Podcasts about Batu

Menteri Energi dan Sumber Daya Mineral atau ESDM Bahlil Lahadalia membantah kabar yang menyebut pemadaman listrik di sejumlah daerah terjadi akibat kelangkaan pasokan batu bara. Pemerintah dan PLN menegaskan pasokan batu bara untuk pembangkit listrik nasional masih aman.

Batu Nunggul 2018

D'une histoire de la rumba congolaise aux 5 morceaux de rêve d'un p'tit Breton ! Tous les mois, Sophian Fanen fait une sélection de nouveautés (5). Pour le mois de mai, nous avons : - Yerai Cortés, Sulao, tiré de l'album Popular (Sony Music España, 2026) - Anna Ferrer, Iaia, tiré de l'album PA (La Castanya, 2026) - Bongeziwe Mabandla, Walila, tiré de l'album Ndingubani (Black Major, 2026)  - Pedro de Lima et Conjunto Popular o Leonenses, Mêm de mina mue, tiré de la compilation «Léve Léve vol. 2: Sao Tome & Principe Sounds 70s-80s» (Les Disques Bongo Joe, 2026) - Rizomagic, Plutarco, tiré de l'album Cumbión Planetario (Soundway Records, 2026).   Puis nous recevons Balu pour la sortie de Borumba, une rumba célébrée en lingala et en kikongo ! Jocelyn Balu est pétri de toute cette histoire, particulièrement depuis sa rencontre en 2017 avec Bakolo Music International, le groupe de Wendo Kolosoy dont il est devenu - de loin - le plus jeune membre, puis le directeur artistique. Il y fréquenta aussi son maître, le guitariste rythmique Papa Bikunda, un monument de la rumba dont la simplicité tranchait avec l'arrogance des stars du genre, disparu en 2022 à 82 ans. Les grands orchestres kinois, dont l'apogée correspond à l'indépendance du pays, ont disparu. Les musiques nord-américaines se sont partout répandues, notamment après le festival Zaïre 74 organisé en marge du match de boxe Ali-Foreman. Mais la rumba congolaise est trop vigoureuse pour ne pas perdurer. Elle a même retrouvé une seconde jeunesse, dans les années 80-90, grâce à des artistes comme Koffi Olomidé et Werrason. Sensible comme personne au patrimoine que lui ont légué les pionniers, Jocelyn Balu veut aujourd'hui prendre le relais, dans le respect des aînés. Ce n'est pas pour rien que son projet a pour nom Borumba, qui signifie « l'esprit de la rumba ». Jocelyn Balu a composé le répertoire de Borumba, dans l'esprit de la rumba des années 1940 à 1970. Sa voix magnifique ouvre l'album sur Mobembo, un a capella dans lequel il incarne un père qui promet à sa femme et son fils qu'il se battra pour protéger son pays. La rythmique déboule sur Borumba Song, une irrésistible rumba qui la carte de visite du groupe. Toujours en lingala, Jocelyn Balu y chante sa propre histoire et celle de la musique qu'il personnifie. Typique du Bakongo, Eyo est marqué par des paroles engagées et par la présence de Jupiter Bokondji, le « Général Rebelle » du groupe Okwess, un proche de Jocelyn Balu depuis une dizaine d'années. Tata Nimi dénonce les politiques qui ne servent du peuple plutôt que de se mettre à son service, tandis que Kwe, un gospel posé sur un rythme Bayombe, questionne : « Où partir ? Où va-t-on m'accueillir ? » Rumba semblant exhumée des années 1940, Ya Nzambe rend hommage aux regrettés membres de Bakolo Music International, Papa Bikunda et le saxophoniste May Plau. Inspiré par le chanteur et guitariste Adou Elenga, qui prophétisa l'indépendance avec Ata Ndele en 1954, Mokili déplore l'inversion des valeurs dans nos sociétés déboussolées. Le survolté Batu dénonce également l'hypocrisie et la violence qui se répandent, avant que l'album soit bouclé sur un rythme Baluba du Kasaï, Yamba Nga, un rythme Baluba du Kasaï : « Je reviens, accueille-moi même si j'ai commis des erreurs », chante Jocelyn Balu avec la chorale Afrocoeur dont il est le chef. Soit neuf titres tantôt poignants ou festifs, conscients des leçons de l'histoire et des tourments du présent, qui feraient la fierté des grandes figures de la rumba congolaise.  Titres interprétés au grand studio - Borumba Song Live RFI - Eyo Feat. Jupiter Bokondji, extrait de l'album - Mokili Live RFI. Line-up : Jocelyn Balu (Lead vocal, percussion), Damien Bianciotto (guitare et choeur), Damien Hilaire (batterie et chœurs) et Benjamin Etur (basse et chœurs). Son : Mathias Taylor, Camille Roch, Benoît Letirant. ► Album Borumba (Absilone 2026). Instagram - Facebook - Bandcamp.

