Podcasts about Then and Now

BURNING CITIES CONTINUED, THEN AND NOW.  1/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  2/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 Bucharest  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  3/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 SCHWEINFURT https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  4/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS PRUSSIAN BOMBARDMENT   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  5/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  6/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS COMMUNE https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  7/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  8/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS CLAUDE MONET 1840-1926 https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

Send us a textIn this episode, we sit down with author, producer, and sci-fi enthusiast Robert Eric Wise to explore his new book Black N Time. We talk time travel, culture, and creativity in storytelling. Tune in for this laugh filled ride—then join us for a fun coffee chat to keep it going!Black N Time Book:https://amzn.to/4jdpwgPMusic by:Golden Hour by Vlad Gluschenko https://soundcloud.com/vgl9 Affirmation Music: Fireflies by Ambient Boy https://musicvine.com/track/ambient-boy/fireflies

Send us a textTimes have changed! Join us as we explore things that were once acceptable but are now totally politically incorrect. From outdated phrases to past social norms, we break down the cultural shifts. Tune in, then let's keep the conversation going over a fun coffee meetup. See you there!Lisa's Playlist ensured to encourage nostalgic feelings:https://open.spotify.com/playlist/5OjJ23xaG61eQrdOseyeaT?si=l8H1xwUlR_a66j_2HT9VggMusic by:Golden Hour by Vlad Gluschenko https://soundcloud.com/vgl9

Trump's election opened up two Senate seats, in Ohio and Florida, that have been since filled by Republican governors. And is our sadness about Jimmy Carter's passing possibly due to the thought of Trump returning to the presidency? The post Episode #420: Decency And Civility, Then And Now appeared first on Ken Rudin's Political Junkie.

Today we're talking malt. From historical British styles to the future, Jimmy and Co. trace the practice of malting grains through time!To dive deep into this germinative topic, Jimmy has brought on three experts: Ron Silberstein, Co-Founder and Director of Sales at Admiral Maltings; Tim Decker, Sales and Marketing Manager at Admiral Maltings; and Josh Wurzbacher, North American Technical Sales Manager for Crisp Malt.This episode has everything you need to know about historical and modern craft malt, so make sure to be taking notes! Plus, get the scoop on Admiral Maltings and Crisp Malt's new collab! Photo Courtesy of Tim Decker.Heritage Radio Network is a listener supported nonprofit podcast network. Support Beer Sessions Radio by becoming a member!Beer Sessions Radio is Powered by Simplecast.

Let's check in on how Odysseus' other buddies from Troy are dong. *Briefly scans news report from Proteus* Yeah so uh it's a dumpster fire. Today Telemachus arrives at Troy, where he hears from Menelaus about his own fraught journey home, including his encounter with an immortal seal dad (real) which led to the first news of Odysseus in years. It won't bring him home but it will bring his son hope, which might be just what he needs to fill the void that has opened up since Odysseus left. SIGNUPS OPEN: Register for Spring courses at The Ancient Language Institute https://ancientlanguage.com/youngheretics/ I Maked This: "If--," Then (And Now) https://rejoiceevermore.substack.com/p/if-then-and-now Pre-order my new book, Light of the Mind, Light of the World: https://a.co/d/2QccOfM Subscribe to my joint Substack with Andrew Klavan (no relation): https://thenewjerusalem.substack.com Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

MOSCOW IN WARTIME, THEN AND NOW: 3/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1914 WAR START

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  1/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1900 MOSCOW

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  2/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1910 MOSCOW

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  3/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1919 ESTONIA ASSEMBLY

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  4/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1916 BEREZHANY MARKET SQUARE

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  5/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1914 RUSSIAN ARTILLERY

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  6/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1918 VLADIVOSTOK

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  7/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. 1900 RUSSIA

THE KREMLIN IS ALWAYS WELL-INFORMED, THEN AND NOW:  8/8: Stalin's Library: A Dictator and his Books –by  Geoffrey Roberts    https://www.amazon.com/Stalins-Library-Dictator-his-Books/dp/0300179049/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.   Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more. UNDATED VILLAGE NEAR MOSCOW

MOSCOW IN WARTIME, THEN AND NOW: 1/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1913 MOCSOW BY GORBATOV

MOSCOW IN WARTIME, THEN AND NOW: 2/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1852 TREBKOV

