Podcast appearances and mentions of frankie goes

Lady Leah returns (again!) to bring Lee and Daniel another pick for Pride month. This time out it's a film all about the subject at hand: Matthew Warchus' "Pride" (2014). How does this somewhat light-heated take on the real life queer-supported miner's strike in 1980s Britian play out? The hosts also chat about what they've watched recently. So come on, jump into our awesome little gay van, we've got some blue collar solidarity to do! "Pride" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.   Featured Music: "I Second That Emotion" by Smokey Robinson & The Miracles, and "Relax (Come Fighting)" by Frankie Goes to Hollywood.

Episode 179 – Porcupine Tree Part 10, Deadwing The Palaver returns with an exhaustive exploration of Porcupine Tree's eighth studio album, Deadwing (2005). The group dissects this often-overlooked masterpiece, often unfairly shadowed between In Absentia and Fear of the Blank Planet. The episode opens with fascinating context: Stephen Wilson's recent remix projects on Frankie Goes to Hollywood and Tears for Fears' catalog, revealing his meticulous technical process. But the focus shifts to Deadwing—a concept album rooted in an unreleased horror screenplay, featuring contributions from Adrian Belew (King Crimson) and Mikael Åkerfeldt. The hosts analyze standout tracks including the rhythmically complex *"Start of Something Beautiful"* (featuring Gavin Harrison's intricate syncopation) and *"Open Car," which may be the album's standout moment. Drop-D tuning chords, keyboard textures as dynamic shifters, and Deadwing's bridge between In Absentia's rawness and Wilson's later solo ambitions. Listen now on your preferred platform. BlueSky: @progpala.bsky.social X: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3…cJ_7Z__w/featured Theme music provided by: Dave DeWhitt

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the channel Islands for another audio described theatre review.This time we have a bold, uplifting celebration of ambition, transformation and self-discovery as the current tour of ‘Frankie Goes to Bollywood' visited the Birmingham Repertory Theatre with description by Professional Audio Describer Carolyn Smith. About ‘Frankie Goes to Bollywood'After a smash-hit UK tour, Frankie Goes to Bollywood returns - bigger, bolder, and bursting with Bollywood glamour.Ordinary suburban Frankie never dreamed of stardom until a chance encounter sweeps her from gritty, grey Huddersfield to the glittering fever-dream world of Bollywood.As she climbs the shimmering staircase of fame, Frankie must decide what she is willing to risk for fortune, family and belonging.With handsome heroes, delicious villains and billowing saris, this is a funny and fearless tale of being British in Bollywood.Featuring explosive choreography, lavish costumes and pulsing songs, this feel-good musical bursts with ambition and heart - a joyful celebration of love, courage, self-discovery and pure theatrical sparkle. For more about access at the Birmingham Repertory Theatre do visit - https://www.birmingham-rep.co.uk/your-visit/accessibility/(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Ce 1er juin, dans RTL2 Pop-Rock Station, Marjorie Hache convoque PJ Harvey, Ozzy Osbourne, Billy Idol, Guns N' Roses, Cage The Elephant, Iggy Pop, Deftones, Charli XCX et Nada Surf. L'animatrice célèbre le 54e anniversaire de la sortie du premier disque des Eagles, avec le titre "Take It Easy". La sélection réunit également The Velvet Underground, The Cure, Frankie Goes to Hollywood et The Faces. Les Foo Fighters font résonner "Your Favourite Toy", tandis que Massive Attack et Tom Waits récidivent avec "Boots On The Ground". The Strokes, Lana Del Rey et les Vendéens de Dynamite Shakers répondent présents. Le duo électro-rock écossais Boards of Canada annonce son grand retour avec "Prophecy At 1420 MHZ". La primeur de la soirée met en lumière le duo irlandais Dea Matrona, qui offre le morceau "My Own Party", abordant le thème du syndrome de l'imposteur. L'album de la semaine se penche sur le troisième disque du trio londonien Saint Agnes, "Your God Fearing Days Are About To Begin", dont on découvre aujourd'hui le titre "The Beast", confirmant leur puissance métal. Enfin, la reprise du jour s'annonce envoûtante : les Canadiens de Cowboy Junkies revisitent avec délicatesse le célèbre hymne "One" de U2, sorti initialement en 1992. Foo Fighters - Your Favorite Toy Guns N' Roses - Paradise City The Eagles - Take It Easy P.J. Harvey - A Place Called Home Cage The Elephant - Shake Me Down Iggy Pop - Lust For Life Deftones - My Own Summer Saint Agnes - The Beast Ozzy Osbourne - Mr. Crowley Billy Idol - Eyes Without A Face Charli XCX - Rock Music Cowboy Junkies - One Nada Surf - Always Love Massive Attack & Tom Waits - Boots On The Ground The Velvet Underground - I'm Waiting For The Man Starcrawler - Road Kill Dynamite Shakers - Cinema Frankie Goes To Hollywood - Relax Boards Of Canada - Prophecy At 1420 MHz Dea Matrona - My Own Party Alt+J - Left Hand Free Faces - Ooh La La The Cure - A Forest Lana Del Rey - First Light The Strokes - Falling Out Of LoveHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's the mid-'80s and two bands have figured out that what people want is British guys giving commands in two-note chanting choruses. Which is the best more-chorus-than-song song of the mid-'80s, "Shout" by Tears for Fears or "Relax" by Frankie Goes to Hollywood? Thank you to special guest Justin Lewis, check out his great book "Into the Groove: The 1980s: The Ultimate Decade in Music History" which you can pre-order in the US here or buy in the UK here! Song vs. Song Patreon here! Please donate, we need you. And as always — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:Transgender Law CenterTrans LifelineDestination TomorrowGender-Affirming Care Fundraising on GoFundMeAlso, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The "Lean, Mean, Hiring Machine": 6 Recruiters vs. 2,400 Locations How do you hire for Applebee's, Taco Bell, Arby's, and Planet Fitness without losing your mind? If you're Mark Gibson at Flynn Group, you don't—you let a robot named Frankie do it. In this episode of The Chad and Cheese Podcast, we hang out with the man managing the world's largest franchise empire with a recruiting team so small they could all fit in one booth at Applebee's. Mark breaks down how they ditched boring forms for text-based AI, turning their six recruiters into "high-level media buyers" instead of resume-shuffling zombies. What's inside: The "Midnight Million": What happens when you flip the switch on a new system and wake up to a literal mountain of applicants. Frankie Goes to Hollywood (and Pizza Hut): How an AI assistant handles the "boring stuff" so humans can actually be human. TikTok vs. The Churn: Using Gen Z influencers to drive talent and AI surveys to make sure they don't "ghost" after day three. Judgment Day: Mark addresses the "Terminator" fears of automation. Spoiler alert: the robots aren't making the pizzas... yet. From "black card" memberships for fries to surviving the HR tech "Judgment Day," this is a deep dive into how to scale a global empire without the overhead. Grab a snack and listen in—Frankie is watching. If you could automate the single most annoying part of your job today, what would it be?

