Podcasts about virtual instruments

Peppsen (Petter Sumelius) is a Finnish composer now residing in Sweden. He is known for his music mod for the video game Rimworld, as well as Shapez; a factory-building and automation game. He is also the composer for the upcoming and awaited Shapez 2.PEPPSEN LINKS:Website: https://www.peppsen.com/Youtube: https://www.youtube.com/@PeppsenSpotify: https://open.spotify.com/artist/0VmuJa5WFTghyy3P2ng9HO?si=CbcW9Q5VQZS0jogbNYssiwApple Music: https://music.apple.com/fi/artist/peppsen/1439733884Bandcamp: https://peppsen.bandcamp.com/TIMESTAMPS:(00:00:00) Intro(06:43:00) Background, growing up, family, hobbies(22:12:00) Video game influence(30:01:00) Music theory, Playing instruments(45:01:00) Early DAW experiences, Adolescence, Music mods(49:06:00) Pursuing music as a profession(01:02:05) Work process, Mindset, Networking(01:10:30) Creative freedom, Constraints, Feedback(01:42:02) Silence in music, dynamic/adaptive music in games(01:48:15) Full-time job and composition, finances(01:57:40) Profession VS Hobby(02:00:02) Expectations, Pressure, Criticism(02:17:03) Iterative Process of Creation(02:20:16) Sources of Inspiration(02:25:04) Avicii(02:30:05) Cost of living, Music gear, Software Updates(02:36:13) Inspiration (continued)(02:38:56) Life and work balance, Collaboration, Time management(02:47:47) Software and Virtual Instruments(02:50:19) Using Loops in Composition(03:03:24) Definition of an Artist(03:07:08) Message to Everyone's Smartphone(03:12:10) Wrapping upMarkus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Want me to answer your question?Ask it below in the comments or on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://twitter.com/markusjunnikkalhttps://www.twitch.tv/markusjunnikkalahttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.

In this week's edition Julian is joined by Ashea & Siobhan Anderson. Where they compare 3 of the most well known DAWs and ask, ´Does your DAW do this?´Talking Points:What first attracted you to your DAW of choice?Let's briefly discuss platform compatibility for Logic X, Pro Tools & AbletonWhat do you like about your DAWs user interface? Have you tried other DAWs, what didn't you like about them?MIDI, Virtual Instruments and samplers: What is this like with the DAW you use, is there room for improvement?Audio Recording and Editing.How does your DAW of choice fit into your workflow?Finds Of The Week:Julian - 32 Classic Mixing ConsoleAshea-LANDR Mastering PluginSiobhan - Natural Symphony

This episode is sponsored by Berlin-based pro-audio company HOLOPLOT, which features the multi-award-winning X1 Matrix Array. X1 is software-driven, combining 3D Audio-Beamforming and Wave Field Synthesis to achieve authentic sound localisation and complete control over sound in both the vertical and horizontal axes. HOLOPLOT is pivoting the revolution in sound control, enabling the positioning of virtual loudspeakers within a space, allowing for a completely new way of designing and experiencing immersive audio on a large scale. To find more, visit holoplot.com. In this episode of the Immersive Audio Podcast, Oliver Kadel is joined by the Audio Software Developer at Audio Brewers – Alejandro Cabrera from Athens, Greece. Alejandro Cabrera is an Audio Software Developer and the Founder of Audio Brewers. Originally from Colombia, currently based in Athens, Greece. He studied Modern Music with an Emphasis in Jazz (Taller de Musics, Barcelona – Spain), BA (Hons) in Music Production and Sound Engineering (University of Wales), and MSc in Sound Design (Edinburgh Napier University). Alejandro has been developing audio tools for over 10 years, including his first Sample Library ‘kFootsteps'. While working at 8Dio Productions as a producer and later a creative director, Alejandro was involved in the development of over 100 Sample Libraries. Additionally, he participated in the development of the Sequential Dave Smith's Prophet X/XL which won the TEC Award for Best New Musical Instrument in 2019. Alejandro founded Audio Brewers in 2020, the first company to develop Virtual Instruments recorded, mixed, and delivered in Ambisonics, for dedicated immersive audio productions. We talk about their unique set of tools and features for spatial audio designed for a fast workflow for different creative applications and Alejandro explains his concept of impressionism in immersive audio. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-84-alejandro-cabrera-audio-brewers/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

