Podcasts about I Second That Emotion

The Young Rascals were one of the early groups which would define the genre of "blue eyed soul."  For a period of two to three years, this group would generate hit after hit.  Their third album, Groovin', would close out the era in which they were known as “The Young Rascals,” because follow-up albums would see them using simply the name "The Rascals."  Felix Cavaliere was a classically trained pianist, and joined a band called the Starliters, where he met David Brigati and his younger brother Eddie.  Cavaliere convinced Eddie Brigati and guitarist Gene Cornish to leave the Starliters and form a band, recruiting jazz drummer Dino Danilli to flesh out the band.  They called themselves "Them" until they found out that a group out of the UK was already using that name (Van Morrison's band).  They settled on "The Young Rascals" when comedian Soupy Sales used them as his back-up band when he toured the college circuit in 1965.Much of this album is a collection of singles rather than a cohesive piece of music.  Eight of the eleven songs are either A-side or B-side single releases.The Rascals moved into a more psychedelic direction after this album, and they would be largely done by the early 70's.  They were early inductees into the Rock and Roll Hall of Fame, receiving that honor in 1997.Bruce presents this soulful album for this week's podcast.Groovin'This signature song from the group almost didn't make it as a single.  Atlantic Records pushed back on this track because it was very different from the sound of their other songs, having a more Latin influence.  The inspiration for the lyrics was Cavaliere's girlfriend Adrienne Buccheri.  He only got to see her on Sundays because he was so occupied with the group, music, and touring on other days. You Better RunMany listeners who grew up in the 80's will be more familiar with Pat Benatar's cover of this song than the Young Rascals' original.  It was released a year before the album as a single, in May 1966.  The song has more of a garage band feel than other songs on the album.A Girl Like YouThis is the lead-off song for the album, and went to number 10 on the Billboard Hot 100.  Upbeat, feel good, this is the opening song of new love.  It starts off subdued with piano and vocals, then builds into the horns and percussion.  If You KnewThis song was released as the B-side to the single "I've Been Lonely Too Long" from their previous album called Collections.  It is the only song on the album to be listed as written by all member of the band.  Most songs were written by Felix Cavaliere and Eddie Brigati.  ENTERTAINMENT TRACK:Mrs. Robinson by Simon and Garfunkel (from the motion picture “The Graduate”) Dustin Hoffman's got his breakthrough role in this coming of age film.  STAFF PICKS:Green Tambourine by the Lemon PipersRob leads off the staff picks with the best known song from a short-lived Ohio band.  Unfortunately the success of this song would cause the record company to pigeonhole the group into doing more songs in the psychedelic genre.  The group was unenthusiastic about this direction, and would leave the label in 1969, dissolving shortly thereafter.Sunshine of Your Love by CreamLynch brings us a signature song from the original supergroup.  The song arose out of a bass riff that Jack Bruce created after seeing Jimi Hendrix for the first time.  Jack Bruce and Eric Clapton take turns with vocals while Ginger Baker utilizes a tribal beat on percussion.I Can See for Miles by The WhoWayne features the only single from the Who album “The Who Sell Out.“  Although it went to number 9 on the US charts, guitarist and writer Pete Townshend expected it to do much better.  The Who made use of the studio as an instrument on this heavier, psychedelic song, using techniques similar to the Beach Boys and the Beatles at the time.I Second That Emotion by Smokey Robinson & the MiraclesBruce closes out the staff picks with a song that originated from a trip Smokey Robinson and Al Cleveland took to a Detroit department store in search of a gift for Robinson's wife Claudette.  When Robinson told the salesman of a set of pearls, "I sure hope she likes them," Cleveland accidentally said "I second that emotion," rather than "I second that motion."  The two laughed about it and wrote this song which would go to number 3 on the Billboard Hot 100 in 1967.   INSTRUMENTAL TRACK:Hip Hug-Her by Booker T. & the M.G.'sWe close out with a funky instrumental which was on the charts at the time.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