Il arrive un moment dans la vie d'un artiste où il ne doit plus courir après le monde, c'est lui qui vient désormais frapper à sa porte. Jour et nuit.Alors oui, dans les années 80, tout le monde sait dans le métier de la musique qu'un single prometteur, passé dans les mains de Trevor Horn, prend soudain l'allure d'un classique. Il est devenu pour les maisons de disques celui qui sait transformer l'or en platine.Son quartier général de Notting Hill tourne presque sans arrêt. Horn adore cet endroit parce qu'il peut y faire ce qu'il aime le plus : recommencer vingt fois un détail que personne d'autre n'aurait remarqué.Et à force de produire les autres, il finit par vouloir aller encore plus loin. Avec Paul Morley, Anne Dudley et quelques complices, il lance The Art of Noise. Le principe est simple et révolutionnaire : chaque son, n'importe lequel, peut devenir de la musique. Un bruit de porte, un cri, une caisse claire, une phrase volée. On découpe, on colle, on déforme, c'est l'Art du bruit. (Close to the edit)Puis arrive de Liverpool une bande de mecs décidés à faire du bruit qui porte le nom très bizarre de Frankie Goes to Hollywood. Trevor Horn comprend tout de suite qu'ils ont des refrains énormes et une indécence parfaite pour l'époque. Il reprend leur titre Relax, booste les basses et change la rythmique, soigne chaque montée et transforme le morceau en machine irrésistible.La suite, elle, ressemble à un défilé triomphal : trois numéros un consécutifs, trois climats différents, mais une seule signature derrière le triple vitrage de la cabine du studio. En 1984, c'est Trevor Horn qui donne le tempo de la décennie. Pas étonnant qu'on vienne enregistrer chez lui l'hymne du Band Aid.À la fin des années 80, c'est au tour de deux Londoniens de la banlieue qui cherchent un nouveau souffle pour leur pop électronique. Ah on les connaît déjà, et pas un peu, les Pet Shop Boys ont leur style et leurs tubes. Mais Trevor Horn va leur offrir de l'ampleur.Il ouvre les fenêtres, fait entrer les cordes, et par la porte de la cave, fait remonter une majesté typiquement british trop longtemps enfouie. Et alors que les années 80 s'étirent vers leur fin, quand Simple Minds fait aussi appel à lui, tout un symbole, Trevor Horn leur donne un souffle insoupçonné.Et donc, quand le Mandela Day des Minds et le It's Alright des Pet Shop Boys passent à la radio en 1989, ces années bénies sont presque derrière nous. D'autres modes s'annoncent, d'autres sons arrivent. Mais avant de quitter la scène, elles ont encore le temps de tirer leur révérence avec panache, écoutez !Et si vous vous dites qu'on n'a pas fait mieux depuis ces années 80, en écoutant toutes ces chansons, ces titres produits par Trevor Horn, vous n'êtes pas loin d'avoir raison.

Au milieu des années 80, Trevor Horn n'est désormais plus le chanteur des Buggles. Oublié, les Buggles ! C'est l'homme de génie au centre d'un studio, entouré de boutons, de curseurs, machines et musiciens qu'il pousse jusqu'à leurs dernières limites. Après ABC, Yes, Propaganda, Frankie Goes To Hollywood, tout Londres sait qu'avec lui une chanson peut devenir un événement.Son quartier général est un ancien studio installé dans une église de Notting Hill où les plus grands classiques rock des années 70 ont été forgés. Horn rachète l'endroit, y fait entrer des machines de pointe, il y a des synthés partout, et surtout des enregistreurs qui tournent sans arrêt. Chez lui, les nuits finissent souvent au petit matin.Et c'est là qu'entre en scène, Grace Jones.C'est pas une débutante, hein, ancienne mannequin, figure du disco new yorkais, muse des photographes, silhouette sculptée à la hache par son compagnon Jean-Paul Goude, elle dégage une aura pas possible et est venue chercher le son qui va tuer pour son prochain disque.Dans les tiroirs de ZTT, une chanson traîne, un morceau pensé pour un autre artiste du label, sans doute Frankie Goes to Hollywood. Horn la reprend mais il la démonte, change le tempo, rallonge les breaks, ajoute des percussions, retire des couplets. Et plus il avance, plus il se dit que cette chanson n'ira à personne d'autre que Grace Jones.Le titre s'appelle “Slave to the Rhythm”. Il le lui fait écouter, elle accepte.Et là, il s'emballe. Horn veut tout essayer. Il fait venir des percussionnistes, des choristes, des cuivres, multiplie les prises. Il demande une voix parlée, puis chantée, puis glaciale, puis ironique. Grace Jones soupire, lève les yeux au ciel, mais elle recommence. Horn coupe des bandes au rasoir, recolle, change encore l'ordre des sections. On dit qu'il peut passer des heures sur quelques secondes de transition.Et le morceau devient immense. C'est une chanson pour danser, oui, mais aussi une pièce de théâtre. Quand le disque sort en 1985, impossible de le rater : on s'arrête devant la télé quand le clip passe, les radios diffusent mais surtout, l'album entier est construit autour du même titre, décliné, remodelé, repris sous plusieurs formes, on entend même une interview. Typiquement Trevor Horn, ça : quand il tient une idée, il la pousse jusqu'au bout.Alors si un jour vous êtes à Notting Hill, après avoir été phiotographier le magasin de livres de voyage à la façade bleue, pensez à traîner du côté de l'ancien Sarm Studios, vous reconnaîtrez le corps de bâtiment de l'ancienne église, et imaginez, ces quelques semaines où derrière ces murs, au milieu des années 80, deux caractères faits pour dominer leur monde se sont retrouvés dans la même pièce. Vous ne vous étonnerez plus que ça s'entende encore aujourd'hui, chaque fois que ça passe à la radio. Et écoutez l'album, c'est vraiment une trouvaille …

