Estonian composer of classical and religious music
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2 episodes with arvo part
2 episodes with arvo part
4 episodes with arvo part
2 episodes with arvo part
2 episodes with arvo part
2 episodes with arvo part
durée : 00:07:04 - Le Bach du matin du mardi 22 avril 2025 - Notre Bach du matin est un Bach de deuil. Le Pape François est mort hier à 88 ans? Parmi ses compositeurs de cœur, Mozart, Arvo Part, et Bach bien sûr, et la Passion selon Saint-Jean en particulier.
durée : 00:07:04 - Le Bach du matin du mardi 22 avril 2025 - Notre Bach du matin est un Bach de deuil. Le Pape François est mort hier à 88 ans? Parmi ses compositeurs de cœur, Mozart, Arvo Part, et Bach bien sûr, et la Passion selon Saint-Jean en particulier.
Ryan, Tony, and Craig are joined by Waleed Ismail to talk Conference Championships, Pro Bowl games, pantyhose, and Arvo Part! Hosted on Acast. See acast.com/privacy for more information.
South African guitar virtuoso Derek Gripper plays music originally meant for the 21 stringed lute-harp, the kora, on his 6-string Segovia-styled guitar and does it so well that the world's leading guitarists and kora players keep wondering how one even does that. His original music is informed by kora masters Toumani Diabaté, Salif Keita, Estonian minimalist composer Arvo Part, Brazilian guitarist Egberto Gismonti and German Baroque innovator, J.S. Bach. Watch out, because he's about to collaborate with the Iraqi-American oud player and composer Rahim Alhaj. (Ed. note: just wait until the 11 or 13-strings of the oud and those maqams make it to the 6-string guitar in Gripper's hands!) For now, Gripper plays another unbelievable arrangement of a Malian kora song, as well as an original song informed by the cascading style of kora music, plus some of the second cello suite by J.S. Bach, in-studio. - Caryn HavlikSupplemental Reading: The Beauty of Everyday Things, In Search of Lost TimeSet list: 1. Alla L'a Ke 2. Moss on the Mountain 3. J.S. Bach: Prelude BWV 1008 (Second Cello Suite) BALLAKÉ SISSOKO AND DEREK GRIPPER by Ballaké Sissoko and Derek Gripper Everyday Things: Bach's Second Cello Suite BWV 1008 by Derek Gripper
Gabriele Gasparotti è un valido artista le cui proposte si muovono tra elementi di elettronica ambient e cosmica unita a richiami di musica contemporanea, un bel connubio che si può gustare nel suo secondo album “Tropismi”, edito da Important Records e Dio Drone. Nella sua proposta si possono cogliere echi di Tangerine Dream, Arvo Part
Con Emiliano Monge hemos hablado de 'Los vivos'. El escritor mexicano nos habla de un problema que en su país deja 8 personas desaparecidas cada día. Viajamos hasta Londres porque cierra el Cervantes Theatre, referente de la dramaturgia en castellano en la cuna del teatro. Su directora, Paula Paz, nos cuenta qué ha pasado. Susana Santaolalla ya ha podido leer 'El clan' de Carmen Mola, nueva entrega del fenómeno editorial que protagoniza la inspectora Elena Blanco. Y nos vamos con Martín Llade y el 89 cumpleaños de Arvo Part, uno de los mejores compositores del siglo XX y XXI. Escuchar audio
#39 Time is the essence of music. How does music portray time? It seems that music can draws us in its inner time flow, slow of fast, passionate or contemplative. Today's episode we'll listen and comment a number of pieces by some of the great composers of all time. Beethoven, Schubert, Chopin, Arvo Part.Schubert, Piano Sonata No. 21 in B flat, D.960: 2. Andante sostenuto - Alfred Brendel | SpotifyBeethoven, Piano Sonata No. 15 in D Major, Op. 28 "Pastorale": II. Andante - Alfred Brendel | SpotifyF. Chopin, Sonata in B minor, op. 58, final mov. - Krystian Zimerman (live)Spiegel im spiegel – Arvo Part, Angèle Dubeau & La Pietà – Apple MusicSpiegel im spiegel - by Arvo Pärt, Angèle Dubeau, La Pietà | SpotifySupport Where is the Music Podcast: PATREONMy Piano Courses:Counterpoint FundamentalsFor a 30% discount on my Counterpoint Course add the code THEMUSICCODE https://www.udemy.com/course/improvising-counterpoint/?couponCode=THEMUSICCODEFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDMentioned in this episode:Patreon
Featuring the beautiful new music of drummer/composer Allison Miller; an adventurous undertaking by reeds-master Mike McGinnis and his +9 ensemble; the undeniable genius of guitarist Jim Campilongo; and another Bay Area guitar legend, Will Bernard; solo musings from Brooklyn keys wiz Jon Solo; the music of Martin Scorcese's most recent film by Robbie Robertson; Estonian chamber orchestra Tallinn presents a new recording of master Arvo Part; Erik and banjo legend Andy Thorn from their 2020 duo release; and finally, the one and only Ennio Morricone.
Três fragmentos do Livro do desassossego em que Fernando Pessoa trata do absurdo. Chega a ser absurdo de tão espetacular que apenas um tema tenha tantas dimensões, sentimentos e humores, e igualmente absurda a hipótese que uma música tivesse a pretensão de acompanhar esses poemas. Foi necessário pedir ajuda a Arvo Part, Stephan Moccio e Vangelis para que cada humor do poema tivesse a música apropriada. Escutem essa obra absurda. Obrigado. --- Send in a voice message: https://podcasters.spotify.com/pod/show/edmundonesi/message
PICTISH TRAIL and LAURA gather together once more, to chat about all things LOST MAP - with exclusive first plays of tracks from LOST MAP PRESENTS WEIRD WAVE, and SEAMUS FOGARTY, as well as some new music on PostMap Club from FIRESTATIONS, KINBOTE and SAVAGE MANSION.Our featured interview this month is with Glasgow-based songwriter & guitarist, Lukas Clasen, aka SULKA - whose brand new album, Distractions, has just come out on vinyl. He talks us through how the band came together, the making of the album, and the stories behind the songs.To support what we do at Lost Map, you should join our club - PostMap Club! Membership starts at just £3, and you'll receive printed postcards delivered to your door every month, containing download codes for new music from the label. You'll receive a badge, too - as well as a newsletter and a discount of 15% on all records, CDs, tapes and other merch in our webshop. Digital & gift memberships are also available. Visit lostmap.com/club for details on how to join.NEW MEMBERS (including Gift Subscriptions) during October 2023, will receive a bumper pack of postcards + all three releases in this the most recent VISITATIONS series, by Emma Kupa, Makeness and Alliyah Enyo.- EPISODE TRACKLISTING:1. Lost Map presents Weird Wave - 'Swamp Down' 2. Firestations - 'Stillness' Arvo Part remix (clip) 3. Kinbote - ‘Rotate' (clip) 4. Savage Mansion - 'There Goes My Habit' 5. Sulka - Clips from Distractions 6. Sulka - ‘Vanish' 7. Seamus Fogarty - ‘Guardian Of The Gate'- SOME SERIOUSLY USEFUL LINKS:Join PostMap Club: lostmap.com/club Lost Map presents Weird Wave LP Sulka - Distractions LP Seamus Fogarty - Hee Haw EP Caps and T-shirts New records from Lost MapIf you'd like to get in touch with us, plop us an email: club@lostmap.comThis episode of the Lost Map Podcast was presented by Pictish Trail and Laura Doherty, edited and with additional production from Joe Cormack.
