Podcast appearances and mentions of Paul Dukas

durée : 00:17:12 - César Franck, Paul Dukas, Albert Roussel - Orchestre de Paris, Paavo Järvi - Paavo Järvi et l'Orchestre de Paris partagent une longue histoire commune, commencée en 2004. Enregistré à la Salle Pleyel et à la Philharmonie et mettant en lumière des chefs-d'œuvre du répertoire français, ce disque témoigne de l'engagement du chef envers l'un de ses orchestres de prédilection.

durée : 00:17:12 - César Franck, Paul Dukas, Albert Roussel - Orchestre de Paris, Paavo Järvi - Paavo Järvi et l'Orchestre de Paris partagent une longue histoire commune, commencée en 2004. Enregistré à la Salle Pleyel et à la Philharmonie et mettant en lumière des chefs-d'œuvre du répertoire français, ce disque témoigne de l'engagement du chef envers l'un de ses orchestres de prédilection.

1897, Paul Dukas tovert L'Apprenti sorcier uit zijn componeerhoed. Een symfonisch gedicht over een tovenaarsleerling die zijn spreuk niet meer kan terugroepen. Clara denkt meteen aan de Fantasia films van Disney, waar Mickey Mouse de tovenaarsleerling speelt. Sander die herkent zich dan weer zelf in de tovenaarsleerling, want hij kuist ook met véél te veel water. Een ondergelopen aflevering vol zelfverzonnen spreuken en aanstekelijke muzikale thema's.

durée : 00:30:24 - France Musique est à vous junior du samedi 19 avril 2025 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui : un podcast des années 1990, un labo musical de Nico sur la musique et les animaux, une œuvre de jeunesse de Paul Dukas et le coup de cœur d'une auditrice de 7 ans !

durée : 00:59:07 - Joaquín Rodrigo sans Aranjuez - par : Sébastien Llinares - "À son arrivée à Paris, Joaquín Rodrigo entre dans la classe de Paul Dukas en 1927. Il s'imprègne de l'effervescence culturelle de la capitale, fréquente le pianiste créateur de la plupart des nouvelles musiques françaises, Ricardo Viñes et le compositeur Darius Milhaud" Sébastien Llinarès - réalisé par : Patrick Lérisset

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C'est à partir d'une ballade de Goethe, écrite en 1797, que Paul Dukas écrit son célèbre poème symphonique L'Apprenti sorcier.Pendant que son maître a le dos tourné, un jeune sorcier ensorcèle un balai pour s'épargner les corvées ménagères. Il lui confie deux seaux pour remplir le bassin d'eau à sa place. Malheureusement, il ne connaît pas la formule permettant d'arrêter le balai… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This Day in Legal History: Gandhi's First Act of Civil DisobedienceOn June 7, 1893, Mohandas Gandhi committed his first act of civil disobedience in South Africa, an event that would shape his future activism and the global struggle for civil rights. Gandhi, holding a first-class ticket, was ordered to move to the third-class section of a train because he was Indian. Refusing to comply, he was forcibly removed from the train at Pietermaritzburg. This incident ignited Gandhi's resolve to combat racial discrimination and injustice.In response to this humiliation, Gandhi began organizing the Indian community in South Africa, leading to the founding of the Natal Indian Congress in 1894. This organization aimed to unite Indians and fight against discriminatory laws. Gandhi's efforts in South Africa laid the groundwork for his philosophy of nonviolent resistance, known as Satyagraha.After gaining experience and recognition in South Africa, Gandhi returned to India in 1915. There, he became a pivotal leader in the struggle for independence from British colonial rule. Through nonviolent protests, boycotts, and civil disobedience, Gandhi mobilized millions of Indians and brought international attention to their cause.Gandhi's first act of defiance on that South African train was more than just a personal stand; it was the beginning of a movement that would inspire civil rights leaders worldwide, including Martin Luther King Jr. and Nelson Mandela. This day marks a significant moment in legal history, highlighting the power of peaceful protest and the enduring fight for equality and justice.The US Supreme Court's recent decision has significant implications for estate planning, particularly for family businesses. The ruling mandated that the value of Crown C Supply Co., a family-owned business, must include the life insurance payout received after co-owner Michael Connelly's death. This decision was a setback for Thomas Connelly, the estate executor, who argued against including the payout in the company's valuation.The unanimous ruling, authored by Justice Clarence Thomas, emphasizes that businesses using life insurance proceeds for shareholder buyouts must account for these proceeds in their valuations or explore alternative strategies. These alternatives include cross-purchase agreements, where individual shareholders, rather than the company, hold the life insurance policies, or placing the policies in a trust.This ruling could particularly affect small business owners who might not afford extensive legal advice, potentially pushing their estates above the exemption threshold and incurring higher taxes. Estate planners now need to reassess buy-sell agreements and consider more tax-efficient arrangements. Despite the clarified tax risks, not all businesses will shift from the contested buy-sell agreements, as factors beyond tax implications often influence business decisions. The case, Connelly v. United States, highlights the need for thorough estate planning to navigate tax liabilities effectively.High Court Estate Tax Ruling Forces Succession Planning RevampsNetflix shareholders voted down a proposal to increase transparency on the company's use of artificial intelligence (AI) at its annual meeting. The proposal, presented by the AFL-CIO Equity Index Funds, requested a report detailing Netflix's AI policies and ethical guidelines. Concerns highlighted included potential hiring discrimination, mass layoffs, and facility closures, arguing that ethical AI guidelines could prevent labor issues and lawsuits. This follows last summer's Hollywood strikes, partly driven by fears that AI could undermine writers and actors. Similar AI-related proposals have been presented to other tech companies like Meta and Microsoft but have not passed. In February, a proposal at Apple received notable support, with 37.5% of investors in favor.Netflix, in its proxy statement, described AI as a tool to enhance creativity and efficiency, not to replace human work. The company also mentioned existing collective bargaining agreements with unions that address AI use. Netflix argued that the requested report could reveal sensitive information and harm its competitive position.Netflix Investors Reject Bid on AI Discrimination, Layoff RisksU.S. Circuit Judge Ryan Nelson of the 9th U.S. Circuit Court of Appeals recused himself from a case involving Palestinian rights activists who seek to block the Biden administration's military support of Israel. The recusal follows his participation in a trip to Israel with other judges after the October 7 Hamas attack. Although Nelson believed his impartiality wouldn't reasonably be questioned, he stepped down out of caution. The plaintiffs argued that the trip, organized by the World Jewish Congress, aimed to influence judicial perspectives on Israeli actions, central to the case. Judge Consuelo Callahan replaced Nelson for the hearing. The case, Defense for Children International-Palestine v. Biden, challenges U.S. support for Israel's military actions in Gaza.US judge recuses himself from Gaza case after trip to Israel | ReutersA Texas public library must return eight controversial books, covering LGBTQ+, sex education, and racism topics, to circulation after a divided ruling by the 5th U.S. Circuit Court of Appeals. The court found that removing books based on content objections violated the First Amendment rights of library patrons. The ruling largely upheld a 2023 preliminary injunction by U.S. District Judge Robert Pitman. In dissent, Judge Stuart Kyle Duncan criticized the decision, arguing that it improperly involved federal judges in library decisions. The case, initiated by Leila Green Little and others, challenges the Llano County Library System's removal of books like "Caste" by Isabel Wilkerson and "Being Jazz" by Jazz Jennings. The ruling reflects a broader trend of legal challenges against library book bans, with similar cases arising in Iowa, Texas, and Arkansas. The American Library Association and PEN America report a significant increase in book challenges and bans, particularly those involving marginalized communities.Texas Library Must Reshelve Controversial Books, 5th Cir. SaysThis week's closing theme is by Paul Dukas, who passed away on this day in 1935.Paul Dukas was a notable French composer, critic, and teacher who left an indelible mark on the world of classical music. Born in Paris in 1865, Dukas was a contemporary of Debussy and shared the same innovative spirit that defined French music at the turn of the century. Although his output was relatively small, his meticulous approach ensured that each work he published was of the highest quality. Dukas is best remembered for his orchestral masterpiece, "The Sorcerer's Apprentice" (L'Apprenti sorcier), composed in 1897.Inspired by Goethe's poem of the same name, "The Sorcerer's Apprentice" vividly depicts the tale of a young apprentice who, in his master's absence, uses magic to animate a broom to do his chores, only to lose control of the spell. Dukas's composition brilliantly captures the whimsical and chaotic nature of the story through its lively orchestration and dynamic contrasts. The piece's enchanting melodies and dramatic crescendos have made it a favorite in concert halls and have cemented its place in popular culture, especially after being featured in Disney's "Fantasia" in 1940.Dukas's ability to blend narrative with musical innovation showcases his exceptional talent and ensures that "The Sorcerer's Apprentice" remains a timeless piece, beloved by audiences of all ages. As we reflect on Dukas's contributions, we celebrate his genius and the magical world he brought to life through music.Without further ado, Paul Dukas' “L'Apprenti sorcier,”or “The Sorcerer's Apprentice,” enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:25:01 - Paul Dukas, L'Apprenti Sorcier - par : Anne-Charlotte Rémond - Le 19 février 1899, une foule impatiente se presse au Cirque des Champs-Elysées à Paris, pour assister à la première audition de L'Apprenti Sorcier de Paul Dukas. Le jeune compositeur raconte en musique, l'histoire d'un apprenti-sorcier, telle que l'a déjà racontée Goethe dans son poème éponyme. - réalisé par : Claire Lagarde

This week, wayfarers, we go WAY back, to 1666, and the first European work of feminist Science Fiction--in fact, one of the first works of Science Fiction as we know it--Margaret Cavendish's The Blazing World, a travelogue, pontification, and philosophical potboiler. Adam's Patreon Phil's Patreon What Mad Universe?!? on Bluesky What Mad Universe?!? on Twitter Philip's Bluesky Philip's Twitter Adam's Bluesky Adam's Twitter What Mad Universe on Facebook What Mad Universe on Instagram What Mad Universe RSS Feed Engineer/Producer: Alex Ross Theme song by Jack Feerick Additional music: "The Sorceror's Apprentice" by Paul Dukas (c) 2023 Adam Prosser and Philip Rice. Music (c) its respective creators. Used under a Creative Commons Non-Commercial Attribution 3.0 International License.

