Podcast appearances and mentions of rafael fr

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En la Radio de Diario de Transporte en nuestra sección de "El camionero de la semana", hemos entrevistado a Rafael Frías, un camionero autónomo con muchos años de experiencia en el transporte de mercancías por carretera. Rafael Frias es un firme defensor de las asociaciones de transportistas que defienden claramente los intereses de sus asociados, como Tradime, la asociación aragonesa a la que pertenece. De ello y de toda la actualidad del transporte hemos hablado con Rafael Frias.

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022. ​ In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt. ​ Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018.  ​ Dedicated to music education and outreach, Marlon is a jazz faculty member of CSArts San Gabriel Valley. He also serves as a double bass coach for the Capistrano Unified School District, and collaborates with the Inner City Youth Orchestra of Los Angeles. With the support of the Colburn School and Billy Strayhorn Songs Inc., Marlon will record educational lectures and performances on the music of Billy Strayhorn, with Marlonius Jazz Orchestra, for Colburn School's Amplify Series in 2022.

El siglo XIX y XX dió al mundo excelentes compositores españoles. Acompáñanos con tus niños a descubrir las historias y música de 6 compositores españoles que deben conocer: Manuel de Falla, Joaquín Rodrigo, Isaac Albéniz, Enrique Granados, Joaquín Turina, y Elena Romero.    La música de este episodio con música de compositores españoles.    00:39  La vida breve, Act 2: Spanish Dance por Manuel de Falla. Interpretado por Orquesta Nacional de España & Rafael Frühbeck de Burgos.  01:57  Concierto De Aranjuez: 1. Allegro Con Spirito por Joaquín Rodrigo. Interpretado por Paco de Lucía, Edmon Colomer & Orquesta de Cadaqués.  03:45  Iberia - Piano (Pub. 1906) - Book 1: II. El Puerto por Isaac Albéniz. Interpretado por Alicia de Larrocha.  05:27  Asturias Leyenda por Isaac Albéniz. Interpretado por Walter Hoff.  06:12  Goyescas, H. 64, Book 1: No. 3, El Fandango de Candil por Enrique Granados. Interpretado por Alexander Boyd.  07:58  Danzas Fantásticas: III. "Orgía" por Joaquín Turina. Interpretado por Alicia de Larrocha.  09:45  Canto a Turina por Elena Romero. Interpretado por Aurelio Viribay.    Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Marionetas, ballet y muchas castañuelas. En este episodio conoceremos a uno de los compositores españoles más famosos de todos los tiempos: Manuel de Falla.  La música que escucharás en este episodio:  00:36  El Retablo de Maese Pedro (La Sinfonía de Maese Pedro) [Remastered], del álbum Obras Completas (Remastered).  02:23  Homenajes (Pedrelliana) [Remastered], del álbum Obras Completas (Remastered).  06:19  Concierto para Clavicembalo (Vivace) [Remastered], del álbum Obras Completas (Remastered).  08:25 The Sorcerer's Apprentice de Paul Dukas,del álbum Fantasia 2000 (An Original Walt Disney Records Soundtrack).  08:43  Suite bergamasque, L. 75: Clair de lune de Claude Debussy, interpretado por Finghin Collins.  08:58  Boléro, M. 81 de Maurice Ravel, interpretado por London Symphony Orchestra & Arpad Jóo.  09:18  Petrushka, First Scene: IV. Russian Dance (1911 original version)  por Igor Stravinsky, interpretado por Valery Gergiev & Mariinsky Orchestra.  10:08  Noches en los Jardines de España (En los Jardines de la Sierra de Córdoba) [Remastered], del álbum  Obras Completas (Remastered).  11:54  El Sombrero de Tres Picos (Danza Final) [Remastered], del álbum Obras Completas (Remastered).  13:09  Danza Ritual del Fuego (El Amor Brujo), dirigido por Ataulfo Argenta. 14:22  La vida breve, Act 2: Spanish Dance, interpretado por Orquesta Nacional de España & Rafael Frühbeck de Burgos y Victoria de los Ángeles.  16:04  El Retablo de Maese Pedro (Final) [Remastered] , del álbum  Obras Completas (Remastered).      Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Composer Anna Clyne joins conductor Devin Patrick Hughes on One Symphony. They discuss Anna's influences like Stravinsky, Steve Reich, and Arvo Part, composing based on poetry from Rumi to Shakespeare, along with silence in music, symphonic programming, repurposing material from others or yourself, and a way for a composer to be in the room with an orchestra from anywhere in the world! Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music.  Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, Clyne is one of the most acclaimed and in-demand composers of her generation, connecting her music across art forms with innovative collaborations with choreographers, visual artists, filmmakers, and musicians.  Also the winner of the 2016 Hindemith Prize, Anna Clyne is currently the Associate composer for the Sottish Chamber Orchestra, and has held composer residencies with the Chicago Symphony, Baltimore Symphony, and the National Orchestra of France.  Some of Anna Clyne's most amazing works that have been performed by the top orchestras, soloists and conductors around the world, include Dance for cello and orchestra, Night Ferry, Rewind, This midnight Hour, Prince of Clouds, The Seamstress, Sound and Fury and Within Her Arms.  Marin Alsop said it best by describing Anna's music as “always emotional and driven by her heart, and skillfully composed”. Thank you for joining us on One Symphony and thanks to Anna Clyne for sharing her music and insights. Thank you to all the incredible performers and record labels that made this episode possible! Cornelius Dufallo and Amy Kauffman played Tea Leaves from The Violin.  Dance was performed by Inbal Segev, and the London Philharmonic conducted by Marin Alsop. Masquerade was performed by the BBC Symphony conducted by Marion Alsop.  A Wonderful Day was performed by Anna Clyne and Willie Barbee from Bang on a Can All-Stars on the Cantaloupe Music label.   Rewind was performed by the BBC Symphony and Andre de Ridder. Stravinsky's Rite of Spring was performed by the London Symphony and Rafael Frübeck de Burgos.  Beethoven's Grosse Fuge was performed by the Takács Quartet.  Bartok's Concerto for Orchestra was played by the Hungarian State Symphony and Adám Fischer. You can check out Anna Clyne's music online at annaclyne.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Entrevista con Rubén Ramiro, director del Conservatorio Profesional de Música

