Podcasts about wildenstein

Ep.237 Amanda Coulson has worked for three decades as a scholar, critic, curator and cultural producer, having collaborated with artists and institutions, private and corporate colleagues, in the US, Europe, and various sites in the Caribbean. A dual-national (Bahamas/US), she grew up between London, Nassau, and New York, where she studied for her Master's Degree at the Institute of Fine Arts (NYU) and started her career at the Old Master dealers, Wildenstein & Sons, going on to work in various art galleries in London, Paris and Milan. Developing as a writer, Coulson spent 2 years as the international Editor of tema celeste, an Italian bi-lingual contemporary art magazine, before consolidating her critical practice writing for a variety of publications (Frieze, Modern Painters, ARTNews, among others) and providing critical texts for monographic gallery and museum shows. Coulson also worked as a freelance curator in Germany, organizing several exhibitions in Berlin, Frankfurt, Wiesbaden, Leipzig and Vienna (Austria), with special attention to Bahamian artists. Noting a lack of platforms for galleries representing emerging art, in 2005 she co-founded the VOLTA art fairs, which take place annually in New York and Basel, Switzerland. In 2011, she was invited home to The Bahamas to be Executive Director at the National Art Gallery of The Bahamas (NAGB), where her focus was on increasing global awareness of the contemporary Caribbean art scene and on expanding the capacity and reach of the NAGB through a rigorous combination of capital works, collaborative projects and the building of strong inter-island, regional and international networks. She served on the Davidoff Art Initiative (now Caribbean Art Initiative) Board from 2012-2018, and on the Board of the Museums Association of the Caribbean (MAC) until she stepped down from the NAGB in 2021, after a decade at the helm. She is the founding partner at TERN, a new Nassau-based gallery operated by three Bahamian women whose aim is to support Bahamian and Caribbean artists in telling their own stories the global stage. Image ~ Photo Credit: Blair Meadows Tern Gallery https://www.terngallery.com/ The Armory 2024 https://www.artsy.net/article/artsy-editorial-armory-2024-pommery-prize-awarded-anina-major The Armory 2023 https://www.thearmoryshow.com/info/past-exhibitors/2023/presents/tern C& https://amlatina.contemporaryand.com/places/tern-gallery/ VOLTA https://www.voltaartfairs.com/journal/volta-voices-amanda-coulson Festival Bahamar https://festival.bahamar.com/speaker/tern-gallery/ Bahamas Local https://www.bahamaslocal.com/showlisting/21880/Tern_Gallery.html Carib Voxx https://caribvoxx.com/tern-gallery-revolutionizing-caribbean-art-on-bahamian-terms/ Burn Away https://burnaway.org/daily/a-blue-haunting-between-the-caribbean-and-the-carolinas/ Culture Type https://www.culturetype.com/2021/06/01/on-view-tern-gallery-of-nassau-bahamas-presenting-slate-of-caribbean-artists-at-online-atlantic-world-art-fair/ interlocutorinter https://interlocutorinterviews.com/new-blog/2021/10/19/exhibition-feature-the-other-side-of-the-pentaprism-at-tern-gallery Cayman Art Week https://www.caymanartweek.com/amanda-coulson Frieze https://www.frieze.com/contributor/amanda-coulson ArtForum https://www.artforum.com/news/amanda-coulson-departs-national-art-gallery-of-the-bahamas-to-lead-new-tern-gallery-249206/ Our News https://ournews.bs/articles/regional/

Jocelyne Wildenstein ist tot. Wir blicken auf ihr tragisches Leben zurück.

Ten people shot outside nightclub in Queens.....New Jersey trying 11th hour legal challenge to congestion pricing,....Jocelyn Wildenstein - the so-called 'Catwoman' has died......Tonight you can see the first meteor shower of 2025 full 399 Thu, 02 Jan 2025 10:45:13 +0000 lHSMCT7h8yrvMEnDHwAa8DvOgLxqsM5A news 1010 WINS ALL LOCAL news Ten people shot outside nightclub in Queens.....New Jersey trying 11th hour legal challenge to congestion pricing,....Jocelyn Wildenstein - the so-called 'Catwoman' has died......Tonight you can see the first meteor shower of 2025 The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

Blockbuster Blake Stubbs, in for Dean Richards, joins Wendy Snyder (in for Bob Sirott) to talk about the Golden Globes nominations and the death of Jocelyn Wildenstein. They also share details about some movie releases for 2025 and legal battles concerning the stars of ‘It Ends with Us.’