This week I'm talking with writer, producer and composer Brian Steckler in CA. Brian has made a successful career for himself producing albums, composing for sync and library production music with NBC, CBS, Netflix and more. Brian has won a Clio award for helping create the audio and star in one of the most famous Super Bowl ads of all time as a certain frog who liked to say “er!” We are discussing working for a jingle company and creating world famous ads, writing production library music used on countless shows, finding your niche to work in a field of music that only you can provide and how you need to decide what success looks like for you. Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com.  In this episode we discuss: *Working for Hummingbird Productions in Nashville. *What a jingle company does. *Creating the voices of the Budweiser Frogs commercial soundtrack. *The difference in studio budgets from the 1980s and today. *Working in sync music. *Writing library production music. *Writing to briefs on a deadline. *Writing for a children's preschool curriculum program. *Making the right connections. *Having a breadth of knowledge to do many things. *Writing custom cues for Netflix. *Putting favorite sounds into a template for speed. *Align yourself with people who are good at things you aren't. *It's a long term numbers game. *Send it, forget it. *Tear tracks apart to learn how to create them. *Making your first instinct sound good. *https://www.briansteckler.com/ *@briansteckler on IG. BIO: I have made a career of creating music in a wide variety of forms and genres. The scope of my experience includes collaborations with directors, editors, and ad agencies for commercial musical purposes as well as working with individual artists, and bands to create and hone unique musical styles.This range of experience has given me a broad musical basis to draw from. I enjoy learning what people want and need musically, and then bringing even more than they expect to both the process and the result. After receiving my BFA (piano performance) from Western Michigan University in 1993, I moved to Nashville and began my career at Hummingbird Productions, one of the leading jingle houses on Music Row at the time. It was there I co-produced the audio and lent my voice to one of the most recognized, Clio-winning Super Bowl commercials of all time: Budweiser “Frogs.” I wrote and produced national, regional, and local spots during my years at Hummingbird and it was there that I learned how to deliver great sounding audio on very tight deadlines. I moved to Los Angeles in 1997 in order to pursue songwriting and production and began working with artists and bands crafting songs, producing tracks, and mixing my own work, as well as other producer's songs. I wrote songs for Sony ATV Music Publishing, including co-writing with Billy Porter, Gary Barlow (Take That), Paul Stanley (KISS), 2Gether (an MTV boy band spoof series), and many others. With artist Angela Via, I co-wrote and produced a song that landed in Pokemon: The Movie and on the multi-platinum selling soundtrack album. It was also during this time I had my first taste of film scoring, working closely with Keith Forsey (Billy Idol's long-time record producer) to create the score for Wisegirls, a film starring Mira Sorvino and Mariah Carey.  As the record industry underwent significant changes during the Napster era, my wife and I chose to move our young family to Northern California. While maintaining my relationships in LA, I was able to work with independent artists and bands, as well as grow my skills and experience scoring, working for Universal Pictures on trailers and promos, as well as regularly placing cues in TV shows.  Recently, I've written the score for the Netflix series The Day I Met El Chapo, provided the bulk of the music, including the Main Title theme for a number of other series: Hunted (CBS), S.T.R.O.N.G. (NBC), Ultimate Beastmaster, Awake, Cooked with Cannabis (Netflix). I also had the opportunity to score the award winning documentary Hand Rolled: A Film About Cigars, as well as Sun, Soil & Water, which is currently being screened at a number of film festivals.   My wife and I live in Granite Bay, CA  which is situated between Folsom and Roseville, about 30 minutes from downtown Sacramento, and 90 minutes from Lake Tahoe. Living somewhere beautiful, outside the “rat race,” certainly helps my creative flow. I work in my well sound-proofed custom recording studio called “The Stickhouse,” which is an ideal place for creating and mixing music. My studio is built around the Slate Digital VRS8 system, running Pro Tools Ultimate and Logic Pro, depending on the functionality I need for each project. I have a substantial library of Virtual Instruments and samples which cover any genre, from orchestral to hip-hop.