O prémio Europeu Helena Vaz da Silva para a Divulgação do Património Cultural foi criado pelo Centro Nacional de Cultura (CNC) e pela organização não-governamental Europa Nostra em parceria com o Clube Português de Imprensa (CPI) e visa distinguir um cidadão europeu que, ao longo da sua carreira, se tenha distinguido pela divulgação, defesa e promoção do Património Cultural Europeu. Esta iniciativa conta com o apoio do Ministério da Cultura, Turismo de Portugal e da Fundação Calouste Gulbenkian, onde, desde a sua primeira edição, em 2013, se realizam as cerimónias de atribuição. Em 2015, Jordi Savall, conceituado músico e maestro espanhol (Catalunha), foi o terceiro premiado pelo seu trabalho dedicado ao património, especialmente o património musical, enquanto poderoso instrumento de promoção do tão necessário diálogo intercultural na Europa e entre a Europa e o resto do mundo (discurso em francês). As Menções Especiais do Júri foram entregues ao jornalista de rádio e televisão dinamarquês Adrian Lloyd Hughes e ao jornalista cultural espanhol Rafael Fráguas.

This episode features my interview with the legendary Dr. Jerry Blackstone. Jerry is a Grammy award-winning conductor who is well known for his work as a professor of choral music at the University of Michigan. In our discussion, Jerry shares his views on repertoire, inspiring musicians, and the art of music-making.    Topics include: (04:09) Jerry talks about his life, background, and current role as a visiting professor at Wheaton College (12:32) Score study (30:05) Connecting students to the music they perform (34:20) Rehearsal methodology (42:31) Framing verbal instruction (47:28) Jerry’s approach to conducting  (1:11:37) Getting musicians to fall in love with music (1:15:04) Favorite rehearsal tactics (1:16:24) Why do we teach music?  (1:20:15) Todd discusses leaders that have made an impact on his life  (1:24:20) Advice for music educators   Links:  Jerry’s University of Michigan page: https://smtd.umich.edu/about/faculty-profiles/jerry-blackstone/ Jerry conducting Ein deutsches Requiem, op. 45 at UoM: https://www.youtube.com/watch?v=iAGxnqRpiF0 Jerry conducting William Brehm’s “Allulia” and “Jubilee!” at UoM: https://www.youtube.com/watch?v=AWVFUfXRkzE Jerry giving a clinic on compelling musical performances: https://www.youtube.com/watch?v=vw8FtiyRXMo Bio:  Grammy Award winner Jerry Blackstone is a leading conductor and highly respected conducting pedagogue.  Now emeritus professor of conducting, he served on the faculty of the University of Michigan School of Music, Theatre & Dance for thirty years where as director of choirs he led the graduate program in choral conducting and oversaw the University’s eleven choirs.   In February 2006, he received two GRAMMY Awards (“Best Choral Performance” and “Best Classical Album”) as chorusmaster for the critically acclaimed Naxos recording of William Bolcom’s Songs of Innocence and of Experience. The Naxos recording of Milhaud’s monumental L’Orestie d’Eschyle, on which Blackstone served as chorusmaster, was nominated for a 2015 GRAMMY Award (“Best Opera Recording”). Opera Magazine reviewer Tim Ashley wrote: “the real stars, though, are the University of Michigan’s multiple Choirs, who are faced with what must be some of the most taxing choral writing in the entire operatic repertory. Their singing has tremendous authority and beauty, while the shouts and screams of Choéphores are unnerving in the extreme. Their diction is good too: the occasions when we don’t hear the words are Milhaud’s responsibility, rather than theirs. It’s an extraordinary achievement, and utterly mesmerizing.” The University of Michigan Chamber Choir, conducted by Blackstone, performed by special invitation at the inaugural conference in San Antonio of the National Collegiate Choral Organization (NCCO) and presented three enthusiastically received performances in New York City at the National Convention of the American Choral Directors Association (ACDA).  