D'une histoire de la rumba congolaise aux 5 morceaux de rêve d'un p'tit Breton ! Tous les mois, Sophian Fanen fait une sélection de nouveautés (5). Pour le mois de mai, nous avons : - Yerai Cortés, Sulao, tiré de l'album Popular (Sony Music España, 2026) - Anna Ferrer, Iaia, tiré de l'album PA (La Castanya, 2026) - Bongeziwe Mabandla, Walila, tiré de l'album Ndingubani (Black Major, 2026)  - Pedro de Lima et Conjunto Popular o Leonenses, Mêm de mina mue, tiré de la compilation «Léve Léve vol. 2: Sao Tome & Principe Sounds 70s-80s» (Les Disques Bongo Joe, 2026) - Rizomagic, Plutarco, tiré de l'album Cumbión Planetario (Soundway Records, 2026).   Puis nous recevons Balu pour la sortie de Borumba, une rumba célébrée en lingala et en kikongo ! Jocelyn Balu est pétri de toute cette histoire, particulièrement depuis sa rencontre en 2017 avec Bakolo Music International, le groupe de Wendo Kolosoy dont il est devenu - de loin - le plus jeune membre, puis le directeur artistique. Il y fréquenta aussi son maître, le guitariste rythmique Papa Bikunda, un monument de la rumba dont la simplicité tranchait avec l'arrogance des stars du genre, disparu en 2022 à 82 ans. Les grands orchestres kinois, dont l'apogée correspond à l'indépendance du pays, ont disparu. Les musiques nord-américaines se sont partout répandues, notamment après le festival Zaïre 74 organisé en marge du match de boxe Ali-Foreman. Mais la rumba congolaise est trop vigoureuse pour ne pas perdurer. Elle a même retrouvé une seconde jeunesse, dans les années 80-90, grâce à des artistes comme Koffi Olomidé et Werrason. Sensible comme personne au patrimoine que lui ont légué les pionniers, Jocelyn Balu veut aujourd'hui prendre le relais, dans le respect des aînés. Ce n'est pas pour rien que son projet a pour nom Borumba, qui signifie « l'esprit de la rumba ». Jocelyn Balu a composé le répertoire de Borumba, dans l'esprit de la rumba des années 1940 à 1970. Sa voix magnifique ouvre l'album sur Mobembo, un a capella dans lequel il incarne un père qui promet à sa femme et son fils qu'il se battra pour protéger son pays. La rythmique déboule sur Borumba Song, une irrésistible rumba qui la carte de visite du groupe. Toujours en lingala, Jocelyn Balu y chante sa propre histoire et celle de la musique qu'il personnifie. Typique du Bakongo, Eyo est marqué par des paroles engagées et par la présence de Jupiter Bokondji, le « Général Rebelle » du groupe Okwess, un proche de Jocelyn Balu depuis une dizaine d'années. Tata Nimi dénonce les politiques qui ne servent du peuple plutôt que de se mettre à son service, tandis que Kwe, un gospel posé sur un rythme Bayombe, questionne : « Où partir ? Où va-t-on m'accueillir ? » Rumba semblant exhumée des années 1940, Ya Nzambe rend hommage aux regrettés membres de Bakolo Music International, Papa Bikunda et le saxophoniste May Plau. Inspiré par le chanteur et guitariste Adou Elenga, qui prophétisa l'indépendance avec Ata Ndele en 1954, Mokili déplore l'inversion des valeurs dans nos sociétés déboussolées. Le survolté Batu dénonce également l'hypocrisie et la violence qui se répandent, avant que l'album soit bouclé sur un rythme Baluba du Kasaï, Yamba Nga, un rythme Baluba du Kasaï : « Je reviens, accueille-moi même si j'ai commis des erreurs », chante Jocelyn Balu avec la chorale Afrocoeur dont il est le chef. Soit neuf titres tantôt poignants ou festifs, conscients des leçons de l'histoire et des tourments du présent, qui feraient la fierté des grandes figures de la rumba congolaise.  Titres interprétés au grand studio - Borumba Song Live RFI - Eyo Feat. Jupiter Bokondji, extrait de l'album - Mokili Live RFI. Line-up : Jocelyn Balu (Lead vocal, percussion), Damien Bianciotto (guitare et choeur), Damien Hilaire (batterie et chœurs) et Benjamin Etur (basse et chœurs). Son : Mathias Taylor, Camille Roch, Benoît Letirant. ► Album Borumba (Absilone 2026). Instagram - Facebook - Bandcamp.

Nyeri hebat di pinggang bisa jadi tanda batu ginjal akibat endapan mineral di dalam ginjal.Kini, batu ginjal dapat diatasi tanpa operasi besar melalui RIRS (retrograde intrarenal surgery), prosedur minimal invasif tanpa sayatan yang menggunakan laser untuk menghancurkan batu.Bagaimana prosesnya dan kapan tindakan ini diperlukan?Simak penjelasan lebihlanjut dari dr. Adianti Khadijah, Sp.U di episode HDIW kali ini!

Hutan Bulungan yang berpagar benteng karst raksasa kembali menyentak kesadaran antropologi kita lewat sebuah penemuan tak sengaja pada tahun 2018. Di sanalah sekelompok kecil pengembara yang menyebut diri mereka Punan Batu terbukti masih merawat denyut kehidupan nomaden yang murni. Mereka tidak sekadar bertahan hidup dari kemurahan rimba, melainkan menjadi penjaga setia rantai sejarah evolusi manusia yang kian terkikis zaman. Bagi saya, eksistensi mereka adalah cermin paling jernih untuk melihat bagaimana leluhur kita dahulu membangun harmoni sosial tanpa sekat kepemilikan. Di tengah lebatnya tajuk pohon, mereka tidak memerlukan gawai modern melainkan sepotong kayu sederhana yang ditancapkan tegak di tanah sebagai media sosial purba. Itulah tongkat pesan, sebuah mahakarya komunikasi non-verbal yang mampu menyampaikan sandi rahasia mulai dari rute perjalanan hingga jeritan darurat kelaparan. Setiap takikan dan gulungan daun yang disematkan di sana adalah simbol kebersamaan yang mengikat kelompok-kelompok cair ini dalam satu ekosistem sosial yang solid. Ketika tongkat-tongkat ini mulai patah dan ditinggalkan akibat pemukiman paksa, kita sebenarnya sedang menyaksikan runtuhnya sistem komunikasi paling jujur di bumi. Namun, di atas semua itu, jiwa terdalam Punan Batu justru tersimpan rapat dalam sayup nyanyian puitis Latala yang bergema di sela dinding gua. Bahasa lagu yang terisolasi secara genetis ini bukan sekadar alat hiburan sunyi, melainkan sejarah lisan yang meratapi takdir ruang hidup mereka yang kian menyempit. Kini, deru traktor kelapa sawit dan konsesi penebangan kayu mulai merangsek masuk merusak bentang alam tempat senandung purba ini dilahirkan. Menyelamatkan mereka berarti mendengarkan bait terakhir Latala sebelum hutan Bulungan kehilangan suara aslinya untuk selamanya.

The War for the Crown continues as the Knights of Summer are ambushed by the div sisters in the central tower of the Sanguine Brothers Slaughterhouse! Support us on Patreon to access our actual play of the Tyrant's Grasp Adventure Path, with new episodes every Monday, and other great content: https://www.patreon.com/FindthePath Cast Rick Sandidge is [...] The post War for the Crown Episode 140: Batu and Meregan appeared first on Find the Path Ventures.

In the latest Amber Muse Radio episode, Taran & Lomov deliver two hours of deep techno, acid, and hypnotic electronics. The first hour features fresh cuts from Delsin Records, R&S, !K7, Kompakt, and The Bunker New York, alongside music by Architectural, Batu & Donato Dozzy, Fantastic Twins, Silat Beksi, and more. In the second hour, Kaņepes Kultūras centrs crew member Kirha joins the show with a deep and hypnotic guest mix.. Full tracklisting: https://ambermuse.com/amber-muse-radio-424-taran-lomov-kirha-guest-mix-08-may-2026/

Esras Opa liegt im Krankenhaus, seitdem wohnt seine Katze bei Esra, Batu und Mama. Die Katze schläft die ganze Zeit und frisst nichts. "Sie vermisst Tick-Tack-Opa", meint Esra. "Kann sein", sagt Esras Mama, "aber Tiere sind nun mal im Krankenhaus verboten." Als Esra und Batu das Krankenhaus mit der verhüllten Katzentransportbox betreten, klopft Esras Herz bis zum Hals. (Eine Geschichte von Sabine Westermaier, erzählt von Elif Esmen.)

Esra geht in die erste Klasse. Heute übernachtet Esras beste Freundin bei ihr. Als die beiden Mädchen nachhause kommen, hält ihre Mama zwei Kleider hoch: "Welches soll ich anziehen?". "Keine Ahnung, beide voll cringe!", meint Esra. "Grinsch? Was soll das denn jetzt schon wieder heißen?" Die meisten der englischen Wörter, die Esra benutzt, sind von Batu, ihrem großen Bruder. Aber der ist grad nicht da, um das Wort zu erklären. (Eine Geschichte von Sabine Westermaier, erzählt von Elif Esmen.)

