Podcast appearances and mentions of Deniece Williams

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves/Easy Listening Cuts From Dazz Band, Temptations, Switch, Stephanie Mills, Rose Royce, Phylis St James, Percy Larkins, Nona Hendryx, Lillo Thomas, Jaki Graham, Deniece Williams, Carl Anderson, Atkins, Anne LeSear, & More. #originalpirates #soulmusic #disco #reggae #raregroove #easylistening #boogiefunk Catch Rendell Every Saturday From 8PM UK Time The Stations: Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org. This Week Dave Gave Us Boogie/ 70's & 80's/ Jazz Funk Grooves From Crown Heights Affair, Booker Newbury III, Diana Ross, Shalamar, K.I.D., Change, Quincy Jones, Wilton Felder, Deniece Williams, Rufus & Chaka Khan, Michael Jackson, Heatwave & More. #originalpirates #soulmusic #funk #disco #boogie #70smusic #80smusic #jazzfunk Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org Every Sunday From 5PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

**Neil G's Ice Cream Sundae Show Replay On traxfm.org. This Week Neil Gave Us Soulful House/Nu Disco/ Disco Edits//Remixes From Masters At Work - To Be In Love (Block & Crown Remix), Birdee & Michelle Weeks, Les Bisous, GhostMasters, Ken@Work, Ben Westbeech, A.M.P. (Alan Matthews Project), Deniece Williams, Jay Caruso, Zo! Ft Erro & Phonte, Bill Brandon - We Fell In Love While Dancing (Mikeandtess Edit 4 Friends), Ladies On Mars, Loleatta Holloway - Runaway (Dr Packer Rework), Matumza & Gurulogic Ft Kunle Ayo, Roberta Flack & Donny Hathaway - Where Is The Love (Digital Visions Re-Edit) & More. #originalpirates #nudiscohouse #discohousemusic #discoedits #SoulfulHouseMusic Catch Neil G's Ice Cream Sundae Show Every Sunday From 1PM UK Time Each & Every Sunday Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

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Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

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Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Welcome back to another Broadway Drumming 101 Classic episode! This time, I'm revisiting an incredible conversation I had with the talented Shannon Ford back in late 2021. Shannon has an amazing story, and I'm excited to share it with you again today.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Shannon is a versatile drummer and percussionist who has carved out an inspiring path in the Broadway world. Whether it's his impeccable groove, his dynamic adaptability, or his incredible professionalism, Shannon has earned his place in this tight-knit and supportive community. His journey into Broadway is a testament to hard work, persistence, and the power of connection.In this episode, Shannon dives into how he got his start in the Broadway scene, sharing both the challenges and triumphs of building a career in this unique industry. He talks about the importance of relationships, the mentorship he's received along the way, and how the Broadway drumming community has been welcoming and encouraging to him. If you're an aspiring Broadway musician, Shannon's story is one you'll definitely want to hear—it's filled with insights and advice that can help you on your journey.I loved hearing Shannon talk about his approach to the craft and what it takes to succeed in this competitive but rewarding world. There's so much to take away from his experiences, whether you're a drummer, a musician, or just someone who appreciates the hard work that goes into making Broadway magic happen.So take a listen, and let Shannon Ford's journey inspire you. This is an episode filled with heart, wisdom, and the kind of perspective that makes the Broadway drumming community so special. I hope you enjoy it as much as I did when I first recorded it.Be sure to check it out today, and as always, feel free to share your thoughts after listening—I'd love to hear what resonated with you. What's New at Broadway Drumming 101?We're always working on bringing you more incredible content! Here's what else we've got going on:* Exclusive Articles & Tips: Subscribe to our website to gain access to exclusive behind-the-scenes posts and resources you didn't learn in music school.* Video Content: Check out our YouTube channel for interviews, tutorials, and in-depth discussions with Broadway's top drummers. Don't forget to hit that subscribe button!* Shop Broadway Drumming 101: Grab your favorite merch, including T-shirts, hoodies, and more, at our Shopify store to show your love for the art of Broadway drumming.