MOSCOW IN WARTIME, THEN AND NOW: 4/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1914 WAR START

MOSCOW IN WARTIME, THEN AND NOW: 6/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1855 RUSSIA

MOSCOW IN WARTIME, THEN AND NOW: 7/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1916 TSAR NICHOLAS II

MOSCOW IN WARTIME, THEN AND NOW: 8/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1911 BORODINO

MOSCOW IN WARTIME, THEN AND NOW: 5/8: The Red Hotel: Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War by  Alan Philps  (Author) https://www.amazon.com/Red-Hotel-Metropol-Stalins-Propaganda/dp/1639364277/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In 1941, when German armies were marching towards Moscow, Lenin's body was moved from his tomb on Red Square and taken to Siberia. By 1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battle front, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire' were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time.  At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin's ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralisation of independent states, the story of the Metropol mirrors the struggles of our own modern era.1916 TSAR NICHOLAS II AT THE FRONT

UPCOMING LIVESTREAM!: https://www.podbean.com/lsw/NpowGT0Kuk7?lsid=Pqw7yIoduWK    Summary Princess Diana's plight with the media abuse she experienced is well documented, yet, decades later we are still learning new details. Leading us down a trail of Media and Police Corruption - Byline Times' Own, Peter Jukes, has the story. Kate Middleton's cancer diagnosis has not only served as media fodder globally, but it is now being used as a whipping stick against a memoir that is over 1 year old. While Kate Middleton's diagnosis is sad, and we wish her all the best, it in no way absolves her from the truthful words and actions she used against the Duke and Duchess of Sussex. We can acknowledge that she has behaved in horrible ways, while still showing concern for her illness.  Lastly, King Charles allegedly "regrets" how he allowed Princess Diana to raise William and Harry. I have never been more disgusted with Charles the Cruel than I am now... which is saying a lot. To lay blame to a devoted mother and wife, who is now deceased, for your own shortcomings THEN AND NOW, is shameful.   Sources: 1. Byline Times | Princess Diana "Phone Pest" Story Links Both Rupert Murdoch and Piers Morgan to the Criminal Media Nexus of Police Corruption: https://bylinetimes.com/2024/04/03/princess-diana-phone-pest-story-links-both-rupert-murdoch-and-piers-morgan-to-the-criminal-media-nexus-of-police-corruption/ 2. Los Angeles Times | Diana Denies Making Nuisance Calls to Art Dealer Friend: https://www.latimes.com/archives/la-xpm-1994-08-23-mn-30322-story.html 3. InStyle | Prince Harry Reportedly Feels More Spare Than ever: https://www.instyle.com/prince-harry-kate-middleton-cancer-announcement-royal-expert-8623650 4. Variety | BBC Responds to Complaints About Excessive and Insensitive Coverage of Cancer Diagnosis: https://variety.com/2024/global/global/kate-middleton-bbc-cancer-diagnosis-coverage-complaints-1235961546/ 5. Intelligencer | What It's Like To Be a Member of the Royal Press Pack: https://nymag.com/intelligencer/article/what-its-like-covering-kate-middleton-and-the-royal-family.html 6. InStyle | King Charles Reportedly Has Regrets About How He and Princess Diana Raised William and Harry: https://www.instyle.com/king-charles-regrets-prince-harry-prince-william-parenting-8623461 7. Piers Morgan's Relationship with Camilla: https://www.express.co.uk/celebrity-news/1582908/piers-morgan-camilla-Duchess-Cornwall-art-Prince-Charles-royal-family-news-latest  