Jesse and Jenn veer way off the tracks before they even broach the first headline. We meander into the club life of the 80s, Jesse sings Frankie Goes to Hollywood, and Jenn shares about the time she got smacked with a wooden ruler because she was dancing too close with her date at a Mormon function.Then we dive into the week's headlines which include Microsoft's CoPilot and a weird opportunity from Sony.Links to explore further...Send a voicemail to the show HERE! (you may be featured in an upcoming episode)Frankie Goes to HollywoodCreepy 80s Eternity ad, YouTubeMicroSLOP, Futurism, Victor TangermannRingo Starr makes art with Paintshop ProSony Contest to make yourself a temporary star on a future game without making all that inconvenient money and actual fameSend us Fan MailSupport the showSupport Curious Cat, an independent, human-made podcast!Anxious about AI? Take two minutes to contact your local politician and ask them to tap the brakes on this technology. Still worried? Contact one of the orgs below and get involved. But for today, hug your kid, cook food and really breathe in deep as it simmers, walk in nature, brush a cat, donate to the food bank, brew a cup of tea, or draw a five-minute portrait of your dog. ***Is AI the Devil? on Substack!***Hero Organizations:80,000 HoursCenter for Humane TechnologiesState of Surveillance, an organization that helps foster online privacyBuy Curious Cat Podcast a Coffee!

For this episode we're joined by not one but two very special guests to talk about one of the great music cities. Penny Kiley is the former pop columnist for the Liverpool Echo, contributed regularly to Melody Maker and has just published the superb memoir Atypical Girl. Paul Du Noyer, meanwhile, wrote beautifully for the NME in its glory years and edited both Q and MOJO; he is also the author of 2002's exceptional Liverpool: Wondrous Place. We ask our guests about everything from the Beatles to Frankie Goes to Hollywood via Eric's, the Real Thing and the "crucial three" of Pete Wylie, Julian Cope and Ian McCulloch. We also hear riveting clips from Simon Garfield's 1999 audio interview with (Sir) Paul McCartney. After paying tribute to NME legend Keith Altham, Mark quotes from interviews with Miami soul star Betty Wright (1977) and Southern country-rocker Charlie Daniels (1979). Finally, Jasper rounds things off with his thoughts on Terris – apparently "the best new band in Britain" (2000). Many thanks to special guests Penny Kiley and Paul Du Noyer. You can find Penny's music writing on her Substack at pennykiley.substack.com; Atypical Girl is published by Polygon and available from all good bookshops. Find Paul's writing and details of his books online at pauldunoyer.com. Pieces discussed: Beatles Find Show Biz Isn't All Fun, The Real Thing haven't souled out, Liverpool's Cream: Bag Company, Articles, interviews and reviews from Penny Kiley, The Teardrop Explodes: Teardrops Rising, Eric's: An Undignified Death, Frankie Goes To Hollywood: Royal Court, Liverpool, Paul McCartney audio, Betty Wright, Charlie Daniels' million-dollar miles and Make way for Terris — the best new band in Britain.

L'info du matin - Les Pokémon peuvent donner le goût des fossiles aux plus jeunes. Le winner du jour - Un magasin Hubo ferme ses portes en oubliant un client à l'intérieur. - À La Réunion, certains tentent de cuisiner avec la lave du Piton de la Fournaise, une pratique risquée. Le flashback du jour - Mai 1984 : "Relax" de Frankie Goes to Hollywood est numéro 1 en France. - Sortie du cinquième et dernier album de Téléphone, "Un autre monde". Les savoirs inutiles - Le métier de feutier n'existe qu'au Sanctuaire de Lourdes. Il consiste à gérer les milliers de cierges allumés chaque année par les pèlerins. La chanson du jour - Eddy de Pretto "Love N Tendresse" 3 choses à savoir sur Titeuf Qu'est-ce qu'on lit ? - Le numéro 180 du magazine "Rolling Stone" rend hommage à Ozzy Osbourne. - Le roman "Noisulli", Un livre de fantasy destiné aux adolescents signé par le youtubeur Poisson Fécond, rencontre un fort succès depuis sa sortie. Le jeu surprise (Ni oui ni non) - Benoît de Pornic, près de Nantes, repart avec un bon d'achat de 100 € valable sur le site Le Vent à la Française. La Banque RTL2 - Élodie d'Orival, près d'Amiens, gagne un Samsung Z Flip 7. - Nicolas d'Avignon repart avec un bon d'achat de 100 € valable sur le site Le Vent à la Française. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, we dive into a new series of episodes on the fabled Second Album Syndrome. As Patrick explains in the first episode, SAS is not a hot new band, but the challenge of following up a debut that was a critical or commercial success. In the final installment, it's time for the second album Hall of Shame, featuring records by Moby Grape, LL Cool J, Elastica, Frankie Goes to Hollywood, The Darkness and The Stone Roses. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Big 1984 vibes this week...what were you doing then? listening to Frankie Goes to Hollywood? Prince? or maybe you were a miner on strike....anyway our Golden Time Traveller takes us back to the 1983/84 season in "Roy of The Rovers" when Roy came back from Walford...then Tangent takes us back to "We Are United" in 1984....or is it 1984? more time travelling but this time no Tardis or De Lorean is involved.....plus a Collectors Corner where Bygone has been busy....(don't tell Mrs Bygone) ...

