Podcasts about media technologies

Adobe mi è scaduto, ho anche avuto 2 giorni per editare l'intero video prima di abbandonarlo per sempre :( e ora sono triste. Se avete argomenti di cui vorreste parlassi, fatemelo sapere. Spero il video vi piaccia! baci★ SOCIAL ★Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/4iexis/ Letterboxd: ⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/4lexis/ Email: chahaotic@gmail.comSe vuoi offrirmi un caffè e supportare il canale: https://ko-fi.com/4lexis Il canale lo trovi anche qui su Youtube: https://www.youtube.com/@Chahaotic/featuredFonti:- Ben-Ghiat, R. (2001) Fascist Modernities: Italy, 1922-1945. 1st edn. University of California Press. Available at: https://www.jstor.org/stable/10.1525/j.ctt1pn8g2 (Accessed: 11 March 2025).- BRUNETTA, G.P. (no date) Guida alla storia del cinema italiano 1905-2003Brunetta G. Piero.- Catolfi, A. (2015) ‘Censura e doppiaggio nelle forme narrative del cinema italiano, nel cruciale passaggio al sonoro degli anni Trenta'. Available at: https://ricerca.unistrapg.it/handle/20.500.12071/785 (Accessed: 11 March 2025).- Chaume Frederic (no date) Audiovisual Translation: Dubbing, ResearchGate. Available at: https://www.researchgate.net/publication/340634141_Audiovisual_Translation_Dubbing - Circi, R. and Curcio, G. (2017) ‘Foreign Language Effect (FLE): definition, examples, explanatory hypotheses and suggestions for future research', Rassegna di psicologia, 34(2), pp. 5–26. Available at: https://doi.org/10.13133/1974-4854/16669.- Galeazzi, C. (2013) ‘State calmi, è solo doppiaggio', VICE, 4 February. Available at: https://www.vice.com/it/article/doppiaggio-intervista-carlo-valli/ - Higson, A. (1989) ‘The Concept of National Cinema', Screen, 30(4), pp. 36–47. Available at: https://doi.org/10.1093/screen/30.4.36.- Il problema degli italiani col doppiaggio (2019) nss magazine. Available at: https://www.nssmag.com/article/19085 - Keysar, B., Hayakawa, S.L. and An, S.G. (2012) ‘The Foreign-Language Effect: Thinking in a Foreign Tongue Reduces Decision Biases', Psychological Science, 23(6), pp. 661–668. Available at: https://doi.org/10.1177/0956797611432178.- Marchina, G. (2020) In Italia il doppiaggio non funziona più. Ilaria Stagni, dai Simpson a Scarlett Johansson: «Vi spiego perché è colpa dello streaming», Open. Available at: https://www.open.online/2020/12/06/doppiaggio-cinema-italia-streaming-ilaria-stagni-simpson/ - Raffi, F. (2020) ‘The Impact of Italian Dubbing on Viewers' Immersive Experience: An Audience Reception Study', Online Journal of Communication and Media Technologies, 10(3), p. e202019. Available at: https://doi.org/10.30935/ojcmt/8371.- Ranzato, I. (2015) Translating Culture Specific References on Television: The Case of Dubbing. New York: Routledge. Available at: https://doi.org/10.4324/9781315681252.- Shiel, M. (2024) ‘Italian Neorealism: Rebuilding the Cinematic City', ResearchGate [Preprint]. Available at: https://doi.org/10.3366/film.2007.0031.- Translating culture specific references on television: The case of dubbing | Request PDF (2024) ResearchGate. Available at: https://www.researchgate.net/publication/289672481_Translating_culture_specific_references_on_television_The_case_of_dubbing (Accessed: 11 March 2025).- VICE, R. (2011) ‘Fucked in translation', VICE, 30 April. Available at: https://www.vice.com/it/article/fucked-in-translation-titoli-film/ - VV, A. and Aidac (1966) Barriere linguist. e circolaz. delle opere audiovisive: la questione doppiaggio. Aidac.0:00 - intro⁠1:50 - la nascita del doppiaggio12:30 - lo sviluppo e le forme del doppiaggio36:42 - conclusione

This is just my take on 2024; on my social media and technologies ...

On this episode of Chasing Leviathan, PJ and Dr. Jeff Bilbro discuss his book 'Words for Conviviality: Media Technologies and Practices of Hope,' which examines how historical media technologies can inform our understanding of contemporary digital media. The discussion delves into the importance of literature in shaping communication, the non-neutrality of technology, and the need for practices that foster healthy relationships in a rapidly changing media landscape. Jeff and PJ explore the complexities of digital engagement, the pressures of public opinion, and the importance of conversation in navigating technology. They conclude with a call to seek truth and friendship amidst the imperfections of our media ecology.Make sure to check out Dr. Bilbro's book: Words for Conviviality: Media Technologies and Practices of Hope