Anggota Komisi XI DPR RI, Amin A.K., memberikan peringatan keras terkait dugaan kebocoran ekspor batu bara akibat manipulasi invoice. Nilai kebocoran diperkirakan mencapai 20 miliar dolar AS, yang dapat merugikan penerimaan pajak dan royalti negara. Praktik mis-invoicing ini mengancam kredibilitas pengawasan nasional dan menurunkan potensi devisa negara. Amin juga menegaskan bahwa dana tersebut seharusnya digunakan untuk pembangunan infrastruktur dan layanan pendidikan serta kesehatan.

Jungle turning up in the darndest places tonight, as is… saxophone? Jazz stretched to its limits, and electronica during wartime… LISTEN AGAIN in the darndest places – stream on demand from fbi.radio, podcast here. Butthole Surfers – Imbuya [Sunset Blvd] Never thought I’d be playing Butthole Surfers on Utility Fog. Not that they weren’t an impeccably experimental punk/noise band in their earlier days. Not that Gibby Haines didn’t do the greatest impromptu guest spot ever on Ministry’s “Jesus Built My Hotrod“. Not that “Pepper” isn’t a classic ’90s alt.rock/trip-hop crossover hit. But still, they haven’t been active for a long while, so it’s altogether a surprise that they’ve decided to release their “long lost” follow-up to Electric Larryland, the album that featured “Pepper”. For various reasons – label shenanigans etc – it wasn’t released in the form they wanted, with some songs reworked on the eventual next album Weird Revolution. Fans have known about The Last Astronaut, and heard leaked copies for decades, but now we’re getting it proper-like, and whaddayaknow, the second song they give us is alt rock/industrial punk with amen breaks, because jungle will never die. The break gets pretty nicely tweaked in the middle 8, while the guitar chugs along like a sped-up track from that Ministry album. Picastro – Fell The Family Tree [We Are Busy Bodies/Bandcamp] Liz Hysen’s band Picastro has been going for a very long time – since 1998 – with a changeable lineup that’s usually left-of-centre, featuring viola or cello (Hysen herself plays violin), with various luminaries of the Toronto scene involved, including Owen Pallett and Nick Storring. Hysen’s songs are often dark & creepy, often uncomfortably intimate, and the strings may be used atonally as often as they’re beautiful. It’s true to say that while every Picastro song sounds like Picastro, every Picastro album is different, and their forthcoming Double On Time may be more electronic, based on this lovely – and yes, creepy – first single “Fell The Family Tree”. Notable for us here at Utility Fog, the album is co-produced by Tim Condon of Fresh Snow, whose debut as Mirrored Silver Sea was a UFog fave in 2008, and who moved from Melbourne to Toronto not long after it was released. It’s great to hear his many contributions here alongside Liz Hysen’s singular vision. Carl Gari – Swim feat. Polygonia [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s to that label that Carl Gari now return for their self-titled album, forthcoming in June. This choppy beats of the second single are joined by multi-tracked vocals from Munich-based Polygonia, herself a producer of bass & other dancefloor music. james K – On God (Roza Terenzi Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Roza Terenzi is Katie Campbell, originally from Perth, then Melbourne, now Europe, also one third of trip-hop band trickpony. She takes the jangly indie song “On God” and dubs it out with vocal delays and chunkier beats – one of the best remixes of the set. Lyra Pramuk – Ending (Djrum Endless Rework) [7K/Bandcamp] The remix has in a sense always been at the heart of the work of operatically & classically-trained composer & producer Lyra Pramuk, whether it’s sampling and processing her own voice, or commissioning huge remix compilations as on 2021’s Delta. Last year she started her own label pop.soil, but simultaneously joined 7K (!K7‘s classical/ambient imprint that they’re back-referencing as 7Klassik), releasing the beautiful Hymnal in June. In June this year comes Hymnal (Resung), in which her voice and the strings of Sonar Quartett are remixed by seven of her colleagues – and who better than the classical-tuned beatmaster Djrum as the first to be released? dgoHn – I Couldn’t Remember So I Made Something Up [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! All signs point to Tessares being vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. I’m certain this will be a joy. SPECIAL REQUEST – Uncanny Valley (gyrofield remix) [Timedance/Bandcamp] When techno/tech house mainstay Paul Woolford unveiled his Special Request alter ego in 2012 with a series of 12″s and remixes, it was revolutionary not just for Woolford but for the nascent jungle revival, representing a new take on the ’90s jungle revolution, and pre-empting the still-current jungle revival by at least a couple of years (well it depends how you count it – Sully’s Blue double EP was 2014, despite the Bandcamp date). As you know, Woolford has used Special Request for all music of the hardcore continuum by now, but for Batu’s Timedance he’s dropped a piece of hardcoreish drum’n’bass. It’s backed by two remixes: Metrist‘s bass heavy slow-fast take and gyrofield‘s more abstracted weird-jungle. Weird dancefloors unite! los pulpitos – ii ii ii [Crammed Discs/Bandcamp] los pulpitos – Archipelago [Crammed Discs/Bandcamp] Since the early ’80s Belgian label Crammed Discs has been the home for postpunk and world music of all sorts as well as quite a lot of electronica. Techno & electronica producer Dirk Leyers here teams up with Felipe Salmon of Peruvian duo Dengue Dengue Dengue under the name los pulpitos (the little octopuses). Their debut EP Octopean Union from last year was a lovely piece of underwater electronica, combining techno & acid vibes with friendly drum’n’bass/jungle and those South & Central American percussive forms that Dengue Dengue Dengue nurtured. The new album Tentacletek is similarly-formed and both are absolutely lovely, just the right combo of dreamy & danceable. Appleblim – Thunderstorm [Sneaker Social Club/Bandcamp] Laurie Osborne as Appleblim was a key figure in the outward dissemination of dubstep with the Skull Disco label he ran with Sam Shackleton, twisting dubstep’s template to include technoid rhythms. Since then both artists’ oeuvres have turned sideways into other realms, but Appleblim’s always cleaved closer to the dancefloor. Here he’s joined with Sneaker Social Club for a third time, with melodic, hardware-driven