. Rodde (sop.), N. Lee (p.). Escuchar audio
durée : 00:22:49 - Disques de légende du mercredi 07 septembre 2022 - un disque enregistré en 2003
“Contrairement a l'utopie du bonheur ou autre quête du bien-être au travail, l'enthousiasme en entreprise se diffuse et influence positivement le collectif et la performance” nous dit Carole. Quelle est la valeur ajoutée de l'enthousiasme au niveau du collectif et de l'entreprise ? ✨Et si c'était un levier de motivation ?
The Simple Sophisticate - Intelligent Living Paired with Signature Style
Bonne Fete Nationale! To those of us celebrating outside of France, we may be celebrating France's national holiday with an exclamation of Happy Bastille Day, but within the borders of France, as I have been reminded more than a few times, it is Bonne Fete Nationale or Le Quatorze Juillet! Whatever you prefer to utter, it is a day of celebrations for Francophiles, and while TSLL entire premise when it comes to living simply luxuriously draws much inspiration from the French way of life, today I have lined up 24 ideas for you to celebrate July 14th in your own way. The above vineyards in Provence take me back to my trip in 2018, and oh, how I long to return. Soon, I reassure myself, soon. But whether we have the opportunity to stand on the terra firma of France at the moment or pay homage from afar, we can absolutely partake in the annual celebration. I am looking forward to even more deeply celebrating today's events in the simple activities that fill my day: a sipping of French thé in the morning, watching the 17th stage of Le Tour de France, making herbed gougeres for apéro time in the evening and bringing them with me to gather with a dear friend who grew up in Belgium at her home here in Bend to dine in celebration of today being Le Quatorze Juillet. Parfait! Now to the list with many links for further exploration on many of the items shared. 1.Watch Le Tour de France Vicariously travel throughout the countryside of France for three weeks as the annual cycling event takes place. Watch on Peacock (ad-free, $9.99/mo or with ads, $4.99/mo) if you live in the states, and for all other international viewers, read this detailed post on VeloNews for exactly where to stream for your country. Peacock also offers the option to watch the international broadcast rather than NBC's broadcast which I flip back and forth from every other day from time to time. 2. Plan and then shop for a favorite French meal (check out TSLL's many French-inspired recipes here) 3. Don't forget the cheese and salad course (before dessert and after the main entrée) 4. Play a game (or two) of pétanque (this game was being played in Paris just outside of the window of Hôtel Particulier Montmartre near Sacre Couer) 5. Gather with fellow Francophiles for a French meal beginning with apéro time 6. Pack a picnic and go somewhere amongst Mother Nature (don't forget to pack the wine and bistro wine glasses - sturdy, but lovely) from La Rochère - the classic bistrot glass (out of stock at the moment). Shop all of La Rochère's glasses here. Shop the brand on Wayfair here. 7. Visit a local farmers' market, and be sure to bring your market tote All You Need to Know About the Markets in Provence Find Your Perfect Provençal (or simply French) Market Tote 8. Begin the day with a fresh baguette picked up at your local bakery 9. Une croissant s'il vous plait!, pair with cafe au lait or hot cup of thé ~explore how to make your own croissants here in episode #6, Season 2 of The Simply Luxurious Kitchen cooking show. 10. Select a bottle of wine from your favorite French region or the next region of France you hope to visit as inspiration to bring your next trip to fruition ~explore Châteauneuf du Pape wines (I pick mine up at both Trader Joes - they carry one varietal at a great price for this vineyard, as well as my local wine shop for more varietals and vintages) 11. Seek out French thé and sip a hot cup in the morning to begin the day - pair with your croissant perhaps? :) 12. Cook a classic soufflé au fromage avec fresh herbs 13. Organize a cheese and wine gathering 14. Watch a French cozy mystery series ~explore the latest This & That weekly post which includes additional Francophile Finds, including more French television shows I recommend. 