¡Queridíchimos Radioescuchas? ¿Han visto la cara de esta mujer en millones de artículos de cirugías plásticas, y se han preguntado quién es y de dónde salió?Bueno.. aquí las respuestas de esta enigmática y exótica damisela…Hiii hiii

We dive into the intriguing and controversial life of Jocelyn Wildenstein, a socialite known for her extreme facial surgeries that led to her being dubbed "Catwoman" by the media. We explore the story behind her transformation, the impact of her wealth and relationships, and the challenges she faced both personally and publicly. Was her quest for beauty driven by personal insecurity, or was it a deliberate move to maintain relevance in high society? We also touch on her famous divorce from billionaire Alec Wildenstein and how it shaped her life. So, let's get into it. #jocelynwildenstein #catwoman Thank you to this episode's sponsor! • Cuire: There's a limited supply available, so head to mycuire.com to get your leather care kit today! Please support the Let's Get Into It Podcast: http://bit.ly/LetsGetIntoIt  Apple: http://bit.ly/LetsGetIntoItApple  Spotify: http://bit.ly/LetsGetIntoItSpotify 

L'histoire tient parfois à une nuance, comme on dit en peinture. Dans les appartements bourgeois, il n'est pas rare que votre hôte vous reçoive assis derrière un bureau de style Louis XV. Dorures, fers forgés, bois galbé, marqueterie. Daniel Wildenstein, lui, ne travaillait pas sur un bureau Louis XV… mais sur le bureau de Louis XV ! Quand on est un esthète parmi les esthètes et l'un des plus grands marchands de tableaux du XXe siècle, quand on reçoit les collectionneurs les plus riches du monde, il faut ce qu'il faut. Et l'anecdote fait toujours son petit effet – vraie ou fausse.Voici l'histoire de Daniel Wildenstein, coté courses. Car l'homme n'a pas seulement été une star dans le monde de l'art mais aussi l'un des plus célèbres propriétaires de chevaux du monde – gagnant tout, partout, au galop, en obstacle, au trot.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

En 2001 à Paris, le marchand d'art Daniel Wildenstein décède à 84 ans. Lors de la succession, ses fils ne déclarent au fisc que 43 millions d'euros de patrimoine. Où est passé le reste ? Et, où sont passés les tableaux ?

En 2001 à Paris, le marchand d'art Daniel Wildenstein décède à 84 ans. Lors de la succession, ses fils ne déclarent au fisc que 43 millions d'euros de patrimoine. Où est passé le reste ? Et, où sont passés les tableaux ?

Can we all live to 100? The new Netflix hit Live to 100: Secrets of the Blue Zones looks at areas on the planet where there are clusters of centenarians and makes it seem pretty easy. This week, the always funny Cazzie David reveals whether these secrets to living longer will (or will not) help her do so. Then John von Sothen reports on the court trial that has Paris buzzing. For four generations the Wildenstein family reigned over a colossal art-market dynasty in near-total secrecy. Now a legal case threatens to destroy it all. And finally, if you live in New York City, we hope you have seen the building that our critic Paul Goldberger has declared the best piece of new architecture along the New York waterfront right now, and, arguably, the most important. What is it? He'll join us with his insights. All this and more make it a show you won't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rachel Corbett is an American author and journalist. She won the Marfield Prize in 2016, the National Award for Arts Writing. She has written for The NY Times, The New Yorker and the New York Times Magazine along with many other major global news outlets.

