Podcasts about Septet

Donald Macleod colours in Bruch's life story and reveals the breadth of his output“Only true melody outlasts all changes and shifts of time” – so said this week's composer, Max Bruch, the creator of what may be the world's best-loved violin concerto. But Bruch would hate us to think of him as a one hit wonder. He even came to resent the very sound of his first Violin concerto, the only piece by which he's often remembered. This week, Donald Macleod colours in Bruch's life story and reveals the breadth of his output, including some of his lesser-heard music.Music Featured: Frühlingslied, Op 7 No 5 (arr. for violin and piano) Septet, Op Posth (3rd mvt, Scherzo) Klavierstücke, Op 12 (excerpt) Piano Trio, Op 5 Die Loreley Overture String Quartet No 2 in E major, Op 10 (1st mvt, Allegro maestoso) Swedish Dances (No 10, Frisch, nicht zu schnell) Musicaklang, Op 71 No 5 Symphony No 1 (5th mvt, Finale) Schön Ellen, Op 24 Violin Concerto No 1 in G minor 12 Scottish Folksongs (No 2, Johnie und Jenny) Songs, Op 49 No 4 – Serenade Piano Quintet in G minor (3rd & 4th mvts) Gruss an die Heilige Nacht (Greeting to the Holy Night) Kol Nidrei Scottish Fantasy for violin and orchestra (4th mvt, Allegro guerriero) 8 Pieces for Clarinet, viola and piano, Op 83 No 2 In der Nacht, Op 72 4 Pieces, Op 70 (No 1, Aria) Concerto for Two Pianos (4th mvt) Double Concerto for clarinet and viola Sommerlust im Walde, Op 71 No 1 String Quartet No 1 (3rd mvt) Das Lied von der Glocke (final movements) Odysseus Prelude In Memoriam, Op 65Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Max Bruch (1839-1920) https://www.bbc.co.uk/programmes/m002br0dAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show

“If the public can predict you, it starts to like you. But the Marchesa didn't want to be liked.” For the first three decades of the twentieth century, the Marchesa Luisa Casati astounded Europe. Artists such as Man Ray painted, sculpted, and photographed her; writers such as Ezra Pound and Jack Kerouac praised her strange beauty. An Italian woman of means who questioned the traditional gender codes of her time, she dismissed fixed identities as mere constructions. Gathering on the occasion of the 25th anniversary of the first publication of Infinite Variety: The Life and Legend of the Marchesa Casati (the first full-length biography of Luisa Casati, now offered in an updated, ultimate edition), Michael Orlando Yaccarino joins Valerie Steele, Joan Rosasco, and Francesca Granata in conversation about the enigma that is the Marchesa Casati.Michael Orlando Yaccarino is a writer specializing in international genre film, fashion, music, and unconventional historic figures. Scot D. Ryersson (1960–2024) was an award-winning writer, illustrator, and graphic designer. Michael and Scot collaborated on many projects, are coauthors of Infinite Variety: The Life and Legend of the Marchesa Casati, The Ultimate Edition, and are founders of the Casati Archives. www.marchesacasati.comValerie Steele is a fashion historian and director and chief curator of the Museum at the Fashion Institute of Technology. Steele is the author or editor of twenty-five books, including Paris Fashion, Fetish, and Fashion Designers A-Z.Joan Rosasco taught at Smith College, Columbia University, and New York University, with focus on European art and culture, French literature, and the Belle Époque period. She is author of numerous publications including The Septet.Francesca Granata is associate professor of fashion studies at Parsons School of Design. Her research focuses on modern and contemporary visual culture, fashion history and theory, and gender and performance studies. Granata is editor of Fashion Criticism and author of Experimental Fashion, and wrote the afterword to Infinite Variety.Praise for the book:"Ryersson and Yaccarino are judicious historians of frivolity who capture the tone of a life that was obscenely profligate yet strangely pure."—The New Yorker"A meticulously researched biography, Infinite Variety is as much art history as chronicle of personal obsession."—The New York Times"Fascinating . . . with or without her cheetahs, the Marchesa Casati's circus of the self makes her a natural for the new millennium."—Vanity FairInfinite Variety: The Life and Legend of Marchesa Casati, The Ultimate Edition is available from University of Minnesota Press.

Today, the Spotlight shines On flutist Jamie Baum.When COVID hit, Jamie found inspiration and solace in poetry. What started as daily readings of women poets became something much bigger: an album blending jazz and spoken word.As leader of her long-running Septet+, Jamie has crafted wide-ranging music for over twenty years. She has played everywhere, from major jazz festivals to tiny clubs in 35 countries, bringing her distinctive sound to collaborations with artists like Paul Motian, Randy Brecker, and Kenny Barron.Now, she's channeling the power of poetry through her ensemble, creating music that speaks to this moment while honoring timeless artistic traditions. Jamie's here to share how verses and melodies came together to tell these stories.(The musical excerpts heard in the interview are from the Jamie Baum Septet+'s album What Times Are These)–Dig DeeperVisit Jamie Baum at jamiebaum.comPurchase the Jamie Baum Septet+'s What Times Are These from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jamie Baum on Facebook and YouTubeFlutist Jamie Baum Works with Poetry and Dynamic VoiceBill Moyers' A Poet a DayConcert: Jamie Baum Septet+–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On flutist Jamie Baum.When COVID hit, Jamie found inspiration and solace in poetry. What started as daily readings of women poets became something much bigger: an album blending jazz and spoken word.As leader of her long-running Septet+, Jamie has crafted wide-ranging music for over twenty years. She has played everywhere, from major jazz festivals to tiny clubs in 35 countries, bringing her distinctive sound to collaborations with artists like Paul Motian, Randy Brecker, and Kenny Barron.Now, she's channeling the power of poetry through her ensemble, creating music that speaks to this moment while honoring timeless artistic traditions. Jamie's here to share how verses and melodies came together to tell these stories.(The musical excerpts heard in the interview are from the Jamie Baum Septet+'s album What Times Are These)–Dig DeeperVisit Jamie Baum at jamiebaum.comPurchase the Jamie Baum Septet+'s What Times Are These from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jamie Baum on Facebook and YouTubeFlutist Jamie Baum Works with Poetry and Dynamic VoiceBill Moyers' A Poet a DayConcert: Jamie Baum Septet+–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Cultisti! Avete presente quando alle elementari avete affrontato per la prima volta il tema degli Egizi e di conseguenza il Nilo, il quale, una volta ritiratosi dopo le piene, lasciava al suo passaggio una fertile fanghiglia? Detta fanghiglia, appunto, chiamata limo, rendeva il terreno particolarmente adatto alle coltivazioni e alla pastorizia, trasformando sezioni di arido deserto in vere e proprie culle di civiltà. I più furbi di voi avranno già capito tutto: il DBC è il fiume portatore di melme informi, mentre le vostre giovani e aridi menti sono le distese di deserto, pronte per far germogliare ogni sorta di oscuro presagio e sacrifizi di varia natura. Questa settimana,  abbiamo quindi tanta minerale non gasata e cibi genuini nella Top 50, ampi spazi di DucaConte, gioco di carte super smart e pura improvvisazione da parte di Ale. Solito, insomma. Buon ascolto e come sempre… Ci vediamo dall'altra parte!Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/dunwich-buyers-club--2814177/support.

Show Notes: In this episode of Backstage Bay Area, Steven Roby sits down with the extraordinary flutist, composer, and educator Jamie Baum. Known for her trailblazing work blending jazz with classical, South Asian, and spoken-word influences, Jamie discusses her latest album, What Times Are These. She reflects on her inspirations, her creative process of setting modern poetry to music, and her enduring passion for musical exploration. The conversation also highlights Jamie's upcoming West Coast performances, including her shows in Santa Cruz, San Francisco, and Half Moon Bay. Listeners will gain insights into Jamie's unique Septet+ and her quartet and the challenges and triumphs of composing during the pandemic.  Guest Information: Jamie BaumFlutist, composer, Sunnyside Records artist, and educator. Explore her work and stay updated: Website: jamiebaum.com Social Media:  X: @JamieBaumFlute Facebook: Jamie Baum Upcoming Performances: Santa Cruz Date: January 23, 2025 Venue: Kuumbwa Jazz Center Time: 7:00 PM Tickets San Francisco Date: January 24, 2025 Venue: SFJAZZ Two Sets: 7:00 PM & 8:30 PM Tickets Half Moon Bay Date: January 26, 2025 Venue: Bach Dancing & Dynamite Society Tickets Essential Episode Takeaways: Jamie Baum's genre-defying approach to jazz integrates modern poetry, South Asian influences, and classical techniques. The Septet+ allows her to explore rich orchestral colors, while her quartet offers a more intimate, improvisational experience. Her latest album, What Times Are These, was deeply influenced by the pandemic and features a unique collaboration with poets and vocalists. Jamie will bring a talented ensemble, including Leo Genovese, Matt Penman, and Rob Garcia, to her West Coast performances. Call-to-Action: Subscribe to Backstage Bay Area for more intimate conversations with trailblazing artists. Follow us on YouTube at youtube.com/@BackstageBayArea and listen on Apple Podcasts. Podcast Playlist: “Song Without Words” “Dreams” “Sorrow Song” Hashtags: #JamieBaum #WhatTimesAreThese #Jazz #ModernJazz #BackstageBayArea #SFJazz #FluteMusic #SantaCruzJazz #HalfMoonBayMusic Photo: Erika Kapln

Avui escoltarem: "Rondo all'ongarese" (de les Sis Bagatel

Avui escoltarem: "Rondo all'ongarese" (de les Sis Bagatel

Avui escoltarem: Sonata per a piano n

This week, journalist Larry Tye discusses his recent book The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America with reporter Gregory Royal Pratt, accompanied by live jazz from the Richard D. Johnson Trio. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.AWM PODCAST NETWORK HOMEMore about The Jazzmen:From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans—the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country's most gifted, engaging, and enduring African-American musicians.About the writers:LARRY TYE is a former reporter at the Boston Globe, off now writing books and running a Boston-based fellowship program for health journalists. The Jazzmen is his ninth book, with others including Home Lands, the upbeat tale of a thriving Jewish diaspora; Superman, the biography of America's longest-lasting (Jewish) hero; and Bobby Kennedy, which looks at RFK's transformation from Joe McCarthy's protege to a liberal icon. Tye graduated from Brown University and was a Nieman Fellow at Harvard. Tye is co-spearheading a drive to revive local journalism on Cape Cod, where he spends 90 percent of his time.GREGORY ROYAL PRATT covered every day of Mayor Lori Lightfoot's term and was deeply sourced in City Hall, as well as in the other offices of local, state, and national politics that shaped the mayor's administration. Pratt has won several national awards for his political and investigative reporting and he is a regular commentator about the city on local and national media, including appearances on CNN and NPR.RICHARD D. JOHNSON was invited to become a member of Wynton Marsalis' Septet and the Lincoln Center Jazz Orchestra, which he did from 2000-2005. As a representative of the United States through the U.S. State Department, Richard was named United States Musical Ambassador. Currently Richard is the founding member of “AFAR music” a jazz record label focusing on Jazz and Salsa musicians. Also Richard has been an Assistant Jazz Piano Faculty member at Peabody Conservatory of Johns Hopkins University in Baltimore, MD since 2019. Richard also serves as the piano instructor for the Ravinia Jazz Program located in Chicago, IL.

