POPULARITY
El piano es uno de los instrumentos básicos en la música. Se utiliza como solista, oara la música de cámara, para acompañar, para componer, para ensayar…El programa estará dedicado a siete pianistas españoles con prestigio internacional: JAVIER PERIANES que recientemente grabó una sorprendente versión “Goyescas” de Granados. También ha pasado a la historia una versión de la misma obra con MAURICIO VILLAVECCHIA, pero en una adaptación al jazz. JOAQUÍN ACHÚCARRO ha dedicado a este instrumento la friolera de 75 años. DORANTES y CHANO RODRÍGUEZ han llevado el piano al flamenco. DANIEL GARCÍA es el más vanguardista. Mientras que JUAN PÉREZ FLORISTÁN es el más prometedor.
El piano es uno de los instrumentos básicos en la música. Se utiliza como solista, oara la música de cámara, para acompañar, para componer, para ensayar…El programa estará dedicado a siete pianistas españoles con prestigio internacional: JAVIER PERIANES que recientemente grabó una sorprendente versión “Goyescas” de Granados. También ha pasado a la historia una versión de la misma obra con MAURICIO VILLAVECCHIA, pero en una adaptación al jazz. JOAQUÍN ACHÚCARRO ha dedicado a este instrumento la friolera de 75 años. DORANTES y CHANO RODRÍGUEZ han llevado el piano al flamenco. DANIEL GARCÍA es el más vanguardista. Mientras que JUAN PÉREZ FLORISTÁN es el más prometedor.
¡Queridas amigas, hoy estamos con nuestras mejores galas para asistir a los Goyas! Nos hemos colado en el Palacio de Congresos de Granada para comentar la fiesta del cine español
ESPECIAL “GALERIA FÚNEBRE”“Não é possível encontrar novas terras sem concordar em perder de vista a costa, por muito tempo.”(André Gide)Cada livro é o resultado único de inúmeras pesquisas, reflexões, buscas, percepções, aventuras. Nos episódios de AVENTURAS BIBLIÓFILAS, apresentaremos os bastidores editoriais de nossos livros, a longa senda de curadoria que resulta em um livro.Obras citadas: “Goya: Estampas, grabados y litografias”, organizado e prefaciado por Juan Carrete Parrondo (Electa, 2007); “Infra Noir.”, editado por Dan Ghetu (Zagava/Ex Occidente Press, 2014); “Abismo em Chiaroscuro: Visões e Ficções Goyescas” e “Chiaroscuro Void”, organizados por Alcebiades Diniz Miguel (Raphus Press, 2020).Apoie a nova edição de “Galeria Fúnebre”: https://www.catarse.me/galeria_funebre01Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html
Bei Granados' Meilenstein der spanischen Klaviermusik liegen Glück und Pech nah beieinander. Mit "Goyescas" schreibt er 1911 sein wichtigstes Werk, inspiriert von Bildern des Malers Francisco Goya. Doch der Erfolg des Werks und der gleichnamigen Oper trägt indirekt zu Granados' frühem Tod im Alter von 48 Jahren bei... Von Michael Lohse.
durée : 00:58:51 - Une heure, un compositeur : Enrique Granados - par : Aurélie Moreau - Enrique Granados (1867-1916) est un compositeur et pianiste espagnol renommé, notamment pour ses célèbres Goyescas. Sa carrière fut interrompue par sa mort dans un naufrage pendant la 1ère Guerre mondiale, mais son héritage musical perdure toujours.