Episode 2. Le procès de la famille de marchands d'art pour fraude fiscale est aussi celui du système des trusts. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et Valérie de Senneville reviennent sur les ressorts de cette affaire judiciaire renvoyée pour la troisième fois devant la cour d'appel de Paris après avoir remonté le fil de l'ascension d'une dynastie du monde des arts dans le premier épisode.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en septembre 2023. Rédaction en chef : Clémence Lemaistre. Invitée : Valérie de Senneville (grand reporter au service Enquêtes des « Echos »). Réalisation : Nicolas Jean. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Thomas Padilla/Ap/SIPA. Sons : « La Vengeance d'une blonde » (1994), BFM TV, « Robin des Bois » (1973), Rachmaninov « L'Île des morts op. 29 » par l'Orchestre philharmonique de Radio France, « Scarface » (1983). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode 1. La famille Wildenstein retrouve la cour d'appel de Paris à partir de lundi 18 septembre pour un troisième procès sur une complexe fraude fiscale. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et Valérie de Senneville remontent le fil de l'ascension et de la chute d'une dynastie hors normes du monde de l'art.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en septembre 2023. Rédaction en chef : Clémence Lemaistre. Invitée : Valérie de Senneville (grand reporter au service Enquêtes des « Echos »). Réalisation : Nicolas Jean. Musique : Théo Boulenger. Identité graphique : Upian. Photo : /Ap/SIPA. Sons : France 24, « OSS 117, Le Caire nid d'espions » (2006), « Rien à déclarer » (2010), « Amicalement vôtre » (1971), « Titanic » (1997), Carlos « Dis bonjour au monsieur » (1978), « Le Parrain » (1972), « Out of Africa » (1985). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nick is joined by Lydia Hislop to take a look at the major stories in racing across the globe this Monday morning. They are joined today by Frankie Dettori, who reflects on his Deauville Group One success aboard Inspiral and explains why it meant so much to him. He also looks ahead to his ride on Mostahdaf in the Juddmonte International. Nick and Lydia also dissect big races in Ireland and Germany, while Saffie Osborne drops in to talk about the continuation of her great run in the Shergar Cup. Keeneland Director of Sales Tony Lacy joins us to talk about the publication of the huge yearling sale catalogue and comments on the necessary cross pollination of European and American blood, while French correspondent Adrien Cugnasse comments on the weekend rumours surrounding the possible Wertheimer acquisition of Wildenstein stock. Finally Ed Bethell gives a positive bulletin on his Nunthorpe contender Regional. Nick and Lydia also discuss the case of pro punter Alan Potts, forced to close down his betting account as a result of the effects of affordability checks.

Nick is joined by Lydia Hislop to take a look at the major stories in racing across the globe this Monday morning. They are joined today by Frankie Dettori, who reflects on his Deauville Group One success aboard Inspiral and explains why it meant so much to him. He also looks ahead to his ride on Mostahdaf in the Juddmonte International. Nick and Lydia also dissect big races in Ireland and Germany, while Saffie Osborne drops in to talk about the continuation of her great run in the Shergar Cup. Keeneland Director of Sales Tony Lacy joins us to talk about the publication of the huge yearling sale catalogue and comments on the necessary cross pollination of European and American blood, while French correspondent Adrien Cugnasse comments on the weekend rumours surrounding the possible Wertheimer acquisition of Wildenstein stock. Finally Ed Bethell gives a positive bulletin on his Nunthorpe contender Regional. Nick and Lydia also discuss the case of pro punter Alan Potts, forced to close down his betting account as a result of the effects of affordability checks.

Nick is joined by journalist and broadcaster Lydia Hislop to discuss the latest from around the racing world. they devote much of today's episode to the rise and rise of Sussex Stakes winner Paddington and wonder whether he is worthy of the lofty comparisons afforded his by his trainer and jockey. Henri Bozo, of Ecurie des Monceaux, who raised and sold Paddington on behalf of the Wildenstein family, joins the show. Also today, Lydia brings an update on Auguste Rodin following her discussions with Aidan O'Brien, while Mick Appleby ponders a Nunthorpe and Breeders Cup bid for Molecomb winner Big Evs. Jamie Hart brings us a WorldPool update, Jane Mangan reports from Galway, and Neil Phillips is joined by Gusbourne's Jonathan White to toast Episode 800 of the podcast.