rave tracks that float somewhere between drum’n’bass, 2-step, dubstep, weightless and some kind of acidic disco. Always brilliant. Rob Smith – Revolve (feat Tony Wrafter) [RSD Bandcamp] Here’s an unusual project for Rob Smith of Bristol trip-hop originals Smith & Mighty and junglists More Rockers. As RSD, Smith has also made forays into dubstep, indeed since early in the genre’s nascence, as well as dub more broadly. The makers of the underground film Urtobēn – Vienna’s illegal Artforms (more about graffiti and parkour activities than music itself) clearly felt RSD’s urban music styles suited the film’s aesthetic, and now he’s released the soundtrack on his Bandcamp, with tracks from many of his projects and a few fellow travellers. The previously-unreleased (I think!) jungle track I played tonight features trumpeter Tony Wrafter, a longtime Smith & Mighty fellow traveller, who’s also worked a lot with the On-U Sound stable. Ital Tek – Kill Switch [Planet µ/Bandcamp] I first played Alan Myson’s music as Ital Tek in 2007, pretty early in the dubstep’s expansion out from East London. He’d made a bit of breakcore/IDM before this, but his dubstep was quickly picked up by Mike Paradinas’ Planet µ, with all four tracks on the Blood Line EP certified bangers. He moved into a more purple phase, and via various other styles – some more ambient, some more industrial – we arrive at Mind Abandon. Here Myson is taking a bit more of a hardware approach, and again is mixing ambient with some more post-industrial expression, not exactly IDM or dubstep but not entirely separate either – especially the track I played tonight goes from punishing industrial bass into cyberpunk ambient synthesis. I’ve found for years now that Ital Tek albums don’t initially grab me, then I come back to them after a bit and I’m like What? This is fucking great. And yeah, this is great. An underrated talent, honestly. Jensen Interceptor – Flux Entrance [Peder Mannerfelt Produktion] Sydney-born producer Jensen Interceptor now finds himself based in Stockholm, so it makes sense that his last couple of EPs have been released by Pedder Mannerfelt‘s Produktion. Synthetic Seduction is definitely “future bass”, aimed squarely at the dancefloor; straightforward enough, but melodic and super bouncy. Rodja – Ajam (Version) [XCPT/Bandcamp] Pietro De Ruggieri is a producer from Mantera in Italy, releasing music as Rodja, which suggests a particularly Aussie pronunciation of “Rodger”, but presumably isn’t. De Ruggieri has spent some time in Tehran, and some of the music on his new album Third Force was produced there. It’s a phenomenal set of dub techno and other dubby bass music, with slippery production but emphatic beats, beautifully textured. Recommended. Paperclip Minimiser – TT A1 [Blank Mind/Bandcamp] Speaking of pitch-perfect updated dub techno, John Howes’ Paperclip Minimiser has the goods. This is far more ascetic than Rodja, a sound that will be familiar if you checked out Howes’ second album on Peak Oil a few weeks ago. Brilliant. Ptastvo – Bowls With Souls [I Shall Sing Until My Land Is Free/Bandcamp] Ukrainian label I Shall Sing Until My Land Is Free (based, with its progenitors, in Berlin since Russia’s war) here brings an album from Volodymyr Ponikarovskyi aka Ptastvo, who uses found sounds along with electronics and musical instruments to evoke the feeling of imbalance and the heightened emotions of living in wartime. It’s impressively varied music, and even at its most electro-acoustic (e.g. the literal metal bowls sampled on “Bowls With Souls”) it retains a connection to dance music, or at least music with beats. Quite an epic journey, one to listen to on a nighttime drive perhaps – or lie back and listen on headphones wherever you are. Bobby Ingham – Easy Mush [Sneaker Social Club/Bandcamp] Bobby Ingham – I Feel So Good I Swear I Could Fly [Sneaker Social Club/Bandcamp] On Angel of the North, released on Low End Activist‘s Sneaker Social Club, Leeds-born interdisciplinary artist Bobby Ingham echoes the label boss’s excavation of his Oxford council estate origins, featuring Ingham’s grandmother and Ingham’s own spoken word, with spookily discordant synths and fragmented rhythms tracing a skeleton of UK bass music, from grime to r’n’b-laced trip-hop. Berndt / Schmidt – Gecko Lazzaro [Thrill Jockey/Bandcamp] Drew Daniel, one half of Matmos, is quite prolific outside of the beloved duo, with a varied solo career as The Soft Pink Truth as well as various collaborations. It’s less common to hear solo or other non-Matmos music from Drew’s partner Martin M.C. Schmidt, so the new album Cloud Machines, which finds Schmidt working with Baltimore experimental mainstay John Berndt, should make us sit up and listen. The humour and weirdness of Matmos is very much present, but its exploratory sound – from the first couple of singles – takes in Krautrock studio experimentation, postpunk out-rock and any other leftfield musical non-traditions. Harrington, Jaffe, Shiroishi – FRACTAL HASH [AKP Recordings/Bandcamp] Via LA label AKP Recordings, Making Colors is the second improvised wonder from three talented musicians who work comfortably across genres. Dave Harrington may be best known for his collaboration with Nicolas Jaar, Darkside, Max Jaffe for the art rock/avant-pop of JOBS and drumming in Amirtha Kidambi’s Elder Ones, and Patrick Shiroishi for his solo saxophone & sound-art as well as hardcore punks The Armed, contemporary music ensemble Wild Up and much more. This spontaneous music can sound like postrock at one time, then free jazz or psychedelic noise, or ambient, all filtered through electronic processing. Rad. Adam Schatz – A Voice Screaming All Aboard (feat. Carmen Quill) [Jealous Butcher Records/Bandcamp] Speaking of jazzers in smudged genres, Adam Schatz is a saxophonist and keyboard player who’s played with prominent indie artists like Japanese Breakfast, This Is The Kit and many others, and his Civil Engineering Vol. 1 is an enjoyable selection of melodic jazz made even better with the double bass of Carmen Quill on most tracks, and Dawn of Midi drummer Qasim Naqvi on a couple too. Purelink & Rainy Miller – Barrons Hotel (I, To, Thee.) [Fixed Abode] Arriving with no fanfare or explanation is this 2-tracker from Manchester producer/singer/iconoclast Rainy Miller, on his Fixed Abode imprint, collaborating with US electronica trio Purelink. Gorgeous smeared electronics with Rainy Miller’s typically morose, yet cutting, work. Listen again — ~222MB