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Y ahí quedó el epílogo, con nombre y apellidos. Frankie Goes to Hollywood fue el grupo que convirtió un single en territorio, la polémica en combustible y el estudio en una máquina de tamaño descomunal; el que logró que el pop británico discutiera, a la vez, deseo, censura y Guerra Fría mientras sonaba en cada coche y cada discoteca. Intentaron escapar de la sombra de 1984 y descubrieron lo difícil que era caminar cuando el mito te pisa los talones. Quedaron dos álbumes de estudio y un puñado de himnos que sobrevivieron a la moda. FRANKIE GOES TO HOLLYWOOD. --------------------------------------------------------------- El Vuelo de Yorch es un programa que se comparte con: - Rebote FM: https://www.rebotefm.com/ - Turia 78 Radio: https://www.turia78.com/ - SI FM: https://sifmradio.es/ - Candil Radio: https://candilradio.com/ - Portu Radio: https://porturadio.org/ - A Lucana Radio: https://alucanaradio.es/ - Formula Disco y Radio TX: https://www.radiotx.es/ - Onda Wantuki: https://onda-wantuki-wc.webnode.es - Radio Alto Jalón: https://www.elaltojalon.es/radio.php - Vale Radio: https://www.valeradio.es/ - Radio Librilla: https://www.radiolibrilla.com/ Escucha este episodio completo y accede a todo el contenido exclusivo de El Vuelo de Yorch. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/460808

Frankie Goes to Hollywood were declared to be the new Beatles, blasting out of Liverpool and taking the British music scene by storm in 1984 and the U.S. by drizzle in 1985. However, band in-fighting, conflicts with their record company and a general disinterest on the behalf of their lead singer delayed the release of a follow-up to 1985's Welcome to the PleasureDome. When it did arrive, the attention of the record-buying public had gone elsewhere. Donate to the podcast through Patreon...  https://www.patreon.com/ericwincentsen728 Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC’s popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood’s dancefloor anthems to Avatar’s lush, habitable moon, Pandora.

On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC's popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood's dancefloor anthems to Avatar's lush, habitable moon, Pandora.

Join Mikey, Grae, Craig & Mezza as they take a look at Peter Gabriels 1992 album "Us", the full follow up to the highly successful "So".An in depth conversation includes, album background, a track by track review, "Secret World" tour memories, the live CD & Bluray, as well as discussing the legacy of this highly emotional record. The team will be back in 2 weeks to turn the spotlight onto Frankie Goes to Hollywood's "Welcome to the Pleasuredome".

The latest episode of the 'Misadventures in Music' podcast (number 39) with Ian Prowse and Mick Ord features some of the highlights from the last 12 months including revealing and controversial comments from some of their top guests including Mike McCartney, "Nasher" from Frankie Goes to Hollywood and the brilliant Merseyside-born singer Beryl Marsden who's been wowing audiences since the early 60's when she supported the Beatles on tour and played in Hamburg aged just 16.The guys also discuss Ian's own musical highlights from past year and reveal some of the exciting plans they have for the podcast in 2026, with a few meaty teasers thrown in about his forthcoming album due for release in the summer.

Two of the four biggest-selling singles of the 1980s, a massive Christmas single, that range of t-shirts and an album that was more a statement of art than something to be listened to; we end the year with our memories of the phenomenon that was Frankie Goes to Hollywood Presented by J.R. Southall, with Jon Arnold, Simon Brett and Eric Drass (Eric's Shardcore website)

El programa '¡Buenos días, Javi y Mar!' en CADENA 100 anuncia la venta de entradas para 'La Noche de CADENA 100' de 2026 y ofrece cuarenta y cinco minutos de música ininterrumpida. Hoy viernes, el equipo se prepara para las Navidades con una playlist de villancicos. Comentan temas como 'Last Christmas' y su sonido veraniego, la música de Lady Gaga y Bruno Mars, y villancicos clásicos. Javi recuerda cómo su padre disfrutaba de Frank Sinatra y 'Have Yourself a Merry Little Christmas', mientras Fernando prefiere los villancicos tradicionales con pandereta. También mencionan una canción de Frankie Goes to Hollywood por su videoclip navideño. Aitana comparte en una entrevista su experiencia con la depresión, su valentía al exponerse públicamente y su negativa a presentar Eurovisión debido a la gran exposición. El programa saluda a oyentes y recuerda que se puede encontrar más contenido en su Instagram y escuchar podcasts de '¡Buenos días, Javi y Mar!' y 'Mateo & Andrea' en el ...

*Note* This episode was originally released Dec 4th 2020 We begin the month of December by covering the films of director Brian DePalma.  He has been compared to Alfred Hitchcock  but many of his films are a lot more mature in content.  Not only does he direct thrillers, but he has worked in horror, action, dramas, and musicals too.On this episode, Ryan Luis Rodriguez of One Track Mind (formally of Coolness Chronicles and present member of Reels of Justice) returns to discuss  DePalma's homage to Hitchcock's Rear Window and Vertigo with Body Double.  Listen to him and The Vern go over moments of this intricate thriller.Ad SpotsInsession FilmHelp Suppourt our Podcast & join our Patreon pagehttps://www.patreon.com/cinemarecallpodThis episode does contain clips from the movie Body Double released by Columbia Pictures and Music of Frankie Goes to Hollywood which appeared on the Soundtrack. I'm only using a small portion of he material so please don't sue. Thank you

Greetings from Castbury Pod! For our latest episode, Graham is joined by new co-host Ian to discuss a Bruce Springsteen movie - but not the one you're thinking of. Yes, while Deliver Me From Nowhere is still in theatres, we're rewinding a few years to look at Gurinder Chadha's Blinded by the Light, a true story of an ordinary British Pakistani boy in 1980s Luton finding his voice through a sustained obsession with The Boss.Part of our hero's dilemma is that, by this point in the '80s, Bruce is not cool - but when was his star at its brightest? We discuss the ups and downs of his commercial fortunes, as well as the film's well-chosen cast of young newcomers in the lead and familiar faces in support. We also pitch an Ozzy Osbourne biopic, talk about formative music fandoms we were part of - everything from Frankie Goes to Hollywood to REM! - and decide on which musical subculture deserves to have a movie made about it.You can find Ian at https://medium.com/@smoggywood.productions - yes, this is what happens when you don't remember your blog address during the podcast. As for us, we can, as ever, be found on Patreon, where you can get a monthly bonus episode of this show as well as weekly written articles on The Twilight Zone, Doctor Who and much more. Follow us on Instagram and Facebook for more.