15. Look around your home and discover how you can add a touch of France to your sanctuary, or yet another touch :) 16. Shop and purchase French lingerie to update your lingerie capsule wardrobe ~Chantelle is one of the French brands I highly recommend for high quality everyday lingerie (and they are currently in the middle of their annual summer sale). As shared on this podcast episode Aubade is a quality French lingerie brand I also shop. 17. Make a Clafoutis Aux Cerises with the cherries just now ready to harvest! 18. Conclude the evening by watching a favorite French film 19. Listen to TSLL's Escape to France playlist - over an hour of French music to enjoy 20. Prefer lyric-free music? Listen to TSLL's French Jazz Cafe playlist 21. Make a simple French crêpe for dessert - Lemon and Brown Butter Sweet Crêpe 22. Speaking of crêpes, make a Buckwheat crêpe (or galette) with prosciutto, gruyére and egg 23. Read a French book to explore further the French culture ~Explore all of TSLL's Francophile Finds for books here. 24. Add a French cookbook to your kitchen library - add one each year to further inspire your culinary journey into French cooking ~Explore all of TSLL's recommended cookbooks here. 10 Favorite French Cookbooks for Your Kitchen Library 25. Fall asleep enveloped in French linen sheets French Linen: The Fields, The History, & Why It Is Truly Luxurious Fabric ***EXTRA**** Mark your calendars for the 2nd full week in August as each year TSLL celebrates all things French during the Annual TSLL French Week here on the blog. (explore all posts and giveaways shared in previous French Weeks here on the blog) ~Explore becoming a TOP Tier Member of TSLL Community to not only enjoy ad-free reading blog-wide, but also be able to enter all the giveaways presented during the Annual French Week (and access to exclusive content - tours of TSLL's home), as well as be able to curate a library of your favorite blog posts. Of course there is much French-Inspired content to peruse and explore on TSLL, so be sure to find all of the French-themed posts here, French-themed podcast episodes here, and TSLL's Best Selling book in the category of France Travel The Road to Le Papillon: Daily Meditations on True Contentment, as well as TSLL's 1st book (with an entire chapter dedicated to French-Inspired Living and France Travel and 2nd book. Thank you for stopping by and santé! Petit Plaisir ~Délicieux, the film ~The Simple Sophisticate, episode #334 ~Subscribe to The Simple Sophisticate: iTunes | Stitcher | iHeartRadio | YouTube | Spotify | Amazon Music
Today on Boston Public Radio we're on tape, bringing you some of our favorite conversations from recent years: Imani Perry talks about parenthood and how Black parents talk to their children about race. Perry is a professor of African American Studies at Princeton University. Her latest book is "Breathe: A Letter To My Sons.” Richard Blanco reads his favorite “aubade” poems — about lovers departing at dawn — including “Aubade with Burning City” by Ocean Vuong and “Ghosting Aubade” by Amie Whittemore. Blanco is the fifth inaugural poet in U.S. history. His latest book, "How To Love A Country," deals with various sociopolitical issues that shadow America. Lizzie Post weighs in on cannabis culture in her book, “Higher Etiquette: A Guide to the World of Cannabis, From Dispensaries to Dinner Parties.” Post is a writer, co-director of The Emily Post Institute and great-great-granddaughter of etiquette writer Emily Post. Christopher Kimball previews his latest cookbook “Vegetables,” sharing his favorite ways to bring vegetables to the center of the plate. Chris Kimball co-founded America's Test Kitchen, and now runs Christopher Kimball's Milk Street in Boston. His latest cookbook is “Vegetables.” Farah Stockman talks about how class divides manifest themselves culturally and politically in the United States, and why higher-class, well-educated communities struggle to understand and represent the majority of Americans. Farah Stockman is a member of the New York Times editorial board, and a Pulitzer Prize–winning reporter. Her latest book is “American Made: What Happens to People When Work Disappears.” Howard Bryant discusses his book, "The Heritage: Black Athletes, a Divided America, and the Politics of Patriotism." Bryant is a columnist and commentator for ESPN. Lindy West previews her latest book, "The Witches Are Coming," a collection of essays about feminism in the #MeToo moment. West is a writer, comedian and activist. Joshua Foer talks about “Atlas Obscura: An Explorers Guide To The World's Hidden Wonders.” Foer is a freelance journalist and author of "Moonwalking With Einstein: The Art And Science Of Remembering Everything.”