New Grub Street is a novel by George Gissing published in 1891, which is set in the literary and journalistic circles of 1880s' London.The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent with limited commercial prospects, and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern  world.With us today to discuss this wonderful novel are Doctors. Katy Mullin, Tom Ue and Richard Menke. Dr. Mullin is professor of modern literature and culture at University of Leeds. Her research explores connections between late-Victorian and Modernist fiction, and sexuality and popular culture. She's the author of James Joyce, Sexuality and Social Purity and another book titled Working Girls: Fiction, Sexuality and Modernity.Dr. Ue is Assistant Professor in English of the Long Nineteenth Century at Cape Breton University and Advising Editor of The Complete Letters of Henry James at University of Nebraska Press. He is the author of Sherlock Holmes and Shakespeare. He also writes on George Gissing and Henry Ryecroft. Dr. Menke is an Associate Professor of English at the University of Georgia. He is the author of Telegraphic Realism: Victorian Fiction and Other Information Systems and another book titled “Literature, Print Culture, and Media Technologies, 1880–1900: Many Inventions.”Recommended Reading:George Gissing, New Grub StreetThis podcast is sponsored by Riverside, the most efficient platform for video recording and editing for podcasters.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

For people who are living with disability, including various forms of chronic diseases and chronic pain, daily tasks like lifting a glass of water or taking off clothes can be difficult if not impossible. In Activist Affordances: How Disabled People Improvise More Habitable Worlds (Duke UP, 2023), Arseli Dokumacı draws on ethnographic work with differently disabled people whose ingenuity, labor, and artfulness allow them to achieve these seemingly simple tasks. Dokumacı shows how they use improvisation to imagine and bring into being more habitable worlds through the smallest of actions and the most fleeting of movements---what she calls “activist affordances.” Even as an environment shrinks to a set of constraints rather than opportunities, the improvisatory space of performance opens up to allow disabled people to imagine that same environment otherwise. Dokumacı shows how disabled people's activist affordances present the potential for a more liveable and accessible world for all of us. Dr. Arseli Dokumaci, PhD is Assistant Professor of Communication Studies, Canada Research Chair in Critical Disability Studies and Media Technologies, and Director of the Access in the Making (AIM) Lab A [full transcript of the interview](link) is available for accessibility purposes. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For people who are living with disability, including various forms of chronic diseases and chronic pain, daily tasks like lifting a glass of water or taking off clothes can be difficult if not impossible. In Activist Affordances: How Disabled People Improvise More Habitable Worlds (Duke UP, 2023), Arseli Dokumacı draws on ethnographic work with differently disabled people whose ingenuity, labor, and artfulness allow them to achieve these seemingly simple tasks. Dokumacı shows how they use improvisation to imagine and bring into being more habitable worlds through the smallest of actions and the most fleeting of movements---what she calls “activist affordances.” Even as an environment shrinks to a set of constraints rather than opportunities, the improvisatory space of performance opens up to allow disabled people to imagine that same environment otherwise. Dokumacı shows how disabled people's activist affordances present the potential for a more liveable and accessible world for all of us. Dr. Arseli Dokumaci, PhD is Assistant Professor of Communication Studies, Canada Research Chair in Critical Disability Studies and Media Technologies, and Director of the Access in the Making (AIM) Lab A [full transcript of the interview](link) is available for accessibility purposes. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

For people who are living with disability, including various forms of chronic diseases and chronic pain, daily tasks like lifting a glass of water or taking off clothes can be difficult if not impossible. In Activist Affordances: How Disabled People Improvise More Habitable Worlds (Duke UP, 2023), Arseli Dokumacı draws on ethnographic work with differently disabled people whose ingenuity, labor, and artfulness allow them to achieve these seemingly simple tasks. Dokumacı shows how they use improvisation to imagine and bring into being more habitable worlds through the smallest of actions and the most fleeting of movements---what she calls “activist affordances.” Even as an environment shrinks to a set of constraints rather than opportunities, the improvisatory space of performance opens up to allow disabled people to imagine that same environment otherwise. Dokumacı shows how disabled people's activist affordances present the potential for a more liveable and accessible world for all of us. Dr. Arseli Dokumaci, PhD is Assistant Professor of Communication Studies, Canada Research Chair in Critical Disability Studies and Media Technologies, and Director of the Access in the Making (AIM) Lab A [full transcript of the interview](link) is available for accessibility purposes. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

For people who are living with disability, including various forms of chronic diseases and chronic pain, daily tasks like lifting a glass of water or taking off clothes can be difficult if not impossible. In Activist Affordances: How Disabled People Improvise More Habitable Worlds (Duke UP, 2023), Arseli Dokumacı draws on ethnographic work with differently disabled people whose ingenuity, labor, and artfulness allow them to achieve these seemingly simple tasks. Dokumacı shows how they use improvisation to imagine and bring into being more habitable worlds through the smallest of actions and the most fleeting of movements---what she calls “activist affordances.” Even as an environment shrinks to a set of constraints rather than opportunities, the improvisatory space of performance opens up to allow disabled people to imagine that same environment otherwise. Dokumacı shows how disabled people's activist affordances present the potential for a more liveable and accessible world for all of us. Dr. Arseli Dokumaci, PhD is Assistant Professor of Communication Studies, Canada Research Chair in Critical Disability Studies and Media Technologies, and Director of the Access in the Making (AIM) Lab A [full transcript of the interview](link) is available for accessibility purposes. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