In this episode I talk to you about VELOCITY. Velocity is one of the ORGANIC TOOLS from my SAFE SPOTS Book. There are actually many ORGANIC TOOLS, which come FREE inside of any reputable music program, and it's really important you learn about ORGANIC TOOLS because they are the foundation of music production when using MIDI (if you are using VSTs.. Virtual Instruments, or One-Shot Drum Samples to make your drum loops). Further, I explain that the louder you press a piano note, or strike a guitar string, it still produces the same PITCH, but gives you a different TIMBRE (pronounced TAMBER). (To learn more about sound design and timbre, please view my Sound Design Basics 101 course). Inside Sound Design Basics 101 Course I teach you that timbre is like Neapolitan icecream. If you press a note on a piano soft or loud, you are still hitting the same note, which produces the same pitch, but you will get a different sound. In comparison to Neapolitan ice cream, it comes with three different flavors. When you eat either Vanilla, Chocolate, or Strawberry, the texture is the exact same, but the flavor is different. It's the exact same thing when you press a note soft or loud on a piano, or select a sine-wave or a square-wave in your synth. You play the same pitch, but get a different sound (timbre)!!! Once you understand how VELOCITY works inside your music program, and that when you press a note on your MIDI Keyboard, that it sends both the VELOCITY (0-127) and the note it self (A4 for example), then you will start to understand that VELOCITY adjusts not only volume, but it can be used as a very powerful tool to trigger a different sound, which still produces the same pitch, but gives us a different timbre. To learn more about VELOCITY, and the ORGANIC TOOLS, read my SAFE SPOTS Book to gain a strong understanding of the core fundamentals of becoming a good music producer and take advantage of MIDI, and the ORGANIC TOOLS (which are free), inside FL Studio! The book can be bought on Amazon by searching “SAFE SPOTS Riley Weller”, or on my website for the eBook version, which there is a bundle to grab the SAFE SPOTS Course and the drum samples used for the best experience. ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| EPISODE RESOURCES: https://itsGratuiTous.com/podcast/s2e10-velocity-makes-the-difference/ |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||

The SSL 2 is here, and AP couldn't resist the temptation to get his hands on one. In this episode, we dive deep into SSL's foray into USB interfaces. And in our ears anyway, it's a winner. For the tech nerds, here's the manufacturer's blurb... SSL 2 is more than just an audio interface, it's the centre of your new Solid State Logic studio. Class-leading mic preamps, Legacy 4K analogue enhancement, studio-quality monitoring and the incredible SSL Production Pack software bundle. SSL have been designing cutting-edge mixing consoles and processing tools for the world's finest recording studios for over four decades. Now you get all that hit-making know-how in your own personal studio. The SSL 2 features SSL's class leading mic preamps, with the best noise performance (-130.5 dB EIN) and a huge gain range of 62dB! The secret sauce for sonic magic comes in the form of SSL's Legacy 4K analogue enhancement, an all-analogue enhancement effect, inspired by the character of the legendary 4000-series console. On top of that you also receive the SSL production pack, which includes an exclusive collection of the industry's finest DAWs, Virtual Instruments, Plug-ins, Samples and Loops. On the hardware side, the SSL 2 gives you studio-grade monitor outputs, a high-current output headphone amp, AKM converters, Alps pots and Neutrik connectors. The SSL 2 is also USB bus-powered for greater convenience. Features 2-In / 2-Out USB Audio Interface 2 x SSL-designed microphone preamps with unrivalled noise performance and gain range for a USB-powered device Legacy 4K - analogue colour enhancement for any input source, inspired by classic SSL consoles Professional, high-current grade headphone output, with plenty of power 24-bit / 192 kHz AD/DA AKM Converters - capture and hear all the detail of your creations Easy-to-use Monitor Mix Control for critical low-latency monitoring tasks Balanced monitor outputs, with stunning dynamic range USB 2.0, bus-powered audio interface for Mac/PC - no power supply required   The Pro Audio Suite has kindly been supplied with gear from RØDE microphones. We would like to thank them for their involvement with our show, and their generosity. You can see the complete list of their gear here.   Thanks also go to Voice Over Essentials and the Porta Booth Pro for their support of our program Find out more and order your Porta Booth here.   @rodemic @rodemics Rode on Linkedin https://www.linkedin.com/company/rode-microphones/ “When the going gets weird, the weird turn professional.” ― Hunter S Thompson