Intro: One More Night – Can   1. Bernadette – Four Tops (3:01) 2. Baby I Need Your Loving – Four Tops (2:44) 3. Stay – Maurice Williams & the Zodiacs (1:33) 4. Born a Woman – Sandy Posey (1:44) 5. Peter Gunn – Duane Eddy (2:15) 6. Hey Grandma – Moby Grape (2:24) 7. The Cat – Zoot Money's Big Roll Band (3:32) 8. Mas Que Nada – Sergio Mendes & Brasil 66 (2:38) 9. Bèné Motè – Muluqèn Mèllèssè & Dahlak Band (2:31) 10. Chan Chan – Eliades Ochoa (4:16) 11. Mamacita – Kenny Dorham (10:57) 12. Contort Yourself – The Contortions (4:26) 13. Rid of Me – PJ Harvey (4:28) 14. Cosmia – Joanna Newsom (7:17) 15. Sunflower – Low (4:39) 16. Box of Rain – Grateful Dead (5:19) 17. Mama Tried – Grateful Dead (2:43) 18. The Eleven – Grateful Dead (5:50) 19. Another Country – Electric Flag (8:44) 20. Walk on the Wild Side – Lou Reed (4:14) 21. Lam Tooro – Baaba Maal & Mansour Seck (6:41) 22. Svantetic – Tomasz Stańko Septet (10:58) 23. Beatitudes – Sweet Honey in the Rock (3:28) 24. 31 VII 69 10.26-10.49PM (excerpt) – La Monte Young & Marian Zazeela (3:41)   Outro: Pogles Walk – Vernon Elliott Ensemble

Welcome to a special concert edition of Live N' Local featuring Curtis Turney's Afro-Caribbean Septet in rare concert performance at Film Works Alfresco at The Hudson in Inwood on June 10, 2024.Band members:Curtis Turney: percussion/ trombone/ bandleaderRoberto Pitre: saxophone/ fluteOzzy Cardona: trumpetChristopher Velazquez: congasTommy Fernandez: timbalesEnrique Haneine: pianoSergio Larios: bassProgram:A Night In Tunisia (D. Gillespie)Bluesette (T. Thielmans, N. Gimble)Killer Joe (B. Golson)Aspects (H. Ramírez)Work Song (N. Adderley, O. Brown, Jr.)Take Five (P. Desmond)Inwood Art Works On Air podcast is a free program produced by Inwood Art Works. Aaron Simms, Founder and Executive Producer. You can support this program by making a tax-deductible donation at www.inwoodartworks.nyc/donate.This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Inwood Art Works programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Jakob Bro & Joe Lovano Septet: Once Around the Room || Jakob Bro, g | Joe Lovano, sax | Larry Grenadier, Thomas Morgan & Anders Christensen, b | Joey Baron & Jorge Rossy, dr | 54. Deutsches Jazzfestival Frankfurt 2023, Hessischer Rundfunk, hr-Sendesaal, Oktober 2023 (Sendung vom 27.7.)

Aaron Irwin Interview Saxophonist, multi-woodwind instrumentalist and composer Aaron Irwin is from central IL. Recognized as a “lyrical alto saxophonist and a compelling original composer” (Steve Futterman, The New Yorker), Irwin is a sought-after commodity in both the jazz and commercial worlds. His latest recording (After) will be released on Adhyâropa Records in May of 2024, featuring longtime bandmates Mike Baggetta on guitar and Jeff Hirshfield on drums. He has eight other recordings as a leader with instrumentations spanning from trio to sextet. In addition to his groups, Irwin has performed with many leading jazz voices in the New York music community including the Grammy-nominated Darcy James Argue's Secret Society, Jamie Baum's Septet +, Bob Sabin's Tentet, The Mike Fahie Jazz Orchestra, the mixed wind group Weathervest, as well as pop artists Kristen Chenoweth, Rufus Wainwright, Josh Groban, Idina Menzel, and The Roots. Irwin maintains a busy schedule as a freelance musician, performing in jazz clubs, concert halls, and Broadway theatres, working with many of New York's finest musicians and bands.

Howie and Scully head over to Dr. Bob's compound to chat with the legendary folk artist.  They find out about his time working at Hubig's Pies in his teens,  how one piece of art inspired him to quit his job and become an artist, why his gallery is a "Simon free zone," how he saved Josh Cohen from being shot by Gatemouth Brown,  and his affection for pre-rolled joints.Coleman's Swing Set Septet provides two live tracks from their show at BJ's April 4, 2024.  