"Tedeschi Trucks Band: Rocking the Garden Party with Warren Haynes and Trey Anastasio"Larry Mishkin discusses various topics related to marijuana law, culture, and music. He mentions updates on Tedeschi Trucks Band shows, including performances with Warren Haynes and Trey Anastasio. Larry also delves into the history of the song "It Takes a Lot to Laugh, It Takes a Train to Cry," originally written by Bob Dylan, and how it marked a pivotal moment in the transition to electric music. He discusses the Dead's cover of the song and its significance, along with other Dylan covers. Additionally, Larry touches on the Jerry Garcia and Merle Saunders performance from 50 years ago, featuring songs like "Finders Keepers" and "The Harder They Come." He highlights the guest musicians and the significance of these performances within the context of rock and roll history. Finally, he shares insights on Jerry Garcia's cover of "That's All Right, Mama" and its historical significance in the development of rock and roll music..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a Garcia/Saunders show:October 2, 1973 (50 years ago)Winterland, S.F.Garcia & Saunders 1973 Winterland SF KSAN : KSAN : Free Download, Borrow, and Streaming : Internet ArchiveBand members:Jerry – guitar and vocalsMerle – KeyboardJohn Kahn – bassBill Vitt – drumsGuests:Sara Fulcher – vocalsMatt Kelly – harmonicaRoger “Jellyroll” Troy – bass, vocalsMartin Fierro – saxBill Atwood - trumpet     INTRO:                  It Takes A Lot To Laugh It Takes A Train To Cry                                (this one is really from 10.12.1973 at Keystone because the Archive.org show is missing this song as the opener and this is the one closes in date I could find)                                Jerry Garcia/Merl Saunders • It Takes A Lot To Laugh, It Takes A Train To Cry 10/12/73 Fixed SBD - YouTube                                7:35 – 9:09                                 "It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited released Aug. 30, 1965. It was recorded barely a month earlier on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991.Covered by Steven Stills, Leon Russell, Marianne Faithful, Taj Mahal, Paul Westerberg, Robyn Hitchcock and Lucinda Williams Dylan's live debut of the song came as part of Dylan's controversial electric set, backed by members of The Paul Butterfield Blues Band and Al Kooper, at the Newport Folk Festival on July 25, 1965, after "Maggie's Farm".[2][4][5][7] After being heckled during the electric set, and especially during "It Takes a Lot to Laugh, It Takes a Train to Cry", by fans who wanted Dylan to play acoustic folk music, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue".[4][7] The Newport performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" features jamming by guitarist Bloomfield and organist Al Kooper.[4] Dylan played it live as part of his set in the August 1971 Concert for Bangladesh. This version was included in the concert film and Grammy Award-winning album of the same title.[2]A.         Dead played it 7 times:first time on June 10, 1973 at RFK Stadium (D.C.) with Allman Brothersfive times in 1991 and once on March 16, 1992 at the Spectrum, Philly Released on Dead album:  Postcards of the Hanging (March, 2002) B.         Jerry's various bands played it about 60 times,first time on January 15, 1972 at Keystone Korner in S.F. w/Merle SaundersLast time by JGB: March 4, 1995 at the Warfield in S.F.                                SHOW #1:           Finders Keepers                                Track No. 1                                3:00 – 4:13                 Finders Keepers was performed over 20 times by Jerry Garcia with the Garcia/Saunders band, Legion of Mary and Reconstruction between 1973 and 1979.On the 1973 Garcia/Saunders Keystone double album the song is called Finders Keepers and is correctly credited to Johnston and Bowen. The song was written by General Johnson, a member of the group Chairmen Of The Board, and Jeffrey Bowen, the producer of the Chairmen Of The Board recording. The song was originally released by the Chairmen Of The Board as a single with a vocal version of the song on the A side and an instrumental version on the B-side.  Chairmen of the Board is an American-Canadian, Detroit, Michigan-based soul musicgroup, who saw their greatest commercial success in the 1970s.  SHOW #2:           The Harder They Come                                Track No. 2                                1:05 – 2:18 "The Harder They Come" is a reggae song by the Jamaican singer Jimmy Cliff. It was first recorded for the soundtrack of the 1972 movie of the same name, in which it is supposed to have been written by the film's main character, Ivanhoe Martin. In 1969, singer Jimmy Cliff met film director Perry Henzell, who was intending to make a film about a musician who turned to crime. Cliff agreed to take the lead role, and the film was shot over the next two years. During filming, Cliff came up with the line "the harder they come". Henzell thought it would make a good title for the film, and asked Cliff to write and record a theme song for it.