As conductor of the University of Michigan Men’s Glee Club from 1988-2002, Professor Blackstone led the ensemble in performances at ACDA national and division conventions and on extensive concert tours throughout Australia, Eastern and Central Europe, Asia, South America, and the United States. In 2017, NCCO presented him with its prestigious Lifetime Achievement Membership Award and, in 2006, for “significant contributions to choral music,” he received the ACDA-Michigan chapter’s Maynard Klein Lifetime Achievement Award.  From 2003-2015, Dr. Blackstone served as conductor and music director of the University Musical Society (UMS) Choral Union, a large community/university chorus that frequently appears with the Detroit Symphony Orchestra (DSO) and the Ann Arbor Symphony and presents yearly performances of Handel’s Messiah and other major works for chorus and orchestra. Choirs prepared by Blackstone have appeared under the batons of Valery Gergiev, Neeme Järvi, Leonard Slatkin, Hans Graf, Michael Tilson Thomas, John Adams, Helmuth Rilling, James Conlon, Nicholas McGegan, Rafael Frühbeck de Burgos, Peter Oundjian, and Yitzak Perlman. Professor Blackstone is considered one of the country’s leading conducting teachers, and his students have been first place award winners and finalists in both the graduate and undergraduate divisions of ACDA’s biennial National Choral Conducting competition.  His 2016 rehearsal techniques DVD, Did You Hear That? (GIA Publications) deals with the conductor’s decision-making process during rehearsal.  Santa Barbara Music Publishing distributes Blackstone’s acclaimed educational DVD, Working with Male Voices and also publishes the Jerry Blackstone Choral Series. Blackstone is an active guest conductor and workshop presenter and has appeared in forty-two states as well as New Zealand, Australia, Hong Kong, Shanghai, and Sicily. In the summer, he leads the Adult Choir Camp and the Choral Conducting Institute at the Interlochen Center for the Arts. Prior to coming to the University of Michigan in 1988, Dr. Blackstone served on the music faculties of Phillips University in Oklahoma, Westmont College in California, and Huntington University in Indiana.    

El 9 de mayo, Nelson Goerner cumplió 50 años y La 96.7 lo celebró con un programa especial. Te invitamos a escuchar la conversación que Pablo Kohan y Margarita Zelarayán mantuvieron con el gran pianista argentino, en la que repasó su trayectoria y habló sobre su presente y sus proyectos.   Nelson Goerner es uno de los pianistas argentinos más destacados de la actualidad. Actúa con frecuencia junto a las orquestas más importantes, entre ellas, la Filarmónica de Londres, la Filarmónica de la BBC, la Orquesta Nacional de Escocia, y la Sinfónica de Viena. Su debut en el Teatro Colón se dio en 1986, interpretando el Concierto para piano y orquesta Nº1 de Liszt, y poco después consiguió una beca para estudiar en el Conservatorio de Ginebra. Desde entonces, ha realizado innumerables giras por Europa y América, muchas veces bajo la dirección de célebres directores como Armin Jordan, Neeme Järvi, Fabio Luisi, Frans Bruggen y Rafael Frühbeck de Burgos, entre muchos otros. Su discografía abarca una docena de albums de estudio y de presentaciones en vivo para los sellos EMI, Cascavelle, Chandos y Accord, interpretando principalmente obras de Beethoven, Chopin, Schumann, Liszt, Busoni, Rachmaninov y Janácek.