durée : 00:02:52 - La chronique d'Anthony Bellanger - par : Anthony BELLANGER - Lors d'une opération policière, le singe-araignée d'un narcotrafiquant a été tué en même temps que son maître. Il n'en fallait pas plus pour déclencher une vague de sympathie pour El Changuito !
durée : 00:02:52 - La chronique d'Anthony Bellanger - par : Anthony BELLANGER - Lors d'une opération policière, le singe-araignée d'un narcotrafiquant a été tué en même temps que son maître. Il n'en fallait pas plus pour déclencher une vague de sympathie pour El Changuito !
Today on Boston Public Radio we're on tape, bringing you some of our favorite conversations from recent years: Imani Perry talks about parenthood and how Black parents talk to their children about race. Perry is a professor of African American Studies at Princeton University. Her latest book is "Breathe: A Letter To My Sons.” Richard Blanco reads his favorite “aubade” poems — about lovers departing at dawn — including “Aubade with Burning City” by Ocean Vuong and “Ghosting Aubade” by Amie Whittemore. Blanco is the fifth inaugural poet in U.S. history. His latest book, "How To Love A Country," deals with various sociopolitical issues that shadow America. Lizzie Post weighs in on cannabis culture in her book, “Higher Etiquette: A Guide to the World of Cannabis, From Dispensaries to Dinner Parties.” Post is a writer, co-director of The Emily Post Institute and great-great-granddaughter of etiquette writer Emily Post. Christopher Kimball previews his latest cookbook “Vegetables,” sharing his favorite ways to bring vegetables to the center of the plate. Chris Kimball co-founded America's Test Kitchen, and now runs Christopher Kimball's Milk Street in Boston. His latest cookbook is “Vegetables.” Farah Stockman talks about how class divides manifest themselves culturally and politically in the United States, and why higher-class, well-educated communities struggle to understand and represent the majority of Americans. Farah Stockman is a member of the New York Times editorial board, and a Pulitzer Prize–winning reporter. Her latest book is “American Made: What Happens to People When Work Disappears.” Howard Bryant discusses his book, "The Heritage: Black Athletes, a Divided America, and the Politics of Patriotism." Bryant is a columnist and commentator for ESPN. Lindy West previews her latest book, "The Witches Are Coming," a collection of essays about feminism in the #MeToo moment. West is a writer, comedian and activist. Joshua Foer talks about “Atlas Obscura: An Explorers Guide To The World's Hidden Wonders.” Foer is a freelance journalist and author of "Moonwalking With Einstein: The Art And Science Of Remembering Everything.”
Pianist Nanette Kaplan has devised a grand finale for the Tuesday Musical Club season with Poulenc's Aubade, a Beethoven Serenade and some true rarities Tuesday May 10 at 1` pm in Rodef Shalom Temple's Levy Hakk. The concert is free. Nannette tells Jim Cunningham what to check out from some of her cds and has the details on the program and the musicians who will play.