Acknowledgement of Country// Headlines// ​Armenian activist N spoke with Priya earlier this week about the material links between Azerbaijan, Turkey and Israel, and through this about the connections between the genocides of Armenian and Palestinian peoples. This conversation draws a through-line between historical and contemporary genocidal processes being waged by Israel, Azerbaijan and Turkey, as well as touching on the long-standing presence of Armenians in Jerusalem. For further resources on the Armenian struggle, head to learnforartsakh.com.// ​ 'Sunsets', performed live by Kee'ahn at Blak Stage on 30th of January. Blak Stage is Naarms longest running premier Open Mic night ​, r​un by and for First Nations people's​. Kee'ahn is a First Nations musician from North Queensland whose name derives from the Wik word meaning to dance, and to play. Effortlessly blending the sounds of soul, R&B and pop throughout their music, Kee'ahn weaves lush melodies and words reminiscent  of heartbreak and healing. Blak Stage is organised by Deadly Events​ and ​h​appens every Tuesday at the Retreat Hotel in Brunswick.​//  ​Tess, editor of Slingshot Books, joined Priya earlier this week to discuss the importance of making space on the publishing scene for disorderly, revolutionary and liberatory conversations with young people that disrupt status quo assumptions about the necessity of shielding kids from political complexity and radical perspectives. Tess worked as an editor for chidlren's publishing companies for a number of years before launching Slingshot Books, a tiny, radical children's publishing house based on Wurundjeri land. Pre-order Slingshot's first book, the hauntingly illustrated THEN AND NOW by Datsun Tran, here.// Between Friday the 19th and Monday the 22nd of January, a community picket was put in place at Webb Dock in Naarm, Victoria. The picket was a peaceful anti-genocide action, established to prevent the transport of goods out of so-called Australia via Israeli freight company, Zim Shipping. This morning we welcome Brenna, the current Admin Coordinator for Melbourne Activist Legal ​S​upport to discuss serious concerns about policing at the peaceful protest. Brenna is a legal observer, with a background in education, organisational leadership, protest organising, and activist support. Melbourne ​Activist ​Legal ​S​upport is an all-volunteer organisation that provides training for protest movements, information & resources on the rights to protest in Victoria, and fields Legal Observer Teams that monitor and report on the policing of protest events.​ You can read their statement of concern here.// ​Eelam Tamil activist and member of Tamil Refugee Council Renuga Inpakumar joins us to talk about Tamil Oppression Day, which falls on the 4th of February. This date signifies the handover of power from the British colonial government to Sinhalese leadership in Sri Lanka, heralding the beginning of 76 years of genocide of Eelam Tamils. The Tamil Refugee Council will be holding a demonstration this Sunday the 4th of February at 9AM outside the Sri Lankan embassy in Canberra - get along if you're in town. Renuga began her activist journey at the age of 10, speaking at various public speaking competitions drawing awareness of refugee rights by expressing the need to end indefinite detention and providing permanent protection to all refugees. Renuga is currently a Bachelor of Law/Arts student at Western Sydney University, and for years now has been organising to amplify Eelam Tamil issues including Tamil Genocide Day, Do not Deport to Danger, Palm Sunday Tamil Contingent, Tamil Oppression Day, and Boycott Sri Lankan Cricket.// ​Songs//​Ancestor - Dobby//

Felix Cavaliere is one of the founders of Grammy winning and Rock And Roll Hall of Fame Inductees, The Rascals. The band had #1 songs like "Good Lovin", "Groovin", "A Beautiful Morning", "I've Been Lonely Too Long", "People Got To Be Free" and "How Can I Be Sure". Felix still infuses the same enthusiam he used to perform those past songs, when he is talking about the language beyond words: Music. His work has never been bolder as it is in his new album "Then And Now". Felix and the Rascals are members of; The Rock N Roll Hall of Fame, Musicians Hall of Fame, Grammy Hall of Fame, Songwriters Hall of Fame and many others. "Then and Now" is Felix' frist solo album since 1993. 

Two interviews with Felix Cavaliere from The Rascals.  The first, from October of 2023, talks about his 2023 studio album "Then And Now," including his collaboration with Steve Wariner, the process of recording the songs, how the covers were chosen, and more.  The second, from August of 2017, was conducted ahead of a live show near Black River Falls, WI, and discusses all aspects of the career of Felix Cavaliere.See omnystudio.com/listener for privacy information.

In this episode, with Rock and Roll of Famer Felix Cavaliere of the Rascals about his great new solo album "Then and Now".