In this episode, we look back and pick our favorite classical and jazz recordings from 2023.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 145 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   Russ' Classical Picks   Episode 103: “Beats of Different Drummers” “Niklas Sivelöv: Symphonies Nos. 1 & 5” (Naxos) Malmö Opera / Joachim Gustafsson https://open.spotify.com/album/61HpLnwUiHwIujiU0Uk0Xk https://music.apple.com/us/album/sivelöv-symphonies-nos-1-5/1646564323   Episode 106: “Krazy Keyboards” “Perpetuum” (Alpha) Anthony Romaniuk                 https://open.spotify.com/album/6E358f5Pz7RqsNsE1gteK4 https://music.apple.com/us/album/perpetuum/1660066366   Episode 111: “Baroque ‘n' Bones” “Nimrod Borenstein: Piano Concerto; Shirim; Light & Darkness” (Somm) Clélia Iruzun, Tamás András, Robert Smissen, Ursula Smith, Leon Bosch, Royal Philharmonic Orchestra / Nimrod Borenstein https://open.spotify.com/album/2j7euR132qGfBrTOkb81fB https://music.apple.com/lk/album/nimrod-borenstein-concerto-for-piano-orchestra-op-91/1663301197   Episode 116: “Smokin' Pipes” “Tüür: Canticum Canticorum Caritatis” (Alpha) Collegium Musical Chamber Choir, Endrik Üksvärav https://open.spotify.com/album/44TRSVyrWLG1fZbzBq2TDj https://music.apple.com/us/album/tüür-canticum-canticorum-caritatis/1660737692   Episode 121: “A Transmusical Experience” “Roberto Sierra: Symphony No. 6, Sinfonietta For String Orchestra, Two Pieces For Orchestra, Fandangos, Alegria” (Onyx) Royal Liverpool Philharmonic Orchestra / Domingo Hindoyan https://open.spotify.com/album/5Uwu9QtHKADC1D2h630esX https://music.apple.com/us/album/roberto-sierra/1678534265   Episode 122: “Guitarasaurus” “Scarlatti Sonatas” (Deux-Elles) Eden-Stell Guitar Duo https://www.prestomusic.com/classical/products/9482360--scarlatti-sonatas https://open.spotify.com/album/2JLwXQveyW3bDEqGCvggI0   Episode 123: “Pumped-Up Pianos” “Airat Ichmouratov: Piano Concerto, Viola Concerto No. 1” (Chandos) Jean-Philippe Sylvestre, Elvira Misbakhova, London Symphony Orchestra / Airat Ichmouratov https://open.spotify.com/album/4G58Gm2ziXbKMvlIUVIUbS https://music.apple.com/us/album/ichmouratov-piano-concerto-viola-concerto-no-1/1682525509   Episode 138 "Giant Genre Steps" “Daser: Missa Pater Noster & Other Works” (Hyperion) Cinquecento https://open.spotify.com/album/0mD5m5g3S45apN0DTjMdqA https://music.apple.com/us/album/daser-missa-pater-noster-other-works/1703579308   Episode 144: “Troubled Times, Remembered Times” “Letter(s) to Erik Satie” (Erato) Bertrand Chamayou https://open.spotify.com/album/15s569on1J3khSfNhrww86 https://music.apple.com/us/album/letter-s-to-erik-satie/1701040018   Episode 144: “Troubled Times, Remembered Times” “Paul Wranitzky: Three String Quartets Op. 32 No. 4; Op. 2 No. 2 & Op. 49” (CPO) Almaviva Quartett https://open.spotify.com/album/6LQqO1clfyU91xskDNXqng https://music.apple.com/us/album/wranitzky-3-string-quartets/1718936442   Mike's Classical Picks   Episode 102: “Master Keys” “Clara & Robert Schumann: Piano Concertos” (Warner Classics) Beatrice Rana, Chamber Orchestra of Europe / Yannick Nézet-Séguin https://open.spotify.com/album/1N1wu91bavegZTqzKc9Irp https://music.apple.com/us/album/clara-robert-schumann-piano-concertos/1655782702   Episode 106: “Krazy Keyboards” “Nikolai Kapustin: Piano Concerto No. 5, Concerto Op. 104 & Sinfonietta Op. 49” (Capriccio) Frank Dupree, Adrian Brendle, Rundfunk-Sinfonieorchester Berlin / Dominik Beykirch https://open.spotify.com/album/7fmNroLykjGFnBloOyocHk https://music.apple.com/us/album/kapustin-piano-concerto-no-5-op-72-concerto-for-2-pianos/1664858737   Episode 109: “Spirit and Swing” “Mompou: Música Callada” (Hyperion) Stephen Hough https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68362 https://www.prestomusic.com/classical/products/9380244--mompou-musica-callada   Episode 110: “Baroque ‘n' Bones “ “Haydn 2032, Vol. 13: Horn Signal” (Alpha) Il Giardino Armonico / Giovanni Antonini https://open.spotify.com/album/7A7MgnNHieRRND9FjyRoQJ https://music.apple.com/us/album/haydn-2032-vol-13-horn-signal/1661115248   Episode 125: “Jazz Renderings” “Jazz: Akhunov, Poulenc, Messiaen” (Aparté) Julia Igonina, Maxim Emelyanychev https://open.spotify.com/album/1hDRKg5dMTsYpGHKnP48zf https://music.apple.com/us/album/jazz-akhunov-poulenc-messiaen/1682272606   Episode 129: “Metal Melodies” “Medtner in England” (Somm) Natalia Lomeiko, Alexander Karpeyev & Theodore Platt https://open.spotify.com/album/0fIgSZ6tY5xtUBatupz6Lq https://music.apple.com/us/album/medtner-in-england/1701593975   Episode 129: “Metal Melodies” “Dependent Arising” (Cedille) Rachel Barton Pine, Royal Scottish National Orchestra / Tito Muñoz https://open.spotify.com/album/7jY9NUjFHWHc9hjWM9GyP8 https://music.apple.com/us/album/dependent-arising/1693324639   Episode 131: “Maximum Music” “Mozart: Piano Concertos Nos. 9 & 24” (Ondine) Lars Vogt, Orchestre de chambre de Paris https://www.prestomusic.com/classical/products/9522100--mozart-piano-concertos-nos-9-24 https://open.spotify.com/album/4uC65NT3aqWBF8hCoJNiyI   Episode 131: “Maximum Music” “Nielsen: The Concertos” (Deutsche Grammophon) Bomsori, Ulla Miilmann Johnny Teyssier, Danish National Symphony Orchestra / Fabio Luisi https://open.spotify.com/album/073rJryF55orqGJJbF0xnY https://music.apple.com/us/album/nielsen-the-concertos/1699563524   Episode 134: “Mediterranean Moves” “Monteverdi: Vespro della Beata Vergine” (Harmonia Mundi) Pygmalion, Raphaël Pichon https://open.spotify.com/album/2qz5cUkqLK664EpMonr2D2 https://music.apple.com/us/album/monteverdi-vespro-della-beata-vergine/1692443640   Episode 134: “Mediterranean Moves” “Topos: 20th-Century Greek Orchestral Music” (Naxos) Noé Inui, Thessaloniki State Symphony Orchestra / Zoi Tsokanou https://open.spotify.com/album/3XyayXmMuU22tKyedRQl0i https://music.apple.com/us/album/topos-20th-century-greek-orchestral-music/1691557655   Episode 136: “Trumpet Soirée” “Locatelli: Il Virtuoso, Il Poeta: Violin Concertos & Concerti Grossi” (Harmonia Mundi) Isabelle Faust, Il Giardino Armonico / Giovanni Antonini https://open.spotify.com/album/6G1RWMrM6hcf9UwPJt2MpZ https://music.apple.com/us/album/locatelli-il-virtuoso-il-poeta-violin/1692437179   Episode 139: “Piano, Piano Everywhere” “Bach: Goldberg Variations” (Deutsche Grammophon) Víkingur Ólafsson https://open.spotify.com/album/5kBtLULy6vMwjFRSSEEIjP https://music.apple.com/us/album/j-s-bach-goldberg-variations/1694676611   Mike's Jazz Picks   Episode 102: “Master Keys” “The Source” (Artwork Records) Kenny Barron https://open.spotify.com/album/5e2gQsP9jvj5telqe9zERG https://music.apple.com/us/album/the-source/1659443592   Episode 103: “Beats of Different Drummers” “Beboptical Illusion” (BEBOP Records) Gaz Hughes https://open.spotify.com/album/2OrbfYDVKi4SIqfGYN7bSI https://music.apple.com/us/album/beboptical-illusion/1656897565   Episode 113: “American Rhythm ‘n' Moods” “Green on the Scene” (Cellar Live) Nick Green https://open.spotify.com/album/4LesPUDBXdgZ8XeD2gjWGr https://music.apple.com/us/album/green-on-the-scene/1658889202   Episode 115 “Europiano” “Viewpoint” (Alys Jazz) Gabriel Latchin Trio https://open.spotify.com/album/5qxvA6BN2WPgDkoxUF3604 https://music.apple.com/us/album/viewpoint/1677793847   Episode 116: “Smokin' Pipes” “Family Business” (PosiTone) Jim Alfredson https://open.spotify.com/album/6sqyLqLqSXuFNhrNR7kpwU https://music.apple.com/us/search?term=Jim%20Alfredson   Episode 117: “Solo, Duo, Trio, Quartet” “Danish Rain” (Storyville Records) Thomas Fonnesbæk, Justin Kauflin https://open.spotify.com/album/1iw5Lvlm5PH9wOVetpVruw https://music.apple.com/us/album/danish-rain/1678534575   Episode 118: “Bone Sandwiches” “You Are Not Alone” (Skydeck Music) Jon Ailabouni https://open.spotify.com/album/2YJTa5lklZFNkwr80RZKok https://music.apple.com/us/album/you-are-not-alone/1686997429   Episode 132: “Debuts and Discoveries” “Relentless Pursuit” (Odradek) Tony Addison https://open.spotify.com/album/1fsWWGdlsybqmtAJEDh5OF https://music.apple.com/us/album/relentless-pursuit/1704205585   Episode 134: “Mediterranean Moves” “Let Them Talk” (Cellar Live) Lezlie Harrison https://open.spotify.com/album/4zf4KGBY5ddojNxypLbCO6 https://music.apple.com/us/search?term=Lezlie%20Harrison   Episode 138: "Giant Genre Steps" “Echo Canyon” (Posi-Tone)  Art Hirahara https://open.spotify.com/album/7cIUdRoDVMXEysDXnHeOz2 https://music.apple.com/us/album/echo-canyon/1705110849   Russ's Jazz Picks   Episode 104: “Tours de Force” “Flowing Mind” (Edition Collage) Isabelle Bodenseh https://open.spotify.com/album/7GdHAcS0V5PjjA1CH97FHO https://music.apple.com/us/album/flowing-mind/1654966699   Episode 111: “Mercurial Moods” “High Octane” (Odradek) Octet La Nocturne https://open.spotify.com/artist/0xtMqwBE6tPaoLN5Prifop https://music.apple.com/lk/search?term=Octet%20La%20Nocturne   Episode 114: “Fabulous Frets” “Shaw's Groove” (Origin Records) Jason Keiser https://open.spotify.com/album/38s1M6Khau3CB9SuDj14wh https://music.apple.com/us/album/shaws-groove/1677261643   Episode 127: Something in the Ether “Technocats: The Music of Gregg Hill” (Cold Plunge Records) TechnoCats https://open.spotify.com/album/1XV1sxgWffftGbV7YIzly0 https://music.apple.com/us/album/technocats-the-music-of-gregg-hill/1698437937   Episode 130: “Lovin' Good Vibes” “Vibes on a Breath” (OA2 Records) Ted Piltzecker https://open.spotify.com/album/70MYttUXq66OvgCwQpmVFH https://music.apple.com/us/album/vibes-on-a-breath/1698932013   Episode 130: “Lovin' Good Vibes” “Off The Charts” (Savant) Richard Baratta https://open.spotify.com/album/5wvTMy70QWcd843JmidL5L https://music.apple.com/us/album/off-the-charts/1697044148   Episode 138: "Giant Genre Steps" “Firetet” (Self Release) Constantine Alexander https://open.spotify.com/album/7ATeZW75ZliyozkaqoO8h6 https://music.apple.com/us/album/firetet/1709429203   Episode 139: "Piano, Piano Everywhere" “Bridges” (Smoke Sessions) Kevin Hays, Ben Street, Billy Hart https://open.spotify.com/album/0I9zgU4D4E4mYHqct0Lxbx https://music.apple.com/us/album/bridges/1701701956   Episode 141: “Solo, Septet, and Symphonic Sounds” “Seven Colors” (Privave Records) Elmar Frey https://open.spotify.com/album/4nyOHxNsiyWYBK5DR7R0ZC https://music.apple.com/us/album/seven-colors/1712673247   Episode 144: “Troubled Times, Remembered Times” “Satie: A Time Remembered” (O-tone) Caspar van Meel https://open.spotify.com/album/0t0LLIsqHbwPsoWNZRWHfW https://music.apple.com/us/album/satie-a-time-remembered/1711070530   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

In this episode, we discuss recordings of “Bach & l'Italie” (Alpha) by Justin Taylor, “Augustin Barrios: El Bohemio” (Erato) by Thibaut Garcia, “Florence Price: Symphony No. 4 — William Dawson: Negro Folk Symphony” (Deutsche Grammophon) by The Philadelphia Orchestra /Yannick Nézet-Séguin, “Mouth Games” (Storyville Records) by The Mathias Heise Quintet, “Homage” (Cellar Live) by Michael Weiss, and “Seven Colors” (Privave Records) by Elmar Frey.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 141 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Bach & l'Italie” (Alpha) Justin Taylor https://open.spotify.com/album/1TpfWe6N5jm0mADItVZK2B https://music.apple.com/us/album/bach-litalie/1699361463   “Augustin Barrios: El Bohemio” (Erato) Thibaut Garcia https://open.spotify.com/album/5znYPBoDbkv2f5TKCFHzro https://music.apple.com/us/album/agustín-barrios-el-bohemio/1696102928   “Florence Price: Symphony No. 4 — William Dawson: Negro Folk Symphony” (Deutsche Grammophon) Philadelphia Orchestra, Yannick Nézet-Séguin https://open.spotify.com/album/6MmJfpYC6QbEPLpiwqdaPd https://music.apple.com/us/album/florence-price-symphony-no-4-william-dawson-negro-folk/1700948867   “Mouth Games” (Storyville Records) Mathias Heise Quintet https://open.spotify.com/album/0Af94x7nItQxWasQWDKlLd https://music.apple.com/us/album/mouth-games-feat-thomas-fonnesbæk-jeppe-gram-pelle/1702191237   “Homage” (Cellar Live)  Michael Weiss https://open.spotify.com/album/458ONphiRsLUfdiJbGz0SU https://music.apple.com/us/album/homage/1697538511   “Seven Colors” (Privave Records) Elmar Frey https://open.spotify.com/album/4nyOHxNsiyWYBK5DR7R0ZC https://music.apple.com/us/album/seven-colors/1712673247   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

"Segueix l'instint" i "The one and only night with the devil" i "On vas tan baix" (de l'

"Segueix l'instint" i "The one and only night with the devil" i "On vas tan baix" (de l'

„To był pierwszy pianista jazzowy, w którego twórczość wniknęłam głębiej” – mówi Maja Laura, pianistka, kompozytorka i producentka. Na jej drugim albumie, nagranym z udziałem znakomitych muzyków, znajdą się autorskie aranżacje utworów Theloniousa Monka.… Czytaj dalej Artykuł „Monk, My Dear” – Maja Laura Septet na Dziedzińcu Kultury pochodzi z serwisu Audycje Kulturalne.