Kak Sinah berkongsi kisah misteri sebuah rumah batu di Taiping yang pernah didiami oleh paklongnya. Dengan sewa yang terlalu murah dan suasana yang sunyi mencurigakan, rumah itu rupanya menyimpan sejarah hitam pembunuhan kejam melibatkan seorang dukun.See omnystudio.com/listener for privacy information.

Kencan Dengan Tuhan - Rabu, 25 Maret 2026Bacaan: "Sebab penderitaan ringan yang sekarang ini, mengerjakan bagi kami kemuliaan kekal yang melebihi segala-galanya, jauh lebih besar dari pada penderitaan kami." (2 Korintus 4:17)Renungan: Suatu hari seseorang bermimpi bertemu Tuhan. Tuhan bertanya, "Mengapa engkau bersedih?" Orang itu menjawab, "Tuhan, hidupku penuh dengan penderitaan, rasanya aku tidak dapat menatap hari esok." Lalu tuhan duduk di sampingnya, meraih tangannya dengan penuh kasih dan berkata, "Biarkan Aku menjelaskan padamu dan engkau akan mengerti. Setiap penderitaan merupakan batu pijakan yang harus engkau tapaki setiap hari. Setiap kali engkau melalui sebuah penderitaan, itu merupakan batu pijakan yang akan membawamu naik lebih tinggi. Jalan kehidupan bagaikan perjalanan mendaki sebuah gunung. Ada batu-batu terjal berupa kesulitan dan penderitaan yang harus dijadikan tempat berpijak. Ketika engkau mengalami masalah, Aku Sang Batu Karang akan menopangmu. Setiap batu pijakan yang engkau lalui akan membuat jiwamu semakin kuat. Memang batu-batu itu cukup banyak dan terasa menyakitkan, tapi karakter dan imanmu akan terbentuk. Aku tahu bahwa engkau lelah, karena Akupun sudah melalui jalan ini dan Aku meninggalkan kisah perjalananku agar engkau tetap kuat. Tetaplah mendaki dengan tekun ke tempat yang penuh kemuliaan. Ingatlah, bahwa Aku menyertai langkahmu." Jika saat ini kita sedang melalui batu-batu terjal berupa penderitaan, tekanan, aniaya, cemooh, penyakit, ketidakadilan dll, jadikan itu sebagai batu pijakan dan bukan batu sandungan. Banyak orang percaya yang tersandung, jatuh dan tidak mau bangkit lagi karena menilai kesulitan hidup dengan cara penilaian mereka sendiri dan bukan dengan cara penilaian Tuhan. Pegang erat janji Tuhan dan jangan lagi menganggap janji-janji Tuhan sebagai cerita dongeng belaka. Mereka yang percaya pada tuntunan, penyertaan dan pertolongan Tuhan akan mengalami kuasa-Nya. Pergumulan hidup hendaknya menjadi batu pijakan yang harus anda lalui untuk naik lebih tinggi. Jangan menyerah ketika beban hidup terasa semakin berat. Di saat kita tidak berdaya, pandang Yesus Sang Batu Karang kehidupan di mana kita bisa berlindung dan mengalami kemenangan. Tuhan Yesus memberkati.Doa:Tuhan Yesus, aku bersyukur karena Engkau mau menjadi batu karang dalam kehidupanku. Ada begitu banyak batu-batu kerikil yang harus kulalui dalam perjalanan hidup ini. Terkadang aku tidak sanggup untuk melaluinya. Tapi aku bersyukur karena Engkau telah lebih dulu menjalaninya, sehingga kalau saat ini aku menjalaninya, Engkau dapat memberi kekuatan khusus kepadaku. Berilah Roh kekuatan Mu ya Yesus, sehingga aku dapat melalui perjalanan hidupku ini dengan tetap setia memegang tanganMu sampai aku tiba pada kesudahannya dan berkumpul bersamaMu di surga. Amin. (Dod).

Impor batu bara kokas dari AS dinilai sebagai langkah strategis untuk mengamankan pasokan bahan baku vital demi memperkuat industri baja dan mempercepat transformasi industri nasional.

Syalom Keluarga Damai! Sapaan Damai Sejahtera atau disingkat SAMAS merupakan sebuah renungan singkat yang tayang setiap hari Senin-Sabtu. SAMAS tidak hanya dibawakan oleh pendeta/hamba Tuhan, tetapi juga akan dibawakan oleh siapapun yang ingin berbagi sapaan Tuhan kepada dirinya. Semoga kita dapat menemukan damai sejahtera yang datangnya dari sapaan Tuhan kepada setiap kita melalui SAMAS ini. Tuhan Yesus memberkati!

Setiap musim hujan tiba, wajah jalanan di berbagai daerah kembali berubah, lubang-lubang bermunculan baik kecil maupun besar, dan ini membahayakan keselamatan bagi para pengendara.

AMAZING GRACE PROGRAM - PS. TIMOTHY ROY, M.A., D.Min., Ph.D - GEREJA KRISTUS PENEBUS

Soal kasus lemparan batu yang meresahkan pengendara di Tol Solo-Jogja ini menjadi perhatian publik.

Kedua belas batu yang diambil dari sungai Yordan itu ditegakkan oleh Yosua di Gilgal.

Kedua belas batu yang diambil dari sungai Yordan itu ditegakkan oleh Yosua di Gilgal.

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Contemporary/Be Bop/Samba/Neo/Soulful Jazz Trax From Art Blakey & The Jazz Messengers, Yussef Dayes, Babatunde Lea, Ithamara Koorax, Belmonte & His Afro Latin Seven, Hilario Duran, Two Soul Fusion, The Invisible Session, Batu, Tom Lellis & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop #bossanova Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

The crew has made it to Vasca's office, however the job is far from over.

Pembawa Renungan : Reynold Vincent Lektor : Neny Paroki Gembala Baik, Batu, Jawa Timur Mat 21:28-32

Selangor is running out of landfill space, and the state's solution is a large waste-to-energy incinerator proposed for Batu Arang. But thousands of residents who are living near schools, homes, and even old coal-mining tunnels there, say the risks are far too high. To help us make sense of what's happening, we speak to Abdul Hanan Bin Abd Mokti and Pauline Puah, both spokespeople from Jaringan Rawang Tolak Incinerator, who have been at the forefront of this fight. They share how they've faced silence from the authorities on their concerns, what the project means for the community, and why they believe there must be a safer way forward.See omnystudio.com/listener for privacy information.

Heute ist Kochtag. Esra, ihr großer Bruder Batu und ihre Mama kochen zusammen. "Ich bin schließlich kein Hotel", hat Mama sich mal beschwert. Da haben sie zusammen den Kochtag erfunden. Als Mama sich verspätet, machen Esra und Batu den Pfannkuchenteig ohne sie. "Wie geht das noch mal?", fragt Batu und hält ein Ei in die Luft. (Von Sabine Westermaier mit Elif Esmen)

Puzsér Róbert és Farkas Attila Márton beszélgetése az Ingában.

Puzsér Róbert és Farkas Attila Márton beszélgetése az Ingában.

There are few names as widely loved in clubland as Bristol-based producer Omar McCutcheon, AKA Batu. His label Timedance, currently celebrating its ten-year anniversary, has been instrumental in shaping a certain corner of contemporary electronic music. It champions a mutant, rhythmic, UK-flavoured sound that escapes any obvious genre touchstones, as well as spotlighting the careers of artists like Verraco, Ploy and Hodge who push musical and cultural boundaries. In this Exchange, McCutcheon sat down with Resident Advisor's editor, Gabriel Szatan, in London to reflect on the label's Afrofuturist philosophy, its journey over the past decade and the sense of purpose and direction that have developed over time. He spoke about the impact that scenes beyond the UK—such as China, South Africa, Brazil and Mexico—have had on his productions and label curation, and how they offer fresh perspectives that contrast with Europe's sometimes overly nostalgic take on dance music. He also discussed finding positivity in a dark time, and music's enduring potential to inspire and connect.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. 444 Falunap itt. Batu, a fideszes békeharcos. Kónya Endre személyes brandje. Vadkárellenesek fenyegetik a gyerekeinket. Nyílt csalás Tiszaburán. Erőfelmérés október 23-án. Sörkorrupció. Melyik Rogán-feleség a rendszer legnagyobb nyertese? 00:21 Egy hét Belzebub-vád nélkül. Kónya Endre: Vesszőfutás. Orbánba rúgás nobelileg. Te se láttad a Batu Kán filmet?05:12 Batu, a békeharcos. Dszingisz a vérontás ellen. Életvezetési tanácsok IV. Bélának.09:38 Szolgálati közlemény: 444 falunap plovval. A tádzsik plov. A kazán etimológiája. Az a jó baath sajttorta.16:10 Napkelte-modell az Ayingerrel. Az alkoholmentes Guinness. Guinness a Netflixen.20:58 Koreai kulináris osztályharc.23:40 A Brewdog faültetése. A Teneré fa.26:54 Vízmentes pisi az A38-on. Masters of Reality.30:46 Sikeres volt Pécsetten a vadkárellenes tüntetés. Gulyás Gergely magyarázata. Lázár János sopánkodása.36:11 A jogászkodó autokrácia kiskaput talál az ellenfeleinek. Mekkora kisebbség kell egy választási autokráciához? És mekkora többség az eltakarodáshoz?41:32 A rendszernek el kell fáradnia. Mi számít győzelemnek október 23-án?46:14 Kelet-Európa bekopog Von der Leyenhez. A maradék Európa szétverése.48:39 Melyik Rogán-feleség a rendszer győztese? Az ulánbátori nagykövet.See omnystudio.com/listener for privacy information.