For people who are living with disability, including various forms of chronic diseases and chronic pain, daily tasks like lifting a glass of water or taking off clothes can be difficult if not impossible. In Activist Affordances: How Disabled People Improvise More Habitable Worlds (Duke UP, 2023), Arseli Dokumacı draws on ethnographic work with differently disabled people whose ingenuity, labor, and artfulness allow them to achieve these seemingly simple tasks. Dokumacı shows how they use improvisation to imagine and bring into being more habitable worlds through the smallest of actions and the most fleeting of movements---what she calls “activist affordances.” Even as an environment shrinks to a set of constraints rather than opportunities, the improvisatory space of performance opens up to allow disabled people to imagine that same environment otherwise. Dokumacı shows how disabled people's activist affordances present the potential for a more liveable and accessible world for all of us. Dr. Arseli Dokumaci, PhD is Assistant Professor of Communication Studies, Canada Research Chair in Critical Disability Studies and Media Technologies, and Director of the Access in the Making (AIM) Lab A [full transcript of the interview](link) is available for accessibility purposes. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we're talking to Stacy Durand of Smart Media Technologies. Stacy launched her own agency after years as the CEO of another.  Stacy comes from the media buying segment of the industry, which as you'll hear, is very different in gender dynamics. That turned out to be quite empowering for her. Our conversation about what needs to change for more women to own agencies is not what you might expect.  Stacy also had some great advice for anyone aspiring to be an owner … or just anyone who is looking to succeed in this wonderful industry we call home.  Thanks for listening to this episode of OWN IT. You can find links to Stacy Durand's LinkedIn profile and Smart Media Technologies' website in our show notes at untilyouownit.com. If you're enjoying Own It, please find it on your favorite podcast app and drop us a rating and review. Those help more people discover the show and join our community.  Also, if you're a female or non-binary agency owner, or you want to own an agency someday, join our growing community at that same address … untilyouownit.com.

On today's episode of Innovation Tech Talks, Managing Editor Corey Noles chats with Reeve Collins, CEO of Smart Media Technologies, an NFT creation company. The pair chat it up about the many roles NFTs play now and may in the future. It's not all about ape pictures anymore.

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens. Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University. Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Jason Altman, VP of Business Development and Operations for Elite Media Technologies, joins the program to provide an overview of the services that his company provides and share the story of his own career journey. Jason discusses the various educational paths that can lead to a career in post-production and shares advice for anyone looking to break into the field. Discover the importance of cybersecurity when it comes to protecting content, the impact of the COVID-19 pandemic on media consumption, and the need for post-production services.

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week on The Wormcast it's episode 42 and my guest is Clark Pierce founder of Emerging Media Technologies. We discuss a variety of sports media topics from how NBC can make the Olympic viewing experience better in the future, NFL Sunday Ticket Barstool Sports and DraftKings investing in media properties, the changing media landscape of college football, soccer streaming and the Premier League's US media rights going to tender. Enjoy! Topics discussed: 1:50 How NBC can make Olympics more viewer friendly 22:10 Sinclair vs Dish Network and the future of RSNs 35:10 NFL Sunday Ticket 41:15 Sports gaming companies investing in more media properities 48:30 Changing landscape of college football 57:00 European soccer is back, scorecard of streaming 1:06:40 Premier League US rights going to tender This podcast is hosted by ZenCast.fm

Early-stage venture capitalists face some difficult choices when selecting a winning startup. The market opportunity, management team, and viability of the concept are primary ingredients that influence investment decisions, but the complexity that stems from starting a business in a rapidly expanding and changing market, creates opportunities for big wins in a VC's portfolio.Eric Franchi is a Partner at MathCapital, a very active and successful early-stage venture capital firm focused on the digital transformation of marketing and media. With about 45 companies in its portfolio, the firm has focused its investments in CTV, identity, commerce media, and analytics. Before MathCapital, Eric was the co-founder of Undertone, which Perion acquired for $180m in 2015.In this episode of Infutor's Identity Revolution Podcast, Eric and host, Cory Davis, discuss early-stage investment strategy. According to Eric, when assessing a winning venture, start by getting to know the founders. Finding common understanding of their unique perspectives and learning their reasons for starting a business in that particular niche, can mitigate risk and increase the probability of success. Eric also explains why he believes the next 20 years will be better than the last 20 years in terms of the acceleration of technology in this space.

Join us today as we revisit our conversation with Dr. Shaheen Kanthawala, an assistant professor in Journalism & Creative Media, about our use of health apps and online health communities. With a background in biochemistry and biology, this conversation about the role of new media technologies in the management of our own health is a great one! To learn more about Dr. Kanthawala's research, check out her website here: https://skanthawala.people.ua.edu/. To follow us on Twitter: @iciralabama Or on YouTube at https://www.youtube.com/watch?v=matqQ7a21n0

Dr. Enda Bates, Music & Media Technologies, at the School of Engineering in Trinity, tells us if an album of Lego sounds be the surprise chart hit of the summer?