EPISODE 94: Butterflies symbolize change, hope andtransformation. They also represent pure joy. Through all his musical journeys, Felix Cavaliere has never lost that same delight. It wasn't the structured, precise sounds his piano teacher taught him so long ago – for Cavaliere, one of the founders of GRAMMY winning and Rock and Roll Hall of Fame Inductees The Rascals - he can still recall the moment he heard rock and roll for the first time. Ensconced by its loose, soulful sound, Cavaliere still infuses that same enthusiasm when he's talking about a language beyond words: music. His work has never been bolder as it is in his new album “Then And Now.”  With No. 1 songs like “Good Lovin'”, “Groovin'”, “A Beautiful Morning”, “I've Been Lonely Too Long”, “People Got To Be Free” and “How Can I Be Sure”, The Rascals are considered the best ‘blue-eyed soul' group to come out of the 1960s. For Cavaliere, The King of Blue-Eyed Soul©, making people feel good is fundamental to his illustrious career that includes the Rock & Roll Hall of Fame, Songwriter Hall of Fame, Vocal Group Hall of Fame, Grammy Hall of Fame and Musicians Hall of Fame. felixcavalieremusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho... “THEN AND NOW” FELIX CAVALIERE ANNOUNCES FIRST SOLO ALBUM  SINCE 1993 Butterflies symbolize change, hope and transformation. They also represent pure joy. Through all his musical journeys, Felix Cavaliere has never lost that same delight. It wasn't the structured, precise sounds his piano teacher taught him so long ago – for Cavaliere, one of the founders of GRAMMY winning and Rock and Roll Hall of Fame Inductees The Rascals, he can still recall the moment he heard rock and roll for the first time. His work has never been bolder as it is in his new album “Then And Now.” “Then And Now landed on Friday, September 15. The 10-track album comes just over a year after Cavaliere penned “Memoir Of A Rascal” (Ingram Spark). The ‘now' songs reflect past influences.” With No. 1 songs like “Good Lovin'”, “Groovin'”, “A Beautiful Morning”, “I've Been Lonely Too Long”, “People Got To Be Free” and “How Can I Be Sure”, The Rascals are considered the best ‘blue-eyed soul' group to come out of the 1960s. “Then And Now” is Cavaliere's first solo album since 1993's “Dreams In Motion” (MCA).   PLEASE WELCOME SINGER/SONGWRITER/MUSICIAN/COMPOSER/ROCK & ROLL HALL OF FAMER WITH THE LEGENDARY YOUNG RASCALS/THE RASCALS… FELIX CAVALIERE TO INTERVIEWING THE LEGENDS … Felix Cavaliere The King of Blue-Eyed Soul PURCHASE THE NEW ALBUM BY FELIX CAVALIERE Entitled THEN AND NOW PURCHASE  AT www.felixcavalieremusic.com/store FELIX CAVALIERE OF THE RASCALS "SOUL OF LOVE" NEW SINGLE!   PURCHASE Felix Cavaliere's MEMOIR OF A RASCAL  autobiography - OUT NOW! The wait is finally over - Felix Cavaliere's autobiography is finally here. MEMOIR OF A RASCAL, with forward by Cousin Brucie is out now! Purchase your copy today! As founding member of ‘The Rascals' Felix Cavaliere's message has always been to stand for peace, love, and happiness. In addition to being regarded as the King of Blue-Eyed Soul, Felix is unquestionably a prince when it comes to being socially involved. From refusing to play shows that weren't of mixed race, to spending a lifetime fighting on behalf of those in need, Felix has always put his actions where his passions lay. “Good Lovin',” “Groovin',” “It's a Beautiful Morning”, “You Better Run”, “I Ain't Gonna Eat Out My Heart No More”, “People Got to Be Free” are just a small, yet illustrious example of the music Felix has created. Making people feel good has always been primary to his illustrious 50-year career that includes the Rock & Roll Hall of Fame, Songwriter Hall of Fame, Musician's Hall of Fame, Vocal Group Hall of Fame, and Grammy Hall of Fame. Few artists can claim they defined a generation; and here within these pages Felix Cavaliere goes deep, all the while reminding us to keep listening for the world's beauty. Available at amazon.com   FOR MORE INFORMATION ABOUT FELIX CAVALIERE and THE RASCALS VISIT www.felixcavalieremusic.com Felix Cavaliere Rascals official website www.facebook.com/felixcavalieresrascals Facebook www.youtube.com/channel/UCvLNn2Gwu8mJaWWvjScjR6w YouTube @felixcavaliere Twitter Rascalsontour Instagram   UPCOMING SHOWS FRI, OCT 6 @ 7:30PM The Rascals, Greensburg, PA SAT, OCT 7 @ 7:00PM The Rascals North Truro, MA THU, MAR 21, 2024 Flower Power Cruise 2024, Downtown Miami, FL     DISCOGRAPHY THE RASCALS The Young Rascals (1966) Collections (1967) Groovin' (1967) Once Upon a Dream (1968) Freedom Suite (1969) See (1969) Search and Nearness (1971) Peaceful World (1971) The Island of Real (1972)   FELIX CAVALIERE SOLO 1974 Felix Cavaliere 1975 Destiny 1977 Treasure 1979 Castles in the Air 1994 Dreams in Motion 2008 Nudge It Up a Notch 2010 Midnight Flyer 2023 Then and Now   Support us on PayPal!