Virtual Instruments recently evolved into Virtana and continues to deliver the industry's only real-time monitoring and AIOps platform for mission-critical IT infrastructure — from the data center to the public cloud. Virtana is the result of products and technologies from several different companies coming together: Virtual Instruments, Load Dynamix, Xangati and most recently Metricly and Netuitive. The combination of these entities has allowed us to become a leading provider of hybrid infrastructure monitoring, analytics and automation solutions. John Gentry, Chief Technology Officer and SVP Business Development at Virtana returns to the Tech Talks Daily Podcast to share his unique perspective on the latest buzz-worthy technology: AI-assisted IT operations, also known as AIOps. Much like the hype cycle we experienced with the cloud a few years back, we're now moving past the buzzword phase and into the reality of meaningful "smart technology" initiatives such as AIOps. John has witnessed that people are slowly but surely understanding that this technology may not be the 'easy button' they initially thought it was, but he can also speak to the value of true AIOps for helping companies maintain their extremely complex IT systems, thus resolving IT issues before a single customer is impacted. John also talks about the rebranding of the company and their mission to provide unprecedented visibility into the performance, health, and utilization of hybrid IT infrastructure — empowering their customers to guarantee the performance and availability of their mission-critical applications and proactively prevent application slowdowns and outages.  

Virtual Instruments hat am 21. Oktober 2019 bekanntgegeben, künftig unter dem Namen 'Virtana' zu firmieren. Ferner wurde eine neue SaaS-basierte Management Lösung 'CloudWisdom' für Multi Cloud Umgebungen vorgestellt...