Hi everyone,   For this episode, I tried something a bit harder. I have transcribed a full track and all instruments. Furthermore, to celebrate the 100th birthday of the great composer and arranger George Russell, I transcribed the Bill Evans version of the blues Stratusphunk, written by George Russell. Personnel: Bill Evans Piano Art Farmer Trumpet Hal McKusick Alto Sax Jimmy Cleveland Trombone Barry Gailbright Guitar Eddy Safranski Double Bass Ed Thigpen Drums Recorded on a TV Show in 1958. 00:00 Intro 00:10 Introducing George Russell 09:57 Whole Track 15:43 Melody 18:31 Interlude 19:58 Jimmy Cleveland solo 20:44 Art Farmer solo 22:39 Bill Evans solo Subscribe to my Channel Complete transcription in pdf Concert is available on my website: https://mirkoguerrini.com/transcripti... A small donation (if you can) would be much appreciated. ========================= Gear used in this episode: RØDE NT-USB Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording https://amzn.to/3K7p6e0 Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black https://amzn.to/3JUdkCd This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.

durée : 00:54:41 - Johnny Hodges - par : Alex Dutilh - Une vie au pupitre de sax alto de l'orchestre de Duke Ellington… Et quand il s'en évadait c'était pour se retrouver en petite formation avec le cercle rapproché des potes de l'orchestre. Comme ici, dans ce concert inédit, en septet à Copenhague en 1961.

durée : 00:14:32 - Le Disque classique du jour du mardi 27 juin 2023 - Dans le présent enregistrement consacré à la musique de Beethoven, un double plaisir de jouer et de virtuosité se rencontrent. Ensemble et soliste sont faits l'un pour l'autre, s'entraînant l'un l'autre tout en conservant toujours un merveilleux équilibre.

durée : 00:54:41 - Johnny Hodges - par : Alex Dutilh - Une vie au pupitre de sax alto de l'orchestre de Duke Ellington… Et quand il s'en évadait c'était pour se retrouver en petite formation avec le cercle rapproché des potes de l'orchestre. Comme ici, dans ce concert inédit, en septet à Copenhague en 1961.

Synopsis The month of April in the year 1800 was an especially busy one for Ludwig van Beethoven. On the second of April at his first big orchestral concert in Vienna, Beethoven premiered his First Symphony, a new Piano Concerto, and his chamber Septet. Composing, writing out the parts, and rehearsing all that music was no small task. On today's date that same month, Beethoven appeared in Vienna once again, this time as piano accompanist for the popular Bohemian horn virtuoso, Johann Wenzel Stich, who went by the more marketable Italian “stage name” of Giovanni Punto. The pre-concert announcements for the Punto recital promised that Beethoven would contribute a new work for the occasion—but, apparently still recovering from his OWN big concert, Beethoven didn't get around to writing the promised Horn Sonata for Punto until the day before the recital. Beethoven and Punto took the new Sonata with them for a concert in Budapest the following month. The press in Hungary had heard of Punto, but not Beethoven, whose name they didn't even get right: “Who is this Bethover (sic)?” one press notice read, noting (quote): “The history of German music is not acquainted with such a name. Punto, of course, is VERY well known…” Music Played in Today's Program Ludwig van Beethoven (1770 – 1827) Horn Sonata in F, Op. 17 Hermann Baumann, horn; Leonard Hokanson, piano Philips 416 816

Next week on the pod, China Forbes pays a visit to Café Artichoke. Can't wait for that one. Also coming up are Coffeeshop Conversations with Terry Robb and also Peter Dammann is coming in to tell us about the Waterfront Blues Festival lineup. Today Jazz pianist/composer Gordon Lee is here. He's just as busy as ever. He's a part of a memorial tribute to David Ornette Cherry on Thursday, April 13 at Alberta House. We'll hear all about that and also about his upcoming album. Both something to look forward to. You know him, of course for his years with Mel Brown's Septet. He's as comfortable playing hard bop as he is on the outer edges of Jazz. Welcome Gordon Lee back to the podcast.

With special guest Prof. Joseph Lee, we put on a spirited defense of the seminal anthology film Ten Years, in terms of its artistic merit, political themes, and widespread legacy. The shorts: Extras〈浮瓜〉 Season of the End〈冬禪〉 Dialect〈方言〉 Self-Immolator〈自焚者〉 Local Egg〈本地蛋〉 The Ten Years films: Ten Years Ten Years Thailand Ten Years Japan Ten Years Taiwan Other films mentioned: Port of Call《踏血尋梅》 Good Take! Septet: the Story of Hong Kong《七人樂隊》 She Remembers, He Forgets《哪一天我們會飛》 Schindler's List The Dark Knight Warriors of Future《明日戰記》 Plan 75 Beyond the Dream《幻愛》 Revolution of Our Times《時代革命》 Far Far Away《緣路山旮旯》 Hong Kong Connection《鏗鏘集》 Center Stage《阮玲玉》 Parasite Joshua: Teenager vs. Superpower Lost in the Fumes《地厚天高》 Blue Island《憂鬱之島》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting

Bill Martin Septet - Bill Martin and band will play selections of his own compositions at Dunedin Jazz Club this weekend. This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

This week Connor is joined by Jazz musician and IWU professor Todd Williams. Todd has played with bands such as the Wynton Marsalis Quartet, Septet, and the Lincoln Center Jazz Orchestra in venues ranging from Carnegie Hall to the White House. Listen in to learn how to break into the music industry, what it's like auditioning for Wynton Marsalis, and why teaching music is important. Follow Todd:Website: http://www.toddmaxmusic.com/Spotify: https://open.spotify.com/artist/3NVHlbpleMQsgYAhWmthSW?si=zFuqTIymQUm5JBVGhAsDDgAmazon: https://www.amazon.com/music/player/albums/B0B1W9FN98?ref=sr_1_1&keywords=introducing+quartet+trio&crid=2EN8B8N0CUDM6&sprefix=introducing+quartet+trio%2Caps%2C85&qid=1664549126&sr=8-1

- Wojciech Karolak był pianistą i organistą, dzięki temu drugiemu instrumentowi prowadził harmonie poszczególnymi głosami, a to nie jest typowe wśród pianistów. Również pod tym względem był wyjątkowy - mówił na antenie Dwójki pianista Piotr Wyleżoł. Septet pod jego kierunkiem w piątek (2.09) w ramach cyklu "Jazz.pl" zagra koncert "Wojciech Karolak Recomposed".

Join Johnny, Ryan, and Patrick in episode 3 of Trick Talkers - a podcast all about trick-takers, climbers, shedders and other card games! In this episode they share some of the games they've been playing recently and discuss their thoughts on Yokai Septet by Muneyuki Yokouchi (横内宗幸). Contact us: Email - tricktalkers@gmail.com Twitter - @tricktalkers Games discussed during the episode: Pups Maskmen Yokai Septet Auf Falscher Fährte (Wrong Ride) Five Three Five Links from the episode: Taylor's Trick-Taking Table - youtube.com/user/Taylorereiner/ Pollia Design - polliadesign.com Train Shuffling - youtube.com/c/TrainShuffling Portland Game Collective Discord - discord.gg/FfQdgrAjhm 535 Kickstarter - kickstarter.com/projects/gameportland/five-three-five CloudCap Games - cloudcapgames.com PlayingCards.io - playingcards.io BGG Card Sleeve Sizes Geeklist - https://boardgamegeek.com/geeklist/164572/card-sleeve-sizes-games

The Trio in E flat, Op. 38 is a 1805 arrangement of the earlier Septet in E flat, Op. 20 by Ludwig van Beethoven. The original piece, completed in 1800, was scored for clarinet, horn, bassoon, violin, viola, cello and double bass. This version was rewritten for clarinet (or violin), cello, and piano. The overall layout of the work resembles a serenade, closely mimicking Mozart's K. 563 trio, but enjoying substantial additions. Conductor Arturo Toscanini rearranged the string section of the Septet so that it could be played by the full string section of the orchestra, but he did not change the rest of the scoring.

Už keleto dienų vienintelis džiazo septetas Lietuvoje, autentiškai atliekantis bebop ir hardbop erų įkvėptą autorinę muziką, koncertuos Naujosios Vilnios ir Kirtimų kultūros centruose. Apie idėją rengti koncertus kalbamės su „Collaborative Jazz Septet“ lyderiais, muzikos autoriais Karoliu Šarkumi ir Donatu Petreikiu.Paaiškėjo, kuris žodis ir posakis labiausiai įsiminė šiais metais LRT žiūrovams, skaitytojams ir klausytojams. Apie šiuos žodį ir posakį pasikalbėsime su LRT kalbos redaktore Lina Smolskiene.Šiandien pasirodo naujas, ilgai kurtas lietuviškas kompiuterinis žaidimas „Crowns and Pawns“. Kuo ypatingas žaidimas ir kokiai auditorijai jis skirtas pasakoja žaidimų kūrimo studijos „Tag of Joy“ vadovas ir vienas iš žaidimo „Crowns and Pawns“ kūrėjų Šarūnas Ledas.Seimui 2022-uosius paskelbus krepšinio šimtmečio metais itin didelio susidomėjimo sulaukia Joniškyje įkurtas vienintelis toks Europoje Krepšinio muziejus. Jame tūkstančiai eksponatų, tarp jų daugybė asmeninių garsiausių šalies krepšininkų daiktų, medalių. Muziejus įkurtas joniškiečio Leono Karaliūno dėka. Jam krepšinis – didžiausias pomėgis ir pirmoji religija. Joniškyje apsilankė kolega Tomas Mizgirdas.Klasikinės muzikos naujienose – ukrainiečių soprano Liudmilos Monastyrskos gestas po pasirodymo Metropoliteno operoje, tenoro Jono Kaufmanno gautas apdovanojimas „Corelli 100“, sumanymas skulptūra pagerbti anglų kompozitoriaus Benjamino Britteno atminimą ir Briuselio operos teatro La Monnaie sumanytas būdas atlaisvinti kostiumų saugyklas.„Man patinka neapibrėžtumas kuriant, kai aš pats esu kūrybiniame procese ir kai mane valdo pats technologinis procesas“, – yra sakęs dailininkas Eimutis Markūnas. Kiek džiazo, improvizacijos ir prasmės paieškų šiandien jo gyvenime? Pokalbis su dailininku rubrikoje „Be kaukių“.Ved. Gerūta Griniūtė