Wenn von den großen Pionieren des Klavierspiels die Rede ist, denkt man an Chopin und Liszt, an Debussy und Skrjabin. Der Spanier Enrique Granados gehört aber auch in diese Reihe: Seine „Goyescas“, die er 1911 vollendete, bereichern die Tastenkunst mit iberischem Kolorit. Und dann braucht man für die Interpretation auch noch eine lässige Nonchalance. Das Urteil von SWR2-Musikkritikerin Susanne Stähr: „Ein Triumph des Klavierspiels.“
Enrique Granados is one of the most prominent Spanish composers that used the national cultural heritage in his art music to open up new ways of writing for piano in early 20th century. Here we look at one of his most famous pieces, from the suite "Goyescas", inspired by the great art by Goya. Video: https://youtu.be/T4IfCvYlzlE
Javier Perianes viene a enseñarnos su 'Goyescas', el último disco de nuestro Premio El Ojo Crítico de Música Clásica 2005: Enrique Granados y el Museo del PradoEscuchar audio
Javier Perianes nos enseña su disco 'Goyescas', con Mery Cuesta salimos en busca de los rótulos comerciales perdidos, repasamos un poemario inédito de Antonio Gala y nos vamos con una exposición de CaixaForum sobre los límites del paisaje y los encuadrados contemporáneos.Escuchar audio
Javier Perianes, Premio Nacional de Música (2012), rinde homenaje a Enrique Granados, uno de los músicos más importantes de la música clásica española y figura relevante del modernismo musical. Se suma a nuestra Luis Gago, crítico músical de El País.
durée : 01:29:01 - Alicia de Larrocha, la reine d'Espagne du piano (2/3) - par : François-Xavier Szymczak - Sa mère et sa tante furent élèves d'Enrique Granados, dont Alicia de Larrocha interprète à merveille les Goyescas.
Entramos en las salas de cine a las que esta semana ha llegado la cinta ‘Cenizas en el cielo', que cuenta con la colaboración de Aragón TV, y que fue rodada el año pasado en Calamocha. Descubrimos quién fue Hildegart Rodríguez sobre la que Paula Ortiz va a dirigir una película y tomamos el pulso a las fiestas Goyescas. La responsable artística del gran desfile nos permite conocer cómo eran los barrios de Zaragoza en el siglo XVIII.
Carmen Blasco, jefa de programación de la Sociedad Municipal Zaragoza Cultural. Hablamos de la II edición de las Fiestas Goyescas que se celebran en Zaragoza entre el 28 de abril y el 1 de mayo de 2003.
Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Eenvoud en schemering' Granados is de meesterpianist en componist van Goyescas. Muziek vol noten en emotie. In zijn bijna vergeten Pianokwintet zit een deel vol eenvoud en schemering. Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/1773b33b-3b37-4daf-b107-c99863bf55e0/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-12-20-t-m-24-maart) Enrique Granados Goyescas: El pelete Enrique Granados, piano (opn. 1912) (album: Composers in Person) Enrique Granados Pianokwintet op.49; II. Allegretto quasi andantino Javier Perianes, piano & Cuerteto Quiroga (album: Granados & Turina; Pianokwintetten) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.
La soprano nacida en La Habana protagonizó algunas de las películas sobre zarzuelas más importantes de la primera mitad del siglo XX, convirtiéndose en una estrella del cine sonoro y musical de nuestro país de aquella época. El barítono Enrique Baquerizo ha grabado e interpretado en escena títulos tan emblemáticos como Goyescas, Marina o La tabernera del puerto.Escuchar audio
Synopsis Late in 2013, the musical world was gearing up to celebrate the 70th birthday of British composer John Tavener, but sadly he died, so his 70th birthday, which fell on today's date in 2014, became a memorial tribute instead. Tavener had suffered from ill health throughout his life: a stroke in his thirties, heart surgery and the removal of a tumor in his forties, and two subsequent heart attacks. In his early twenties, Tavener became famous in 1968 with his avant-garde cantata entitled The Whale, based loosely on the Old Testament story of Jonah. That work caught the attention of one of The Beatles, and a recording of it was released on The Beatles' own Apple label. Tavener converted to the Russian Orthodox Church in 1977, and his music became increasingly spiritual. Millions who watched TV coverage of the funeral of Diana, Princess of Wales, in 1997, were deeply moved by his “Song for Athene,” which was performed to telling effect as Diana's casket left Westminster Abbey. Taverner was knighted in 2000, becoming Sir John Tavener In 2003, Tavener's Ikon of Eros, commissioned for the Centennial of the Minnesota Orchestra, and premiered at St. Paul's Cathedral—the one in St. Paul, Minnesota, that is, not the one in London—and Tavener came to Minnesota for the event. Music Played in Today's Program Sir John Tavener (1944-2013) Ikon of Eros Jorja Fleezanis, vn; Minnesota Chorale; Minnesota Orchestra; Paul Goodwin, conductor. Reference Recording 102 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On Tavener
Con María Fernández Dobao | Es frecuente encontrar, a lo largo de la historia, relaciones entre músicos y pintores. Por ejemplo, Manuel de Falla y Zuloaga consolidaron una importante amistad y Granados admiraba tanto la obra De Goya que una de sus principales composiciones se llama “Goyescas”. El invitado de hoy, Miguel Huertas, nos va a hablar del retrato de un músico del siglo XVIII que podemos contemplar en el Museo Del Prado.