Nick is joined by journalist and broadcaster Lydia Hislop to discuss the latest from around the racing world. they devote much of today's episode to the rise and rise of Sussex Stakes winner Paddington and wonder whether he is worthy of the lofty comparisons afforded his by his trainer and jockey. Henri Bozo, of Ecurie des Monceaux, who raised and sold Paddington on behalf of the Wildenstein family, joins the show. Also today, Lydia brings an update on Auguste Rodin following her discussions with Aidan O'Brien, while Mick Appleby ponders a Nunthorpe and Breeders Cup bid for Molecomb winner Big Evs. Jamie Hart brings us a WorldPool update, Jane Mangan reports from Galway, and Neil Phillips is joined by Gusbourne's Jonathan White to toast Episode 800 of the podcast.

For episode five of Season Four and we're talking about A Pack of Storms and Stars, from the "Boulder Wolves" series, by Olivia Wildenstein. You can visit here for details of further books in the series. There will be some small plot point spoilers in our discussion of the book but we always try to warn you so you can skip ahead. As always with romance, we know there is going to be a HEA and our episodes aim to share the joy we take in following the characters on their journey towards it and prompt conversations exploring why SFF romance is so fantastic. These are adult romances, so warning for explicit language and please check content/trigger warnings for the book before listening if there are topics that you might find upsetting to hear about. If you'd like to watch via our YouTube channel (where there are subtitles available) you can find a link here: https://linktr.ee/SFFRomCast along with our social media details. We'd love to hear from you! All our music has been taken from the following track: https://uppbeat.io/t/danijel-zambo/fairytales (License code: 43DIFSVAZ90MEEQ8) Music from Uppbeat (free for Creators!)

This week on the Writers Advice Podcast I am joined by Fantasy Romance Author Olivia Wildenstein! On this episode Olivia and I chat about: -Her journey to becoming a writer -Writing and learning through many different genres -Writing series and spin offs -Writing fantasy romance -Self publishing and building a readership -Her new release - House Of Beating Wings Grab a copy of on of Olivia's books here. While you're there you can grab a copy of my new book Have We Met Before? or pre order my next release, Manifest. Think: Legally Blonde Meets Abraham Hicks Join Olivia's reader Facebook group here, and/or join the Writers Advice Facebook group here to find out who is coming up on the Podcast and submit your questions to up and coming guests. Also you can join my reading community and book club on patreon where for as little as $6 a month you can recieve three new chapters of my unreleased Young Adult contemporary, Paranomal and Speculative fiction books ever week! - Olivia Hillier is creating Young Adult Books | Patreon To Contact Olivia:Instagram: @olives21TikTok: @owildwritesWebsite: oliviawildenstein.com To Contact Me: Website: oliviahillier.comInstagram: @oliviahillierauthorTikTok:@oliviahillierauthor

Das Schloss Wildenstein auf dem Felskopf über der Aare bei Veltheim AG soll verkauft werden. Der Besitzer, seit 2010 der Aargauer Unternehmer Samuel Wehrli, hat eine Immobilienvermarktungsfirma mit dem Verkauf beauftragt. Er kann das Schloss aus gesundheitlichen Gründen nicht mehr betreuen. Weiteres Thema in der Sendung: * Nicht nur Spreitenbacher schätzen ihr eigenes Kommunikationsnetz – sollen Gemeinden Internet und Fernsehnetze betreiben oder sollen das Profis übernehmen? In der Schweiz gibt es fast 200 gemeindeeigene Netze.

This episode is also available as a blog post: https://forthenovellovers.wordpress.com/2017/03/31/rose-petal-graves-by-olivia-wildenstein/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This episode with Mike covers an extensive range of hoof-care topics, as he has a wealth of knowledge to share. We talked about quarter cracks, the differences between donkey's and horse's hooves, the WCF fellowship, infections of hoof wall and their treatment, heel length in shoeing, suspensory ligament desmitis… and much, much more. *Podcast subscribers get a discount on my books when ordered from curtisfarrierbooks.com - use the code PODCAST at checkout. You can also apply this code at Eventbrite for a big discount on my webinars!* Find me on Facebook & Instagram @drsimoncurtis 
Subscribe to my Youtube channel: youtube.com/drsimoncurtis The Hoof of the Horse is a hoof care & equine science podcast by Dr Simon Curtis. Tune in for expertise and interviews from the world of horse hoof care. Get in touch: thehoofofthehorse@gmail.com

En 2001 à Paris, le marchand d'art Daniel Wildenstein décède à 84 ans. Lors de la succession, ses fils ne déclarent au fisc que 43 millions d'euros de patrimoine. Où est passé le reste ? Et, où sont passés les tableaux ?