SynopsisOn today's date in 1935, at the Church of St. François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Organ Suite, by French composer and virtuoso organist Maurice Duruflé.If you sing in a choir or are a fan of choral classics, you probably know Duruflé's serene and tranquil Requiem, which premiered about 12 years later.Now, if Duruflé's Organ Suite, Op. 5, premiered in 1935 and his Requiem, Op. 9, in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. His Organ Suite consists of a brooding “Prélude,” a “Sicilienne” — which evokes the harmonies and inflections of Ravel — and a brilliant, concluding “Toccata.”Duruflé's music is firmly embedded in the French tradition of organ composers such as César Franck and Louis Vierne, and Duruflé's composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé's music as “perfectly honest art.”“He was not an innovator but a traditionalist,” she said “… Duruflé evolved and amplified the old traditions, making them his own."Music Played in Today's ProgramMaurice Durufle (1902-1986) Organ Suite; Todd Wilson (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas) Delos 3047

Mathieu Herzog et son ensemble Appassionnato lancent un album centré sur l'eau, avec des œuvres de Debussy, Paul Dukas et Jean Cras. Debussy exploite l'orchestration pour évoquer la mer, tandis que Dukas et Cras présentent des perspectives uniques sur l'eau.

A discussion of Walt Disney's 1940 film where Mickey meets classical music. Topics covered include: music itself, liking or not liking symphonies, and all things from the mind of Fr. Luke, a piano performance major from the University of Michigan. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "The Sorcerer's Apprentice" by Paul Dukas.

In this first part of a two-part episode, we look at the variety of ways that John Williams creates the musical world of Harry Potter. From school songs to Quidditch, from dragons to goblins, from ghosts to moving staircases, John Williams combines the rich late-romantic orchestral sound with the slightly odd notes resembling 20th century composers such as Stravinsky and Prokofiev to create a world that seems both familiar and different. He also expands in the second and third film from celeste and choir to adding instruments from the Baroque and Renaissance, combining new sounds with old. This episode focuses solely on the first three movies composed by John Williams.Host: Ruth MudgeMusic included in podcast:"The Arrival of Baby Harry" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"The Sorcerer's Apprentice" - The Sorcerer's Apprentice, performed by the Berlin Philharmonic & James Levine, music by Paul Dukas, 1987"Diagon Alley/The Gringotts Vault" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Act 1, Scene III, The Street Awakens" - Romeo & Juliet, Op. 64, performed by the London Symphony Orchestra & Valery Gergiev, music by Sergei Prokofiev, 2010"Platform Nine-and-three-quarters/The Journey to Hogwarts" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Hogwarts Forever!/The Moving Stairs" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Entry into the Great Hall/The Banquet" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"The Quidditch Match" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Christmas at Hogwarts" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Olympic Fanfare and Theme" - Celebrating John Williams (Live at Walt Disney Concert Hall, Los Angeles 2019), performed by Los Angeles Philharmonic & Gustavo Dudamel, music by John Williams, 2019"The Norwegian Ridgeback/A Change of Seasons" - Harry Potter and the Sorcerer's Stone (Original Motion Picture Soundtrack), music by John Williams, 2001"Fawkes is Reborn" - Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack), music by John Williams & William Ross, 2002"Dueling the Basilisk" - Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack), music by John Williams & William Ross, 2002"Meeting Aragog" - Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack), music by John Williams & William Ross, 2002"Moaning Myrtle" - Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack), music by John Williams & William Ross, 2002"Knockturn Alley" - Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack), music by John Williams & William Ross, 2002"Pavana la Bataglia (Crumhorns & Ensemble)" - Dictionary of Medieval & Renaissance Instruments, performed by Christian Mendoza & Orchestra Antiqua Musica, music by Anonymous, 2002"Double Trouble" - Harry Potter and the Prisoner of Azkaban (Original Motion Picture Soundtrack, music by John Williams, 2004"Secrets of the Castle" - Harry Potter and the Prisoner of Azkaban (Original Motion Picture Soundtrack, music by John Williams, 2004"The Portrait Gallery" - Harry Potter and the Prisoner of Azkaban (Original Motion Picture Soundtrack, music by John Williams, 2004"Quidditch, Third Year" - Harry Potter and the Prisoner of Azkaban (Original Motion Picture Soundtrack, music by John Williams, 2004"Apparition on the...

Synopsis Today's date in 1910 marks the birthday in Paris of a French composer you perhaps have never heard of, but Elsa Barraine is well-deserving of your attention. Barraine's father was a cellist at the Paris Opera, and as a teen Elsa attended the Paris Conservatory, studying composition with Paul Dukas. Olivier Messiaen was her classmate and remained a life-long friend. Barraine won several prizes for her compositions, including the prestigious Prix de Rome in 1929 when she was just 19.She worked at the French National Radio from 1936 to 1940. During World War II, Barraine was heavily involved in the French Resistance, and from 1944 to 1947 was the Recording Director of the French record label Le Chant du Monde. In 1953 she joined the faculty at the Paris Conservatoire, where she taught until 1972, the year the French Ministry of Culture named her Director of Music. She died in 1999. Elsa Barraine's catalog of works includes a variety of vocal and instrumental works, an opera, ballets, and two symphonies, but her music is seldom performed today. We're sampling one of her chamber works, a piece for French horn and piano entitled Crépuscules, or Twilights. Music Played in Today's Program Elsa Barraine (1910-1999): Crépuscules Lin Foulk Baird, fh; Martha Fischer, p. Centaur CRC-3857

Bonjour Travelers! Join host Josh this week in Epcot for a mid-week bonus trip to experience Impressions de France!   Disney says: "Be transported to another time and place, a land of princesses and enchanted castles, as the Loire Valley and its magnificent chateaux appear in a stunning 200-degree widescreen view.  On your virtual journey, ride along with horsemen and hunting dogs in the Cheverny Forest, reflect on the Hall of Mirrors at Versailles, visit a bustling marketplace in Normandy and see vintners and cognac makers at work.  Watch Bugattis racing in Cannes, hot-air balloons floating along the Loire and celebrate Bastille Day in grand Gallic fashion as you listen to an emotional soundtrack by French composers like Claude Debussy, Maurice Ravel and Paul Dukas."   As always, use good listening devices as we always record in 4 channel surround sound. We hope you enjoy the episode and thanks so much for following along!    Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi! Find our producer Josh also on Instagram at @TheSteele. Say hi to our west coast correspondent Ric at @opticaljedi. Lastly give a shout to our Orlando correspondent Pete at @neverlandlocal.   You can now also drop us at line at contact@walkabouttheworld.com. Say hi, give us some suggestions on things you'd love to hear, or even record your own 'Hello Traveler' show open when you are out and about, and we'll work it into a future show!

Synopsis While many great composers have also been great conductors, this can be the exception rather than the rule. On today's date in 1959, the American composer Ned Rorem tried his hand at conducting the premiere of one of his own compositions, a chamber suite entitled “Eleven Studies for Eleven Players.” Rorem recalled: “I learned that the first requisite to becoming a conductor is an inborn lust for absolute monarchy, and that I, alone among musicians, never got the bug. I was terrified. The first rehearsal was a model of how NOT to inspire confidence. I stood before the eleven players in all my virginal glory, and announced: ‘I've never conducted before, so if I give a wrong cue, do try to come in right anyway.'” Fortunately for Rorem, his eleven musicians were accomplished faculty at Buffalo University, and, despite his inexperience, Rorem certainly knew how his new piece should sound. Rorem's Suite incorporated a few bits recycled from music he had written for a successful Broadway hit—Tennessee Williams' “Suddenly Last Summer”—plus a bit from an unsuccessful play entitled “Motel” that never made it past a Boston tryout. Rorem's own tryout as a conductor convinced him to stick to composing, although he proved to be a fine piano accompanist for singers performing his own songs. As for “Eleven Studies for Eleven Players,” it's gone on to become one of Rorem's most-often performed chamber works. Music Played in Today's Program Ned Rorem (b. 1923) — Eleven Studies for Eleven Players (New York Chamber Ensemble; Stephen Rogers Radcliffe, cond.) Albany 175 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Rorem NY Times feature on Rorem at 95

C'est quoi être un héros ? C'est la question au cœur du Festival Musiq3, en cette année 2020...héroïque. Amer - écrit par Vinciane Moeschler et raconté par Bach-Lan Le Ba Thi, avec la participation de Magali Pinglaut. La musique d'inspiration est L'apprenti sorcier de Paul Dukas.