[2]The actual recording of the track, at Dynamic Sounds (Muscle Shoals, 1971), was filmed for inclusion in the movie. Cliff wrote the melody, and improvised the lyrics. The musicians were Gladstone Anderson (piano), Winston Wright (organ), Winston Grennan (drums), Linford "Hux" Brown (lead guitar), Ranford "Ranny Bop" Williams (rhythm guitar), and Clifton "Jackie" Jackson (bass).[2]Reggae track recorded in Jamaica in 1972 Covered by:  JGB (Kean College 2.2.80), Cher, Keith Richards (b-side to his single, Run Rudolph Run 1978), Rancid, Joe Strummer, Wayne Kramer, moe., Willie Nelson, Guster, Widespread Panic and many others The Harder They Come was performed over 350 times by Jerry Garcia/Merl Saunders groups and by the Jerry Garcia Band between 1973 and 1995. The lyrics and music for the song are included in the Jerry Garcia Songbook. Also played by Phil Lesh & Friends, Billy & The Kids, Voodoo Dead and Bob Weir with Soul Ska.                                SHOW #3:           That's All Right Mama                                Track No. 3                                2:20 – 3:59                                Featuring:  Bill Atwood on Trumpet and Sara Fulcher on vocals                                                              The song was written by Arthur "Big Boy" Crudup, and originally recorded by him in Chicago on September 6, 1946, as "That's All Right". Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926.[5][6] Crudup's recording was released as a single in 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the "first rock and roll song" is Southeastern Louisiana University rock historian Joseph Burns, who adds that "this song could contain the first ever guitar solo break". Elvis Presley's version was recorded in July 1954.[10] While recording an album as part of a trio called The Blue Moon Boys, the band played "That's All Right" in between takes, and the uptempo style characteristic of rockabilly caught the attention of studio executive Sam Phillips, who asked for a refinement of the interpretation that was later recorded.[11] Its catalogue number was Sun 209.[12] The song was released under its original title, "That's All Right", and names the performers as Elvis Presley, Scotty, and Bill.[13] The Presley version was not identical to Crudup's since it was "at least twice as fast as the original".[2] His version is considered by some music critics as one of the records that was the first in the rock n'roll genre.  A 2004 article in The Guardian argues that rather than Presley's version being one of the first records of rock and roll, it was simply one of "the first white artists' interpretations of a sound already well-established by black musicians almost a decade before [...] a raucous, driving, unnamed variant of rhythm and blues". Covered by the Grateful Dead once with allman Brothers on June 10, 1973 (RFK great version with Jerry and Dickey Betts trading off lead licks) and once om April 18, 1986 at Berkeley Community TheaterPlayed regularly by JGB and other versions from the ‘70's until the end in 1995.                               SHOW #4:           Second That Emotion                                Track No. 5                                7:00 – 8:29 "I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and The Temptations, also on the Motown label. One morning in 1967, Robinson and Cleveland were shopping at Hudson's, a Detroit department store. Robinson found a set of pearls for his wife, Claudette. "They're beautiful." he said to the salesperson. "I sure hope she likes them." Cleveland then added "I second that emotion." Both songwriters laughed at Cleveland's malapropism; he had meant to say "I second that motion." The two were immediately inspired to write a song using the incorrect phrase. Was performed a handful of times (7) by the Grateful Dead in April, 1971First:  April 8, 1971 at The Music Hall, BostonLast:  April 29, 1971 at Fillmore East NYC Part of Jerry's bands repertoire between 1973 and 1994 (played almost 200 times)  OUTRO:                Sweet Little Angel                                Track #7                                2:20 – 3:59                 Written by BB King and Jules Taub in September, 1956                Some say it is an adaption of Black Angel Blues written by Lucille Bogan in December, 1930 In 1956, B.B. King recorded "Sweet Little Angel" (RPM Records 468). According to King, "I got the idea for 'Sweet Little Angel' from Robert Nighthawk's 'Sweet Black Angel', though I later discovered that the song had been recorded by someone before Nighthawk. At the time 'black' was not a popular word, as it is now. Instead of using the old title, I changed it to 'Sweet Little Angel'—and that was a pretty big record for me".[6] King's version, which included a horn section, was a stylistic shift for the song and it became a hit, reaching number eight on the Billboard R&B chart.[7] In 1957, he re-recorded "Sweet Little Angel" for his first album Singin' the Blues. Both versions prominently feature B.B. King's guitar work, with his note-bends "sounding almost like a lap steel in places.”