El único poder que debe tener un juez es el de su independencia a la hora de juzgar. La facultad judicial no es un poder. Fuentes: Radio Libertad Constituyente: https://www.ivoox.com/rlc-2015-11-02-la-reforma-del-poder-judicial-propuesta-audios-mp3_rf_9243181_1.html Música: Los galanes enamorados, Goyescas. Enrique Granados. Música: Allegro. Concierto para piano nº20 de Mozart ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com 2022
Avui hem sentit: "El Pelele"; "Goyescas",
Las jóvenes rondeñas han pasado por los micrófonos del programa Hoy por Hoy este miércoles
Las jóvenes rondeñas han pasado por los micrófonos del programa Hoy por Hoy este martes
Las jóvenes rondeñas han pasado por los micrófonos del programa Hoy por Hoy este miércoles
Se acerca la Feria y Fiestas de Pedro Romero y por los micrófonos del programa Hoy por Hoy Ronda y la comarca van pasando las 13 damas Goyescas que en este 2022 representarán a la mujer rondeña.
Las jóvenes rondeñas han pasado por el programa Hoy por Hoy este lunes
. Arc I is the inaugural album of an ambitious three-part series and features important works for solo piano from the frantic years of 1911-1913 – the precipice before World War I. The three musical stories on Arc I – Granados' Goyescas, Janáček's In the Mists, and Scriabin's Piano Sonata No. 9 ”Black Mass” – each struggle with the same impossible awareness of what was coming for the world, and in doing so, plunge further into modernity and despair.Purchase the music (without talk) at:Orion Weiss - Arc 1 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.
Synopsis Following the successful premiere of his First Symphony in 1876, the New England composer John Knowles Paine finished a Second, which he gave a German subtitle: “Im Fruehling” or “In Springtime.” In 19th century America, “serious” music meant German music, and “serious” musicians like Paine all studied in Germany. Returning home, Paine became the first native-born American to win acceptance as a symphonic composer, and, accepting a teaching post at Harvard, became that school's first professor of music. On today's date in 1880, when Paine's “Spring” Symphony was premiered at Sanders Theater, the normally staid Bostonians went nuts. One critic who was present, recalled that “ladies waved their handkerchiefs, men shouted in approbation, and the highly respected John S. Dwight, arbiter in Boston of music criticism, stood in his seat frantically opening and shutting his umbrella as an expression of uncontrollable enthusiasm.” Paine's music remained tremendously popular in his own day. In 1883 George Henschel, then the conductor of the Boston Symphony, was sent the following poetic suggestion about his programming: Let no more Wagner themes thy bill enhance And give the native workers just one chance. Don't give that Dvorák symphony a-gain; If you would give us joy, oh give us Paine! Music Played in Today's Program John Knowles Paine (1839 - 1906) — Symphony No. 2 (New York Philharmonic; Zubin Mehta, cond.) New World 350 On This Day Births 1839 - American composer and organist Dudley Buck, in Hartford, Conn.; 1844 - Spanish composer and violinist Pablo de Sarasate, in Pamplona; 1892 - French composer Arthur Honegger, in Le Harve; 1903 - American composer and jazz cornetist Bix Beiderbecke, in Davenport, Iowa; Deaths 1832 - Italian-born composer Muzio Clementi, age 80, in Evesham, England; 1870 - Czech-born composer and pianist Ignaz Moscheles, age 75, in Leipzig; 1910 - German composer Carl Reinecke, age 85, in Leipzig; 1991 - American composer Elie Siegmeister, age 