Podcasts about Page McConnell

Phish may be known for their 30-minute live jams, but turns out you can distill their best qualities into a song one-tenth that length. To that end, Kirk picks apart and reassembles their 1998 studio recording of "Limb By Limb" in all its polyrhythmic, guitarpeggiated glory.Music by: Trey Anastasio, with Page McConnell, Mike Gordon & Jon FishmanLyrics by: Tom Marshall & Scott HermanAlbum: The Story of the Ghost (1998)Listen/Buy via SongwhipALSO REFERENCED/DISCUSSED:"You Enjoy Myself" by Trey Anastasio from Junta, 1989"The Story of the Ghost" and "Guyute" from The Story of the Ghost, 1998"Little Wing" by Jimi Hendrix from Axis: Bold as Love, 1967Excerpts from a 2017 episode of Tom Marshall's "Under The Scales," feat. Scott Herman----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------APRIL 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyAPRIL 2024 HALF-NOTE PATRONSMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloMichael YorkLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan Laserbrian john peterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

This week Jonathan sits down with George Porter Jr., the legendary bassist from The Meters. He and Jonathan talk about all things Meters, and Funky Meters, as well as Porter's collaborations with so many—Dr. John, The Rolling Stones, Page McConnell, members of the Dead, and so many more. Please subscribe and give us a review wherever you get your podcasts.  The Jam is hosted and produced by Jonathan Shank. Produced by Matt Dwyer and RJ Bee of Osiris Media. Audio Production by Matt Dwyer. Recorded at Sony in Los Angeles. Music by Amar Sastry. Thanks for listening, and see you next time.

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Oteil and Mike go deep with special guests Page McConnell of Phish and Adam Zimmon of the Ziggy Marley Band about their late friend and bandmate Russell Batiste Jr., the legendary funk drummer from New Orleans. Russell recently passed away, so they gathered to reminisce about his larger-than-life personality and incredible musical talents. They recall how Russell's energetic drumming was the backbone of their jam band Vida Blue, which Page had formed during the Phish hiatus in 2001. They shared funny road stories about Russell's quirky habits, like yelling chord changes or needing glow-in-the-dark drumsticks in the middle of nowhere. Despite Russell's reputation as a wild character, they emphasized he was a musical genius blessed with perfect pitch who could play any instrument effortlessly. Russell Batiste Jr.'s larger-than-life funk and generosity of spirit touched so many, and he leaves massive shoes to fill in the world of New Orleans drumming. Be sure to check out Russell's recordings and live videos to experience his percussive genius firsthand. And support the next generation of talented young drummers that Russell mentored by getting out to their shows. The beat goes on, so keep Russell's funky rhythms alive by dancing whenever you hear his infectious grooves. Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oteil and Mike go deep with special guests Page McConnell of Phish and Adam Zimmon of the Ziggy Marley Band about their late friend and bandmate Russell Batiste Jr., the legendary funk drummer from New Orleans. Russell recently passed away, so they gathered to reminisce about his larger-than-life personality and incredible musical talents. They recall how Russell's energetic drumming was the backbone of their jam band Vida Blue, which Page had formed during the Phish hiatus in 2001. They shared funny road stories about Russell's quirky habits, like yelling chord changes or needing glow-in-the-dark drumsticks in the middle of nowhere. Despite Russell's reputation as a wild character, they emphasized he was a musical genius blessed with perfect pitch who could play any instrument effortlessly. Russell Batiste Jr.'s larger-than-life funk and generosity of spirit touched so many, and he leaves massive shoes to fill in the world of New Orleans drumming. Be sure to check out Russell's recordings and live videos to experience his percussive genius firsthand. And support the next generation of talented young drummers that Russell mentored by getting out to their shows. The beat goes on, so keep Russell's funky rhythms alive by dancing whenever you hear his infectious grooves. Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks for joining us as we build up to the 3.0 era. Here's James Casey's GoFundMe. We wish him the best. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support.  The Helping Friendly Podcast is hosted and produced by Jonathan Hart, Brian Brinkman, RJ Bee, and Megan Glionna. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

'The JamBase Podcast' debuts a new format by taking a look back at the landmark April 1999 Phil Lesh & Phriends shows with Phish's Trey Anastasio and Page McConnell.