Olivia Wildenstein is a romance author who writes primarily urban fantasy and paranormal romance mixes. She is a USA Today's Bestselling Author with 17 published books and one set to be released in August of 2021. Her stories focus on creating fantasy worlds and looking at the real world through a paranormal lens. How does she create faerie worlds so different from those in other books? What Native American Tribe influenced the way she created her own in her stories? How did gender equality in the real world influence her creation of a series about one woman in an all-male pack? Did the movies and TV shows she grew up watching influence the worlds she decided to create? Dive into the fantasy worlds of The Lost Clan and the Boulder Wolves and find out.

Chaque semaine, sur Radio Shalom, Catherine Garson raconte un épisode différent de l'histoire des Juifs de France Elle nous parle aujourd'hui de Nathan Wildenstein, le fondateur de la célèbre famille de galéristes. Sans lequel, peut être, la peinture française du 18ème siècle auraient été oubliée

Le Talk #24 

Spécial Cheltenham 2021

With much of the world focused on bitcoin and ether as prices breach new all-time high after all-time high, the “Money Reimagined” crew embarks on a more nuanced journey, one that eschews world-changing networks for an art-changing renaissance that's been long in the making. We're talking, of course, about the nonfungible token (NFT) movement that has engulfed the world of crypto collectibles. With big brands like Christie's auction house and the National Basketball Association getting involved and some tokens already selling for six-figure sums, the question isn't if NFTs will force a very old industry to adopt some very new practices, it's when.On today's episode of CoinDesk's “Money Reimagined,” Michael Casey and Sheila Warren are joined by Nanne Dekking, CEO of Artory and formerly the top salesman at Sotheby's.Founded in 2016, Artory is creating the first standardized data collection solution by the art world, for the art world. In his former position at Sotheby's New York, Dekking was vice chairman and the worldwide head of Private Sales. His close relationships with collectors and museums were integral to the continued growth of private sales at Sotheby's. Prior to joining Sotheby's, Nanne was vice president of Wildenstein & Co. He advised individuals, museums and foundations on the formation and development of their collections. From 1996-2001 Nanne was the founder and principal of Nanne Dekking Fine Arts, an art consultancy firm and gallery in New York."Which scholar do I trust? Who in the art market do I trust?" Dekking said. "They don't want to trust anyone."In this wide-ranging introduction to NFTs, collectibles and the traditional art market, the discussion ranges from Sheila Warren's Cryptokitty genealogy to the challenges of selling paintings by the old masters in litigious modern markets, plus a whole lot more.“There are so many charitable things you can do with all this technology but ultimately you want the market to understand the commercial benefits of it. Then it goes fast. The moment you're in the realm of charity, it's like ‘this is such a nice idea' but in a way you're dead in the water already if the market just thinks this is only nice for a charitable reason," said Nanne Dekking, CEO of Artory and formerly the top salesman at Sotheby's. "As long as the market believes opaqueness will help [its] business model, which it doesn't any more, it's a very old-fashioned idea… The moment Art-Net came up, the moment Google existed … it's all about this crazy idea that you as a human being are so important in the sales process to an artwork. I mean, you're not." Image Credit: Anna Hunko/Unsplash modified by CoinDeskSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With much of the world focused on bitcoin and ether as prices breach new all-time high after all-time high, the “Money Reimagined” crew embarks on a more nuanced journey, one that eschews world-changing networks for an art-changing renaissance that's been long in the making. We're talking, of course, about the nonfungible token (NFT) movement that has engulfed the world of crypto collectibles. With big brands like Christie’s auction house and the National Basketball Association getting involved and some tokens already selling for six-figure sums, the question isn't if NFTs will force a very old industry to adopt some very new practices, it's when.On today's episode of CoinDesk's “Money Reimagined,” Michael Casey and Sheila Warren are joined by Nanne Dekking, CEO of Artory and formerly the top salesman at Sotheby's.Founded in 2016, Artory is creating the first standardized data collection solution by the art world, for the art world. In his former position at Sotheby’s New York, Dekking was vice chairman and the worldwide head of Private Sales. His close relationships with collectors and museums were integral to the continued growth of private sales at Sotheby’s. Prior to joining Sotheby’s, Nanne was vice president of Wildenstein & Co. He advised individuals, museums and foundations on the formation and development of their collections. From 1996-2001 Nanne was the founder and principal of Nanne Dekking Fine Arts, an art consultancy firm and gallery in New York."Which scholar do I trust? Who in the art market do I trust?" Dekking said. "They don’t want to trust anyone."In this wide-ranging introduction to NFTs, collectibles and the traditional art market, the discussion ranges from Sheila Warren's Cryptokitty genealogy to the challenges of selling paintings by the old masters in litigious modern markets, plus a whole lot more.“There are so many charitable things you can do with all this technology but ultimately you want the market to understand the commercial benefits of it. Then it goes fast. The moment you’re in the realm of charity, it’s like ‘this is such a nice idea’ but in a way you’re dead in the water already if the market just thinks this is only nice for a charitable reason," said Nanne Dekking, CEO of Artory and formerly the top salesman at Sotheby's. "As long as the market believes opaqueness will help [its] business model, which it doesn’t any more, it’s a very old-fashioned idea… The moment Art-Net came up, the moment Google existed … it’s all about this crazy idea that you as a human being are so important in the sales process to an artwork. I mean, you’re not." Image Credit: Anna Hunko/Unsplash modified by CoinDesk