I programmet diskuterar panelen bl.a. Glucks opera Orfeus och Euridike med en countertenor som Orfeus samt Scharoun-ensemblen som tolkar Dvoràk. Sofia Nyblom möter dirigenten Franz Welser-Möst. I panelen Bengt Forsberg, Bodil Asketorp och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:CHRISTOPH WILLIBALD GLUCK Orfeus och Euridike Franco Fagioli, Malin Hartelius, Emmanuelle de Negri Accentus, Insula Orchestra Laurence Equilbey, dirigent Archiv 479 5315 ANTONÍN DVORÁK Bagateller op 47, Stråktrio op 74 och Stråkkvintett op 77 Scharoun-ensemblen, Berlin Tudor 7187GUSTAV MAHLER Symfoni nr 4, Tre sånger ur Des Knaben Wunderhorn Lisa Larsson, sopran, Het Gelders Orkest Antonello Manacorda, dirigent Challenge CC 72659ALBÉNIZ GRANADOS Pianokonsert nr 1 a-moll, Spansk rapsodi Pianokonsert c-moll Melani Mestre, piano BBC skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 7918Sofia möter Franz Welser-Möst Sofia Nyblom träffade den österrikiske dirigenten för en pratstund i samband med hans framträdande i Nobelkonserten i Stockholms konserthus, december 2015. Welser-Möst började sin karriär i Sverige som chefsdirigent för Norrköpings symfoniorkester på 1980-talet. Han ledde Wiens filharmoniker under fyra säsonger och avgick efter en schism med ledningen. Cleveland-orkestern däremot är han trogen i rollen som chefsdirigent sedan 14 år tillbaka. Welser-Möst bekände också att han ofta längtar tillbaka till Sverige.  Andra i programmet nämnda eller rekommenderade inspelningar: Mahlers fjärde symfoni med Judith Raskin, Cleveland-orkestern och dirigenten George Szell på Columbia; gossopranen Helmut Wittek och Concertgebouw-orkestern ledda av Leonard Bernstein på DG. Johan rekommenderar Ivan Fischer och Budapests festivalorkester samt sopranen Miah Persson i inspelning på Channel Classics. Dvoráks Stråktrio och Bagateller med Vlach-kvartetten på Praga. Dvoráks Stråkkvintett med stråkar ur Berlins filharmoniker på Philips; Smetana-kvartetten och Josef Suk på Supraphon samt med Uppsala kammarsolister utgiven på Palette. Enrique Granados opera Goyescas Isaac Albéniz Spansk rapsodi med pianisten Miguel Baselga tillsammans med Teneriffas symfoniorkester under ledning av Lü Jia på Bis samt med Alicia de Larrocha och Londons filharmoniker under dirigenten Rafael Frühbeck de Burgos på Decca. Albéniz Pianokonsert med Aldo Ciccolini tillsammans med Londons symfoniorkester och dirigenten Enrique Batiz på skivmärke Regis. Glucks Orfeus och Euridike med Bernarda Fink i Orfeus roll tillsammans med Freiburgs barockorkester ledda av René Jacobs på skivmärket Harmonia Mundi.Johan sveper över en CD med tidiga verk av Henri Dutilleux. Vi serveras ett litet smakprov ur musiken till filmen La Fille du Diable, komponerad 1945-46 och utgiven på Bis.        