Anthony Cruz talks to us about his years of diverse reggae music, especially on the new album by Tad's International Record. "Under The Covers" contains 20 songs and hears the veteran singer putting a spicy flavor to standards like The Miracles' "I Second That Emotion", Roberta Flack and Donny Hathaway's "Closer I Get to You", and Alexander O'Neal's "If You Were Here Tonight". Bobby Digital, King Jammy, Donovan Germain of Penthouse Records, Chris Knight, Tad Dawkins Junior, and Mark HoSang are among the producers he collaborated with.

Anthony Cruz talks to us about his years of diverse reggae music, especially on the new album by Tad's International Record. "Under The Covers" contains 20 songs and hears the veteran singer putting a spicy flavor to standards like The Miracles' "I Second That Emotion", Roberta Flack and Donny Hathaway's "Closer I Get to You", and Alexander O'Neal's "If You Were Here Tonight". Bobby Digital, King Jammy, Donovan Germain of Penthouse Records, Chris Knight, Tad Dawkins Junior, and Mark HoSang are among the producers he collaborated with.

1. It's No Use 2. How Sweet It Is (To Be Loved By You) 3. Mystery Train 4. I Second That Emotion   

There's no other way to put it, Smokey Robinson is a legend. The Motown great and former frontman of The Miracles is responsible for some of the greatest pop hits of the 20th century – "You've really got ahold of me," "Tears of a clown," "I Second That Emotion," "Crusin'" and many others. In 1960, The Miracles released "Shop Around." The song became a huge success. It became Motown's first million-selling hit record. Robinson eventually became Motown Records vice president and helped turn the label into a household name. Smokey Robinson is now 83. He's still recording. He is still writing. Earlier this year, he released Gasms. We'll talk with the Motown legend about his time with The Miracles, his solo career, his songwriting process and his brand new erotic concept album.