Today on THE SETH WILLIAMS SHOW, Seth and Chris welcome The Rascals' singer, keyboardist and founder Felix Cavaliere to the show. Cavaliere will be checking in to talk about his new single "Soul Love", his new album THEN AND NOW, and of course those classics like "Groovin'" or "Lonely Too Long" that are a permanent part of our musical heritage. We also will be introducing a new feature called DAWG POUND DETAILS that will air weekly discussing all things Cleveland Browns as we go into this highly anticipated new season. Tony Musachio will also make our mouth's water as he features a brand new restaurant in the Cleveland area! The Seth Williams Show airs live on Mondays and Wednesdays from 4pm to 6pm Eastern on CMStv and Rumble? Miss a show? It repeats daily at 4pm Eastern at www.cmstv.net. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

THE BATTLE FOR GEORGIA, THEN AND NOW by The Charles T. McDowell Center for Global Studies and Atlantic Council's Eurasia Center

Here's the latest in Triple M Rock News with Kalun! In a surprising announcement, Sir Paul McCartney has thrilled Beatles fans by revealing that a new and final Beatles recording will be unleashed later this year. Through cutting-edge AI technology, Paul and his team have successfully extracted John Lennon's voice from an old demo and completed a long-lost song. McCartney shared, "We just finished it up, and it'll be released this year." While the specific song remains undisclosed, it is believed to be a 1978 Lennon composition titled "Now and Then." This demo, among others labeled "For Paul," was created by Lennon shortly before his passing in 1980 and subsequently handed over to McCartney by Yoko Ono, Lennon's widow. Interestingly, the track 'Now and Then' was previously considered a potential reunion song for the Beatles in 1995. However, McCartney disclosed that the song was shelved due to George Harrison's strong disapproval, who famously labeled it "fucking rubbish" and declined to collaborate on it. Shifting gears, tickets for the highly anticipated Australian tour of the Foo Fighters are now on sale! Prepare to be captivated by their electrifying live performances as they grace stadiums across Perth, Adelaide, Melbourne, Sydney, and Brisbane in November and December 2023. The tour will then continue with a trio of New Zealand dates in Auckland, Christchurch, and Wellington in January 2024. Due to overwhelming demand during pre-sales, a second Melbourne show has been added by popular demand. The initial date sold out even before tickets officially went on sale! Additionally, Foo Fighters have handpicked some of the most thrilling acts in the music scene as special guests on select tour dates. Prepare to be blown away by performances from The Chats, Hot Milk, Teen Jesus and The Jean Teasers, Teenage Joans, Body Type, Dick move, and more surprise acts to be announced. As always, for more details and all the latest in music news, head to articles.listnr.comSee omnystudio.com/listener for privacy information.

Magellan and Allen take the week off to read some fascinating deep dives on The Leftovers, its relevance in 2015, other takes on its relevance to COVID, and a new take on "International Assassin". Come back next week as we brave uncharted waters with Season 3, where I'll probably make more oceanic references! Knot!Works Discussed:Following The Leftovers – 210 – I Live Here NowHow The Leftovers became watchable: the show didn't change – the world did by Sady Doyle“The Leftovers” Is Teaching Me Who I Want to Be After Covid by Michael ColbertThe Leftovers Pilot: Television Turns Literary by Fred VenturiniTV Review: ‘The Leftovers' Hits a High Point in Season 2Fans of 'The Leftovers' are dressing up as the Guilty Remnant to campaign for a third season 