If you were to build a band from ANY artist of all-time... Who would it be? We discuss who our PIANO PLAYER would be in this episode. We discuss Ray Charles, Page McConnell, Ray Manzarek, and MANY other Piano Players. We talk about what makes a great piano player and what qualities we would want in OUR piano player. --- Send in a voice message: https://anchor.fm/album4theday/message Support this podcast: https://anchor.fm/album4theday/support

Albums That Steve Favors: Episode 2Intro/Outro Song: If I Could by Page McConnell & Trey AnastasioAlbum 1: Transparente by Mariza (Ha Uma Musica Do Povo & Meu Fado Meu)Album 2: Deep Summer by Peter Breinholt (Say I Will & Jubilee)Album 3: Bon Iver by Bon Iver (Holocene)Bon Iver was featured on Episode 329 of my Album Countdown

1: Rory gallagher – To much alcohol (live in montreux, 2006)2: Fabio Dwyer – Turn around & shuffle (central station, 2010)3: Lucky Peterson – I will survive (Heart of pain)4: Elvin Bishop – travelin shoes (Live , the best of)5: Cuby + the Blizzards – Low Country Blues (Collected cd3 , 2010)6: Muddy waters – i ‘am your hoochie coochie man (I ‘am ready , 1978)7: Wentus Blues band - Angel blues (WBB With Omar Dykes)( Family meeting cd1)8: Warren Haynes – Little wing (Warren Haynes, Page McConnell & Micki Rafael 2000-12-06)9: Wolfpin – before I die (demo , 2009)10: Bobby Bee and the B.J.'s - Time is running out (Blues is a Feeling, 2010)11: Ainsley Lister – Purple Rain (tower sessions, 2010)

Phish's Fall Tour is up and running, and there's lots to discuss! [Recorded on Oct. 19, 2021, Send your messages to RafandKarina@gmail.com]

Karina and Raf reflect on Bob Weir's surprise appearance with Phil Lesh, Gov't Mule's first show in over a year, and the passing of bassist Tony Markellis. [Recorded May 4, 2021, Send your messages to RafandKarina@gmail.com]

Mike and Oteil welcome a very exciting guest on this week's episode: Phish keyboard player Page McConnell, who recently released a new solo album Maybe We're the Visitors. Once Mike finishes gushing over having just talked with one of his heroes, they get into the interview. Page enlightens the guys about his trip to Iceland, how it played into the creation of his new album, and how he didn't originally think he was going to release this collection of music. He and Oteil do a deep dive into playing around with keyboards, synths, and the different ways of using them and discovering new sounds. We find out that Page doesn't listen to much music, especially not his own, and that Oteil unsuccessfully tries to introduce his kids to music that he enjoys. Stick around to hear Page and Mike talk about Clifford Ball and the other Phish festivals! Page McConnell is a multi-instrumentalist, who is best known for playing keys in the band Phish. He also founded Vida Blue, with Oteil Burbridge and Russell Batiste, and now has a solo album titled Maybe We're the Visitors.   ----------- This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com ------- Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD products Start your path toward investments that align with your values. Visit www.greenfuturewealth.com and mention "Osiris" when scheduling your free virtual consultation to receive your free investment report. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike and Oteil welcome a very exciting guest on this week’s episode: Phish keyboard player Page McConnell, who recently released a new solo album Maybe We’re the Visitors. Once Mike finishes gushing over having just talked with one of his heroes, they get into the interview. Page enlightens the guys about his trip to Iceland, how it played into the creation of his new album, and how he didn’t originally think he was going to release this collection of music. He and Oteil do a deep dive into playing around with keyboards, synths, and the different ways of using them and discovering new sounds. We find out that Page doesn’t listen to much music, especially not his own, and that Oteil unsuccessfully tries to introduce his kids to music that he enjoys. Stick around to hear Page and Mike talk about Clifford Ball and the other Phish festivals!Page McConnell is a multi-instrumentalist, who is best known for playing keys in the band Phish. He also founded Vida Blue, with Oteil Burbridge and Russell Batiste, and now has a solo album titled Maybe We’re the Visitors. -----------This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com-------Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD productsStart your path toward investments that align with your values. Visit www.greenfuturewealth.com and mention "Osiris" when scheduling your free virtual consultation to receive your free investment report. See acast.com/privacy for privacy and opt-out information.