ABOUT: Victoria Lioznyansky teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers. After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox Morning News and have been featured in numerous publications, including NBC, CBS, and BizWest Media. Taking her own experiences going from scared to a sought-after speaker, Victoria founded Brilliant Speakers Academy®, an online public speaking coaching program. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons. STAY CONNECTED: www.ByVictoria.com FB: https://www.facebook.com/byvictorial FREE GIFT FOR OUR AUDIENCE: Free 5-day course Speak Up, Be Brilliant: http://www.byvictorial.com/speakup __________________ Thank you again for joining us today! If you know anybody that would benefit from this episode please share it with them and help spread the knowledge and motivation. Don’t forget to show your support for the Rise Up For You Podcast by writing a review on iTunes. Your feedback helps the success of our show and pushes us to continuously be better! Check out www.riseupforyou.com for more podcast episodes, webinars, events, and more to help you get to the next level in your personal and professional life! You can also follow us on Facebook, Instagram, LinkedIn, and Youtube @riseupforyou Looking for more support? Grab your free coaching call with our team completely FREE! Bring your questions about Confidence, Leadership or Business and we will assign you the best coach to provide customizable support. SCHEDULE YOUR FREE CALL HERE calendly.com/riseupforyou/coaching

Victoria Lioznyansky teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers. After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox Morning News and has been featured in numerous publications, including NBC, CBS, and BizWest Media. Taking her own experiences going from scared to sought-after speaker, Victoria founded Brilliant Speakers Academy®, an online public speaking coaching program. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons. On this episode, you'll learn about public speaking for introverted entrepreneurs as well as... How to not feel judged in front of an audience What to focus on when you're anxious and nervous How to become a better speaker when English isn’t even your native language Whether to fake it until you make it... or not How to BE confident on video, not simply APPEAR confident And much more... Victoria's Resources Victoria's Website Free Online Training by Victoria Connect with Ursula: Facebook LinkedIn Instagram Sarah's Resources (FREE) Sarah’s One Page Marketing Plan (FREE) Sarah Suggests Newsletter (FREE) The Gentle Business Manifesto (FREE) Gentle Confidence Mini-Course The Gentle Marketing Revolution Kickstarter Campaign The Gentle Business Circle The Gentle Business Revolution Authentic & Fair Pricing Mini-Course Podcast Show Notes Email Sarah at sarah@sarahsantacroce.com Thanks for listening! After you listen, check out The Gentle Business Manifesto, an invitation to belong to a movement of people who do business the gentle way and disrupt the current marketing paradigm. You can download it for free at thegentlebusinessrevolution.com. There’s no opt-in. Just an instant download. Are you enjoying the podcast?  The Gentle Business Revolution show is listener-supported—I'd love for you to become an active supporter of the show and join the Gentle Business Circle. You will be invited to a private monthly Q&A call with me and fellow Gentle Marketers -  a safe zone to hang out with like-minded conscious entrepreneurs and help each other build our business and grow our impact.  — I’d love for you to join us! Learn more at sarahsantacroce.com/circle Don’t forget to subscribe to the show on iTunes or on Android to get notified for all my future shows and why not sign up for my weekly(ish) "Sarah Suggests Saturdays", a round-up of best practices, tools I use, books I read, podcasts, and other resources. Raise your hand and join the Gentle Business Revolution. Warmly, Sarah

Victoria Lioznyansky teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers.After moving to the US from Russia more than 25 years ago with limited English, Victoria overcame her own crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox Morning News and has been featured in numerous publications, including CBS, NBC, Houston Chronicle and BizWest Media.Taking her own experiences of going from scared to sought-after speaker, Victoria founded Brilliant Speakers Academy®, an online public speaking coaching program for anyone struggling with the fear of public speaking on and off stage.She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science, which she grew to #1 Nutty Scientists franchise in the United States. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons.Socials:Website - https://www.byvictorial.com/FB - Victoria LioznyanskyLinkedIn - Victoria LioznyanskyInsta - byvictorialYoutube - Victoria LioznyanskyEnjoy the visual here on Youtube