Dans Historiquement Vôtre, M atthieu Noël b(r)osse le portrait d'une personnalité contemporaine, en lien avec le sujet du jour. Tout y est vrai... enfin à 99% ! Aujourd'hui, Jocelyne Wildenstein.

Dans Historiquement Vôtre, M atthieu Noël b(r)osse le portrait d'une personnalité contemporaine, en lien avec le sujet du jour. Tout y est vrai... enfin à 99% ! Aujourd'hui, Jocelyne Wildenstein.

This week I talked to Olivia Wildenstein and Katie Hayoz, both authors in their own right who have now written their newest novel, Of Wicked Blood, together. In this week's episode we chatted about what's involved and how to co-write a novel successfully.***Come join The Writing Sparrow on its very own Facebook fan page or its very own Instagram account!To find out more about Olivia, check out her website, find her or Twitter, or follow her on Instagram. To find out more about Katie, check out her website, find her or Twitter, or follow her on Instagram.Find out more about Sarina and her books on her website, and find her on Instagram and on Facebook.Support the show (https://www.patreon.com/sarinalanger)

Aujourd’hui, Arnaud Romain lit l’article de Michel Deléan: Evasion fiscale du siècle: les Wildenstein seront rejugés publié sur Mediapart le 6 janvier 2021.

Aujourd’hui, Arnaud Romain lit l’article de Michel Deléan: Evasion fiscale du siècle: les Wildenstein seront rejugés publié sur Mediapart le 6 janvier 2021.

Hi there, how much do you know about the world of 'celebrity'? It's not a subject Sandi usually pays any mind to, but today the life and times of a certain Jocelyn Wildenstein have captured her interest. You may remember that the press, rather unkindly, dubbed Jocelyn 'The Bride of Wildenstein' on account of a dramatic change in her appearance, the reason for which, is nobody's business but hers. The bigger question is, why should anyone even care? Well, as this was recorded on National Honesty Day perhaps we should learn to focus on if we're being told an untruth by the people who really count and could do us harm? Just a thought.......Remember though, We Will Get Past This and that IS the truth. See acast.com/privacy for privacy and opt-out information.

In this episode, I had the pleasure of sitting down with Michael Wildenstein CJF FWCF (Hons) at the International Hoof-Care Summit in Cincinnati, Ohio. Thank you to Dave Farley for the introduction. Michael was inducted into the International Horseshoers Hall of Fame in 2006. He is the former adjunct associate professor of Farrier Medicine and Surgery in the Department of Clinical Sciences of the College of Veterinary Medicine at Cornell University from 1991 - 2010.  He specialized in the shoeing of lameness cases and heavy horses.  He now spends much of his time coaching. Interested farriers, veterinarians or horse owners are welcome to call 607-279-7645 or email or mjw25@cornell.edu I hope you enjoy this interview as much as I did. Enjoy! 