Mike and Oteil welcome a very exciting guest on this week’s episode: Phish keyboard player Page McConnell, who recently released a new solo album Maybe We’re the Visitors. Once Mike finishes gushing over having just talked with one of his heroes, they get into the interview. Page enlightens the guys about his trip to Iceland, how it played into the creation of his new album, and how he didn’t originally think he was going to release this collection of music. He and Oteil do a deep dive into playing around with keyboards, synths, and the different ways of using them and discovering new sounds. We find out that Page doesn’t listen to much music, especially not his own, and that Oteil unsuccessfully tries to introduce his kids to music that he enjoys. Stick around to hear Page and Mike talk about Clifford Ball and the other Phish festivals!Page McConnell is a multi-instrumentalist, who is best known for playing keys in the band Phish. He also founded Vida Blue, with Oteil Burbridge and Russell Batiste, and now has a solo album titled Maybe We’re the Visitors. -----------This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com-------Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD productsStart your path toward investments that align with your values. Visit www.greenfuturewealth.com and mention "Osiris" when scheduling your free virtual consultation to receive your free investment report. See acast.com/privacy for privacy and opt-out information.

All Songs Considered host Bob Boilen shares his favorite new songs of the week including an ambient track from Sufjan Stevens, solo work from Phish's Page McConnell, Squirrell Flower and more. 1. Charlotte Jacobs: "Where You Want Me To," from The Shape of Wandering EP2. Damien Jurado: "Tom," from The Monster Who Hated Pennsylvania3. Squirrel Flower: "Hurt A Fly," from Planet (i)4. Jess Locke: "Tell Me I'm Okay," from Don't Ask Yourself Why5. Mabe Fratti: "Hacia el Vacío," from Será Que Ahora Podremos Entendernos6. Sufjan Stevens: "Meditation V," from Convocations 7. Page McConnell: "Radio Silence," from Maybe We're The Visitors

This week: Karina returns to the stage with John Medeski and John Morgan Kimock, Page McConnell preps a new solo album and Dead & Company look forward to their 2022 Mexican vacation. [Recorded April 6, 2020, Send your messages to RafandKarina@gmail.com]

Adam started playing later than most, but believed in himself enough to say “Yes” to everything, and managed to play all the time as a result. Some really cool stories about working with Glen Campbell, Iggy Pop, Ziggy Marley… self-loathing and not giving a shit what others think… raising children and trying to balance everything, more. Really relaxed convo, we spent a good portion of it laughing. LOADS of fun here: If you’d like to support this show: http://www.everyonelovesguitar.com/support  Currently on tour with Ziggy Marley, Adam’s worked with Glen Campbell, Shakira, Iggy Pop, Dido, Lissie, Enrique Iglesias, Alejandro Sanz, The Spam Allstars & Vida Blue, a band made of Adam, Page McConnell, Oteil Burbridge,and Russell Batiste Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Adam Zimmon has shared the stage as either a band member or sideman for a long list of great artists, including Ziggy Marley, Vida Blue (w/ Page McConnell of Fish, Oteil Burbridge of The Allman Brothers Band & Dead & Company, and Russell Batiste (The Meters), Dido, Glen Campbell, Iggy Pop, The Spam All Stars, and many more. We talk with him about life as a sideman, how he got here, his time with Ziggy, Vida Blue, and Shakira, his encounters with Glen Campbell, and getting to share the stage with Iggy.

On this episode of Plus One Eric talks with bass-extraordinaire Oteil Burbridge, who is best known for his playing with the Allman Brothers Band and Dead & Co. Oteil’s musical resume is next-level; in addition to playing with the aforementioned groups, Oteil is also a founding member of The Aquarium Rescue Unit and Tedeschi Trucks Band, and has worked with Col. Bruce Hampton, Trey Anastasio, Page McConnell, Bill Kreutzmann, and many other legendary artists.The conversation is too lively to be summed up in a few sentences, but in this episode Oteil and Kraz go deep on joining the Allman Brothers, learning the Grateful Dead’s songbook, new discoveries on the bass, and Oteil’s beautiful relationship with his late brother Kofi. If you’re a musician or simply a lover of music, this is a can’t-miss conversation between two longtime friends.There’s nothing like an artist who approaches their craft with absolute passion and sincerity, and Oteil’s spiritual connection with music is on full display in this jam-packed episode. The way he talks about music makes you want to pick up an instrument yourself and start jammin’ away!This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!And check out the podcast Festival Circuit: New Orleans, a new series about the music of New Orleans and the jazz fest from Osiris Media.Eric Krasno Plus One is presented by Osiris Media. All original music by Eric Krasno. Executive Producers are RJ Bee and Christina Collins. Audio Production by Matt Dwyer. Produced by Ben Baruch of 11E1even Group. See acast.com/privacy for privacy and opt-out information.