Dar vienas rinkinys įsimintinų topinių 9 dešimtmečio naujosios bangos dainų, kurių atlikėjams tokios sėkmingos jos buvo vienintelės, dažnai užgožusios pačių dainininkų vardus. Grojaraštyje grupės, duetai „The Buggles“, „Baltimora“, „Strawberry Switchblade“, „Dexys Midnight Runners“, „Katrina and the Waves“, „'Til Tuesday“, „Living In A Box“, dainininkės Martika, Deniece Williams ir kt.Ved. Lukas Devita

On the next episode of Broadway Drumming 101, we sit down with Mike Ramsey, a seasoned professional musician who's been making it happen in New York City for years. Mike shares what it takes to build a career in one of the most competitive music scenes in the world—talking about why being early, prepared, and easy to work with are non-negotiables for success.We dive into the nitty-gritty of subbing on Broadway, where Mike's had to step into some intense percussion setups, like the dynamic dual percussionist roles in The Lion King. He explains why subbing is about emulating the chair holder's style—not showing off your own. “It's not your gig,” Mike reminds us, “your job is to make it seem like the regular musician is in.”Mike also shares some hilarious (and humbling) stories from his career—like a U-Haul mishap on the Belt Parkway that ended with the truck roof peeled back like a can of sardines. Somehow, the instruments survived, and Mike learned a valuable lesson about NYC driving restrictions.If you're an aspiring musician, this episode is loaded with practical advice, from how to get started in Broadway pits to why versatility and freelancing skills are a must in a city where gigs can be unpredictable. We even touch on the importance of building your online presence and why Mike might finally create a website after all these years.Don't miss this one—it's packed with insights, laughs, and gems for anyone looking to make it in NYC's music scene.

On the next episode of Broadway Drumming 101, we chat with Mike Ramsey, who's been making it happen as a professional musician in New York City for many years. We get into what it really takes to build a career in New York—from being on time (actually, being early) to knowing how to gel with people and stay prepared. Mike also drops some major gems about subbing for other musicians—like why it's never the time to “do your own thing” when you're filling in. If you're serious about playing in this city, this episode is packed with practical advice and real talk about what works—and what doesn't—when it comes to making it in the NYC music scene.Check out all of our podcasts HERE!Our last was with Nate Patten. A must-listen: Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an accompanist in the dance department at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In the next episode of the Broadway Drumming 101 Podcast, I chat with Mike Ramsey, a talented drummer/percussionist and an accompanist in the Dance department at NYU, to discuss his musical journey and offer invaluable advice for aspiring Broadway musicians.When asked about how to break into the Broadway scene, Mike shared a memorable lesson from his mentor, Javier Diaz, during a clinic at Rutgers University. The advice? "Focus on becoming a good musician." It's a simple reminder that technical skill and musicality are the foundation for success.Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an adjunct faculty member at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this special episode of Broadway Drumming 101, we step out of the drum chair and into the conductor's podium with Nate Patten, a celebrated music director, writer, and comedian based in New York City. With a resume spanning eight Broadway shows—including Company, The Prom, Charlie and the Chocolate Factory, and Catch Me If You Can—Nate brings a wealth of knowledge and humor to our discussion.Currently conducting Elf, the holiday musical lighting up Broadway through January 7, 2024, Nate shares the secrets of his success, from networking and building genuine relationships to fostering curiosity and taking unconventional opportunities. Whether you're a drummer, a percussionist, or any musician looking to understand the dynamics of working with a music director, this episode offers invaluable insights.What You'll Learn:* How Nate got his start in musical theater and built his career.* Why the chemistry between musicians in a pit is just as important as their talent.* The critical role drummers play in maintaining the pulse of a Broadway production.* Nate's unique approach to giving feedback and fostering artistry in the pit.* Tales from the rehearsal room with Broadway legends like Marc Shaiman, Scott Wittman, and Kristin Chenoweth.