There are few names as widely loved in clubland as Bristol-based producer Omar McCutcheon, AKA Batu. His label Timedance, currently celebrating its ten-year anniversary, has been instrumental in shaping a certain corner of contemporary electronic music. It champions a mutant, rhythmic, UK-flavoured sound that escapes any obvious genre touchstones, as well as spotlighting the careers of artists like Verraco, Ploy and Hodge who push musical and cultural boundaries.In this Exchange, McCutcheon sat down with Resident Advisor's editor, Gabriel Szatan, in London to reflect on the label's Afrofuturist philosophy, its journey over the past decade and the sense of purpose and direction that have developed over time. He spoke about the impact that scenes beyond the UK—such as China, South Africa, Brazil and Mexico—have had on his productions and label curation, and how they offer fresh perspectives that contrast with Europe's sometimes overly nostalgic take on dance music. He also discussed finding positivity in a dark time, and music's enduring potential to inspire and connect. Hosted on Acast. See acast.com/privacy for more information.

There are few names as widely loved in clubland as Bristol-based producer Omar McCutcheon, AKA Batu. His label Timedance, currently celebrating its ten-year anniversary, has been instrumental in shaping a certain corner of contemporary electronic music. It champions a mutant, rhythmic, UK-flavoured sound that escapes any obvious genre touchstones, as well as spotlighting the careers of artists like Verraco, Ploy and Hodge who push musical and cultural boundaries. In this Exchange, McCutcheon sat down with Resident Advisor's editor, Gabriel Szatan, in London to reflect on the label's Afrofuturist philosophy, its journey over the past decade and the sense of purpose and direction that have developed over time. He spoke about the impact that scenes beyond the UK—such as China, South Africa, Brazil and Mexico—have had on his productions and label curation, and how they offer fresh perspectives that contrast with Europe's sometimes overly nostalgic take on dance music. He also discussed finding positivity in a dark time, and music's enduring potential to inspire and connect.

Kencan Dengan Tuhan - Sabtu, 20 September 2025Bacaan: "Berbahagialah orang yang bertahan dalam pencobaan, sebab apabila ia sudah tahan uji, ia akan menerima mahkota kehidupan yang dijanjikan Allah kepada barangsiapa yang mengasihi Dia." (Yakobus 2:22)Renungan: Ada seorang pria melintasi padang gurun dan ia melihat tunas kelapa yang muncul di permukaan bumi. Ia pun mengangkat sebuah batu besar lalu meletakkannya tepat di atas kelapa yang sedang bertunas tadi. Sambil tersenyum puas, pria itu pergi. Meskipun sang kelapa telah berusaha sekuat tenaga untuk menyingkirkan batu itu, namun batu itu tidak bergerak sedikitpun. Satu-satunya cara agar ia tetap tumbuh, ia menancapkan akar akarnya ke bawah sampai mencapai sumber air yang cukup untuk pertumbuhannya. Semakin hari akar-akarnya semakin kuat dan iapun berhasil tumbuh dengan meliukkan tunasnya untuk menghindari batu tersebut. Beberapa tahun kemudian, pria tersebut kembali untuk memastikan pohon kelapa itu sudah mati. Ketika ia sedang mencari-cari, sebuah kelapa yang sangat tinggi menyapanya sambil berkata. "Aku ingin berterima kasih kepadamu atas batu besar yang kau letakkan di atasku dulu. Batu itulah yang telah menyemangati aku untuk terus bertumbuh dengan berbagai cara. Hasilnya sekarang aku menjadi pohon kelapa tertinggi di tempat ini." Seringkali kita berdoa dan meminta kepada Tuhan agar Ia mengangkat masalah dan beban yang menekan kita, tetapi jarang kita minta agar Tuhan memberikan kekuatan dan kemampuan ekstra untuk dapat menanggung beban dan masalah kita. Akibatnya ketika kita tidak merasa mampu lagi menanggung beban itu, iman kita menjadi lemah dan kita mulai kecewa terhadap Tuhan. Sebenarnya tahan atau tidaknya kita dalam tekanan, terletak pada cara kita menyikapi tekanan tersebut. Orang yang mau maju tidak akan pernah memandang tekanan sebagai beban berat yang akan menyebabkannya jatuh. Sebaliknya ia akan memandang itu sebagai pendorong semangat untuk berusaha dan terus bertekun. Jangan selalu meminta agar Tuhan mengangkat beban kita, tetapi mintalah kekuatan untuk dapat bertahan dan menang atas setiap tekanan yang ada, maka iman dan kepribadian kita akan semakin didewasakan. Tuhan Yesus memberkati.Doa:Tuhan Yesus, aku tidak meminta agar Engkau mengangkat beban hidupku, tetapi berilah aku kekuatan untuk menanggungnya. Karena kalau Engkau mengizinkan beban dan permasalahan terjadi dalam hidupku, itu artinya Engkau sedang membentuk aku menjadi pribadi yang kuat dan tahan uji. Amin. (Dod).