Donald Macleod and guest Sarah Willis explore some of the greatest “one-hit wonders” in classical music - Johann Pachelbel, Engelbert Humperdinck, Paul Dukas, Gregorio Allegri, Henryk Górecki, Tomaso Albinoni, Giovanni Pergolesi, Pietro Mascagni, Carl Orff and Julius Fučík. Classical music is littered with composers who are famous for just a single piece of music. In a special week of Composer of the Week programmes, Donald Macleod is joined by Berlin Philharmonic horn player Sarah Willis to explore ten of these composers and examine episodes from their lives, alongside their compositions – both their popular hits and some of their less familiar music. They also try to isolate why certain works have captured the popular imagination of audiences around the world. Music Featured: Pachelbel: Canon & Gigue for 3 violins and continuo in D major Pachelbel: Christ lag in Todesbanden Humperdinck: Erinnerung Humperdinck: Hansel and Gretel (excerpts) Humperdinck: Königskinder, "Verdorben! Gestorben!..Ihr Kindlein, sie sind gefunden" Dukas: La Peri Fanfare Dukas: L'apprenti sorcier Dukas: Ariane et Barbe-bleu, Act III: Adieu Allegri: Canzone Scamfortina Allegri: Missa ‘Che fa oggi il mio sole': Agnus Dei Allegri: Miserere Górecki: Symphony No 3 (Symphony of Sorrowful Songs),1st Mvt. Górecki: Little Requiem for a Certain Polka, Op 66, 3rd Mvt. Górecki: Symphony No 3 (Symphony of Sorrowful Songs), 2nd Mvt. Górecki: Miserere Albinoni: Overture to Zenobia Albinoni (compl. Giazotto): Adagio in G minor Albinoni: Concerto in B flat major for oboe and strings Albinoni: Concerto in F major for oboe and strings Pergolesi: Stabat Mater (excerpt) Pergolesi: Conversione di San Guglielmo (Sinfonia) Pergolesi: Dixit Dominus, Opening chorus Pergolesi: Stabat Mater (excerpt) Mascagni: Cavalleria Rusticana (Easter Hymn, Inneggiamo & Intermezzo) Mascagni: Rapsodia Satanica, Prologue Orff: Camina Burana, 'O Fortuna' Orff/Keetman: Schulwerk (excerpts) Orff: De temporum fine comoedia Orff: Carmina Burana (excerpt) Fučík: Entry of the Gladiators Fučík: Miramare Fučík: Triglav Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for One Hit Wonders https://www.bbc.co.uk/programmes/m001695t And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Marionetas, ballet y muchas castañuelas. En este episodio conoceremos a uno de los compositores españoles más famosos de todos los tiempos: Manuel de Falla.  La música que escucharás en este episodio:  00:36  El Retablo de Maese Pedro (La Sinfonía de Maese Pedro) [Remastered], del álbum Obras Completas (Remastered).  02:23  Homenajes (Pedrelliana) [Remastered], del álbum Obras Completas (Remastered).  06:19  Concierto para Clavicembalo (Vivace) [Remastered], del álbum Obras Completas (Remastered).  08:25 The Sorcerer's Apprentice de Paul Dukas,del álbum Fantasia 2000 (An Original Walt Disney Records Soundtrack).  08:43  Suite bergamasque, L. 75: Clair de lune de Claude Debussy, interpretado por Finghin Collins.  08:58  Boléro, M. 81 de Maurice Ravel, interpretado por London Symphony Orchestra & Arpad Jóo.  09:18  Petrushka, First Scene: IV. Russian Dance (1911 original version)  por Igor Stravinsky, interpretado por Valery Gergiev & Mariinsky Orchestra.  10:08  Noches en los Jardines de España (En los Jardines de la Sierra de Córdoba) [Remastered], del álbum  Obras Completas (Remastered).  11:54  El Sombrero de Tres Picos (Danza Final) [Remastered], del álbum Obras Completas (Remastered).  13:09  Danza Ritual del Fuego (El Amor Brujo), dirigido por Ataulfo Argenta. 14:22  La vida breve, Act 2: Spanish Dance, interpretado por Orquesta Nacional de España & Rafael Frühbeck de Burgos y Victoria de los Ángeles.  16:04  El Retablo de Maese Pedro (Final) [Remastered] , del álbum  Obras Completas (Remastered).      Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños. 

Synopsis On today's date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer, teacher, and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral music, you're probably familiar with Duruflé's serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Duruflé's Op. 5 premiered in 1935, his Op. 9 in 1947, so you might reasonably conclude the composer was a slow worker – which he was.  He was also a very self-critical perfectionist whose catalog of works is rather small, but exquisitely crafted.  In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. Duruflé's music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and orchestral composers like Debussy, Ravel, and Duruflé's own composition teacher, Paul Dukas.  The great French organist Marie-Claire Alain, when asked to describe Duruflé's music, replied "it is a perfectly honest art… He was not an innovator but a traditionalist… Duruflé evolved and amplified the old traditions, making them his own."  Music Played in Today's Program Maurice Durufle (1902-1986) — Organ Suite, Op. 5 (Todd Wilson, o (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas)) Delos 3047 On This Day Births 1752 - Italian composer Muzio Clementi, in Rome; 1878 - English composer Rutland Boughton, in Aylesbury; Deaths 1837 - Irish composer John Field, age 54, in Moscow (Julian date: Jan.11); 1908 - American composer and pianist Edward MacDowell, age 47, in New York; 1981 - American composer Samuel Barber, age 70, in New York; Premieres 1724 - Bach: Sacred Cantata No. 73 ("Herr, wie du willst, so schicks mit mir") performed on the 3rd Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1729 - Bach: Sacred Cantata No. 156 ("Ich steh mit einem Fuss im Grabe") probably performed in Leipzig on the 3rd Sunday after Epiphany as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1895 - MacDowell: Suite No. 2 (":Indian"), at the old Metropolitan Opera House in New York City, by the Boston Symphony, with Emil Paur conducting; On the same program, MacDowell appeared as the soloist in his own Piano Concerto No. 1; 1933 - Bartók: Piano Concerto No. 2, in Frankfurt, with Hans Robaud conducting and the composer as soloist; 1936 - Chavez: "Sinfonia India," on a radio broadcast by the Columbia Symphony, conducted by the composer; 1948 - Diamond: Symphony No. 4, by the Boston Symphony, Leonard Bernstein conducting; 1963 - Peter Mennin: Symphony No. 7, by the Cleveland Orchestra, George Szell conducting; 1973 - Elliott Carter: String Quartet No. 3, in New York City, by the Juilliard String Quartet; This work won the Pulitzer Prize for music in that year (This was Carter's second Pulitzer Prize); 1999 - Thea Musgrave: "Three Women," in San Francisco, by the Women's Philharmonic, A. Hsu conducting; Others 1894 - Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir; On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh; 1943 - Duke Ellington and his orchestra present their first concert at Carngie Hall in New York, presenting the "official" premiere of Ellington's "Black, Brown and Beige" Suite (This work had received its world premiere at a trial performance the preceding day at Rye High School in Rye, New York). Links and Resources On Dvořák On Ellington

durée : 00:25:01 - Paul Dukas, L'Apprenti Sorcier - par : Anne-Charlotte Rémond - Le 19 février 1899, une foule impatiente se presse au Cirque des Champs-Elysées à Paris, pour assister à la première audition de L'Apprenti Sorcier de Paul Dukas. Le jeune compositeur raconte en musique, l'histoire d'un apprenti-sorcier, telle que l'a déjà racontée Goethe dans son poème éponyme. - réalisé par : Claire Lagarde