Landing a gig in a Broadway pit is about more than just being talented or prepared—although that's important, too. Music directors are looking for musicians who bring something unique to the table and can fit into the group's chemistry. It's not just about being the best at your instrument; it's about being the right fit for the team and the project.In this video, we break down what music directors are looking for and how you can stand out—not just as a player but as a collaborator. If you're serious about working on Broadway, this is the kind of insight you need.Also, don't miss the latest podcast episode featuring Nate Patten, the conductor of the new holiday musical Elf, now playing at the Marquis Theatre in Midtown! Make sure to subscribe for more tips, behind-the-scenes knowledge, and interviews with the best on Broadway.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, we're honored to feature Ed Shea, a distinguished musician whose career spans from the Philadelphia soul scene to the stages of Broadway.Highlights from the Episode:* Early Musical Influences: Ed shares his initial fascination with music, sparked by the lively bands performing at his grandfather's bar in Wildwood, New Jersey.* Educational Journey: Attending North Catholic High School in Philadelphia, Ed was mentored by esteemed band director Tony Marchione, leading to his first theatrical experience with Do Re Mi.* Mentorship and Development: The impact of Nick D'Amico, a leading Philadelphia show drummer, in honing Ed's drumming skills and professional approach.* Philadelphia Sound Era: Insights into recording at Sigma Sound Studios with legends like Gamble and Huff, contributing to the iconic “Philadelphia Sound” alongside artists such as the O'Jays and Teddy Pendergrass.* Atlantic City Performances: Experiences from the peak of Atlantic City's entertainment scene, including performances with luminaries like Sammy Davis Jr. and Tony Bennett.* Broadway Transition: Ed's move to New York City in the early '90s, marking his Broadway debut and solidifying his reputation through tours like The Music of Andrew Lloyd Webber.* Sustaining Performance Excellence: Strategies for maintaining enthusiasm and precision in performances, and the camaraderie among Broadway musicians.* Guidance for Aspiring Musicians: Practical advice on preparation, subbing, networking, and succeeding in the competitive Broadway environment.* Adapting to Technological Advances: Navigating the integration of drum machines and evolving demands of contemporary drum compositions.Memorable Anecdotes:* Performing for Frank Sinatra at the Latin Casino at 25 and managing on-stage challenges.* Bringing personal timpani to a Sigma Sound session, receiving support from producer Thom Bell.* Mentoring emerging Broadway drummers, including Joe Nero, Taylor Simpson and Dan Berkery.Ed reflects on his dynamic career, the music industry's evolution, and the privilege of being part of Broadway's vibrant community. He encourages perseverance, adaptability, and embracing the challenges of a musical career in New York City.About Ed SheaEd Shea is a seasoned percussionist and drummer whose career began in the rich musical landscape of Philadelphia. A member of the American Federation of Musicians across multiple cities, including New York and Philadelphia, Ed has showcased his versatility across various platforms.Broadway Contributions:* Dream (1996)* Peter Pan (1999–2000)* Martin Short: Fame Becomes Me (2006)* Newsies The Musical (2012–2014)* Holiday Inn, The New Irving Berlin Musical (2016–2017)He has also substituted in productions such as Cats, Phantom of the Opera, Grease, and Les Misérables.Touring Experience:* A Chorus Line (National Company, 1977; Japan Tour, 1986)* Paul Anka East Coast Tour (1982)* Debbie Reynolds Tour (1990)* The Music of Andrew Lloyd Webber (1991–1992)* Jesus Christ Superstar (1994)* South Pacific West Coast Tour (2002)* Urinetown (2003–2004)* Chicago (2006–2007)Television Appearances:* Miss America Pageant (1988–1991)* Dick Clark's Freedom Festival (1989)* Merv Griffin's New Year's Eve (1990–1992)* A&E's Live by Request with Johnny Mathis (1997)* PBS's Wonderful, Wonderful with Johnny Mathis (2006)Recording Collaborations:Ed has recorded with labels such as Philadelphia International, Columbia, and Motown, working with artists including:* Four Tops* Spinners* Temptations* Patti LaBelle* O'Jays* Teddy Pendergrass* Lou Rawls* Stylistics* James Ingram* Deniece WilliamsFilm Contributions:* The Fish That Saved Pittsburgh (1979)* Staying Alive (1982)* City Slickers (1991)* Flirting with Disaster (1996)Educational Background:Ed studied at the Philadelphia Music Academy, graduating in 1972. He is also a professor of percussion at Seton Hall University, aiming to develop well-rounded percussionists and music educators.