In this episode, we talk with Michael Wildenstein, CJF, FWCF (Hons) of Sharon, Vermont. Mike is retired from teaching farrier at Cornell Vet School in Ithaca, New York and now offers his services as a referral or consulting farrier, working in a hands-on capacity with a horse's current farrier and/or veterinarian for special problems, or to help farriers improve their skill on their home ground with their own tools and their own horses. Mike is one of three people in the world to have passed the extremely distinguished Fellow of the Worshipful Company of Farriers examination in the United Kingdom with an "Honors" designation. We talk with Mike about how he got his start, lessons he has learned from his years as a farrier, and his thoughts on the future of farriery.

A little bit extra, every weekday morning, from LBC's longest-serving presenter.

Learn how a divorcee spent her $2.5 billion settlement and what mistakes to avoid.

Jeder Nutzer ruft mehr oder weniger oft beim Helpdesk an. Der Helpdesk ist die wichtigste Schnittstelle zwischen Nutzern und IT-Organisation. SLAs, Preise und Technik können noch so gut sein, wenn der Helpdesk einen schlechten Job macht, ist das alles egal. Du erfährst in diesem Podcast was GMV ist, wie das Wissen um die Abläufe im Unternehmen, Process Mining und Six Sigma helfen, dass der Helpdesk das Aushängeschild der IT wird. Du erfährst auch, was das mit Toner für den Drucker zu tun hat.

Puppet shows are just for kids, right? Guess again. The 5th Annual Orlando Puppet Festival presents “The Bride of Wildenstein”, a bawdy adult musical about the infamous Lion Lady, Jocelyn Wildenstein. Listen in to hear how Marsian, the puppeteer and star of “Bride” manages performing 10 characters and a major physical transformation.

Long revered as Monet’s most exquisite series, the Haystack paintings are remarkable for the range of light and weather conditions portrayed. In Haystacks, midday the edges of the stacks shimmer in the heat, and sunlight appears to radiate from the structures themselves. Elsewhere, in the snow scenes, the forms seem to absorb light. The practical nature of the stacks – a means of storing the harvest – receives less attention. When the sheaves of wheat or oats were cut, the cereal stacks were thatched with straw and left to stand until spring, and the arrival of the threshing machines that moved between villages. For a country still smarting from the effects of the Franco–Prussian war – and in a period when France seemed to be rapidly overtaken by industrialised Britain, Germany, the United States or even Russia – Monet’s choice of motif, like the series of poplar paintings that followed, was reassuringly French. The haystacks resonate with notions of rural productivity and the relative harmony of country life. Monet spent extended periods travelling and painting picturesque locations in and around France in the late 1870s to the 1890s – from Vétheuil on the Seine to the coasts of Normandy and Brittany, then London, Venice, Norway and the Mediterranean. Between late 1888 and February 1891 he painted at least thirty canvases of haystacks, of which fifteen were shown in May 1891 at Durand-Ruel’s gallery.1This exhibition built on Monet’s growing success: despite comparatively high prices, most of the Haystacks sold, many of them to American collections where they remain. In October 1890 he could afford to buy the house at Giverny that he had rented since 1883. Ten years later, Monet bought an adjoining field and, from the early 1900s, extended his famous garden with its bridges and ponds of waterlilies (fig. 22, p. 43). Pissarro wrote that Monet’s haystacks ‘breathed’ happiness, but at times the series caused the artist much anxiety.2 In October 1890 he complained about the difficulty of his work, especially his frustration at the time it took to capture instantaneous effects of light.3Haystacks, midday is certainly the result of a ‘long and continued effort’ with its layered paint and compositional changes indicating successive reworking in the field and in the studio. Monet gradually incorporated more and more colour – red–orange at the top of the stack, pink that flecks the stubblefield, touches of orange in the sky, shimmering yellow outlining the trees – until the whole surface of the canvas vibrates in the haze of the midday heat. His sensitivity to rapidly changing light, developed during three decades painting en plein air, as well as the initial haystack paintings made in the previous eighteen months, meant that he was able to extend the series under a greater range of conditions. Clearly it was the changing effects of light, an atmospheric enveloppe around the forms, rather than the stacks themselves, that fascinated the artist. There is a small piece of grass imbedded in the lower right edge of the canvas – perhaps it serves as a reminder of the practical function of haystacks. Lucina Ward 1 Daniel Wildenstein, Monet, or, The triumph of Impressionism (catalogue raisonné), 4 vols, Cologne and Paris: Taschen and Wildenstein Institute, 1996, vol. 3, see cat. W1213–1217 for 1888–89 stacks, W1266–1273 for summer–autumn 1890 and W1274–1290 for 1890–91 winter stacks; the May 1891 exhibition comprised twenty-two works, of which fifteen were haystacks. 2 Camille Pissarro, letter to Lucien Pissarro, 5 May 1891, in Janine Bailly-Herzberg (ed.), Correspondance de Camille Pissaro, 5 vols, Paris: Presses universitaires de France, 1980–91, vol. 3, l. 658, p. 72. 3 Letter to Gustave Geffroy, 7 October 1890, no. 1076, Wildenstein, vol. III, p. 258.