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 29/11/2021, octava de la séptima temporada dedicada a la malograda compositora segoviana María de Pablos. El lunes pasado terminamos con #GloriaFuertes y hoy tenemos nueva moderna en Modernos de otros tiempos. Se trata de la compositora segoviana María de Pablos (1904-1990), otra mujer talentosa de la llamada edad de plata de la que apenas hemos oído hablar hasta ahora. Hija de un funcionario de correos que se preocupó, contra el hilo de los tiempos, de que sus tres hijas tuvieran una formación cultural y profesional que les permitiera no tener que vivir al amparo de un hombre, María de Pablos estudió música, primero en Segovia y luego en el Conservatorio de Madrid. Mientras estudiaba coposición con Conrado del Campo, ganó una plaza de auxiliar de correos por oposición. El año siguiente, en 1927, obtuvo el Premio Extraordinario de composición del Conservatorio por su fabuloso poema sinfónico Castilla. Un año más tarde gana, también por oposición, un pensionado de cuatro años en la Academia Española de Roma para ampliar sus estudios. Es la primera mujer que obtiene tal distinción, pero ser pionera no será nada fácil. En la pacata España de los años 20, no era moral ni decente que una mujer soltera viviera con un buen puñado de hombres jóvenes. La Academia no estuvo dispuesta a modificar sus normas para facilitar la integración de la compositora que viajó acompañada de su madre que vigilaba su moral y su decencia. De Pablos tuvo un papel fundamental en el concierto de inauguración de la nueva Casa de España en Roma, donde se estrenó la primera obra de su pensionado, el cuarteto de cuerdas Sonata Romántica. También interpretó al piano música de Falla. El segundo año de su beca lo pasó en París, estudiando en la École Normale de Musique, composición con el mismísimo Paul Dukas y armonía con la mujer que enseñó a componer al siglo XX, Nadia Boulanger. Llegó tarde a París porque consiguió que su música de transmitiera para toda España a través de Unión Radio. En ese concierto, ella misma dirigió la orquesta, convirtiéndose, si no en la primera directora de orquesta española si al menos en la primera mujer que dirigió una orquesta por la radio. Tampoco está claro por qué abandonó abruptamente París y después su beca. No lo podemos asegurar, pero no nos extrañaría que fuera la respuesta familiar a algún escarceo amoroso. Establecida en Madrid, fue profesora suplente en el Conservatorio de Madrid hasta 1934, año del que procede su última composición conocida y en el que empezó a mostrarse una desconocida enfermedad mental. Tras la guerra volvió al Conservatorio como alumna, pero fue ingresada en el manicomio de Carabanchel Hospital Esquerdo. Allí, rodeada de sus partituras se alejó del mundo y de la vida durante casi medio siglo. En noviembre de 1990, totalmente olvidada, María de Pablos murió en el manicomio. En los últimos años, gracias a la investigación de Mariano Gómez del Caso y Pilar Serrano Betored y a la incansable actividad, entre otros, de la Fundación Don Juan de Borbón por fin la música de María de Pablos vuelve a sonar. Escuchémosla. No nos arrepentiremos.

Un poème de Goethe écrit comme un conte, c'est cela l'histoire de l'apprenti sorcier. Vous la connaissez peut-être déjà grâce au dessin animé Fantasia avec Mickey et ses ballets animés. L'histoire est géniale touchante et souriante d'un petit garçon que j'ai voulu transformer en petite fille; juste pour voir… La musique est de Paul Dukas avec le ballet La Péri (1909) suivi de la pièce symphonique L'apprenti sorcier (1897) Le récit est de Gerda Muller, auteure néerlandaise de livres pour enfants, adapté du poème de Goethe --- Send in a voice message: https://anchor.fm/balletludique/message

Synopsis On today's date in 1959, the Detroit Symphony under the eminent French conductor Paul Paray gave the first performance of some brand-new music by the eminent American composer Walter Piston.  Piston had studied in Paris with the famous French composition teacher Nadia Boulanger and the great French composer Paul Dukas, so perhaps this was a very astute paring of composer and conductor. In any case, to help celebrate the 100th Worcester Festival, Paray and the Detroit orchestra were on hand in Massachusetts for the premiere of Piston's "Three New England Sketches," an orchestral suite whose movements were entitled: "Seaside," "Summer Evening," and "Mountains." Piston didn't intend these titles to be taken literally: "[They] serve in a broad sense to tell the source of the inspirations, reminiscences, even dreams that pervaded the otherwise musical thoughts of one New England composer," he noted. Piston certainly qualified as a bonafide "New England" composer. He was born in Rockland, Maine, in 1894, taught at Harvard, had a vacation home in Vermont, and died in Belmont, Massachusetts in 1976. Even so, the most striking hallmark of Piston's music remains its quite cosmopolitan style and neo-classical form – the lasting influence, perhaps, of his two famous French teachers. Music Played in Today's Program Walter Piston (1894 – 1976) — Three New England Sketches (Seattle Symphony; Gerard Schwarz, cond.) Delos 3106

Nesta edição do Clássicos CBN, Helder Trefzger destaca a versatilidade do conjunto de metais e percussão. O repertório apresentado pelo maestro vai do clássico ao popular e traz obras de compositores como Paul Dukas, George Gershwin, Tom Jobim, Sinhô e Ari Barroso.

Synopsis On today’s date in 1969, Leonard Bernstein conducted his last concert as the Music Director of the New York Philharmonic. Bernstein had assumed that post in November of 1957, becoming the first American-born and trained conductor to do so. For sports fans, these were Bernstein’s “stats” as of May 17, 1969: He had conducted 939 concerts, more than anyone else in Philharmonic history. He had given 36 world premieres, 14 U.S. premieres, 15 New York City premieres and led more than 40 works never before performed by the orchestra. At Philharmonic concerts Bernstein conducted Vivaldi, Bach, and Handel, but also Babbitt, Cage, and Ligeti. He led the world premiere performance of the Second Symphony of Charles Ives and included other elder American composers like Carl Ruggles and Wallingford Riegger on Philharmonic programs, as well as works by his contemporaries, Ned Rorem and Lukas Foss, and his own compositions as well. Bernstein would continue to appear with the New York Philharmonic as its Laureate Conductor, and as a popular guest conductor with major orchestras around the world. His final concerts were with the Boston Symphony at Tanglewood in the summer of 1990. He died in October of that year. Music Played in Today's Program Leonard Bernstein (1918 – 1990) Symphony No. 2 (The Age of Anxiety) Marc-Andre Hamelin, piano; Ulster Orchestra; Dmitry Sitkovetsky, cond. Hyperion 67170 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Bernstein

Synopsis On today’s date in 1969, Leonard Bernstein conducted his last concert as the Music Director of the New York Philharmonic. Bernstein had assumed that post in November of 1957, becoming the first American-born and trained conductor to do so. For sports fans, these were Bernstein’s “stats” as of May 17, 1969: He had conducted 939 concerts, more than anyone else in Philharmonic history. He had given 36 world premieres, 14 U.S. premieres, 15 New York City premieres and led more than 40 works never before performed by the orchestra. At Philharmonic concerts Bernstein conducted Vivaldi, Bach, and Handel, but also Babbitt, Cage, and Ligeti. He led the world premiere performance of the Second Symphony of Charles Ives and included other elder American composers like Carl Ruggles and Wallingford Riegger on Philharmonic programs, as well as works by his contemporaries, Ned Rorem and Lukas Foss, and his own compositions as well. Bernstein would continue to appear with the New York Philharmonic as its Laureate Conductor, and as a popular guest conductor with major orchestras around the world. His final concerts were with the Boston Symphony at Tanglewood in the summer of 1990. He died in October of that year. Music Played in Today's Program Leonard Bernstein (1918 – 1990) Symphony No. 2 (The Age of Anxiety) Marc-Andre Hamelin, piano; Ulster Orchestra; Dmitry Sitkovetsky, cond. Hyperion 67170 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Bernstein

Back in our day, kids didn't sit around playing video games and doing the Fortnite dance. They were all genius inventors who were constantly creating astounding, world-changing inventions and heading off to have extremely racist adventures in the various wild frontiers of the late 19th and early 20th centuries! Yes, all of them! We know because of the genre collectively called the Edisonade, of which there are hundreds, all packed with boy geniuses creating super-scientific wonders (at least one of which manifested in the real world). It all begins with The Steam Man Of The Prairies by Edward S. Ellis, our subject this week. Support us on Patreon and listen to the show a week early! Phil's Patreon Adam's Patreon What Mad Universe?!? on Twitter Adam's Twitter Phil's Twitter What Mad Universe on Facebook What Mad Universe on Instagram What Mad Universe RSS Feed Engineer/Producer: Alex Ross Theme song by Jack Feerick Additional Music: "The Sorcerer's Apprentice" by Paul Dukas (c) 2021 Adam Prosser and Philip Rice. Music (c) its respective creators. This podcast is powered by Pinecast.

This episode is based on a poem by Johann Wolfgang von Goethe written in 1797. The Sorcerer's Apprentice is also symphonic poem by the French composer Paul Dukas, completed in 1897. The piece was based on Goethe's 1797 poem of the same name. By far the most performed and recorded of Dukas's works, its notable appearance in the Walt Disney 1940 animated film Fantasia has led to the piece becoming widely known to audiences outside the classical concert hall.

durée : 00:58:13 - Edouard Lalo, un romantique à redécouvrir - par : Aurélie Moreau - "Toute l’œuvre de Lalo demeure un modèle incomparable d’instrumentation", déclarait Paul Dukas et Gabriel Fauré quant à lui affirmait au sujet du compositeur français : "Rien n’y manque ni l’éclat, ni la verve, ni la gaieté; et cependant la tenue artistique reste parfaite." - réalisé par : Vivian Lecuivre

Fanfare from "La Peri" by Paul Dukas. Presented as our worship service Prelude by the Sunshine Brass Quintet.