Wednesday, 10 March 2021, 7 – 8pm A panel discussion as part of the ‘Sonic Spaces' series. Discourse around gender and sound often reflects biases about who should be allowed to take up sonic space: from historical assumptions that women's voices were unsuitable for the radio, to contemporary biases in institutional policies that work to exclude the work of women in the music industry, as well as continued critiques of female speaking voices for expressing unappealing vocal traits like “uptalk” and “vocal fry”. This event will bring together a diverse panel to discuss these and other ways in which sonic spaces can reflect broader social and cultural issues around gender and representation: Dr. Megan McGurk, host of the popular podcast and film club, “Sass Mouth Dames”, devoted to women who ruled the Hollywood box office from the 1930s-1950s; Dr. Ann Cleare, a multi-award-winning composer and Assistant Professor in Trinity's Music and Media Technologies programme who will introduce “Sounding the Feminists,” an Irish-based collective committed to promoting and publicising the creative work of female musicians; and Dr. Jilly Boyce Kay, Lecturer in Media and Communication at the University of Leicester and author of Gender, Media and Voice (2020), who will discuss the ways that feminist voices on television were construed as “domestic nags” in the 1970s. The panel will be chaired by Dr. Ciara Barrett, a scholar of gender and screen media and lecturer in film studies with the Dingle Hub and Sacred Heart University. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Wednesday, 2 December 2020, 7 – 8pm A panel discussion as part of the ‘Sonic Spaces' series. Wind-up music boxes; phonograph cylinders; gramophones; microphones; radio; magnetic tape; compact discs; MP3 players; synthetic voices. These are just a few of the sound technologies that have framed our experience of listening since the 19th century until the present day. And while audio transmission and recording processes have increasingly moved from analogue to digital systems, the cross-disciplinary nature of sound technologies remains. Frequently dependent on the technical expertise of audio engineers, such technologies heavily shape the media industries and, indeed, our daily lives. This event will bring together a diverse panel of experts to discuss their experiences of employing sound technologies in creative ways: Enda Bates, deputy director of Trinity's Music and Media Technologies programme, who will discuss his use of spatialized audio in 360-degree music videos; Zeynep Bulut (Queen's University Belfast) will discuss the collaborative research initiative Map a Voice, which explores sonic and social interactions between voice and environment; Mattia Cobianchi (Goldsmiths University and acoustic engineer at Bowers & Wilkins) on his historical sound project ‘London Street Noises'; and Neasa Ní Chiarain, from Trinity's Phonetics & Speech Laboratory, who will discuss the ABAIR.ie Irish language learning website, and the development of synthesized voices for Irish. The panel will be chaired by Linda Doyle, Professor of Engineering & The Arts at Trinity, and the founder Director of the SFI Research Centre CONNECT, a national research centre focused on telecommunications. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Victoria Lioznyansky teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers. After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox News and have been featured in numerous publications, including CBS Houston and BizWest Media. Taking her own experiences going from scared to sought-after speaker, Victoria founded Brilliant Speakers Academy®, an online public speaking coaching program for introverts. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons. Learn more about your ad choices. Visit https://megaphone.fm/adchoices (megaphone.fm/adchoices)

Victoria Lioznyansky teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers. After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She has appeared on Fox News and has been featured in numerous publications, including CBS Houston and BizWest Media. Taking her own experiences of going from scared to sought-after speaker, Victoria founded Brilliant Speakers Academy™, an online public speaking coaching program for introverts. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons.

Victoria Lioznyansky Founder of Brilliant Speakers Academy™Victoria teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers.After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox News and have been featured in numerous publications, including CBS Houston and BizWest Media.Taking her own experiences going from scared to sought-after speaker, Victoria founded the Brilliant Speakers Academy™, an online public speaking coaching program for introverts. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science.Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons.

Bo and Bud talk with Brett Robinson  Ph.D., about whether tech dreams or nightmares are coming true. Robinson is the director of communications and Catholic media studies at the McGrath Institute for Church Life, for the University of Notre Dame.  

Among the many effects of the recent pandemic and social distancing practices is that most of us find ourselves spending more and more time with screens and smart devices as our daily lives move even further online. The stories we consume through these screens and the material production of our devices have complex, interwoven histories that reveal the limits of global capitalism as well as the ethical, ecological, and political importance of thinking critically about media technologies. If the relationship between media, science, and tech ever seemed abstract, our current moment has revealed how deeply corporeal and concrete it really is. In episode 109 of the Imagine Otherwise podcast, host Cathy Hannabach interviews environmental media scholar Hunter Vaughan about the role the Hollywood film industry has played in climate change and environmental degradation, the vital importance of interdisciplinary science communication in an era of uncertainty, and why building a media industry with more transparency, accountability, and intersectionality is how Hunter imagines otherwise. Transcript and show notes: https://ideasonfire.net/109-hunter-vaughan

The educational world, much like the rest of the world, has undergone dramatic changes in recent days to combat the spread of COVID-19. Dave talks about the temporary move to distance learning for all courses at GRCC with Bill Knapp (Executive Director of Distance Learning & Instructional Technologies), Sheila Jones (Dean of Instructional Support), and Noah DeSmit (Video Production Coordinator in Media Technologies).

On this episode of Monday Morning Coffee with Inside the Firm we are joined by Victoria Lioznyansky! Victoria teaches introverted entrepreneurs and business professionals how to overcome their fear of public speaking and become confident, compelling, captivating speakers. After moving to the US two decades ago with limited English, Victoria overcame her crippling fear of public speaking to build several businesses, teach in a variety of industries, and speak in front of small and large audiences. She appeared on Fox News and have been featured in numerous publications, including CBS Houston and BizWest Media. Taking her own experiences going from scared to sought-after speaker, Victoria created the Brilliant Speakers Academy™, an online public speaking coaching program for introverts. She also owns Nutty Scientists of Houston, a passion project about inspiring kids to fall in love with science. Victoria holds a Master of Science in Computer Science and is currently completing a Master of Arts Degree in Communications and Media Technologies. She lives in Houston with her husband and two sons.