Ce 27 octobre, Marjorie Hache lance la semaine avec un Pop-Rock Station énergique et contrasté. L'émission s'ouvre sur la nouveauté "Asking for a Friend" des Foo Fighters, avant un hommage à Lou Reed, disparu il y a douze ans, avec "Satellite of Love", produit par David Bowie. S'enchaînent AC/DC, Suede, The Talking Heads et le classique "La Sentinelle" de Luke. L'album de la semaine est "We Were Just Here" des Irlandais Just Mustard, formation shoegaze signée chez Partisan Records, que l'on retrouve avec son morceau-titre. Parmi les nouveautés, Marjorie Hache diffuse aussi Die Spitz et leur rock texan "Riding With My Girls", puis le retour de Courtney Barnett avec "Stay in Your Lane". La reprise du soir revisite "Ferry Cross the Mersey" de Gerry and the Pacemakers par Frankie Goes to Hollywood. L'émission rend hommage à Dave Ball de Soft Cell, récemment disparu, avant de se conclure sur King Gizzard & The Lizard Wizard avec "Iron Lung". Foo Fighters - Asking For A Friend Weezer - Hash Pipe Lou Reed - Satellite Of Love Suede - Animal Nitrate Luke - La Sentinelle The Doors - People Are Strange Kate Nash - Foundations Just Mustard - We Were Just Here Talking Heads - Burning Down The House Cage The Elephant - Shake Me Down AC/DC - Shoot To Thrill Die Spitz - Riding With My Girls Frankie Goes To Hollywood - Ferry Cross The Mersey Radiohead - Jigsaw Falling Into Place Oasis - Cigarettes & Alcohol Two Lanes - Calling Stealers Wheel - Stuck In The Middle With You Rage Against The Machine - Renegades Of Funk Courtney Barnett - Stay In Your Lane Dead Kennedys - Holiday In Cambodia Queens Of The Stone Age - Little Sister Ladytron - I See Red Placebo - Infra-Red Architects - Seeing Red Faux Real - Walking Away From My Demons (Wet Leg Remix) Soft Cell - Tainted Love King Gizzard And The Lizzard Wizzard - Iron LungHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews. This time Rifco Theatre, the award-winning theatre company behind hits like Frankie Goes to Bollywood and Britain's Got Bhangra, gave audiences an evening of laughter, romance, and larger-than-life entertainment with ‘Surinderella' at the Wolverhampton Grand Theatre with description by Professional Audio Describer Michael Hurst. About ‘Surinderella' Welcome to The Bolly-woods, where the naach is non-stop, the drama is bigger than your aunties, and the romance is straight out of a filmi blockbuster! Meet Surinder – sweet, strong, and stuck in a never-ending chore list thanks to her two selfie-obsessed, Insta-vlogging stepsisters who give her the name Surinderella.  Her only real support is the one and only Basanti, a cow with more attitude than a desi girl. Meanwhile, Prince Ravi  is drowning in shaadi pressure from his royal family. But when he accidentally bumps into Surinderella, sparks fly faster than a Bollywood dance sequence! Enter the fabulous Devi Godmother, arriving in full-on glam mode with magic, makeovers, and masala moves. With a dazzling Bollywood Ball, a mystical slipper, and a lot of bakwas, Surinderella's destiny is about to get a serious glow-up! Produced by Rifco Theatre & Wolverhampton Grand Theatre, in Association with Imagine Theatre and Watford Palace Theatre. For more about ‘Surinderella' and the current tour do visit - https://www.rifcotheatre.com/live-shows/surinderella-2 (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Send us a textA horrible toxic accident transforms an alien Kryptonian into a downtrodden janitor. When this new toxic version of him is exposed to Earth's selfish, inconsiderate ways he turns into a new evolution of a hero: Incel Space Jesus! On Episode 688 of Trick or Treat Radio we are joined by the Vegan Prince of Wales, Linus for his Patreon Takeover! Linus has selected an unlikely duo of Superhero films, The Toxic Avenger (2025) and Superman (2025) for us to discuss! We also talk about; the Frankenstein sequel the world needs now, well known actors who started out in Troma films, and how bad marketing can impact a film's release! So grab your toxic mop, save all the dogs and squirrels you can, and strap on your Kryptonian Bum Bag for the world's most dangerous podcast!Stuff we talk about: Remembering 1990, MC Hammer, The Curse of Frankenstein, Hammer Films, UK theatrical cuts, Peter Cushing, Christopher Lee, Brexit, BST, Patreon Takeover, Linus, Atomsk, Wulf Gas, noise shows, basement shows, Xiphoid Dimentia, The Brute Man, The Abominable Snowman, Macabre, Attack of the Giant Leeches, Night of the Living Dead, Night of the Strangler, House on Skull Mountain, The Stranger Within, Mansion of the Doomed, Prey, Patrick, The Slayer, My Best Friend is a Vampire, Open House, Dark Carnival, Things, Night Terror, Jacquelin Hyde, Night of the Flesh Eaters, The Dead, 90210 Shark Attack, Cracoon, Insidious, Rupert Friend, Curse of Chucky, The Taking of Deborah Logan, Jeremy Holm, The Ranger, Brooklyn 45, Michelle Bauer, Demon Warp, Invasion of the Body Snatchers, The Granny, The Manitou, Peeping Tom, Guillermo del Toro, Frankenstein, Frankie Goes to Hollywood, The Toxic Avenger, Peter Dinklage, Macon Blair, David Prowse, James Earl Jones, Sebastian Shaw, Billy Bob Thornton, Samuel L. Jackson, Oliver Stone, Kevin Costner, Vanna White, Graduation Day, Marisa Tomei, Chopper Chicks in Zombie Town, David Boreanaz, Terror Firmer, Paul Sorvino, John G. Avildsen, Troma Films, Lloyd Kaufman, Father's Day, Cannibal: The Music, Roger Corman, Blue Ruin, The Shitheads, Buttcrack, Elijah Wood, Avator, The Crow without Eric Draven, Alan Scott and Hal Jordan, Brian Michael Bendis, Slimetime, The Toxic Crusaders, CHUDHaven, Swamp Thing, Evil Dead, Fede Alvarez, The Mighty Crabjoys, Savatage, Hall of the Mountain King, Night on Bald Mountain, Ernest Borgnine, Jesus Lizard, James Gunn, Superman, Krypto, Jerry Siegel, Joe Shuster, David Corenswet, Nicholas Hoult, Rachel Brosnahan, Alan Tudyk, Edi Gathegi, Nathan Fillion, Guy Gardner, John Byrne, The New Gods, Mr. Terrific, Brainiac, Jimmy and Stiggs, Joe Begos, Sam Raimi's Spider-Man, mate rate, RobertRodriguezMusic, RIP Renato Casaro, Space Jesus for Incels, Kryptonian Bum Bag, and The Four Swordsmen of the Girthening!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebookSupport the show