SynopsisIn 1980, the Estonian composer Arvo Pärt emigrated from his Soviet-controlled homeland and settled in Austria. Since the 1960's, Pärt's increasingly spiritual and overtly religious music, imbued with mystical and contemplative rituals of the Russian Orthodox Church, did not sit well with the communist authorities, and Pärt found it increasing hard to live and work in Estonia.On today's date in 1980, at the Salzburg Festival in Austria, another Baltic artist, the Latvian violinist Gidon Kremer, gave the premiere performance of a new violin-piano arrangement of Part's Fratres, or Brothers—an instrumental work from 1977 that Pärt subsequently rescored for a variety of ensembles. In the version commissioned by the Salzburg Festival, the original harmonic material resides in the serene piano part, while the violin plays virtuosic variations above it. That serenity is the result of Pärt's effort to—as he put it— “learn to walk again as a composer.” He came up with a term, tintinnabulation, for the simplicity and directness of expression he sought.“Tintinnabulation is like this,” writes Pärt. “I am alone with silence. I work with very few elements… The three notes of the triad are like bells. And that is why I called it tintinnabulation.”Music Played in Today's ProgramArvo Pärt (b. 1935) Fratres Gidon Kremer, vn;Keith Jarrett, p. ECM 1275
Musical analysis and investigation on the meaning of a true masterpiece of the 20th century. ‘Fratres' represents a moment of dialogue between profound intellectualism and genuine emotionality, a rare case of Contemporary Art Music that speaks straightforwardly and without filters to the listener. Why is this piece so meaningful? How come it connects with us in such a deep, almost metaphysical way?The key is in the notes. I will offer an interpretation that takes from the score and integrates music with physics and geometry.Link to Fratres, by Arvo Part, for Piano and Violin, performed by G. Kremer and K. Jarretthttps://open.spotify.com/track/1gRJOkMPSNUddnnfb0g2fF?si=dff7eccab767412aWhere is the Music Podcast is the home of musical investigation.It is available on all major platforms:SPOTIFY https://open.spotify.com/show/1kBBFkibFPLXPG7xPT39SdAPPLE https://podcasts.apple.com/us/podcast/where-is-the-music/id1686494630YOUTUBE https://youtube.com/playlist?list=PLqRrwZuZFOqwXI4pJurmVn8NvXFD_Wr52TUNEIN http://tun.in/ptYNhLinks to my work:Music, concerts and blog: https://www.albertoferro.com/YouTube: https://www.youtube.com/channel/UCSwjhqixWMo4Fs-qwQM9BPAInstagram: https://www.instagram.com/alberto.l.ferro/Facebook: https://www.facebook.com/alberto.l.ferroSpotify: https://open.spotify.com/artist/2hBpLXGCZigUh0wForJFiU
Maestra Gertrude Heinz's favorite works by Arvo Part.Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com
We started with Henry Purcell, Arvo Part, Benjamin Britton, and Jean Christian Sibelius.We ended with The Beatles, Queen, Metallica, Pink Floyd, and Motley Crue.Uh oh. I don't think that this is going to be your "typical" Kingdom Culture Conversation. Today, we're going a little deeper.But, what would you expect when our guest has a doctorate in choral studies from Yale University?Dr. McNeil is the choral director from Colorado Christian University in Lakewood, Colorado, very near to Denver. Recently, McNeil's choir graced all three chapels at Northwest Christian, demonstrating tremendous vocal prowess. But, that was just the beginning. The CCU students spent the day in workshops with NCS choral students and, while they did, we discussed the things that you're never supposed to discuss with anyone: your politics, your religion, and your opinions on the merits of Motley Crue."Kingdom Culture Conversations" is a podcast created through Frameworks, a Biblical worldview initiative of Northwest Christian School.For more information on Frameworks, please visit: https://frameworks.ncsaz.org/For more information on Northwest Christian School, visit: https://www.ncsaz.org/To reach out to Geoff Brown, please email gbrown@ncsaz.org or you can reach him by cell phone: (623)225-5573.
Ascultați pe cel care este considerat de către cei mai mulți cunoscători că este cel mai mare compozitor în viață de pe această planetă, estonianul ortodox Arvo Part, într-un discurs la seminarul ortodox Sf. Vladimir în care acesta ne împărtășește o mică parte din universul său interior.Audiție plăcută!Pentru Pomelnice și Donații accesați: https://www.chilieathonita.ro/pomelnice-si-donatii/Pentru mai multe articole (texte, traduceri, podcasturi) vedeți https://www.chilieathonita.ro/
‘La ira en la literatura'. Especial de Patricia del Río en Letras en el tiempo sobre este sentimiento complejo que los especialistas de la salud mental han empleado diversos tratamientos para controlarla, y que la literatura le ha brindado extensas páginas en todos los géneros. Escritores inmortales como Dante Alighieri, que en la ‘Divina comedia' ubicó en el séptimo círculo del infierno este estado emocional; o el estadounidense John Steinbeck, en ‘Las viñas de la ira', que ambienta su historia durante la ‘Gran depresión' o crisis de 1929 en los Estados Unidos, por citar a los escritores más emblemáticos. En el libro de la semana, la autora invitada es Fabiola Hablützel, quien da detalles de ‘La hermana del medio', donde la protagonista descubre un secreto sobre su origen celosamente guardado por su madre durante cinco décadas. El crítico literario y gerente de ‘Escena libre', Julio Zavala, recomienda estas lecturas: ‘Un sol líquido', de Diego Alonso Sánchez (poesía), y ‘Incendiar el presente. La narrativa peruana de la violencia política y el archivo (1984-1989)', de Enrique Cortez (ensayo). Las canciones que complementan el programa son: ‘Tabula rasa', de Arvo Part; ‘The mass', de Era; ‘Rata de dos patas', de Paquita la del barrio; ‘El aguante', de Calle 13; ‘Cunita de hielo', de Pamela Rodríguez; ‘This land is your land', de Bob Dylan; y ‘Ojalá que te mueras', de Pesado. ||| Conducción y producción: Patricia del Río ||| Edición de audio: Andrés Rodríguez ||| Episodio 03 – Cuarta temporada 2023.
‘La ira en la literatura'. Especial de Patricia del Río en Letras en el tiempo sobre este sentimiento complejo que los especialistas de la salud mental han empleado diversos tratamientos para controlarla, y que la literatura le ha brindado extensas páginas en todos los géneros. Escritores inmortales como Dante Alighieri, que en la ‘Divina comedia' ubicó en el séptimo círculo del infierno este estado emocional; o el estadounidense John Steinbeck, en ‘Las viñas de la ira', que ambienta su historia durante la ‘Gran depresión' o crisis de 1929 en los Estados Unidos, por citar a los escritores más emblemáticos. En el libro de la semana, la autora invitada es Fabiola Hablützel, quien da detalles de ‘La hermana del medio', donde la protagonista descubre un secreto sobre su origen celosamente guardado por su madre durante cinco décadas. El crítico literario y gerente de ‘Escena libre', Julio Zavala, recomienda estas lecturas: ‘Un sol líquido', de Diego Alonso Sánchez (poesía), y ‘Incendiar el presente. La narrativa peruana de la violencia política y el archivo (1984-1989)', de Enrique Cortez (ensayo). Las canciones que complementan el programa son: ‘Tabula rasa', de Arvo Part; ‘The mass', de Era; ‘Rata de dos patas', de Paquita la del barrio; ‘El aguante', de Calle 13; ‘Cunita de hielo', de Pamela Rodríguez; ‘This land is your land', de Bob Dylan; y ‘Ojalá que te mueras', de Pesado. ||| Conducción y producción: Patricia del Río ||| Edición de audio: Andrés Rodríguez ||| Episodio 03 – Cuarta temporada 2023.
Harnessing ugliness, memories of Okinawa, Pärt in the snow. The Japanese vocal performer discusses three important albums.Hatis' picks:Meredith Monk – MercyYasukatsu Oshima with Geoffrey Keezer – S/TArvo Pärt – Tabula RasaHatis Noit's new album, Aura, is out now on Erased Tapes. Check it out on Bandcamp or on the Erased Tapes site.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallistening
I'm a singer/songwriter living in the beautiful state of Maine. After all these years, I finally found my home — and her transcendent beauty and power never fails to inspire and nurture me. Music has always been a central part of my life — my mother said I sang before I spoke. Most of what I write is pure improvisation, and I write the music and lyrics on the fly, in a holistic manner. As such, my music is a diary, a means of therapy, and a window into my deepest thoughts and other worlds, and encompasses everything from pure folk to multitrack experimental or atmospheric music. At 15, my parents took me on a vacation that would change my life. We went to Michigan and "while we were there," we visited the Interlochen Academy for the Arts. I was transfixed by the immense talent around me and I never forgot that place. One day, I mentioned the school to my mother and she had me apply. I was accepted and never looked back. I went on to study music composition at Peabody Conservatory of Music (Now The Peabody Institute of Music of the Johns Hopkins University) and the Yale School of Music and studied under composers Jacob Druckman, Martin Bresnick, Poul Ruders, and Morris Moshe Cotel. I've written string quartets and orchestra pieces. But eventually, I realized that I was my own instrument and pursued my authentic musical voice. I will never forget the day I discovered the true power in and freedom I could experience when I connected deep into my soul and let it all out — the beautiful, the dark, the ecstatic, the bloody, the traumatic, the angry. It is one of the most wonderful experiences a human being can have. Influences include Arvo Part, Ani DiFranco, George Crumb, John Cage, Bjork, Sinead O'Connor, Loreena McKennitt, and a host of others. I hope to reach out to others through the Internet during this crisis and make connections to other musicians and listeners. https://oeinc.bandcamp.com/album/gate https://nicolelepera.com
POM 9/22 Nicole LePera returns I'm a singer/songwriter living in the beautiful state of Maine. After all these years, I finally found my home — and her transcendent beauty and power never fails to inspire and nurture me. Music has always been a central part of my life — my mother said I sang before I spoke. Most of what I write is pure improvisation, and I write the music and lyrics on the fly, in a holistic manner. As such, my music is a diary, a means of therapy, and a window into my deepest thoughts and other worlds, and encompasses everything from pure folk to multitrack experimental or atmospheric music. At 15, my parents took me on a vacation that would change my life. We went to Michigan and "while we were there," we visited the Interlochen Academy for the Arts. I was transfixed by the immense talent around me and I never forgot that place. One day, I mentioned the school to my mother and she had me apply. I was accepted and never looked back. I went on to study music composition at Peabody Conservatory of Music (Now The Peabody Institute of Music of the Johns Hopkins University) and the Yale School of Music and studied under composers Jacob Druckman, Martin Bresnick, Poul Ruders, and Morris Moshe Cotel. I've written string quartets and orchestra pieces. But eventually, I realized that I was my own instrument and pursued my authentic musical voice. I will never forget the day I discovered the true power in and freedom I could experience when I connected deep into my soul and let it all out — the beautiful, the dark, the ecstatic, the bloody, the traumatic, the angry. It is one of the most wonderful experiences a human being can have. Influences include Arvo Part, Ani DiFranco, George Crumb, John Cage, Bjork, Sinead O'Connor, Loreena McKennitt, and a host of others. I hope to reach out to others through the Internet during this crisis and make connections to other musicians and listeners. https://oeinc.bandcamp.com/album/gate https://nicolelepera.com
Videos discussed:Arvo Part:https://www.youtube.com/watch?v=TJ6Mzvh3XCcDr. Wareheim:https://www.youtube.com/watch?v=Zn859f5TOs8&feature=youtu.beOn Cinema:https://www.youtube.com/watch?v=rIOHxgVTOoU&feature=youtu.beRhythm Roulette:https://www.youtube.com/watch?v=q06UxOKc7io&t=146s
Bernardo Motta é engenheiro electrotécnico, com carreira na área. E é também um católico convicto, que junta à formação científica um conhecimento profundo da filosofia da religião e dos debates entre crentes e ateus que têm marcado as últimas décadas -- nos quais, claro, assume uma posição de defesa do Cristianismo. Escreveu os livros «Do enigma de Rennes-le-Château ao Priorado de Sião» e «O Milagre do Sol segundo as testemunhas oculares». -> Apoie este projecto e faça parte da comunidade de mecenas do 45 Graus em: 45graus.parafuso.net/apoiar _______________ Índice da conversa: (02:19) Três razões para ser católico: 1) Certeza de que Deus existe (Peter Kreeft: 20 arguments for God's existence) (08:18) 2) Jesus Cristo é Deus [e o que diz a Bíblia] (Argumento de C S Lewis sobre Jesus: "Lunatic, Liar, or Lord", Plínio, Livro «Jesus and the Eyewitnesses», de Richard Bauckham, Bart Ehrman (26:22) A experiência pessoal do Divino, e o papel da estética (argumento de Platinga, Arvo Part) (41:21) O problema do Mal (47:48) Existem santos? (55:39) O que é a alma de uma pessoa que morre senil? (1:02:48) Vivemos no “fim dos tempos”?. John Rawls (1:10:44) Porque há pouco o hábito em Portugal de discutir estes temas? (Fideísmo, William James: «The Will to Believe», Abuso sexual de menores na Igreja) _______________ Nesta 2ª parte da conversa com Bernardo Motta, dedicámo-nos a tópicos, dentro do género, mais “normais” numa conversa sobre religião e o Cristianismo, como a figura de Jesus, a experiência subjectiva do Divino e o eterno «Problema do mal». O ponto de partida foram as três razões que o convidado dá para se afirmar católico: 1) Certeza de que Deus existe [que abordámos na 1ª parte da conversa], 2) Convicção de que Jesus Cristo é Deus, 3) convicção de que a doutrina original da Igreja está mais próxima da católica do que da protestante (sendo que este 3º ponto acabámos por não desenvolver)... A 2ª razão -- a convicção de que Jesus Cristo é Deus -- é a marca essencial do cristianismo (um dogma em quase todas as denominações) em comparação com outras religiões. Daqui partimos para discutir a figura de Jesus e o que, no entender do convidado, se pode dizer da veracidade Histórica dos relatos do Novo Testamento. Daí passámos para um tema que me suscita muita curiosidade: como é a experiência pessoal, subjectiva, do Divino? …uma experiência que, para muitas pessoas, como é o caso do convidado, tem um lado estético forte. …E daí para o chamado «Problema do Mal» (isto é, porque é que há mal no Mundo?), um clássico destes debates há vários séculos. Confrontei também o convidado com as minhas objecções em torno da lógica da ideia de santo (mesmo à luz da fé católica) e algumas contradições que me parecem existir na ideia de alma. No