Violinisten och kontratenoren Dmitri Sinkovsky både sjunger och spelar Vivaldi, BBC:s kör och orkester framför musik av E. Elgar och Sofia Nyblom möter den georgiska violinisten Lisa Batiashvili. I panelen sitter Bengt Forsberg, David Björkman och Johanna Paulsson som tillsammans med programledaren Johan Korssell betygsätter följande skivor:SINKOVSKY PLAYS AND SINGS VIVALDI De fyra årstiderna, Cessate omai cessate, kantat Dmitri Sinkovsky, violin, countertenor och dirigent La Voce Strumentale Naïve OP 30559EDWARD ELGAR Gerontius dröm, Sea Pictures Sarah Connolly, Stuart Skelton, David Soar BBCs Symfoniorkester och kör Andrew Davis, dirigent Chandos CHSA 5140SERGEJ PROKOFJEV ARAM CHATJATURIAN Pianokonserter Nareh Arghamanyan, piano Berlin-radions symfoniorkester Alain Altinoglu, dirigent Pentatone PTC 5186 510ANDRZEJ & ROXANNA PANUFNIK Stråkkvartetter nr 1, 2, 3 m.m. Brodsky-kvartetten Chandos CHAN 10839Sofia möter Lisa Batiashvili Sofia Nyblom träffade den georgiska violinisten Lisa Batiashvili under hennes Stockholms-besök i november då hon framträdde som solist i Sibelius violinkonsert tillsammans med Kungl filharmonikerna.Andra nämnda eller rekommenderade inspelningar- Andrzej Panufniks och Witold Lutoslawskis  stråkkvartetter som jämförelse med Tippett-kvartetten på Naxos. - Andrzej och Roxanna Panufniks musik på samma utgåva, solopianomusik inspelad på Bis. - Prokofjevs tredje pianokonsert med Martha Argerich tillsammans med Berlins filharmoniker och dirigenten Claudio Abbado på DG; Lang Lang och Berlins filharmoniker dirigerade av Simon Rattle på Sony; Alexander Thoradze tillsammans med Mariinsky-teaterns orkester ledda av Valerij Gergijev på Decca. - Chatjaturians pianokonsert med pianisten Alicia de Larrocha och Londons filharmoniker  under Rafael Frühbeck de Burgos på Decca; Moura Lympany och Philharmonia Orchestra ledda av Walter Süsskind på Decca samt med William Kapell som solist tillsammans med Bostons symfoniorkester under ledning av Sergej Koussevitsky på Dutton. - Elgars The dream of Gerontius med solister och Londons symfoniorkester allt under Benjamin Britten på Decca; bl a tenoren Jon Vickers RAIs symfoniorkester, Rom dirigerade av John Barbirolli på skivmärket Archipel; bl a Janet Baker och Halléorkestern under John Barbirolli på EMI samt bl a tenoren Justin Lavender och Birminghams symfoniorkester ledda av Sakari Oramo på CBSO.

With Lew Smoley, Dennis Rooney, and Sedgwick Clark

Reposting this great interview with Joshua Bell who recently performed at Union Station in Washington. Check out the recent article in the Washington Post (http://www.washingtonpost.com/blogs/style-blog/wp/2014/09/30/joshua-bell-on-his-union-station-crowd-this-is-more-like-it/) and then listen to the interview here afterwards. (update 10/1/14) He performs and records not only classical music but also contemporary, bluegrass, Gershwin, and Bernstein. He plays a 1713 Stradivarius, known as 'The Gibson'. Bell was named one of People Magazine's 50 Most Beautiful People in May 2000. On January 12, 2007, with Washington Post Staff Writer Gene Weingarten, he pretended he was a violin street busker at a Washington, D.C. subway stop as an experiment to see if people would pay attention in their rush to get to work at 8 a.m. in the morning. In 2013 The Boston Symphony Orchestra opened its Tanglewood with Joshua Bell and Rafael Frühbeck de Burgos conducting Tchaikovsky’s Violin Concerto in D and Symphony No. 5 in E minor. Here is my interview with Joshua Bell. www.joshuabell.com, www.amazon.com, www.youtube.com/artist/joshua-bell

- fra Koncerthuset. Rafael Frühbeck de Burgos og DR SymfoniOrkestret afslutter årets store Beethoven-cyklus med de to sidste symfonier, nr. 8 og nr. 9 med solister og DR KoncertKoret. Albina Shagimuratova, sopran. Charlotte Hellekant, mezzosopran. Scott MacAllister, tenor. Johan Reuter, baryton. Vært: Peter Filtenborg. www.dr.dk/p2koncerten (Sendt første gang 30. maj).