In this clip, legendary percussionist Ed Shea takes us back to his days at Sigma Sound Studios. Ed paints a vivid picture of the studio's bustling energy, where top-tier musicians like Bobby Eli and Tom Bell seamlessly crafted iconic records.Ed shares insider details about what it was like working with legends like Kenny Gamble and Leon Huff, recording albums for Lou Rawls, and navigating the laid-back yet precise atmosphere of Sigma. He talks about how the sessions were structured—three sessions a day, double scale pay, and often a relaxed schedule where creativity could flow uninterrupted.He also offers a practical tip for musicians: always be prepared. He recounts how he kept a manuscript book handy to quickly jot down parts when Leon Huff or other producers needed overdubs on the fly. Ed's approach to adapting to each session's unique demands highlights the professionalism and versatility that have defined his remarkable career.Ed also compares the relaxed recording environment to the high-pressure world of subbing on Broadway, giving you a glimpse into the different dynamics of studio and theater drumming.Subscribe today for more and to be notified when new content is released:Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul From Salsoul Orchestra, Barry White, Julian Jonah, Deniece Williams, George Benson, Carleen Anderson, Midnight Star, Archie Bell & The Drells & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Mike Dobson is a drummer, percussionist, and Foley artist who has spent over 20 years bringing stories to life with his unique combination of live music and sound effects.With degrees from The Hartt School (B.M.) and The New School (M.M.), Mike has the training and the creativity to tackle any project. He co-wrote the offbeat production Room 17B and has worked with top directors like Tina Landau.Mike's journey started behind the drum kit, but his passion for sound grew during his early days performing in circus and clown shows. That's where he learned how sound effects can create humor and enhance storytelling, lessons he's carried throughout his career. One of his standout roles was as the live Foley artist for The SpongeBob Musical. I first met him there and was able to work with him when subbing for Damien Bassman. He continued that role in The SpongeBob Musical Live On Stage, proving that sound can bring just as much personality to a show as the actors on stage.He's the drummer and percussionist for the Broadway show Water for Elephants, based on the bestselling novel. In this production, Mike doesn't just play drums—he helps create the world of a traveling circus during the Great Depression and uses traditional percussion, found objects, and custom instruments. Water for Elephants runs through December 8, 2024, so go see it before it ends!For more: https://www.mikedobsonmusic.com/homeClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this clip, Mike Dobson breaks down what it's like to be part of the small, elite group of drummers and percussionists on Broadway—and how his work is even more specialized. He combines live music and Foley artistry, creating sound effects in real-time for the stage, something very few people know how to do.Mike shares his experience working in this super-niche field, reflecting on his nearly 20 years in New York, and talks about how Foley is typically taught in film and audio programs but rarely for live theater.