Welcome to the Social-Engineer Podcast: The Doctor Is In Series – where we will discuss understandings and developments in the field of psychology.   In today's episode, Chris and Abbie are discussing: Social Perception. We will talk about what social perception is and how our reality is shaped by it. [April 3, 2023]   00:00 - Intro 00:22 - Dr. Abbie Maroño Intro 01:21 - Intro Links -          Social-Engineer.com - http://www.social-engineer.com/ -          Managed Voice Phishing - https://www.social-engineer.com/services/vishing-service/ -          Managed Email Phishing - https://www.social-engineer.com/services/se-phishing-service/ -          Adversarial Simulations - https://www.social-engineer.com/services/social-engineering-penetration-test/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                                05:02 - The Topic of the Day: Perception is Reality 06:35 - 3 Logical Steps 08:31 - Judgement Zone 10:25 - Confirmation Bias 13:21 - Trait Influence 15:06 - Moody Blues 16:42 - Emotional Misattribution 19:49 - We are NOT Mindful 22:25 - I Second That Emotion 24:30 - Judgement Free Zone 26:13 - Guided by Perception 27:49 - Conformation Bias            29:33 - Different Approaches 33:19 - The Exposure Effect 38:22 - Accounting for Context 42:13 - Emotional Carryover 43:57 - Perception Becomes Reality 45:18 - Hope 47:08 - Next Month: Beneath the Conspiracy 47:32 - Wrap Up & Outro -          www.social-engineer.com -          www.innocentlivesfoundation.org   Find us online: -          Twitter: https://twitter.com/abbiejmarono -          LinkedIn: linkedin.com/in/dr-abbie-maroño-phd-35ab2611a -          Twitter: https://twitter.com/humanhacker -          LinkedIn: linkedin.com/in/christopherhadnagy   References: Adolphs, R., Tranel, D., & Damasio, A. R. (1998). The human amygdala in social judgment. Nature, 393(6684), 470-474. Bodenhausen, G. V., Sheppard, L. A., & Kramer, G. P. (1994). Negative affect and social judgment: The differential impact of anger and sadness. European Journal of social psychology, 24(1), 45-62. Bower, G. H. (2020). Mood congruity of social judgments. Emotion and social judgments, 31-53. Burton, I. (1993). The environment as hazard. Guilford press. Buss, D. M. (2005). The murderer next door: Why the mind is designed to kill. London: Penguin Books. Dijksterhuis, A., & Bargh, J. A. (2001). The perception–behavior expressway: Automatic effects of social perception on social behavior. Drori, G., Bar-Tal, P., Stern, Y., Zvilichovsky, Y., & Salomon, R. (2020). UnReal? Investigating the sense of reality and psychotic symptoms with virtual reality. Journal of Clinical Medicine, 9(6), 1627. Duntley, J. D., & Buss, D. M. (2008). Victim adaptations. In J. Duntley, & T. Shackelford (Eds.), Evolutionary Forensic Psychology (pp. 201−229). New York: Oxford University Press Folstad, I., & Karter, A. J. (1992). Parasites, bright males, and the immunocompetence handicap. American Naturalist, 139, 603–622. Forgas, J. P. (1994). The role of emotion in social judgments: An introductory review and an Affect Infusion Model (AIM). European Journal of Social Psychology, 24(1), 1-24. Forgas, J. P. (Ed.). (1991). Emotion and social judgments (Vol. 23). Elmsford, NY: Pergamon Press. Innes-Ker, Å., & Niedenthal, P. M. (2002). Emotion concepts and emotional states in social judgment and categorization. Journal of Personality and Social Psychology, 83(4), 804. Innes-Ker, Å., & Niedenthal, P. M. (2002). Emotion concepts and emotional states in social judgment and categorization. Journal of Personality and Social Psychology, 83(4), 804. Park, S., Kim, S. P., & Whang, M. (2021). Individual's social perception of virtual avatars embodied with their habitual facial expressions and facial appearance. Sensors, 21(17), 5986. Snyder, M., & Swann Jr, W. B. (1978). Behavioral confirmation in social interaction: From social perception to social reality. Journal of experimental social psychology, 14(2), 148-162. Spencer, S. J., Steele, C. M., & Quinn, D. M. (1999). Stereotype threat and women's math performance. Journal of experimental social psychology, 35(1), 4-28. Stillman, T. F., Maner, J. K., & Baumeister, R. F. (2010). A thin slice of violence: Distinguishing violent from nonviolent sex offenders at a glance. Evolution and Human Behavior, 31(4), 298-303. Vrtička, P., Andersson, F., Sander, D., & Vuilleumier, P. (2009). Memory for friends or foes: the social context of past encounters with faces modulates their subsequent neural traces in the brain. Social neuroscience, 4(5), 384-401. Wilson, M., & Daly, M. (1985). Competitiveness, risk-taking and violence: The young male syndrome. Ethology & Sociobiology, 6, 59−73.

Features both Live and Studio recordings includes More Love, Tears of A Clown, Going To A Go Go, Being With You, You Really Got A Hold of Me, My Girl, Ship Around, Ooo Baby Baby, More Love, More Than You Know, I Second That Emotion, Tracks of My Tears, Crusin' and I Would Do Anything.

Milagros de funk, soul, de las últimas corrientes de la música negra, desde Smokey Robinson a Robert Glasper, de Deniece Williams, que acaba cumple hoy 71 años a Marc Ronson o VIKB, Víctor Bravo es un artista, cantante y compositor nacido en Madrid que a los 16 años fundó su primer grupo "The Sea Sons", de notable influencia funk y disco, y cuyo primer tema, 'Tengo la cabeza en otro lao’, explotó hace un par de meses. Dedicado a Rafael Nadal en el día de su cumpleaños. DISCO 1 EARL KLUGH I'm Ready For Your Love  DISCO 2 ROBERT GLASPER & JENNIFER HUDSON Out Of My Hands (11) DISCO 3 JOHN LEGEND feat. JID Dope DISCO 4 SHIRLEY DAVIS & THE SILVERBACKS Culture Or Vulture DISCO 5 MARC RONSON & Lucky Daye  Too Much  DISCO 6 VIKB Come a little close  DISCO 7 DENIECE WILLIAMS Let’s Hear to For The Boy ) DISCO 8 DENIECE WILLIAMS I Found Love (1) DISCO 9 DENIECE WILLIAMS Gonna Take A Miracle DISCO 10 TOM MISCH  Sunshine  DISCO 11 SMOKEY ROBINSON & The Miracles I Second That Emotion (13) DISCO 12 HELADO NEGRO Far DISCO 13 POST MALONE feat. Roddy Rich Cooped Up  Escuchar audio