You've no doubt heard of controversial "young blood transfers", made popular of late in the anti-aging and longevity industry by articles such as: - -  - But what has completely flown under the radar is the fact that plasma transfusions of young blood have been found in clinical research studies to have never-before-seen effects on chronic health conditions such as Alzheimer's, Parkinson's, autoimmunity and many others.  In today's podcast, with Mark Urdahl and his lead nurse Gloria, you'll get never-before-heard breakthrough information on how young blood transfusions really work for these conditions, along with their true effects on anti-aging and longevity. Mark Urdahl, one of my guests on this podcast, serves as Chairman and CEO of the Young Blood Institute, a non-profit corporation conducting clinical trials in the use of therapeutic plasma exchange as a modality to systemically prevent cellular senescence and the onset of associated immunological, neurological, and cardiovascular disorders. Mr. Urdahl and his team at the Young Blood Institute have also pioneered the concurrent use of the world’s most advanced, state-of-the-art, ultrasensitive, high-precision blood serum measurement technologies to capture comprehensive “big data” of the human body, an unprecedented combination of testing technologies in human medicine or human clinical research, in order to understand never-before-seen correlations which might lead to discovery of root causes of age-associated disorders. He began his career with IBM Biomedical Systems, which, in partnership with the National Cancer Institute, invented the world’s first automated blood cell separator, first commercially produced by IBM in the 70’s as the IBM 2997. After IBM sold its Biomedical Systems business unit to COBE Laboratories in 1984, Mr. Urdahl became a systems engineer supporting IBM large systems accounts, including notable innovators in health care management. Mr. Urdahl went on to lead a distinguished career at IBM, where he held management positions in marketing and sales, technology development, corporate development. After IBM, he founded Applied Science Fiction (ASF), a digital imaging company where he served as Chairman and CEO, overseeing the development of over 150 patent applications and licensing its technology to nearly every major imaging OEM worldwide, including Nikon, Agfa, Minolta, and many others. Mr. Urdahl subsequently formed the Young Blood Institute as a non-profit 501 (c) (3) corporation to research anti-aging therapies under clinical trials, recruiting world-class principal investigators, establishing a nation-wide network of nurses and private care physicians, creating the most advanced biomarker testing platform in the world, and developing a “big data” database capable of storing data in the cloud in perpetuity. In 2008 Mr. Urdahl led an investment group to acquire the storage network monitoring business unit of Finisar Corp, including a portfolio of 20+ patents/applications, to form a privately held company, Virtual Instruments. He subsequently formed the Young Blood Institute to research anti-aging therapies under clinical trials, recruiting world-class principal investigators, establishing a nation-wide network of nurses and private care physicians, creating the most advanced biomarker testing platform in the world, and developing a “big data” database capable of storing data in the cloud in perpetuity. During our discussion, you'll discover: -The history of the world's first blood cell separator... after his son was diagnosed with leukemia Blood cells were separated manually; very laborious IBM funded this research and many other inventions that have benefited humanity -What is blood cell separation and exchange?... Similar to a Blood drawn from one arm; spun around in centrifuge; separates red, white, plasma (by gravity); Machine can draw whichever component you want (platelets, plasma, red cells, etc.) Blood is reinserted into the arm sans whichever component you want (ex. plasma) and new plasma is inserted via IV New plasma comes from various sources: actual plasma and purified plasma components Broke college kids donate plasma for gas money (creating a very large plasma pool) Water is taken out of the plasma; what's left is albumin, immunoglobulins, fibrinogen Similar to frozen lemonade (just add water) -How Mark became interested in the transfer of young blood... Was involved in several high-tech yet unfulfilling tasks; desired to do more for humanity : the joining of two mice together, one old, one young Systemic milieu Findings of mouse research: There was one solution (young blood) to multiple problems; however, each problem had its own funding, infrastructure, bureaucracy, etc. Both parties are affected: younger deteriorate; older improve Initial goal: reboot the immune system for people over the age of 50 -Why the Young Blood Institute operates as a non-profit organization... Humanitarian research No proprietary issues such as IP, Much learning that yet needs to occur For profit companies naturally focus on profit; Can be contradictory to the idea of research and discovery Takes years for truths to emerge (because of investors, stock, etc.) -The philosophy behind the research and work at the Young Blood Institute...  - The immunobiologist at the YBI Valid clinical evidence requires data How do you prove you've prevented something? By proving it existed in the first place Anecdotal data suggests the effects of plasmapheresis extends beyond the indication that is being treated Cast a wide net, gather as much data as possible (treat the whole elephant) What biomarkers are being tracked: Standardized patient care physical exams Muscle biopsies Muscle function Neurological/cognitive function Many more All tests done before the young blood transfer Not trying to cure; trying to prevent Don't test for telomeres because it's testing whole blood Each cell subset has different telomere lengths Wide disparity in test results Cells are aware of changes in environment, not calendar times -A dramatic real-life example of 2 70-year old Youngblood Institute patients... The plasma that was withdrawn was rather putrid looking After 2-3 treatments (removing old plasma, injecting young plasma) the plasma condition normalized Getting rid of the old plasma really matters Decrease in whole blood viscosity Low shear viscosity: "stickiness" of the blood -What is "big data of the body"?... Digital biomarkers: Apple Watch, HRV, sleep cycles, etc. Unprecedented ensemble of data assembled in one place Correlations (meta data) Data is mined over time -The government's intervention in this type of technology... FDA shut down a for-profit company in the field Mark supports the FDA's action and caution Infusions are additive; can cause circulatory overload YBI does a transfusion; blood volume stays constant Mark doesn't fear an FDA shutdown of the Youngblood Institute because they are in agreement with and support their actions -How something called a "neuro protocol" may lead to breakthroughs in the treatment of Alzheimers... Article: An extension of current protocol: 6 treatments over a 6 week period Add a partial monthly treatment for 12 months Mark's lead nurse, Gloria, was the lead on the AMBAR study, and had shocking stories to tell Could potentially lead to treatment of Parkinson's and ALS 60% success in arresting the development of Alzheimers Proper clinical trial: unbiased investigators who look at data, not the subjects -The role of a head nurse in a plasma transfusion... It's largely a nurse's procedure Top 6 nurses at the YBI have 230+ years of experience Get lead physicians observations; head nurse will sometimes provide that for them Interact with patients and get their observations Alzheimers affects the family of the patient more than the patient (due to their loss of memory) -Gloria's observations treating patients, both with the AMBAR study and at the YBI... "Early results on Parkinson's and ALS patients are very encouraging" did a placebo test on patients: Patients already had minimum mild level of Alzheimers "Sham" is used in the best possible sense Patients perceived they were receiving the treatment when they were not Treated over 180 subjects over a four year period One patient in particular deteriorated rapidly while on the sham study "Predictive biomarkers" are used to admit patients into the YBI treatments Some of the good stories: Orchard farmer in his 80's showed remarkable improvement after approx. 8 months (18 treatments) Woman who just turned 60, lost her joy for life; after 2 months, daughter reported amazing progress; flirting with everyone after 5 months Patients regain previously lost memories -Can apheresis be used as an anti-aging treatment even if one doesn't have Alzheimers?... "Apparent health" can be a misnomer; all of a sudden someone can have 3 major diseases YBI doesn't treat patients as young as 30 years old Alzheimers, Parkinson's, ALS symptoms begin very young -Why these studies and treatments are still occurring more or less behind the scenes... -And much more... Resources from this episode: - - - - - podcast - of the NAD injection clinic in San Diego - - -Article: Episode Sponsors: -: My personal playground for new supplement formulations. Ben Greenfield Fitness listeners receive a 10% discount off your entire order when you use discount code: BGF10. Check out the Memorial Day specials and save today! -: Contains a host of anti-inflammatory, anti-obesity, and anti-allergy benefits. For this reason, I have decided to now make consumption of hydrogen-rich water an important part of my daily nutritional routine...and I highly recommend it! Enter code: BEN at checkout and get 30% off your order. -: Combines pure ingredients in targeted dosages through a superior delivery mechanism that is unrivaled by any other supplement on the market today. Get 15% off a bottle of the Keto Balance when you go to . -: Quality is our Gimmick isn’t just our slogan, it’s a commitment we honor with every stitch we sew. 100% money back guarantee. Get 10% off your order, PLUS free shipping on any order over $99 when you use discount code: BENG. Do you have questions, thoughts or feedback for Mark, Gloria or me? Leave your comments below and one of us will reply!  