Mother Goose has been a staple in many a child's life. Her tales of magic and adventure inspire wonder, and even in adulthood, her stories touch us. They certainly were of great importance to Maurice Ravel, who wrote a piano suite using several fairytales, and was so touched by them that he orchestrated them and then turned it into a ballet. Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Purchase a copy of Forests, Flowers, and the French: The Operas and Ballets of Claude Debussy, Paul Dukas, and Maurice Ravel: https://alexandrianmedia.org/printbooks/ Sign up for Amazon Music Unlimited and get your first 30 days free: getamazonmusic.com/thecomposerchronicles Alexandrian Media Teespring: https://teespring.com/stores/alexandrianmedia Listen to The Composer Chronicles‘ Spotify Playlist: https://open.spotify.com/playlist/71QCS9qHoZqMMR6GMooqTR Music used in this episode: Ma mère l'Oye by Maurice Ravel (provided by Musopen) The Quiet Hours by Trevor Kowalski Life on the Mainland by Infinity Ripple Nadi by Van Sandano Way Beyond Eternity by Claude Signet --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Californians voted for their favorite classical compositions. Number 250 is The Sorcerer's Apprentice by Paul Dukas, a Frenchman, in 1897. Number one is, well, you know what it is. KDFC has put them all together in one continuous stream. It takes days to get through them all. All the familiar classics and lots of wonderful works that were new to me.

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

Versión del poema de Goethe y transformado en poema sinfónico por Paul Dukas.

Un día como hoy, 1 de octubre: 1760, nace el escritor William Beckford. 1865, nace el compositor Paul Dukas. 1903, nace el pianista Vladimir Horowitz. 1931, nace el compositor Sylvano Bussotti. 1943, nace el cineasta Jean-Jacques Annaud. 1602, fallece el compositor Hernando de Cabezón. Una producción de Sala Prisma. 2020

Tom & Mike discuss their lives in lockdown, some big life changes and plans for Season 2. Make sure to get involved by voting on our next topic or by suggesting your own.- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditTOPICS- [0:00] Intro- [4:53] Dog Diversion- [7:33] New Hobbies?- [26:03] How Busy Was Your Lockdown?- [38:02] Working Under Lockdown- [1:11:45] Season 2- [1:18:19] Outro- [1:19:11] Ad: Unparliamentary LanguageLINKS- A Weber Smoker- Tom’s Baguette Making- Tom’s New ToyATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Main Image: Tom’s Baguettes

Seguimos con la popularización de la música clásica a todos los niveles. Tras los primeros podcast de esta serie en los que vimos cómo el pop, el rock o incluso el jazz interactuaron con mayor o menor fortuna con la música clásica, dimos un repaso al trabajo con los clásicos de Waldo de los Rios que tuvo gran éxito allá por los años 70 y ahora vamos a ver la importancia de la música clásica en el cine. En este primer podcast nos centraremos en algunos compositores de música de cine y de prestigiosos directores de películas que eligieron música ya escrita para dar soporte a sus imágenes. Es imposible recordar cada película o tema en el que fue importante el uso de la música clásica, así que tomemos estas como una muestra sin más. Espero te guste la selección que hemos preparado. 00h 00'00" El sonido de la emoción - Carles Cases 00h 02'05" Presentación 00h 03'25" DISNEY 00h 03'25" 20.000 leguas de viaje submarino - Tocata y fuga (Bach) 00h 06'26" Fantasia - El aprendiz de brujo (Paul Dukas) 00h 15'52" Fantasia 2000 - Marcha de Pompa y circunstancia (Elgar) 00h 22'05" STANLEY KUBRICK 00h 22'56" La naranja mecánica - Quinta sinfonía (Beethoven) 00h 25'56" 2001, una odisea del espacio - El Danubio azul (Richard Strauss) 00h 35'40" Barry Lyndon - Sarabande (Haendel) 00h 39'47" Eyes wide shout - Vals (Shostakovich) 00h 43'27" LOS NÚMEROS 00h 44'07" 10, La mujer perfecta - Bolero (Ravel) 00h 49'03" Uno, dos, tres - Danza del sable (Aram Kachaturian) 00h 51'23" Bob, Carol, Ted & Alice - Aleluya (Haendel) 00h 55'10" LA VIOLENCIA 00h 56'02" La jungla de cristal - Oda a la alegría (Beethoven) 00h 59'36" Excalibur  - O Fortuna (Carl Off) 01h 02'07" Platoon - Adagio para cuerdas (Samuel Barber) 01h 08'50" Los gritos del silencio - Etude (Francisco Tárrega) 01h 11'53" Rollerball - Adagio (Albinoni) 01h 20'00" PERSONAS EN SITUACIONES MUY ESPECIALES 01h 20'45" Un pequeño romance - Concierto para laúd, 2 violines y un bajo (Vivaldi) 01h 22'14” Kramer contra Kramer - Concierto para mandolina (Vivaldi) 01h 23'34" El pequeño salvaje - Concerto per flautino (Vivaldi) 01h 26'23" Hijos de un Dios menor - Concierto para violines (Bach) 01h 28'46" El show de Truman - Concierto para piano (Chopin) 01h 39'19" Shine - Scenes from childhood (Schuman) 01h 41'08” AMOR Y ROMANTICISMO 01h 41'50" Muerte en Venecia - Adagieto (Mahler) 01h 48'41" No me digas adiós - Sinfonia numero 3 (Brahms) 01h 55'04" Memorias de África - Concierto para clarinete y orquesta (Mozart) 02h 02'37" En algún lugar del tiempo - Rapsodia en A de Paganini (Rachmaninof) 02h 05'39" COMPOSITORES EN CONCIERTO 02h 06'06" El hombre que sabía demasiado - Storm Clouds Cantata (Arthur Benjamin) 02h 15'32" Alta tensión - Variación rococó (Tchaikovsky) 02h 17'19" Despedida 02h 18'01" Deadfall - Romance para guitarra y orquesta (John Barry)

Seguimos con la popularización de la música clásica a todos los niveles. Tras los primeros podcast de esta serie en los que vimos cómo el pop, el rock o incluso el jazz interactuaron con mayor o menor fortuna con la música clásica, dimos un repaso al trabajo con los clásicos de Waldo de los Rios que tuvo gran éxito allá por los años 70 y ahora vamos a ver la importancia de la música clásica en el cine. En este primer podcast nos centraremos en algunos compositores de música de cine y de prestigiosos directores de películas que eligieron música ya escrita para dar soporte a sus imágenes. Es imposible recordar cada película o tema en el que fue importante el uso de la música clásica, así que tomemos estas como una muestra sin más. Espero te guste la selección que hemos preparado. 00h 00'00" El sonido de la emoción - Carles Cases 00h 02'05" Presentación 00h 03'25" DISNEY 00h 03'25" 20.000 leguas de viaje submarino - Tocata y fuga (Bach) 00h 06'26" Fantasia - El aprendiz de brujo (Paul Dukas) 00h 15'52" Fantasia 2000 - Marcha de Pompa y circunstancia (Elgar) 00h 22'05" STANLEY KUBRICK 00h 22'56" La naranja mecánica - Quinta sinfonía (Beethoven) 00h 25'56" 2001, una odisea del espacio - El Danubio azul (Richard Strauss) 00h 35'40" Barry Lyndon - Sarabande (Haendel) 00h 39'47" Eyes wide shout - Vals (Shostakovich) 00h 43'27" LOS NÚMEROS 00h 44'07" 10, La mujer perfecta - Bolero (Ravel) 00h 49'03" Uno, dos, tres - Danza del sable (Aram Kachaturian) 00h 51'23" Bob, Carol, Ted & Alice - Aleluya (Haendel) 00h 55'10" LA VIOLENCIA 00h 56'02" La jungla de cristal - Oda a la alegría (Beethoven) 00h 59'36" Excalibur  - O Fortuna (Carl Off) 01h 02'07" Platoon - Adagio para cuerdas (Samuel Barber) 01h 08'50" Los gritos del silencio - Etude (Francisco Tárrega) 01h 11'53" Rollerball - Adagio (Albinoni) 01h 20'00" PERSONAS EN SITUACIONES MUY ESPECIALES 01h 20'45" Un pequeño romance - Concierto para laúd, 2 violines y un bajo (Vivaldi) 01h 22'14” Kramer contra Kramer - Concierto para mandolina (Vivaldi) 01h 23'34" El pequeño salvaje - Concerto per flautino (Vivaldi) 01h 26'23" Hijos de un Dios menor - Concierto para violines (Bach) 01h 28'46" El show de Truman - Concierto para piano (Chopin) 01h 39'19" Shine - Scenes from childhood (Schuman) 01h 41'08” AMOR Y ROMANTICISMO 01h 41'50" Muerte en Venecia - Adagieto (Mahler) 01h 48'41" No me digas adiós - Sinfonia numero 3 (Brahms) 01h 55'04" Memorias de África - Concierto para clarinete y orquesta (Mozart) 02h 02'37" En algún lugar del tiempo - Rapsodia en A de Paganini (Rachmaninof) 02h 05'39" COMPOSITORES EN CONCIERTO 02h 06'06" El hombre que sabía demasiado - Storm Clouds Cantata (Arthur Benjamin) 02h 15'32" Alta tensión - Variación rococó (Tchaikovsky) 02h 17'19" Despedida 02h 18'01" Deadfall - Romance para guitarra y orquesta (John Barry)