final, como que para embrulhar esta muito longa conversa, perguntei ao convidado porque são tão raras em Portugal este tipo de discussões entre crentes e não crentes? Recorde-se que, ao contrário de muitos crentes, que remetem a questão de Deus para uma questão subectiva, de fé, o Bernardo está convicto de que a existência de Deus pode ser provada, filosófica e cientificamente -- e é, por isso, debatível. Contactos Bernardo Motta: bernardosanchezmotta@icloud.com; https://www.facebook.com/bernardosanchezmotta _______________ Obrigado aos mecenas do podcast: Julie Piccini, Ana Raquel Guimarães Galaró family, José Luís Malaquias, Francisco Hermenegildo, Nuno Costa, Abílio Silva, Salvador Cunha, Bruno Heleno, António llms, Helena Monteiro, BFDC, Pedro Lima Ferreira, Miguel van Uden, João Ribeiro, Nuno e Ana, João Baltazar, Miguel Marques, Corto Lemos, Carlos Martins, Tiago Leite Tomás Costa, Rita Sá Marques, Geoffrey Marcelino, Luis, Maria Pimentel, Rui Amorim, RB, Pedro Frois Costa, Gabriel Sousa, Mário Lourenço, Filipe Bento Caires, Diogo Sampaio Viana, Tiago Taveira, Ricardo Leitão, Pedro B. Ribeiro, João Teixeira, Miguel Bastos, Isabel Moital, Arune Bhuralal, Isabel Oliveira, Ana Teresa Mota, Luís Costa, Francisco Fonseca, João Nelas, Tiago Queiroz, António Padilha, Rita Mateus, Daniel Correia, João Saro João Pereira Amorim, Sérgio Nunes, Telmo Gomes, André Morais, Antonio Loureiro, Beatriz Bagulho, Tiago Stock, Joaquim Manuel Jorge Borges, Gabriel Candal, Joaquim Ribeiro, Fábio Monteiro, João Barbosa, Tiago M Machado, Rita Sousa Pereira, Henrique Pedro, Cloé Leal de Magalhães, Francisco Moura, Rui Antunes7, Joel, Pedro L, João Diamantino, Nuno Lages, João Farinha, Henrique Vieira, André Abrantes, Hélder Moreira, José Losa, João Ferreira, Rui Vilao, Jorge Amorim, João Pereira, Goncalo Murteira Machado Monteiro, Luis Miguel da Silva Barbosa, Bruno Lamas, Carlos Silveira, Maria Francisca Couto, Alexandre Freitas, Afonso Martins, José Proença, Jose Pedroso, Telmo , Francisco Vasconcelos, Duarte , Luis Marques, Joana Margarida Alves Martins, Tiago Parente, Ana Moreira, António Queimadela, David Gil, Daniel Pais, Miguel Jacinto, Luís Santos, Bernardo Pimentel, Gonçalo de Paiva e Pona , Tiago Pedroso, Gonçalo Castro, Inês Inocêncio, Hugo Ramos, Pedro Bravo, António Mendes Silva, paulo matos, Luís Brandão, Tomás Saraiva, Ana Vitória Soares, Mestre88 , Nuno Malvar, Ana Rita Laureano, Manuel Botelho da Silva, Pedro Brito, Wedge, Bruno Amorim Inácio, Manuel Martins, Ana Sousa Amorim, Robertt, Miguel Palhas, Maria Oliveira, Cheila Bhuralal, Filipe Melo, Gil Batista Marinho, Cesar Correia, Salomé Afonso, Diogo Silva, Patrícia Esquível , Inês Patrão, Daniel Almeida, Paulo Ferreira, Macaco Quitado, Pedro Correia, Francisco Santos, Antonio Albuquerque, Renato Mendes, João Barbosa, Margarida Gonçalves, Andrea Grosso, João Pinho , João Crispim, Francisco Aguiar , João Diogo, João Diogo Silva, José Oliveira Pratas, João Moreira, Vasco Lima, Tomás Félix, Pedro Rebelo, Nuno Gonçalves, Pedro , Marta Baptista Coelho, Mariana Barosa, Francisco Arantes, João Raimundo, Mafalda Pratas, Tiago Pires, Luis Quelhas Valente, Vasco Sá Pinto, Jorge Soares, Pedro Miguel Pereira Vieira, Pedro F. Finisterra, Ricardo Santos _______________ Esta conversa foi editada por: Hugo Oliveira _______________ Bio: Bernardo Motta nasceu em Lisboa em 1976. É casado e tem três filhos. É licenciado em Engenharia Electrotécnica e de Computadores (ramo de Controlo e Robótica) pelo Instituto Superior Técnico (2000). Em 2005, escreveu o estudo histórico o "Do enigma de Rennes-le-Château ao Priorado de Sião". Entre 2005 e 2007 fez conferências por todo o País para apresentar o seu livro, na sequência da polémica levantada pelo livro de Dan Brown, “O Código Da Vinci”. A partir de 2007, os seus interesses voltaram-se para a história da Ciência e para a filosofia da Ciência. No ano de 2011-2012, preparou e leccionou o Curso "Cristianismo e Ciência" a pedido da Escola de Leigos do Instituto Diocesano da Formação Cristã do Patriarcado de Lisboa. Entre 2013 e 2015 leccionou o mesmo curso a alunos do Instituto Superior Técnico que frequentavam Mestrados em Matemática e Física. Em 2016 fez duas conferências no Instituto Superior Técnico no ciclo de conferências sobre Cristianismo e Ciência: uma sobre a Ciência na Idade Média e outra sobre o impacto da Inquisição na Ciência. Entre 2015 e 2017 escreveu o livro “O Milagre do Sol segundo as testemunhas oculares”, editado e publicado pela Lucerna, no qual recolhe depoimentos de testemunhas oculares do fenómeno ocorrido a 13 de Outubro de 1917. Esta obra defende simultaneamente a tese do milagre e uma explicação meteorológica para o que foi observado.
THIS WEEK Christians around the world observe the Easter holiday, remembering the epic story of the crucifixion and resurrection of Christ. The powerful themes of death and rebirth, and the related celebrations of Holy Week, give the event a depth and majesty that mark it as the most important Christian festival of the year. As you'd expect, Easter has inspired some of the most sublime and exalted music of the Christian tradition. On this transmission of Hearts of Space from guest producer ELLEN HOLMES, choral and instrumental classics from across nine centuries of Christian sacred music, on a program called "AN EASTER CELEBRATION." Music is by WILLIAM BYRD, HILDEGARD VON BINGEN, RIHARDS DUBRA, PATRICK HAWES, GABRIEL FAURE, OLA GJEILO, MANUEL CARDOSO, ANTOINE BRUMEL, JOHN JENKINS, HEINRICH SCHUTZ, J.S. BACH, LISA GERRARD & PATRICK CASSIDY, ARVO PART, and EDWARD ELGAR. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Recorded readings (circa 2020) of rough drafts of chapters from my 2021 book, Old Style. 00:52 —”Flyover” (music by the Dick Slessig Combo)08:30—”Don Lived Upstairs from the Blue Light (music by Mute Duo)11:34—”Dead Rae” (music by Arvo Part)19:57—”Can't Recall” (music by Ran Blake)31:45—”Ask for Rose” (music by Thelonius Monk)41:07—”Innocent When You Dream”
Războiul din Ucraina este un dezastru al iubirii iar menirea noastră este să o menținem. Pentru prima dată se văd ororile războiului astfel pentru că pentru prima dată avem avansul tehnologic necesar pentru a transmite aproape în direct o astfel de cantitate de informații.Duhovnicește vorbind, să fim atenți să nu ne războim și noi, la rândul nostru, ci mai degrabă să arătăm compasiune față de oamenii simpli care suferă. Să ne rugăm pentru aceștia, pentru că aceasta ajută mult. De asemenea, să dăm, dacă putem, un exemplu de viață creștină – adică de viață jertfitoare și iubitoare față de semeni și, cu toate că trebuie să ne păstrăm discernământul, să avem grijă să nu judecăm persoane ci, mai degrabă, să ajutăm la renașterea unei lumi mai bune, mai iubitoare. Pentru aceasta, întâi trebuie să ne crucificăm inima.Mai jos vă prezentăm, câteva creații artistice și câteva mesaje legate de războiul din Ucraina a unora dintre cei mai mari compozitori ai ultimilor 150 de ani: Roger Waters (unul din geniile formației Pink Floyd), Sting (unul dintre cei mai influenți compozitori în viață), Thomas Bergersen (cel mai mare compozitor de muzică de film) și Avro Part (ortodox de origine estoniană – considerat cel mai mare compozitor la ora actuală).Din partea chiliei, vă prezentăm și un poem – numit „Poem pentru România” – compus și recitat de părintele Pimen Vlad.Audiție plăcută!
For Part I of the interview, please see Previous Post With a shared passion for Music, Text & Story, we talk about the many hurdles young musicians face in getting the support they need to succeed. We talk about the impact of the pandemic and the lessons we've learned along the way. Most importantly we talk about the soul-deep need for community that is the human experience, and how we can use music to connect. New music powerhouse Dr. Lisa Neher (pronouns: she/her, last name pronounced "NEER") is an award-winning composer, mezzo-soprano, and actress on a mission to transform audiences through sound, story, and vulnerability. Described as a “maestro of beautifully wacky noises” (Oregon ArtsWatch) and a composer of “varied and imitable” vocal lines (Contemporary Classical), Lisa writes music inspired by female athleticism, the tender love of friends, the ambiguities of death, and the eerie mystery of deep ocean life. Praised as “a small woman with a very big voice” and “especially alive” (Oregon ArtsWatch), Lisa captivates audiences as a performer with her electrifying dramatic commitment and unforgettable vocal colors. Lisa's musical-theatrical fluency and passion for contemporary music have led to engagements such as Reciter for William Walton's Façade with the Portland Columbia Symphony Orchestra, the world premiere of Space Station 189: A Micro-Opera for Instagram at New Music Gathering, the first staged version of Sun Songs: Three Micro-Operas by Augusta Read Thomas with the Center for New Music, the world premiere of Aaron Israel Levin's Fiumana, for mezzo-soprano singing while playing the bass drum, and the leading role of Jennifer in the world premiere of Rita Ueda's chamber opera One Thousand White Paper Cranes for Japan with the Singaporean ensemble Chamber Sounds. Her recent engagements include performances with Third Angle New Music, the Resonance Ensemble, Opera Theatre Oregon, Queer Opera, and the International Saxophone Symposium. Lisa is an active advocate for new music, frequently premiering new works as well as established masterworks of the last fifty years. She is the creator of the One Voice Project, a one-woman performance combining contemporary poetry and new musical works for unaccompanied voice chosen through a call for scores initiative. Lisa is in high demand as a concert soloist. Her credits include Duruflé's Requiem, Mozart's Requiem, Vesperae Solennes de Confessore, and Coronation Mass, Bach's Magnificat and Ascension Oratorio, and Arvo Part's Pässio, with groups such as the Central Iowa Symphony, the Grinnell Oratorio Singers, and the Chamber Singers of Iowa City. Her operatic credits include Dorabella in Così fan tutte with Iowa City Concert Opera, Dolores in The Gondoliers, Mrs. Malaprop in The Rivals, Orlofsky in Die Fledermaus and Annio in La clemenza di Tito with Martha-Ellen Tye Opera Theatre, the Student in the premiere of the chamber opera The Nightingale and the Rose by Li Kai Han Jeremiah with Helianthus Ensemble, and Cherubino in Le nozze di Figaro with the Midwest Institute of Opera. Lisa was a Young Artist with Cedar Rapids Opera Theatre and the Vancouver International Song Institute. Lisa's compositions include solo and chamber music for instruments and vocal works in the operatic, song, and choral genres. Her particular passion for text and poetry has led to works such as her chamber operas Sense of Self, about a triathlete struggling with a breast cancer diagnosis and White Horizon, about a nineteenth-century Arctic expedition gone wrong. Lisa's major song cycle, No One Saves the Earth from Us But Us speaks the the urgency of the global climate crisis. Her commissioners include Third Angle New Music, Third Angle New Music, Opera Elect, Opera Theatre Oregon, Coe College Symphony Orchestra, Kirkwood Community College Choirs, the Glass City Singers, tenor Zach Finkelstein, pianist Michael Kirkendoll, and flutists Rose Bishop and Hal Ide. Lisa was selected to be part of the inaugural year of the Gabriela Lena Frank Creative Academy of Music. Lisa is a member of the Iowa Composer's Forum, Cascadia Composers, the National Association of Teachers of Singing, and ASCAP. In addition to her creative work, Lisa coaches singers on technique, acting, and interpretation, and composers on writing and marketing their music. Recognized in particular for her deep knowledge of the voice and extended techniques, she frequently teaches workshops on composing for singers. Lisa has served on faculty at Lewis & Clark College, Coe College, Kirkwood Community College, and Grinnell College. Lisa graduated summa cum laude from Lewis & Clark College with degrees in vocal performance, music composition, and theatre, and holds a master's degree in music composition from the University of Kansas and a Doctor of Musical Arts in voice performance and pedagogy from the University of Iowa. Her doctoral essay explores the chamber vocal works of composer Gabriela Lena Frank. She is a vocal student of Julia Nielsen, Stephen Swanson, Katherine Eberle, Julia Broxholm, and Susan McBerry, and studied composition under the tutelage of Michael Johansen and Forrest Pierce. Born just south of Seattle, Lisa is an outdoor enthusiast and triathlete. She spends her free time distance running, watching science fiction movies, and baking delicious treats involving copious amounts of chocolate. DR. LISA NEHER: Facebook Twitter LinkedIn Instagram LATEST NEWS: Announcing Something About Isolation, a series of web releases Nov 8-20 Lisa is selected as one of 10 composers for this season's NATS Mentoring Program for Composers Lisa's opera with Kendra Preston Leonard Par for the Course programmed on New Opera West's Pop-Up Festival 2022! Lisa's choral work Three Basho Haiku chosen for Project: Encore Catalog Lisa is the winner of the 2021 Iowa Composer's Forum / Iowa Choral Directors Association Composition Contest for Three Basho Haiku Lisa and Kendra Preston Leonard release new Halloween songs for young singers Read Now: BRINGING GRIT AND GUTS TO OPERA, a profile of Lisa in Oregon ArtsWatch Read Now: MUSICAL READINGS ON A BROKEN WORLD, the story behind Red Vespa's commission of Upon a Broken World in Women's Song Forum
Domenic Salerni, violinist with the Attacca String Quartet and native of the Lehigh Valley, speaking with us about the ensemble's recent album titled, "Of All Joys" released by Sony Classical, featuring pieces from the Renaissance as well as works from Arvo Part and Philip Glass. www.attaccaquartet.com/
With a shared passion for Music, Text & Story, we talk about the many hurdles young musicians face in getting the support they need to succeed. We talk about the impact of the pandemic and the lessons we've learned along the way. Most importantly we talk about the soul-deep need for community that is the human experience, and how we can use music to connect. New music powerhouse Dr. Lisa Neher (pronouns: she/her, last name pronounced "NEER") is an award-winning composer, mezzo-soprano, and actress on a mission to transform audiences through sound, story, and vulnerability. Described as a “maestro of beautifully wacky noises” (Oregon ArtsWatch) and a composer of “varied and imitable” vocal lines (Contemporary Classical), Lisa writes music inspired by female athleticism, the tender love of friends, the ambiguities of death, and the eerie mystery of deep ocean life. Praised as “a small woman with a very big voice” and “especially alive” (Oregon ArtsWatch), Lisa captivates audiences as a performer with her electrifying dramatic commitment and unforgettable vocal colors. Lisa's musical-theatrical fluency and passion for contemporary music have led to engagements such as Reciter for William Walton's Façade with the Portland Columbia Symphony Orchestra, the world premiere of Space Station 189: A Micro-Opera for Instagram at New Music Gathering, the first staged version of Sun Songs: Three Micro-Operas by Augusta Read Thomas with the Center for New Music, the world premiere of Aaron Israel Levin's Fiumana, for mezzo-soprano singing while playing the bass drum, and the leading role of Jennifer in the world premiere of Rita Ueda's chamber opera One Thousand White Paper Cranes for Japan with the Singaporean ensemble Chamber Sounds. Her recent engagements include performances with Third Angle New Music, the Resonance Ensemble, Opera Theatre Oregon, Queer Opera, and the International Saxophone Symposium. Lisa is an active advocate for new music, frequently premiering new works as well as established masterworks of the last fifty years. She is the creator of the One Voice Project, a one-woman performance combining contemporary poetry and new musical works for unaccompanied voice chosen through a call for scores initiative. Lisa is in high demand as a concert soloist. Her credits include Duruflé's Requiem, Mozart's Requiem, Vesperae Solennes de Confessore, and Coronation Mass, Bach's Magnificat and Ascension Oratorio, and Arvo Part's Pässio, with groups such as the Central Iowa Symphony, the Grinnell Oratorio Singers, and the Chamber Singers of Iowa City. Her operatic credits include Dorabella in Così fan tutte with Iowa City Concert Opera, Dolores in The Gondoliers, Mrs. Malaprop in The Rivals, Orlofsky in Die Fledermaus and Annio in La clemenza di Tito with Martha-Ellen Tye Opera Theatre, the Student in the premiere of the chamber opera The Nightingale and the Rose by Li Kai Han Jeremiah with Helianthus Ensemble, and Cherubino in Le nozze di Figaro with the Midwest Institute of Opera. Lisa was a Young Artist with Cedar Rapids Opera Theatre and the Vancouver International Song Institute. Lisa's compositions include solo and chamber music for instruments and vocal works in the operatic, song, and choral genres. Her particular passion for text and poetry has led to works such as her chamber operas Sense of Self, about a triathlete struggling with a breast cancer diagnosis and White Horizon, about a nineteenth-century Arctic expedition gone wrong. Lisa's major song cycle, No One Saves the Earth from Us But Us speaks the the urgency of the global climate crisis. Her commissioners include Third Angle New Music, Third Angle New Music, Opera Elect, Opera Theatre Oregon, Coe College Symphony Orchestra, Kirkwood Community College Choirs, the Glass City Singers, tenor Zach Finkelstein, pianist Michael Kirkendoll, and flutists Rose Bishop and Hal Ide. Lisa was selected to be part of the inaugural year of the Gabriela Lena Frank Creative Academy of Music. Lisa is a member of the Iowa Composer's Forum, Cascadia Composers, the National Association of Teachers of Singing, and ASCAP. In addition to her creative work, Lisa coaches singers on technique, acting, and interpretation, and composers on writing and marketing their music. Recognized in particular for her deep knowledge of the voice and extended techniques, she frequently teaches workshops on composing for singers. Lisa has served on faculty at Lewis & Clark College, Coe College, Kirkwood Community College, and Grinnell College. Lisa graduated summa cum laude from Lewis & Clark College with degrees in vocal performance, music composition, and theatre, and holds a master's degree in music composition from the University of Kansas and a Doctor of Musical Arts in voice performance and pedagogy from the University of Iowa. Her doctoral essay explores the chamber vocal works of composer Gabriela Lena Frank. She is a vocal student of Julia Nielsen, Stephen Swanson, Katherine Eberle, Julia Broxholm, and Susan McBerry, and studied composition under the tutelage of Michael Johansen and Forrest Pierce. Born just south of Seattle, Lisa is an outdoor enthusiast and triathlete. She spends her free time distance running, watching science fiction movies, and baking delicious treats involving copious amounts of chocolate. DR. LISA NEHER: Facebook Twitter LinkedIn Instagram LATEST NEWS: Announcing Something About Isolation, a series of web releases Nov 8-20 Lisa is selected as one of 10 composers for this season's NATS Mentoring Program for Composers Lisa's opera with Kendra Preston Leonard Par for the Course programmed on New Opera West's Pop-Up Festival 2022! Lisa's choral work Three Basho Haiku chosen for Project: Encore Catalog Lisa is the winner of the 2021 Iowa Composer's Forum / Iowa Choral Directors Association Composition Contest for Three Basho Haiku Lisa and Kendra Preston Leonard release new Halloween songs for young singers Read Now: BRINGING GRIT AND GUTS TO OPERA, a profile of Lisa in Oregon ArtsWatch Read Now: MUSICAL READINGS ON A BROKEN WORLD, the story behind Red Vespa's commission of Upon a Broken World in Women's Song Forum
In our year-end festivals of sacred music, we touch a human ritual whose origins are lost in time. For millennia, we've gathered in churches and sanctuaries to sing, worship, listen and renew our spirits. On this transmission of Hearts of Space, a year's end celebration of the treble voice, the massed chorus, and the sublime world of sacred sound, on a program called HYMNS and PSALMS. Music is by LIBERA, STATE OF GRACE, GIORGIA FUMANTI, HAYLEY WESTENRA, LUMINOUS WORLD ORCHESTRA, KEVIN KELLER, ARVO PART, and ALFRED SCHNITTKE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Tom Service lifts the lid on the music of the most popular living composer - Arvo Part. Nominated for 11 Grammy awards and revered by Bjork, P.J Harvey, and Radiohead, as well as classical musicians around the world, his seemingly simple and spiritual music is loved by millions. Born in Estonia in 1935 he did military service in the Soviet Army, worked as a radio producer, and wrote music for films, documentaries and animations, before creating his unique style of composition ‘tintinnabulation'. But what exactly is tintinnabulation? What do you get when you cross mathematics with love? And how can strict rules and discipline ultimately mean freedom? Our witnesses are violinist Viktoria Mullova who has recorded many of Part's seminal works, and theologian Dr Peter Bouteneff who has researched his music's connections with his Orthodox faith. Producer: Ruth Thomson
Composer Anna Clyne joins conductor Devin Patrick Hughes on One Symphony. They discuss Anna's influences like Stravinsky, Steve Reich, and Arvo Part, composing based on poetry from Rumi to Shakespeare, along with silence in music, symphonic programming, repurposing material from others or yourself, and a way for a composer to be in the room with an orchestra from anywhere in the world! Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, Clyne is one of the most acclaimed and in-demand composers of her generation, connecting her music across art forms with innovative collaborations with choreographers, visual artists, filmmakers, and musicians. Also the winner of the 2016 Hindemith Prize, Anna Clyne is currently the Associate composer for the Sottish Chamber Orchestra, and has held composer residencies with the Chicago Symphony, Baltimore Symphony, and the National Orchestra of France. Some of Anna Clyne's most amazing works that have been performed by the top orchestras, soloists and conductors around the world, include Dance for cello and orchestra, Night Ferry, Rewind, This midnight Hour, Prince of Clouds, The Seamstress, Sound and Fury and Within Her Arms. Marin Alsop said it best by describing Anna's music as “always emotional and driven by her heart, and skillfully composed”. Thank you for joining us on One Symphony and thanks to Anna Clyne for sharing her music and insights. Thank you to all the incredible performers and record labels that made this episode possible! Cornelius Dufallo and Amy Kauffman played Tea Leaves from The Violin. Dance was performed by Inbal Segev, and the London Philharmonic conducted by Marin Alsop. Masquerade was performed by the BBC Symphony conducted by Marion Alsop. A Wonderful Day was performed by Anna Clyne and Willie Barbee from Bang on a Can All-Stars on the Cantaloupe Music label. Rewind was performed by the BBC Symphony and Andre de Ridder. Stravinsky's Rite of Spring was performed by the London Symphony and Rafael Frübeck de Burgos. Beethoven's Grosse Fuge was performed by the Takács Quartet. Bartok's Concerto for Orchestra was played by the Hungarian State Symphony and Adám Fischer. You can check out Anna Clyne's music online at annaclyne.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Saturday 21 August: Irish muso Conor O'Brien aka Villagers, preparing the piano for Tabula Rasa, and R Murray Schafer remembered
This sure ain't Surfin' USA! Pet Sounds is definitely one of those landmark albums that fans would admonish us for because we didn't listen sooner. On this installment Joe pays tribute to some of his favorite composers, and Dan falls down the research rabbit hole. We also try to identify a bunch of weird instruments. There's a lot to tackle here, so take the trip with us. Check out the links below for a bunch of fun videos featuring Joe's favorite composers and other goodies. Summa for Strings by Arvo Part https://youtu.be/PzSlmWQuHFw The Mission Main Theme by Ennio Morricone https://youtu.be/oag1Dfa1e_E Chi il bel sogno Doretta by Giacomo Puccini https://youtu.be/cwjmKOv_Cs0 Final scene of Der Rosenkavalier by Richard Strauss https://youtu.be/WmU3bHY3p4I Libera Me from Giuseppe Verdi's Requiem https://youtu.be/9Vm_uIKVHQo Clara Rockmore plays the Theremin https://youtu.be/pSzTPGlNa5U Merch Store! https://brothers-in-song.creator-spring.com/
Le magazine de la musique contemporaine présenté par Christine Gyselings. Actualité, rencontres et festivals (Tactus, Ars Musica, MusMa...) sont au programme de cette émission de fin de semaine qui aborde le répertoire d'aujourd'hui de façon accessible. Production et présentation : Christine Gyselings
Is there a song you can't live without? Jo and Richard discuss this as well as recent learner driving experience. Then they look into reading Psalms in a month and great book helping people with grief after miscarriage. Here's the links to everything from the episode:Spiegel im Spiegel, Arvo Part https://open.spotify.com/track/3ZlGsjeTyF3arE9IsMv6fO?si=b73f6ea860694747Psalm 97 https://www.biblegateway.com/passage/?search=psalm+97&version=NIVPsalms in a month: https://standrews.ws/files/2017/11/Daily-Psalm-Readings.pdfHeld, 31 Biblical Reflections on God's Comfort and Care in the Sorrow of Miscarriage by Abbey Wedgeworth https://www.thegoodbook.com.au/heldHunter Bible Church 'A Home for Everyone' building series https://www.hunterbiblechurch.org/ahomeforeveryoneSupport the show
The final track of Pat Metheny’s 2021 album Road to the Sun is a confluence of three musical visionaries, featuring the master guitarist playing the music of Estonian composer Arvo Pärt, on the Pikasso guitar, an instrument developed by Canadian luthier Linda Manzer. photo credit: Florian Thoss/Courtesy of the artist
The final track of Pat Metheny’s 2021 album Road to the Sun is a confluence of three musical visionaries, featuring the master guitarist playing the music of Estonian composer Arvo Pärt, on the Pikasso guitar, an instrument developed by Canadian luthier Linda Manzer. photo credit: Florian Thoss/Courtesy of the artist
Music for Easteride - Episode 4 (Special Guest Host, Daniel Justin) The central theme for this week's music is ‘sing a new song to the Lord', which is the opening text of the introit for the mass of the fifth Sunday of Eastertide. Music included: The introit ‘Cantate Domino' for the fifth Sunday of Easter, I am the true vine by Arvo Part, Sir James McMillan is setting of Psalm 96: his motet ‘a new song', Regina Caeli from Mascagni's opera Cavalleria rusticana and Vaughan Williams' setting of ‘Rise heart, thy Lord is risen'.
Violinist Simone Porter joins Manfred Honeck and the Pittsburgh Symphony to play three favorites--Winter from the Four Seasons by Vivaldi, Praeludium and Allegro by Kreisler and Fratres by Arvo Part. She talks about the concert which can be seen in the Front Row series starting Saturday April 10th from the orchestra website. Simone discusses nerves and the musician, the strange world of pandemic music making, her latest book suggestions including one from her blog - "The Possesed Adventures with Russian Books and the People Who Read Them" by Elif Batuman, she reveals a favorite hipser cafe near Echo Park in LA, great for books, coffee and people watching and invites you to check out her new instrument by Bergonzi.
Pat Metheny has won 20 Grammy Awards, predominantly for his work as a jazz guitarist, but also for Best Rock Instrumental Performance, and Best Instrumental Composition. His latest work is as a composer. The album Road to the Sun has two major works for classical guitar. Four Paths of Light is a four movement suite for a solo instrument, played by Jason Vieaux, and Road to the Sun, a piece in six parts, performed by the Los Angeles Guitar Quartet. Metheny himself plays his arrangement of Arvo Part's piano piece Fur Alina, on an extraordinary 42 string instrument. Pat Metheny tells John Wilson about this ambitious work. We've reaction to today's Budget Statement from the Chancellor. Rishi Sunak has added £300m to the £1.57bn Cultural Recovery Fund, £90m more for museums, and £18m for cultural community projects, but will the newly announced extension to the government's Self Employment Income Support scheme really help struggling arts freelancers? And how can the festivals industry plan for the summer without the government-backed insurance scheme many were calling for? Chairman of the DCMS parliamentary select committee, Julian Knight MP and Paule Constable from the Freelancers Make Theatre Work campaign join us to discuss. And Poet Amanda Gorman became famous around the world when she read her poem The Hill We Climb at Biden’s Inauguration, and now her work is due to be translated into multiple languages. Publishers Meulenhoff have been criticised for appointing a white writer, Marieke Lucas Rijneveld, to translate Gorman’s poetry into Dutch, and now Rijneveld has stepped down amid the furore. Activist Janice Deul explains why she was so disappointed with the publisher’s original choice, and writer and translator Khairani Barokka describes the complicated relationship between writers and translators. Presenter: John Wilson Producer: Julian May Main image: Pat Metheny Image credit: Modern Recordings
‘In hindsight I can see perhaps it was good that I was forced to confront my grief in so unadulterated a manner, but it was so hard - I would never choose it!’ TamlynTW: This story and the conversation which ensues includes mentions of grieving and death.Tammy lost her mother a few weeks before the first UK lockdown. Even more, 8,000 miles separated them and returning to the UK was in itself a little miracle.DISCUSSION:We discuss how having to grieve in unusual situations (such as a global pandemic) can feel like imprisonment with grief.We argue that in order to overcome grief, a level of grounding ourselves in daily routines and usual encounters with people can be essential. Tammy was deprived of this.Our discussion concludes with our own positive experience of having overcome grief, or rather, having learned to live with the loss.RECOMMENDATIONOur recommendation is Arvo Part's Stabat Mater, a meditative and wonderfully evocative piece of music.Series 3 of My Beautiful Stories podcast offers a space for YOUR STORIES to be heard. Support the show (https://ko-fi.com/alexcuncev)
Follow Mixtapes With Mike on Instagram here... https://www.instagram.com/mixtapeswithmikepodcast/ Check out Matt's podcast Looking Sideways here...Find Matt on Instagram here...Listen to Matt's mixtape on Apple Music here... https://music.apple.com/gb/playlist/mixtapes-with-mike-matt-barr/pl.u-qxylVGlCvvJGWListen to Matt's mixtape on Spotify here... https://open.spotify.com/playlist/4QAg6SlrKG2yJ494l19srg?si=Qcc0lx5wSYqlFjMpd8fwIgAs always the music discussed is played below the conversation as I believe that all musicians should be paid for what they do. This is why a purposely point the listener towards the mixtape on streaming platforms and implore you to support your local record shop by seeking out the physical releases of anything you discover through this podcast. I'd recommend Black Circle records check them out here... https://blackcirclerecords.co.uk Moonage Daydream (2012 Remastered Version) 4:41 David Bowie I'm Only Sleeping (Take 1) 2:59 The Beatles Heaven Knows I'm Miserable Now 3:36 The Smiths We'll Sweep Out the Ashes In the Morning 3:15 Gram Parsons Dirty Work 3:07 Steely DanI Shall Be Released 3:53 Nina SimoneFredag 4:20 DungenEverglade Parade 3:53 CJ Mirra Fratres (Remastered 2015) 11:30 Gidon Kremer & Keith Jarrett Arvo Pärt All I Know Is Tonight 7:51 Jaga Jazzist
a Radio Popolare nella settimana dedicata alla memoria ..Rotoclassica cambia ancora formato e diventa..ROTOMEMORIA..giovedì 28 gennaio dalle 23..dedicato a tutte le vittime dei piccoli e grandi drammi della Storia e dei nostri tempi:..-27 gennaio: nasce Mozart 265 anni fa e muore Verdi 120 anni fa ..- ma l'olocausto si impone nella figura di Nedo Fiano che ci racconta la presenza della musica nel campo di sterminio di Auschwitz-Birkenau..attraverso la sua testimonianza diretta. La sua voce sarà sonorizzata dal "Sopravvissuto di Varsavia" di Arnold Schoenberg...-il violino di Julieck accende Beethoven nella desolazione di un campo di concentramento...In questi giorni in streaming cinque concerti per non dimenticare:..-il Requiem di Francesco Filidei dalla Philarmonie di Parigi..-il Quatuor pour la fin du Temps" di Messiaen dall'Accademia Filarmonica Romana..-Morricone e la Shoà dal Conservatorio di Milano..-Ysaye e Ravel dal Teatro alla Scala..-l'invocazione alla pace di Arvo Part per gli attentati di Madrid
a Radio Popolare nella settimana dedicata alla memoria ..Rotoclassica cambia ancora formato e diventa..ROTOMEMORIA..giovedì 28 gennaio dalle 23..dedicato a tutte le vittime dei piccoli e grandi drammi della Storia e dei nostri tempi:..-27 gennaio: nasce Mozart 265 anni fa e muore Verdi 120 anni fa ..- ma l'olocausto si impone nella figura di Nedo Fiano che ci racconta la presenza della musica nel campo di sterminio di Auschwitz-Birkenau..attraverso la sua testimonianza diretta. La sua voce sarà sonorizzata dal "Sopravvissuto di Varsavia" di Arnold Schoenberg...-il violino di Julieck accende Beethoven nella desolazione di un campo di concentramento...In questi giorni in streaming cinque concerti per non dimenticare:..-il Requiem di Francesco Filidei dalla Philarmonie di Parigi..-il Quatuor pour la fin du Temps" di Messiaen dall'Accademia Filarmonica Romana..-Morricone e la Shoà dal Conservatorio di Milano..-Ysaye e Ravel dal Teatro alla Scala..-l'invocazione alla pace di Arvo Part per gli attentati di Madrid
Bobby Maddex interviews Dr. James Jordan and Sr. Christine Helfrich of Gloriae Dei Cantores, the choir that just recently released a new collection of compositions by the acclaimed Arvo Pärt called Stabat Mater: Choral Music of Arvo Pärt .