In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some truly remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works and a few surprises along the way. Stay tuned because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this podcast, we hear about the career of legendary drummer Matt Vander Ende, who shares his fascinating journey from the West Coast music scene to the bright lights of Broadway. Known for his dynamic playing style, Matt takes us through his transition from rock and metal drumming into musical theater, where he ultimately landed one of Broadway's most demanding drumming roles in Wicked.Throughout the interview, Matt reveals:* His musical upbringing was in Oakland, California, and he had early classical training at the San Francisco Conservatory. he has a diverse performance background spanning from school jazz bands to heavy metal tours with his band, Defiance.* How he developed his versatile style, drawing influence from drumming legends like Steve Gadd, Vinnie Colaiuta, and Metallica's Lars Ulrich, blending classical chops with rock intensity.* His unexpected path into musical theater, starting with a recommendation to try drumming in local theater productions—a choice that paved the way to his long-running career on Broadway.Matt's detailed look at his role as the drummer for Wicked is a highlight of the conversation. He describes the intense demands of this iconic show, which requires the drummer to seamlessly switch between musical genres, from reggae and punk-inspired beats to classical and traditional Broadway rhythms—all while leading a large 23-piece orchestra.Matt shares:* What makes Wicked such a challenging and unique show to play, including the precise, genre-hopping drumming style it requires to drive the music and choreography.* His experience mastering complex segments like the intense “No Good Deed,” which he describes as “Bartok meets Metallica”—an exhilarating, intricate piece that demands both technical precision and a heavy rock feel.* The importance of consistency in Wicked, with Matt highlighting his methods for keeping each performance fresh, despite the rigorous routine, and the ways he managed physical strain and injury during his tenure.Matt also gives valuable advice to aspiring Broadway drummers on the importance of discipline, professionalism, and learning a wide variety of musical styles. He emphasizes the necessity of playing each performance exactly as the regular drummer does, especially for subs, and offers insights on building relationships and working as part of a close-knit Broadway team.For Broadway fans, drummers, and musicians alike, this episode is packed with stories, lessons, and insights from Matt's extraordinary journey. Don't miss his reflections on the highs and challenges of playing one of Broadway's most iconic shows!Tune in for an unforgettable conversation with Matt Vander Ende on Broadway Drumming 101.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Edición especial que dedicamos a música compuesta por David Foster: es la segunda y el primer monográfico es el número 1690 de este podcast. Escuchamos temas creados por Davis Foster e interpretados por Airplay, Earth, Wind & Fire, The Emotions, Herbie Hancock, Boz Scaggs, Lou Rawls, Deniece Williams, Bill Withers, Carole Bayer Sager, Average White Band, The Brothers Johnson y The Manhattan Transfer.

El protagonista de este monográfico es el saxofonista británico Snake Davis. Repasamos su colaboraciones junto a Acoustic Alchemy, M People, Shakatak, Espirito, Dionne Warwick, Richard Darbyshire, Incognito, Paul Hardcastle, Hamish Stuart, Deniece Williams y Lisa Stansfield.

Halsey's a modern pop singer since 2014. Breaking through The Chainsmokers' 2016 #1 hit "Closer", she brings an edgy darkness in her music. Preparing her 5th album, Halsey released promo singles: "The End", "Lucky", and "Lonely Is the Muse".  "Lucky" has double mashup samples by Britney Spears and Monica. Learn the biographies of all 3 women, tying in each hit song used. Theme Song: "Dance Track", composed by Jessica Ann CatenaText the podcast, Support the showMentioned media:"Alone" - Halsey feat. Big Sean and Stefflon Don (2018)"Without Me" - Halsey (2018)"Cry Me a River" - Justin Timberlake (2002-2003)"Lucky" - Britney Spears (2000)"The Boy Is Mine" - Brandy & Monica (1998)"Angel of Mine" - Monica (1998)"Angel of Mine" - Eternal (1997)Monica's "Everything to Me" (2010), sampling Deniece Williams' "Silly" (1981)Monica's album news - (Variety)Album Nerds podcastRelated Episodes:Ep. 48 - Brandy & Monica's "The Boy Is Mine"Ep. 69 - Justin Timberlake Top 20Ep. 112 - Britney Spears Top 20Ep. 121 - Janet Jackson DocumentaryEp. 168 - Top 40 Songs of 2022 (Part 1)Ep. 199 - Doja Cat's "Attention"Ep. 205 - 'NSYNC Top 10 FavsEp. 229 - Justin Timberlake New AlbumEp. 251 - Celine Dion Top 10

Dennis Holt is one of Nashville's most gifted musicians, whose drumming abilities cross nearly every genre from Americana to Country to Rock, Jazz, Ambient and R & B. Seasoned global performer, Dennis' diversity has proven itself in recording with Taylor Swift, AD/Kansas, Emmylou Harris, Trisha Yearwood, and Deniece Williams to name but a few. Dennis, a first call drummer for top tier artists while living and working in both LA and Nashville, has played and toured the globe and literally performed and recorded on thousands of songs. When it comes to production, Dennis' knowledge and experience from years in the studio will help you achieve the best results possible. Dennis leads with soul and always strives for perfection. He is an innovator as he looks for new ways to push creative boundaries.  Music,drumming and producing is Dennis' driving force as he brings a wealth of experience and unparalleled enthusiasm and energy to each and every project. In this episode, Dennis talk about: Remote tracking His formative years Staying active Surviving a bad bicycle accident Negotiating the work load when remote tracking The importance of maintaining your gear Recording and performing with Kerry Livgren from the band Kansas Being able to read anyones chart style