Live Miracles! 5 June 2021 Pala Casino, CAThe idea for “I Second That Emotion” came to Smokey and his cowriter friend Al Cleveland when they were Christmas shopping. When replying to a salesperson's comment, instead of saying “I second that motion,” Cleveland responded, “I second that emotion.” The malapropism gave the men a good laugh — and the lyrics to this 1967 Grammy-nominated song.From “Smokey Wrote That.”https://youtu.be/jsDNWImJN0sTime to answer a quick 4-question survey? Click to answer; thank you!https://docs.google.com/forms/d/1pfdA_6_7YzUnyolusOJy0lJeU0gNm07HIOMFyM2YCT4/editIf you like the Podcast please do three simple things for me: rate, subscribe, and write a review. Thank you!Amazon Associate ID is thedoctorofdi-20

            This week, a spectacular tribute to Motown. We begin with the legendary Smokey Robinson talking about his start with the label, his biggest hits, writing for others and his favourite Motown performer. Smokey also talks about Diana Ross, The Temptations and other Motown legends. In the most powerful interview clip, Smokey reveals the considerable challenges in being a black-owned company in America during the civil rights era.             Smokey also tells the amazing stories behind the hits “Shop Around”, “I Second That Emotion”, “Tears Of A Clown” and “Mickey’s Monkey”.             We also have a wonderful mid ‘80s interview with Mary Wells, whose 1964 hit “My Guy” was one of the first Motown smashes.  In this interview, recorded a mere 5 years before Mary’s death, she explains why she left the label that made her famous.             We also speak to Motown legend Jimmy Ruffin, who talks about his biggest hit, “What Becomes Of The Broken Hearted” and the profound effect it had on him and his fans. Next week, we continue our tribute to Motown with Diana Ross and Mary Wilson of The Supremes, a very young Michael Jackson talks about how the Jackson 5 got started, Stevie Wonder talks about his first massive hit, The Temptations talk about the legacy of their music, Lionel Richie recalls walking the halls of Motown for the first time and Martha Reeves explains how she started as a Motown secretary and became one of the biggest stars of the ‘60s. Famous Lost Words is heard in 31 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, Newstalk 1290 London, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville.  If you’d like to promote your business to THOUSANDS of music lovers – think about sponsoring our show.  To find out more – email us – famouslostpod@gmail.com. 

Happy Birthday Smokey Robinson, 81 today (2/19)! I worked with Smokey many times over the years. The Miracles' "Shop Around" was Motown's first million seller in 1960. Over the next 10 years Smokey gave us some truly memorable music: "You've Really Got a Hold on Me" (1962), "Mickey's Monkey" (1963), "Ooo Baby Baby", "Going to a Go-Go", "The Tracks of My Tears" (1965), "(Come Round Here) I'm The One You Need" (1966), "The Love I Saw in You Was Just a Mirage", "I Second That Emotion" and "More Love" (1967) and "The Tears of a Clown" (1970). Smokey topped the charts as a solo artist with "Cruisin'" (1979) and "Being With You" (1981). "Just to See Her" and "One Heartbeat" were Top 10 hits for Smokey in 1987. Smokey was also a major writer and producer for Motown. He has written 4,000 songs in his distinguished career. In this interview, recorded at the Legends Of Rock'n'Roll show at EXPO 86 in Vancouver, Smokey recalls meeting Ray Charles, his early days at Motown, working with Mary Wells, the success of "Shop Around", his perspective on Motown founder Berry Gordy, how having kids changed his work ethic. Smokey Robinson was inducted into the Rock and Roll Hall of Fame in 1987, and was awarded the 2016 Library of Congress Gershwin Prize for his lifetime contributions to popular music. He recently joined forces with singers Leona Lewis, Tori Kelly and Sam Fischer for a new rendition of Burt Bacharach's classic “What the World Needs Now,” to benefit the American Red Cross in its disaster relief efforts. Smokey's life story, "Grateful And Blessed" is available now on audible.com. Catch up with Smokey at smokeyrobinson.com. He's on Facebook at @thesmokeyrobinson and Twitter at @smokeyrobinson. Happy Birthday old friend!