This Week's Geek - Cam Herdt:IG - @mistercamTwitter - @camherdtSpotify Playlist - A playlist of jam bands including Phish. DM for link if interested This Week's Topic - Phish:(Source: Wikipedia - Phish)Phish is an American rock band that formed in Burlington, Vermont, in 1983. The band is known for musical improvisation, extended jams, blending of genres, and a dedicated fan base. The band consists of guitarist Trey Anastasio, bassist Mike Gordon, drummer Jon Fishman, and keyboardist Page McConnell, all of whom perform vocals, with Anastasio being the primary lead vocalist.The band was formed by Anastasio, Gordon, Fishman and guitarist Jeff Holdsworth, who were joined by McConnell in 1985. Holdsworth departed the band in 1986, and the lineup has remained stable since. Phish performed together for 15 years before beginning a two-year hiatus in October 2000. The band regrouped in late 2002, but disbanded again in August 2004. They reunited in March 2009 for a series of three consecutive concerts at Hampton Coliseum in Hampton, Virginia, and have since resumed performing regularly.Phish's music blends elements of a wide variety of genres, including funk, progressive rock, psychedelic rock, folk, country, jazz, blues, bluegrass, and pop. The band was part of a movement of improvisational rock groups, inspired by the Grateful Dead and colloquially known as "jam bands", that gained considerable popularity as touring concert acts in the 1990s. Phish has developed a large and dedicated following by word of mouth, the exchange of live recordings, and selling over 8 million albums and DVDs in the United States. This Week's Thanks:Thanks to Visager for our theme song “Welcome Player.” You can find more of their music at visager.us. That’s V-I-S-A-G-E-R dot U-S. Remember to rate and subscribe to us on iTunes, Spotify, Stitcher, and all your favorite podcast sites. And hey while you’re there leave us a review! We LOVE them. Thank you for listening, dear listeners. We’ll be back next week! Kevin - @RuthInComedy (Twitter and Instagram)Spencer - @whoisspencer (Twitter) / @theotherspencer (Instagram) / old_hands (SoundCloud)GeekOut - @GeekOutGeekOut ((Twitter, Instagram, and Facebook)

Guitarist Adam Zimmon has carved out an impressive career as a sideman for a wide range of internationally acclaimed artists, including Iggy Pop, Shakira, Glen Campbell, Enrique Iglesias, Dido and Lissie. He's a member of Ziggy Marley's band, as well as Vida Blue, a side project from Page McConnell of Phish. Adam and I will chat about his career and play a selection of hand-picked music on this week's episode of KMB.

Quarantine continues, but at least we have a new Phish album! Raf & Karina take a deep dive on 'Sigma Oasis,' celebrate the new Weir Wednesdays and wish Warren Haynes a very happy birthday. [Recorded April 7, 2020, Send your messages to RafandKarina@gmail.com]

Ziggy Marley’s guitar player for years, Adam is also part of Vida Blue, a supergroup with Adam on guitar, Page McConnell from Phish on keys and vocals, Oteil Burbridge on bass, and Russell Batiste on drums. Vida Blue just released their 3rd record, Crossing Lines, and WOW, it’s an amazing record - beautiful songs with great melodies, trippy jams, amazing playing, and 100% tight grooves. Adam talks about the difference in working as a side man and being a band member, and the (sometimes) very big transition you need to make in jumping from one role to another… how the band, and this excellent record came together: Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/  Twitter: https://twitter.com/ELovesGuitar 