Lisa replaces Mike and joins Wade & Tom to discuss all things dinosaurs! From dino DNA to the most atrocious dinosaurs in pop-culture…- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditTOPICS- [00:00] Intro- [1:41] Definitions- [8:05] Iguana-wrong- [9:55] Mary Anning- [18:33] Erosion, the Fossil Collectors Friend- [25:19] Stan the T-Rex- [30:03] Dinosaurs You Remember- [42:18] Lizards/Birds Controversy- [50:48] A Rapidly Evolving Field- [1:06:48] Jurassic Park Theme Plays- [1:30:01] Other Dinosaurs Of Note- [1:46:26] Feathers?- [1:50:11] Next Topic- [1:53:44] Outro- [1:55:39] Ad: Dr Wilko's Campaign For Better BeveragesLINKS- Iguanodon Restoration- Crystal Palace Dinosaurs- Mary Anning- Hell Creek Formation- What on Earth Happened? From the Big Bang to the Present Day- Dinosaur Timeline- Spinosaurus fossil: 'Giant swimming dinosaur' unearthed- New 'frozen dragon' pterosaur found hiding in plain sight- The Brontosaurus Is Back- What Did T. Rex Look Like? A New Exhibit Has the 'Ultimate Predator' in Feathers- T. Rex and the Crater of Doom- Siberian Traps- Compsognathus- Many Paleontologists Today Are Part Of The 'Jurassic Park' Generation- Omega 09: Purple T-Rex- The Land Before Time- Dinosaurs Intro- Dinotopia Trailer- Charlie Brooker on Primeval- Dinosaur Island- Theodore RexATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Main Image: Tom running away from Stan at Manchester Museum

Amer par Vinciane Moeschler raconté par Bach-Lan Lê ba Thi, avec la participation de Magali Pinglaut. Nora, une jeune fille de 17 ans vit en territoire occupé. Elle veut aller voir la mer et les dauphins, mais pour cela elle doit passer les check-points tenus par les militaires. Elle fait ce qu’elle peut avec ce qu’elle a : sa force, son obstination, son courage, avec sa solitude et sa naïveté. Héroïne ordinaire qui n’a de grandeur que ses rêves.  Musique d’inspiration : L’apprenti Sorcier de Paul Dukas. Une production RTBF - Fiction Digitale en collaboration avec Musiq3 Pour la Fiction Digitale : Sophie Berque - Marine Vancampenhout - Serge Tavitian Pour Musiq3 : Eve-Marie Vaes Auteurs : Vinciane Moeschler, Caroline Lamarche, Pascale Seys, Kenan Görgün, Katia Lanero Zamora Conseillère éditoriale : Katia Lanero Zamora Direction Artistique : Serge Tavitian Comédiens : Bach-Lan Lê ba Thi, Marcel Gonzalez, Magali Pinglaut, Real Siellez. Enregistrements, montages et mixages : Emmanuel Wauthier Graphisme : Cynthia Ventura Remerciements : Benoit Jacques de Dixmude, Alice Wiliquet Plus d’info : www.rtbf.be/nosheros

Debussy dreamed about composing a theatrical work that was as mysterious and reserved as the life he contrived for himself. When a play by Maurice Maeterlinck came along, titled Pelléas et Mélisande, his dream would become a reality. Become a member of The Composer Chronicles and stephenjtrygar.com on Patreon: https://patreon.com/thecomposerchronicles To purchase a copy of my book, Beyond the Doorway: The Operas of Claude Debussy, Paul Dukas, and Maurice Ravel, go to stephenjtrygar.com/books Music for this episode: The Five Times I Loved You by Cora Zea: https://open.spotify.com/track/0W4RUo3m0jL0wHADS0PLme?si=i-u2Sbs9R0KfK3T4Hjuuug A Walk in the Clouds by Howard Harper-Barnes: https://open.spotify.com/track/1pEhkBpnscVRyUCicNbNXS?si=TYvJgzEaTaWziqmOTgCUgg Evening Imagery by Trevor Kowalski: https://open.spotify.com/track/2umFBHTWtzBPYYy7WgK8bF?si=zP90Nv_qT6KotlPW_JHKvQ Changing Outlook by Trevor Kowalski: https://open.spotify.com/track/5ue8ogOGWBVn8ea8AwuMVf?si=03Vg5ynbS-GlNKIzCNWfsg Fool Me Once by Spectacles Wallet and Watch: https://open.spotify.com/track/0w6uF6seH10zbtWlgbzZFI?si=vY3jMIIxQmOBiC5IZ64mKQ Frontiers Are Where You Find Them by Trevor Kowalski: https://open.spotify.com/track/4JHBDESS5rxMXjMXaKGYHf?si=WBd6lOctSpC50xavMhSMXA Firefly Trail by Trevor Kowalski: https://open.spotify.com/track/4SUPWzR8WY6i83Gtv8pUZG?si=x-zzTStSSb6EmbZEBbX2qw Sources: The Indispensable Composers by Anthony Tommasini: https://www.amazon.com/dp/B079WNQWTC/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 A History of Opera by Carolyn Abbate and Roger Parker: https://www.amazon.com/History-Opera-Carolyn-Abbate/dp/0393348954/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1590524773&sr=8-1 Debussy by Eric Frederick Jensen: https://www.amazon.com/Debussy-Master-Musicians-Frederick-Jensen/dp/0199730059/ref=sr_1_1?dchild=1&keywords=9780199912865&linkCode=qs&qid=1590524983&s=books&sr=1-1 --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

A integração das grandes obras da música clássica com visuais extremamente criativos e originais da animação. São as seguintes composições que fazem parte do filme: Toccata e Fuga em Ré Menor, de Johann Sebastian Bach. Suíte Quebra-Nozes, de Peter Llich Tchaikovsky. O Aprendiz de Feiticeiro, de Paul Dukas. Sagração da Primavera, de Igor Stravinsky. Sinfonia Pastoral, de Ludwing Van Beethoven. Dança das Horas, de Almicare Ponchielli. Noite no Monte Calvo, de Modest Mussorgsky. E, Ave Maria, de Franz Schubert. FICHA TÉCNICA DO FILME

Fantasia est-il un bon film pour découvrir le classique ? Cet indémodable du cinéma d’animation propose plusieurs courts-métrages accompagnés de musique classique, dont le fameux Apprenti sorcier de Paul Dukas avec Mickey dans le rôle-titre. Derrière ces images connues se cache l’un des projets les plus ambitieux de Walt Disney, qui veut créer une nouvelle forme de divertissement. Cette semaine dans Retour Vers le Classique, je vous raconte l’histoire mouvementée de la création de Fantasia ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

The MP for Tottenham, David Lammy, chats to Tim about his time as a chorister Peterborough Cathedral, and its role in forming his sense of English – rather than British – identity. Sam unpicks the Paul Dukas's one-hit-wonder The Sorcerer's Apprentice, and quizzes the ENO's new Mackerras Conducting Fellow, Olivia Clarke.Music Credits: ‘Tim and Sam's Podcast', written and performed by Harry Sever 'The Sorcerer's Apprentice' by Paul Dukas, performed by the Philadelphia Orchestra under Leopold Stokowski Hubert Parry's ‘I Was Glad', performed by Peterborough Cathedral Choir and Gary Sieling under Christopher Gower Jean Sibelius's Fifth Symphony, arranged and performed by Timmy Fisher Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Paul Dukas ließ sich 1897 von Goethes beliebtem Gedicht zu seinem bekanntesten Werk inspirieren. Effektvoll, dramatisch und meisterhaft instrumentiert wird "Der Zauberlehrling" zu einem Musterbeispiel für gelungene Programmmusik, auf das Walt Disney später für seinen Film "Fantasia" zurückgreift. (Autor: Lohse)

durée : 00:19:25 - Disques de légende du lundi 02 décembre 2019 - Un disque particulier, personnel, de l'Orchestre de la Suisse Romande dirigé par Ernest Ansermet, sorti en 1963 sur Decca.