For me, a landscape does not exist in its own right, since its appearance changes at every moment; but its surroundings bring it to life – the air and the light, which vary continually … For me, it is only the surrounding atmosphere which gives objects their true value. Monet 18911 As he matured as an artist, Monet returned to the same motif with endless variations: Rouen Cathedral, poplars, haystacks, waterlilies. It was only in this way that he could seek to capture differing effects of light on objects, and changing times of day, as the nominal theme and composition differed only to a small degree. In the ice-floe paintings he made in and after the severe winter of 1892–93, there are even fewer variables, as the dazzlingly colourful effects of sunlight on vegetation or stone surfaces have been eliminated. Monet had addressed the subject of ice breaking up on the Seine – the ‘débacle’ of the title – at least twice before, in 1868 at Bougival, and in 1879–80 at Lavacourt, near Vétheuil. The thirteen Giverny paintings of 1893–94 were composed and begun at the small village of Bennecourt near his house.2 Having swept along its ice floes for several days, the Seine finally froze over in mid-January, 1893. Monet set up on the Bennecourt bank and painted the river looking towards the hills on the left bank.3 The date 1894 written on the canvas, a year after the freezing flood, puts firmly to rest the myth that Monet always painted out of doors: like almost all artists he finished works in the studio, sometimes large parts of them. In Morning haze Monet’s subject is the disappearance of form and colour under nature’s wintry grey and white coverings of snow and fog on a river. Like Turner, Monet attempts to paint the ineffable appearance of light and water, the infinite array of snow, river, vapour and sky. The tonal spectrum he employs is small, varying from very light to middle tones, while his palette is limited to mixed hues of white and the palest shades of grey and purple. But the skin of paint is robust, built up in layers like masonry. The way mist dissolves material reality is evoked by a haze of paint. The bright snow on the bank emphasises the snow on the ice floes, while the river’s surface reflects the mist and sky, as well as the trees on the far bank and on the little islets. By cutting off the foreground, Monet allows the river to flow out of the canvas, encroaching into the viewer’s world. As so often in Monet’s painting, his experience of transience, of recording an instant, implies time passing and the inevitability of change. Christine Dixon 1 Said by the artist to a visitor to his Haystacks exhibition in 1891, see W.G.C. Bijvanck, ‘Une Impression (Claude Monet)’ in his Un Hollandais à Paris en 1891, Paris: Perrin, 1892, p. 177, quoted in John House, Monet: nature into art, New Haven: Yale University Press, 1986, pp. 28–9. 2 Daniel Wildenstein, Claude Monet: biographie et catalogue raisonné, Lausanne: La Bibliothèque des arts, 1974–1991, 5 vols, cat. 1333–1344, see vol. III, pp. 542–6. 3 Wildenstein, vol. III, pp. 542–3.