Zum Inhalt des Webcasts am Fr., 21.09. um 11:00 Uhr MEZ: Wie begegne ich typischen Herausforderungen wie intermittierende Performance Profile virtueller Umgebungen oder Cloud Migrationen und wie plane ich realistische Lasttest, um Investitionsentscheidungen realitätsnah abzusichern? Inkl. Hands-on Technologiedemo von Virtual Instruments...

Tom gets a behind-the-scenes perspective with Phil Fultz, VP of Engineering at Virtual Instruments, on real-time performance monitoring and analytics-driven insights for critical applications.

Daten intelligent in die Cloud migrieren... Der neue CMR-Service umfasst detaillierte Workload-Analysen von Applikationen zur Simulation von Kosten- und Performance-Bewertungen. Ohne eine fundierte Planung und Analyse kann die Migration von Daten / Anwendungen in die Cloud sonst teuer werden!

For more information on Key of Awesome Music, LLC (BMI) as well as what the host, Jim Gaven, is up to music wise, feel free to frequent: 1. www.soundcloud.com/key-of-awesome-music (11 artists represented for publishing needs) 2. www.jimgavenmusic.com (music can be found on iTunes, CDBaby, Amazon, and many other digital distributors from this site) Enjoy and spread the awesomeness! Contact Jim at #jimgaven on Twitter and Jim Gaven on Facebook.

