Podcasts about Sarod

Renowned sarod virtuoso Amaan Ali Bangash, the eldest son of Ustad Amjad Ali Khan, states, “I'm blessed to have my father as my guru.” He emphasises being a giver rather than a taker. In an exclusive SBS Hindi podcast, he discusses his relationship with his brother and explains why he believes AI is not a threat to Indian classical music.

In this edition of the SBS Hindi radio program, tune in for an exclusive interview with renowned Sarod virtuoso Amaan Ali Bangash, the eldest son of Ustad Amjad Ali Khan who shares about his philosophy and about a unique subtle, and layered, relationship with his father and brother. Along with a report from India find out what the data and experts say about whether Australians are really turning away from travelling to the US. This year, Banu Mushtaq becomes the 2nd Indian author to win International Booker Prize. We discuss her win for her book 'Heart Lamps' that features a collection of twelve short stories about the daily lives of women in Muslim communities in southern India.

Sarod Loops Total India MAGNETRiXX | 20 August 2010 | 193MB 255 Sarod samples, 98 Loops and 297 One-Shots. The Sarod is a beautiful stringed instrument of the lute family […]

Wir trinken 2023 Chignin Bergeron “Lucien”,  2022 “Kilometere Zero”, 2022 “Epsilon Virginis” und reden unter anderem über das Sarod's (Thai, Berlin), das Mash (Steak, Hamburg), und den 2025er Riesling-Swag. Details und eine Bezugsquelle gibt's bei Christoph, und die nächste Live-Sendung  gibt's am 27. November 2024 um 19:30 hier (IRC-Chat: #wrint auf libera). Dann geht es an […]

Wir trinken 2023 Chignin Bergeron “Lucien”,  2022 “Kilometere Zero”, 2022 “Epsilon Virginis” und reden unter anderem über das Sarod’s (Thai, Berlin), das Mash (Steak, Hamburg), und den 2025er Riesling-Swag. Details und eine Bezugsquelle gibt's bei Christoph, und die nächste Live-Sendung  gibt's am 27. November 2024 um 19:30 hier (IRC-Chat: #wrint auf libera). Dann geht es an […]

114 - Stu Hamm In episode 114 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with bassist extraordinaire Stu Hamm. In their conversation they cover What Stu is up to currently including a project in Oregon “Guitars Under the Stars”, a tour with Greg Howe and a bass camp in Estonia called “the Estonia Bass Oasis”. They discuss Stu's family: his father, a well known composer and musicologist, Stu's brother Bruce who plays the Sarod and ran the Ali Akbar College of Music in San Rafael, California and Stu's mom who was a voice teacher and an opera singer. Stu takes us through his love/hate relationship with guitar players. They discuss Stu's musical relationship with guitarists Steve Vai and Joe Satriani as well as Alex Skolnick. They discuss Stu's Fender signature Urge bass and his signature Markbass amp and gear in general. . Stu has a website where you can find out more about everything Stu: dates, gear, recordings and how to go about getting lessons and Stu is very active on the socials. stuhamm.com . Please subscribe, like, comment, share and review this podcast! . #VintageGuitarmagazine #StuHamm #Bass #StuartHamm #bassguitar #FenderBass #Markbass #BassHero #UrgeBass #theDeadlies #JoeSatriani #SteveVai #haveguitarwilltravelpodcast #haveguitarwilltravel #hgwt #HGWT . . . Please like, comment, and share this podcast! Download Link

Avi Kishna is a Dutch sarod player based in Amsterdam, of Indo-Surinamese heritage. You'll get to know the sarod as an instrument and hear Avi's perspectives on  Dutch society and his interesting collaborations. Among his mentors is his inspiring father, Ramdew Kishna, a multi-talented musician, director, and painter, who played a pivotal role in shaping Avi's musical journey along with his guru, Koustuv Ray. As a young man, Avi embarked on a successful career as in sales and marketing, but during this time he pushed music aside, and I found it deeply touching to hear how he was able to come back to music with the wisdom of having left such an important part of himself behind. You'll hear about Avi's project working with schools in Amsterdam to help provide music programs in underserved communities and this episode features some of his sarod music. Like all my episodes, you can also watch this on my YouTube channel, and I've also linked the transcript here to my website: https://www.leahroseman.com/episodes/avi-kishna Can you buy this podcaster a coffee to support this series? https://ko-fi.com/leahroseman Thanks! Here you'll find the links to Avi's projects like Raga Reflections, where to stream and buy his music, upcoming performances, including a video with dancer Shailesh Bahoran (which we talk about): https://www.sarodbyavi.com/ Link to Muziek Educatie Centrum Amsterdam: https://www.muziekeducatiecentrum.nl/jeugd-fonds-sport-cultuur-amsterdam Follow me on Social Media: https://linktr.ee/leahroseman Episode with sitar player Mohamed Assani: https://www.leahroseman.com/episodes/mohamed-assani Episode with bansuri player Milind Date: https://www.leahroseman.com/episodes/milind-date-bansuri-player Complete Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Timestamps: (00:00) Intro (03:42) the sarod (11:57) Indo-Surinamese heritage and history (16:16) South Asian music in the Netherlands (19:38) dancer Shailesh Bahoran (25:00) excerpt from While She Sleeps (28:06) bringing different music together, Soundscape Sessions (38:01) please support this podcast! (38:39) Ramdew Kishna, Avi's father (43:27) racism and inclusion (50:53) sarod guru Gungun Kaustuv Ray (56:14) learning from others (57:56) Raga Reflections (01:04:19) Darbari  (01:08:00) sales and marketing career, return to music (01:13:05) giving back through music education --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Master musician from South India, living here in Dunedin. He plays the Sarod a 25 stringed Persian instrument. Broadcast on OAR FM Dunedin oar.org.nz

Lush Lata's Wild City mix moves from thumping kicks-backed Sarod meanderings of 'Maharaj Trio and Nickodemus' to the booming hip-hop beat of 'Go Again' by A-STAR to cuts by Overomono, SBTRKT, Romare, Breaka and Fred Again alongside works by homegrown talents like Oceantied, Potter and Stain, while also slipping in Udit Narayan, Kavita Krishnamurthy, Swarnalatha and Karsh Kale. With 40 tracks in less than an hour, the New Delhi selector's mixing moves quickly just like her trajectory as an artist. Starting as a member of the femme collective Coven Code and a staple figure of boxout.fm, Lush Lata has built her work over an embrace for Bollywood and the grooves most Indian kids grow up around while connecting it to her deep love for hip-hop and bass. The individual voice recently led her to be featured at Berlin's CTM Festival this year with a talk, DJ-ing workshop and a performance at the Panorama Bar of the dance music's most iconic club The Berghain. "I am way more open to new sounds and musical experiences than before. Also, they love what's going on in India right now," says Lush Lata, recounting her time in Berlin which she also does by ending her mix with Shy FX and T-Power's 'Shake Ur Body (feat. D.I.)', a track that she describes as "the tune that took my night at Berghain to another level when I heard it on the dancefloor in DJ Voilet's set at CTM festival." For more information: https://www.thewildcity.com/mixes/20112-wild-city-222-lush-lata

Today folks on The Bartcast we have the latest incarnation of a music genealogy that stretches back to the 1500s!  Manik Khan is a touring Sarod player and teacher at the Ali Akbar College of Music in San Rafael, California. On this episode we dive into the joys of runny eggs over rice, the structure of classical Indian composition, and the incredible story of the family Khan, whose musical exploits mark this end of a temporal chain that has it's origins in the 16th century! You can follow Manik on Instagram @manikthe8th  

The featured artists in this episode of the Freio Music Podcast are Eli Nathan Nachowitz and Alam Khan of Grand Tapestry. Rap has gone global but there are still very few instances where the realms of rap and traditional music meet. Merging hip-hop with classical Indian music, Grand Tapestry bridges that gap by featuring Eligh, an independent hip-hop artist known for genre experimentation, Alam Khan on the 25-stringed fretless instrument called the Sarode, and their diverse collection of collaborators. Alam is the son of the late legendary Maestro Ali Akbar Khan. Ali Akbar Khan was known as the greatest Sarode player of modern times and is responsible for bringing Indian music to the west. These two artists and collective came together to create a grand tapestry of sound.~ Stay Tuned! About the PodcastFreio Music Podcast Features Producers and Musicians from Across the world. We demystify the magic behind electronic music production by interviewing the best artists in the music industry. The artists share the insights, Tips, Tricks and stories only Musicians can tell. Our podcast aims to bring people closer to each other through the power of art. We intend to make the world more friendly, connected, and creative! Stay Tuned for some of the best insights from multi-instrumentalists and genre-bending creators. Favorite Software ATM:Live Stream Recording: https://freio.link/a/squadcast Who Am I?I am passionate about music and have always appreciated the people behind the sounds. The techniques, strategies, and creativity underlying art have been a curiosity of mine since I was a child. Music has the power to transcend borders, cultures, languages, races, political lines, and times. I am a technology nerd who enjoys programming, designing and creating applications and websites. Lets Connect:Spotify: Freio.link/SpotifyFacebook: Freio.link/FacebookTwitter: Freio.link/twitterInstagram: Freio.link/instagramEmail: Hello@FreioMusic.com

Virtuoso sarod player Soumik Datta blends classical Indian music with genres like R&B, drum and bass, and European orchestral music. He talks about the fluke incident that set him down a musical path, working to empower refugees through the arts, and what it was like performing with Jay-Z and Beyonce. Soumik is one of the winners of this year's Aga Khan Music Awards.See omnystudio.com/listener for privacy information.

"I Like the Power of the Simple Expression of a Musical Idea."Our guest for this episode of MFM Speaks Out is Jeff Slatnick. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments.  Slatnick started at Music Inn in 1967 when it was a record and musical instrument store run by Jerry Halpern, the original owner (who'd opened the store in 1958). The Music Inn was frequented by the likes of Bob Dylan when he lived just a few doors down at 161 West 4th Street (and wrote the song “Positively 4th Street” about the time he lived there), as well as John Lennon, Jimi Hendrix, John Sebastian, Paul Simon, Ritchie Havens, and many others. In 1968, he left Music Inn to attend the Ali Akbar Khan School of Music in California. He studied under many of today's acknowledged masters of Indian music, including Ali Akbar Khan, Nikhil Banergee, and Ravi Shankar. He returned to New York City in 1976 as an accomplished performer. In 1993, Halpren retired and Slatnick became the owner, in 1998.  They do musical instrument repairs, specializing in repairing instruments few others do.In addition to maintaining Music Inn as an importer and distributor of musical instruments, he and Andy Dowty founded Limulus Musical Instruments. Limulus manufactures unique solid body sitars, sarods, ouds, tamburas, guitars, bass guitars, and custom built hybrid instruments.Music Inn also hosts live performances and open mics.Slatnick is also an accomplished music teacher, specializing in Indian raga.   Topics discussed:Greenwich Village as a historical hub of musical creativity and why so much music and art came from that small geographic location, his beginnings working at Music Inn, mastering repairs on instruments from all over the world, interacting with musicians who frequented Music Inn such as Bob Dylan, Paul Simon, John Lennon, Dave Van Ronk, etc., Slatnick's time studying at the Ali Akbar College of Music, his eventual taking over ownership of Music Inn from original owner Jerry Halpren, the changes and innovations he made in the store's operations. him and Andy Dowty founding Limulus   Music on this episode:"Bluegrass improvisation," by Adrian Koss and the Moonskippers"Old City" by Good Judgement (a.k.a. Dina Pfifer)All music used with permission. 

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor's biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid's collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid's work, and English ghazals written by poets like Adrienne Rich which he critiqued. Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi's Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers' Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh. Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal' and ‘gazelle' share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle). Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor's biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid's collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid's work, and English ghazals written by poets like Adrienne Rich which he critiqued. Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi's Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers' Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh. Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal' and ‘gazelle' share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle). Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoices

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor's biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid's collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid's work, and English ghazals written by poets like Adrienne Rich which he critiqued. Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi's Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers' Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh. Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal' and ‘gazelle' share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle). Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor's biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid's collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid's work, and English ghazals written by poets like Adrienne Rich which he critiqued. Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi's Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers' Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh. Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal' and ‘gazelle' share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle). Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor's biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid's collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid's work, and English ghazals written by poets like Adrienne Rich which he critiqued. Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi's Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers' Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh. Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal' and ‘gazelle' share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle). Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

World-renowned guitarist Sharon Isbin takes us on a personal tour of her two latest albums: Affinity and Strings for Peace. Affinity is loaded with works written for Isbin, including the title track – a new guitar concerto by Chris Brubeck which contains a musical nod to his late father, legendary jazz musician Dave Brubeck (whose centenary is in 2020). Also on that disc: works that span the global palette from Tan Dun, Leo Brouwer, Antonio Lauro, and Richard Danielpour (whose song settings of Rumi poems also feature the wonderful mezzo-soprano Isabel Leonard). Sharon also introduces us to Strings for Peace, her collaboration with Sarod master Amjad Ali Khan that presents four Ragas masterfully arranged for Sharon with sarods and tabla, thus drawing compelling connections between Western and Indian classical music. Social Media Links: Facebook: https://www.facebook.com/SharonIsbin Twitter: https://twitter.com/SharonIsbin YouTube: https://www.youtube.com/user/SharonIsbin Photo credit: J. Henry Fair

My guest this month is Wendy Doniger. Read more about her and her many wonderful books here and here. She was educated at Radcliffe, the only part of Harvard then to admit women, and at Oxford. She has taught at SOAS, but has spent most of her career at the University of Chicago's Divinity School, on the Committee on Social Thought, and in South Asian Languages and Civilizations.Among her teachers, she lists Daniel Ingalls at Harvard, Robert Zaehner at Oxford, and in India, Ali Akbar Khan, from whom she learnt to play the Sarod, and the Purāṇic scholar Rajendra Chandra Hazra.Among the many texts that find mention today are the Kāmasūtra,  Kālidāsa's Kumārasaṃbhava (and that same story as it appears e.g. in the Śivapurāṇa), the story of Nala from the Mahābhārata, and among Professor Doniger's own books, The Origins of Evil in Hindu Mythology, Dreams, Illusion and Other Realities, The Donigers of Great Neck and An American Girl in India, which she talks about here. Read more about Mircea Eliade,  Santiniketan,  the mā niṣāda śloka,  and see the hotel from Gentlemen's Agreement.Among the books Wendy Doniger recommends for kindling our interest in India are The Wonder That Was India, Midnight's Children, A Passage to India, Village India, The Inner Life of Dust, the works of A. K. Ramanujan.Her review of the Goldman translation of The Rāmāyaṇa can be found here.  

Sarod virtuosos Amaan and Ayaan Ali Bangash chat with Host Eva Bhatt about their love for Sarod & their phenomenal contribution towards the global music industry & excellence in the classical & contemporary music sphere.  Disciples of their father, the great sarod maestro Ustad Amjad Ali Khan, they represent the seventh generation of a musical lineage known as the Senia Bangash school.  ‘We for Love' is a project curated, produced & presented by the Bangash brothers, to raise awareness for the ‘Justice for Every Child' campaign', launched by Nobel Peace prize recipient Mr. Kailash Satyarthi. This campaign provides legal and mental health support to child victims of rape and sexual abuse. Listen to this exclusive conversation about their learning from Ustadji, some tips for aspiring musicians and the making of this album that also features Ustad Amjad Ali Khan, Karsh Kale, Malini Awasthi, Mahesh Kale, Shubha Mudgal & Karan Johar.  Write to the host - at eva.bhatt@9xmedia.in or Follow her on Instagram  @evabhattpodcast Facebook: 9XM.in  Twitter: @9XMHaqse  Instagram: 9XMIndia 

Mr M gets acquainted with the world renowned Sarod maestro, Ustad Amjad Ali Khan. Ustad Ji allows Mr. M to meet him at his house many times to enjoy music sessions. One day, Ustad Ji is getting ready for Riyaaz and asks Mr. M to leave. What is the meaning of Riyaaz? What happens next?‍You will have to listen in to find out.‍Do check out all episodes @ waysidestations.com!If you enjoyed this episode, do share it with a close friend who is a fan of Ustad Ji.If you loved this episode, check out other interesting episodes as well @ waysidestations.com!

SUITSTATIC ( New Delhi, INDIA) SuitStatic, the first Indian DJ/Producer to have an upcoming release on Kryder's imprint, Sosumi Records, is New Delhi's best-kept secret. His latest track ‘Sarod', has been Kryder's go-to weapon on his weekly podcast Kryteria Radio and his live sets. As an artist, he is breaking barriers and blending genres to showcase a sound that is his own. SuitStatic sets bring nothing but the best and fresh Groove, Tech, Tribal and Latin House flavors to the dance floor. Besides his passion for electronic music, Suitstatic is also a Singer/ Songwriter, and will be unleashing his signature sounds with many more exciting releases in the pipeline in the coming months. Catch SuitStatic, at a club near you!

Sarang Kulkarni sarod player exclusive interview part 03 only on Raaggiri. Sarang Kulkarni belongs to a family of musicians. His father, Pt. Rajan Kulkarni is a distinguished Sarod player himself. His grandfather, Pt Vinayakrao Kulkarni and his brother, late Pt Raghunathrao Kulkarni were the disciples of the legendary Vishnu Digambar Paluskar. In today's generation Sarang is a dynamic young sarod artist and a versatile composer. --- Send in a voice message: https://anchor.fm/raag-giri/message

Watch Sarang Kulkarni sarod player exclusive interview only on Raaggiri. Sarang Kulkarni is a professional sarod player based out of Pune, Maharashtra. He is disciple & son of Pandit Rajan Kulkarni. In today's generation Sarang is a dynamic young sarod artist and a versatile composer. He comes from a family of musicians. His father, Pt. Rajan Kulkarni is a distinguished Sarod player himself. His grandfather, Pt Vinayakrao Kulkarni and his brother, late Pt Raghunathrao Kulkarni were the disciples of the legendary Vishnu Digambar Paluskar. --- Send in a voice message: https://anchor.fm/raag-giri/message

Sarod player and versatile composer Sarang Kulkarni exclusive interview only on Raaggiri. He represents the third generation of his family into music. Sarangs musical journey began very early by learning tabla and classical vocals. It was at the age of 13 that Sarang was moved by the deep tonal quality of Sarod and its various possibilities. Sarang has been learning Sarod under the guidance of his father-guru Pt.Rajan Kulkarni, ever since. His playing reflects a traditional approach in building the environment of the raga with intense alaapi and jod. Sarang has developed a unique instrument combining the structure and the style of sarod and the electric guitar merging into an electric sarod. This unique instrument was named Z ROD by Ustaad Taufiq Qureshi. --- Send in a voice message: https://anchor.fm/raag-giri/message

Sitar player Anupama Bhagwat exclusive interview only on Raaggiri by Shivendra Kumar Singh. She was introduced to playing sitar at the age of 9 by Shri. R. N. Verma. At the age of 13, she had the privilege to train under Bimalendu Mukherjee of the Imdadkhani Gharana. Doyen of the Imdadkhani Gharana, Acharya Bimalendu Mukherjee was primarily a Sitarist, though he was proficient in almost all traditional Indian instruments like RudraVeena, Saraswati Veena, Surbahar, Sursingar, Mandrabahar, Dilruba, Esraj, Tar Shehnai, Sarod, and Pakhavaj. He was equally adept in vocal music. ⏰ So, what is RaagGiri? ⌚ Raaggiri Trust creates, develops, and promotes a mindset that encourages social changes & reforms in society. Music is the universal language of mankind, with this thought Raaggiri aims to establish a connection with the weak the helpless, the underprivileged & the especially able. We are trying to contribute in their progress, recreation & resettlement ✅The Drive of creating a positive society through music is Raaggiri! ✅That engages everyone's life is Raaggiri! ✅The hope of nation-building is Raaggiri! We enable classical music to give life to it. It is an effort to connect Indian culture reaching talent of every level. It has to be nurtured and promoted. That's our mission. Music is creation. It connects us with society and helps in bringing about a change. The result of RAAGGIRI is to develop and promote all forms of music; all areas of culture and tradition, by collaborating with government-public-private organizations. Our Focus is to establish connections with the weaker, underprivileged, scheduled castes, Dalits, minority, and physically and mentally disabled people through music, thus contributing to their progress, resettlement, and recreation. --- Send in a voice message: https://anchor.fm/raag-giri/message

My latest guest Aziz Ibrahim is another true delight - a creator of sound scapes, visionary sounds and guitar magic like very few people on this planet. Founder of the ‘Desi GuitR' & the ‘Asian Blues' - Aziz is known for his role & work as lead guitarist for Simply Red, The Stone Roses and several internationally acclaimed bands and artists including Ian Brown, Paul Weller, Steven Wilson, Asia, Rebel MC & Errol Brown (Hot Chocolate).  Aziz tells stories of meeting with Paul, forming a magical bond with him + Steve's White and Cradock, Mick Talbot and tales of creating fabulous music together. We hear about his solo work, which includes the lost LP Lahore To Longsight‘ and the EP ‘Middle Road‘ which both feature contributions from Paul Weller. If you want to support the podcast financially, you can buy me a virtual coffee via the link below (£3) Buy me a coffee on ko-fi   To hear Aziz & Paul's Collaborations check out the links below... Aziz Ibrahim Website Middle Road - Lahore to Longsight Helioscentric - (B-Side to 'He's The Keeper') Illumination - Spring (At Last) - with Aziz on Sarod, Tambura [Electric] Illumination - All Good Books - with Aziz on guitar 22 Dreams - God - with Aziz on vocals Sonik Kicks - Sleep of the Serene (co written with Aziz) Sonik Kicks - By The Waters (co written with Aziz)

At home on stage in India and around the world since pre-adolescence, multiple national-award winner Pratik Shrivastava is a rare representative of Indian musicians whose rootedness in the tradition of Indian Classical Music blends seamlessly with innovation authentically relevant to a global South-Asian lens.   Initiated into the art of playing the Sarod by grandfather Pandit Rabi Chakraborty, of the “Maihar Gharana”, he was mentored his uncle Dr. Rajeeb Chakraborty. Under the observant and nurturing eye of his mother, eminent sitarist Rina Shrivastava, who decided to move the family to Kolkata from Hyderabad for Pratik's music Education in the earlier years.   We catch up in Kolkata briefly before his move to Mumbai to exchange notes on the complex nature of the genre 'Fusion', his journey to an alternative around its murkiness, music education, and the time we met at 3 in the morning for one of the most enjoyable studio-sessions of my life.   This episode is brought to you by www.holisticpianoacademy.com    Download the soundtrack to this episode at http://bit.ly/someoneintro    Recorded on a Zoom L8 mixer kindly sponsored by https://www.sound-service.eu        Connect with Pratik:   Instagram: instagram.com/sarodpratik  YouTube: https://www.youtube.com/user/Sarodshri Facebook: https://www.facebook.com/sarodpratik/ Connect with T.L.: Artist Website: www.everynowheremusic.com Coaching: www.holisticpianoacademy.com  Instagram: https://www.instagram.com/everynowheremusic/ Spotify: https://spoti.fi/39S0dP5 Facebook: https://www.facebook.com/tlmusician Twitter: https://twitter.com/tlmazumdar

A 2014 recording. Zareen Daruwala was born on 9 October 1946. She was a child prodigy and a celebrated sarod player of India. Zarin had been known for her on-stage performances besides her trysts with the film studios in the tinsel city. She had been a pioneering female hand to play the sarod, a stringed instrument believed to have been an Indian adaptation of central Asia's rabab. If its feature of having no frets makee many believe that sarod is tough to play, Zarin's religion made her entry into north Indian classical look as someone all the more alien: ‘that Parsi girl', as many referred to her initially. Zarin was barely into her teens when she played for the title music for the 1960 movie Maasoom, though her steadier engagement with Bollywood began only by the middle of that decade. Her work in the studios also gifted the musician her future husband: sitarist Ashok Sharma. Zarine Sharma, once a child prodigy, had kickstarted her career at the age of 4 on the harmonium. She was trained by Manohar Chimote, Bhishmadev Vedi and P Madhukar; all renowned harmonium players. She was enthralled by the sound of the great Ali Akbar Khan's sarod when she was all of six. “In 1952, I had gone to perform my harmonium solo recital at the ‘Sur Singar Sansad' which would have its Haridas Sangeet Sammelan at the Cowasjee Jehangir Hall.After my performance was over, I listened to other musicians. The evening concluded with a sitar-sarod jugalbandi by Pandit Ravi Shankar and Ustad Ali Akbar Khan. I was unaware what the instruments were called, but I was irresistibly drawn to the sound of the sarod,” recalls Sharma.Having begun her career in films with Rajesh Roshan in 1964, Sharma has embellished songs like Mere naina saawan bhaado and Naam gum jaayega with her Sarod strains.While her training with vocalists like Laxmanprasad Jaipurwale and violinists V G Jog, S N Ratnajankar and SCR Bhatt gave her insights into ragas, she mastered the technique of sarod-paying from Haripad Ghosh. “I have always learned with a sense of determination. I remember Jaipurwale humming a tappa once.I requested him to teach me the form. He thought it was not possible to reproduce the difficult patterns on the sarod. After rigorous practice, I could do that,” she says.Sharma performs her tappas with effortless ease on the Sarod and has fashioned her own style a fascinating marriage of gayaki and tant styles She was trained by several eminent musicians like Pandit Haripad Ghosh, Pandit Bhishamdev Vedi, Khayal vocalist Pandit Laxman Prasad Jasperware (doyen of Jaipur & Goswami Gharana) , violinist Pandit V.G. Jog (1922-2004) and Pandit Shrikrishna Narayan Ratanjankar (1900-1974) of Agra Gharana.One of the very few female Sarod players represented on highest level the Hindustani vocal style Agra Gharana. She became Zareen Sharma after she married the famous sitarist Pandit Ashok Sharma (youngest son of Bhagatram, the famous Husnalal-Bhagatram film music duo).As a musician of the top order she received several honours including Sangeet Natak Academy Award in 1988 and Maharashtra Gaurav Puraskar in 1990. Zarin Daruwala passed away on 20 December 2014 in Mumbai. Audio extract of this program. Anchor-Producer: Irfan Camera: Anirban Sadhu Editing: Abaan --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message

12 July 2014 recording, Mumbai. Starts with a Sarod piece by Zarin Daruwala Sharma followed by casual gupshup at home. Zarin starts with Kersi (Lord) ka kaisa raha? How was the experience of recording last evening with Kersi Lord? This is an audio recording at Zarin Daruwala Sharma's residence in Mumbai where I am talking to Zarin Daruwala Sharma. She played few pieces of her Sarod and her husband Ashok Sharma can also be heard in the background along with my friend cameraman Anirban Sadhu. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message

New Homes, is a newly-composed, ground-breaking musical work by Hari Sivanesan written for a classical string quartet in the style/structure of a Western quartet whilst adhering to the austere classicism of the Carnatic (South Indian) genre. Featuring the Sarod, (17 stringed plucked lute), Taus (28 stringed, fretted, bowed lute), Veena (6 stringed lute) and Double Bass. - ஹரி சிவனேசன் என்ற இசைக்கலைஞரால் புதிதாக இயற்றப்பட்ட நான்கு வெவ்வேறு தந்தி இசைக்கருவிகளின் சங்கமம் - New Homes என்ற பெயரில் இந்த வார இறுதியில் மேடையேறுகிறது. தென்னிந்திய இசைக்கருவி வீணை, வட இந்திய இசைக்கருவி சரோட், சீக்கிய இசைக்கருவி Taus, மேற்கத்திய இசைக்கருவி Double Bass நான்கும் ஒரே இசையை மீட்க இருக்கின்றன. அத்துடன், புகழ்பெற்ற பாடகர், ஆசிரியர் மற்றும் இசையமைப்பாளர் உத்ரா விஜய் எழுதிய கர்நாடக பாடல்களும் நிகழ்ச்சியின் இரண்டாம் பாகத்தை அலங்கரிக்க இருக்கிறது.

On our final episode of Season 1 ‘Victory against the odds‘ on Indian Artpreneur Podcast, we speak to Music Maestro Smt. Sudeshna Bhattacharya, residing in Oslo, Norway. Smt. Sudeshna began to learn at the age of four from her father Pandit Shri Krishnamohan Bhattacharya and later at the age of eight she began to learn sarod from one of the greatest sarod maestroes of the world, the legend Ustad Amjad Ali Khan. Smt. Sudeshna became Ustad Amjad Ali Khan Gandabandh disiple. In 2003 the Ministry of Culture in France invited her to the Strictly Mondial international festival, and offered her a ten year contract. She lived in Marseilles where she gave concerts, recordings and participated in French cultural happenings with the support of the French Ministry of Culture. In 2015, she moved to Norway, and is a university lecturer for master students at the Norwegian Academy of Music, and continues touring the world for her concerts, recording albums, and making musical projects.

How the musical journeys of Australian-Irish musician and sarod player, Matthew Noone, fetched up in a rainy cabin in Co Clare.

SUITSTATIC ( Nee Delhi, INDIA) SuitStatic, the first Indian DJ/Producer to have an upcoming release on Kryder’s imprint, Sosumi Records, is New Delhi’s best-kept secret. His latest track ‘Sarod’, has been Kryder’s go-to weapon on his weekly podcast Kryteria Radio and his live sets. As an artist, he is breaking barriers and blending genres to showcase a sound that is his own. SuitStatic sets bring nothing but the best and fresh Groove, Tech, Tribal and Latin House flavors to the dance floor. Besides his passion for electronic music, Suitstatic is also a Singer/ Songwriter, and will be unleashing his signature sounds with many more exciting releases in the pipeline in the coming months. Catch SuitStatic, at a club near you!

World-renowned guitarist Sharon Isbin takes us on a personal tour of her two latest albums: Affinity and Strings for Peace. Affinity is loaded with works written for Isbin, including the title track – a new guitar concerto by Chris Brubeck which contains a musical nod to his late father, legendary jazz musician Dave Brubeck (whose centenary is in 2020). Also on that disc: works that span the global palette from Tan Dun, Leo Brouwer, Antonio Lauro, and Richard Danielpour (whose song settings of Rumi poems also feature the wonderful mezzo-soprano Isabel Leonard). Sharon also introduces us to Strings for Peace, her collaboration with Sarod master Amjad Ali Khan that presents four Ragas masterfully arranged for Sharon with sarods and tabla, thus drawing compelling connections between Western and Indian classical music. Social Media Links: Facebook: https://www.facebook.com/SharonIsbin Twitter: https://twitter.com/SharonIsbin YouTube: https://www.youtube.com/user/SharonIsbin Photo credit: J. Henry Fair

World-renowned guitarist Sharon Isbin takes us on a personal tour of her two latest albums: Affinity and Strings for Peace. Affinity is loaded with works written for Isbin, including the title track – a new guitar concerto by Chris Brubeck which contains a musical nod to his late father, legendary jazz musician Dave Brubeck (whose centenary is in 2020). Also on that disc: works that span the global palette from Tan Dun, Leo Brouwer, Antonio Lauro, and Richard Danielpour (whose song settings of Rumi poems also feature the wonderful mezzo-soprano Isabel Leonard). Sharon also introduces us to Strings for Peace, her collaboration with Sarod master Amjad Ali Khan that presents four Ragas masterfully arranged for Sharon with sarods and tabla, thus drawing compelling connections between Western and Indian classical music. Social Media Links:Facebook: https://www.facebook.com/SharonIsbinTwitter: https://twitter.com/SharonIsbinYouTube: https://www.youtube.com/user/SharonIsbin Photo credit: J. Henry Fair

Hrishi K with Amaan & Ayaan Ali Bangash - Sarod by Hrishikesh Kannan

This episode of Sonosphere features the North Indian instrument, the sarod. One of the most popular instruments in Hindustani music, the sarod's 20th century master was Indian composer, teacher and musician, Ali Akbar Khan. We speak with contemporary sarod virtuoso, Ken Zuckerman about mastering the demanding instrument and how he and Khan brought various innovations and inventions to the sound.  For more info visit www.sonospherepodcast.com @sonospod

Sarod player Soumik Datta discusses King Of Ghosts, the classical Indian films with original score in association with City of London Sinfonia.

On this episode, Laura speaks with Christina Rasmussen, acclaimed grief educator, and the author of Second Firsts and Where Did You Go? She is the founder of The Life Reentry Institute and has helped countless people break out of what she has coined the “waiting room” of grief to rebuild their lives through her Life Reentry Model. She describes grief as a catalyst for redefining identity and introduces a new model of grief based on the science of neuroplasticity. Her institute’s mission is to bring forth a new way of speaking about and embracing loss within the medical, corporate, and social environments. Her work has been featured on ABC News, Washington Post, Maria Shriver, and the White House Blog. Christina describes to Laura the processes she has discovered for connecting with loved ones that have passed and the science that supports these experiences. They also discuss the personal tragedy that was the catalyst for Christina’s latest book, Where Did You Go?, and the joy that comes from this ability to change your relationship to grief. A skeptic of conventional mystical and religious descriptions, Christina instead draws on basic principles of brain science and quantum physics to explore other dimensions. You can find out more about Christina on her website, christinarasmussen.com. This episode’s featured musical artist is internationally acclaimed Sarod master, Rajeev Taranath, who is considered one of the world’s leading exponents of the Sarod. He is the recipient of many awards, including the Indian government’s highest accolade in the arts, the Sangeet Natak Akademi Award, as well as the prestigious Chowdiah Award for excellence in the field of instrumental music. For more information about Rajeev and his music, visit rajeevtaranath.com.

Here's our first recording from Ragas Live Festival 2018! A beautiful set from 11pm to midnight from Anirban Dasgupta (sarod), Mir Naqibul Islam (tabla).   Anirban is the youngest son and disciple of Pt. Buddhadev Dasgupta. Needless to mention, he grew up with the very best ambience of Indian Classical music, with his older sibling, Bhavani Shankar also following his father’s footsteps. Not to be left behind, Anirban also took to playing the Sarod from an early age under the able guidance and tutelage of his illustrious father. A wonderful product of innate talent, years of grueling toil and delicate musical nurture, Anirban remains an extremely humble and self-effacing artist. In 1987, he stood first in the All India Radio Music Competition. He has performed widely in India as well as in the UK, Netherlands, Germany, Belgium and USA.   Mir Naqibul Islam (tabla) is a classical music performer in Bangladesh and New York, both as a soloist and an accompanist. Though trained in a purely traditional style, he incorporates many genres and influences into his playing. He is fortunate to have Shri Ashoke Paul, a disciple of Padmabhushan Pandit Jnan Prakash ghosh, as his guru for the past 17 years, learning the technical and aesthetic aspects of tabla playing. Mir has also learned from Janab Syed Hafizur Rahman, Shri Madan Gopal Das, and Pandit Suresh Talwalkar. Mir is currently taking musical instruction from Pandit Anindo Chatterjee.

Stephen Day returns to All About Guitar and we talk about his new album, "One Heart Highway." Stephen's new release features more of his remarkable playing of the Sarod, a popular Indian instrument, as popular as the sitar. We take a closer look at Stephen's new work, the music, it's structure, harmony, and the spiritual significance of all these elements and the album itself! https://stephendaymusic.com/

Stephen Day returns to All About Guitar and we talk about his new album, "One Heart Highway." Stephen's new release features more of his remarkable playing of the Sarod, a popular Indian instrument, as popular as the sitar. We take a closer look at Stephen's new work, the music, it's structure, harmony, and the spiritual significance of all these elements and the album itself! https://stephendaymusic.com/

Olivier Nussbaum et Jacques Bouduban présentent leur projet unique : Un violoncelle du Jura et un Sarod de Calcuta. Dans "Folklore Imaginaire" les deux musiciens dévoilent des musiques inédites et originales...

Olivier Nussbaum et Jacques Bouduban présentent leur projet unique : Un violoncelle du Jura et un Sarod de Calcuta. Dans "Folklore Imaginaire" les deux musiciens dévoilent des musiques inédites et originales...

2018 is the eighth year of Songlines Encounters Festival and the most ambitious yet. It does what it has always done – bring high-quality artists from around the world championed by Songlines magazine to play music in the superb environment of Kings Place, London. Songlines Editor-in-Chief Simon Broughton interviews Soumik Datta about the seasons and time-cycles of North Indian music, ahead of his upcoming performance on Sunday June 3. This year’s festival runs from May 31 - June 6 2018. For more information visit Kings Place

Celebrated sarodist Soumik Datta returns to Kings Place in June as part of Songlines Encounters Festival to explore the seasons and time-cycles of North Indian music. Songlines magazine Editor-in-Chief Simon Broughton interviews Soumik about the seasons and time-cycles of North Indian music, ahead of his upcoming performance on Sun 3 Jun. 31 May - 6 Jun 2018 bit.ly/2mC4sGJ

The sarod is a traditional East Indian instrument and, along with the sitar, is one of the most prominent and popular instruments in India and Hinduism. Stephen Day is an accomplished artist and sarod player and we take a closer look at this fascinating and beautiful instrument. We take a listen to Stephen's performance on the instrument, both in a traditional and contemporary context.

The sarod is a traditional East Indian instrument and, along with the sitar, is one of the most prominent and popular instruments in India and Hinduism. Stephen Day is an accomplished artist and sarod player and we take a closer look at this fascinating and beautiful instrument. We take a listen to Stephen's performance on the instrument, both in a traditional and contemporary context.

The sarod is a traditional East Indian instrument and, along with the sitar, is one of the most prominent and popular instruments in India and Hinduism. Stephen Day is an accomplished artist and sarod player and we take a closer look at this fascinating and beautiful instrument. We take a listen to Stephen's performance on the instrument, both in a traditional and contemporary context.

SUITSTATIC (New Delhi, India) SuitStatic, the first Indian DJ/Producer to have a release on Kryder’s imprint, Sosumi Records, is New Delhi’s best-kept secret. His latest track ‘Sarod’, has been Kryder’s go-to weapon on his weekly podcast Kryteria Radio and his live sets. It has also received support by the likes of David Guetta, Benny Benassi, Dannic, Thomas Gold and many more. As an artist, he is breaking barriers and blending genres to showcase a sound that is his own. SuitStatic sets bring nothing but the best and fresh Groove, Tech, Tribal and Latin House flavors to the dance floor. Besides his passion for electronic music, Suitstatic is also a Singer/ Songwriter, and will be unleashing his signature sounds with many more exciting releases in the pipeline in the coming months. Links https://soundcloud.com/suitstatic https://www.facebook.com/suitstatic https://www.instagram.com/officialsuitstatic officialsuitstatic@gmail.com

This track is a soft and soothing music piece created by me, keeping love as a divine feeling in mind. This has programmed element of string instruments like the Violin and Sarod. The Bass is recorded live and played by me. I had created this track for a fashion photography video.

ACCENT ON! host ILona Europa interviewed ABHI GOWDER - beautiful talented singer and her Daddy Shiva Gowder. ILona Europa is writing and producing songs on Abhi new album. YANNIKCOLLIN actor/model/rapper yannikcollin.com is rapping on ABHI's "Bollywood Dreams" single and our guest STEPHEN DAY facebook.com/stephendaymusic played on Sarod. Also interview with NATHALIE RUDOLPH – Actress n.rudolph@aol.com nathalierudolph.com facebook.com/nathalie.rudolph.actress

ACCENT ON! host ILona Europa interviewed ABHI GOWDER - beautiful talented singer and her Daddy Shiva Gowder. ILona Europa is writing and producing songs on Abhi new album. YANNIKCOLLIN actor/model/rapper yannikcollin.com is rapping on ABHI's "Bollywood Dreams" single and our guest STEPHEN DAY facebook.com/stephendaymusic played on Sarod. Also interview with NATHALIE RUDOLPH – Actress n.rudolph@aol.com nathalierudolph.com facebook.com/nathalie.rudolph.actress

With Sarang Kulkarni on Sarod

Humanitarian Radio Hosts Tony Saint Tone & Janie Boisclair Interview Jules Stewart and Stephen Day Jules Stewart the creator of the Jules Stewart Project is an Artist, Writer, and Indie Filmmaker who has taken her talents to help the Wolf Conection. A non profit organization that helps at -risk kids by working with wolves and wolf dogs. Stephen Day is a Sarod player and a concious musician that is writing songs that helps lift your spirit. He is also the founder of the non-profit organization Ombience which encourages self-reflection through the Arts. Jules Stewart  -  www.JulesStewartProject.com    www.wolfconnection.org   Stephen Day -  www.StephenDayMusic.com   Positive Songs this week "Road to Me" By Saint Tone and "Namaste" by Stephen Day More Positive Music at www.SaintTone.com  www.Facebook.com/SaintTone CONTACT US & LISTEN TO MORE SHOWS AT www.HumanitarianRadio.com Tony@HumanitarianRadio.com

The Philharmonia Orchestra were delighted to be invited to the Classical Stage at London Mela 2013, to perform Ustad Amjad Ali Khan's composition 'Samaagam', played on the sarod by his two sons Amaan and Ayaan. In this film we speak with the two brothers before their performance, as well as with conductor David Murphy, who spent a considerable amount of time in Delhi with the composer. We also hear from the Mela's Artistic Director Ajay Chhabra, on the history of the Mela and the continuing relationship with the Philharmonia.

The Philharmonia Orchestra were delighted to be invited to the Classical Stage at London Mela 2013, to perform Ustad Amjad Ali Khan's composition 'Samaagam', played on the sarod by his two sons Amaan and Ayaan. In this film we speak with the two brothers before their performance, as well as with conductor David Murphy, who spent a considerable amount of time in Delhi with the composer. We also hear from the Mela's Artistic Director Ajay Chhabra, on the history of the Mela and the continuing relationship with the Philharmonia.