Rob Benedict and Richard Speight Jr (Actors who played God/Chuck and Loki/Gabriel on Supernatural) join Ralph Sutton and Big Jay Oakerson and they discuss Rob Benedict and Richard Speight Jr's recap podcast "Supernatural Then And Now," how they came to be on Supernatural, Rob finding out that his character was God, the original idea for the finale of Supernatural, the perfection of Jensen Ackles, the beef with Mark Sheppard, Richard Speight Jr directing episodes, Rob Benedict and Richard Speight Jr's first concert, first drug and first sexual experience and so much more!(Air Date: July 20th, 2022)Support our sponsors!YoDelta.com - Use promo code: Gas to get 25% off!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 14-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Rob BenedictTwitter: https://twitter.com/robbenedictInstagram: https://instagram.com/robenedictRichard Speight Jr.Twitter: https://twitter.com/dicksp8jrInstagram: https://instagram.com/dicksp8jrBig Jay OakersonTwitter: https://twitter.com/bigjayoakersonInstagram: https://www.instagram.com/bigjayoakerson/Website: https://bigjaycomedy.comRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1. You (Frankey & Sandrino Extended Remix) by Eelke Kleijn, Diana Miro 2. Origenes by Marc MG 3. Kept in My Hearth by Matías Delóngaro 4. Then And Now (2021 Version) by Airwave 5. Particles (Original Mix) by Abity 6. The Desert Lounge (Ias Ferndale Remix) by DJ Paul (AR) 7. Waterfalls (Original Mix) by Francis James 8. Deconstruccion (Original Mix) by Matik (AR) 9. Chasing Rainbow (K Loveski Remix) by Nightnews

Jan has been involved in some of the highest-profile brands in skating history and still continues to contribute to the sport today. We talk about him moving to San Diego to work for Daily Bread, filming with some of the GOATS like Shima and Pianowski, what he's working on now with "Then And Now", and much more.

In this episode, Adam and Budi continue the Audio New Play Festival with a conversation with Ireland based playwright of BEEN THERE, DONE THAT, Colette CullenColette Cullen's new play WHEN RACHEL MET FIONA received a rehearsed reading as part of The New Theatre's New Writing Week 2020 on December 9th and will have its UK premiere in The Space Performing Arts Centre from September 28th to October 2nd.  A zoom version THEN AND NOW will premiere at The Main's SOS Theatre Festival Santa Clarita, CA on May 21st.  Her short monologue EVERYONE'S SORRY will be performed by Rachel Leslie for The Drawing Board's 'Evening of Ten Monologues 'on April 26th.  EVERYONE'S SORRY was a Fishamble Tiny Play Challange winner and has been produced by Slackline Productions and Aktualise Theatre in the UK.  It was part of The Lava Centre Greenfield, MA's 'Climate Change Theatre Short Play Festival' in December 2020 and will be reprised for Earth Day on April 22nd.  She has written and directed a number of prize-winning short films for broadcasts which have achieved widespread film festival distribution. She has also written for RTE's flagship ongoing TV drama series Fair City. Colette is developing a feature film script about clerical sexual abuse BLOOD MONEY for Open Shutter Productions. Colette is the Artistic Director of Home You Go Productions.Colette graduated with First Class Honours from the MA in Directing for Theatre at UCD in 2014. She also has a BA (Hons) in Film and Video from the University of the Arts London and a MA (Hons) in Film Production (Fiction) specialising in direction from The Northern School of Film and Television (Leeds Metropolitan University).Instagram: @homeyougo_productionsMentioned in this episode:Colette Cullen's WHEN RACHEL MET FIONAMortimer J. Adler's HOW TO READ A BOOKLeonard Cohen's ANTHEMTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com

1. The Hierophant (Tim Green Extended Remix) by Eelke Kleijn 2. Then And Now (2021 Version) by Airwave 3. Sunlight (Original Mix) by Kamilo Sanclemente 4. Lost Again (Kamilo Sanclemente Extended Remix) by Kamilo Sanclemente 5. Mindfulness Night (Facundo Sosa Remix) by Cris Rosales 6. Dubbel (Juan Ibanez Remix) by Fabri Lopez 7. Something to Be Free (Original Mix) by Yudi Watanabe 8. Gambol (Original Mix) by Facundo Sosa 9. Rhuia (Evegrem Reinterpretation) by Nico Cerban 10. Antar (Miguel Ante Remix) by Dhany G, Ryan (CUB)

An air check from 1987 landed in my inbox this week and it belonged to Jason Staveley from Gold 104.3. Now the head for Music for GOLD 104.3 and WSFM in Melbourne and Sydnedy Jason still finds time to fill the gaps on the air and loves it! On this weeks show we talk preparation and the art of music announcing.