National Egg day.  Entertainment from 1999.  Andy Warhol shot by feminist, Willie Nelson hit with $32 million tax bill, 1st baseball uniforms.  Todays birthdays - Jimmy Rogers, Tony Curtis, Ian Hunter, Eddie Holman, Deniece Williams, Danny Wilde, David Cole, Doro.  Muhammad Ali died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Egg Song - Land before timeLivin la vida loca - Ricky MartinPlease remember me - Tim McGrawBirthdays - In da club - 50 Cent   http://50cent.com/Thats all right - Jimmy RogersOnce bitten twice shy - Ian HunterHey there lonely girl - Eddie HolmanLets hear it for the boy - Deniece WilliamsJust the way it is - The RembrandtsI'll be there for you - The RembrandtsGonna make you sweat - C&C Music FactoryAll we are - WarlockExit - Its not love - Dokken     http://dokken.net/Follow Jeff Stampka on Facebook and cooolmedia.com 

In this episode of LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson explores the extraordinary life and career of four-time Grammy-winning artist, Deniece Williams.  From humble beginnings in Gary, Indiana, to gracing the global stage with her iconic songs, Williams shares the stories and lessons learned from her remarkable journey. Listeners are given a front row seat as Williams recalls her time working with Stevie Wonder on his Talking Book album, touring with The Rolling Stones during their infamous 1972 tour of the USA, showing Stevie Wonder how to drive and how her solo career was kicked off with chance encounter with Maurice White of Earth, Wind and Fire. We discuss the making of her debut album "This is Niecy" which was recorded with Earth, Wind and Fire as the backing band and brought Deniece her first taste of stardom, her work with Johnny Mathis and meeting Prince Charles with Johnny.  How she convinced George Duke to make "Lets Hear it for The Boy" which ended up being her largest pop hit and the time her studio was turned Purple by Prince.  This episode invites audiences to delve deeper into Deniece's partnerships with industry greats like George Duke and Thom Bell, highlighting the creative processes and insights that led to the creation of her enduring hits. The discussion not only celebrates her illustrious musical journey but also emphasizes her dedication to giving back to her community and paving the way for future generations. Capturing the perseverance, grit and unwavering spirit that marked Deniece's career, this episode provides a glimpse into the unique experiences and profound influence of this living legend. -- Please rate and subscribe after you listen - thank you!

KICK OFF THE SUNDAY SHOES... Ooh-wee, Marie, we're doing another big movie song! This episode is all about Kevin Bacon's starring turn in Footloose. Shockingly, this one has the iconic "Footloose" by Kenny Loggins, as well as "Let's Hear It For The Boy" by Deniece Williams amongst other songs. Alex's cat steals in the show in the post-credits, Ben takes offence at a quiche and Dietrich is not having a good time. Find us on Twitter, BlueSky, Instagram & Threads: @TSFTMpod LikEE, sharEE and subscribEE Did you enjoy the episode? Then please consider leaving a FIVE STAR review wherever you get your podcasts. It means a great deal to us and makes it easier for other potential listeners to find us.  Want to support us further? You can do this on Patreon from £1 ($1.50) a month: https://Patreon.com/TSFTM or via our merch store: https://TeePublic.com/user/TSFTM Thank you! Timestamps:01:39 - What Have We Been Watching09:14 - History12:19 - Movie Discussion22:13 - Overall Soundtrack Discussion25:11 - "Let's Hear It For The Boy" Discussion32:27 - "Footloose" Discussion43:27 - Top 551:03 - Best Song?

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023)Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

The Music That Made WE volume 4 continues with Rain Supreme, co-producer of Boombox Burlesque and podcaster with Assorted Chocolates; and a stunning solo performer found in New York City. She's chosen 10 songs that make up their story, with a soundtrack that includes Mary J. Blige, Stevie Wonder, SWV, and Lil' Kim. & Stick around for Viktor's hidden bonus track. The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] – Produced by Viktor Devonne, reigning Mr Hollywood Burlesque Produced by Viktor Devonne, reigning Mr Hollywood Burlesque WEBurlesque Podcast Nework is the creation of Viktor Devonne.