Currently on tour with Ziggy Marley, Adam’s worked with Glen Campbell, Shakira, Iggy Pop, Dido, Lissie, Enrique Iglesias, Alejandro Sanz, The Spam Allstars, and Vida Blue, a band made of Adam, Page McConnell, Oteil Burbridge,and Russell Batiste Adam started playing later than most, but believed in himself enough to say “Yes” to everything, and he managed to play all the time as a result. Some really cool stories about working with Glen Campbell, Iggy Pop, Ziggy Marley… self-loathing and not giving a shit what others thing… raising children and trying to balance everything, and more. Really relaxed conversation, we spend a good portion of it laughing out loud. Lots of fun here, for sure: Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Join Dawneebee and Kristie for an intriguing interview with the one and only Carl Gerhard! Carl grew up with Page McConnell and has been playing trumpet with Giant Country Horns and as a guest for Phish since 1988! Listen in as Carl shares old stories including Page & Carl's battle of the bands in high school and how they got their pink tuxedos for the July 1991 shows. All the while, during Carl's 30 years of active military service, Lieutenant Commander Carl Gerhard was one of only 24 Band Officers in the US Navy, leading Navy Bands in the Far East, Europe and throughout the United States! Here about his up and coming projects as well!Carl also joins us in a round of everyone's favorite Phish game show Market Price!!Trey Anastasio announcing Carl Gerhard http://www.phishtracks.com/shows/2012-06-19/party-timeCurrent Projects of Carl's: Roomful of Blues https://roomful.com/Strange Design: Hampton Comes Alive: 20 Yr Anniversary ft Tom Marshall & Carl Gerhard https://www.cegpresents.com/event/tw-eventinfo/Strange+Design%3A+Hampton+Comes+Alive%3A++20+Yr+Anniversary+ft+Tom+Marshall+%26+Carl+Gerhard/8541635/Pink Talking Fish Announces 2018 Fall Tour Including Giant Country Horns Collaborations https://liveforlivemusic.com/news/pink-talking-fish-2018-fall-tour/We’re part of the Osiris podcasting family. Osiris is a growing community of music and culture podcasts, connecting music fans with conversation, commentary and music. Osiris works in partnership with Relix, check them out for music news and information: https://www.osirispod.com/Market Price - Thanks to PhishTracks.com:6/12/11........Buried Alive .....0:25-1:255/19/94.....Stash.....0:00-1:008/2/17......Sneakin Sall through the Alley......0:30-1:3011/28/98.........Tube.......3:25-4:317/9/03........Friday......2:50-3:504/15/94........Harry Hood......1:30-2:358/17/12.........First tube......0:00-1:0011/21/98.........sabotage.....0:25-1:2512/31/16.......sand.......2:15-3:15 See acast.com/privacy for privacy and opt-out information.

Episode 011 of PhishJams has a a mix of sounds anchored by a train. Subscribe to the podcast to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2

Episode Notes The Lza and TheKid talk Junta, their upcoming trip to Vermont, and TheKids views on flame out additions. Track playlist Junta: Disc one"Fee" (Anastasio) – 5:23 "You Enjoy Myself" (Anastasio) – 9:47 "Golgi Apparatus" (Anastasio, Marshall, Szuter, Woolf) – 4:35 "Foam" (Anastasio) – 6:50 "Dinner and a Movie" (Anastasio, Pollak) – 3:42 "The Divided Sky" (Anastasio) – 11:50 "David Bowie" (Anastasio) – 10:59 Disc two"Fluffhead" (Anastasio, Pollak) – 3:24 "Fluff's Travels" (Anastasio) – 11:35 Part 1: "Fluff's Travels" Part 2: "The Chase" Part 3: "Who do? We do!" Part 4: "Clod" Part 5: "Bundle of Joy" Part 6: "Arrival" "Contact" (Gordon) – 6:42 "Union Federal" (Live) (Anastasio, Jon Fishman, Gordon, Page McConnell) – 25:31 "Sanity" (Live) (Anastasio, Pollak) – 8:22 "Icculus" (Live) (Anastasio, Marshall) – 4:24