What's an Aubade? Shout it out on tonight's Chompers! Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week, Kate talks to Liliana Mann, founder of Linea Intima, a chain of luxury lingerie stores in Toronto, Canada. With a passion for lingerie and a discerning eye for quality, Liliana offers a contemporary selection that includes French brands such as Simone Pérèle, Lise Charmel, Aubade, and Empreinte. In today's podcast, Liliana shares her expertise and philosophy about helping women feel beautiful from the inside out.www.lineaintima.ca@lineaintimalingerieFind Us OnlineWebsite: https://www.parisundergroundradio.com/parisundressedFacebook: https://www.facebook.com/parisundergroundradioInstagram: https://www.instagram.com/parisundergroundradio/CreditsHost: Kathryrn Kemp-Griffin. https://www.parisundergroundradio.com/kathrynkempgriffin; Instagram @kathrynkepgriffin, Website: www.kathrynkempgriffin.com; @parisundressed, Website: www.parisundressed.com; Instagram @pinkbrabazaar, Website: www.pinkbrabazaar.orgProducer: Jennifer Geraghty. https://www.parisundergroundradio.com/jenniferfoxgeraghty; Twitter, Instagram, Facebook @jennyphoria; Website: http://jennyphoria.comAbout UsLife, love, and lingerie. Paris Undressed goes behind the seams of the lingerie capital to explore femininity and sensuality. We'll talk to the influential designers and brands shaping our breasts and bodies. From bra stories to pajama parties our lingerie drawers reveal a lot about how we see — and feel — the world around us. You'll be surprised how the whisper of your most intimate voice can now be heard. Make yourself a cup of tea and join the conversation!
Welcome to the 22nd episode of Anechoic Chamber, once again bringing you unique reportage from the thriving margins of art and culture. Our guest for this edition is Jean-Jacques Martinod, Ecuadorian filmmaker, transmedia artist, archivist, radio DJ, and occasional curator. Martinod's film work, which is the topic of discussion for this program, fuses together elements of both experimental and documentary filmmaking practice, resulting in a unique audio-visual hybrid that the artist describes as follows: “Cinema as messenger via spontaneous generation and improvisation, at an immanent level, to counteract the society of the spectacle...an invitation to a polysemic experience and potential polyphonies. A cinema of becomings.” This is evident in films such as Before the Deluge, La Bala de Sandoval (or Sandoval's Bullet), and Datura's Aubade, the last done in collaboration with Bretta Walker. Taking occasional cues from surrealist and gothic styles of literature, cinematic influences such as Jean Epstein and film peers like Salome Lamas (whose concept of para-fiction informs Martinod's own evocation of what he calls para-worlds) his work boils down a complex set of reference points into a visceral experience that is strangely accessible while being intellectually challenging. As such, he has screened at international festivals such as the Rotterdam Film Festival, FIDMarseille, Mar del Plata, European Media Arts Festival, 25FPS, and many more, alongside regular appearances in galleries and DIY spaces. So here, with a much more detailed exposition of his creative vision, is Jean Jacques Martinod. ------- backing sounds provided by the artist and TBWB opening music: Colin Andrew Sheffield / James Eck Rippie, "Viola Variations" ------- artist film links on Vimeo (password: monopolio) (password: monopolio) Before the Deluge | 38min https://vimeo.com/343528776 La Bala de Sandoval(Eng. Sandoval's Bullet) | 17min https://vimeo.com/297421250 ------ Anechoic Chamber links: donate via paypal to tbwb@protonmail.com host website: www.thomasbeywilliambailey.net closing music: Teiji Ito, "Moonplay"
For a very special seventh episode, we are joined by Galway writer Caileigh Ryan to discuss Philip Larkin's famous meditation on death, Aubade. Listen now as we drink hot whiskeys and consider how the poem treats death as a lover, whether Larkin should be read in an Irish accent, and why this piece is so well-loved. Support the show
Haydn, Symphony 102, 4th movt Bach, Schafe konnen sicher weiden Weber, Piano Sonata #3, 3rd movt Tchaikovsky, Romeo and Juliet Gesualdo, Tristis est anima mea Mozart, Dies Bildnis ist bezaubernd schon, from The Magic Flute Elgar, Aubade, from Nursery Suite This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz
In this episode we welcome the beginning of fall with Peter Everwine's beautiful and contemplative dawn song.
Today would have been Philip Larkin's 99th birthday and Mr. James has decided to read three of his favourite poems by the man himself.'Sad Steps''Aubade''An Arundel Tomb'If you like the poetry of Larkin, consider following the 'Tiny in All That Air' podcast, the official podcast of the Philip Larkin Society.Support the show
Today's poem is aubade for the whole hood by Nate Marshall.