It's been said many times on this podcast, George loves him some Mary Gross.  For all you doubters out there, he proved why by forcing Ben to watch an episode of Saturday Night Live from Season 9 hosted by Michael Douglas.  Coffee infused blood, totally rad 80s music videos, busty 7 year olds, a town without feet, a host with an open headwound, and blackface.  This one has it all and we're in agreement that it's pretty solid.  You got a demonic Jim Belushi in an ice cream shop, Tim Kazurinsky blowing up cars, Gary Kroeger flying over desks, and a dude that looks kinda like Kenny Loggins.  Plus two bops from musical guest Deniece Williams.  Join us for a Mary Gross boner that you'll never forget.  Enjoy!Full archive of all podcast episodes available at saturdaynightjive.blogspot.comEmail us anything at saturdaynightjivepodcast@gmail.comDownload Here

The Music That Made WE volume 4 continues with New York City's Queerly Femmetastic, who secured "Welcome To The Stage: Favorite Newcomer" for the 2023 Silver Tusk Awards. She's chosen 10 songs that make up their story, with a soundtrack that includes Alanis Morissette, Tamia, and Radiohead. & Stick around for Viktor's hidden bonus track. The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] –  Produced by Viktor Devonne, reigning Mr Hollywood Burlesque Produced by Viktor Devonne, reigning Mr Hollywood Burlesque WEBurlesque Podcast Nework is the creation of Viktor Devonne.

Today on The Liberation, we talk about the Songbird and Black Butterfly herself, Ms. Deniece Williams! Join Kevaun as he shares his love for her music and the history of how she became one of the greatest (underrated) vocalists in the music industry! Ms. Deniece, here are your flowers.

There's no question about it: singer-songwriter Aliah Sheffield has always loved music. For her, it isn't just a “thing” she does, it's a way of life. It's in her blood; her heart; her soul. Born in Newark, New Jersey and raised in Savannah, Georgia, Aliah has always been a singer. Her musical influences cover a wide range—Deniece Williams, Donny Hathaway, Aretha Franklin and Patti LaBelle, to name a few. She played a number of instruments in grade school, including clarinet and saxophone. In high school, she was encouraged to explore the piano as she discovered her songwriting abilities. While studying film scoring at Berklee College of Music she began to experiment with fusing genres, particularly soul and R&B, to create her unique keyboard driven style. Yes, her music is heartfelt; her vulnerability definitely shows. But at the same time, her songs are also inspiring and empowering. Today, Aliah is fulfilling her dream of performing and sharing her music, capturing audiences in settings from intimate to grand. Working with industry veterans as well as other rising stars, she is currently writing and recording songs for her debut album. Aliah Sheffield is ready to take the world by storm, so have your best umbrella ready! Cashapp $nikkialiah Venmo:Aliah-Sheffield https://www.aliahsheffield.com/ @Hoodrat2Harvard ⁠www.Hoodrat2harvard.com⁠ @Lawchicdotcom (Instagram/Twitter) @Hoodrat2H (Twitter) ⁠www.LawChic.com⁠ ⁠https://torisimmonsofficial.com/⁠ ⁠https://pontiacparentingtime.com/⁠ ⁠https://www.amazon.com/shop/hoodrat2harvard⁠ ⁠youtube.com/@hoodrat2harvard⁠ ⁠https://linktr.ee/theLawChic

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023)Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Dean Pitchford returns to The Best Song Podcast to talk about bringing the 1984 movie Footloose to the big screen, and finding the best collaborators to write the songs from the hit soundtrack. That includes working with Kenny Loggins, who wrote and recorded the title song under very interesting circumstances. Host Jeff Commings talks with Pitchford about that Oscar-nominated song as well as "Let's Hear It for the Boy" and working with Deniece Williams. The lives of many of the nominated songs after the Academy Awards were tainted by lawsuits, but others were boosted by new lives on the Broadway stage.

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023) Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud