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Last time we spoke about the Japanese offensive at Changsha. In late September 1941, fighting in China had become a brutal struggle of endurance. Japanese forces kept pushing forward, but China—though battered by heavy losses—refused to yield. Help from abroad was slowly beginning to matter. American aid reached China through groups like the Red Cross, and volunteers later associated with the Flying Tigers offered crucial support to Chinese operations. Against this backdrop, Changsha in Hunan became the center of a dangerous autumn campaign. Chiang Kai-shek and the Nationalist leadership treated the city as strategically vital, knowing that its fate could influence the wider course of the war. In the end, the resistance at Changsha showed China's key advantage: resilience. The city's defense helped slow the Japanese advance, break up momentum, and create uncertainty as the campaign continued.   #212 The Autumn Battle of Changsha, 1941 Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. In late September 1941, the war in China had already entered its fifth year. By then the conflict had lost whatever remained of novelty and had settled into something harsher and more exhausting: a long war of attrition fought across enormous distances, under conditions of chronic shortage, strategic uncertainty, and repeated local catastrophe. Japan still possessed formidable military strength. Its armies could strike hard, move fast, and exploit superior firepower, air support, and communications in individual campaigns. Yet the larger shape of the war had begun to change. China had not collapsed. The Nationalist government still stood. Chinese armies, however battered, still held the field. The line between survival and defeat remained dangerously thin, but it had not broken. This was the situation in which the autumn campaign in Hunan and Hubei unfolded.   The struggle around Changsha did not occur in isolation. It belonged to a wider military and political moment. In Europe, the war had already expanded into a continent-wide convulsion. Germany and the Soviet Union were locked in a massive struggle after the German invasion in June. Leningrad was under threat, Kiev had become the scene of disaster, and the approach of the battle for Moscow suggested that still greater bloodshed lay ahead. Stalin had pressed Churchill to open a second front in Europe and had been refused. The global balance of war was shifting, but not yet in any way that guaranteed relief to China.   In Asia, Japan continued to press forward. The pressure on China remained immense. Yet by mid-1941 China's position, though still precarious, no longer looked quite as desperate as it had in earlier years. International sympathy had grown. Material aid, however limited, was beginning to take more concrete form. In July, the American Red Cross sent China medical supplies worth millions of dollars. In August, more than a hundred retired American pilots and mechanics came together to aid China against Japan. The air unit they formed, later celebrated as the Flying Tigers, meant more than aircraft and personnel alone. It signaled that China's war was no longer quite so isolated. That change in atmosphere did not produce calm in Chongqing. It sharpened urgency.   For Chiang Kai-shek, the possibility that the international situation might slowly improve for China carried with it a hard implication: China had to endure long enough to benefit from it. That meant surviving not in abstract terms, but in particular places, against particular offensives, at moments when a local defeat might have consequences far beyond the immediate battlefield. In the autumn of 1941, one of those places was Changsha. Changsha had long occupied an outsized place in the military geography of the war. It stood as the capital of Hunan, a hinge between regions, and a vital position in the defense of central China. Its security affected the Xiang River basin, communications across the province, and the broader defensive posture shielding approaches toward the wartime capital. To lose it, even temporarily, would be more than a symbolic blow. It would threaten the larger balance of the front in south-central China and test whether Japanese offensives could still force dramatic strategic results.   At the same time, the battle for Changsha was not a simple contest between one Chinese army and one Japanese army facing each other across a fixed line. It was part of a larger operational struggle linking the Ninth War Zone with supporting actions from the Third, Fifth, and Sixth War Zones. It involved frontal resistance, hurried reinforcement, mobile defense, rear harassment, and the constant effort to turn Japanese momentum into Japanese overextension. Chinese commanders were trying not merely to survive a blow, but to absorb it, stretch it, and eventually strike back against an enemy whose speed could become a liability once supply lines lengthened and formations dispersed. This was the burden resting on the Military Commission in Chongqing.   There, while reports arrived in fragments and maps were revised hour by hour, Chiang Kai-shek spent long stretches in the operations room watching the situation in Hunan and Hubei develop. He had already ordered the various war zones to support the Ninth War Zone's operations, and now he followed the campaign with intense concentration. His attention moved repeatedly toward reports from the Sixth War Zone and Chen Cheng's counteroffensive toward Yichang, for Yichang was tied not only to local fighting in Hubei but also to the defense of the Yangtze approach and therefore to the security of Chongqing itself. In his mind, Hunan and Hubei had become the focal point of China's war effort in that season.   Meanwhile at the front, the situation was deteriorating fast. Japanese forces pressing into northern Hunan had already imposed severe strain on the Chinese defense. Blocking units had been battered back. Communications were uncertain. Some formations fought stubbornly but could not hold; others dissolved more quickly than hoped. The Japanese advance toward Changsha created exactly the kind of crisis Chinese commanders feared most: one in which the enemy moved with enough force and speed to threaten a major city before a coherent defensive response could be reassembled. Chinese units had to be thrown into action as they arrived, often after exhausting marches, often with incomplete knowledge of the situation, and often under immediate pressure from artillery, aircraft, and aggressive infantry assaults. Yet even at this dangerous stage, the campaign contained an opportunity as well as a threat.   The deeper Japanese units pushed into Hunan, the more exposed their rear became. Supply depots, transport lines, and communications stretched farther behind the spearhead. Chinese formations that had been driven aside were not always destroyed; some remained capable of reappearing to strike roads, depots, and isolated detachments. If Changsha represented the visible center of the struggle, the enemy rear represented its hidden vulnerability. The Chinese aim, therefore, was not simply to defend passively around the city. It was to combine stubborn resistance in front with harassment and disruption behind, so that Japanese advance would become increasingly difficult to sustain. The battle that followed unfolded under these pressures: a threatened city, a strained but unbroken defense, commanders forced to improvise under severe danger, and a wider international war that made every local decision feel heavier than the ground on which it was taken.   This subtle improvement in China's larger situation did not mean safety. China was still battered, under-resourced, and vulnerable. Japanese forces still possessed enormous advantages in mobility, firepower, and air power in many sectors. Large parts of the country remained occupied or threatened. Yet by mid-1941 something in the atmosphere had changed. In July, the American Red Cross sent China medical supplies worth millions of dollars. In August, more than a hundred retired American pilots and mechanics came together to aid China in its struggle against Japan. The air unit they formed would become famous under the name by which China knew them: the Flying Tigers. Their significance exceeded their immediate tactical value. They represented a visible sign that China was not entirely abandoned to isolation.   For Claire Chennault, romantic, aggressive, and optimistic by temperament, the new situation encouraged increasingly bold thoughts. For the first time he included in his planning the idea that Japanese home territory might one day be bombed from bases in China. Such schemes were ambitious and perhaps premature, but their very existence reveals an altered horizon of possibility. A country that imagines striking back is already psychologically in a different position from one concerned only with preventing collapse.     Yichang mattered directly to the fighting in Xiangbei, but it also mattered independently. It was tied to the security of the Yangtze approach and therefore to the defense of Chongqing. It belonged not only to the immediate problem of battlefield maneuver but to the larger question of whether China could do more than absorb Japanese offensives. Could Chinese forces exploit enemy overstretch? Could Japanese advances be turned into liabilities? Could local counterattacks and rear harassment generate effects greater than the raw size of the forces involved? By September 1941, these questions were no longer hypothetical. They were urgent. In Chiang's mind, Hunan and Hubei had become the focal point of China's war effort in that season.   The struggle around Changsha was central to that effort. From Chongqing, Chiang telegraphed Commander Xue Yue of the Ninth War Zone with instructions that made both the danger and the opportunity plain. The message emphasized that the enemy in northern Hunan, though still pressing hard, had already been bravely intercepted by Chinese units and was now exhausted, with lines of advance increasingly difficult to sustain. This, Chiang argued, created an excellent opportunity for Chinese forces to strike at the enemy's rear and seek annihilation rather than mere delay. He urged officers and soldiers alike to remain determined to destroy the enemy. Even if Japanese troops advanced to the vicinity of Changsha itself, Chinese forces were to renew their efforts, maintain their confidence in victory, and prevent the enemy from establishing a foothold.   The telegram also pointed to the broader operational picture. Japanese troops drawn from the sectors of the Fifth and Sixth War Zones had been committed to the invasion of northern Hunan, leaving their rear areas dangerously exposed. The Third, Fifth, and Sixth War Zones had launched supporting offensives on the twenty-third. Therefore, the Ninth War Zone had to strike resolutely and fiercely, preventing the Japanese from coordinating their forces and frustrating any attempt to occupy Changsha. The message was at once exhortation and operational logic. It reflected the core Chinese problem in the campaign: the Japanese thrust was dangerous and had to be blocked, but the very speed and depth of that thrust could also expose the attacker. Yet by the time Chiang sent his instructions, the danger around Changsha was already severe. After the 74th Army had been beaten back, there was no major Chinese force north of the city that could confidently block the Japanese advance in a straightforward, stable line. The Japanese 4th Division, together with the Hayabuchi Detachment, had defeated the 95th Division of the Chinese 37th Army and pushed toward Changsha. The prospect that the city might fall, at least temporarily, was no longer remote.   In response, Xia Chuzhong's 79th Army from the Sixth War Zone was ordered to move toward the city. Its vanguard was Wang Jiaben's 98th Division. That movement was a forced march in the literal sense. It was not a flourish of language but an admission of emergency. Troops were pushed beyond ordinary endurance because there was no time to gather strength under favorable conditions. Changsha could not wait for convenience, rest, or ideal concentration. Either reinforcements arrived in time to fight immediately, or they arrived too late to matter. Wang Jiaben was no stranger to battle. A veteran officer from the Yunnan Army, he had fought the Japanese repeatedly—more than twenty times since the outbreak of the War of Resistance. He belonged to that generation of commanders who had been shaped by the fragmented military politics of Republican China but whose careers were now being rewritten by the national emergency of the anti-Japanese war.   During the First Battle of Changsha, he had already distinguished himself. He led troops in a counterattack along the Tongcheng line in southern Hubei and intercepted retreating Japanese forces at Longmenchang and Changshoujie, killing more than a thousand enemy soldiers. He had experience, reputation, and a sense of what it meant to fight in the Changsha theater. This time he marched from Changde, driving his division forward with all possible speed. By noon on September 26 the 98th Division reached a position about two kilometers northeast of Changsha. There was scarcely time to settle the men. No careful preparation was possible. They had arrived because the city was in danger, and battle began almost at once. At dusk the division engaged the Hayabuchi Detachment.   The fighting continued until late in the night without decisive result. That in itself was costly enough. Troops who have just completed a punishing march are already close to the limits of their endurance. To be thrown immediately into combat magnifies every weakness: thirst, fatigue, confusion, and the difficulty of building fieldworks under pressure. What the soldiers of the 98th Division could do that night, they did with their hands and whatever tools they had. They scraped positions out of the earth. They assembled makeshift cover. Officers moved along the line trying to impose order on terrain that had become a battlefield almost as soon as it was occupied. At dawn on September 27 the Japanese intensified the pressure from the air.   More than twenty aircraft bombed the 98th Division's positions, tearing apart the earthworks that officers and soldiers had spent the night constructing. Bombing had a double effect. Physically, it damaged positions, wounded men, and disrupted preparations. Psychologically, it reminded defenders that they were being observed from above and struck by an enemy against whom they could often do little in the sky. Immediately after the bombing came a fierce infantry assault. Wang Jiaben and several other commanders went down to their respective regiments to supervise the fighting personally. This was dangerous, but under such circumstances commanders often believed that presence itself mattered. When fieldworks are collapsing, shell bursts are continuous, and communications are unreliable, authority must sometimes be carried by a body rather than a wire. The defenders held.   Again and again the Japanese attacked. Again and again they were repulsed only to reorganize and come on once more. Every minute the Chinese line remained in place was bought with blood. Fallen and wounded men were carried rearward in what seemed an endless stream. The cost of resistance accumulated visibly before the eyes of those still fighting. By noon even water could no longer be delivered to the front. That detail reveals the intensity of the battle more clearly than many grander statements could. A line that cannot be supplied even with water has reached a condition of severe strain. During brief pauses in the fighting, officers and soldiers pulled out dry rations and chewed them slowly, swallowing with difficulty while they waited for the next attack. Such moments are among the most characteristic in battle: not the long, smooth continuity imagined in peacetime rhetoric, but brief interludes of miserable necessity between explosions. At two in the afternoon the crisis deepened sharply.   A unit of the Japanese 4th Division worked its way behind the 98th Division's position and attacked from the rear. This was the kind of tactical development every defending commander dreads. A force can endure heavy frontal pressure if its line remains coherent and its rear reasonably secure. But when enemy troops appear behind a position, the entire structure of defense begins to dissolve. There, behind the line, were more than a hundred Chinese wounded awaiting evacuation. Japanese soldiers attacked them with bayonets. One of the wounded Chinese soldiers, already beyond ordinary capacity for resistance, rushed forward and detonated a grenade against a Japanese attacker. It was an act of desperation, but also of defiance. The episode captures something essential about the tone of the battle around Changsha. This was not a neat engagement between organized lines alone. It was a desperate collision in which even the badly wounded were drawn into last resistance. For Wang Jiaben, however, the tactical reality was impossible to deny. If he stayed where he was, the division might be annihilated. Personal courage could not alter encirclement. Resentfully, bitterly, and under the kind of pressure that leaves permanent scars on a commander's memory, he ordered retreat. When he led the survivors off the battlefield, fewer than half his men remained.   Reinforcements from another direction now entered the struggle. The Provisional 2nd Army of the Seventh War Zone dispatched the Provisional 8th Division under Zhang Junsong. At seven in the evening on September 27, Zhang's force arrived at Zuojiatang on the eastern outskirts of Changsha. Personnel of the Ninth War Zone waiting there reported grim news: a Japanese detachment had already entered the city that afternoon, and another detachment was only three kilometers away. The situation invited rashness. A commander arriving near a threatened city at dusk, with reports that the enemy is already inside, may feel compelled to hurl troops forward immediately in a gesture of resolution. Yet night fighting in an urban approach without adequate reconnaissance can turn courage into waste. Zhang Junsong considered the matter carefully. He concluded that to rush blindly into the city at night would likely produce confusion and heavy losses. Instead he first sought to strike the enemy outside the city. His troops deployed quietly and crept forward through the darkness, launching a probing attack. But they soon discovered that the Japanese were fully prepared and not vulnerable to easy surprise. The line could not be broken. With no prospect of success, the force withdrew.   The moment is revealing because it shows how narrow the margin had become. Chinese commanders were trying to recover initiative while still groping through uncertainty. Reports were incomplete, Japanese dispositions difficult to fix, and every hour dangerous. On the evening of September 28, the 79th Army's 6th Provisional Division occupied Yuelu Mountain west of Changsha. From that height officers and soldiers looked across the Xiang River toward the city. Changsha, for the first time, was in Japanese hands. The emotional force of that sight can only be imagined. Changsha had lived for years under threat. It had been defended, contested, prepared, and feared. The possibility of its loss had hovered over military planning and public consciousness alike. Now the danger had become fact. A city that had stood as an object of effort and anxiety was visibly occupied by the enemy. No single feeling could have governed the men who saw it. There must have been anger, shame, weariness, and dread—but also stubbornness. For in war a city seen in enemy hands is not always simply lost. Sometimes it is a summons.   Late that night Zhao Jiping, commander of the 6th Provisional Division, received a telegram from Xue Yue. He read it and then stood before the map for a long time. Days of anxiety began to lift. He was not alone in that reaction. Many Chinese generals involved in the campaign had felt that they were fighting a confused and chaotic battle. Japanese movements had been broad, rapid, and difficult to pin down. The Ninth War Zone had thrown numerous units into blocking actions, yet both well-regarded formations and weaker, improvised units had repeatedly failed to hold. After ten days of combat, Chinese losses were heavy. But Japanese forces too had been worn, stretched, and damaged. Only now, as the Japanese reached the apparent culmination of their advance, did the Ninth War Zone begin to recover rhythm. Chaos did not disappear, but it became more legible. The possibility of a more ordered counteroffensive emerged.   In the early hours of September 29, Zhao Jiping issued the order to force a crossing of the Xiang River and attack the enemy in Changsha. The preparations consumed the entire day. River crossings under combat conditions are among the most delicate operations in war. Boats must be assembled or found. Units must be organized into waves. Timing matters. Surprise matters. The location of landing points matters. The men themselves matter most of all, because they must sit exposed in fragile craft knowing that the real test will begin not in the middle of the river but at the far bank. Late that night the division crossed secretly by boat in six groups. The crossing itself went well enough. The river did not betray them. The groups made progress in darkness. Yet everyone involved understood that smooth movement on the water did not guarantee success. The crucial question was what waited at the landing points. It was expected that the troops going ashore at Daximen would be first to meet the Japanese. Once battle began there, the rest of the crossing accelerated.   Chinese soldiers landed, attacked fiercely, and drove the enemy back from the riverbank. The momentum of the assault mattered. In such moments hesitation on shore can doom an entire crossing, but aggression can seize a foothold before the defender fully stabilizes. By the time Chinese forces entered the city, dawn was breaking. Then came street fighting. Changsha had ceased to be an objective on a map. It became again what cities become in war: a place of corners, walls, alleys, debris, smoke, and sudden death. Fighting in a city strips away much of the abstraction through which campaigns are often remembered. Streets channel movement. Buildings become cover, obstacles, or traps. Distances shrink but danger multiplies. A few men behind masonry can delay many more. Noise magnifies confusion. The city itself seems to fragment into a hundred separate battlefields. For Changsha, the long season of anxious anticipation ended in direct flame.   Yet to understand the campaign only through the struggle at Changsha would be incomplete. While the city drew attention as the central prize, another set of operations was unfolding across Hunan and Hubei—less dramatic in appearance perhaps, but strategically significant. These were the actions of the 27th Army Group under Yang Sen. If the fighting around Changsha demonstrated the pressure of frontal battle, Yang Sen's operations illustrated another principle entirely: the stubborn, opportunistic use of weaker forces to harass, sting, and trouble a stronger enemy from behind. The 27th Army Group was composed largely of Sichuan troops. Their presence speaks to one of the larger political transformations of the war. Republican China had long been fractured by regional militarism. Armies had often owed stronger loyalty to commanders, provinces, or local power structures than to any unified national command. Yet the anti-Japanese war compelled a partial reordering of those loyalties. Many warlord forces, however imperfectly integrated, now turned their weapons outward under Nationalist command.   There were exceptions. Some men, like Han Fuqu, had preserved their own strength at the cost of military responsibility and lost both opportunity and honor in doing so. But in the main, especially among middle and lower-ranking officers and ordinary soldiers, the imperative of national survival overrode provincial identity. Men from distant regions marched and fought in terrains not their own because the war no longer permitted a narrow conception of interest. Yang Sen himself was an old warlord soldier, one of those figures formed in the fractured military world of earlier decades. By 1941 he was deputy commander of the Ninth War Zone and commander-in-chief of the 27th Army Group. Along the Hunan-Hubei-Jiangxi border he had long been cautious in his operations.   At the beginning of the northern Hunan battle, his troops proved unable to withstand the force of the Japanese offensive and retreated in disorder into mountains and forests. That fact should not be softened. They were pushed back. But retreat did not mean disappearance. This is where Yang Sen's role became important. Once the main Japanese force had advanced far ahead, the troops that had scattered began to reemerge. They knew the terrain. They knew the roads, villages, passes, and wooded approaches. If they could not defeat the Japanese in a grand collision, they could search for openings behind the advancing columns.   On September 20, as the Japanese main force drove into the heart of northern Hunan, Yang Sen led elements of the 4th, 58th, and 20th Armies in pursuit for an entire day. The main body of the 4th Army had already been badly beaten at the Xinqiang River line, and only the 60th Division, recently transferred from the 37th Army, remained relatively intact. That single fact sharply defined the weakness of his means. He was not pursuing with fresh and powerful forces prepared for a decisive encounter. He was pursuing with fragments, survivors, and such units as still retained some offensive potential. But the Japanese, intent on rapid advance southward, paid too little attention to what followed behind them. That was the opening Yang Sen needed.   On the morning of September 21, the 60th Division acted on information supplied by an old beggar. Such details often sound almost literary, but they remind us that war in China was never fought by armies alone. Villagers, refugees, peddlers, guides, boatmen, and the destitute all participated in the circulation of military knowledge. A beggar could see what a reconnaissance officer had missed. On the basis of that tip, the 60th Division launched a surprise attack on the supply depot of the Japanese 40th Division at Zhangjiayuan. Division Commander Dong Yu led the action.   The Chinese quickly overwhelmed the more than three hundred Japanese troops guarding the depot. Once they broke in, they discovered an astonishing quantity of matériel: shell boxes, ammunition, food, medicine, gasoline, explosives, protective clothing, telephone wire, body bags, stretchers, and more, all stacked beneath heavy canvas. For men accustomed to scarcity, it must have seemed almost unreal. Dong Yu, delighted, is remembered as exclaiming to his deputy commander, "It's practically a department store!" The line has a momentary comic brightness in the middle of war, and that is part of why it survives. But its deeper significance lies in what it reveals. A modern army advancing deep into hostile territory is sustained by accumulation—ammunition, fuel, wire, medicines, rations, transport materials. To seize such a depot is not merely to take objects. It is to grasp the hidden skeleton of movement. Dong Yu then issued a one-word order: "Move."   At once the whole division became a swarm of carriers. Officers and soldiers grabbed whatever they could and began hauling the captured supplies away. The scene must have been one of extraordinary improvised energy—riflemen transformed into laborers, war reduced for a moment to the brute physical act of lifting, dragging, and carrying. They moved like ants dismantling a storehouse. But there was too much to remove and too little time. Before even two regiments had completed the work, the Japanese returned in force. Enraged, they sent more than a dozen aircraft to bomb the troops carrying off the captured crates, while over a thousand infantrymen rushed in on the ground. Dong Yu immediately ordered the men to abandon what remained and destroy it. Amid deafening explosions, the 60th Division withdrew from Zhangjiayuan. The Japanese pursued hard, driving them back into the mountains before finally stopping. Measured purely in terms of territorial occupation, the action changed little. The Chinese did not hold the depot. They were forced back again. But judged in operational terms, the raid mattered. Supplies had been captured, destroyed, or disrupted. Japanese rear security had been embarrassed. Time and energy had been consumed in response. In a campaign where the Japanese were racing south and depending increasingly on stretched lines, such harassment was not trivial.   After September 23, Yang Sen expanded these efforts. He sent whole divisions to harass the Japanese rear while also dispatching battalions and companies to ambush supply columns and disrupt transport lines. This was not the kind of warfare that produces neat dramatic maps in conventional military histories. The actions were scattered, local, opportunistic, and often inconclusive. Yet precisely for that reason they can be misunderstood. Not every useful military action ends in the destruction of an enemy division. Sometimes its value lies in forcing a stronger opponent to spend attention where he had hoped to spend only momentum. These operations were costly and uncertain. Small Chinese units striking roads and depots risked encirclement or aerial punishment. Yet they possessed one advantage: they did not need to win a grand battle to matter. They needed only to make movement harder, supply more precarious, and the rear less secure.   On September 25, even after the 26th and 37th Armies had suffered defeat elsewhere, Yang Sen gathered the troops that still retained some offensive capacity and launched another attack. In these actions, the 90th Division captured Wukou; the 59th Division reached the north bank of the Miluo River; the 60th Division advanced to Donggang; and elements of the 58th Army controlled the Yuanba–Zheyangqiao highway line by the twenty-sixth. These gains were not the dramatic centerpiece of the campaign. But they formed part of the cumulative pressure on Japanese operations. Every road contested from the rear, every convoy threatened, every depot exposed, and every forced diversion of troops weakened the enemy's ability to convert tactical advance into stable success.   The battlefield was fluid enough that Yang Sen's headquarters itself had to keep moving—from the Miluo River northward to Pingjiang. Mobile headquarters in such conditions lived under constant uncertainty. Reports arrived late or contradictory. Rumors outran facts. The front could bend in unpredictable ways. A command post that seemed safely behind the line in the morning might by afternoon lie only a few kilometers from enemy forces. Years later Mao Jiuyin, who had then served as an operations staff officer under Yang Sen, recalled the old commander's outward behavior in those dangerous days. Yang Sen, Mao remembered, was always joking with the people around him and could still laugh and talk during battle. On one occasion he even joked with his bodyguard about putting chili oil in his tea. To younger staff officers, such behavior appeared almost absurd.   Yet they knew how dangerous their situation often was. Sometimes they were only a few kilometers from the main Japanese forces. There is more than anecdote in this memory. Old commanders often cultivated a style of ease under danger not because they felt no fear, but because they believed visible calm itself was part of command. Men take emotional bearings from those above them. A commander who panics spreads panic faster than any enemy breakthrough. Yang Sen was sixty years old during the Second Battle of Changsha, and he liked to remark that he was five years older than Chiang Kai-shek. Age had not removed him from the front. His function in the campaign was not to shatter the enemy in one decisive frontal blow. It was to persist, reappear, sting, and remain troublesome. The 27th Army Group followed the Japanese nearly all the way to the outskirts of Changsha.   They did not fight many large set-piece engagements. That was never their main value. But the Japanese could not ignore them. If Japanese units turned and tried to hit them directly, they tended to dissolve into the landscape. If the Japanese pushed on and ignored them, they reappeared to sabotage roads, hit supply lines, and create alarms in the rear. Even Japanese official histories later described them memorably. They called them "like a swarm of annoying flies." The phrase was meant as contempt. But as so often happens in war, an insult became an accurate description of effect. If these Chinese troops could not be tigers in formal battle, they could still become intolerable as flies. And under certain conditions—fatigue, heat, uncertainty, stretched supply, shaken morale—flies can become more oppressive than an enemy would like to admit.   When later generations look back on campaigns, they often search for a single explanatory image. But the fighting of September 1941 resists reduction to one symbol alone. What gives the campaign its force in memory is not one isolated episode, but the convergence of several pressures at once: a city under threat, a command trying to coordinate multiple fronts, exhausted reinforcements thrown directly into battle, Japanese forces advancing quickly but becoming increasingly vulnerable the farther they pushed, and Chinese troops in the rear refusing to disappear after defeat. Seen from Chongqing, the campaign was a matter of telegrams, maps, and the management of strategic risk. Seen from the front, it was a matter of thirst, mud, broken fieldworks, sudden bombing, exhausted marching, and the uncertainty of whether the next order meant reinforcement, retreat, or death. Seen from the Japanese side, it was initially an aggressive advance toward an important objective, but one increasingly troubled by stretched supply, difficult terrain, and the persistent reappearance of Chinese forces behind the line of movement.   At the same time, the campaign reveals a Chinese war effort that had become more resilient than in the earliest years of the conflict. The Japanese advance toward Changsha was dangerous and at moments appeared close to success. Chinese blocking forces suffered severe defeats. Units arrived exhausted and were hurled into action at once. Commanders lost men at devastating rates. Changsha itself briefly fell into enemy hands. And yet the city was not simply surrendered as an accomplished fact. Chinese forces regrouped. Orders were coordinated across war zones. Reinforcements marched at desperate speed. Counterattacks were mounted. Forces west of the Xiang prepared and crossed back into the city. Elsewhere, troops under Yang Sen gnawed at the Japanese rear and made advance more costly than a map of front lines alone might suggest. This combination of desperate frontal resistance and incessant rear harassment was one of the characteristic strengths of China's resistance in this stage of the war. China could not always match Japanese power in one concentrated blow. But it could absorb, delay, fragment, and trouble that power across space and time. That is why the struggle around Changsha in late September 1941 deserves to be remembered not merely as a sequence of engagements, but as a layered event in which tactical battle, morale, logistics, political endurance, and international context all converged.   I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In late September 1941, Japan pushed deeper into China, but Chinese forces—supported gradually by international help—kept resisting. Changsha in Hunan became the central point of the conflict, seen as vital to strategic control in south-central China. Meanwhile, elsewhere in Hunan and Hubei, Yang Sen's 27th Army Group—often using smaller, opportunistic actions—reappeared behind Japanese lines to disrupt depots and convoys. Even when Chinese gains were temporary, the cumulative pressure delayed Japanese momentum.       

fWotD Episode 3190: The Ladies' Journal Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 28 January 2026, is The Ladies' Journal.The Ladies' Journal (Chinese: 婦女雜誌; pinyin: Fùnǚ zázhì) was a Chinese monthly women's magazine which ran from 1915 to 1931. Produced by the Shanghai-based Commercial Press, the largest publishing house in Republican China, the journal was the longest-lasting and widest-circulating women's magazine during the period, seeing a circulation of around 10,000 copies by 1921. The magazine began publication under the editorship of Wang Yunzhang, who also edited the Fiction Monthly. Described by later commentators as conservative in its early years, The Ladies' Journal included coverage of domestic issues, women's education, and serialized short stories, mainly of the "Mandarin duck and butterfly" genre of Chinese romantic fiction. Initially written in Classical Chinese, it began publishing short stories in written vernacular Chinese in 1917 and had fully transitioned to vernacular by 1920. Accompanying criticisms for its conservative stances and a cultural shift towards feminism among New Culture journals following the May Fourth Movement in 1919, The Ladies' Journal took a turn towards coverage of social issues and translations of foreign literature, especially after Zhang Xichen became editor-in-chief in 1921. Although Zhang had no prior experience or interest writing about women's issues, he became a dedicated liberal feminist and recruited like-minded contributors to the journal, including his assistant editor Zhou Jianren. As a follower of Swedish feminist Ellen Key, Zhang promoted a more open attitude to sexuality and love marriage over arranged marriages. A 1925 special issue on the "new sexual morality" attracted significant backlash. This, alongside political disagreements with the Commercial Press, led to Zhang and Zhou's removal as editors. Zhang established a competitor journal entitled The New Woman, while The Ladies' Journal returned to a more conservative stance and a focus on domestic topics. Already struggling financially due to decreased advertiser investment during the Great Depression, the journal was cancelled after the press's headquarters were destroyed in a month-long battle between Chinese and Japanese forces.This recording reflects the Wikipedia text as of 00:41 UTC on Wednesday, 28 January 2026.For the full current version of the article, see The Ladies' Journal on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

The story of one of Republican China's greatest diplomats.Support the show

In Economic Thought in Modern China: Market and Consumption, c.1500–1937 (Cambridge University Press, 2020), Margherita Zanasi argues that basic notions of a free market economy emerged in China a century and half earlier than in Europe. In response to the commercial revolutions of the late 1500s, Chinese intellectuals and officials called for the end of state intervention in the market, recognizing its power to self-regulate. They also noted the elasticity of domestic demand and production, arguing in favour of ending long-standing rules against luxury consumption, an idea that emerged in Europe in the late seventeenth and early nineteenth centuries. Zanasi challenges Eurocentric theories of economic modernization as well as the assumption that European Enlightenment thought was unique in its ability to produce innovative economic ideas. She instead establishes a direct connection between observations of local economic conditions and the formulation of new theories, revealing the unexpected flexibility of the Confucian tradition and its accommodation of seemingly unorthodox ideas. Margherita Zanasi is Professor of Chinese History at Louisiana State University. She has published widely on different aspects of modern China's history, including her first book Saving the Nation: Economic Modernity in Republican China (University of Chicago Press, 2005). She also serves as the editor of the journal Twentieth Century China.  Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

**REUPLOAD**In today's episode we're going to pick up where we left off, at the very beginning of the new Republic of China. We'll look at the rise of Yuan Shikai and the descent of China into a period of warlordism. We will explore the changing nature of China's politics and culture, right up until the next big event to hit the Chinese stage, the May 4th movement.Some famous people we will be discussing include Sun Yatsen, Cai Yuanpei, Hu Shi, Lu Xun, and some of the founders of the Chinese Communist Party, Li Dazhao, Chen Duxiu, and Mao Zedong.Support the showSign up for Buzzsprout to launch your podcasting journey: https://www.buzzsprout.com/?referrer_id=162442Subscribe to the Sinobabble Newsletter: https://sinobabble.substack.com/Support Sinobabble on Buy me a Coffee: https://www.buymeacoffee.com/Sinobabblepod

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.” The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku. Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli's chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu's “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time. In Ellen Van Goethem's chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity. Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM's egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity's connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies. In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli. Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Book review: Interesting Times: Some New Zealanders in Republican China by Chris Elder.

Last time we spoke about the Wuchang Uprising and the Xinhai revolution. The revolutionary armies formed a massive assault, managing to seize Wuchang, Hanyang and Hankou. However, the Qing Dynasty had a card up their sleeve in the form of Yuan Shikai and his Beiyang Army. Yuan Shikai defeated the rebel armies with ease, but when the time came to eradicate them for good, he held back. Instead he plotted with the revolutionaries, to coerce the emperor to abdicate in order for himself to be made president over the new Republic. In a masterstroke Yuan Shikai seized the presidency and immediately went to work consolidating his power. Through the use of policial abuses, bribery, threats and assassination, Yuan Shikai was securing his control over the new republic. However all of his actions were met with outraged from the public and particularly the KMT. Now Dr Sun Yat-Sen would unleash a second revolution to save the republic.   #88 A Great War and the Siege of Tsingtao   Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. When Yuan Shikai became provisional president he was hailed by the senate  “of all the presidential elections in world history, only [George] Washington enjoyed unanimous approval. Now, you [Yuan], sir, have repeated Washington's record. To the world, you are the second Washington in this regard. To our Republican China, you are the first.” A few days later, Manchu elite troops, the Eight Banners, delivered Yuan a letter, which read that the “people in North China regard you as China's first Washington; the people from South China see you as the world's second Washington. There is no doubt how much the entire country adores you”. Now the original abdication edict given to Yuan Shikai read like this “Yuan Shikai holds the absolute authority along with the civilian army [ minjun – the south] to organize the provisional republican government and discuss the approach for achieving the unification of the country.” But Yuan Shikai revised the edict “Yuan Shikai holds the absolute authority to organize the provisional republican government and discuss the approach for unifying the country along with the civilian army.” In early 1912, Dt Sun Yat-Sen had set 3 conditions for Yuan Shikai's assumption of the provisional presidency: Nanjing would be the national capital, he would assume his presidency in Nanjing, and he would have to respect the Provisional Constitution. As mentioned in he previous episode, Yuan Shikai performed some false flag-like operations to make sure Beijing became the capital, where he and his Beiyang Army had the strongest position. It is estimated in 1912 China had roughly a million soldiers. This was a enormous financial burden on the government and quite a threat to the regime as many of these soldiers began to join cliques that were loyal to local warlords. When soldiers pay is delayed they tend to mutiny, thus Yuan Shikai demobilized them in late april of 1912. He sought to reduce the military to half a million in 50 divisions. He disbanded 16 divisions in Jiangsu, Anhui, Hunan and Sichuan. Within Nanjing he made sure 100,000 troops under the command of Huang Xing were ordered to step down. By june of 1912 Nanjing's force would be a third its original size. Now while the number of troops were reduced everywhere, this did not hinder his own Beiyang Army, for they were an army of quality over quantity. It was the pro-KMT forces that would suffer the most and this was intentional. To prevent local forces from becoming regional powers, Yuan Shikai began enforcing a policy of separating powers between military command and civilian administration in the provinces. Yet as we mentioned in the last episode, as Yuan Shikai weakened the other forces he strengthened his own. He took foreign loans in secrecy, known infamously as the  shanhoudajiekuan or Reorganization loan. The Chinese public were outraged at the humiliating situation, and the KMT were the most furious. In early May General Li Chun led the 8th division from Baoding to Wuhan while also dispatching crack troops to reinforce Shanghai. On June 9th, Yuan Shikai removed the pro KMT governor of Jiangxi, Li Liejun and replaced him with Vice President Li Yuanhong. On June 13th, Yuan Shikai replaced the pro-KMT military governor of Guangdong Hu Hanman with Chen Jiongmin. Then on June 30th pro-kmt governor of Anhui Bai Wenwei was dismissed and on that same day Li Yuanhong performed a mass arrest of many party leaders in Wuhan. Yuan Shikai then dispatched the 6th division under Li Chun into Jiangxi on July 3rd. It was obvious to the KMT what was going on. All of the political maneuvering coupled with the assassination of Song Jiaoren prompted Dr Sun Yat-Sen to unleash a second revolution. On July 12th, Li Liejun issued an anti-Yuan declaration which effectively began the second revolution. With this Jiangxi claimed its independence. 3 days later Haung Xing scrambled to Nanjing where he organized an anti-yuan force and announced Jiangsu independent. 2 days after this the previous governor of Anhui Bai Wenwei declared his province independent. The next day Chen Qimei announced Shanghai's independence, this was followed by Guangdong under Chen Jiongming, then Fujian. Of course the KMT actions drew a quick response from Yuan Shikai. He had of course already preemptively moved his forces as I mentioned to key locations where they would easily dominate their KMT opponents. Yuan Shikai had been given ample time and ample funding in 1913. Meanwhile the revolutionary forces were divided, poorly organized, poorly armed, they lacked the same fever they held during the first revolution. Yuan Shikai also used propaganda to demonize the KMT and justify his military campaign. Yuan Shikai accused Dr Sun Yat-Sen of “revolutionary proclivity” meaning he only knew who to bring chaos and destruction. Yuan Shikai remarked  “Sun Yat-sen and Huang Xing have no real ability besides causing disturbances and bringing troubles.” On July 22nd anti-yuan forces were defeated around Xuzhou by the 2nd division led by Feng Guozhang and Zhan Xun. They fled to Nanjing and from the 22nd to the 28th, rebel groups attacked the Manufactural bureau of Jiangan. The Beiyang navy came to help the army and repelled the attack. On the 30th, 2 forces led by Long Jiguang, Li Yaohan joined up around Zhaoqing and advanced upon the Sanshui district. The next day a Beiyang force led by Ni Sichong attacked Fengtai. By the 2nd of august Fengtai fell to the beiyang forces. When Sichuan declared independence on August 4th, Yuan Shikai ordered Yunnan's warlord Tang Jiyao to attack the Sichuan rebels. On August 5th, Beiyang forces attacked Shou country, 2 days later many Anhui forces deserted the revolutionaries to join Yuan Shikai and on the 11th the capital of Anqing was taken. That same day He Haiming led 2000 to try and defend Nanjing against the Beiyang Army; as Long Jiguang seized Guangzhou. The next day Hunan canceled their independence movement as the Beiyang navy captured Wusong. On September 1st, Nanjing fell, prompted Sun Yat-Sen, Huang Xing and Chen Qimei to flee to Japan. On September 11th, Chongqing's defenders simply dispersed, and the second revolution had collapsed. There were many reasons why Yuan Shikai won. The strength and disparity between his forces and the revolutionaries was vast. His army was well trained, the reorganization loan had greatly boosted them. The revolutionaries were very divided, there was certainly many vying for power. The general public were so tired of war and conflict. They loathed the assassination of Song Jiaoren, they simply wanted peace. National mood simply favored Yuan Shikai. Dr Sun Yat-sen yet again, went to work strengthening his KMT abroad. The foreign powers threw their support to Yuan Shikai's government. Yuan Shikai now exacted all effort to eliminate revolutionaries with firm support from the progressive party. Its estimated 1000 activists were killed and many more were arrested. The purge saw countless accused without a fair trial, some not even a trial at all. Freedom of speech was stamped out, countless newspapers ordered censored.  Yuan Shikai's military victories during the second revolution saw him secure positions in Anhui, Jiangsu, Hunan, Guangdong and Fujian. Though local forces persisted to be a problem, Yuan Shikai was dramatically centralizing power. After crushing the second revolution, Yuan Shikai passed the Presidential election law on October 5th of 1913. It is said Yuan Shikai resorted to using citizen corps to besiege Congress, harassing and threatening them into voting for him. In the first round Yuan Shikai received 471 ballots, in the second 497, but neither were enough. The third round of voting saw him win 507, just enough to become president. He refused to take the oath in Congress and instead did a ceremony in the former imperial palace. He sat in the emperors throne in his military uniform before he had a grand parade on the Tiananmen Rostrum with 20,000 of his loyal troops.  Yuan Shikai dissolved Congress on January 10th of 1914 because “it lacked a legitimate quorum due to the expulsion of Nationalist legislators; it was not effectively organized; it was not operating efficiently or achieving much; and it was deliberately fostering nationwide chaos” He literally gave them all 400$ and told them to go home. After this he ordered the suspension of all provincial assemblies and local autonomous organs. In other words he made himself a dictator. He did create a Political Council called Zhengzhuhuiyi but it was nothing more than an advisory body. On January 26th the Political Council convened a Constitutional drafting conference. On March 14th of 1914 the conference drafted the Constitution of the Republic of China which Yuan Shikai proclaimed in effect on May 1st.  The new Constitution gave Yuan Shikai paramount power to convene and shut down legislature. No clear lines were drawn between the executive, judicial and legislative branches, basically Yuan Shikai controlled all 3. Yet Yuan Shikai's authority all rested upon one thing, his military power. To assert control over all the provinces, he promoted military governors. These military governor would have civil authority and control over their own armies. For those of you who know the next period of Chinese history, yes the Warlords were being born. Yet while the beginnings of the warlord era were approaching, the year of 1914 brought something else to China. World War One began at a time when China was in complete disarray. She was militarily weak, in financial chaos and very unstable politically. Yuan Shikai attempted keeping China neutral during the war, but the war came to her door nonetheless. On August 6th of 1914, China proclaimed its neutrality and prohibited warring states from undertaking any military actions on her soil. However with so many different world powers holding concessions on her territory, well it was going to happen one way or another. By the way what I am about to talk about is known as the Siege of Tsingtau, its actually an incredible historic event, multiple firsts in history occur. If you want to see a visualization of this go over to my youtube channel the pacific war channel and check it out alongside my entire series/documentary on Asia during WW1.  Going back in time somewhat, in 1902 Britain and Japan signed the Anglo-Japanese alliance. Because of this, when WW1 broke out, the alliance basically encouraged the Japanese Empire to enter the war on the side of Britain for mutual defense. At the outbreak of the war, Britain feared the German East Asiatic Squadron would raid her merchant shipping and planned to run the Germans out by destroying their bases and communications. If you want to learn more about the honestly courageous and badass German raiders of the Pacific during WW1, again check out the pacific war channel, I particularly liked making the episode on German Raiders. Within the first week of the war, Britain requested assistance from Japan to identify German shipping. I must emphasize the word “assistance”, Britain in no way wanted Japan to start attacking and seizing German colonial possessions in China and the Asia-Pacific. You see the German empire held numerous islands out in the pacific and notably the port city of Tsingtao, current day Qingdao. Yes the place that makes the delicious beer, honestly a personal favorite of mine. Well in the face a a extremely weak German presence in the pacific, and all these goodies just sitting around, the Japanese empire was not going to let the opportunity slip. Japan held larger ambitions in the Asia-Pacific, so she instead offered to enter the war and join the Entente. Britain did not want this, but the German raiders were causing absolute havoc upon her and Anzac shipping, so she reluctantly accepted this, but privately warned Japan not to seize German islands in the south Pacific, because she desired them to be taken by Australia and New Zealand.  Japan's war aims were to first capture the German base at Tsingtao, then the Marshall, Caroline, and Marianas islands and secondly to hunt down the East Asiatic Squadron. On August 15th Japan issued an ultimatum to Germany demanding her warships withdraw from Chinese and Japanese waters and transfer control of Tsingtao to Japan. When the ultimatum expired on the 23rd Japan declared war on Germany. The Germans hoped their garrison would be able to hold out until the war in Europe was won and done, so they instructed governor of the leased territory of Jiāozhōu, Alfred Meyer-Waldeck to defend Tsingtaoto the last. Kaiser Wilhelm II exact words to Admiral Alfred Meyer-Waldeck were "... it would shame me more to surrender Tsingtao to the Japanese than Berlin to the Russians"   When the war broke out, most of the warships of the East Asia Squadron led by Vice Admiral Maximilian von Spee were dispersed across the Pacific. Meyer-Waldeck assembled all the available warships he could; the torpedo boat S90, unprotected cruiser Cormoran, Auxiliary cruiser Cormoran, steamer Ryazan, gunboats Luchs, Tiger, Jaguar, Iltis and the Austro-Hungarian protected cruiser Kaiserin Elisabeth. Obviously Tsingtao's warships would be absolutely dwarfed by the Imperial Japanese Navy who dispatched the 2nd squadron under Vice Admiral Sadakichi Kato on August 27th, supported by some British warships.   Tsingtao's defenses consisted of the port, town and three defensive lines, the first extending from the Kaiserstuhl to the Litsuner Heights. The second line lay across the steep hills from Prinz Heinrich to Kuschan. The third line consisted of three fortified hills, Mount Moltke, Mount Bismarck and Mount Iltis, each equipped with guns of various caliber; Fort Moltke had two 240mm guns; Fort Bismarck had four 280 mm howitzers; Fort Iltis had two 240mm guns. Tsingtao's towns seaward and landward defenses were 4 batteries and 5 redoubts. Meyer-Waldeck had at his disposal, 1300 marines of the 3rd Seebataillon, 750 naval gunners, 180 naval personnel staff, 400 sailors, 1500 reservists and 100 Chinese policemen, totalling nearly 4000 men. They had 90 guns of various calibers, 120 machine guns, 28 automobiles and two Etrich Taube aircraft. By the way this is 1914, very early days of WW1 and the aircraft literally look like something Leonardo Davinci would have sketched.   You might be asking, what is China doing during all of this, since they proclaimed neutrality and demanded other nations not fight on their soil. Just like the Russo-Japanese War, China yet again took the humiliation. The Chinese government initially protested against the Japanese warfare on her soil against the Germans, however given Japan simply did not care, Yuan Shikai begrudgingly had no choice but to permit the Japanese encroachment against Qingdao. The battle for Tsingtao would be the only acts of war on Chinese soil during the first world war.   On August 22nd the SMS Lauting and S90 were attacked by the HMS Kennet led by Lt Commander F. A Russel of the China squadron. The Germans raced back to port with the S90 scoring two hits on Kennet, before she peeled off when a Tsingtao 4 inch shore battery began to fire upon her. On the 27th the IJN 2nd squadron led by Vice-Admiral Sadakichi Kato began a naval blockade of Jiaozhou. The fleet quickly seized 3 coastal islands and began minesweeping operations. On the 30th a storm drove the IJN destroyer Shirotaye aground on a coastal island, allowing the HMS Jaguar to surge out of the port and destroy her. On September 2nd the Japanese began landing 23,000 soldiers of Major General Mitsumo Kamio's 18th infantry division along with 142 pieces of artillery. They fanned the area, finding no enemy north of the Paisha River. The region was experiencing a terrible flood making it a muddy nightmare. It was at this point, the local Chinese protested the breach of neutrality, but offered no real opposition. By the 7th an advance guard was riding to Tsingtao. Meanwhile the British were suspicious the Japanese intended to seize all of Shandong province, so they dispatched a symbolic force of 1500 men led by Brigadier General Nathaniel Walter Barnardiston from Tientsin. They would be followed up by 500 men of the 36th Sikhs.    Meyer-Waldeck responded to the landings by withdrawing his forces to the two inner defensive lines. On the 5th the IJN Wakamiya launched a Farman seaplane that scouted the port and town. The pilot reported the East Asiatic squadron was absent, prompting the IJN to dispatch two fast squadrons to hunt them down. The next day, the Wakamiya launched another Farman who unsuccessfully attacked the Jaguar and Kaiserin Elisabeth in Jiaozhou bay with bomblets. This would be the second air-sea battle to occur in history. The first occurred during the Balkan wars in 1913. In response both cruisers had guns removed from them to be added to the land defenses, establishing Battery Elisabeth.    On 13th, Japanese cavalry ran into a German outpost at Jimo causing them to flee after a short skirmish. The Japanese seized the small town of Jiaozhou and on the 14th cut the Shandong railway. You really have to imagine how pathetic the Chinese government looked during all of this. Now the weather conditions were abysmal, the flooding and mud was so terrible, Kamio knew it would take weeks to move his entire division over the peninsula, so instead he took a calculated risk. Kamio ordered his 24th infantry brigade, whom were just landing ashore at the time, to re-embark as his cavalry, engineers and 23rd infantry brigade continued their advance to Jimo, thus abandoning the bridgehead. Kamio ordered the rest of his forces to land in Lau Schan Bay. On the 17th, the Japanese attacked Wang-ko-huang, 13 miles from Jimo causing the Germans to withdraw from the town during the night. The next day the Japanese arrived at Jimo exhausted and nearly starving as IJN cruisers bombarded the empty beaches of Lau Shan Bay allowing the 23rd infantry brigade to land. With Jimo secured, Kamio ordered his forces to seize the Hotung pass, driving back another small German outpost. After a cavalry company of the 24th brigade made contact with the forces at Jimo, Tsingtao was now effectively surrounded.   On the 19th the Japanese seized Mecklenburg House, a mountain spa, and broke through the outermost defensive line. Kamio now figured the Germans would only mount a defense within the city's fortifications, so he ordered his forces to close in, causing the German patrols to withdraw inwards. Because of the terrible terrain conditions, the Japanese began constructing piers at Lau Schan and an airfield at Jimo. On the 21st the Imperial Japanese Army launched four Farmans from Jimo to survey, bomb and if possible shoot down German aircraft. In late September Japanese Farmans would perform the first night-time bombing raid in history. The Germans had accidentally crashed one of their Taubes, leaving only one to be operated by legendary Lt Gunther Plüschow. Plüschow performed daily reconnaissance flights and attempted to bomb Entente vessels. Plüschow would become the first aviator in history to be fired upon and receive damage by flak from naval ships. In late September according to Plüschow, he ran into a Farman performing reconnaissance over Tsingtao harbor and he claims he shot the pilot with his pistol causing the aircraft to crash. If this was true, this would be the first aerial victory or first over claiming aerial victory in history. Again the Siege of Tsingtao is full of many history firsts, yet honestly hardly anyone knows about this event.   Meyer-Waldeck realized the Japanese were maneuvering past the mountain line unmolested, so he ordered a counter attack as his artillery began firing up to 1500 shells upon the incoming enemy per day. On the 25th a German force of 130 men, 2 field guns and 4 machine guns raided an outpost on Kletter Pass. The Japanese stood their ground and forced the Germans back, meanwhile the British began landing at Lau Schan. On the 26th, Kamio ordered a general advance, causing the Germans to completely pull back to their second line. The Japanese crossed the river Paisha early in the day, swiftly crossing the seven-mile lowland plain and reached the northern bank of the Litsun. To help their withdrawal, the Jaguar and S90 came up the harbor side and bombarded the Japanese right flank. The outer mountain outposts fell one by one, nearly bloodlessly. The Kaiserin Elisaeth, Jaguar and S90 continued to shell the harbor flank, prompting Kamio to assign a field battery to engage them. The German ships managed to destroy an observation post and neutralized the battery. Kamio then requested Vice Admiral Kato begin a bombardment of the German land batteries to cover his advance, but Kato instead bombarded the German sea batteries. The infamous interservice rivalry between the IJA and IJN was blossoming. Meyer-Waldeck knew they would soon have to abandon the second line. He ordered his engineers to prepare a small outpost on the crest of Prinz Heinrich Hill. They connected a telephone and heliograph to its heavy land batteries. 60 men with 4 machine-guns manned the outpost with provisions for a 2-month siege.   On the night of the 27th, Kamio ordered the 46th infantry regiment, reinforced with an engineer platoon, to scale the hill, right in the middle of a typhoon. The men reached the crest by dawn, but were quickly pinned down by German machine gun fire. The Japanese charged the outpost numerous times, receiving heavy casualties, until the German CO decided to negotiate. He offered to surrender the peak, if the Japanese would allow his men to withdraw back to Tsingtao. The Japanese commander simply refused and seized the CO by force. The Germans surrendered after suffering 6 deaths with 54 men captured, the Japanese suffered 24 deaths, with 150 total casualties.   Meanwhile the Kaiserin Elisabeth, Leopard and S90 continued to shell the Japanese right flank, prompting the IJN and IJA field artillery to counter fire. On the 28th, the Japanese were closing in on the German inner line, as their engineers began constructing concrete platforms upon Prinz Heinrich Hill for heavy artillery deployment. Meyer-Waldeck ordered the land batteries and Plüschow to hit the Japanese rear. That same day the Cormoran, Iltis and Luchs were scuttled, lest they become prizes of war. On October 2nd, 3 German companies performed a night raid against the Japanese right flank. It quickly fell apart, seeing 29 Germans killed and 6 captured. The Japanese began digging trenches a km away from the German line as the British finally advanced to the front line. A large issue began where the Japanese had a difficult time with friendly fire as they could not tell the British and Germans apart, kind of funny if you ask me. To remedy this the British were given Japanese overcoats, to distinguish them from the Germans.   On 6th and 10th Entente blockading ships dueled with Tsingtao's coastal batteries, but were driven off. On the 14th, the entire fleet performed a massive bombardment, seeing HMS Triumph take some light damage. On the 15th flash floods drowned 25 Japanese within their trenchwork, showcasing how terrible the typhoon weather was. On the 17th Meyer-Waldeck ordered S90 to attempt an escape. The S90 slipped out of the harbor during the night, but ran into the IJN cruiser Takachiho. S90 fired a torpedo, detonating her magazine, sinking the cruiser and claiming the lives of 256 men. The S90 then attempted to flee, but would be interned at a Qing port further down the coast. On the 21st, the 36th Sikh landed at Lachan Bay.   On the 22nd Meyer-Waldeck ordered another raid seeing 80 Germans creep towards the Japanese trenches only to be turned back when sentries opened fire. By the 25th the IJA artillery were all in position, each with 15 days worth of ammunition. Kamio ordered them all to fire 80 shells per day, beginning on the 31st. Meanwhile Japanese engineers formed special platoons with rifle grenades and bamboo tubes filled with explosives. Many lessons had been learnt during the Russo-Japanese War, Japanese sapping and trench warfare was quite advanced for 1914 standard. The Entente fleet drew close and on October 31st, the birthday of Emperor Taisho, 100 field guns and naval guns began a mass bombardment, directed by balloons, Farmans and the observation post atop Prinz Heinrich Hill. It was truly a very advanced battle, showcasing how much war had changed at the turn of the century.The first day destroyed Tsingtao's land batteries as sappers drew 300 meters forward. The Redoubts were particularly hit hard by artillery and to the left of the German line, 100 Chinese in the village of Taotungchien were unfortunately caught in shell fire. Yet again like the Russo-Japanese War, little attention was paid to the Chinese victims.  The next day Meyer-Waldeck had Kaiserin Elisabeth and Jaguar scuttled as their crews joined the garrison.    After Tsingtao's land batteries were neutralized, the Japanese bombardment targeted redoubts and barbed wire fields. On November 2nd the sappers advanced another 300 meters. On the 3rd, redoubts were systematically pulverized, barbed wire was flattened and the Tsingtao power station was obliterated. By the 4th the Japanese had a parallel assault line dug and at dawn Japanese infantry and engineering platoons assaulted the water pumping station. They seized the station, capturing 21 prisoners, now Tsingtao had no well water, basically she was doomed. That same night the Japanese sappers advanced another 300 meters, while their British counterparts holding a rather difficult section of the line failed to keep up with them. The British suffered 26 casualties from small arms fire. On 5th the Entente Fleet closed in to point-blank range and the IJN Suwo destroyed the Huitschuen huk, killing 8 men and that of the last sea battery. Barbed wire lay crushed, redouts pulverized or abandoned, Tsingtao lay defenseless by land and sea. On the night of the 6th, the Japanese dug their final assault line running between 100 to 1000 meters from the German trenches.    On the 6th Meyer-Waldeck knew it was the end and ordered Plüschow to fly his final dispatches back to Berlin. Plüschow flew 250 km's before crash landing in a rice paddy. He burned his Taube and began advancing on foot. Plüschow walked all the way to Daschou where some locals erected a party for him. He managed to obtain a pass to cross China as well as a junk to sail down a river to Nanjing. Plüschow felt he was being watched, he assumed he would be arrested at any moment so he leapt aboard a rickshaw and traveled to the local railway station. There he bribed a guard and slipped aboard a train to Shanghai. AtShanghai, Plüschow met up with a friend who provided him with documents as a Swiss national, as well as some money and a ticket on a ship sailing for Nagasaki, then Honolulu, and, finally, to San Francisco. In January 1915, he crossed the United States to New York City. He was reluctant to approach the German consulate there, as he had entered the country under a false identity. Worse, he read in a newspaper that he was presumed to be in New York. Luck favored him again, this time he met with a friend from Berlin who managed to get him travel documents for a ship that sailed on January 30, 1915, for Italy. After crossing the Atlantic Plüschow's ship docked at Gibraltar, where the British arrested him as an enemy alien. To their amazement they discovered he was the famous aviator of Tsingtao.   You would think that would be the end of his incredible story, but no. On May 1, 1915, Plüschow was sent to a prisoner of war camp in Donington Hall in Leicestershire. On July 4, 1915, he escaped during a storm and headed for London. Scotland Yard began hunting him down, issuing an alert, asking the public to be on the lookout for a man with a "dragon tattoo" on his arm. Plüschow disguised himself as a worker and felt safe enough to take souvenir photographs of himself at the London docks. He then occupied his time by reading books about Patagonia, and also visited the British Museum. Now this was wartime, so there were no notices  published announcing the departure of ships, but by observing the riverway, Plüschow saw the ferry Princess Juliana, sailing for the neutral Netherlands and managed to sneak aboard. He arrived safely and finally reached Germany, where he was at first arrested as a spy since no one believed he could have possibly accomplished such a feat. Plüschow became the only German combatant during either World War to have successfully escaped from a prison camp in the British Isles. Once he was identified, Plüschow was acclaimed as "the hero from Tsingtao". He was decorated, promoted, and assigned command of the naval base at Libau in occupied Latvian Courland. In June 1916, in an airplane hangar at Libau, Plüschow got married. There he wrote his first book, “The Adventures of the Aviator from Tsingtau”. It sold more than 700,000 copies.    Back at Tsingtao, Kamio gave the British sappers time to dig their approach next to his parallel line as his units probed the German lines for weak points. A Japanese company led by Major General Yoshimi Yamada the commander of the 24th infantry brigade assaulted Redoubt 4 causing the Germans to launch a bayonet charge pushing them back. Meyer-Waldeck ordered reinforcements to quickly head over to Redoubt 4, but before they arrived a second Japanese company surrounded Redoubt 4 forcing their surrender. 200 prisoners were seized and the rising sun flag was hoisted. The German reinforcements arrived to the scene and performed a counter attack, but were crushed quickly. Meanwhile the Japanese stormed Redoubt 3, surrounding and firing into its loopholes and cracks until the Germans surrendered. A local German reserve force launched a counter-attack, overwhelming a Japanese flank outpost before the main force crashed down upon them. Japanese platoons then spread out along the trench lines. Redoubt 2 was attacked from both flanks and rear, falling quickly. 3 hours of battle saw numerous courageous bayonet charges from both sides, as all the Redoubts were stormed and captured, excluding Rebouts 1 and 5 who held out desperately. Kamio then ordered the general assault to begin as the Japanese forces charged through a gap in the German center line.   At 5:10am on the 7th, the north battery of Shaotan Hill was captured, half an hour later the east battery of Tahtungehin and Fort Chungchiawa, the base for the German right wing were seized. As the Japanese surged forward a company stormed up Iltis Hill. Searchlights poured down upon them and soon the Japanese wielding bayonets and Katana's charged into the Germans , fighting in hand to hand combat. Two opposing officers dueled Katana against German dress sword, seeing the Japanese officer cut down his opponent. After this the Germans upon Iltis surrendered. Another company stormed Bismarck Hill seeing a quick surrender as men atop Iltis cheered. Meyer-Waldeck knew it was over and seeking to save lives, ordered Major von Kayser with a small force to march out of Redoubt 1 and 5 waving white flags. On the morning of the 7th, on an ironically beautiful day, Japanese and British troops entered Tsingtao with shouts of Banzai.   Its said as the Japanese entered the city, the Germans looked on with curiosity, but upon seeing the British, the Germans turned their backs and spat in contempt. The Japanese had suffered 733 deaths, 1282 wounded; the British 12 deaths with 53 wounded; the Germans 199 deaths and 504 wounded and 98 Chinese civilians were killed, 30 wounded and countless incidents of rape against Chinese women by Japanese soldiers were reported. A memorial service was held in Tsingtao as the Germans buried their dead. 4700 Germans were taken to POW camps in Japan and were famously treated well until 1919. 170 of the German prisoners would remain in Japan having found wives or new lives. To this day little  remains of German influence in Qingdao. Yet the old brewery in Qingdao still produces the pre-war-style German beer titled “Tsingtao”. It was another brutal humiliation against China. Unfortunately it was just the start to such abuses during the great war. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Yuan Shikai was now the defacto dictator or better said Father of Warlords over China. World War One, was not something China wanted to be a part of, but they would have absolutely no choice when the war literally came to their door. Japan was the first to start encroaching and they were nowhere near done.