82, in Manhasset, N.Y.; Premieres 1785 - Mozart: Piano Concerto No. 21 in C, K. 467, at the Burgtheater in Vienna, with the composer as soloist; 1837 - Mercadante: opera "Il Giuramento" (The Oath), in Milan; 1875 - Goldmark: opera "Die Königin von Saba" (The Queen of Sheba), in Vienna at the Court Opera (Hofoper); 1877 - Borodin: Symphony No. 2, in St. Petersburg, by the Russian Musical Society, Eduard Nápravik conducting (Julian date: Feb. 26); 1880 - Paine: Symphony No. 2 ("Spring"), at Sanders Theater in Boston, by the Boston Philharmonic, Bernard Listermann conducting; The following day, the orchestra of the Harvard Musical Association performed the same work downtown at Boston's Musical Hall, with Carl Zerrahn conducting; 1888 - Franck: symphonic poem "Pysché," in Paris; 1912 - Gliere: Symphony No. 3 ("Ilya Murometz") in Moscow (Gregorian date: Mar. 23); 1916 - Granados: "Intermezzo & Epilogue," from "Goyescas," by the Philadelphia Orchestra, Leopold Stokowski conducting; 1922 - Loeffler: "Irish Fantasies" (Nos. 2, 3 & 5 only) for voice and orchestra, by the Boston Symphony, with Pierre Monteux conducting and tenor John McCormack the soloist; 1932 - Wallingford Riegger: "Dichotomy" for orchestra, in Berlin; 1952 - David Diamond: Quintet for clarinet and strings, at Town Hall in New York City, by clarinetist David Oppenheim, Nathan Gordon and Lillian Fuchs (violins), and Aaron Twerdowsky and Bernard Greenhouse (cellos); 1963 - Henze: opera "Il re cervo" (The Stag King), in Kassel at the Staatstheater; This is the 2nd version of Henze's opera "König Hirsch" which was first staged in an abridged version in Berlin on September 24, 1956; The complete original version of the opera was eventually staged in Stuttgart on May 7, 1985; 1964 - John Harbison: "Sinfonia," in Cambridge, Mass., with violinist Rose Mary Harbison and the Bach Society Orchestra of Harvard, Gregory Biss conducting; 1977 - John Harbison: "Diotima" for orchestra, in Boston, with the Boston Symphony, Joseph Silverstein conducting; Others 1937 - Frank Capra's film "The Lost Horizon" opens at the Four Stars Theater in Los Angeles, featuring a classic film score composed by Dmitri Tiomkin (and conducted by Max Steiner). Links and Resources On John Knowles Paine More on Paine at Harvard
El siglo XIX y XX dió al mundo excelentes compositores españoles. Acompáñanos con tus niños a descubrir las historias y música de 6 compositores españoles que deben conocer: Manuel de Falla, Joaquín Rodrigo, Isaac Albéniz, Enrique Granados, Joaquín Turina, y Elena Romero. La música de este episodio con música de compositores españoles. 00:39 La vida breve, Act 2: Spanish Dance por Manuel de Falla. Interpretado por Orquesta Nacional de España & Rafael Frühbeck de Burgos. 01:57 Concierto De Aranjuez: 1. Allegro Con Spirito por Joaquín Rodrigo. Interpretado por Paco de Lucía, Edmon Colomer & Orquesta de Cadaqués. 03:45 Iberia - Piano (Pub. 1906) - Book 1: II. El Puerto por Isaac Albéniz. Interpretado por Alicia de Larrocha. 05:27 Asturias Leyenda por Isaac Albéniz. Interpretado por Walter Hoff. 06:12 Goyescas, H. 64, Book 1: No. 3, El Fandango de Candil por Enrique Granados. Interpretado por Alexander Boyd. 07:58 Danzas Fantásticas: III. "Orgía" por Joaquín Turina. Interpretado por Alicia de Larrocha. 09:45 Canto a Turina por Elena Romero. Interpretado por Aurelio Viribay. Si te gusta el episodio, califícalo en tu app favorita o puedes dejar tu review. :) No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Web: allegromagico.com ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños.
Synopsis Many good things come in threes – at least William Bolcom seems to think so. On today's date in 1971, in a converted garage next to a graveyard in Newburgh, New York, American composer and pianist William Bolcom put the finishes touches to the second of three piano pieces he collectively titled “Ghost Rags.” “Ghost Rag” No. 2 was titled “Poltergeist” and dedicated to Tracey Sterne, who at that time was a dynamic record producer at Nonesuch Records. In her youth Sterne pursued a career as a concert pianist, but in the 1960s and 70s was responsible for assembling the Nonesuch label's astonishingly diverse catalog of old, new and world music. “Ghost Rag” No. 3, titled “Dream Shadows,” was described by Bolcom as a “white rag” which evoked “the era of white telephones and white pianos” and “was in the white key of C Major.” Bolcom dedicated this rag to his fellow composer, William Albright. And Bolcom's ‘Ghost Rag” No. 1, which has proved to be the most popular of the three, was titled “Graceful Ghost.” Bolcom dedicated this music to the memory of his father, whose benign spirit Bolcom said he often felt hovering around his piano while he played at night. Music Played in Today's Program William Bolcom (b. 1938) — Graceful Ghost Rags (Paul Jacobs, piano) Nonesuch 79006 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On William Bolcom
durée : 00:13:36 - Disques de légende du mercredi 22 décembre 2021 - Disque de légende du jour : les cycles pour piano, Goyescas, d'Enrique Granados par Alicia de Larrocha.
Sergio Guarné, director general de la Orquesta Reino de Aragón. Hablamos del 10º aniversario de la orquesta en el que han presentado el DVD conmemorativo "10 años contigo" y de la representación de la ópera Goyescas que tendrá lugar el próximo 4 de diciembre a las 19.30 en la sala Mozart del Auditorio de Zaragoza.
Esta semana dedicamos El Faro a los temas oficial, actuar y frente. Además, cerramos semana con personaje histórico: Francisco de Goya. La actriz Eva Isanta se emocionó en directo escuchando Extremoduro y nosotros acompañándola sola en su faro. Además, Beatriz Luengo compartió anécdotas que no había contado nunca y que dicen mucho de ella. María Luisa Merlo es la primera gataparda que repite y su conversación fue otra...
Pierre Jodlowski - Nocturne. Enrique Granados - Los requiebros (Goyescas), Enrique Granados - Quejas, o la maja y el ruisenor (Goyescas). Sergey Rachmaninov - Sonate n.2 en si bémol mineur op.36. Copyrights photo : Queen Elisabeth Competition - Derek Prager
A veces parece complicado dedicar un programa musical dedicado a Goya. Sin embargo basta repasar el librodisco de la colección “Aragón lcd” de Prames, titulado “En torno a Goya”, para encontrarnos con dos genios contemporáneos del aragonés: Bocquerini y Fernando Sors. Bocquerini compartió con Goya la corte del Infante D. Luis y compuso la famosa obra “Música Nocturna de Madrid”. Fernando Sor, al que se llamó el Beethoven de la guitarra, fue al igual que Goya un afrancesado y emigró a París. Si añadimos las recreaciones que hizo el cuarteto de Mauricio Villavechia sobre “Goyescas” de Granados y dos canciones de Luis Eduardo Aute dedicadas a Goya, tendremos el esquema de un programa musical EN TORNO A GOYA.