Bender starts to feel everything that Leela feels and we meet the mutants when Andy and Scott review Futurama season 2, episode 5, "I Second That Emotion". Find more Why Not Futurama? through the official RF4RM social media channels: Web | Twitter | Facebook | Instagram   Rate, review, & subscribe to Why Not Futurama? on: Apple Podcasts | Google Play | Stitcher   Your feedback is appreciated. Send emails to podcast@rf4rm.com

We begin Season 2 of futurama this week with I Second That Emotion! We talk about mutants, Dr. Strangelove, and the practicalities of flushing things down toilets.

Songwriters Hall of Fame and Rock & Roll Hall of Fame inductee Smokey Robinson talks about his Motown legacy and his string of timeless hits, including “Shop Around,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “My Guy,” “The Way You Do The Things You Do,” “Cruisin’,” and more! PART ONE Scott and Paul chat about Pearl Snap Studios and share the behind-the-scenes details of how the Smokey interview came about. PART TWO -  8:07 mark Scott and Paul sit down with Smokey to get the inside scoop on the first song he ever wrote; how his love of Gene Autry and Roy Rogers gave him his identity; the songwriting advice from Berry Gordy that changed his life; which song he calls his international songwriting anthem; the collaborator he referred to as his "music mountain;" the hit he wrote onstage; the tragic story behind his most personal song; the artists he had in mind when he wrote "Shop Around" and "Being with You;" which of his hits took less than 30 minutes to write - and which one took five years! ABOUT SMOKEY ROBINSON Ranked in the Top 5 of Rolling Stone magazine’s Greatest Songwriters of All Time, Smokey Robinson is an American Musical Icon. Practically synonymous with the legendary Motown Records, Robinson wrote most of the hits associated with his own group, The Miracles, including “Shop Around,” “You’ve Really Got a Hold On Me,” “Going to a Go-Go,” “Ooo Baby Baby,” “The Tracks of My Tears,” “I Second That Emotion,” “Baby, Baby Don’t Cry,” and “The Tears of a Clown.” Beyond writing for himself, Smokey penned a long list of hits for other Motown artists, including “You Beat Me to the Punch” and “My Guy” for Mary Wells; “The Way You Do the Things You Do,” “My Girl,” and “Get Ready” for The Temptations, “Don’t Mess with Bill” and “The Hunter Gets Captured by the Game” for The Marvelettes; and “I’ll Be Doggone” and “Ain’t That Peculiar” for Marvin Gaye. In later years, Smokey launched a successful solo career, scoring self-penned hits with “Baby That’s Backatcha,” “Quiet Storm,” “Cruisin’,” and “Being With You.” The Grammy-winning songwriter, producer, and performer was inducted into the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. He is a National Medal of Arts Recipient and a Kennedy Center Honoree. Smokey has additionally been honored with the Library of Congress’ Gershwin Prize for Popular Song, the Soul Train Heritage Award, the BET Lifetime Achievement Award, the Grammy Lifetime Achievement Award, and countless other honors. Five of his songs are on the Rock & Roll Hall of Fame’s list of 500 Songs That Shaped Rock & Roll, and five have been inducted into the Grammy Hall of Fame. Four of his compositions can be found among Rolling Stone magazine’s 500 Greatest Songs of All Time. The long list of other artists who’ve drawn from the Smokey Robinson songbook includes The Beatles, The Rolling Stones, Michael Jackson, Ella Fitzgerald, Aretha Franklin, Otis Redding, The Supremes, The Four Tops, Stevie Wonder, Gladys Knight, Dionne Warwick, Dusty Springfield, Linda Ronstadt, Dolly Parton, George Benson, D’Angelo , Ne-Yo, and more.