Switching gears in China, today I switch to covering Mao and the CPC's misadventures in southern China. The stretch of time between the end of the 20s and the start of the Long March were filled with false starts and missed opportunities as competing interests among the Communists squandered the victories over Chiang Kai-shek's encirclement campaigns.    Bibliography for this episode:    Short, Philip Mao, A Life Henry Holdt and Company LLC 1999 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Wilson, Dick The Long March 1935: The Epic of Chinese Communism's Survival The Viking Press 1971 Chung-gi, Kwei The Kuomintang-Communist Struggle in China 1922-1949 Martinus Nihoff 1970   Questions? Comments? Email me at peaceintheirtime@gmail.com

OK, so there's a lot more to this episode than the Xi'an Incident, but it's the most dramatic. Other than that, we've got secret societies, half-baked ideologies, and the false impression that things could get better in KMT China.    Bibliography for this episode:    Fairbank, John K & Denis Twitchett The Cambridge History of China, Volume 12: Republican China 1912-1949, Part 1 Cambridge University Press 1983 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Sheridan, James E. China in Disintegration: The Republican Era in Chinese History 1912-1949 Macmillian Publishing Co, Inc 1975 Taylor, Jay The Generalissimo: Chiang Kai-shek and the Struggle for Modern China Harvard University Press 2011 Wakeman Jr, Frederick Spymaster: Dai Li and the Chinese Secret Service University of California Press 2003   Questions? Comments? Email me at peaceintheirtime@gmail.com

With the Japanese outright occupying Chinese territory, Chiang Kai-shek had to move fast. A war was guaranteed, but preparations still needed to be made and domestic enemies still needed to be taken care of.    Bibliography for this episode:    Fairbank, John K & Denis Twitchett The Cambridge History of China, Volume 12: Republican China 1912-1949, Part 1 Cambridge University Press 1983 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Sheridan, James E. China in Disintegration: The Republican Era in Chinese History 1912-1949 Macmillian Publishing Co, Inc 1975 Taylor, Jay The Generalissimo: Chiang Kai-shek and the Struggle for Modern China Harvard University Press 2011 Van de Ven, Hans J. War and Nationalism in China, 1925-1945 Routledge 2003 Qidong, Zheng A Brief History of Inflation in China Paths International Ltd 2013   Questions? Comments? Email me at peaceintheirtime@gmail.com

Today the focus shifts back to the misadventures of Chiang Kai-shek and the Nanjing government. The Central Plains War had been won, and it looked for the briefest of moments that things were going to be fine for them. Then the new campaigns against the Communists fell into disarray, and in September 1931 the Japanese invaded Manchuria. For Chiang, there would be no breaks. Ever.    Bibliography for this episode:    Fairbank, John K & Denis Twitchett The Cambridge History of China, Volume 12: Republican China 1912-1949, Part 1 Cambridge University Press 1983 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Sheridan, James E. China in Disintegration: The Republican Era in Chinese History 1912-1949 Macmillian Publishing Co, Inc 1975 Taylor, Jay The Generalissimo: Chiang Kai-shek and the Struggle for Modern China Harvard University Press 2011 Van de Ven, Hans J. War and Nationalism in China, 1925-1945 Routledge 2003   Questions? Comments? Email me at peaceintheirtime@gmail.com

We get the real-deal history underway with some very familiar material: a warlord showdown. Except this would be bigger than ever, and would decide if Chiang Kai-shek's centralizing policies even had a prayer.    Bibliography for this episode:    Fairbank, John K & Denis Twitchett The Cambridge History of China, Volume 12: Republican China 1912-1949, Part 1 Cambridge University Press 1983 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Sheridan, James E. China in Disintegration: The Republican Era in Chinese History 1912-1949 Macmillian Publishing Co, Inc 1975 Taylor, Jay The Generalissimo: Chiang Kai-shek and the Struggle for Modern China Harvard University Press 2011 Van de Ven, Hans J. War and Nationalism in China, 1925-1945 Routledge 2003   Questions? Comments? Email me at peaceintheirtime@gmail.com

Last season I left off my China coverage with the successful conclusion of the Northern Expedition. But just because that long campaign was successful didn't mean that Chiang Kai-shek and the KMT had everything go their way. To kick off this new mini-series I'll be spending some time re-introducing some older friends, as well as newer groups and factions that were going to play a larger role in the years to come.    Bibliography for this episode:    Fairbank, John K & Denis Twitchett The Cambridge History of China, Volume 12: Republican China 1912-1949, Part 1 Cambridge University Press 1983 Fairbannk, John K & Albert Feuerwerker The Cambridge History of China, Volume 13: Republican China 1912-1949, Part 2 Cambridge University Press 1983 Sheridan, James E. China in Disintegration: The Republican Era in Chinese History 1912-1949 Macmillian Publishing Co, Inc 1975 Taylor, Jay The Generalissimo: Chiang Kai-shek and the Struggle for Modern China Harvard University Press 2011 Van de Ven, Hans J. War and Nationalism in China, 1925-1945 Routledge 2003   Questions? Comments? Email me at peaceintheirtime@gmail.com

The legend of the "James Bond" of Republican China and how his fictional codename became a household name.Support the show

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

For more than a century before World War II, traders, merchants, financiers, and laborers steadily moved between places on the Indian Ocean, trading goods, supplying credit, and seeking work. This all changed with the war and as India, Burma, Ceylon, and Malaya wrested independence from the British Empire. Set against the tumult of the postwar period, Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942-1962 (Stanford UP, 2023) centers on the legal struggles of migrants to retain their traditional rhythms and patterns of life, illustrating how they experienced citizenship and decolonization. Even as nascent citizenship regimes and divergent political trajectories of decolonization papered over migrations between South and Southeast Asia, migrants continued to recount cross-border histories in encounters with the law. These accounts, often obscured by national and international political developments, unsettle the notion that static national identities and loyalties had emerged, fully formed and unblemished by migrant pasts, in the aftermath of empires. Drawing on archival materials from India, Sri Lanka, Myanmar, London, and Singapore, Kalyani Ramnath narrates how former migrants battled legal requirements to revive prewar circulations of credit, capital, and labor, in a postwar context of rising ethno-nationalisms that accused migrants of stealing jobs and hoarding land. Ultimately, Ramnath shows how decolonization was marked not only by shipwrecked empires and nation-states assembled and ordered from the debris of imperial collapse, but also by these forgotten stories of wartime displacements, their unintended consequences, and long afterlives. Kalyani Ramnath is an Assistant Professor of History at the University of Georgia, with research and teaching interests in legal history, histories of migration and displacement, transnational history, and questions of archival method. Kelvin Ng is a PhD candidate at the Department of History at Yale University. His research work brings together the social history of migration and the intellectual history of internationalism in four linked Indian Ocean spaces: British India, Republican China, British Malaya, and the Dutch East Indies. His dissertation examines three intertwined strands of anti-imperial thought—communist internationalism, pan-Islamism, and anti-caste radicalism—in relation to an oceanic political economy of unfree labor and uneven development. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation's larger modernization project. Amanda S. Wangwright's analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation's larger modernization project. Amanda S. Wangwright's analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2021) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation's larger modernization project. Amanda S. Wangwright's analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation's larger modernization project. Amanda S. Wangwright's analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation's larger modernization project. Amanda S. Wangwright's analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Considered a Chinese Robin Hood by his followers and a “common pest” by his enemies — to say nothing of bandit, murderer — Bai Lang achieved notoriety and power during the early years of Republican Era China. He may have been the country's last famous bandit.Click here tor read the article by James Carter.Narrated by John Darwin Van Fleet.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the early days of Republican China, the domestic tourism industry was mostly tailored to foreigners who wanted to escape from the cities. This changed in the 1920s, when China's nationalistic awakening provided an opportunity for local entrepreneurs to attend to the needs of Chinese tourists.Click here to read the article by James Carter.Narrated by John Darwin Van Fleet.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Defections from the People's Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English. During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there.  In Defectors from the PRC to Taiwan, 1960-1989: The Anti-Communist Righteous Warriors (Routledge, 2022), Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states. A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia. Andrew D. Morris is Professor of History at California Polytechnic State University, San Luis Obispo, and studies the modern histories of Taiwan and China. He is the author of Colonial Project, National Game: A History of Baseball in Taiwan (University of California Press, 2010) and Marrow of the Nation: A History of Sport and Physical Culture in Republican China (University of California Press, 2004). He edited the volume Japanese Taiwan: Colonial Rule and Its Contested Legacy (Bloomsbury Academic, 2015), and co-edited the volume The Minor Arts of Daily Life: Popular Culture in Taiwan (University of Hawai‘i Press, 2004, with David K. Jordan and Marc L. Moskowitz). Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Defections from the People's Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English. During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there.  In Defectors from the PRC to Taiwan, 1960-1989: The Anti-Communist Righteous Warriors (Routledge, 2022), Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states. A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia. Andrew D. Morris is Professor of History at California Polytechnic State University, San Luis Obispo, and studies the modern histories of Taiwan and China. He is the author of Colonial Project, National Game: A History of Baseball in Taiwan (University of California Press, 2010) and Marrow of the Nation: A History of Sport and Physical Culture in Republican China (University of California Press, 2004). He edited the volume Japanese Taiwan: Colonial Rule and Its Contested Legacy (Bloomsbury Academic, 2015), and co-edited the volume The Minor Arts of Daily Life: Popular Culture in Taiwan (University of Hawai‘i Press, 2004, with David K. Jordan and Marc L. Moskowitz). Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Defections from the People's Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English. During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there.  In Defectors from the PRC to Taiwan, 1960-1989: The Anti-Communist Righteous Warriors (Routledge, 2022), Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states. A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia. Andrew D. Morris is Professor of History at California Polytechnic State University, San Luis Obispo, and studies the modern histories of Taiwan and China. He is the author of Colonial Project, National Game: A History of Baseball in Taiwan (University of California Press, 2010) and Marrow of the Nation: A History of Sport and Physical Culture in Republican China (University of California Press, 2004). He edited the volume Japanese Taiwan: Colonial Rule and Its Contested Legacy (Bloomsbury Academic, 2015), and co-edited the volume The Minor Arts of Daily Life: Popular Culture in Taiwan (University of Hawai‘i Press, 2004, with David K. Jordan and Marc L. Moskowitz). Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

After the death of Mao Zedong in 1976, history under him was retold: for example, the Cultural Revolution was rebranded as “Ten Years of Chaos” and its policies were deemed “ultra-left.” In comparison to these changes in national narratives, how was the local history of Tibet under Mao retold after his death and in the subsequent decades of economic reform? To answer this question, the edited volume Conflicting Memories: Tibetan History under Mao Retold (Brill, 2020) explores the writings of a range of both Han-Chinese and Tibetan writers, including official historians, unofficial autobiographers, memoirists, filmmakers, fiction-writers, and oral raconteurs. In addition to providing translated extracts from their work, the volume contains chapters of essays by renowned scholars of modern Tibetan history discussing the narratives produced, what types of people were producing them, what means they used, what aims they pursued, and in what ways did Tibetan accounts differ from those of Han-Chinese writers. Robert Barnett is currently a Professorial Research Associate at the School of Oriental and African Studies, University of London, and an Affiliated Lecturer at King's College, London. He founded and directed the Modern Tibetan Studies program at Columbia University in New York from 1999 to 2018 and was the author and editor of a number of books on modern Tibet. Françoise Robin teaches Tibetan language and literature at Inalco (French National Institute for Oriental Languages and Civilisations). She has been engaged in Tibetan studies for the last 25 years, observing the evolution of Tibetan society under the political, economic, linguistic, and cultural domination of China. Her Ph.D. was the first to explore contemporary Tibetan Literature and its relevance to our understanding of today's Tibetan society. Benno Weiner is an Associate Professor of Chinese History at Carnegie Mellon University. He is the author of The Chinese Revolution on the Tibetan Frontier, which came out in 2020 with Cornell University Press. His other writings include, most recently, an essay entitled “Centering the Periphery: Teaching about Ethnic Minorities and Borderlands in PRC History,” which was published by The PRC History Review. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After the death of Mao Zedong in 1976, history under him was retold: for example, the Cultural Revolution was rebranded as “Ten Years of Chaos” and its policies were deemed “ultra-left.” In comparison to these changes in national narratives, how was the local history of Tibet under Mao retold after his death and in the subsequent decades of economic reform? To answer this question, the edited volume Conflicting Memories: Tibetan History under Mao Retold (Brill, 2020) explores the writings of a range of both Han-Chinese and Tibetan writers, including official historians, unofficial autobiographers, memoirists, filmmakers, fiction-writers, and oral raconteurs. In addition to providing translated extracts from their work, the volume contains chapters of essays by renowned scholars of modern Tibetan history discussing the narratives produced, what types of people were producing them, what means they used, what aims they pursued, and in what ways did Tibetan accounts differ from those of Han-Chinese writers. Robert Barnett is currently a Professorial Research Associate at the School of Oriental and African Studies, University of London, and an Affiliated Lecturer at King's College, London. He founded and directed the Modern Tibetan Studies program at Columbia University in New York from 1999 to 2018 and was the author and editor of a number of books on modern Tibet. Françoise Robin teaches Tibetan language and literature at Inalco (French National Institute for Oriental Languages and Civilisations). She has been engaged in Tibetan studies for the last 25 years, observing the evolution of Tibetan society under the political, economic, linguistic, and cultural domination of China. Her Ph.D. was the first to explore contemporary Tibetan Literature and its relevance to our understanding of today's Tibetan society. Benno Weiner is an Associate Professor of Chinese History at Carnegie Mellon University. He is the author of The Chinese Revolution on the Tibetan Frontier, which came out in 2020 with Cornell University Press. His other writings include, most recently, an essay entitled “Centering the Periphery: Teaching about Ethnic Minorities and Borderlands in PRC History,” which was published by The PRC History Review. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

After the death of Mao Zedong in 1976, history under him was retold: for example, the Cultural Revolution was rebranded as “Ten Years of Chaos” and its policies were deemed “ultra-left.” In comparison to these changes in national narratives, how was the local history of Tibet under Mao retold after his death and in the subsequent decades of economic reform? To answer this question, the edited volume Conflicting Memories: Tibetan History under Mao Retold (Brill, 2020) explores the writings of a range of both Han-Chinese and Tibetan writers, including official historians, unofficial autobiographers, memoirists, filmmakers, fiction-writers, and oral raconteurs. In addition to providing translated extracts from their work, the volume contains chapters of essays by renowned scholars of modern Tibetan history discussing the narratives produced, what types of people were producing them, what means they used, what aims they pursued, and in what ways did Tibetan accounts differ from those of Han-Chinese writers. Robert Barnett is currently a Professorial Research Associate at the School of Oriental and African Studies, University of London, and an Affiliated Lecturer at King's College, London. He founded and directed the Modern Tibetan Studies program at Columbia University in New York from 1999 to 2018 and was the author and editor of a number of books on modern Tibet. Françoise Robin teaches Tibetan language and literature at Inalco (French National Institute for Oriental Languages and Civilisations). She has been engaged in Tibetan studies for the last 25 years, observing the evolution of Tibetan society under the political, economic, linguistic, and cultural domination of China. Her Ph.D. was the first to explore contemporary Tibetan Literature and its relevance to our understanding of today's Tibetan society. Benno Weiner is an Associate Professor of Chinese History at Carnegie Mellon University. He is the author of The Chinese Revolution on the Tibetan Frontier, which came out in 2020 with Cornell University Press. His other writings include, most recently, an essay entitled “Centering the Periphery: Teaching about Ethnic Minorities and Borderlands in PRC History,” which was published by The PRC History Review. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

China's Cultural Revolution under Chairman Mao was one of the most staggeringly brutal events in recent human history. Tom and Dominic are joined by historian Rana Mitter, who specialises in the history of Republican China. See acast.com/privacy for privacy and opt-out information.

When we think of pre-Buddhism Chinese philosophy, ideas such as filial piety and “the Dao” might come to mind. But what was at stake in the philosophical debates of early Chinese thinkers, from Confucius to Zhuangzi? What were the epistemic legacies that they have left for the world? In Origins of Moral Political Philosophy in Early China (Oxford University Press 2021), Tao Jiang remaps the intellectual landscape of early Chinese philosophy (6th to 2nd centuries BCE) and reveals that most if not all of the classical Chinese philosophers, from Confucius to Zhuangzi, engaged with the three ideas of humaneness, justice, and personal freedom in one way or another to construct their visions of the world. By charting the trajectory of core philosophical values in early China and beyond, Jiang makes the case in the book that the philosophical dialectics between the partialist humaneness and the impartialist justice formed the fundamental dynamics underlying the mainstream moral-political project of early China, with the musing on personal freedom as the outlier. Historically, the flourishing of these “various masters and hundred schools” (zhuzi baijia) was situated within the period between the collapse of the Zhou order, which had represented the ideal of peace and prosperity, and the rise of the Qin state, which eventually consolidated a centralized government. Jiang points out that “Almost all classical thinkers of this period were trying to reconstitute a lost order by appealing to ritual (or tradition), (human)nature, objective standards that included moral and penal codes, or some combination of these, in order to imagine, conceptualize, and construct a new world that was morally compelling and/or politically alluring.” Professor Tao Jiang is a scholar of classical Chinese philosophy and Mahāyāna Buddhist philosophy. He is the author of this new book, Origins of Moral-Political Philosophy in Early China (Oxford University Press 2021), and Contexts and Dialogue: Yogācāra Buddhism and Modern Psychology on the Subliminal Mind (University of Hawai'i Press 2006), as well as the co-editor of The Reception and Rendition of Freud in China (Routledge 2017). He chairs the Department of Religion and directs the Center for Chinese Studies at Rutgers University, New Brunswick, NJ. He is a co-chair of the Neo-Confucian Studies Seminar at Columbia University. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When we think of pre-Buddhism Chinese philosophy, ideas such as filial piety and “the Dao” might come to mind. But what was at stake in the philosophical debates of early Chinese thinkers, from Confucius to Zhuangzi? What were the epistemic legacies that they have left for the world? In Origins of Moral Political Philosophy in Early China (Oxford University Press 2021), Tao Jiang remaps the intellectual landscape of early Chinese philosophy (6th to 2nd centuries BCE) and reveals that most if not all of the classical Chinese philosophers, from Confucius to Zhuangzi, engaged with the three ideas of humaneness, justice, and personal freedom in one way or another to construct their visions of the world. By charting the trajectory of core philosophical values in early China and beyond, Jiang makes the case in the book that the philosophical dialectics between the partialist humaneness and the impartialist justice formed the fundamental dynamics underlying the mainstream moral-political project of early China, with the musing on personal freedom as the outlier. Historically, the flourishing of these “various masters and hundred schools” (zhuzi baijia) was situated within the period between the collapse of the Zhou order, which had represented the ideal of peace and prosperity, and the rise of the Qin state, which eventually consolidated a centralized government. Jiang points out that “Almost all classical thinkers of this period were trying to reconstitute a lost order by appealing to ritual (or tradition), (human)nature, objective standards that included moral and penal codes, or some combination of these, in order to imagine, conceptualize, and construct a new world that was morally compelling and/or politically alluring.” Professor Tao Jiang is a scholar of classical Chinese philosophy and Mahāyāna Buddhist philosophy. He is the author of this new book, Origins of Moral-Political Philosophy in Early China (Oxford University Press 2021), and Contexts and Dialogue: Yogācāra Buddhism and Modern Psychology on the Subliminal Mind (University of Hawai'i Press 2006), as well as the co-editor of The Reception and Rendition of Freud in China (Routledge 2017). He chairs the Department of Religion and directs the Center for Chinese Studies at Rutgers University, New Brunswick, NJ. He is a co-chair of the Neo-Confucian Studies Seminar at Columbia University. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When we think of pre-Buddhism Chinese philosophy, ideas such as filial piety and “the Dao” might come to mind. But what was at stake in the philosophical debates of early Chinese thinkers, from Confucius to Zhuangzi? What were the epistemic legacies that they have left for the world? In Origins of Moral Political Philosophy in Early China (Oxford University Press 2021), Tao Jiang remaps the intellectual landscape of early Chinese philosophy (6th to 2nd centuries BCE) and reveals that most if not all of the classical Chinese philosophers, from Confucius to Zhuangzi, engaged with the three ideas of humaneness, justice, and personal freedom in one way or another to construct their visions of the world. By charting the trajectory of core philosophical values in early China and beyond, Jiang makes the case in the book that the philosophical dialectics between the partialist humaneness and the impartialist justice formed the fundamental dynamics underlying the mainstream moral-political project of early China, with the musing on personal freedom as the outlier. Historically, the flourishing of these “various masters and hundred schools” (zhuzi baijia) was situated within the period between the collapse of the Zhou order, which had represented the ideal of peace and prosperity, and the rise of the Qin state, which eventually consolidated a centralized government. Jiang points out that “Almost all classical thinkers of this period were trying to reconstitute a lost order by appealing to ritual (or tradition), (human)nature, objective standards that included moral and penal codes, or some combination of these, in order to imagine, conceptualize, and construct a new world that was morally compelling and/or politically alluring.” Professor Tao Jiang is a scholar of classical Chinese philosophy and Mahāyāna Buddhist philosophy. He is the author of this new book, Origins of Moral-Political Philosophy in Early China (Oxford University Press 2021), and Contexts and Dialogue: Yogācāra Buddhism and Modern Psychology on the Subliminal Mind (University of Hawai'i Press 2006), as well as the co-editor of The Reception and Rendition of Freud in China (Routledge 2017). He chairs the Department of Religion and directs the Center for Chinese Studies at Rutgers University, New Brunswick, NJ. He is a co-chair of the Neo-Confucian Studies Seminar at Columbia University. Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Her dissertation is a digital humanities project mapping the history of transnational and transregional Buddhist networks connecting early twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies