Podcasts about Palio

Fluent Fiction - Italian: Siena's Secret Wonders: Capturing the Heart of the Palio Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-03-15-07-38-19-it Story Transcript:It: La piazza del Campo era un vortice di colori e suoni, piena di gente che si preparava per il Palio di Siena.En: La piazza del Campo was a whirl of colors and sounds, full of people preparing for the Palio di Siena.It: Le bandiere sventolavano nel vento primaverile, e l'aria profumava di caffè e dolci.En: Flags fluttered in the spring breeze, and the air smelled of coffee and sweets.It: Gianna era seduta a un tavolino all'aperto di un caffè, osservando la scena con occhi sognanti.En: Gianna was sitting at an outdoor table of a café, watching the scene with dreamy eyes.It: La sua passione era l'arte, e Siena era la sua musa.En: Her passion was art, and Siena was her muse.It: Luca, un fotografo in cerca di ispirazione, camminava nella piazza con la macchina fotografica pronta.En: Luca, a photographer in search of inspiration, was walking through the square with his camera ready.It: Proveniva da Roma, sperando di trovare storie autentiche e affascinanti.En: He came from Roma, hoping to find authentic and fascinating stories.It: Si fermò accanto al caffè e notò Gianna, concentrata su un blocco da disegno.En: He stopped next to the café and noticed Gianna focused on a sketchpad.It: "Che cosa stai disegnando?"En: "What are you drawing?"It: chiese Luca, avvicinandosi con curiosità.En: Luca asked, approaching with curiosity.It: Gianna sollevò lo sguardo, sorpresa.En: Gianna looked up, surprised.It: "Sto disegnando la piazza.En: "I am drawing the square.It: Voglio catturare l'atmosfera dell'attesa per il Palio."En: I want to capture the atmosphere of anticipation for the Palio."It: Aveva sempre mostrato cautela verso gli estranei, ma qualcosa in Luca sembrava diverso.En: She had always been cautious with strangers, but something about Luca seemed different.It: "Anche io voglio catturare questo momento," disse Luca, mostrando la sua macchina fotografica.En: "I also want to capture this moment," said Luca, showing his camera.It: "Ma spesso mi sento un po' fuori posto.En: "But I often feel a bit out of place.It: La cultura qui è così ricca.En: The culture here is so rich.It: Non è facile comprenderla a fondo da outsider."En: It's not easy to fully understand it as an outsider."It: Gianna annuì lentamente.En: Gianna nodded slowly.It: "Forse posso aiutarti.En: "Maybe I can help you.It: Ci sono meraviglie nascoste che i turisti non vedono."En: There are hidden wonders that tourists don't see."It: Quel pomeriggio, Gianna portò Luca attraverso le stradine di Siena, lontano dalla folla.En: That afternoon, Gianna took Luca through the little streets of Siena, away from the crowd.It: Visitando i piccoli angoli della città, parlavano della loro arte e dei loro sogni.En: Visiting the small corners of the city, they talked about their art and dreams.It: "Ho avuto collaborazioni fallite in passato," ammise Gianna, "mi rende cauta."En: "I've had failed collaborations in the past," Gianna admitted, "it makes me cautious."It: "Capisco.En: "I understand.It: La fiducia è difficile da costruire."En: Trust is hard to build."It: Luca abbassò la macchina fotografica e la guardò negli occhi.En: Luca lowered his camera and looked her in the eyes.It: "Ma sono aperto a nuove idee e storie."En: "But I am open to new ideas and stories."It: Arrivarono in cima a una collina che offriva una vista mozzafiato sulla città.En: They arrived at the top of a hill offering a breathtaking view of the city.It: Il sole tramontava, dorando i tetti di Siena.En: The sun was setting, gilding the roofs of Siena.It: "Grazie per avermi mostrato la vera Siena," disse Luca, emozionato.En: "Thank you for showing me the real Siena," Luca said, moved.It: "È bello avere qualcuno con cui condividere queste cose," rispose Gianna, sentendo una nuova fiducia crescere.En: "It's nice to have someone to share these things with," Gianna replied, feeling a new trust growing.It: In quel momento, decisero di unire le forze, combinando la pittura di Gianna con la fotografia di Luca.En: In that moment, they decided to join forces, combining Gianna's painting with Luca's photography.It: Avrebbero creato un progetto che parlasse al cuore della cultura senese.En: They would create a project that spoke to the heart of Senese culture.It: Con il vento che ancora portava l'eco delle risate dalla piazza, Gianna e Luca si resero conto di aver trovato più di un semplice partner creativo.En: With the wind still carrying the echo of laughter from the square, Gianna and Luca realized they had found more than just a creative partner.It: Avevano scoperto una connessione autentica che dava forma ai loro sogni, e ora, guardavano al futuro con speranza e fiducia rinnovate.En: They had discovered an authentic connection that gave shape to their dreams, and now, they looked to the future with renewed hope and confidence. Vocabulary Words:the whirl: il vorticethe atmosphere: l'atmosferathe anticipation: l'attesathe square: la piazzathe sketchpad: il blocco da disegnothe hill: la collinathe sunset: il tramontothe rooftops: i tettithe laughter: le risatethe muse: la musathe photographer: il fotografothe breeze: la brezzathe echo: l'ecothe faith: la fiduciathe collaboration: la collaborazionethe culture: la culturathe wonder: la meravigliathe trust: la fiduciathe connection: la connessionethe crowd: la follafascinating: affascinantesweeping: mozzafiatocautious: cautathe celebration: la celebrazioneauthentic: autenticoto reveal: rivelareto sketch: disegnarethe perseverance: la perseveranzato inspire: ispirarethe adventure: l'avventura

Please follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠! In this episode, Kimberly and Tommaso share their recent experiences moving to Italy, including challenging administrative tasks and funny observations. They also provide insights into upcoming travel changes in Italy, highlight various festivals, and discuss the growing issue of AI-generated travel content. Key Points: Navigating Italian Bureaucracy: Kimberly and Tommaso discuss the difficulties of setting up utilities and managing documents in Italy. Kimberly shares a humorous anecdote about forgetting her passport for a critical appointment, despite having submitted many copies previously. Tommaso jokes about the prevalence of hex screws in Italian furniture assembly, suggesting archaeologists would be confused by their abundance. Upcoming Travel Changes and Festivals: Kimberly mentions the ongoing, lengthy immigration process, which will take over a year and a half to complete. They praise the Arena di Verona, the venue for the recent Olympics closing ceremony, for its preservation and beauty. Kimberly and Tommaso talk about upcoming Italian festivals, including the Olive Oil Festival in Monopoli and the San Nicola celebration in Bari. Other events mentioned include the Valle d'Itria opera festival in Martina Franca and the Loco Rotondo Grape Festival in Puglia. They also highlight unique festivals in Tuscany, like the Palio di Somari (donkey race) in Torrita di Siena, and Pisa's Luminaria di San Ranieri, a candlelit celebration along the Arno River. Annoying Travel Updates: Rome has started charging a two-euro fee to see the Trevi Fountain, following a successful experiment with an elevated walkway to control tourist flow. Kimberly and Tommaso discuss the delayed rollout of the EES (Entry-Exit System) and the Aetius Visa, noting long lines and potential four-hour delays at major European airports. They advise travelers to consider flying into smaller EU airports to avoid potential bottlenecks. The DHS's shutdown of Global Pass in the US is also noted as a potential issue for American travelers returning from Italy. Rome recently removed 12 iconic umbrella-shaped pine trees from the Via dei Fori Imperiali due to age and safety concerns after several fell and injured pedestrians. Agriturismo Experiences: Agriturismos (renovated farmhouses offering accommodations) are growing in popularity across Italy. These establishments provide organic, farm-to-table food, often with their own vineyards, and many activities like cooking classes, olive oil tastings, and yoga. Kimberly highlights the historical context of agriturismos, which emerged after WWII to revive rural farm life and encourage tourism. She describes waking up to the sounds of cowbells, enjoying fresh farm eggs, homemade bread, and goat cheese, all with modern amenities. Beware of AI Slop: Tommaso expresses frustration with “AI slop,” online articles generated by artificial intelligence that provide unauthentic or inaccurate travel information. He cites examples of articles recommending crowded tourist spots like Siena and Lucca as places “where tourists won't go.” Kimberly adds that these websites often automatically launch booking platforms and feature fake family photos. They encourage listeners to seek out authentic travel information from real people with local experience, differentiating between genuine content creators and purely digital, ad-driven sites.

Partita di importanza fondamentale martedì sera a Mestre per il Famila Schio, che affronta la terza e ultima partita contro le cugine di Venezia per qualificarsi alla fase finale di Euro League Women. Dopo il botta e risposta che ha fatto saltare il vantaggio del fattore campo nei due confronti precedenti, impossibile fare un pronostico. Si gioca allena 19.30.

Giovedì sera alle 20 al palasport di Schio il quintetto arancione campione d'Italia si gioca quasi tutta una stagione nella sfida con le spagnole. Solo una vittoria, infatti, consentirà alle atlete di casa di poter ambire a raggiungere la fase finale per il titolo europeo assoluto della pallacanestro femminile.

Fluent Fiction - Italian: A Race of Courage: Giulia's Triumph at the Siena Palio Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-19-08-38-20-it Story Transcript:It: La piazza medievale di Siena vibra di eccitazione.En: The medieval piazza of Siena vibrates with excitement.It: Le bandiere colorate ondeggiano sopra i palazzi antichi, e l'aria invernale è piena di mormorii e attesa.En: Colorful flags wave above the ancient buildings, and the winter air is full of whispers and anticipation.It: È il giorno del Palio, la famosa corsa di cavalli che accende gli animi degli abitanti.En: It is the day of the Palio, the famous horse race that stirs the passions of the inhabitants.It: Lorenzo, il fornaio del paese, osserva la scena con un interesse particolare.En: Lorenzo, the town's baker, watches the scene with particular interest.It: Non molti sanno che, oltre a fare il pane più buono di Siena, Lorenzo ha una passione segreta per le corse di cavalli.En: Not many know that, besides making the best bread in Siena, Lorenzo has a secret passion for horse racing.It: Ma il suo amore per i cavalli non è il suo unico segreto.En: But his love for horses is not his only secret.It: Ha aiutato Giulia, una giovane e determinata amazzone, a prepararsi per la gara.En: He has helped Giulia, a young and determined horsewoman, prepare for the race.It: Giulia è abile e coraggiosa.En: Giulia is skilled and courageous.It: Sogna di vincere il Palio, ma molti dubitano di lei.En: She dreams of winning the Palio, but many doubt her.It: Essere una donna in una gara dominata dagli uomini è difficile.En: Being a woman in a male-dominated race is tough.It: Gli altri concorrenti ridono e scherzano sul suo conto, ma Giulia non si lascia scoraggiare.En: The other contestants laugh and joke at her expense, but Giulia does not get discouraged.It: Lorenzo, consapevole delle difficoltà che Giulia affronta, offre di nascosto il suo aiuto.En: Lorenzo, aware of the difficulties Giulia faces, secretly offers his help.It: Porta Giulia spesso al suo piccolo e segreto stallo di famiglia, nascosto alla vista del paese.En: He often takes Giulia to his small, secret family stable, hidden from the town's view.It: Qui, lei si allena senza interruzioni, affinando le sue abilità e costruendo un legame speciale con il suo cavallo.En: Here, she trains without interruption, honing her skills and building a special bond with her horse.It: Quando arriva il giorno della gara, la tensione è palpabile.En: When the day of the race arrives, the tension is palpable.It: La piazza è piena, e i tamburi risuonano nell'aria fredda.En: The piazza is full, and drums echo in the cold air.It: Giulia si prepara sulla linea di partenza, il cuore che batte forte.En: Giulia prepares at the starting line, her heart pounding.It: La corsa inizia con un colpo di cannone.En: The race begins with the sound of a cannon.It: Giulia parte veloce, tenendo il ritmo con gli altri concorrenti.En: Giulia starts fast, keeping pace with the other contestants.It: Ma a metà gara, un rumore improvviso spaventa il suo cavallo.En: But halfway through the race, a sudden noise frightens her horse.It: Torna indietro, impennato, in preda al panico.En: It rears back, panicked.It: Dal bordo della pista, Lorenzo vede l'incidente e sa cosa fare.En: From the edge of the track, Lorenzo sees the incident and knows what to do.It: Con voce forte e chiara, incita Giulia.En: With a strong, clear voice, he encourages Giulia.It: Le sue parole, piene di sicurezza e amicizia, calmano il cavallo.En: His words, full of confidence and friendship, calm the horse.It: Giulia riprende il controllo e continua la sua corsa.En: Giulia regains control and continues her race.It: Con un ultimo scatto, Giulia attraversa il traguardo.En: With one last sprint, Giulia crosses the finish line.It: Il silenzio nella piazza è rotto da un boato di approvazione.En: The silence in the piazza is broken by a roar of approval.It: Ha vinto, ha davvero vinto!En: She has won, she really has won!It: La sua determinazione e il supporto di Lorenzo hanno conquistato tutti.En: Her determination and Lorenzo's support have won over everyone.It: Gli abitanti la celebrano, finalmente rispettandola.En: The inhabitants celebrate her, finally respecting her.It: Lorenzo la guarda con orgoglio.En: Lorenzo watches her with pride.It: Sa che il suo aiuto è stato cruciale e che la sua scelta coraggiosa ha fatto la differenza.En: He knows his help was crucial and that his bold choice made a difference.It: Giulia ha dimostrato la sua forza, e lui ha scoperto che un piccolo atto di coraggio può cambiare le cose.En: Giulia has demonstrated her strength, and he has discovered that a small act of courage can change things.It: In quella fredda giornata d'inverno, in una piazza storica, sono nati nuovi eroi.En: On that cold winter's day, in a historic piazza, new heroes were born.It: E il vento porta via il suono delle loro risate, promesse eterne di amicizia e cambiamento.En: And the wind carries away the sound of their laughter, eternal promises of friendship and change. Vocabulary Words:the excitement: l'eccitazionethe anticipation: l'attesathe passions: gli animithe whispers: i mormoriithe baker: il fornaiothe secret: il segretothe horsewoman: l'amazzonethe race: la garathe contestants: i concorrentimale-dominated: dominata dagli uominithe difficulty: la difficoltàthe help: l'aiutothe stable: lo stallothe skills: le abilitàthe bond: il legamethe tension: la tensionethe starting line: la linea di partenzathe cannon: il cannonethe noise: il rumorethe incident: l'incidentethe strength: la forzathe courage: il coraggiothe difference: la differenzathe heroes: gli eroithe laughter: le risatethe promise: la promessathe change: il cambiamentothe pride: l'orgogliothe support: il supportothe approval: l'approvazione

To book your conversation with Eli this very week, go to ⁠⁠⁠https://portuguesewitheli.com/get-your-roadmap/⁠⁠⁠To support this podcast, consider leaving a review or making a donation (only if you can, and if you feel this podcast’s helped you

La decisione di finanziare il sostegno economico all'Ucraina attraverso l'emissione di #bond comunitari garantiti dalla #unioneeuropea, invece che confiscando le riserve della #banca centrale russa rappresenta l'ennesima sconfitta per la Commissione UE presieduta da Ursula von der Leyen. La cocca della Merkel si rivela sempre più manifestamente inadeguata al ruolo e non riesce a comprendere che un sussulto di dignità dovrebbe imporle di dimettersi. Personaggio di raro squallore si è rivelato ancora una volta Macron.La posizione ambigua della Francia è stata fondamentale per far fallire il piano di utilizzare gli asset ex russi congelati permanentemente in Europa per supportare l'Ucraina. E per di più si è opposto stolidamente al trattato commerciale con il Mercosur. L'unico lato positivo di questo indegno spettacolo di viltà, di insipienza e di soggezione verso il regime di Putin è il fatto che comunque i fondi per finanziare la difesa dell'Ucraina saranno disponibili per almeno un altro anno.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/inglorious-globastards-podcast--4600745/support.

Fluent Fiction - Italian: Racing to Redemption: A Jockey's Winter Palio Journey Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-12-28-23-34-02-it Story Transcript:It: Il freddo dell'inverno avvolge Siena, e la Piazza del Campo brilla sotto le luci natalizie.En: The cold of winter envelops Siena, and Piazza del Campo shines under the Christmas lights.It: Le bancarelle del mercatino di Natale diffondono nell'aria l'aroma di caldarroste e dolci speziati.En: The stalls of the Christmas market spread the aroma of roasted chestnuts and spiced sweets in the air.It: Tuttavia, l'eccitazione principale non è per il Natale, ma per il Palio speciale di questa stagione.En: However, the main excitement is not for Christmas but for the special Palio of this season.It: Lorenzo, un esperto fantino, cammina concentrato tra la folla, il cuore pieno di determinazione.En: Lorenzo, an experienced jockey, walks focused through the crowd, his heart full of determination.It: Lorenzo ama il Palio con tutto se stesso.En: Lorenzo loves the Palio with all his being.It: Vive per la sua Contrada, e questa corsa è un'opportunità per portarle gloria.En: He lives for his Contrada, and this race is an opportunity to bring it glory.It: Ma sua sorella Giulia non condivide lo stesso entusiasmo.En: But his sister Giulia does not share the same enthusiasm.It: "Lorenzo," dice con preoccupazione, "è pericoloso.En: "Lorenzo," she says with concern, "it's dangerous.It: Tu hai già dato così tanto.En: You have already given so much.It: Perché rischiare di nuovo?"En: Why risk it again?"It: Giulia è preoccupata per la sicurezza di Lorenzo.En: Giulia is worried about Lorenzo's safety.It: Ogni gara è una sfida e il pericolo è reale.En: Every race is a challenge, and the danger is real.It: Vorrebbe che Lorenzo considerasse una vita più sicura lontano dalle piste.En: She wishes Lorenzo would consider a safer life away from the tracks.It: Ma Lorenzo guarda lontano, i suoi occhi fissi sul sogno di vittoria.En: But Lorenzo looks afar, his eyes fixed on the dream of victory.It: "Lo faccio per noi," risponde, il tono deciso, sperando di convincere Giulia.En: "I do it for us," he replies, his tone decisive, hoping to convince Giulia.It: Intanto, Alessandro, un rivale noto per le sue astuzie, trama nuovi piani.En: Meanwhile, Alessandro, a rival known for his cunning, plots new plans.It: Sa che Lorenzo è il fantino da battere e cerca di ostacolarlo in ogni modo possibile.En: He knows that Lorenzo is the jockey to beat and tries to hinder him in every possible way.It: Durante gli allenamenti, usa trucchi subdoli per distrarlo e disturbare il suo cavallo.En: During training, he uses devious tricks to distract him and disturb his horse.It: Ma Lorenzo non si lascia abbattere.En: But Lorenzo does not let himself be brought down.It: Sorride a Giulia cercando di rassicurarla.En: He smiles at Giulia, trying to reassure her.It: "Non preoccuparti, starò attento."En: "Don't worry, I'll be careful."It: Il giorno del Palio, la piazza è gremita.En: On the day of the Palio, the square is crowded.It: La folla acclama, le bandiere delle Contrade ondeggiano al vento freddo.En: The crowd cheers, and the flags of the Contrade wave in the cold wind.It: Lorenzo si prepara con il suo cavallo, sentendo il peso della responsabilità sulle spalle.En: Lorenzo prepares with his horse, feeling the weight of responsibility on his shoulders.It: Sa che Alessandro farà di tutto per vincere.En: He knows Alessandro will do everything to win.It: Con il cuore in gola, Lorenzo guida il suo cavallo al segnale di partenza.En: With his heart in his throat, Lorenzo guides his horse to the starting signal.It: La corsa è intensa, ogni secondo conta.En: The race is intense; every second counts.It: Alessandro è davanti, ma Lorenzo ha un piano.En: Alessandro is ahead, but Lorenzo has a plan.It: Vede un'opportunità, una curva stretta dove può sorpassare.En: He sees an opportunity, a tight curve where he can overtake.It: È rischioso, ma è l'unico modo.En: It's risky, but it's the only way.It: Con un respiro profondo, Lorenzo prende la decisione.En: With a deep breath, Lorenzo makes the decision.It: Sferza il cavallo, affronta la curva a tutta velocità, superando Alessandro con un margine stretto.En: He spurs the horse, taking on the curve at full speed, overtaking Alessandro by a narrow margin.It: Il pubblico esplode in un'applauso fragoroso.En: The crowd explodes into thunderous applause.It: Lorenzo taglia il traguardo per primo.En: Lorenzo crosses the finish line first.It: La vittoria è dolce, ma mentre scende da cavallo, Lorenzo vede Giulia tra la folla.En: The victory is sweet, but as he dismounts, Lorenzo sees Giulia among the crowd.It: I suoi occhi sono colmi di lacrime e orgoglio, ma anche di sollievo.En: Her eyes are filled with tears and pride, but also with relief.It: Lui capisce.En: He understands.It: La gioia di vincere non può eguagliare l'importanza della sua famiglia.En: The joy of winning cannot match the importance of his family.It: Più tardi, sotto le luci della piazza, Lorenzo prende la mano di Giulia.En: Later, under the lights of the square, Lorenzo takes Giulia's hand.It: "Ho vinto," dice sorridendo, "ma ho deciso di smettere."En: "I won," he says, smiling, "but I've decided to stop."It: Giulia lo abbraccia forte.En: Giulia hugs him tightly.It: Lorenzo sa che ha fatto la scelta giusta.En: Lorenzo knows he has made the right choice.It: La loro vita cambierà, ma ha guadagnato qualcosa di più grande della gloria.En: Their life will change, but he has gained something greater than glory.It: Ha capito che la vera vittoria è avere la sua famiglia accanto a lui, ora e sempre.En: He has realized that the true victory is having his family by his side, now and always. Vocabulary Words:the winter: l'invernoto envelop: avvolgerethe market stalls: le bancarellethe aroma: l'aromathe roasted chestnuts: le caldarrostethe sweets: i dolcithe excitement: l'eccitazionethe jockey: il fantinodetermination: determinazionethe opportunity: l'opportunitàto share: condividerethe concern: la preoccupazioneto risk: rischiarethe safety: la sicurezzathe challenge: la sfidathe dream: il sognothe cunning: l'astuziathe rival: il rivaledevious: subdoloto distract: distrarreto disturb: disturbareto reassure: rassicurarethe crowd: la follathe responsibility: la responsabilitàthe starting signal: il segnale di partenzaintense: intensaevery second counts: ogni secondo contathe margin: il marginethunderous applause: un applauso fragorosoto dismount: scendere da cavallo

A Riyadh si assegna la Supercoppa italiana: a contendersela (dopo aver eliminato le due milanesi), i partenopei campioni d'Italia e gli emiliani, vincitori della Coppa Italia.

Parte questa sera la corsa alla Supercoppa Italiana con la prima semifinale tra Milan e Napoli. Intanto, la Fiorentina cerca conforto nella più agevole classifica di Conference League rispetto a quella del campionato: la qualificazione diretta è alla portata e Vanoli nelle prossime due partite si gioca la panchina. Di tutto questo parliamo con Riccardo Trevisani che racconterà le semifinali di Supercoppa su Mediaset e con Roberto De Ponti, direttore del Corriere Fiorentino.Li abbiamo seguiti in diretta su Il Sole 24 Ore TV nel loro debutto vincente alla Asian Le Mans Series: con Gionata Ferroni e col protagonista Roberto Lacorte, riviviamo le emozioni delle due vittorie di Cetilar Racing a Sepang, con Antonio Fuoco che, in gara-1 e gara-2, ha condotto la numero 47 alla vittoria.

Three people who have been involved with popular sports television shows also have horse racing in common. One more thing. They are on this week's Ron Flatter Racing Pod. David Israel, the former chairperson of the California Horse Racing Board, takes time for a rare interview. He talks about what he would like to see change with the sport as well as his favorite races and his experience as a young sports writer covering the miracle on ice at the 1980 Winter Olympics in Lake Placid, N.Y. Sportscaster Kenny Mayne and TV producer Matt Doyle return for part 2 of a conversation which began with their stories about covering the ancient Palio di Siena bareback race in Italy. They have more stories about their international travel for Mayne's Wider World of Sports on ESPN. Co-hosts John Cherwa of the Los Angeles Times and Keith Nelson from Fairmount Park talk about some of their sports experiences and what remains atop their to-do lists. The Ron Flatter Racing Pod via Horse Racing Nation is available via free subscription from Apple, Firefox, iHeart and Spotify as well as HorseRacingNation.com.

Annual "palio" games are common across Italy, in which the town divides itself up into different quarters, which then compete in a series of games over several nights - here, we listen to the first event, the tug of war, with several rounds between different teams all named after animals. We can also hear the nightly "campana della sera" evening bells at 9.00pm midway through the recording.  Recorded in Villa del Conte, Italy, June 2025 by Cities and Memory. 

durée : 00:02:46 - Esprit sport - Toute la semaine, Esprit Sport s'intéresse au Boulazac Basket Dordogne, l'un des plus petits budgets du championnat Elite. Un club familial à la chaude ambiance avec parfois 5000 spectateurs au Palio, la salle du BBD. Pour l'entraîneur Alexandre Ménard, ce 6e homme permet aux joueurs de se dépasser. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Capítulo 350: Pedro comienza con el franquismo que aún respira en España, cincuenta años después de la muerte del dictador. No es una cuestión de nostalgia o historia antigua. Es una cuestión de presente, de símbolos, de bulos y de cómo nos relacionamos con la verdad. Manuel enlaza y nos pregunta, ¿Qué estabas haciendo tú cuándo murió Franco? Eduardo termina con las palabras del Papa sobre el caso del obispo Zornoza de supuestos abusos a un menor en los 90. Podéis contactar con nosotros a través de X en @trendingpod https://twitter.com/trendingpod o por correo electrónico a trending@emilcar.fm.

Im Süden Italiens liegt die Stadt Matera, die für ihre Höhlenwohnungen, die sogenannten Sassi, bekannt ist. Und in Siena feiern Touristen und Einheimische das berühmte Pferderennen "Palio di Siena". Von Lisa Weiß und Nikolaus Nützel

In questa puntata di Voci dalla community parliamo di un progetto che unisce tradizione, gioco e passione per la città di Asti: Il Gioco del Palio di Asti,  protagonista di una  campagna su Produzioni dal Basso. A raccontarcelo sono Francesco “QiQQo” Pellitteri e Fabio “Febus” Maiolo, autori di questa nuova versione del gioco, che nasce come evoluzione di un'idea lanciata per la prima volta nel 2008 e poi ristampata nel 2021, entrambe firmate dall'ideatore originale Massimo “MaxLaz” Lazzarino insieme a Chicco.

The finance and investment industry is a tough club. It's known for being money-centric, number-focused, aggressive… even cutthroat.And few places capture that intense energy quite like the trading floor of the NYSE, where today's guest, Joe Greco, cut his teeth.He started as a floor trader and media commentator, appearing on CNBC and guiding real-time market decisions.Today, as Founder & President of PALIO, Joe coaches executives in wealth, finance, and investing, helping them make high-stakes decisions with clarity, speed, and trust.In this episode, Joe sits down with Stacy to discuss: Why he left the chaos of Wall Street to coach the C-suiteHow being a husband and father of five reframed his definition of successWhat Wall Street taught him about leading with clarity and speed The future of AI in Finance More about Joe:Joseph Greco is the Founder & President of PALIO, where he coaches high-performing leaders and teams in finance and beyond. A former NYSE trader and media commentator, Joe blends financial acumen with behavioral insight to drive growth, alignment, and leadership transformation.He's also an active investor in commercial real estate and global sports teams, including Campobasso 1919, Ascoli FC, and Brooklyn FC.Joe lives in Larchmont, NY with his wife and five daughters, and brings a spirit of faith, adventure, and continuous growth to everything he does.Books Mentioned in This Episode:Rerum Novarum: Encyclical Letter of Pope Leo XIII On Capital and Labour | https://a.co/d/dW1CdSUWant More Help With Storytelling? +  Subscribe to my newsletter to get a weekly email that helps you use your words to power your growth:https://www.stacyhavener.com/subscribe   - - -Make The Boutique Investment Collective part of your Billion Dollar Backstory. Gain access to invaluable resources, expert coaches, and a supportive community of other boutique founders, fund managers, and investment pros. Join Havener Capital's exclusive membership ---Running a fund is hard enough.Ops shouldn't be.Meet the team that makes it easier. | billiondollarbackstory.com/ultimus

Elena Brandi Castellani"L'ultimo palio"Extempora Edizionihttps://www.edizioniextempora.it/Il romanzo è un atto d'amore dell'autrice verso questa terra. La storia si snoda intorno alla figura di un fantino del Palio di Siena e del suo mondo fatto di ansie, ricatti, contraddizioni, ribellioni e disagi. Nella vita di Andrea Brandani detto “Sparviero” arriverà un giorno Maria Maddalena una giovane donna che lo coinvolgerà in una storia violenta e sensuale, un rapporto d'amore e di passione che si spingerà fino all'estremo limite dell'erotismo. Questa storia piena di ammissioni brutali è tuttavia la prova che il cuore umano è ancora un territorio da esplorare. Un'avventura d'amore con un principio e una fine in cui i protagonisti del romanzo vivranno questa passione fino a renderla un'opera d'arte.Ad Andrea e Maria Maddalena che stanno sempre attraversando i muri.Il FantinoIl fantino che corre il Paliodiventa parte del cavalloun soffio del vento che si libera nell'ariaper volare in alto, nella leggenda, irraggiungibile dai comuni mortli.Come il cavalloil suo corpo è fatto di velocitàche il giubbetto imprigiona,per questo a volte è scontrosoe parco di paroleperché il ventonon ha bisogno di parole.Ma non chiamateli assassinisemmai "cavalieri del vento".Mario CiofiDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Roberto nyss hemkommen från Italien är lyrisk över hästkapplöpningen Palio di Siena, Sienas omgivningar och Isola d'Elba, en vacker ö i Toscana. Robin har blivit kapad på flera sätt under sin helg i Kyrktåsjö där också Sockerloppet arrangerades under invigningshelgen av flera faciliteter i byn. Rullskidskytte-SM har arrangerats i Lima och hela den svenska eliten slöt upp med idel stjärnor som tog gulden. Ska rullskidskytte-SM rentav ingå i SM-veckan? Och William Poromaa kommer vi få veta mer om då Robertos kollega Camilla Nordlund ska följa honom ett antal månader fram till säsongens inledning, en dokumentär som kommer att gå på SVT.

Attraverso gli occhi di un cavallo

Canada and Italy line up with the U.S. on this week's menu for the Ron Flatter Racing Pod.  Ashley Mailloux from FanDuel TV examines the 166th running of the King's Plate. She offers analysis about the field that includes No Time, the morning-line favorite trying to become the 40th filly to win this first race of the Canadian Triple Crown. The Palio di Siena, the ancient bareback race run twice every summer in Tuscany, happens again this weekend. Sportscaster Kenny Mayne and producer Matt Doyle recall their adventure covering the sometimes controversial event that is centuries old. La Cara, Good Cheer and Nitrogen are the big names in the Grade 1 Alabama at Saratoga. Super Screener creator Mike Shutty handicaps that and other races this weekend. Co-hosts John Cherwa of the Los Angeles Times and Keith Nelson of Fairmount Park join in paying tribute to a famous guest of an old Arlington Million (G1). The Ron Flatter Racing Pod via Horse Racing Nation is available via free subscription from Apple, Firefox, iHeart and Spotify as well as HorseRacingNation.com.

Om Robin tog sig söderut förra veckan så har Roberto tagit sig ännu längre söderut, nämligen Italien, vackra Toscana och underbara Siena där han bland annat besökt träningen inför hästkapplöpningen inne spå Piazza del Campo där Palio di Sienas andra tävling för säsongen arrangeras. Robin i sin tur har hållit sig kvar i Helsingborg för Sockertoppen Familj som med ”Typ 1 lopp - Sveriges kortaste brolopp” blev en jättestor succé, precis som Pidde Ps och Lisa Ajax framträdanden inför en jättepublik. Blinkfestivalen snackar vi oss igenom där Alvar Myhlback återigen visade mästarklass.

David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day.   After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame.   Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com.     About the Guest:   David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice.   His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey.   David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur.   David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David:   Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset.   David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it.   Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up.   David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could.   Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept   David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way.   Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned.   David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true.   Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the   David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially.   Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things.   David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package.   Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today,   David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent,   Michael Hingson ** 10:07 and in reality, probably a little bit of both.   David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind.   Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay.   David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student.   Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean,   David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of   Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were   David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do.   Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some,   David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction,   Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year.   David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it   Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated?   David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that.   Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then,   David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today.   Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and,   David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could.   Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it?   David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah,   Michael Hingson ** 28:47 well, and do you think it's still that way today?   David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that?   Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah.   David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part.   Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here.   David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has.   Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that.   David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess.   Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams?   David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person.   Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy.   David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something.   Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do,   David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you   Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there.   David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You.   Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else.   David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own?   Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a   David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants   Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that?   David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own.   46:51 Paperwork, paperwork,   David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah,   Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way.   David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know,   Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active.   David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really,   Michael Hingson ** 49:51 if you enjoy it, why would you? No, I   David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah,   Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do.   David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had   Michael Hingson ** 51:03 as a teacher, and where's your wife and all that.   David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful.   Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that?   David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now.   Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly.   David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer.   Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing,   David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get

In this episode, Joe De Sena sits down with performance coach and father of five, Joe Greco, to talk about what it really takes to build grit in your kids, your career, and yourself. From Spartan-style parenting to leading high-performing teams, Joe shares battle-tested strategies for mastering discipline, staying purpose-driven, and unlocking your full potential. Whether you're a parent, a leader, or just tired of making excuses, this one's for you.   Timestamps: 00:00 Intro 01:27 Meet Joe Greco 01:55 Early mornings & discipline 02:34 Five daughters & Death Camp invitation 04:30 Redefining success beyond money 06:33 Expressions of gratitude 09:07 Joe's life tools and values 10:46 Mentors, teens & leadership 13:24 Understanding People Better 15:30 How to add value in life 17:48 The story of the Naval Academy 20:57 The meaning of tradition at military academies 21:43 Where to find Joe Greco 22:15 The origin of the name Palio 23:24 The horse race in Siena   Connect to Joe Greco: Website: palioinc.com Instagram: @palioinc LinkedIn: Joseph Greco

Torniamo a parlare del Palio dei Castelli con Sam, Pietro e Tommy! ⚜️Questa volta ci raccontano gli eventi dell'ultimo week-end e cosa aspettarsi nei tre giorni di festa.Ascolta le loro storie e le loro emozioni!

Il Palio dei Castelli di Castiglione Olona è un evento unico e emozionante. ⚔In questo episodio, Andrea ci guida dietro le quinte e ci racconta la sua esperienza come capo degli Armigeri per uno dei Palii più belli d'Italia.

Sospeso il Palio di Siena per maltempo, intanto l'Europa brucia. 40 anni fa usciva negli Stati Uniti Ritorno al Futuro. Viola Marconi consiglia un libro in concorso al premio Strega.

Caldo caldo, periodo di blackout,  pensa ad essere sulla poop cruise. Guido Bagatta ci parla del Palio di Siena. Cacciato dal palco per aver suonato gli Oasis al concerto dei Green Day.

Año XIV. Núm. 68. El 18 de mayo de 2025 marca un momento histórico en la Iglesia Católica: la solemne inauguración del pontificado de León XIV, anteriormente conocido como Robert Francis Cardenal Prevost. En esta celebración litúrgica en la Basílica y la Plaza de San Pedro, el Papa recibe oficialmente las insignias petrinas: el Palio y el Anillo del Pescador, símbolos profundos de su ministerio como sucesor del Apóstol Pedro.Este podcast detalla paso a paso la ceremonia de inicio del pontificado, destacando la importancia de cada rito, oración y gesto, desde la tumba de San Pedro hasta la misa celebrada en varios idiomas, reflejando la universalidad de la Iglesia. Además, conocerás el simbolismo de las vestiduras papales, el significado bíblico de los textos proclamados y el sentido espiritual del acto de obediencia de los fieles al nuevo Pontífice. Una oportunidad única para comprender el corazón de la tradición católica y el profundo significado de este momento que marca el inicio del servicio de León XIV como Obispo de Roma y Pastor Universal. 

Alessio Torino"Il palio delle rane"Mondadori Editorewww.mondadori.itPerché a Luceoli, nel cuore dell'Appennino, si celebri come tutti gli anni il Palio delle Rane, sono necessarie regole, passione, dedizione. E non solo per trasformare la gara in una manifestazione in costume, colorata e insaporita da piatti “degni della festa”. Ci vuole qualcuno che abbia cura dei piccoli anfibi, che li nutra, che li prepari. E allora ecco, come in una fiaba bizzarra, crudele e dolcissima ci viene incontro la giovane Raniera, Gran Custode del Palio. Per lei, cuore semplice, incantata testimone, tutto cambia quando a terremotare le sue certezze arriva Das Lubbert, che di quelle rane è fratello. Nessuno degli abitanti di Luceoli – tutti incollati alle loro consuetudini – ha mai saputo leggere oltre la corsa degli scarriolanti, oltre il teatro della festa, dei banchetti, oltre i soprannomi che ciascuno si porta addosso. E invece. E invece non era tutto così semplice, neanche per il semplice cuore della Raniera. E adesso che fare? La storia si ribalta? La favola si incrina? In questo rito tribale, arcaico, favoloso, si avverte un confronto serrato con la natura umana e animale. La scrittura di Alessio Torino ci vola dentro a ritmi di ballata, e coglie – fra rane, ragni, topi, cicale cinesi, rondini – un sentimento del tempo che straripa come un torrente, e dice di noi.Alessio Torino è nato a Cagli nel 1975. Ha esordito con Undici decimi (Italic, 2010, premio Bagutta Opera Prima). In seguito ha pubblicato Tetano (2011), Urbino, Nebraska (2013) e Tina (2016), editi da minimum fax; Al centro del mondo (2020) e Cuori in piena (2023), editi da Mondadori. Ha vinto, fra gli altri, il premio Lo Straniero, il premio Frontino Montefeltro e il premio Mondello. Tetano e Urbino, Nebraska sono stati ristampati negli Oscar Mondadori (rispettivamente nel 2023 e 2025). Ha scritto Passare il fiume (Orecchio Acerbo, 2024), illustrato da Simone Massi con il quale ha collaborato in sede di sceneggiatura per il film di animazione Invelle (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Amanda Colombo"La storia tra le righe"Festival di Letteratura Storicawww.lastoriatralerighe.fondazionepalio.orgSi terrà dal 4 al 7 aprile 2025 la terza edizione del Festival di Letteratura Storica "La storia tra le righe" di Legnano, che dopo il successo della seconda edizione, con tutti gli eventi sold-out e oltre 2000 presenze, si conferma un appuntamento molto atteso, in cui autori, editori e lettori possono condividere l'interesse e la passione per la Storia, nelle sue più articolate declinazioni, per tutte le età.Quattro giorni di eventi, tutti gratuiti, che coinvolgono l'intera città e hanno luogo nello storico Castello Visconteo e a Villa Jucker, sede della Fondazione Famiglia Legnanese, con una tappa al Teatro Tirinnanzi.Sarà Marco Buticchi ad inaugurare il Festival, venerdì 4 aprile a Villa Jucker, con il racconto della carriera dell'inventore Nikola Tesla, intrecciato all'attualità del conflitto israelo-palestinese (Il figlio della tempesta, ore 21).Il Castello Visconteo ospiterà invece gli incontri del sabato e della domenica. Sabato 5 aprile la mattinata si apre con Laura Pepe e la sua storia di Sparta, tutta ancora da raccontare (Sparta, Sala Previati, ore 11). Maria Novella Viganò, in dialogo con Valentina Zavoli, narrerà la storia della famiglia Lissi e della loro villa, teatro di numerose trasformazioni e accadimenti (La Superba, Cenobio, ore 11.30). A seguire tre incontri dedicati alle donne con Franca Pellizzari sull'eroina della Resistenza francese Rose Valland, che spiò i nazisti per recuperare 60.000 opere d'arte trafugate alle famiglie ebree (Rose Valland, Sala Crivelli, ore 12); Marina Marazza e il suo thriller storico incentrato sul mistero della Gertrude manzoniana (Il segreto della Monaca di Monza, Sala Cornaggia, ore 15); e David Salomoni sull'educazione militare che nel Medioevo veniva impartita anche alle donne. (Leonesse, Cenobio, ore 15).Il pomeriggio prosegue con Alessandra Selmi e la storia di Nina e Margherita, due donne agli estremi opposti della scala sociale che avranno il coraggio di battersi per forgiare il proprio destino (La prima regina, Sala Previati, ore 16), mentre Katia Tenti ricorderà come dopo uno dei processi più drammatici del Cinquecento trenta donne innocenti, le streghe dello Sciliar, abbiano perso la vita sul rogo (E ti chiameranno strega, Sala Crivelli, ore 17). Protagonisti dell'incontro con Luca Fezzi e Marco Rocco sono invece i gladiatori, il cui mito ha saputo resistere al tempo nella letteratura, nelle arti figurative, nel cinema e, oggi, nei videogiochi (Morituri – la vera storia dei gladiatori, Sala Cornaggia, ore 16.30), mentre Tommaso Braccini con la storia degli Argonauti ricostruirà la geografia e l'etnografia mitica del cuore dell'Europa, del Mediterraneo e delle sue sponde, e dell'Oceano illimitato (Il viaggio più pericoloso della storia, Cenobio, ore 17). Ancora, Marco Balzano con la sua storia di Mattia che, alla ricerca di una madre che non ha mai conosciuto, decide di indossare la camicia nera (Bambino, Sala Previati, ore 18) e Chiara Montani alle prese con un assassino da smascherare e una donna pronta a dipingere il volto della verità (L'artista e il signore di Urbino, Cenobio, ore 18.30). Infine, un insolito abbecedario dei cliché “medievali” nei media sarà il tema dell'incontro con Marco Brando (Medi@evo, Sala Crivelli, ore 18.30). La seconda giornata di Festival si conclude con Maurizio De Giovanni e il ritorno del commissario Ricciardi (Volver, Sala Capriate, ore 21). L'evento sarà accompagnato da una sessione di disegno live di Gianmauro Cozzi, art director di Sergio Bonelli Editore.Domenica 6 aprile si inizia con un'indagine piena di tensione ambientata nella Roma di Augusto assieme a Pino Imperatore (I demoni di Pausilypon, Sala Cornaggia, ore 11). Si prosegue catapultati nel Medioevo con Beatrice Del Bo e la storia dell'arsenico, all'epoca uno dei veleni più utilizzati per uccidere (Arsenico e altri veleni, Sala Previati, ore 11.30) e con Fabiano Massimi che racconterà invece un mistero legato alla prima presunta moglie di Mussolini su cui indagano l'ex commissario di polizia Sigfried Sauer e il suo collega Mutti (Le furie di Venezia, Cenobio, ore 12).Nel pomeriggio Duccio Balestracci condurrà alla scoperta di un Medioevo diverso, quello raccontato da una pattuglia di scrittori ‘non autorizzati', persone comuni, non acculturate, che si esprimono in un volgare approssimativo, ma senza condizionamenti (L'Erodoto che guardava i maiali e altre storie, Sala Previati, ore 15) e poi si tornerà ai tempi dell'Impero Romano con Cristina Fantini che, in dialogo con Pietro Sorace, narrerà le gesta di Lucio Avidio Corvo (L'ultima notte di Ercolano, Cenobio, ore 15.30). Alessia Gazzola coinvolgerà il pubblico nelle indagini della sua investigatrice improvvisata nella Londra degli anni Venti (Miss Bee e il fantasma dell'ambasciata, Sala Capriate, ore 16) e Marco Scardigli narrerà la storia del patriota Luciano Manara, che lottò per un'Italia che non riuscì a vedere (Storia di un memorabile perdente, Sala Cornaggia, ore 17). Aneddoti e pettegolezzi sul Settecento inglese arriveranno nelle sale del Castello Visconteo grazie a Francesca Sgorbati Bosi e Irene Merli (Guida pettegola al Settecento inglese, Cenobio, ore 17). Si proseguirà con una visita immaginaria degli edifici di Padova in cui hanno vissuto grandi personaggi ripercorrendo le vie della città insieme a Silvia Gorgi (Le case straordinarie di Padova, Sala Crivelli, ore 16.30) e successivamente Franco Cardini accompagnerà il pubblico in un viaggio storico nella capitale austriaca (Vienna, Sala Previati, ore 17.30). Il pomeriggio si concluderà con Marilù Oliva che racconterà le donne della Bibbia dando loro la parola per narrare un altro punto di vista, quello femminile (La Bibbia raccontata da Eva, Giuditta, Maddalena e le altre, Cenobio, ore 18.30).Matteo Strukul chiuderà la terza giornata della manifestazione trasportando il pubblico in una Venezia sotterranea e inedita, teatro di due brutali omicidi (La cripta di Venezia, Sala Capriate, ore 21).Lunedì 7 aprile alle 21 al Teatro Tirinnanzi avrà luogo la chiusura ufficiale del Festival, affidata a Beppe Severgnini che, partendo dal suo libro Socrate, Agata e il futuro, farà una riflessione sul tempo che passa e gli anni complicati che stiamo vivendo.Un'attenzione particolare è riservata a bambini e ragazzi che potranno partecipare a letture e laboratori a tema storico, con momenti di gioco anche per i più piccoli. Il programma del sabato prevede un incontro con Lodovica Cima che racconta il suo libro Sylvie sogni di seta (Sala Fiamma, ore 11) e uno con Fabrizio Altieri sul libro Omicidio sull'Hindenburg (Sala Fiamma, ore 16). Due anche gli appuntamenti della domenica, un incontro in collaborazione con il Teatro Regio di Parma per raccontare i grandi miti dell'opera e la storia del teatro d'opera alle giovani generazioni (Sala Fiamma, ore 11) e un laboratorio a cura di Fortuna Nappi (Sala Fiamma, ore 16).Per tutta la durata del Festival sarà possibile visitare la mostra "Immaginare il Commissario Ricciardi" a cura di Luca Crovi, Tatjana Giorcelli e Piero Ferrante con illustrazioni di Daniele Bigliardo per immergersi nel mondo del famoso Commissario nato dalla penna di Maurizio De Giovanni.Nata nel 2023 su impulso di Fondazione Palio e del Comune di Legnano, ideata e curata da Incipit Eventi culturali e letterari di Amanda Colombo, con la collaborazione di Università Cattolica del Sacro Cuore, Università Statale di Milano, Università degli Studi Milano Bicocca e Fondazione Arte della Seta Lisio-Firenze, la manifestazione intende consolidare il legame con la Storia della città di Legnano, già dal 1935 sede della tradizionale rievocazione del Palio, che celebra la leggendaria battaglia del maggio del 1176 in cui le truppe della Lega Lombarda arrestarono la calata dell'esercito imperiale di Federico Barbarossa, evento ricordato anche in un'opera di Giuseppe Verdi e nell'Inno di Mameli.Amanda Colombo è laureata in Filosofia con indirizzo in Comunicazioni sociali. Nel 1999 ha sposato il suo libraio di fiducia e oggi gestisce con lui la libreria di famiglia a Legnano. I libri sono la sua casa. Meno male che ci siete voi è il suo romanzo d'esordio.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Lass Dich mitnehmen nach Italien. In der kleinen Stadt Siena findet jedes Jahr ein traditionelles Pferderennen statt, das Dich bei Deinem Besuch völlig in seinen Bann zieht.Gelesen von Björn LandbergText: Florian SternRegie: Silvan OschmannProduktion: Tonstudio SprachraumSpare 10% auf allnatura.de mit dem Code STRAND.Ohne Mindestbestellwert, einmalig einlösbar, nicht mit anderen Gutscheinen kombinierbar. Kann nicht rückwirkend auf eine Bestellung eingelöst werden. Gilt nicht auf Schnäppchenartikel, Wertgutscheine und Versandkosten.

Nieves Concostrina habla sobre el 49 aniversario de la muerte de Francisco Franco.

Nieves Concostrina habla sobre el 49 aniversario de la muerte de Francisco Franco.

Nieves Concostrina habla sobre el 49 aniversario de la muerte de Francisco Franco.

Nieves Concostrina habla sobre el 49 aniversario de la muerte de Francisco Franco.

Nieves Concostrina habla sobre el 49 aniversario de la muerte de Francisco Franco.

This SATURDAY, join us for PART 2 of our Italian summer recap! We'll dive into our favorite highlights from the stunning Amalfi Coast, share our experiences at the “Palio di Siena” horse race festival, and exploring stunning villas in Lake Como. We'll also discuss our shopping adventures in Naples, beach clubs in Sorrento, boat ride in Capri, an epic group cooking class, and so much more! Don't miss it! xoxo Tash & Ro #itsaturdaypod No Days Wasted - Use code “itsaturdaypod” to receive 15% off! (https://nodayswasted.ca/) Listen & subscribe: ⁠https://linktr.ee/itsaturdaypod⁠ Instagram & Tiktok: @itsaturdaypod Disclaimer: Opinions expressed here are solely our own and do not express the views or opinions of our employers.

Siena, a beautiful Medieval city in the heart of Tuscany, is a favorite day trip destination from Florence. But the truth is, you'll only scratch the surface if you're there for a few hours. Spend a day or two in this charming city and you'll uncover the deep social connections that are the backbone of its famous Palio horse race.Read the full episode show notes here > untolditaly.com/245NEW! Podcast episode guide - get it here Support the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Facebook • YouTube • Italy Travel Planning CommunityThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

Brought to you by J.C. Newman Cigar Co. - On this episode, Kevin returns to the show and the guys welcome industry veteran Michael Giannini of Quality Importers Trading Company to the show to showcase some of the exciting products from brands such as Xikar, Palio and more. Michael also talks about the new Conspiracy cigar band and even talks about their Wine brand that recently launched. Tune in now for more! Visit www.2GuysCigars.com for the best selection of in the industry! Accessories provided by S.T. Dupont - Be Exceptional Micallef Black - It's a black out!

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#ITALY: The Palio in Siena postponed by thunderstorms. Lorenzo Fiori, Ansaldo Foundation https://www.wantedinrome.com/news/siena-welcomes-return-of-palio-horse-race-after-two-years.html 1910 La Scala Milan

Per info sui corsi di italiano, scrivimi all'indirizzo salvatore.tantoperparlare@gmail.comUno dei riti più famosi e allo stesso tempo più misteriosi d'Italia: il palio di Siena!Se ti piace Salvatore racconta e vuoi avere accesso al doppio dei podcast ogni settimana, sblocca la serie premium riservata agli abbonati su Patreon. Tutte le info su: www.patreon.com/salvatoreraccontaLa trascrizione di questo episodio è come sempre disponibile per le persone iscritte alla newsletter. Vuoi iscriverti? Fallo da qui: https://salvatoreracconta.substack.com?utm_source=navbar&utm_medium=web&r=306xbtTesto e voce di Salvatore Greco

Voci d'Italia - Il palio di Siena Ogni estate Siena diventa il palcoscenico di una spettacolare competizione equestre che affonda le sue radici nel Medioevo - il Palio. Di questa tradizione ricca di emozioni e rivalità ci parla il contradaiolo DOC - prof. Duccio Fanetti. Se vuoi sapere di più su tradizioni e usanze italiane, scrivi a italianoperstranieri@loescher.it

⚾️⚾️⚾️ Part 2 of Paul and Stephen's Chinwag turns to the religion of baseball with writer, comedian and passionate fan, Alex Edelman. If Paul is gonna talk sports, it's bound to be about its spiritual pull and ability to expand space and time. They'll get into all of it: superstition, Mark “the Bird” Fidrych, the legendary Bart Giamatti, George Grella, how “home” is a concept and not a translatable word. Then, baseball as a pastoral game and touchstone of American roots, and why the sound of baseball's distinct silence on the radio is akin to a religious experience. Later, NASCAR and its roots in moonshine, hockey, boxing, bullfighting, and why sports today are like Bravo Housewives. All this, and the harrowing story of the time Paul saw The Palio, the legendary horse race in Siena. Chin-word of the week: SISYPHEAN Paul Giamatti is an award-winning actor and producer. Stephen Asma is a professor and author specializing in the philosophy of science, religion, and art.  Alex Edelman is a writer and comedian whose acclaimed Broadway one-man show Just For Us is now streaming on HBO Max.   ⚾️⚾️⚾️ =========

The region is home to historic cities such as Florence, Siena, and Pisa, each boasting stunning architecture, art masterpieces, and a vibrant atmosphere. Florence, the birthplace of the Renaissance, houses renowned museums like the Uffizi Gallery and the Accademia, where Michelangelo's David stands as a symbol of artistic brilliance.Tuscany's culinary scene is a feast for the senses, featuring world-class wines like Chianti and Brunello di Montalcino, along with traditional dishes like ribollita, pappa al pomodoro, and the famous bistecca alla fiorentina.SienaSiena, Italy, is a charming medieval city renowned for its rich history, stunning architecture, and vibrant cultural scene. Nestled in the heart of Tuscany, Siena is famous for its well-preserved medieval streets and the iconic Piazza del Campo, one of Europe's most fabulous medieval squares.The city's medieval center is a UNESCO World Heritage Site, showcasing Gothic and Romanesque architecture that transports visitors back in time. Siena's most iconic landmark is the Duomo di Siena (Siena Cathedral), a magnificent example of Italian Gothic architecture adorned with intricate sculptures and beautiful frescoes.Siena is also renowned for the Palio, a historic horse race that takes place twice a year in the Piazza del Campo. The Palio is a centuries-old tradition that captivates locals and visitors alike, adding a touch of excitement to the city's cultural tapestry.Beyond its historical treasures, Siena offers a culinary experience that captures the essence of Tuscan cuisine. Visitors can savor local delicacies, including Pici pasta, ribollita soup, and the region's exceptional wines.With its timeless beauty and cultural richness, Siena stands as a testament to Italy's enduring charm and is a must-visit destination for those seeking a glimpse into the country's medieval past.San GimignanoSan Gimignano is a picturesque medieval town nestled in the heart of Tuscany, Italy. Known as the "Town of Fine Towers," its skyline is dominated by 14 well-preserved medieval towers, offering a unique and enchanting atmosphere. The town, a UNESCO World Heritage Site, is renowned for its medieval architecture, charming cobblestone streets, and rich history.Visitors to San Gimignano can explore the Piazza della Cisterna, a central square surrounded by medieval buildings and inviting cafes. The town is also home to remarkable landmarks, such as the Collegiate Church of Santa Maria Assunta, featuring stunning frescoes and art.Aside from its architectural wonders, San Gimignano is celebrated for its local produce, including the famous Vernaccia di San Gimignano wine. The surrounding vineyards and olive groves contribute to the region's gastronomic delights, making it a haven for food and wine enthusiasts.With its well-preserved medieval charm, breathtaking views of the Tuscan countryside, and delectable local offerings, San Gimignano is a must-visit destination for those seeking an authentic Italian experience.Pisa Pisa, a charming city in Tuscany, Italy, is renowned worldwide for its iconic Leaning Tower. Nestled on the banks of the Arno River, Pisa is not just a one-tower wonder; it boasts a rich history, stunning architecture, and a vibrant cultural scene.The Leaning Tower of Pisa, part of the Piazza dei Miracoli (Square of Miracles), is a masterpiece of medieval engineering. Its unintentional tilt has captivated visitors for centuries, making it one of the most recognizable landmarks on the planet.Beyond the tower, Pisa is a treasure trove of historical gems. The Pisa Cathedral, also located in the Square of Miracles, is a breathtaking example of Romanesque architecture adorned with intricate sculptures and artwork. The Baptistery, adjacent to the cathedral, is another architectural marvel that adds to the city's allure.Wandering through Pisa's narrow streets, you'll encounter charming cafes, lively markets, and centuries-old buildings. The city's university, founded in 1343, adds a youthful energy, making Pisa a dynamic blend of tradition and modernity.Pisa's cultural scene is vibrant, with museums showcasing art, history, and science. The Palazzo Blu, for instance, hosts rotating exhibitions, providing a glimpse into Italy's rich cultural heritage.Whether you're drawn to the Leaning Tower's quirkiness or the city's historical charm, Pisa offers a delightful escape into the heart of Italian culture and history.Whether exploring charming medieval villages, enjoying the serenity of the countryside, or indulging in the region's culinary delights, Tuscany offers a truly enchanting experience for every traveler. It's a destination that seamlessly combines history, art, and nature, making it a must-visit for those seeking a taste of authentic Italian beauty and culture.A Renaissance of Wonders: Exploring Florence, ItalyNestled in the heart of Tuscany, Florence is a city that breathes history, art, and culture at every cobblestone turn. Known as the birthplace of the Renaissance, Florence boasts a rich tapestry of architectural marvels, world-class art, and delectable cuisine. If you're planning a visit to this enchanting city, here's a Travel Brat-approved guide to help you make the most of your time.The Duomo and Brunelleschi's DomeNo visit to Florence is complete without marveling at the iconic Santa Maria del Fiore Cathedral or Il Duomo. Admire the intricate facade and climb to the top for breathtaking panoramic city views. Be sure to appreciate the genius of Filippo Brunelleschi's Dome, a masterpiece of Renaissance engineering. Don't forget to visit the baptistry and bell tower too!Uffizi GalleryHome to an unparalleled Renaissance art collection, the Uffizi Gallery is a treasure trove for art enthusiasts. Works by Michelangelo, Leonardo da Vinci, Botticelli, and Raphael adorn the walls. Some favorite works include Birth of Venus or Primavera Botticelli, Doni Tondo by Michelangelo, Annunciation, Adoration of the Maji, The Baptism of Christ, Davinci, Madonna del Cardellino, Saint John the Baptist in the Dessert Rafel, and Madona and Child by Filippo Lippi. Book your tickets in advance to skip the lines and allow ample time to explore this artistic haven. Galleria dell'AccademiaThe Galleria dell'Accademia is where you'll find one of the most celebrated sculptures in the world – Michelangelo's David. Witness the sculptor's mastery up close and explore other works by Michelangelo and other renowned artists. Here, you will also find four other unfinished works by Michelangelo.Ponte VecchioStroll across the Ponte Vecchio, Florence's oldest bridge spans the Arno River. Lined with charming shops, Ponte Vecchio is the perfect spot to shop for jewelry, art, and souvenirs. The bridge offers splendid views of the cityscape, especially during sunset.Palazzo VecchioPalazzo Vecchio is a medieval fortress turned town hall located in the heart of Florence's historic center. Admire the impressive frescoes, sculptures, and the opulent Salone dei Cinquecento, which showcases the city's political and artistic legacy. Boboli GardensEscape the hustle and bustle of the city with a visit to the Boboli Gardens, a stunning example of Italian Renaissance garden design. Wander through the landscaped greenery, fountains, and sculptures, enjoying a peaceful respite.Piazza della SignoriaThis historic square is an open-air museum, surrounded by iconic sculptures like the Fountain of Neptune and a copy of Michelangelo's David. Sit at one of the cafes, soak in the atmosphere, and witness the pulse of Florentine life.Florentine CuisineIndulge your taste buds in Florence's culinary delights. Savor local specialties such as ribollita (a hearty Tuscan soup), bistecca alla fiorentina (Florentine steak), and gelato from one of the city's renowned gelaterias. For a relaxed and delicious meal, try Bis Trot Tre Tavoli authentic casual, and for an upscale meal, try II Guscio.Santa Croce BasilicaVisit the final resting place of some of Italy's most illustrious figures, including Michelangelo, Galileo, and Machiavelli. The Basilica di Santa Croce is not only a place of worship but also a testament to Florence's cultural and intellectual heritage.Sunset at Piazzale MichelangeloWrap up your Florence adventure with a visit to Piazzale Michelangelo, a panoramic terrace offering unparalleled city views. As the sun sets over Florence, you will be treated to a magical sight that perfectly encapsulates the timeless beauty of this remarkable city.Medici Chapels The Medici Chapels, located in Florence, Italy, are a stunning testament to the wealth and cultural influence of the Medici family during the Renaissance. Commissioned by the powerful banking family, the chapels are part of the Basilica di San Lorenzo complex and serve as a final resting place for several members of the Medici clan. The New Sacristy, designed by Michelangelo, is a Renaissance art and architecture masterpiece. Its grandeur is characterized by intricately carved statues and elegant tombs, including those of Lorenzo the Magnificent and Giuliano de' Medici. The Chapel of the Princes, another notable section of the complex, was intended to be a grand mausoleum for the Medici rulers.Perfume Making If you need a break from sightseeing, you can make your very own perfume right in Florence at the Antica Spezieria Erboristeria San Simone Firenze.Where to stayStay like a local in the heart of Florence at the Horto Convento.Florence, with its artistic legacy and timeless charm, is a destination that transcends the boundaries of time. Whether you're an art aficionado, a history buff, or simply seeking the pleasures of Italian culture and cuisine, Florence is sure to leave an indelible mark on your heart. Immerse yourself in the Renaissance spirit, and let Florence cast its enchanting spell on you.

Photo: 1920 LA. No known restrictions on publication. @Batchelorshow #Italy: The annual running of the Palio di Siena: the winning horse is welcomed in the Cathedral. Lorenzo Fiori, Ansaldo Foundation https://en.wikipedia.org/wiki/Palio_di_Siena

We have reached the tenth and final episode of the Coffee Break Italian Magazine Season 2! We're stepping back in time as we're discussing two Renaissance events which take place in the region of Marche in May. Join Mark and Francesca one last time in this series as they explore masculine words ending in -a and qualche (some) and ogni (each) + singular nouns. That's not all! We round off the series with a ciliegina sulla torta based on the word spada, the prize for the winner of the race described by Silvia in this episode.There are a total of 10 episodes in Season 2 of the Coffee Break Italian Magazine. If you'd like to benefit from lesson notes, transcripts, vocabulary lists and exercises, you can access the premium version of the Magazine on the Coffee Break Academy.Don't forget to follow Coffee Break Italian on Facebook where we post language activities, cultural points and review materials to help you practise your Italian. Remember - a few minutes a day can help you build your confidence in the language. Access the Coffee Break Italian Facebook page here.If you'd like to find out what goes on behind the scenes here at Coffee Break Languages, follow @coffeebreaklanguages on Instagram, and check out our videos for language learners on our YouTube channel. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.