Kenny joins Mike & Tom to discuss the Three Kingdoms period in China.- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditTOPICS- [00:00] Intro- [02:55] Dynasty Warriors- [06:18] Fact Versus Fiction- [09:13] Chinese Politics pre-Three Kingdoms- [34:18] Lu Bu- [40:03] Chasing the Emperor- [50:20] Drunken Shenanigans- [53:16] Eyeball is Back on the Menu Boys- [59:28] 200 AD- [01:08:17] Saving Liu Shan- [01:16:05] A Wizard Did It: The Battle of Chi Bi- [01:24:15] The Aftermath of Red Cliff- [01:29:37] The Three Kingdoms- [01:42:17] The Northern Campaigns- [01:50:06] The End Of The Three Kingdoms- [01:56:49] Why is this period still culturally relevant?- [02:15:51] OutroLINKS- threekingdoms.com- kongming.net- Three Kingdoms over time- China Unveils Epic 1,320-Ton God Of War Statue- Heirloom Seal of the Realm- Zhang Fei Scares Cao Cao At Changban Bridge- Battle Of Chibi - Fire Cutscene- Gundam Three Kingdoms- Romance and Records Game Modes in Total War Three Kingdoms- Tom’s ‘Hat’ATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Announcer Voice: Provided by Adam Grant- Main Image: Guan yu -Summer Palace, Beijing by Shizhao under CC by SA 3.0

Part 2 of 2: Tom and Mike are joined by Rob (from Unparliamentary Language) and Texas Dave to discuss all things sport. Will they convince Tom to like or even try sports?- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditTOPICS- Intro [0:00]- Balls with Rackets [0:26]- Kick Punching [10:40]- The Ocho [31:04]- Pitching Sport to Tom [40:33]- Outro and Plugs [1:09:29]- Next Topic [1:11:12]- Bonus: Craig and Derailing [1:15:01]LINKS- YouTube: Remember Andy Murray winning Wimbledon?- YouTube: John Isner v Nicolas Mahut- YouTube: Anderson Silva vs. Israel Adesanya Full Fight Highlights UFC 234- YouTube: Fight 1 of the TFC Event 1 LPH (Poznan, Poland) vs Wisemen (Gothenburg, Sweden)- Freakonomics: Not Just Another Labor Force- YouTube: Calcio Storico 2016- YouTube: Pro Kabaddi League: Gujarat Fortunegiants 30-29 Patna Pirates- YouTube: Gaelic Football - The Original Beautiful Game- YouTube: Best Ultimate Frisbee Highlights- YouTube: Gloucester Cheese Rolling 2012 OFFICIAL - World's Stupidest Competition- YouTube: Two Amazing NXL World Cup Pro Paintball Matches- YouTube: The Rules of Bo Taoshi - Weirdest Sport EVER!- YouTube: Watch the Football! - That Mitchell and Webb Look- YouTube: Fantasy Football.mov- YouTube: Math and Baseball Stats | The Career Stats of Chipper Jones- YouTube: Rickey Henderson crushed souls with unprecedented efficiency- YouTube: Did you see that ludicrous display last night?- Dave on Twitch- Rebel RiversATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Announcer Voice: Provided by Adam Grant- Main Image: Cheese Rolling by Dave Farrance under CC by SA 3.0

Sarah Langford is a barrister; in her words, her job is “to represent the mad and the bad, the broken and the hopeful” – telling their stories in court. After thirteen years of practice, she decided to tell their stories in a book, too. In Your Defence was published last year and has had a huge impact. In it she tells the stories of eleven people she represented in both the criminal and family courts: harrowing stories of mothers whose babies are taken away at birth, teenagers caught up in addiction, a wife who’s abused, a boy whose parents fight over him for years. In Private Passions, she talks to Michael Berkeley about why she felt it was important to get these people’s stories into the public domain, at a time when the criminal justice system in Britain is facing overwhelming pressure. One of the challenges of the job is to decompress, after the emotions of a day fighting a case in court, and this is where listening to music is crucial. “When I was coming home on the train from court, I would often find myself wrestling with emotions about all that had happened that day. I had Bach’s cello suites on my phone playlist and would listen over and over whilst writing my attendance note and closing the case, both literally and mentally. The music helped me remove myself from the carriage and also gave me a way to feel contemplative about what had gone on.” Other choices include Lutoslawski, Messiaen, Paul Dukas, Benjamin Clementine, and choral music by Morten Lauridsen. Produced by Elizabeth Burke A Loftus production for BBC Radio 3

Part 1 of 2: Tom and Mike are joined by Rob (from Unparliamentary Language) and Texas Dave to discuss all things sport. Will they convince Tom to like or even try sports?- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditLINKS- YouTube: As Long As We Beat the English- YouTube: Fans celebrate England scoring against Wales- YouTube: Irish fans celebrate Japan win- YouTube: Seahawks Tackling Drill- YouTube: Josh Pray - Rugby players are secretly Spartans- Jag Tag comes to Manchester- YouTube: Australia bowled out for 60- Dave on TwitchATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Announcer Voice: Provided by Adam Grant- Main Image: American Football under CC0

En este episodio del podcast, los niños escucharán en familia sobre qué esperar en un concierto de música clásica, cómo es, y cómo deben comportarse. La historia gira alrededor de nuestro ratoncito Tchai quien, acompañado de su familia, va a un concierto de música clásica. Pero antes escuchamos cómo juega al teatro con Clara y sus amigos. En este episodio escucharás: 00:32 Call to Adventure - Comedyby Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300022 Artist: http://incompetech.com/ 01:18 Polovtsian Dances de la obra Prince Igor. Alexander Borodin. 03:09 English Country Garden- Aaron Kenny. Source: https://youtu.be/vDA19CRK3NQ 05:22 Also sprach Zarathustra, Richard Strauss.    06:47 El aprendiz de brujo, Paul Dukas.   Síguenos en: Facebook, Twitter, Instagram y Pinterest.    Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme. 

Der französische Komponist Paul Dukas hat mit seinem „Zauberlehrling“ ein Werk geschaffen, das auch in der Popkultur verarbeitet wurde. Nicht wenige verbinden Dukas‘ Fagott-Melodie mit Mickey Mouse in Disneys „Fantasia“. >> Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-dukas-zauberlehrling-fantasia

Der französische Komponist Paul Dukas hat mit seinem „Zauberlehrling“ ein Werk geschaffen, das auch in der Popkultur verarbeitet wurde. Nicht wenige verbinden Dukas‘ Fagott-Melodie mit Mickey Mouse in Disneys „Fantasia“.Der Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-dukas-zauberlehrling-fantasia

With Mike away Tom is joined by Wade (of Mish Mash Mayhem) to discuss flying! Wade talks about his times stuck in helicopters and they both offer some tips for flying as well as the funniest airline safety videos.- Suggest a topic via Google Forms- Support Us on Patreon- Join Us on Discord- Discuss on RedditLINKS- Oxford Dictionaries: Flying- Wikipedia: Turboprop- YouTube: BA Flight Safety Video- YouTube: Virgin Atlantic Flight Safety Video- YouTube: Air New Zealand Flight Safety Video- YouTube: BRISTOW AW139 Safety Video- Flight Jacket- YouTube: IrnBru Goth Advert- Instagram: Photos at 30,000 ft- YouTube: EuroTrip Deleted Scene- Wade in Cycle HelmetATTRIBUTION- Recording engineer: Craig- Intro & Outro: Sorcerer's Apprentice by Paul Dukas under CC0 1.0- Main Image: Elijah Wood in Air New Zealand Safety Video

Thanks to the 1940 film Fantasia, this music will always be tied to the image of Mickey Mouse in that droopy wizard’s cap. However, the story of The Sorcerer’s Apprentice doesn’t come from Disney. Paul Dukas’ music, written over 40 years before, tells the story beat for beat of a young apprentice using magic to get out his chores. But it wasn’t even Dukas’ story to begin with; the music is based on a poem by Goethe written in 1797.

Lunes, 01/10/2018. Con Mario Mora y Ana Laura Iglesias | La actualidad musical regresa cada lunes a El Ático de Clásica FM, hoy centrado en la tormenta que están sufriendo dos de las orquestas más importantes de España: La Orquesta y Coro Nacionales de España y la Orquesta de la Comunidad de Madrid. Además, anunciamos el proyecto músico-social al que donaremos el 10% de la recaudación de nuestros mecenas, celebramos el aniversario de Paul Dukas y descubrimos quiénes son los Seises.

Lunes, 01/10/2018. Con Mario Mora y Ana Laura Iglesias | La actualidad musical regresa cada lunes a El Ático de Clásica FM, hoy centrado en la tormenta que están sufriendo dos de las orquestas más importantes de España: La Orquesta y Coro Nacionales de España y la Orquesta de la Comunidad de Madrid. Además, anunciamos el proyecto músico-social al que donaremos el 10% de la recaudación de nuestros mecenas, celebramos el aniversario de Paul Dukas y descubrimos quiénes son los Seises.

Sonates est l’émission de musique classique de Radio Campus Paris. Notre douzième émission, diffusée le dimanche 25 mars 2018, est consacrée aux rapports entre musique et littérature. Notre invité : Alexandre Prévet, pianiste. Quand on pense à l’association de la musique et de la littérature, on pense tout de suite à de nouvelles associations : la poésie, le chant, la voix, la mélodie, l’harmonie, la chanson… Les notions, les concepts et les genres artistiques se rencontrent et se croisent : on est autant dans l’analogie que dans la correspondance des termes, voire dans la fusion. Pour le compositeur Paul Dukas, vers et musique ne se mêlent pas, ne se confondent jamais, on ne met pas les poèmes en musique. Pour Debussy, la musique commence là où la parole est impuissante. Comment penser la relation entre ces deux arts fondamentaux, entre ces deux modes d’expression ? D’une période historique, entre Antiquité et Moyen-Âge où musique et poésie ne faisaient qu’un, à la période moderne où la poésie n’est plus nécessairement mise en musique et où les deux se choquent et s’entrechoquent, les rapports évoluent. Encore récemment, choc chez certaines et certains de voir le prix Nobel de littérature décerné à un musicien, Bob Dylan, pour avoir créé de nouvelles expressions poétiques dans la grande tradition de la chanson américaine.

Conductor Yan Pascal Tortelier chooses music from Paris in the Belle Époque as part of "Debussy's Paris" marking the 100th anniversary of the death of Debussy this weekend. His choices include music by Maurice Ravel, Paul Dukas, Florent Schmitt, Jacques Offenbach, Camille Saint-Saens, Lili Boulanger, and Claude Debussy. 1.30-1.40 Debussy's Paris 4: "The Paris Expositions and Art Nouveau" Georgia Mann continues her journey through fin-de-siècle Paris at the Eiffel Tower and the Grand Palais with French art curator Emanuel Coquery and a look at the impact of the Great Paris Expositions and the explosion of the Art Nouveau.

« La personne qui a inventé le système de doigté du basson aurait dû être internée », déclare avec humour le bassoniste Mathieu Lussier, qui aime pourtant passionnément son instrument. S’il est moins populaire que la flûte ou la clarinette, le basson est tout de même bien connu du grand public grâce à des pièces comme L'Apprenti sorcier de Paul Dukas, qui se retrouve dans le film Fantasia de Walt Disney. « Le basson est utilisé au cinéma principalement pour décrire des situations loufoques. Ça l’a un peu catalogué le basson dans ce rôle du bouffon de l’orchestre », souligne Mathieu Lussier.Marie-Christine Trottier (animatrice) et Mathieu Lussier (invité)

선곡표 1. Foster -beautiful dreamer 꿈길에서 2. Chopin -Piano Trio g minor Op 8 Allegro con fuoco 3. 슈만 아베크 변주곡-Variations on the name ABEGG 4. Paul Dukas -villanelle 호른과 피아노를 위한 빌라넬라 5. Mozart -모차르트 세레나데 Serenade in G - 1. Allegro 6. George Gershwin -Rhapsody in blue 7. Bach -toccata and fugue for organ D minor BWV 565 8. Britten- The young person's guide to the orchestra 9. Piazzola -primavera portena 10. 포레 레퀴엠 Op.48 6.Libera Me

En este nuevo capítulo de Música en las Letras, caminamos de la mano de María del Ser en la personalidad compleja y contradictoria de Claude Debussy, quien se presenta como uno de los compositores cuyo catálogo se considera uno de los mejores, más refinados e influyentes de toda la Historia de la Música. Esta publicación de Robert Nichols titulado “El mundo de Debussy” editado por Adriana Hidalgo dentro de la colección Los sentidos/música, es producto de la minuciosa investigación que reúne relatos sobre la vida y obra del compositor, incluidos testimonios y documentos que se complementan con introducciones y notas tomadas de quienes mejor lo conocieron: Erik Satie, Paul Dukas, Colette, Igor Stravinsky, Ricardo Viñes, Darius Milhaud o Ernest Ansermet, por citar solamente algunos.

En este nuevo capítulo de Música en las Letras, caminamos de la mano de María del Ser en la personalidad compleja y contradictoria de Claude Debussy, quien se presenta como uno de los compositores cuyo catálogo se considera uno de los mejores, más refinados e influyentes de toda la Historia de la Música. Esta publicación de Robert Nichols titulado “El mundo de Debussy” editado por Adriana Hidalgo dentro de la colección Los sentidos/música, es producto de la minuciosa investigación que reúne relatos sobre la vida y obra del compositor, incluidos testimonios y documentos que se complementan con introducciones y notas tomadas de quienes mejor lo conocieron: Erik Satie, Paul Dukas, Colette, Igor Stravinsky, Ricardo Viñes, Darius Milhaud o Ernest Ansermet, por citar solamente algunos.

Student musicians from the Round Top Music Festival perform powerhouses of the French orchestral repertoire.

Learn about not one, but TWO amazing things in this episode:  The Houston Youth Symphony, an organization that’s been making music an important part of young peoples’ lives for 70 years, and “The Sorcerer’s Apprentice,” the symphonic poem written by the French composer Paul Dukas that Walt Disney brought to the masses in the movie Fantasia.  Michael Webster, artistic director and conductor of the Houston Youth Symphony, and HYS bassoonist Derek Marcum play examples and take us through the entire magical piece. If you’re in Houston, you can catch Michael, Derek, and the rest of the Houston Youth Symphony playing Beethoven’s 9th to mark their 70th anniversary on November 13th. Learn more here. Music in this episode: “The Sorcerer’s Apprentice,” by Paul Dukas, performed by the Houston Youth Symphony Clarinet examples by Michael Webster Bassoon examples by Derek Marcum Audio production for this episode by Mark “Guardian of the Mixing Board” DiClaudio and Todd “Groot” Hulslander with witty comebacks by Dacia Clay.

Alexander Borodin: Polowetzer Tänze | Igor Strawinsky: "Der Feuervogel" | Paul Dukas: "Der Zauberlehrling" | Leonard Bernstein: Ouvertüre zu "Candide" | Dmitrij Schostakowitsch: Fünf Stücke | Alliage Quintett | Sabine Meyer (Klarinette)

Jess and Trish discuss the pleasures of reading under the covers as a child when you were supposed to be asleep. They then asses "Jonathan Strange and Mr. Norrell" by discussing mice being turned into potions for madness, book hoarding, anxiety rashes, and exceptional character development. Next month's book, "How to Get into the Twin Palms" by Karolina Waclawiak. (Musical Credit: The Sorcerer's Apprentice by Paul Dukas)

Le compositeur Henri Dutilleux (1916-2013) a laissé seulement 30 oeuvres au répertoire... Mais cette relative concision ne l'empêche pas d'être un des grands compositeurs du XXe siècle. S'inscrivant dans une tradition française de clarté et de transparence de l'écriture musicale, il a laissé de grandes oeuvres parmi lesquelle "Ainsi la nuit", quatuor à cordes (1977), qui s'élabore autour de fragments impressionnistes, de parenthèses, d'anticipations et de réminiscences. Chez Dutilleux, "on ne voit pas les coutures", dit Arnaud Merlin. Elève de Paul Dukas, Dutilleux a connu Maurice Ravel et s'inscrit dans une tradition "debussyenne". Lecteur de Proust, il s'est toujours intéressé au thème du miroir et du double, présent dans toute son oeuvre. "Temps suspendu", le dernier mouvement de Ainsi la Nuit, peut être considéré comme une métaphore de l'oeuvre de Dutilleux... Spécialiste de musique contemporaine et de jazz, Arnaud Merlin est producteur à France Musique (Le Concert de 20h, le mercredi de 20h à 22h30, et Le Concert d'archives dans le Carrefour de la Création, le dimanche de 20h à 21h).

In this episode, "Something Wicked This Way", recorded at West of Lenin on October 1, 2012: @0:00 Intro @2:18 "Backscatter" by Vincent Delaney; @14:47 "Back of the 358 #7" by Paul Mullin; @16:02 "Muscle Memory" by Omar Willey; @23:26 "Quinceanera of the Damned" by Scot Augustson; @34:28 "Back of the 358 #8" by Paul Mullin; @36:50 "Here it Comes" by Charles Leggett with the Sandbox Radio Orchestra; @42:12 "Back of the 358 #9" by Paul Mullin; @45:13 "The Raven" by Edgar Allen Poe; @57:18 "The Sorcerer's Apprentice" by Paul Dukas, arranged by Bruce Monroe; @1:00:00 "Markheim: Episode 6" by Paul Mullin; @1:15:36 "Back of the 358 #10" by Paul Mullin; @1:18:15 "Shadow of Agnes" by Emily Conbere; @1:26:36 "Finale/Credits". Music Director: Jose Gonzales; Engineered by Christopher Stewart, Mixed by Dave Pascal; Directed by Leslie Law; Stage Manager: Louise Butler. Sponsored in part by a grant from 4Culture. www.sandboxradio.org

Donald Macleod explores the life and work of Paul Dukas. An influential voice in musical circles, he comfortably sharedhis time between roles as a composer, musicologist, music critic and teacher

Episode 48: Woodworms and the Three S’s? Luthier Paul Becker discusses violin maintenance, restoration, and tonal adjustment - Upcoming Events: September 7 – master class for the PeakHarmonic Youth Orchestra in Colorado Springs, September 9 – Beethoven Concerto with the Colorado Springs Philharmonic, September 12 and 13 – Tchaikovsky Concerto with the Boise Philharmonic - Inquiries from my Inbox: lilrose09 asks for advice about left-hand pizzicato. - Random Musical Thought: composer Paul Dukas says “There is no such thing as new music – there are only new musicians” and composer Igor Stravinsky says “Modern music does not exist.  We speak in a different language from that of our ancestors but say the same thing – or express them differently.” - A conversation with my own luthier Paul Becker.  For more information about the Carl Becker and Son shop, please visit www.carlbeckerandson.com. total playing time: 54:22 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for you answer on Inquiries From My Inbox! Thanks for listening! www.rachelbartonpine.com www.myspace.com/rachelbartonpine www.youtube.com/RachelBartonPine Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com