Please welcome SKERIK, Seattle's inimitable master of saxophone skronk, to Episode 056 of *The Upful LIFE Podcast. Brilliant on both tenor and baritone saxophone,  most often mixing in electronics, effects, and loops, Skerik is nothing short of a pioneer in saxophonics. 3:15 - Introducing Skerik 9:30 - Skerik interview Co-founder of Critters Buggin, Garage a Trois, Tuatara, DRKWAV, and Skerik's Syncopated Taint Septet. He is also an original member of both Les Claypool's Fancy Band and Fearless Flying Frog Brigade. Skerik has worked extensively with Stanton Moore (drummer-Galactic) and Charlie Hunter (8-string guitar) across numerous collabs, including Bastard Jazz, Emerald Quintet, plus Omaha Diner, Coalition of the Willing. His list of projects and peers is far too long for a podcast synopsis! Skerik is a son of Seattle through and through, even briefly working with grunge super-band Mad Season. We touch on a number of these topics in this wide-ranging conversation   Vibe Junkie JAM 30 mins of Col. Claypool's Fearless Flying Frog Brigade LIVE from Tipitina's Uptown in New Orleans, during Jazz Fest late night May 2002   EMAIL the SHOW! B.Getz@UpfulLIFE.com PLEASE LEAVE A REVIEW on Apple Podcasts! Listen to Upful LIFE on Spotify ! Theme Song: "Mazel Tov"- CALVIN VALENTINE

Nuestra portada de hoy fue Share The Wealth, estupendo álbum publicado por The Nels Cline Singers en el año 2020, sin duda uno de los mejores trabajos del año para los que hacemos La Montaña Rusa. Después escuchamos al trombonista suizo Florian Weiss que en 2021 publicó Alternate Reality junto a sus Woodoism. Nuestro Clásico de la Semana fue Pax, álbum publicado en 1965 por el gran Andrew Hill. Nuestra sección Jazz en Español la ocupó el nuevo trabajo del saxofonista Lluc Casares, Septet, publicado a finales del 2021. Y cerraremos con el nuevo trabajo del guitarrista Dave Stryker, As We Are, publicado recientemente este 2022.

Nuestra portada de hoy fue Share The Wealth, estupendo álbum publicado por The Nels Cline Singers en el año 2020, sin duda uno de los mejores trabajos del año para los que hacemos La Montaña Rusa. Después escuchamos al trombonista suizo Florian Weiss que en 2021 publicó Alternate Reality junto a sus Woodoism. Nuestro Clásico de la Semana fue Pax, álbum publicado en 1965 por el gran Andrew Hill. Nuestra sección Jazz en Español la ocupó el nuevo trabajo del saxofonista Lluc Casares, Septet, publicado a finales del 2021. Y cerraremos con el nuevo trabajo del guitarrista Dave Stryker, As We Are, publicado recientemente este 2022.

❤ Wow we got through the top 10 in 39 minutes! Maybe too much caffeine? Happy Monday and hope you enjoying listening to more chats about the campaigns that caught our eye this fortnight. Stay happy & safe!  A&M ❤Join our YouTube channel Membership for our podcast, access to our discord & moreOur merch store: https://thinkerthemer-merch.creator-spring.comTIMESTAMPS00:00 Introduction00:32 Number 1005:10 Number 908:21 Number 810:44 Number 715:38 Number 619:28 Number 522:14 Number 425:22 Number 330:42 Number 235:13 Number 138:24 Wrap UpThanks for stopping by! We're Amy & Maggie aka ThinkerThemer. We're an Australian couple with two very different perspectives of what makes a great board game - Amy (Thinker) is all about the mechanics and enjoys tight, competitive games, and Maggie (Themer) is all about the storytelling and the theme of the game, and the 'world' that the designer is trying to create. Subscribe to our channel to hear us talk about these two elements of a game, and how well integrated we feel these are in delivering a cohesive and wonderful game experience.  Support the show (https://www.paypal.com/paypalme/thinkerthemer)

Schubert Piano Quintet in A major 'The Trout', D. 667Franz Schubert wrote his Piano Quintet in A major, D. 677, popularly known as The Trout, in 1819, when he was only 22 years old. Like a good fraction of his works, however, it was published after his death, in 1829. Schubert didn't employ the traditional quintet lineup (piano + string quartet), opting instead for replacing one violin with a double bass. The composer Johann Nepomuk Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work.The nickname of the piece stems from the fourth movement, which is a set of variations on a lied by Schubert himself, named Die Forelle (the trout). Apparently the patron who commissioned the piece suggested that Schubert includ said set of variations.

M

Vinteuil's music is one of the central artistic reference points in Marcel Proust's classic novel In Search of Lost Time. But who is Vinteuil? In this episode of Proustian Shortcuts from Proustian Paths, host Dr. James Holden provides you with a very quick shortcut to understanding this character's place in Proust's work A la recherche du temps perdu, helping you get ahead on your own journey through this masterpiece of French literature. In this episode you will: * Discover Vinteuil's life in Combray. * Learn about Vinteuil's life as a composer and his feelings towards his own works. * Discover Vinteuil's two most important pieces of music, his Sonata for violin and piano and his Septet, and learn about their importance for both Proust's Narrator and also Charles Swann in his relationship with Odette. * Hear about the afterlife of Vinteuil's music and the creation of his artistic legacy. Save time in your reading and comprehension of the classic work In Search of Lost Time, and listen to this 3 minute episode today. ***Contains plot SPOILERS for the entirety of Proust's In Search of Lost Time.***

You may not know it but our opening music is a tune called Ghost Jazz. The composers have kindly let us use it all these years. It was written by Keith Schreiner also known as Auditory Sculpture and today's guest trumpeter, composer and educator Derek Sims. They called themselves Jazztronica in the early 2000s. Derek holds the trumpet chair in Mel Brown's famed Septet, previously held by Thara Memory. He started the Portland Jazz School in September of 2017, is the Adjunct Professor of Jazz Trumpet and the Jazz Band Director at Portland State University. What I didn't know before talking to him today is that he has returned to his Jazztronica period in his newest compositions. Let's catch up with Derek Sims.

Sarah and Panic love the new album "rainboW" from ジャニーズWEST!  With the help of some fans (Jasmine's), we selected a few songs to showcase on this latest episode of Music Elixir.Please rate, review, and share the episode. Thank you!Johnny's WEST info:TwitterTikTokJohnny's Ent WebsiteYouTubeSupport the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram If have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

About a month from now, composer and producer John Carroll Kirby will issue a new album, “Septet,” named after the instrumental seven-piece that was put together for shows in Los Angeles. Spotlighting the jazz community in our town, we share the ‘70s inspired track “Rainmaker.” 

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Join LSO for an evening of birthdays! Celebrate Beethoven’s 250th and Florence Price’s 134th with some of their greatest masterpieces. Solo winds and strings perform an intimate performance of Beethoven’s masterful Septet (op. 20). LSO’s strings will be featured in “Klap Ur Handz”, the second movement from Daniel Bernard Roumain’s “[Rosa] Parks” string quartet, and will celebrate the great African-American composer Florence Price with her Andante Moderato for String Orchestra. To conclude the concert, LSO Principal Keyboard Richard Fountain takes the stage with the orchestra for Beethoven’s spectacular Piano Concerto No. 2.

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We’ll focus on Beethoven’s Quintet, Op. 16, for piano, oboe, clarinet, horn and bassoon, but also look at selected movements from the Septet, Op. 20, for violin, viola, cello, double bass, clarinet, horn  and bassoon.

GOT7 decided not to renew their contract with JYP Entertainment after 7 years together. Though it is an act of friendship, fans are quite perplexed with the sudden announcement of the bittersweet headline. This week, Anthea gets personal as she shares her journey with GOT7 and reflects on the situation as an Ahgase. We also have some lovely messages from IGOT7s for their beloved Septet!

This week, Donald Macleod reaches the final chapters of his year-long biography of Beethoven. The composer’s remaining years, 1825-1827, were marred by failing health and a traumatic family crisis but also saw Beethoven pushing resolutely forward in his art. He continued to surprise and astonish, producing a series of extraordinary late string quartets. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Piano Sonata No. 29 Op.106 ‘Hammerklavier’ (I. Allegro) String Quartet in E flat, Op.127 (III. Scherzando vivace) String Quartet in A minor, Op. 132 (III. Molto Adagio) Kühl, nicht lau, WoO.191 Ars Longa, vita brevis, WoO.192 Piano Concerto No. 4 in G (II. Andante con moto) Piano Trio in D, Op. 70 No. 1 ‘Ghost’ (I. Allegro vivace e con brio) String Quartet in A minor, Op. 132 (II. Allegro ma non tanto) Piano Sonata No. 23 in F minor, Op. 57 ‘Appassionata’ (I. Allegro Assai) Grosse Fugue, Op. 133 String Quartet in B flat, Op. 130 (IV. Alla danza tedesca ) String Quartet in A minor, Op. 132 (V. Allegro appassionato) String Quartet in B flat, Op. 130 (II. Presto & III. Andante con moto ma non troppo) Septet, Op. 20 (I. Adagio – Allegro con brio) String Quartet in C sharp minor, Op. 131 (I. Adagio, ma non troppo e molto expressive) String Quartet in C sharp minor, Op. 131 (mvts. V-VII) String Quartet in E flat Op. 127 (IV. Finale, Allegro) Piano Trio in D, Op. 70 No. 1 ‘Ghost’ (III. Presto) String Quartet in B flat, Op. 130 (V. Cavatina & VI. Finale) Mass in C, Op. 86, I. Kyrie String Quartet in F, Op. 135 (I. Allegretto & II. Vivace) String Quartet in A minor, Op. 132 (I. Assai sostenunto – Allegro) Andante maestoso in C major, WoO.62 Piano Concerto No. 2 in B flat (II. Adagio) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight’ (I. Andante sostenuto) Beethoven. Symphony No. 5 in C minor (IV. Allegro) Presented by Donald Mcleod Produced by Chris Taylor For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Pain and Persistence https://www.bbc.co.uk/programmes/m000pw2z And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In this episode, podcast host Dr. David Wright speaks with Todd Williams, one of the finest woodwind artists of today. His fame began when he became a member of the Wynton Marsalis Quintet, Septet and the Lincoln Center Jazz Orchestra in the late 1980s. Since then, he has played with many of the world’s greatest musicians and in front of audiences all over the world.As Dr. Wright and Todd begin their conversation, Todd explains the significance of jazz as a form of music in America. With Todd’s vast knowledge of this genre of music, he explains its connection to just about every music form in existence today. His is a unique perspective on jazz having played with some of the early pioneers of this type of music, such as members of the Duke Ellington orchestra when he became a member of the Lincoln Center Jazz Orchestra.Todd explains the story of how he met Wynton Marsalis and eventually became a member of his band. It was the solos he learned that earned him a spot in Wynton’s band. Dr. Wright asked if Todd could play an example, which he does.As the story continues, Todd explains the good parts and the bad parts of fame and being part of a top jazz band traveling the world. He speaks candidly about the temptations and his personal struggle to reconcile the faith he knew as a child with the life he was leading during these years on the road.In 1990, he came to a crossroads and determined to seek the Lord, “come what may”. He earned the nickname “The Deacon” from Wynton and the other band members as he boldly proclaimed his love for Jesus. Eventually, Todd left the band and began to pursue other ways of putting his musical talents to good use.Following the playing of a song from his most recent CD, Todd shared about his passion for teaching college students today, ending with advice for students of today.Learn more about Todd Williams.Find Todd Williams music on Amazon, Barnes & Noble, at Wynton Marsalis, Lincoln Center Jazz Orchestra and Times City Church.Learn more about Practicing the Art of Faithful Presence.Learn more about host David Wright.

Beethoven’s muziek met blazers IIc: Opus 20 en 81b.   1. Septet in Es op. 20 2. Sextet in Es op. 81b Swiss Chamber Players  

Gene Ammons and Sonny Stitt with the seven and eight piece bands they led c. 1950 - bop, rhythm and blues and pop songs featuring Junior Mance, Benny Green and Art Blakey among others. --- Support this podcast: https://anchor.fm/john-clark49/support

Donald Macleod is joined by five guests to explore Beethoven’s wider world. Beethoven’s lifetime was one of tumultuous change. In a week of programmes exploring this wider world around Beethoven, Donald Macleod is joined by five guests to discuss some of the various elements which combined to define the Spirit of the Age – the economy, the wider world of the arts, engineering, medicine and belief. Guests: Professor Nicholas Matthews - Associate Professor at the University of California, Berkeley, an expert on music and politics in the eighteenth and nineteenth centuries and author of “Political Beethoven” Ruth Padel – Poet, lifelong Soprano and author of “Beethoven Variations: Poems on a Life” Julian Allwood - Professor of Engineering and the Environment at Cambridge University Professor Herwig Czech – Chair of the History of Medicine at MedUni Vienna Dr Aakanksha Virkar Yates - Senior lecturer at the University of Brighton and expert in late nineteenth and twentieth-century British literature Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Violin Sonata 10 in G major, Op 96 (II. Adagio espressivo) Piano Concerto No 4 in G, Op 58 (I. Allegro Moderato) Symphony No 3 in E flat major “Eroica”, Op 55 (IV. Finale) Piano Sonata No 26 in E flat major, Op 81a “Les Adieux” (II. Abwesenheit) Sonata No 7 in D, Op 10 No 3 (IV. Rondo. Allegro) String Quartet No 1 in F major, Op 18 (II. Adagio affettuoso et appassionato) Fidelio, end of Act I Symphony No 8 in F, Op 93 (III. Tempo di menuetto) An die Ferne Geliebte, Op 98, Nos 2 and 3 The Creatures of Prometheus, Op 43: Act II, No 10 'Pastorale Allegro' 25 Scottish Songs, Op 108 No 7 'Bonnie Laddie, Highland Laddie (2nd version)' Missa Solemnis, Sanctus Symphony No 2 in D major, Op 36 (II. Scherzo - Allegro) 5 Variations on Rule Britannia, WoO 79 Grosse Fuge in B flat, Op 133 (orch. Manuel Hidalgo) Six Variations in D on an original theme “Die Ruinen von Athen”, Op 76 The Heavens are Telling (orchestration of Six Songs, Op 48 No 4 - Die Ehre Gottes aus der Natur) Piano Sonata No 29 in B-flat major, Op 106 “Hammerklavier” (I - Allegro) Doktor speert das Tor dem Tod, WoO 189 Trio in E-flat major, WoO 38 (after the Septet, Op 20) (IV. Andante con Variazione) Cantata on the Death of Emperor Joseph II, WoO 87 (VII. Todt, Todt!) Piano Sonata No 23 in F minor, Op 57 “Appassionata” (III. Allegro ma non troppo) Symphony 7 in A major, Op 92 (II. Allegretto) String Quartet No13, Op 130 (V. Cavatina) Symphony No 4 in B flat major, Op 60 (III. Menuett) Piano Sonata No 28, Op 101 (I. Etwas lebhaft und mit der innigsten Empfindung) Der Glorreiche Augenblick, Op136 (Das Auge schaut) Der Freie Mann, WoO 117 Christ on the Mount of Olives, Op 85 (Chor der Krieger: "Wir haben ihn gesehen") Mass in C Major, Op 86 (Sanctus) String Quartet No 15 (III. Molto Adagio) Presented by Donald Macleod Produced by Sam Phillips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Spirit of the Age https://www.bbc.co.uk/programmes/m000mq5x And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod meets professional musicians to get the performer’s eye view of Beethoven. During Beethoven’s life, great technical advances were being made to musical instruments such as the keyboard and the horn. It was also a period when virtuoso musicians of all kinds began to tour Europe and Beethoven was able to meet some of the greatest exponents of different instruments and learn from them. He was inspired to push the limits of his performers as never before, and his works continue to fascinate and challenge musicians today. In this episode, Donald Macleod meets with different professional musicians to get a performer's eye view of Beethoven’s music and the challenges it presents. Guests: Chi-chi Nwanoku (double bass), Rachel Nicholls (soprano), Adrian Bending (timpani), Ronald Brautigam (fortepiano), Sarah Willis (French horn). Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Symphony No 6 in F, Op 68 “Pastoral” (Donner. Sturm) Symphony No 7 in A, Op 92 (Allegro con brio) Septet in E flat, Op 20 (Scherzo) Symphony No 9 in D minor, Op 125 “Choral” (Presto) Fidelio, Act 1 No 1-3 Fidelio, Act 2 No 12 Fidelio, Act 2 No 14-15 Missa Solemnis, Op 123 (Agnus Dei) Violin Concerto in D, Op 61 (excerpt) Symphony No 4 in B flat, Op 60 (Adagio – Allegro vivace) Symphony No 3 in E flat, Op 55 “Eroica” (Marcia funebre) Symphony No 5 in C minor, Op 67 (Allegro & Allegro - Presto) Piano Sonata No 13 in E flat, Op 27 No 1 (Andante) Concerto No 3 in C minor, Op 37 (Largo) Piano Trio No 5 in D, Op 70 No 1 “Ghost” (Largo assai ed espressivo) Fantasia in C minor, Op 80 Horn Sonata, Op 17 Symphony No 3 in E flat, Op 55 “Eroica” (Scherzo) Sextet in E flat, Op 81b (Rondo) Symphony No 9 in D minor, Op 125 “Choral” (Adagio molto e cantabile) Presented by Donald Macleod Produced by Luke Whitlock for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: How to Play Beethoven https://www.bbc.co.uk/programmes/m000m06v And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In this final episode of Spoleto Backstage for 2020, cohosts Geoff Nuttall and Bradley Fuller mark the 250th anniversary of Ludwig van Beethoven’s birth by taking a tour through the German composer’s three stylistic periods — early, middle, and late — with commentary and a listen to representative performances from the past twelve years of the Spoleto Festival chamber music series. After discussing Beethoven’s musical beginnings, Geoff and Bradley hear his Piano Trio Op. 1, No. 3, followed by the second and third movements of his Septet in E-flat major, Op. 20. The conversation then moves to Beethoven’s middle or “heroic” period, with performances of the haunting second movement of the composer’s “Ghost” Trio and the passionate opening movement of his “Kreutzer” sonata to illustrate this stylistic phase at the start of the Romantic era. A discussion of late-period Beethoven serves to introduce two pieces for string quartet by the composer, both from the final years of his life: the

Raymond Bisha introduces a selection from the rich and varied catalogue of chamber works that Beethoven wrote throughout his life. It includes the ‘Archduke’ piano trio, examples of his violin and cello sonatas, and extracts from both his Octet for Wind Instruments and the Septet in E flat major, Op. 20, a work so popular that Beethoven himself arranged it in a trio version, no doubt to make it more accessible to a wider public eager to perform it. Beethoven wrote 16 string quartets over a period of 25 years, one of his greatest contributions to music that continuously changed and challenged what was thought possible in the medium, including the Gross Fuge, an intensely powerful work that Stravinsky declared “will be contemporary for ever.”

JBRS 833… JALC, Bay Area pianist Adam Shulman’s Septet, flutist Yulia Musayelyan, drummer Ted Moore, drummer Steve Fidyk – a bunch of new recordings to discover on this week’s episode of Jazz Boulevard. Plus  older material from B3 player Jimmy…Read more →

Frangela presents a Septet of Stupid!Thank you to this week's sponsors: Plexaderm, Omaha Steaks and Foreclosure Defense.Frangela swag available at https://www.zazzle.com/store/frangela! Book a personalized video shout-out from Frangela at Cameo.com/frangeladuo.Do you want to hear more Idiots of the Week?? Become a Frangela patron at Patreon.com and get three exclusive Micro Idiot podcasts each week as our thank you for your support.

Donald Macleod is joined by Raphael Wallfisch and Sara Bitlloch to discuss Beethoven’s early chamber music. All through 2020, Donald Macleod takes an unprecedented deep dive into the compelling story and extraordinary music of Ludwig van Beethoven. In this uniquely ambitious series, told across 125 episodes of Composer of the Week, Donald puts us inside Beethoven’s world and explores his hopes, struggles and perseverance in all the colourful detail this amazing narrative deserves. Alongside this in-depth biography, Donald will also be meeting and talking to Beethoven enthusiasts and experts from across the world to discover how his music continues to speak to us in the 21st century. Through story and sound, the series builds into a vivid new portrait of this composer, born 250 years ago this year, who made art that changed how people saw themselves and understood the world. This week, cellist Raphael Wallfisch and violinist Sara Bitlloch join Donald Macleod to talk about Beethoven’s early chamber music from 1795 to 1811, including beloved works such as the ‘Razumovsky’ quartets, the ‘Kreutzer’ violin sonata, and the ‘Ghost’ and ‘Archduke’ piano trios. Music featured: String Trio No 3 in G major: Op 9, No 1 (3rd movement - excerpt; 4th movement) Cello Sonata in F major Op 5 No 1 (Allegro) Piano Trio in C minor Op 1 No 3 (4th movement) String quartet in F major Op 18 No 1 (2nd movement) Violin Sonata in D major Op 12 No 1 (1st movement) Sonatina in C major for mandolin and piano WoO44 No 1 String Quartet in C minor Op 18 No 4 (3rd movement) Violin Sonata in A major Op 30 No 1 (3rd movement) Serenade in D major Op 8 (1st and 2nd movements) Cello Sonata No 2 in G minor Op 5 (1st movement) String Quintet in C major Op 29 (4th movement) Piano Trio Op 121a, “Kakadu Variations” String Quartet in F major No 7, Op 59 (“Razumovsky”) (4th movement) Violin Sonata in A major No. 9 Op 47 ("Kreutzer") (1st movement) Septet in E flat major for clarinet, horn, bassoon, violin, viola, cello and double bass Op 20 (2nd movement) String Quartet in C major Op 59 No 3 (“Razumovsky”) (1st movement) Piano Trio No 5 in D major Op 70 No 1 ("Ghost") (2nd movement) Violin Sonata No 5 in F major Op 24 ("Spring") (1st and 4th movements) String Quartet in E flat Op 74 (“Harp”) (1st movement) String Trio in C minor Op 9 No 3 (1st mvt) String Quartet in F minor (“Serioso”) Op 95 (1st and 4th mvts) Cello Sonata No. 3 in A major Op 69 (1st mvt) Piano Trio in B flat ("Archduke") Op 97 (1st mvt) Presented by Donald Macleod Produced by Iain Chambers for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Conversations with Friends https://www.bbc.co.uk/programmes/m000f5mp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The Asians are multiplying in the string sections of orchestras. It's really happening! How and why are they becoming the torch bearers of the art form? Or is it just another fad, like the pregnant mother's listening to Mozart's music thinking, her baby in the womb will be smarter for it? Esteemed violinist & pedagogue, Lynn Chang joins Jae & Paul to explore these boundaries. SOB segment features, Beethoven denying that he ever wrote his chamber music masterpiece, the Septet in E-flat major. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/beethovenbadboy/support

All Strings Detached – Jana Beltran in Vesna Godler – sta v zadnjih letih na slovenski glasbeni sceni naredili dobrodošel prepih. Če je njun prvi album z naslovom Heavy Rain nekakšna intima, ki z glasbenim minimalizmom velja za posebneža alternativne scene, je drugi – There's Something Painful About the Pearls – njegovo nekoliko glasnejše nadaljevanje. Še vedno pa melanholično razpoloženje v minimalističnem slogu z besedili in ekspresivnimi vokali poslušalca popeljeta v globino najbolj intimnih občutij. Njun tretji, zelo ambiciozen glasbeni projekt, All Strings Detached Septet, smo v Prvi vrsti predstavili teden dni pred uradno premiero. Zasedba: Jana Beltran – elektro-akustična kitara, glas; Vesna Godler – električni bas, glas; Jošt Drašler – kontrabas, električni bas; Vid Drašler – bobni; Klemen Bračko – viola; Barja Drnovšek – violina; Bojan Cvetrežnik – violina.

Today on the Phenomenal 50, we are bringing you the Septet for Flute, Oboe, Clarinet, Bassoon, Trumpet, Viola and Cello by Polish composer, Alexandre Tansman. This performance is from January 23, 2000 and features flutist Ransom Wilson, oboeist Stephen Taylor, clarinetist David Shifrin, boassoonist Milan Turkovic, David Bilger on trumpet, violist Paul Neubauer, and cellist Gary Hoffman.

we're back baybeee! it's another patience test of an episode, but we're talking about a movie and soundtrack that we both love and we just can't help being long winded. also, sorry about the audio, we're working on it. we're no longer in the studio where we recorded our first 10 episodes, so we're using our own equipment and figuring everything out along the way. it's a learning experience for everyone!

In conversation with Anna Goldsworthy. Many aspiring musicians make more than music. Anna Goldsworthy, one of the artists-in-residence at National Music Camp in 2019, manages many simultaneous careers – as author, journalist and musician. In this podcast, Madi Chwasta and Stella Joseph-Jarecki, of the NMC Words About Music team, talked to Anna about the “portfolio career” life and what advice she has for people aspiring to take on a range of creative challenges. Written and produced by Madi Chwasta and Stella Jospeh-Jarecki Edited by: Madi Chwasta With thanks to Jim Atkins, Jakub Gaudasinksi and Phillip Sametz The Saint-Saëns Septet was performed by tutors and artists-in-residence at National Music Camp: Anna Goldsworthy, piano; Dave Elton, trumpet; Helen Ayres and Lachlan Bramble, violins; Stephen King, viola; Tim Nankervis, cello and Phoebe Russell, double bass.

Two tremendous Australian trumpet players took part in National Music Camp 2019 – David Elton, principal trumpet in the London Symphony Orchestra, was Artist-in-Residence, and Brent Grapes, his counterpart in the West Australian Symphony Orchestra, was trumpet tutor. Words About Music participant (and occasional trumpeter) Christopher Healey, grasped this rare opportunity and talked to these outstanding musicians about their work, their technique, their practice routine…and of course mouthpieces. Written, produced and edited by Christopher Healey With thanks to David Elton and Brent Grapes for their time, and Phillip Sametz, Jakub Gudasinski and the 2019 AYO Words About Music team for their assistance. David Elton and Brent Grapes recorded Lassus’ Fulgebunt justi sicut lilium especially for this podcast. The excerpt from Saint-Saëns’ Septet was performed by tutors and Artists-in-Residence at AYO National Music Camp: Anna Goldsworthy, piano; David Elton, trumpet; Helen Ayres and Lachlan Bramble, violins; Stephen King, viola; Tim Nankervis, cello and Phoebe Russell, double bass.

- direkte fra Konservatoriesalen i Esbjerg med musik af Jean Francaix, Peter Bruun og Beethoven, hvis store Septet står på programmet. Som noget nyt medvirker også Det klassiske Kollektiv, som er en gruppe studerende fra Syddansk Musikkonservatorium, med musik af Mathilde Shelin og Jacob Ridderberg. Vært: Klaus Møller-Jørgensen. www.dr.dk/p2koncerten

12e émission de la 39e session... Cette semaine, départ en postbop, une pensée pour Tomasz Stańko et avant-jazz avec pas mal de guitare! En musique: Jeremy Pelt sur l'album Noir en Rouge - Live in Paris  (HighNote, 2018); Tomasz Stańko Septet sur l'album Litania - Music Of Krzysztof Komeda  (ECM, 1997); Tomasz Stańko sur l'album Leosia  (ECM, 1997); Thumbscrew sur l'album Ours  (Cuneiform, 2018); Thumbscrew sur l'album Theirs  (Cuneiform, 2018); Vinny Golia Sextet sur l'album Trajectory  (Orenda, 2018); Chrome Hill sur l'album The Explorer  (Clean Feed, 2018)...

12e émission de la 39e session... Cette semaine, départ en postbop, une pensée pour Tomasz Stańko et avant-jazz avec pas mal de guitare! En musique: Jeremy Pelt sur l'album Noir en Rouge - Live in Paris  (HighNote, 2018); Tomasz Stańko Septet sur l'album Litania - Music Of Krzysztof Komeda  (ECM, 1997); Tomasz Stańko sur l'album Leosia  (ECM, 1997); Thumbscrew sur l'album Ours  (Cuneiform, 2018); Thumbscrew sur l'album Theirs  (Cuneiform, 2018); Vinny Golia Sextet sur l'album Trajectory  (Orenda, 2018); Chrome Hill sur l'album The Explorer  (Clean Feed, 2018)...

Love Island, Wimbledon, and never seeing your other half feature in this week’s episode.  We discuss the new music director of the RPO, a musical gift given to the New Zealand Prime Minister’s baby and a 103 year old pianist.  Our special guests this week are Simon Cox and Matt Knight from brass septet Septura. We conclude with some upcoming concerts and a rather fishy weird gig of the week story. Royal Philharmonic Orchestra appoints Vasily Petrenko as new music director: https://www.rpo.co.uk/about/news-press/80-news/299-vasily-petrenko-looks-forward-to-becoming-the-royal-philharmonic-orchestra-s-music-director Music and Sound Awards 2018: http://www.masawards.com/2018-finalists-composition 103 year old pianist: https://www.bbc.co.uk/news/av/entertainment-arts-44660051/the-103-year-old-pianist   Upcoming events: Free opera at V&A museum (20th July): https://www.vam.ac.uk/event/Bp2PWgaQ/an-evening-of-opera-seven-angels Glyndebourne Returns Club: https://www.glyndebourne.com/tickets-and-whats-on/how-to-book/returns-club/ Glyndebourne Under 30s Scheme: https://www.glyndebourne.com/join-and-support-us/under-30s/ Septura brass septet concert (10th July): http://septura.org/events/kleptomania-in-london-4/ London Symphony Orchestra Soundhub Composers Showcase (14th July): https://lso.co.uk/whats-on/icalrepeat.detail/2018/07/14/805/-/lso-soundhub-showcase-phase-i.html

Sveriges store 1800-talssymfoniker som aldrig fick höra sina symfonier. Motarbetad av kollegerna gjorde han karriär som ortoped och industrialist. Lyssna på alla avsnitt i Sveriges Radio Play. Musik som hörs i programmet: Septet i B-Flat Major: III. Finale. Allegro con spirito Symfoni nr 3, finale, Herbert Blomstedt, Berliner Filharmoniker Symfoni nr 4 sats 2 Adagio Stråkkvartett nr 3, sats 5. Yggdrasilkvartetten Drottningen av Golconda, ”Du anar ej den sorg…” Elisabeth Söderström

Sveriges store 1800-talssymfoniker som aldrig fick höra sina symfonier. Motarbetad av kollegerna gjorde han karriär som ortoped och industrialist. Musik som hörs i programmet: Septet i B-Flat Major: III. Finale. Allegro con spirito  Symfoni nr 3, finale, Herbert Blomstedt, Berliner Filharmoniker Symfoni nr 4 sats 2 Adagio Stråkkvartett nr 3, sats 5. Yggdrasilkvartetten  Drottningen av Golconda, Du anar ej den sorg Elisabeth Söderström

Heaven's Ominous Brass Septet Revelation 8:1-13This last book of the New Testament describes (with dramatic imagery and frightening detail) the culmination of God’s redemptive work in the world. Spoiler alert: God wins. 2017-2018; Ken Mitchell.January 21, 2018 | Westside Chapel

There were actually seven men who made Sun Records the greatest rock n roll label in the business in the 1950's they are all here tonight. Two hours of classic hits

Nathan Willett and Matt Maust of Cold War Kids talk to Chris and Jonah about being on tour, what they do in the endless hours on the road and how they became a band. They also play a couple songs off their newest album Hold My Home!

Rachel Leach leads an examination of the recapitulation of the Septet, with extracts performed by the LSO ensemble.

Rachel Leach leads an examination of the coda of the Septet, with extracts performed by the LSO ensemble.

Rachel Leach leads an examination of the 2nd subject group of the exposition of the Septet, with extracts performed by the LSO ensemble.