Were you afraid of getting a haircut as a kid?  The first time for anything can be scary, or at least intimidating.  This week's discussion revolves around how different things are nowadays compared to when the TS2M guys were kids.Support the show (https://www.google.com/url?q=https%3A%2F%2Fpaypal.me%2FTalkStupid2Me%3Flocale.x%3Den_US&sa=D)

With the upcoming celebration of the 40th anniversary of Hedonism II in November 2021, we are producing some special episodes that highlight the history of the world's most iconic adult playground. Over the months, we have been compiling stories from some of the life-long guests at Hedo and we've found out so much about Hedo's History. Join us with Wendy and Charlie, two ‘long-stay' guests who have been visiting the resort for 30 and 40 years respectively, as they stroll down memory lane, sharing their perspective on the evolution of Hedonism II with respect to the property, staff, community, groups and of course the guests – then and now.

LISTEN AT YOUR OWN RISK, NOT FOR THE EASILY OFFENDED. WELCOME TO THE VOYAGE OF FUCKERY RAMBLE ARMY, WE TALK ABOUT CELEBRITIES WHO ROSE TO FAME IN THE 80's AND 90's THEN AND NOW, WE RAMBLED THE LIST TO SMASH OR PASS. WE TALK ABOUT POSSIBLY OPENING A NIGHT CLUB AND CALLING IT PUZZLES ( NAME STILL PENDING, BUT PUZZLES SEEMS LIKE THE WINNER). WE TALK ABOUT THE SHIT SHOW WHICH IS DONALD TRUMPS LIFE, MR. LOU RULES ON THE DEATH LIST 2021 AND SPRINKLE SOME RANDOM TOPICS YOU KNOW HOW WE ROLL, YOU KNOW HOW WE ARE. ANYTHING HAPPENS AND IS SAID WHEN YOU LISTEN TO US. ENJOY RAMBLE ARMY PLEASE SHOW YOUR SUPPORT. SUBSCRIBE, SHARE AND LIKE!!! JOIN THE RAMBLE ARMY. RAMBLE MERCH: https://teespring.com/stores/the-rambling-network-store INSTAGRAM: https://www.instagram.com/rambling.alcoholics.podcast/ LINKTREE: https://linktr.ee/Ramblingalcoholics EMAIL US YOUR QUESTIONS OR IDEAS FOR FUTURE EPISODES RAMBLING.ALCOHOLIC.PODCAST@GMAIL.COM --- Send in a voice message: https://anchor.fm/the-rambling-alcoholics/message Support this podcast: https://anchor.fm/the-rambling-alcoholics/support

In the early 00's The Streets burst onto the scene. Original Pirate Material was like nothing else around. Combining garage beats with everyday stories from a geezer we could all relate to. Mike Skinner wanted to literally push things forward, taking the garage genre in a new direction and using his lyrics to talk about what was really going on inside the hearts and minds of people in the clubs. It struck a chord, and The Streets got a lot of attention. Over five albums Mike Skinner would tour Australia a whole lot, always playing festivals and always drawing a huge crowd. Then in 2011 he called it a day, releasing his final album and doing his final shows as The Streets. Music stayed in his life though. He threw himself into producing, directing, and most notably DJ-ing, behind the decks instead of out front on stage. Across his five songs choices we get a snapshot of a kid writing raps in his notebook in a hostel in Sydney. As well as the man today who is older, wiser, more grounded but with plenty of stories to tell. From Johnny Cash to Grim Sickers to Daft Punk, this is The Streets, Taking 5 with Zan Rowe and playing us his songs from then and now. Johnny Cash – 'A Boy Named Sue' Snoop Dogg – 'Serial Killa (ft. The D.O.C., Tha Dogg Pound and RBX)' Grim Sickers – 'Open the Till (ft. Ghetts and Mike Skinner)' Daniel Bedingfield – 'Gotta Get Through This' Daft Punk – 'Human After All / Together / One More Time / Music Sounds Better With You' (from Alive 2007)