In Hebrew, בטח or בטוח – “sure” or “for sure” – are words we hear a lot on the Israeli streets, so we need to know how to use them properly. Guy does some excavation work so we can see where this root, בטח comes from. Hear the All-Hebrew Episode on Patreon   New Words and Expressions: “Israel betach be-elokim” – People of Israel have faith in God – ישראל בטח באלוקים Livto'ach be-mishehu – To trust in someone – לבטוח במישהו Batu'ach – Safe, secure – בטוח Ani margish batu'ach – I feel safe – אני מרגיש בטוח Batu'ach – For sure, sure thing – בטוח Betach she-agi'a – Sure I'll come – בטח שאגיע Bitu'ach – Insurance – ביטוח Levate'ach – To insure – לבטח Polisat bitu'ach – Insurance policy – פוליסת ביטוח Bitu'ach leumi – Social security – ביטוח לאומי “Bi-mdinat Israel kol talmid mevutach be-polisa shenikret polisat talmidim” – In the state of Israel every student is insured with a policy called student insurance policy – במדינת ישראל כל תלמיד מבוטח בפוליסה שנקראת פוליסת תלמידים “Hivtachtem yona, aleh shel zayit, hivtachtem shalom ba-bayit” – You promised a dove, an olive leaf, you promised peace at home – הבטחתם יונה, עלה של זית, הבטחתם שלום בבית Lehavti'ach – To promise – להבטיח Havtachot tsarich lekayem – One needs to keep promises – הבטחות צריך לקיים Bitachon – Security – ביטחון Ish bitachon – Security person – איש ביטחון Bitachon atsmi – Self confidence – ביטחון עצמי “Eich lechazek et ha-bitachon ha-atzmi” – How to strengthen self confidence – איך לחזק את הביטחון העצמי Misrad habitachon – Ministry of defence – משרד הביטחון Sherut ha-bitachon ha-klali – The Israeli internal security service – שירות הביטחון הכללי, שב”כ Betichoot – Safety – בטיחות Daf hanchayot ha-betichoot – The safety information card – דף הנחיות הבטיחות Betichoot ba-drachim – Road safety – בטיחות בדרכים Hagorat betichoot – Safety belt – חגורת בטיחות   Playlist and Clips: Kobi Peretz & Of Simches – Israel (lyrics) Regev Hod – Margish Batu'ach (lyrics) Mosh Ben-Ari – Betach She-Avo (lyrics) Insurance ad Bituach talmidim – Students insurance Lahakat Hel Hinuch – Horef 73 (lyrics) Bitachon atsmi – Self confidence Up airline – Safety instructions clip

MECÁNIKO guest mix + new music from FJAAK + J.MANUEL, BATU, HODGE, XTCLVR + more, on this ABSTRACT SCIENCE podcast, hosted by CHRIS WIDMAN. Chicago-based duo of J.CÓRDOVA + LIQUID CITY MOTORS deliver a guest mix as MECÁNIKO, beginning the program with a set of afro-latin club + uk bass hybrids. WIDMAN follows with techno,... The post absci radio 1378 – mecániko + chris widman appeared first on abstract science >> future music chicago.

Seven and a half exhilarating hours from one of modern club's sharpest. Tim Reaper's mammoth entry for RA.1000 is all about range. You thought the Future Retro London boss was just a jungle and hardcore head? Think again. The mix's infinite-scroll tracklist (the longest we've ever published in full!) includes a who's who of top-rate producers, from A Guy Called Gerald and Cari Lekebusch to Batu, Mia Koden and the one and only Shackleton. Opening with weighty grime and ending on head-spinning drum & bass, the mix journeys through US club, wobbly dubstep, classic techno and, of course, many shades of jungle. Rather than go the easy route, the Londoner approached the assignment with the curiosity, integrity and vulnerability of fellow shapeshifters like dBridge, Calibre and ASC. "The idea was to represent other styles of electronic music that I've been a bit self-conscious about openly expressing my interest in," he told RA. RA.1000 isn't just another side of Tim Reaper's artistry—it's a full and verdant spectrum. And thankfully for us, it feels like only the beginning. @tim-reaper Find the interview and tracklist at ra.co/podcast/1012. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

Once A DJ is brought to you by:https://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsPatrick Forge shares his journey through the evolution of club culture in London, the rise of acid jazz, and the emergence of broken beat as a new genre. Patrick reflects on the significance of venues like Dingwalls and the impact of record labels in promoting new music. He also highlights the legacy of artists like Jamiroquai and the rapid changes in music during the 90s, emphasizing the importance of celebrating lesser-known musicians and producers. In this conversation, Patrick Forge shares his journey through the evolution of DJ culture, the birth of the broken beat scene, and his experiences with the band Batu and the project Delata. He reflects on his time in Japan, the challenges of being a single parent while maintaining a career in music, and his excitement for a new Da Lata album that showcases a more cohesive sound. Patrick also discusses the importance of understanding the audience as a DJ and the joy of playing music that resonates with both him and his listeners.Mentioned in this episode:Reissued classics from Be With RecordsGet 10% off at bewithrecords.com using the code ONCEADJ

Following the death of Berke, the Quriltai chooses Batu's grandson Mongke Temur as the new khan.

Host Michael Litten, welcomes the highly acclaimed recording and performing artist Batu Akdeniz to Ride the Vibe where he shares a number of his original recordings. He and his guitarist Che also share insights gleaned from their visit to the US, performances, recordings, and life with treasured friends. They also perform two of their songs live in the Sandbox Studio South. Sponsored by www.drinkmate.us  Special thanks to Lucy Piller www.allrightnow.com for the introduction to Batu A heart felt thank you to my good friend Peter Perkins for the use of his great song "Better Late Than Never" for our intro/outro. 

New music from DJ HANK, OYUBI, BROKEN LIP, UNDULAE, SURGEON, BATU + more on this ABSTRACT SCIENCE podcast, hosted by BILL BEARDEN aka WHOA-B + CHRIS WIDMAN. BILL begins the program with a 160 bpm grab-bag set of footwork, juke + jungle hybrids. WIDMAN follows with a mix of 2 step, techno, electro + breaks,... The post absci radio 1369 – whoa-b + chris widman appeared first on abstract science >> future music chicago.

Club futurism and a stack of new material from one of São Paulo's boldest shapeshifters. BADSISTA doesn't do stasis. In fact, he prefers to be in a constant state of motion. It was immediately obvious when the São Paulo artist broke out with his 2016 self-titled EP, in which a bass-heavy melange of baile funk, dembow and trap demonstrated an ability to satiate almost any dance floor. But BADSISTA continued to evolve through the different moods and textures of the club: from experimental compositions with Brazilian trans icon Linn Da Quebrada to ballroom bass and heads-down funk shellers for TraTraTrax. This RA Podcast finds BADSISTA in a fluid place once more. The mood starts out slow and moody—one of a slew of unreleased BADSISTA tracks—before seamlessly morphing into the soul-stirring synthwork of Al Lover Meets Cairo Liberation Front. Then he gets playful: tasteful, techy house morphs into smutty baile funk. (And as for the guests, look out for Sully's "XT" and a spicy Batu rework.) BADSISTA's style is connected by a uniquely Latin sense of rhythm and groove. Here, dramatic synths build up to even more dramatic funk crescendos. Perreo rattles appear in and out of the mix, as if acting as a reminder for people to move. But really, above all, this mix radiates with aliveness. When you whittle it down to the bare essentials, all that matters is the joy and connectivity you feel within yourself and the world around you. BADSISTA is an excellent facilitator, and you'll hear as much on RA.991. @badsista Find the interview and tracklist at ra.co/podcast/991

Mikhail of Chernihiv, the Grand Prince of Kyiv and Prince of Chernihiv, went to several neighboring states to ask for help fighting the Golden Horde -- he had the idea that there would be strength in alliance -- but nobody would help, on account of they were too busy fighting each other, and also the Mongols had not actually gotten to their houses yet, so why should they care. Then the Golden Horde destroyed Kyiv, and told Mikhail he had to come give obeisance to Batu Khan, and he did that, but he wouldn't worship idols, which was part of the deal, so the Golden Horde executed him. And then he pretty quickly became venerated, and then a saint as a martyr, and his relics were taken to Chernihiv but now they are in Moscow. Besides all that, MIchelle is totally impressed by the number of his vitae surviving. Also that Batu Khan is connected to Russian Atlantis. Also there is a kangaroo. (Spoiler alert: the Golden Horde did in fact get to those other neighboring states, after they had finished looting Kyivan Rus.)

Yeni bir macerada Prenses Selinay ve can dostu Albatros Ros cesur olmak isteyen Batu'ya yardım ederken kendilerine neyin cesaret verdiğini de düşünme şansı bulurlar. Yol'da olmak, kendini tanımak, kendi değerini bilmek gibi temaların da ele alındığı bu uyku hikayemiz uykuya dalmayı kolaylaştıran müziğiyle beraber 50 dakika sürüyor. Heyecan unsurları taşıyan hikayemiz ilk otuz dakikasında dinleyenlere tatlı bir macera yaşatıyor ve son 20 dakikasında dinleyenleri adım adım uykuya hazırlıyor.

Batu continues his campaign westwards. Despite winning his battles, circumstances force him to return to the Volga to consolidate his rule.

Palestra realizada no dia 30/11/2023 no Grupo da Fraternidade Espírita Irmão Batuíra, em São Carlos/SP.

Batu continues his western campaigns and brings about the end of Rus.

Audio Siar Keluar Sekejap Episod 136 antaranya membincangkan jawapan Dato' Seri Anwar Ibrahim dalam Waktu Pertanyaan Perdana Menteri (PMQT) di Dewan Rakyat semalam serta sidang media Tun Mahathir tentang dapatan RCI Pulau Batu Puteh. Keluar Sekejap turut mengulas tentang pindaan RUU Komunikasi dan Multimedia 2024 yang telah diluluskan, cukai taksiran PBT Selangor yang telah dinaikkan dan skandal rasuah Sabah yang hangat dibincangkan oleh orang ramai. Dalam segment antarabangsa, Keluar Sekejap menyentuh tentang darurat tentera yang berlaku di Korea Selatan dan rejim Assad tumbang selepas hampir lima dekad berkuasa. Bagi yang berminat menaja episod Keluar Sekejap untuk 2025, boleh hubungi +601119191783 atau emel kami di tajaan.ks@gmail.com.

Audio Siar Keluar Sekejap Episod 135 bersiaran luar di Malaysia International Trade and Exhibition Centre (MITEC) bersempena Kuala Lumpur International Mobility Show (KLIMS) 2024 membincangkan isu serta dasar-dasar berhubung mobiliti di Malaysia antaranya pelaksanaan sistem Aliran Bebas Pelbagai Lorong (MLFF), cadangan e-hailing motosikal dan isu kemalangan jalan raya. Dalam segmen isu-isu semasa, Keluar Sekejap menyentuh berkenaan pendakwaan ke atas pengasas FashionValet berhubung dana pelaburan Khazanah dan PNB, afidavit Dato' Nizar Najib berkenaan titah addendum tahanan rumah bapa beliau serta syor Suruhanjaya Siasata Diraja (RCI) Batu Puteh untuk mengambil tindakan jenayah ke atas Tun Mahathir. Keluar Sekejap juga turut mengulas berkenaan kenyataan Presiden UMNO yang terbuka menerima bekas pemimpin UMNO untuk kembali menyertai parti tersebut. Setiap pengunjung KLIMS 2024 yang berlangsung di MITEC sehingga 11 Disember 2024 berpeluang memenangi pelbagai hadiah menarik antaranya sebuah Toyota Yaris atau Perodua Axia dengan setiap pembelian tiket masuk berharga RM25.00. Selain itu, pengunjung juga boleh memenangi kad Touch n Go edisi khas KLIMS 2024 dengan memuat naik gambar di Instagram atau Facebook*. *tertakluk kepada terma dan syarat Bagi yang berminat menaja episod Keluar Sekejap untuk 2024, boleh hubungi +601119191783 atau emel kami di tajaan.ks@gmail.com.

Ülker'in katkılarıyla hazırlanan Socrates FC'de bu hafta İnan Özdemir, İlhan Özgen ve Buğra Balaban sizlerle birlikte. Bu bölümün açılışını ofisteki dergi hazırlama heyecanı ve telaşıyla açıyoruz. Biraz dergi nostaljisi yaptıktan sonra geçtiğimiz haftaki en sevdiğimiz konsol oyunları takımları konusuna uzanıyor ve sizden gelen yanıtları konuşuyoruz. Adriano'nun 99 şut gücüne sahip olduğu PES 6, futbol oyunlarındaki Milan etkisi, İlhan Özgen'in devrimsel 2-6-2 dizilişi, Atahan'ın oyunlardaki hırsı ve Doğubank'tan alınan Playstation, bu kısımdaki başlıca konularımız arasında. Jake Paul ile Mike Tyson arasındaki maçı konuşup maça sallamamızın ardından Çizi Çıtır'la Haftanın Olayı'na geçiyoruz. Haftanın olayını konuşurken Atahan'ın baskınıyla karşı karşıya kalıyor, çiçeği burnunda baba Atahan'a oğlu Batu'yu soruyoruz. Sarıyer'in Altay karşısındaki 5-1'lik zaferi, Sarıyer'in liderliği, Türkiye-Galler maçı, Kerem Aktürkoğlu'nun kaçırdığı penaltı, İnan'ın Curry'ye serbest atış kaçırtması, Murat Kosova nostaljisi, Vincenzo Montella için yapılan ayrılık iddiaları ve Roma'nın teknik direktör harcamaları bu bölümü kaplıyor. İlhan Özgen'in çağrısı sonrası geri dönen Pitbull, Cristiano Ronaldo'nun sürpriz YouTube konuğu, uçakta okuduğu o kitap, “Hangisi Yanlış?” oyunu… Hepsi ve daha fazlası bu bölümde!

Send a Message to the TeamThe team examines a fork where Batu Khan decides to take over the unified Mongol Empire when it is offered to him, instead of deferring to another leader.  Panel: Chris and Dylan  You can follow and interact with A Fork In Time on…. Discord: https://discord.com/invite/xhZEmZMKFS Facebook: https://www.facebook.com/aforkintime Twitter: @AFITPodcast Our YouTube Channel If you enjoy the podcast and want to support it financially, you can help by: Supporting us monthly via Patreon: https://www.patreon.com/aforkintime ....or, make a one-time donation via Podfan to A Fork In Time Website: www.aforkintimepodcast.com E-Mail: aforkintimepodcast@gmail.com Theme Music: Conquer by Shane Ivers - https://www.silvermansound.comSupport the show