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On this episode we wrap up our cask on Brian De Palma by discussing his most Hitchcockian film with the tense thriller, Body Double. Journey with us as we discuss the nods to Hitchcock, the wild plot of the film, and that insane Frankie Goes to Hollywood sequence. Why did he choose to make this film immediately after Scarface? Is this the director's masterpiece or is it too much of a slow burn? So pour some rye, grab a purple telescope, and get ready to "Relax." Cheers!

This week in the After Party, Jake takes a look at the important musical history of Compton. Plus, your voicemails, DMs, and emails on subjects ranging from mercy to Lemmy to Frankie Goes to Hollywood(?). On Tuesday, we're bringing our episode on the late Brian Wilson, and Jake wants to know: Who is the best example from music history of a "tortured genius?" Share your thoughts at 617-906 6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod. To listen to an extended version of the After Party and hear Jake and Zeth discuss a wild theory about the death of Eazy-E, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠ For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode ⁠37⁠ and ⁠38⁠ - NWA Episode ⁠57⁠ - Nipsey Hussle Episode ⁠27⁠ - Snoop Doggy Dogg To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

This week in the After Party, Jake takes a look at the important musical history of Compton. Plus, your voicemails, DMs, and emails on subjects ranging from mercy to Lemmy to Frankie Goes to Hollywood(?). On Tuesday, we're bringing our episode on the late Brian Wilson, and Jake wants to know: Who is the best example from music history of a "tortured genius?" Share your thoughts at 617-906 6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod. To listen to an extended version of the After Party and hear Jake and Zeth discuss a wild theory about the death of Eazy-E, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠ For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode ⁠37⁠ and ⁠38⁠ - NWA Episode ⁠57⁠ - Nipsey Hussle Episode ⁠27⁠ - Snoop Doggy Dogg To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Do you think Bruce Springsteen really enjoys doing 3 hour concerts every night or is that just a ruse, Springsteen? Covers by: Frankie Goes to Hollywood, Big Daddy, Suzi Quatro, Frank Turner, Noah Chenfeld Tidal playlist here

Have you ever wondered what it really takes to produce a classic hit? Or what goes through a producer's mind when they're building a song from the ground up—or tearing it down to start again? Here to help us understand that process is Stephen Lipson. Stephen is the legendary producer and creative mastermind behind iconic tracks from Frankie Goes to Hollywood, Grace Jones, Annie Lennox, Simple Minds and many more including collaborations on film music such as  Batman: The Dark Knight Rises, The Lion King and Top Gun: Maverick.  From behind-the-scenes studio secrets to philosophical reflections on the role of music and technology, this conversation is a deep dive into the life of a modern music craftsman.

Philip visits Tate Modern to view the AIDS Memorial Quilt and interviews some well known activists and celebrities, an instagram video of his interviews is on the front page of www.HIVHour.org.uk. On a theme of quilts, we also replay the call to submit selfies to the U=U quilt project from Positive East, https://www.positiveeast.org.uk/uequalsu/  Stephen joins us on Zoom from New York and tells us about his Shadowed Dreamer return to off broadway for the first time in 16 years. Sue celebrates the success of  the Terrence Higgins Trust “Can't pass it on” campaign that piloted in Brighton. Music is from Frankie Goes to Hollywood, Neneh Cherry and Faithless Community news about Dragsy Malone, and Rose Garden's Swap Shop, fundraisers for the Sussex Beacon at Queens Arms. Also a reminder of Lunch Positives Eastbourne group, Tuesday drop ins and Friday Lunch Club

This time we celebrate Sir David Attenborough and his new film Ocean. We hear from Holly Johnson of Frankie Goes to Hollywood fame; and we take a P.R guru's eye view visit to Trumpy Town. The show complete with music is available at mixcould.com/thisisndebz Also search for us on Apple & Spotify Podcasts Catch up with the latest via @ThisisNDebz on Instagram & X (Twitter). If you'd like to get in touch with the show you can email us via thisisNDebz@gmail.com.

Brian "Nasher" Nash was the guitarist for one of the most explosive and unforgettable bands of the 1980s – Frankie Goes to Hollywood. The Liverpool legends burst onto the scene with the banned-but-brilliant Relax, and quickly followed it up with two more chart-topping hits that defined a generation.In this episode of Misadventures in Music, Nasher shares a treasure trove of wild stories from his time at the top – from tax exile antics and surreal studio sessions to near-misses with Eddie Van Halen and the chaos of life on tour. It's a candid, hilarious, and at times emotional conversation with a man who's seen it all and come out the other side with his humour and heart intact.Tune in for tales of rebellion, resilience, and rock 'n' roll excess – Frankie-style.