Anwenderseitige Investitionen in vorhandene Storagesysteme validieren und NFSv3 Workload-Modelle erstellen. Neu: Leistungsanalysen von Enterprise HighEnd FC- und iSCSI Flash Arrays...

Virtual Instruments is an exciting, high-growth Silicon Valley technology company. Since their founding in 2008, they’ve been focused on delivering unparalleled value to our customers through a combination of innovative technology and high-value services. They have helped to solve some of the most critical IT performance and availability issues in more than 500 of the world’s largest data centers. In fact, their client lists it's like the who’s who of tech with IBM, Microsoft, Salesforce, VMWare, HP, etc. all depending on Virtual Instruments. In March 2016, they also merged with Load DynamiX, the leading storage performance analytics company. The combination of advanced workload analysis and modeling software with extreme workload generation appliances give IT professionals the ability to cost-effectively validate and stress today’s most complex physical, virtual and cloud infrastructure to its limits. After reading how they have become the leading infrastructure performance management and analytics company, servicing the world’s most business-critical IT infrastructure as it evolves in the software-defined era. I had to find out more. Guest Info Philippe Vincent, the former CEO of Load Dynamix and now CEO of Virtual Instruments.

Get your FREE Mix Training and eBook at MixMasterBundle.com  My guest today is Kern Ramsdell a music lover and creator of the recording blog Home Recording Weekly. His goal is to share everything that he learns about writing, playing, recording, mixing, and mastering music in home recording studios. In his own words Kern says “I simply must get the music that I hear in my head, out. I love it when a song begins to come to life.”Kern publishes videos, product demos, and reviews to help you out as well as hosting the Home Recording Weekly Podcast. Kern also created the “Home Studio eBundle” to help you get more realistic MIDI instruments in their productions, better sounding bass and guitars using Virtual Instruments, and better mixes as a whole. You can find out more at his site Home Recording Weekly! Get The Complete Show Notes LEAVE A REVIEW FOR THE PODCAST!

First up, we congratulate Ms Amy Winehouse on her historic 5 Grammy awards romp - Dave Spiers' brother-in-law is bass player and MD for the band and has been round at his partying. Then we get stuck into the Hotz Box - a unique MIDI controller/instrument that was a hit amongst the bigwhigs in the 1980s - I'd never heard of this, but Chris Macleod, had the pleasure of staying with Jimmy Hotz and programming it for Jon Anderson for a Yes tour - he spills the beans. After that, we touch on the art of destruction - with tales of what we have broken - Chris enlightens us with the Keith Emerson L100 on casters story. Then we're on to Virtual Instruments magazine and other favourites, which leads on to a wider discussion of where all this stuff is going.

First up, we congratulate Ms Amy Winehouse on her historic 5 Grammy awards romp - Dave Spiers' brother-in-law is bass player and MD for the band and has been round at his partying. Then we get stuck into the Hotz Box - a unique MIDI controller/instrument that was a hit amongst the bigwhigs in the 1980s - I'd never heard of this, but Chris Macleod, had the pleasure of staying with Jimmy Hotz and programming it for Jon Anderson for a Yes tour - he spills the beans. After that, we touch on the art of destruction - with tales of what we have broken - Chris enlightens us with the Keith Emerson L100 on casters story. Then we're on to Virtual Instruments magazine and other favourites, which leads on to a wider discussion of where all this stuff is going.

In the fourth instalment of his tutorial series on learning Logic Pro X for Mac, Ming demonstrates how to create, browse, and select virtual instruments in Logic Pro X. He then demonstrates how you can create a 5-bars long piece of music in a few minutes using a number of different virtual instruments. Used shortcuts include:Turn on and off the midi note writing input on your computer: Command-KMentioned resource:sweetwater.comSee also:Learning Logic Pro X: AutomationLearning Logic Pro X: Exploring Interfaces, Choosing a Microphone, and Basic Editing TechniquesLearning Logic Pro X: Episode 1 - Creating a New ProjectNote: Logic Pro X is a professional grade digital audio workstation (DAW) and MIDI sequencer. It is suggested to have some familiarity with Digital Audio Workstations to get the most from this series.