La experiencia política en la acción llevan a don Antonio a concretar su pensamiento político. Interviene Antonio García-Trevijano. Fuentes: https://www.ivoox.com/rlc-2016-11-11-las-manifestaciones-contra-trump-eeuu-audios-mp3_rf_13712187_1.html Radio Libertad Constituyente: Música: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados. https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.html mcrc.es diariorc.com 2021
La experiencia política en la acción llevan a don Antonio a concretar su pensamiento político. Interviene Antonio García-Trevijano. Fuentes: https://www.ivoox.com/rlc-2016-11-11-las-manifestaciones-contra-trump-eeuu-audios-mp3_rf_13712187_1.html Radio Libertad Constituyente: Música: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados. https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.html mcrc.es diariorc.com 2021
La experiencia política en la acción llevan a don Antonio a concretar su pensamiento político.Interviene Antonio García-Trevijano.Fuentes: https://www.ivoox.com/rlc-2016-11-11-las-manifestaciones-contra-trump-eeuu-audios-mp3_rf_13712187_1.htmlRadio Libertad Constituyente: Música: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados.https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.htmlmcrc.esdiariorc.com2021
En los Estados de partido no hay un cuerpo que intermedie entre los gobernados y el Estado, es decir, no hay sociedad política. Interviene Antonio García-Trevijano. Fuentes: Radio Libertad Constituyente: https://www.ivoox.com/rlc-2015-11-07-rivera-impostor-de-conciencia-audios-mp3_rf_9304753_1.html Música: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados. https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.html mcrc.es diariorc.com 2021
En los Estados de partido no hay un cuerpo que intermedie entre los gobernados y el Estado, es decir, no hay sociedad política. Interviene Antonio García-Trevijano. Fuentes: Radio Libertad Constituyente: https://www.ivoox.com/rlc-2015-11-07-rivera-impostor-de-conciencia-audios-mp3_rf_9304753_1.html Música: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados. https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.html mcrc.es diariorc.com 2021
En los Estados de partido no hay un cuerpo que intermedie entre los gobernados y el Estado, es decir, no hay sociedad política.Interviene Antonio García-Trevijano.Fuentes:Radio Libertad Constituyente: https://www.ivoox.com/rlc-2015-11-07-rivera-impostor-de-conciencia-audios-mp3_rf_9304753_1.htmlMúsica: Intermedio de la ópera Goyescas, última pieza compuesta por Enrique Granados.https://www.ivoox.com/paisaje-nocturno-goyescas-granados-23-03-17-audios-mp3_rf_17735636_1.htmlmcrc.esdiariorc.com2021
Our performance of Granados’ Goyescas, Op.11, played by our host and pianist Eliana Zebro. Subscribe at pianohistories.substack.com
Listen now | Today, The Piano Histories Podcast will detail the history behind Enrique Granados’ Goyescas, Op.11, as well as part of the history of New York City and World War I. Subscribe at pianohistories.substack.com
Esta semana en Mucho más que Mozart en Noche tras Noche de RPA descubirmos cómo suenan los principales compositores españoles a través de sus mejores obras: Arriaga y sus cuartetos, Granados y sus Goyescas, El Sombrero de tres picos de Falla, el trío nº2 de Turina y la maravillosa Suite Iberia de Albéniz. Con Ana Laura Iglesias.
This week, Spanish bel canto tenor José Bros works through the texts of "La maja y el ruiseñor" and "La maja dolorosa No. 3" with us. We're concentrating on diphthongs and other instances when vowels in Spanish come together, which happens quite a lot! We also talk about the difference between [nj] and [ɲ]. Here is the text for Enrique Granados' Goyescas (this libretto is sideways, so it's probably easier to print out to read!); the aria "La maja y el ruiseñor" starts Cadro III on page 28. The text for "La maja dolorosa No. 3" is here. For anyone interested in seeing Francisco Goya's paintings of Majos and Majas, this website contains photos of his complete works online. The idea for this podcast came from a posting on the Facebook page--I really do take suggestions and questions seriously, so please keep asking! I may not be able to honor all requests, but I do try to use the ideas that people have. Please feel free to contact me here, at the Facebook page or directly at ellen@ellenrissinger.com