I don't know about you, but I didn't watch any of this year's Grammy Awards. This used to be appointment viewing back in the day, but now - not so much. I thought, let's revisit the ceremonies of 1975, 1985, and 1995. While we might not be tuning in now, these past shows seems to actually matter - and I recognize that is because I am an old man yelling at clouds!While you early Xers may recall the '75 awards, for me it was 1985. Tina Turner, Bruce Springsteen, Prince, and Lionel Richie were huge stars, while Huey Lewis & the News had their big breakout with “Sports”.The Best New artist award went to Cyndi Lauper. The other nominees? Sheila E., Frankie Goes to Hollywood, Corey Hart, and The Judds! I think Cyndi might have deserved that one!I'm not sure if it just being a middle aged man that informs my lack of interest in modern awards shows - it seems as though the industry has changed since our youth. While it has always been about the record labels and their influence, it at least seemed as thought the artistry was equally, if not more important, than record sales alone.So, did you watch the Grammys this year and are there any artists I should actually take the time to listen to?

Welcome back to Back2Electric! After a cosmic hiatus celebrating the planet parade on January 25, 2025, we're ready to blast off on a psychedelic journey through an eclectic soundscape of grooves. Buckle up for mind-bending beats and irresistible rhythms. Expect legends like Gerd Janson, David Morales, Kraftwerk, Yazoo, Giorgio Moroder, 808 State, Frankie Knuckles, Colonel Abrams, The Beloved, Patrick Cowley, Greg Wilson and Frankie Goes to Hollywood. Let's turn up the vibes and ride the groove wave—are you ready?

This is a free preview of a paid episode. To hear more, visit www.basuandgodin.comOn this episode of the Basu & Godin Notebook ⬇️ ➡️ Slaf refusing the invasion (0:00)➡️ Top line on a mission (4:20)➡️ Guhle in OT (11:30)➡️ Frankie Corrado and Robidas Island (16:00)➡️ Relating to Pezzetta (20:00)➡️ Canadiens' progress defensively (28:20)➡️ Hutson exceeding expectations (38:30)➡️ Energy management (48:15)➡️ Wildcard race (52:50)➡️ Monda…

Kora player and composer Seckou Keita and screen composer Tess Tyler join Anna Phoebe and Jeffrey Boakye as they add five more tracks to the playlist, taking us from bootlegs to Africa's biggest-selling single, via an early classic video game. They are joined by the British producer Nick Patrick, the man behind two of the tracks in today's playlist.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Cindy C. by Prince Donkey Kong Country by David Wise La Primavera by Ottorini Respighi Yeke Yeke by Mory Kante No Volvere by the Gipsy KingsOther music in this episode:Sallisaw Blue by John Moreland You Got The Love by The Source Ft. Candi Staton Interactive by Prince Winter Tundra from Lego Worlds soundtrack by Tess Tyler and Rob Westwood Jungle Groove from Donkey Kong Country by David Wise Two Tribes by Frankie Goes to Hollywood Yeke Yeke (original version) by Mory Kante

Send us a textThe last tale of our Yuletide saga, about falling in love with something you rejected.A series of 5 storytelling episodes over 10 days. Keeping you warm through the Holidays and reminding you of your wild heart. What if you could have everything you long for? What if 2025 could be that year..?Let me be your Morpheus, breaking you out from your gorgeous creation of fear and protection while celebrating the fuck out of it.— 

In this festive edition of Queer the Music Jake sits down with the iconic Holly Johnson, the front man of Frankie Goes To Hollywood, to discuss the 1984 UK number one single and enduring Christmas song, ‘The Power of Love'.The Power of Love came out during a time of social and political turmoil in the UK. Between Thatcherism, the miner strike and an encroaching AIDS epidemic the world was becoming a scary place for the LGBTQ+ community. Despite this, gay bars, clubs and saunas were thriving in the UK and amongst it all Frankie Goes to Hollywood were skyrocketing to success with their debut album ‘Welcome to the Pleasuredome'.Tune in to hear about how ‘The Power of Love' was written and how it unwittingly became synonymous with Christmas.Thank you for listening to this second series of Queer The Music, we'd love to hear from you - let us know which song you'd like us to feature - leave us a review or message us on Instagram @queerthemusicpodcast - see you for series 3 in 2025!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info. Hosted on Acast. See acast.com/privacy for more information.

In this festive edition of Queer the Music Jake sits down with the iconic Holly Johnson, the front man of Frankie Goes To Hollywood, to discuss the 1984 UK number one single and enduring Christmas song, ‘The Power of Love'.   The Power of Love came out during a time of social and political turmoil in the UK. Between Thatcherism, the miner strike and an encroaching AIDS epidemic the world was becoming a scary place for the LGBTQ+ community. Despite this, gay bars, clubs and saunas were thriving in the UK and amongst it all Frankie Goes to Hollywood were skyrocketing to success with their debut album ‘Welcome to the Pleasuredome'.    Tune in to hear about how ‘The Power of Love' was written and how it unwittingly became synonymous with Christmas. Thank you for listening to this second series of Queer The Music, we'd love to hear from you - let us know which song you'd like us to feature - leave us a review or message us on Instagram @queerthemusicpodcast - see you for series 3 in 2025! You can watch all the past episodes here   Learn more about your ad choices. Visit megaphone.fm/adchoices

We're turning up the heat with a more upbeat selection of tracks to keep the cold out and the Balearic bliss in. Here's what we have in store for you, newbies from Pet Shop Boy, New Order, a special mix of Ya Mo Be There (James Ingram), awesome Blank & Jones version of Frankie Goes to Hollywood, The Power of Love and some of my Balearic faves, Be.Lanuit, Ambala, Cantoma plus The Swan in The Lake and Tambores en Benirras from Graham Newby (Ibiza DJ extroaordinaire .For more info and tracklisting, visit: https://thefaceradio.com/blueboys-cafe-balearic-beats/Tune into new broadcasts of Blueboy's Cafe Balearic Beats, Wednesdays from 4 - 6 PM EST / 9 - 11 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Some of the greatest wrestling matches of all time have also been some of the longest. Over the past 10-15 years, New Japan Pro Wrestling has become the poster child for these epic matches thanks to pairings like Okada-Omega, Ospreay-Shingo, and Ibushi-White, just to name a few. On this episode, Andrew and returning guest Suit Williams (Voices of Wrestling) play some music epics: songs that are 7 minutes or longer (and in some cases, way longer). Artists played include Metallica, Frankie Goes to Hollywood, Nina Simone, Yes, The Temptations, David Bowie, Kendrick Lamar, and many more. Clear your schedule and hunker down with some snacks—these songs are going long!Theme song: "Hemispheres" by Silent PartnerFollow Music of the Mat on Twitter: @MusicoftheMatFollow Suit on Twitter: @SuitWilliamsSuit's blog: suitwilliams.wordpress.comAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Super-special-secret friend Matt Heller (a.k.a. DJ Snakes) joins Lightnin' Lickers Jay and Deon for an in-depth discussion about what he's been listening to. In true DJ form, Snakes brings four rare/abstract vinyl singles to Electric Kitsch for a conversation about the DIY punk scene of his adolescence, the intersection of skateboarding and hip-hop, dusty independent soul holy grail 45s, proto-drumless rap from Wu's G.O.A.T. (arguably), and an unlikely emcee whose appeal is seemingly without boundaries. As always, an eclectic custom mixtape is curated and included on the back end. Lickers gonna lick. Join the fun! Sonic (non-mix) contributors to the twenty-second bonus episode of Lightnin' Licks Radio podcast include: Townes Van Zandt, Ahmed, Teddy Pendergrass, Thomas Dolby, Prince Paul and De La Soul, Gary Wright, Biggie Smalls, Mtume, Mike Judge's Hank and Bobby Hill, Migos, Zach Braff, Natalie Portman, James Todd Smith, Osonski, Oddisee, Thundercat, Greta Van Fleet, Whitney, Smith Westerns, Fleetwood Mac, Haim, The Rockets, Jimi Hendrix, Tropical Fuck Storm, Bee Gees, Nine Inch Nails, Frankie Goes to Hollywood, LCD Soundsystem, Robert Gordon, Hozier, Mekons, James Brown, Clyde Stubblefield, Mother Love Bone, Pearl Jam, Green River, J.J. Cale, Black Eyed Peas, DJ Snakes, Bob James, Run DMC, Jurassic 5, Ted Nugent, IAM, Black Star, J-Live, Drug Toilet, Take No Prisoners, Slaunchwise, Army of Juan, bev.clone, Mighty Lovers, Eric & the Vikings, Raphael Saadiq, Mayer Hawthorne, Big Tone, Jimmy “Soul” Clark, RZA, True Master, The Delfonics, Madlib, Jay Dilla, Height Keech, Cortex, 3rd Base, Thumbling, Glider, Jesus Jones, Rick Rubin, 2 Much, Rhythm Addicts, Mary Jane Girls, Jennifer Lopez, Boyz II Men, Michael Jackson, Marley Marl, The Emotions, Sean Evans, Stevie Wonder, David Bowie, Shannon Doherty, Luke Perry, Strictly Butters, and Brass Construction. Jay suggested songs from Cullen Omari, Model/Actriz, The Three Johns, and Majesty Crush. Deon brought Peter Green, Link Wray, Stone Gossard, and LL Cool J to the dining room table. Our SSSF Matt brought in bangers from Smatch, New Holidays, Ghostface, and MF Doom. Bonus #22 mixtape: [side one] (1) strictlybutters' Wake Up intro (2) Smatch – i am nowhere (you are nothing) (3) Link Wray – Morning (4) Model/Acrtiz – Mosquito (5) Ghostface – holla (6) Stone Gossard – Fits (7) The Three Johns – Go Ahead Bikini [side two] (1) New Holidays – Maybe So, Maybe No (2) LL Cool J – Pink Cookies in a Plastic Bag Getting Crushed by Buildings (3) Majesty Crush – No. 1 Fan (4) MF Doom – one beer (5) Cullen Omari – Four Years (6) Peter Green – Hidden Depths (remix) Thank you, Matt, for taking the time to dive deep with the geeks. Follow Snakes on Instagram. Check out Sandbox Automatic for all your physical rap music needs. The full conversation with Snakes will be packaged as a stand-alone bonus episode sometime in the near future. We got into some shit, I'll tell you whhhat.

June Squibb's film career has always defied expectations for what an actor can do at what age. So why not star in your first headlining role - an action movie no less- at 94? We talk THELMA, then pitch some frankly amazing ideas for future action thrillers with unlikely stars.What's GoodAlonso - Sasha Geffen's article on Frankie Goes to Hollywood, Welcome to the PleasuredomeDrea - returning to swimmingIfy - cropping his t-shirts…oh and TV Chef Fantasy League, now on MaxFun!ITIDICNeon Exec: Independent Films Have to be an “Event” to succeed in theatersBoulder Looking Like A Top Candidate to be the New Home of SundanceEddie Murphy Says New Shrek is Coming…and a Donkey MovieStaff PicksDrea - Kinds of KindnessAlonso - TuesdayIfy - Speed RacerAlonso on Go Fact YourselfSee Alonso at the Academy Museum w/Justin Simien on 6/29Alonso on The Flop House Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

Who didn't love 1984? But despite 1984 being the apex of the '80s, there are a few forgotten songs we'd love to hear more from, including tunes from Frankie Goes to Hollywood, Billy Ocean, Shalamar and Bananarama. Here are our picks for several "change-up" hits for the year. The 2025 lineup of The 80s Cruise is now available and includes Adam Ant, Squeeze, Christopher Cross, Men at Work and Andy Bell of Erasure. Listen to this week's show for a special promo code that will give first-time cruisers $200 in cabin credit. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

This week on Rockonteurs, Gary and Guy get to meet a real-life guitar hero of theirs – the wonderful Steve Howe.Steve takes us through his journey from psychedelia to prog, from the Syndicats to Yes, to Asia and even his collaboration with Frankie Goes to Hollywood. The Classic Tales of Yes tour returns to the UK in May and includes a special show at the Royal Albert Hall in June. Find out more at www.yesworld.comRockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.