The LSO ensemble perform the development section of the Septet (bars 111 - 154), followed by a detailed analysis of the section.

Background information on Beethoven's life and his Septet in Eb.

A Septet of LSO players perform the Introduction (bars 1 - 18) of the Septet. Followed by an in depth examination of the Introduction.

Rachel Leach leads an examination of the 1st subject of the exposition of the Septet, with extracts performed by the LSO ensemble.

New World Records We will be featuring New World Records in today's episode. New World started in 1975; they were given a grant from the Rockefeller Foundation with a mandate to produce a 100-disc anthology of American music. New world continues to preserve neglected music of the past and support the creative future of American music with over 400 recordings, representing up to 700 American composers. Rick Benjamin from "Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club" (New World Records) Buy at iTunes Music Store More On This Album Theater and Dance Music of James Reese Europe, Will Marion Cook, and Member of the Legendary Clef Club The Paragon Ragtime Orchestra Rick Benjamin, director The Clef Club of New York City, Inc. was a fraternal and professional organization for the advancement of African-American musicians and entertainers; all of the composers on this recording were members or closely affiliated with the Club. The "Clef Club" was founded toward the end of 1909 in New York by James Reese Europe and his associates. Their mission to highlight the value, dignity, and professionalism of African-American performers was a great success and did much to change racial attitudes at all levels of white society. It quickly became a "who's who" of early twentieth-century black music and show business. With its reputation for reliability, gentility, and quality performances, the Clef Club soon gained the favor of the loftiest of New York's white society; it became the very height of fashion to announce that one had secured a genuine "Clef Club Orchestra" for an upcoming social event. The composers featured on this revelatory recording represent the cream of Black Bohemia's musical life-the movers and shakers who paved the way for the music of the better remembered "Harlem Renaissance" of the 1920s. And while their names are obscure today, all once enjoyed national reputations in white America as well, feeding its burgeoning interest in black music, theater, and dance. Taken altogether, the talent, persistence, cooperation, and courage of these pioneers is an amazing American story that deserves to be better known. The recording features nineteen works by ten composers and is accompanied by a 40-page booklet. In addition to those by Europe and Cook, highlights include works by Will Vodery, an acknowledged influence on Ellington, and the first instrumental rag ever published, Sambo: A Characteristic Two Step March (1896), by Will Tyers. Tom Varner from "Tom Varner: Window Up Above" (New World Records) Buy at iTunes Music Store More On This Album The Window Up Above: American Songs 1770-1998 Tom Varner, French horn; Pete McCann, guitar; George Schuller, drums; Lindsey Horner, bass; Mark Feldman, violin; Dave Ballou, trumpet; Steve Alcott, bass; Thirsty Dave Hansen, vocals "I wanted to do something different for this record. Instead of playing my own compositions, I wanted to simply explore a variety of songs that have an inner resonance, whether from family, religion, nation, or culture. " - Tom Varner What Tom Varner has attempted on The Window Up Above is nothing less than a survey of the whole American song book, a millenium review of the last three centuries-and he succeeds brilliantly. Every song he has chosen has that American "thing," and his approach to every song is patently jazz, even where he chooses to play the melody "straight" to let its qualities shine through. Highlights abound: The witty, off-center de- and reconstruction of the Revolutionary and Civil War smash hits "Stone Grinds All," "When Jesus Wept," "Kingdom Come, " and "Battle Cry of Freedom" will forever change the way you hear them; his understated, heartfelt renditions of "Lorena," "All Quiet on the Potomac," and "There is a Balm in Gilead" would make a stone weep; to say nothing of his splendid reimaginings of standards like "Over the Rainbow" and "When the Saints Go Marching In." Even Bruce Springsteen gets the treatment, his "With Every Wish" joining George Jonesís "The Window Up Above," Hank Williams's "Ramblin' Man,"(check out Mark Feldman's and Varner's hair-raising solos and closing duet) and Tammy Wynette's "Till I Get it Right" from the country canon. In Varnerís unique arrangements, every song on this collection emerges freshly minted. Once heard, not soon forgotten. Music Amici, Charles Yasskyfrom "Ben Johnston: Ponder Nothing"(New World Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Ponder Nothing, Septet, Three Chinese Lyrics, Gambit, Five Fragments, Trio Music Amici Ben Johnston's (b 1926) music shows the confluence of several traditions of music-making that have flourished within the United States. In the 1950s his output was characterized by the neoclassicism of his teacher Darius Milhaud. In the 1960s he explored serial techniques and, at the end of the decade, indeterminacy. From 1960 onward the overriding technical preoccupation of his music has been its use of just intonation, the tuning system of the music of ancient cultures as well as that of many living traditions worldwide. The six works represented on this disc span Johnston's journey through atonality, neoclassicism, serial technique, and finally, his pioneering use of just intonation. Septet (1956-58) for woodwind quintet with cello and contrabass, marks the height of Johnston's early neoclassic period. Debts to Stravinsky recurring structural figures, ostinatos that repeat pitches in unpredictable rhythms-are obvious. The more direct influence of Johnston's first important teacher, Darius Milhaud, is apparent in the bitonal textures. In his 1955 Three Chinese Lyrics, scored for soprano and two violins, Johnston has set three poems by the Chinese T'ang dynasty poet Li Po (701-762) in translations by Ezra Pound (his early mentor Harry Partch already had set seventeen of the poems; Johnston set the remaining three). Commissioned by choreographer Merce Cunningham, Gambit (1959) is scored for twelve instruments and consists of six movements, three of which-Interlude 1, Prelude 2, and Interlude 2-use twelve-tone rows. Gambit, a mixed-genre work, precipitated the crucial decision of Johnston's career, his switch to extended "just intonation." For most composers, just intonation implies tonality, but Johnston is unique for his works that fuse pure tuning with the twelve-tone system including Five Fragments (1960). Fragments 1, 2, 3, and 5 modulate systematically from one twelve-tone row to another and, here and in general, Johnston's early just intonation counterpoint moves carefully among consonant intervals. A much later work, Trio for clarinet, violin, and cello (1982), is a gem of Johnston's mature style, rhythmically engaging and harmonically subtle. Phrases return, sometimes with altered continuations, or transposed to different pitch levels, or using an undertone scale rather than an overtone scale. As a result, and typical of Johnston's late work, the Trio's lithe counterpoint falls sweetly on the ear; the complexity is below the surface. Ponder Nothing (1989), is a set of solo clarinet variations on the traditional French hymn "Let All Mortal Flesh Keep Silence." If the hymn gives voice to Johnston's Catholicism, the title, taken from the hymn's third line-"Ponder nothing earthly minded"-refers to his interest in the no-mind meditation of Zen. Malcolm Goldsteinfrom "Malcolm Goldstein: a sounding of sources"(New World Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Malcolm Goldstein, solo violin; Radu Malfatti, trombone; Philippe Micol, bass clarinet; Philippe Racine, flute; Beat Schneider, violoncello As a composer/violinist/improviser Malcolm Goldstein (b. 1936) has been active in the presentation of new music and dance since the early 1960s in New York City as a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble and as a participant in the Judson Dance Theater, the New York Festival of the Avant-Garde, and the Experimental Intermedia Foundation. His "Soundings" improvisations have received international acclaim for having "reinvented violin playing," extending the range of tonal/sound-texture possibilities of the instrument and revealing new dimensions of expressivity. Since the mid-1960s he has integrated structured improvisation aspects into his compositions, exploring the rich sound-textures of new performance techniques within a variety of instrumental and vocal frameworks. Goldstein has been labeled an "improviser" and a "composer-violinist" (or merely a violinist). What this CD once and for all shows is that he is indeed those things, but encompassing them all is the fact that, profoundly, he is a composer. As he points out, "At the core of Baroque music was the integration of composition and improvisation," and Goldstein brings the perspective and focus of a seasoned performer to this undertaking. In this way his music represents a further evolution of that compositional-improvisational dialogue begun in the early 1950s in the aleatoric, "chance" pieces of composers like John Cage, Earle Brown, Christian Wolff and Morton Feldman.

Guitarist Graeme Stephen joins with some of the most creative and in-demand players on the UK folk and jazz scenes for this Tune Up tour. Born in Aberdeen and based in Edinburgh, Stephen is a sensitive and inventive player, influenced by the pre-bop guitar style of Charlie Christian as well as contemporary masters like Bill Frisell. He has won a number of awards including the Jazz Services Promoters Choice Award. In 2008 he was chosen for the Serious/PRS Take 5 initiative. Stephen currently performs with his own Trio, as well the free-improvisation outfit Newt, and is a regular guest with the eclectic Fraser Fifield band. His Sextet was selected for the Jazz Services Promoters' Choice Award 2006 and played at the London Jazz Festival and the Manchester Jazz Festival. It has since expanded to a Septet with the addition of London based cellist Ben Davis of Mercury Music Prize nominees Basquiat Strings. They are joined by saxophonist Phil Bancroft, violinist Chris Stout, Brazillian bassist Mario Caribe and Scottish Jazz Drummer of the Year Stuart Ritchie. Alto saxophonist Martin Kershaw joins the group on the dates between 25th and 27th of March and Fraser Fifield takes over on soprano saxophone and Bulgarian kaval from 1st to the 7th of March.

Mario Davidovsky's Piano Septet is performed by Hrabba Atladotti, violin, Tod Brody, flute, Leighton Fon, cello, Peter Josheff, clarinet, Ellen Ruth Rose, viola, Karen Rosenak, piano, Michel Taddei, contrabass, with David Milnes, conductor.

Episode 35: Kirk Muspratt's innovative ideas about demystifying classical music - Upcoming Events: Montreal Chamber Music Festival: May 20 - Martinu Madrigals for violin and viola; May 21 - Bach's Goldberg Variations for string trio; May 22 - solo recital "From Mozart to Metallica": May 24 - Beethoven Marathon including the "Archduke" piano trio, Op. 95 string quartet, "Kreutzer" sonata, and Septet - Inquiries from my Inbox: Caitlin asks, "How can I fix my left-hand pinky?" - Random Musical Thought: Oscar Shumsky says, "It's not the bowings you do, but how you do the bowings." - A conversation with Maestro Kirk Muspratt, Music Director of the New Philharmonic, DuPage Opera, and Northwest Indiana Symphony.  Kirk shares his thoughts about making orchestra concerts into special events for the whole community and talks about his creative programming ideas. total playing time: 33:45 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for you answer on Inquiries From My Inbox! Thanks for listening! www.rachelbartonpine.com www.myspace.com/rachelbartonpine www.youtube.com/RachelBartonPine Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com