With over 60 credits to his name, Adrian's feature film work includes The Scarehouse, Definition of Fear and Taken Too Far. His television credits include themes for Daily Planet (Discovery), orchestral cues for The CFL and International Hockey (TSN), as well as music for Canada's long running national morning show, Canada AM (CTV). One of his recent projects is for the feature film LAST CALL, directed by Gavin Michael Booth.Last Call is a real-time split-screen feature film shot in two, true single takes and premiered at Dances with Films at the TCL Chinese Theatre in Hollywood on Tuesday, June 18th. The film follows a suicidal alcoholic on the anniversary of his son's death. When he attempts to call a crisis hotline, a misdial connects him with a single mother working as the night janitor at a local community college. The split screen feature showcases both characters in real-time as they navigate a life-changing conversation.In this episode, composer Adrian Ellis walks us through the challenges he faced in writing an original score for a single-take-film. Matching the novel approach of the film, Ellis shares how and why he ended up recording the score in a single-take as well and in front of a live audience. He opens up a number of the original themes, discusses his instrumentation, and reveals some of his influences like Arvo Part and Jonny Greenwood. Adrian Ellis shares how the score's musicians had a more physically demanding performance while also having a unique emotional experience while performing the score. ANNOTATED TRACKS / SEGMENTS02:10 - The Long Walk Home I - Beth's Theme05:30 - The Long Walk Home III - Scott's Theme08:45 - The Long Walk Home II - Main Theme11:37 - I Know13:39 - Don't Hang UpSOUNDTRACKThe original soundtrack for Last Call has not been officially released, but you can listen to 11 tracks from the score on Adrian Ellis soundcloud page. MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Adrian Ellis at his official site https://adrianelliscomposer.com/ or follow him on twitter @adrian_ellis ABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorInstagram @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed
Patricia del Río nos ofrece el especial ‘Historias sobre la memoria colectiva', donde conversa con el historiador, poeta y escritor, José Carlos Agüero, quien nos habla de ‘Persona', un trabajo biográfico-testimonial sobre el horror político que dejó la guerra entre Sendero y el Estado peruano. Y hace lo mismo con el oficial del Ejército peruano, Carlos Enrique Freyre, quien nos relata pasajes de su novela ‘La guerra que hicieron para mí', ubicada en un escenario inexpugnable de la selva peruana gobernada por el narcoterrorismo… El crítico literario y editor, José Donayre recomienda las lecturas de la semana: ‘Claridad tan oscura', de Carlos Herrera; ‘La lucha contra el ángel', de Carlos Rodríguez Saavedra; y ‘La perla y otros cuentos', de Yukio Mishima. Los temas musicales que visten el programa son: ‘Spiegel im spiegel', ‘Tabula rasa', ‘Mozart-Adagio' y ‘Summa', todas ellas ejecutadas por el compositor estonio Arvo Part.
Patricia del Río nos ofrece el especial ‘Historias sobre la memoria colectiva', donde conversa con el historiador, poeta y escritor, José Carlos Agüero, quien nos habla de ‘Persona', un trabajo biográfico-testimonial sobre el horror político que dejó la guerra entre Sendero y el Estado peruano. Y hace lo mismo con el oficial del Ejército peruano, Carlos Enrique Freyre, quien nos relata pasajes de su novela ‘La guerra que hicieron para mí', ubicada en un escenario inexpugnable de la selva peruana gobernada por el narcoterrorismo… El crítico literario y editor, José Donayre recomienda las lecturas de la semana: ‘Claridad tan oscura', de Carlos Herrera; ‘La lucha contra el ángel', de Carlos Rodríguez Saavedra; y ‘La perla y otros cuentos', de Yukio Mishima. Los temas musicales que visten el programa son: ‘Spiegel im spiegel', ‘Tabula rasa', ‘Mozart-Adagio' y ‘Summa', todas ellas ejecutadas por el compositor estonio Arvo Part.
Episode 13 features an incredible interview with Glen Soderholm. Glen is the pastor of Two Rivers Church in Guelph, Ontario. Two Rivers began as a single house church of what he calls “a collection of strays, orphans, and exiles,” born from the idea of actually being neighbours with the people you live close to. He had so much to share about the Spiritual life, including his theology of Spirituality and the very practical things he does.As an accomplished musician, Glen spoke about the role of music in the Spiritual life and shared his love for some musicians that you may not have heard of. There are some links below to some of them. Check them out!There is a discussion of icons, which is fascinating, and I've included in these notes images of two mentioned in the episode.Glen has an amazing way of remembering quotes. Check out the quotes section below to read some of what Glen said.Some of what we talked about:Spirituality is being included in the Triune communion of God.What it means to listen to God? How do we listen in our inner life.Being limited by a cognitive approach to spirituality.Healthy spirituality begins to integrate all the senses.Icons - what are they and how are they helpful?How prayer life and spirituality changes over time.Having a prayer binderJournalingThe power of habit regardless of how we feel, but not driven by guilt.The idea of Jesus being our great high priest. That Jesus prays for us! The Spirit intercedes for us. Two thirds of the Trinity are already praying for us!It is not about persuading God. God is pursuing us and longs for a connection with us.Memorizing Scripture, in particular PsalmsThe role of music in Spirituality (see links below!)Quotes from Glen Soderholm in the Podcast“In this day and age, the last person we expect to be our neighbour, might be our actual next door neighbour.”“Spirituality is a gift that comes to us from God. God is the initiator in the spiritual life.”"Creation is the result of the overflow of God's life of love.”"Spirituality means talking to ourselves in healthy ways."A Prayer that he uses every day...I am the beloved child of God the Father. I am the beloved friend of God the Son. I am the beloved Temple of God the Holy Spirit. I am enfolded in the Three in One.Quotes from Others"Prayer is the gift of participating through the Spirit in the Son's communion with the Father.” - James Torrence"Prayer is listening to God tell you that you are the beloved child.” - Henri Nouwen“It is you that lights my lamp, the Lord, my God, lights my darkness.” - Psalm 18:28“Prayer is not overcoming God's reluctance. It is laying hold of God's willingness.” - Julian of Norwich“The energy of reconciliation is the dynamo at the center of the universe “ - Eugene PetersonMusic RecommendationsPalestrina (listen to Palestrina's Motets for 5 voices on YouTube)Bach (listen to Bach's Magnificat on Youtube)John Tavener (listen to Tavener's Fragments of a Prayer on YouTube)Henryk Gorecki (listen to Gorecki's Totus Tuus on Youtube)Arvo Part (listen to Arvo Part's Magnificat on Youtube)Bifrost Arts - https://bifrostartsmusic.bandcamp.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattbrough.substack.com
I've mentioned many times that a mix often starts with a single track that interests me and takes off from there. In the case of this classical mix, the track is "In Spe" by Arvo Part. I first heard the piece via YouTube & loved it right from the start. As far as I can tell it has not been recorded for official release so the version in this mix is the performance I heard on YouTube. You can find the original ten minute track here... In Spe, Arvo Pärt, Georgian Sinfonietta Creating a classical mix right now works nicely because I just bought the excellent new piece by John Luther Adams - Become Ocean. It's basically an orchestral drone piece & it's beautiful. One of my favorite recordings of 2014, Atmos by A Winged Victory for the Sullen, makes two appearances in the mix. It's a gorgeous record that fits perfectly in this mix. A couple of other tracks that I was happy to squeeze into the mix are "Odi Et Amo" by Jóhann Jóhannsson and The Dublin Guitar Quartet's version of Philip Glass' "String Quartet No. 3 Mishima V." I've always loved the Philip Glass soundtrack "Mishima" and this guitar quartet version is sublime. I guess this will be my last mix for 2014. I'll start a new mix right off the bat in 2015. I'd like to thank everyone who has been following this blog for almost 9 years now. I've always said that I'd make mixes just for my own amusement, even if nobody else ever heard them. But when other folks get some enjoyment out of them it makes it more fun and meaningful. Plus it's just plain cool to have connected to people all over the world through these mixes. Thanks! Enjoy & Happy New Year! T R A C K L I S T :00:00 Jonny Greenwood - Overtones(The Master OST) 02:00 Arvo Part - In Spe(Georgian Sinfonietta recording) 07:20 A Winged Victory for the Sullen - Atmos XII 10:45 Valentin Silvestrov - Symphony No. 5(excerpt) 14:18 Christina Vantzou - vhs 18:46 Islands of Light - Goerde 21:55 Ólafur Arnalds - Highway 24:10 Jóhann Jóhannsson - Odi Et Amo 27:10 Hildur Gudnadottir - Unveiled 30:33 Vieo Abiungo - Insincerity Peeked Through Cloudlessly(Upward Arrows Remix) 33:55 John Luther Adams - Become Ocean(excerpt) 44:00 Nest - Far From Land 48:40 A Winged Victory for the Sullen - Atmos VIII 52:10 Dublin Guitar Quartet - String Quartet No. 3 Mishima V 55:30 Steve Reich - Electric Counterpoint I Fast 1:02:30 John Luther Adams - Become Ocean(end) 1:07:09 end
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