Katie DeFiore hosts S. Shyam Sundar, the James P. Jimirro Professor of Media Effects and co-director of the Media Effects Research Laboratory in the Donald P. Bellisario College of Communications, to discuss the effects of interactive media and how internet-based information is consumed.

H.B. Siegel is Prime Minister of Ideas at Amazon and also one of a very select group of people who have been at Amazon now for almost two decades. In that time, H.B. has been the Director of Media Technologies, the CTO of IMDB (an Amazon subsidiary), and helped launch the "search inside the book" feature for Kindle. H.B. graduated with degrees in computer science and electrical engineering with a focus in computer graphics. Prior to Amazon, H.B. worked in a series of animation related companies including Wavefront, Industrial Light and Magic (ILM) and Pixar. At Wavefront, H.B. helped developed Maya, a premier 3D animation platform used to create animations for games and films that is still widely used today. At ILM, H.B. worked on the special effects for now iconic film series such as "Star Wars" and "Men In Black". In today's conversation we'll talk about pranks and not living live on automatic, we'll discuss H.B's career and what he's learned, and we'll talk about investing in ideas versus people (and techniques for telling apart the good from the bad). Notes cocktail party introductions star wars and industrial light and magic pranks and not living life on automatic the department of ideas catalyst and the university of washington investing in ideas and people trends in film making and animation early work at wavefront and developing Maya experience from nearly two decades at amazon peccy removing inefficiencies werewolves unexpected productions and improv Links Companies Industrial Light and Magic IMDB Wavefront Pixar Amazon Film Series Star Wars Men in Black Books What Technology Wants The Phantom Toolbooth Calvin and Hobbes Other The Uncanny Valley Catalyst Program The Dutch Reach Maya Werewolf Peccy Unexpected Productions: Nonprofit Improv Theater located at Pike Place Market, next to the gum wall GISHWHES: Greatest International Scavenger Hunt the World has Ever Seen Jay Hitt UP Christmas Show H.B. IMDB Page

Today we talk about Custos Media Technologies out of South Africa. These guys are combatting piracy from the forefront. They have a watermarking technology for movies, music, ebooks and other forms of media. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 41 of The Big Event podcast is a tribute to the original “Evening Magazine,” the innovative TV newsmagazine that began in 1976 in the San Francisco Bay Area. Hosts Jan Yanehiro (1976 to 1990) and Richard Hart (1979 to 1989) worked together for a decade during the show’s original run, and continue as colleagues at the Academy of Art University, where Yanehiro is the director of the School of Communications & Media Technologies. While happily reminiscing about “Evening” (the parties were apparently incredible), they also talk about the state of journalism and innovations going on today.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy WokeNFree Wednesday! Join the conversation about fearless living and being a content creator with our special guest DJ Johnson.  Donise JaTayia Johnson aka DJ Johnson is a Penn State Alumna class of 2012 with a BA in Film and Video. Just 2 weeks after graduating Penn State she joined the United States Army as a Cable Systems Installer and Paratrooper (jumping out of planes). ----more---- Who is DJ Johnson?    She also had the opportunity to be a part of an elite group of singing Army men and women as a member of the 82nd Airborne Division Chorus where she traveled in and out of the states to perform for various groups of people. When her 4-year contract was over she went to attend the Academy of Art University in San Francisco to get her MA in Communications and Media Technologies to pursue a career in creating video content for various media forms.   Follow DJ Johnson on:  Facebook / Instagram / Twitter / YouTube  Music Credits: Music Intro/Outro: “Thoughts” by Killah Smilez Music Outro: “Explained” by Killah Smilez Make sure you check out the Killah Smilez song on Amazon  Catch the music video by Killah Smilez HERE Want to share the episode? Please share the episode on Facebook, Instagram, Twitter, YouTube, and Soundcloud Don’t forget to subscribe to WokeNFree on iTunes, Stitcher, TuneIn, iHeartRadio, and Google Play Do you want to join the show as a guest on an upcoming episode? Contact us HERE Don't forget to submit a scenario to us for SCENARIO TIME!    SCENARIO TIME: How would you respond to these scenarios in SCENARIO TIME? Let's chat HERE!  Have you reviewed our show yet? Pick your platform of choice HERE      Do you want to start a podcast? We are here to HELP! Schedule a FREE consultation with us HERE P.S. You can follow Kahlil's new Instagram Account HERE  This post contains affiliate links. That means if you click on a link and buy something, WokeNFree will earn a small commission from the advertiser at no additional cost to you.