With dozens of Top 40 hits, more than 4,000 songs to his credit and more than six decades in the business, Smokey Robinson reflects on his legendary career. Smokey is known as the “King of Motown,” responsible for such hits as "Tracks of My Tears," "I Second That Emotion," and the Temptations’ unforgettable smash, "My Girl." Born and raised in Detroit,Smokey was childhood friends with both Aretha Franklin and Diana Ross, who grew up down the street. "The Temptations and The Four Tops and all those people were growing up in my immediate neighborhood,” he says. “I can't answer why there was so many of us in that same neighborhood, but it was happening all over Detroit.” When Smokey was 40 years old, he became addicted to drugs. "I went on a hell of a drug trip and it was horrendous,” he says. Smokey shares how he eventually overcame his addiction and explains why he believes love is the most powerful emotion we can experience.

This week's Deadpod takes us back to the early days of 1971, to a performance that was before a small crowd at Davis Gymnasium on the Bucknell University Campus in Lewisburg PA on April 14th, 1971. This is a wonderful tape, despite a little static here and there.. it has by and large excellent sound and the band is really energized. There's a great mix of rocking numbers like 'Truckin' and 'China Cat' along with quieter ballads like 'Me & Bobby McGee' and 'Sing Me Back Home'. I love how clearly I can hear Phil's thundering bass on 'Bertha'!  A true treat here is one of the rare performances of 'I Second That Emotion' (only played 6 times) that happens here in set 1. (There is some dispute about the setlist order - Deadbase 50 puts it in set 2, I've left it in its traditional 1st set slot here).   thanks to Jim H for the suggestion -  remember I'm always happy to take requests!   Grateful Dead Davis Gym - Bucknell University Lewisburg, PA 4/14/71 - Wednesday One Truckin' ; Deal ; Me And Bobby McGee ; Next Time You See Me ; Bertha ; Playing In The Band ; Sing Me Back Home ; Me And My Uncle ; China Cat Sunflower > I Know You Rider ; I Second That Emotion ; Casey Jones   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod111017.mp3   Thank you for listening and for your support!          

Luke and Gabe recount a disgusting story, and discuss Season 2 Episode 5: I Second That Emotion.   Follow us on Twitter: @ALMPod

Episode 017 - August 2015 Set 2I'll Take A MelodyLet It RockTough MamaFeel Like DynamiteI Second That EmotionGoing, Going, GoneMississippi MoonMystery Train(I'm a) Road RunnerBoogie On Reggae WomanThat's What Love Will Make You Do

Episode 021 - October 2015 Set 1Wake Up Little Susie 1970-02-14Don't Ease Me In 1970-03-24I'm A King Bee 1969-02-28When I Paint My Masterpiece 1991-06-17Desolation Row 1988-02-17I Second That Emotion 1971-04-29Stir It Up Jam 1991-03-21The Mighty Quinn 1985-12-30Werewolves of London 1978-07-08Baba O'Riley-> Tomorrow Never Knows 1992-05-31Knockin' On Heaven's Door 1990-10-28Dear Mr. Fantasy-> Hey Jude Reprise 1988-03-17Lucy In The Sky With Diamonds 1995-03-17All Along The Watchtower 1989-06-19The Weight 1990-04-02Man Smart (Woman Smarter) 1990-03-16Iko Iko 1990-12-12Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away 1971-11-15As always, all date information for all tracks used in all episodes can be found on the setlists page on the site -> http://deadfantasypodcast.blogspot.com/p/setlists.html

They recorded more #1 singles than any other artists ever, and nobody seems to know their names. They have more radio airtime than any other musicians… ever. The Funk Brothers were the studio musicians that delivered the MOTOWN sound and this tape is a tribute to their talent. 1. We'll Sing in the Sunshine, Gale Garnet (music bed) 2. Money, Barrett Strong. 3. You've Really Got A Hold On Me, Smokey Robinson. 4. Bernadette, Four Tops. 5. (love is like a) Heatwave, Martha Reeves and the Vandellas. 6. Ain't to Proud to Beg, Temptations 7. I Heard It Through the Grapevine, Gladys Knight and the Pips. 8. Reach Out I'll Be There, Four Tops. 9. My Girl, Temptations. 10. Ain't no Mountain High Enough, Marvin Gaye and Tammi Terrel. 11. The Tears Of A Clown, Smokey Robinson. 12. Please Mr. Postman, The Marvelettes. 13. Can't hurry Love, Supremes. 14. Higher and Higher, Jackie Wilson. 15. Baby Love, Supremes. 16. I Second That Emotion, Smokey Robinson. 17. What Becomes of the Broken Hearted, Joan Osborne.