After a brief music chat, Seth and Rob sit down with Andy Falco and Chris Pandolfi of the Infamous Stringdusters before The Dusters’ Atlanta show this past fall and confer on this fantastic band. Since this interview, The Stringdusters band has been nominated for a Grammy for its Laws Of Gravity release - which is also the initial topic here. The band talks about this record represents a back-to-the-core coalescence of the its previous releases and approaches. They discuss their thoughts behind the choice to wait for new songs to be released before performing them. Other decision points are analyzed, like those behind sharing songwriting credits amongst each other and efforts to make sure each member’s musical voice is heard equally on each release and/or performance. The hosts and guests acknowledge the varying parameters of bluegrass, and the extent to which The Stringdusters feel compelled to adhere to them. We learn the importance of capturing the “expression factor” of each player, and how the lyrical and historical context of each song ultimately informs the performance. A discussion about the band’s Ladies and Gentlemen release leads to Nicki Bluhm. Nicki hooked the band up with Ryan Adams, and these two Dusters share some Ryan stories including how they prepared for the tour, their first performance with him, a spontaneous Black Sabbath cover, how Ryan “went to bat” for them on Colbert and some funny Ryan crowd interactions. Before Chris had to depart he discussed his thoughts behind his famous “Bluegrass Manifesto,” and how it attracted the ire of many bluegrass purists. Chris acknowledges that he was inspired by Bela Fleck to play bluegrass in the first place, and he denies that the “infamous” part of the band’s name was by design. When the focus shifts to Andy, we find out that he was in many New York bands including the Water Street Blues Band. He talks about how David Bromberg and Buddy Merriam stoked the fire of his interest in acoustic music, and how Merriam essentially taught him how to play bluegrass. We find out how Andy ended up meeting the Stringdusters’ guys and how he found his way in the band. Andy also shares some of his Stringdusters experiences, including the preparation for and execution of their Lockn set with Page McConnell and Phil Lesh. Then Seth and Rob take us home with a conversation of their own which starts with a discussion of the interview and then many music topics including the Dead and Company show the hosts had seen together just before completing this episode. wTnS is Produced by Rob Turner and Engineered by Josh Thane of Wonder Dog Sounds Studio. www.joshthaneproductions.com www.wonderdogsounds.com Inside Out w/ Turner and Seth: insideoutwtns.com Twitter: @InsideoutWTNS Instagram: www.instagram.com/insideoutwtns Facebook: www.facebook.com/insideoutwTnS See acast.com/privacy for privacy and opt-out information.

Episode 010 of PhishJams features soundcheck jams through the years. Subscribe to the podcast to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2

Episode 009 of PhishJams features odd songs, debuts and interesting arrangements from 1989. Subscribe to the podcast to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2

Brian Stoltz, a virtuoso guitarist and songwriter from New Orleans, has released four solo albums, and is best known for playing throughout the 80′s with the world-renowned Neville Brothers Band and for fourteen years with The Funky Meters. Brian has performed and recorded with artists as diverse as Bob Dylan, Edie Brickell, Linda Ronstadt, Dr. John, Allen Toussaint, Jerry Garcia, Page McConnell and many more. Yisroel Arye met Brian in 2012 during the making of the Brooklyn Jazz Warrior’s debut album “In Service of the King,” which they co-produced. In this very first SHR podcast, Brian shares his backstory, his time with the Nevilles, Dylan, Paul Simon, Allen Toussaint and others, balancing life and music, and blows Yisroel’s mind describing Art Neville’s elusive Secret Groove.

Episode 008 of PhishJams features a grab-bag of sound. Subscribe to the podcast to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2

Will they see you at the show? Tweet Pics to @JamCastPod - Follow Mike @Mikefinoia and Andy @Andyfiori

Episode 007 of PhishJams features select tracks from The Bunny radio broadcast during Magnaball. Subscribe to the podcast to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2

Episode 006 of PhishJams features a mixture of songs from 1992. Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Episode 005 of PhishJams features song debuts through the years. A combination of audience and soundboard recordings, of varying degrees, bookends this interesting exploration into the past. Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Episode 004 takes a trip back to 2009 marking the end of their "breakup" and the start of the 3.0 era. Phish "officially brokeup" fall 2004, following the Coventry Festival. The "breakup" lasted 8/15/04 to 3/6/09, 1664 days, just more than twice as long as the hiatus, but apparently long enough - for Trey, and the fans. - from Phish.net - http://phish.net/faq/breakup Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Episode 003 features random, quirky tracks from 1989 through 2000 harvested from a number of sources. Interview snippets are taken from a German radio interview/session held at SWF3 Studios, Baden-Baden, Germany. Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Episode 002 features select tracks from the Leaked Soundboard Recordings - http://www.phishauds.com/2011/01/leaked-sbd-tracks-project.html Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Episode 001 of PhishJams features a random assortment of recordings with a digital delay loop theme. Subscribe to the podcast and feel free to make a small donation to keep the jams coming. Podcast - https://itunes.apple.com/us/podcast/phishjams/id1039563680?mt=2 Donate - https://goo.gl/97teoW

Summer is winding down and the kidlets are preppin' for skool. The Herbaliser opens the show this week with one from their newest offering, called Welcome To Extravagance. Parov Stelar warps time with Chambermaid Swing. The xx gets a rework and Austria's Soap&Skin meets Matthew Herbert. Toronto's Austra brings a new one with Hurt Me Now, then we roll down Highway 420 with Montreal's Do Make Say Think. We hear Marla from The Dust Brothers and Skalpel brings a classic with Sculpture and Page McConnell's Late Edition rounds it out, as we float on some chill Bonobo.