Greg Glass is the Director of Business Development at Vaylian. Greg has 30+ years of experience in the development, marketing and sales of entertainment content, entertainment brands, licensed products and talent. His specific expertise is in the areas of content development, branded entertainment and business development.Greg began his career in the music business, handling regional and national distribution and marketing for the Handleman Company. In this capacity, Greg spent 11 years working directly with the country’s largest mass merchant retailers, including Walmart, Kmart, Sears and others. From retail distribution, Greg would transition to the label side of the business, working for 12 years with independent labels Simitar Entertainment and BCI Eclipse – both offshoots of the famous K-tel brand. From 2006 to 2017, Greg would transition again, this time to television, to use his business development experience to help expand the efforts of BCII in its core business of cable television programming production/sales, as well as create branded and commercial units at the company. His most recent contribution being the creation of a strategic alliance with Vaylian Studios for the creation of groundbreaking AR/VR/MR and VFX content for traditional advertising, experiential marketing and app engagement.For 2018, Greg is putting 100% of his efforts into advanced digital media as the Director of Business Development at Vaylian Studios. With a series of award-winning projects already on their resume, Vaylian Studios will expand beyond client-direct experiential content and will also be pursuing immersive scripted/non-scripted series content, agency-partnered immersive projects, technology-driven projects and I.P. development in the AR/MR space.Please contact us if you have comments, suggestions and guest inquiries - mark@vudream.comhttps://www.linkedin.com/in/gregglassbcii/http://www.vaylian.com/VU Dream - http://www.vudream.com/VU Dream's FB - https://www.facebook.com/VUDreamOfficial/VU Dream's Twitter - https://twitter.com/VUDreamOfficialVU Dream's Instagram - https://www.instagram.com/vudreamofficial

Greg Glass is the Director of Business Development at Vaylian. Greg has 30+ years of experience in the development, marketing and sales of entertainment content, entertainment brands, licensed products and talent. His specific expertise is in the areas of content development, branded entertainment and business development.Greg began his career in the music business, handling regional and national distribution and marketing for the Handleman Company. In this capacity, Greg spent 11 years working directly with the country's largest mass merchant retailers, including Walmart, Kmart, Sears and others. From retail distribution, Greg would transition to the label side of the business, working for 12 years with independent labels Simitar Entertainment and BCI Eclipse – both offshoots of the famous K-tel brand. From 2006 to 2017, Greg would transition again, this time to television, to use his business development experience to help expand the efforts of BCII in its core business of cable television programming production/sales, as well as create branded and commercial units at the company. His most recent contribution being the creation of a strategic alliance with Vaylian Studios for the creation of groundbreaking AR/VR/MR and VFX content for traditional advertising, experiential marketing and app engagement.For 2018, Greg is putting 100% of his efforts into advanced digital media as the Director of Business Development at Vaylian Studios. With a series of award-winning projects already on their resume, Vaylian Studios will expand beyond client-direct experiential content and will also be pursuing immersive scripted/non-scripted series content, agency-partnered immersive projects, technology-driven projects and I.P. development in the AR/MR space.If you would like more information on Greg please check out the following links below:https://www.linkedin.com/in/gregglassbcii/http://www.vaylian.com/Humans 2.0 Twitter - https://twitter.com/Humans2PodcastTwitter - https://twitter.com/markymetryMedium - https://medium.com/@markymetryFacebook - https://www.facebook.com/mark.metry.9Instagram - https://www.instagram.com/markmetry/LinkedIn - https://www.linkedin.com/in/mark-metry/Mark Metry - https://www.markmetry.com/

Greg Glass is the Director of Business Development at Vaylian. Greg has 30+ years of experience in the development, marketing and sales of entertainment content, entertainment brands, licensed products and talent. His specific expertise is in the areas of content development, branded entertainment and business development.Greg began his career in the music business, handling regional and national distribution and marketing for the Handleman Company. In this capacity, Greg spent 11 years working directly with the country’s largest mass merchant retailers, including Walmart, Kmart, Sears and others. From retail distribution, Greg would transition to the label side of the business, working for 12 years with independent labels Simitar Entertainment and BCI Eclipse – both offshoots of the famous K-tel brand. From 2006 to 2017, Greg would transition again, this time to television, to use his business development experience to help expand the efforts of BCII in its core business of cable television programming production/sales, as well as create branded and commercial units at the company. His most recent contribution being the creation of a strategic alliance with Vaylian Studios for the creation of groundbreaking AR/VR/MR and VFX content for traditional advertising, experiential marketing and app engagement.For 2018, Greg is putting 100% of his efforts into advanced digital media as the Director of Business Development at Vaylian Studios. With a series of award-winning projects already on their resume, Vaylian Studios will expand beyond client-direct experiential content and will also be pursuing immersive scripted/non-scripted series content, agency-partnered immersive projects, technology-driven projects and I.P. development in the AR/MR space.If you would like more information on Greg please check out the following links below:https://www.linkedin.com/in/gregglassbcii/http://www.vaylian.com/Humans 2.0 Twitter - https://twitter.com/Humans2PodcastTwitter - https://twitter.com/markymetryMedium - https://medium.com/@markymetryFacebook - https://www.facebook.com/mark.metry.9Instagram - https://www.instagram.com/markmetry/LinkedIn - https://www.linkedin.com/in/mark-metry/Mark Metry - https://www.markmetry.com/

Episode 2 discusses some of the common types of media and the related technologies available in the market nowadays.

Noah sits down with Mark Vogel and Klaas Kwant from the Media Technologies department.

Manifest Podcast 019 - Rory St JohnRory St John, one of the emerging talents from Dublin's budding electronic music scene, is the maker of future influenced dancefloor and non-dancefloor music alike. Heavily influenced by the purity of the techno sound, his previous releases have been along the same vein.From the early days of hardcore and hard dance, Rory's interest was always focused on producing music. Equipped with an early edition of Cool-Edit and Evolution at the age of 16, his early productions ranged from hardcore techno to more melodic based tracks.After taking a break from production while completing his commitments in university, Rory's debut was on Eire Electronic's VA compilation, alongside his influential techno compadre's Sunil Sharpe and Fran Hartnett. Some years down the line, Rory, was adopted by Mantrap records for his debut 12", Ear Cycle EP, which was a sellout release. Mantrap records significance to the Irish and international scene was to expand as it provided platform for an abundance of emerging artists.Rory returned to college to complete his postgrad in Music & Media Technologies where, over the 2 year period, built a real-time audio and visual manipulation environment, a facet which still stands to him in his current productions.Progressing from a vinyl only DJ, to hardware only liveset, Rory now incorporates hardware and software in the studio and live, to achieve his idea of the techno sound. Often funky, usually deep, always influenced by what the sounds of the future might be, his livesets have made their way across Europe from the former U-Club Bratislava, to Berlin, and back to Ireland.Now residing in Berlin, De, Rory is focused on installing a new studio and continuing to develop his sound and skillset, in both music production, and in freelance graphic design. Rory's latest releases on Limetree Records, and Teskoba Records have received genuine appraisal from some of the leading names in the techno scene, and forthcoming releases on Singularity Records (Uk) and Unknown Forces (Uk/De) are sure to do the same.More infos and sounds :http://rorystjohn.com/http://soundcloud.com/rory-stjohnTracklist :__________Withering Zithering - Recovery Path - Acre RecordingsC Mantle - Congener 2 - Acre RecordingsImminent Starvation - Link Addiction - Ant ZenCristian Vogel - Ninjah Koula - Kickin RecordsExium - Cloner - Audio AssaultJoton - Loud Flash (Pacou Remix) - NewrhythmicLucy & Xhin - LX3 - CLRStructural Form - Rior (Doryk Remix) - TrusT RecordingsPeter Gual - Restos De Carn - NubroncaRory St John - Pyre - TrusT RecordingsArrestar - Thoughts & Emotions (Oscar Mulero Remix)Synapse - They Come in Waves - Bass GunSwarm Intelligence - Gurgle - UnreleasedClouds - Consciousness (Randomer Remix) - Turbo RecordingsMax Duley - Elegant Manoeuvres - ARCC-System - Analog Overdose - Pareto ParkLag - The Collapse of Yzordderrex - unreleasedChris McCormack - Your Green Eyes - MaterialsGo Hiyama - Feeling - Audio AssaultDipole - Electron Cloud - Sonic GrooveJB3 - Time - NovamuteMslwte - Discorderd - TrusT RecordingsOscar Mulero - 46 (Regis Antagonists Mix) - Warm UpThe Black Dog - You're Only SQL - Soma

A lecture by Jatin Dua, a Ph.D. candidate in the Department of Cultural Anthropology at Duke University. His dissertation focuses on maritime piracy and attempts to regulate the Western Indian Ocean by private actors, nation-states and international bodies in a moment of post-Cold War, post-9/11 reconfiguration. He has conducted more than 18 months of ethnographic fieldwork with pirates, fishermen, merchants, seafarers, judges, lawyers and others implicated in the world of piracy and counter-piracy in Kenya, Somalia, Djibouti and the United Kingdom.

Take a look inside the classroom of Dr. Christopher Craft and explore what sandbox play practically looks like. Chris teaches kids in a variety of courses such as World Languages, Media Technologies, and Broadcast Journalism. Dr. Christopher Craft is an award-winning classroom educator at CrossRoads Middle School in Columbia, SC. Dr. Craft has a B.A. in Spanish, an M.Ed in Educational Technology, and a Ph.D. in Educational Psychology and Research. He has been teaching for seven years. He is most proud of his two daughters; the princess and the diva. Find out more about Chris at www.christophercraft.com or read his (infrequently updated) blog at www.crucialthought.com. Find him on Twitter at @crafty184. Presenter: Dr. Christopher Craft Location: Columbia, SC, USA

Take a look inside the classroom of Dr. Christopher Craft and explore what sandbox play practically looks like. Chris teaches kids in a variety of courses such as World Languages, Media Technologies, and Broadcast Journalism. Dr. Christopher Craft is an award-winning classroom educator at CrossRoads Middle School in Columbia, SC. Dr. Craft has a B.A. in Spanish, an M.Ed in Educational Technology, and a Ph.D. in Educational Psychology and Research. He has been teaching for seven years. He is most proud of his two daughters; the princess and the diva. Find out more about Chris at www.christophercraft.com or read his (infrequently updated) blog at www.crucialthought.com. Find him on Twitter at @crafty184. Presenter: Dr. Christopher Craft Location: Columbia, SC, USA

MIS-635: Computers and Society - Audio Only - mis635_m6c -