Podcasts about Deauville

Nick is joined by Daily Mirror Newsboy David Yates to canter around the racing headlines from across the globe. They begin at home by breaking the news that Bet365 founder Denise Coates, amongst the UK's wealthiest, has become a racehorse owner with Dan Skelton. The trainer himself confirms the news and tells us about their partnership and Denise's purchase. Also on today's show, a comprehensive review of a huge International weekend. We hear from Ed Crisford on Morny heroine Señorita Bonita, from Australian Bloodstock's Jamie Lovett on Melbourne Cup hopeful Defiantly, and we check in with Matt Bernier on what exactly was achieved by Knightsbridge in his Pacific Classic romp. Plus, rounding up the rest of the top level action from Deauville and York, and Wesley Ward with a glorious reflection on Bacio's Nunthorpe.

Nick is joined by Daily Mirror Newsboy David Yates to canter around the racing headlines from across the globe. They begin at home by breaking the news that Bet365 founder Denise Coates, amongst the UK's wealthiest, has become a racehorse owner with Dan Skelton. The trainer himself confirms the news and tells us about their partnership and Denise's purchase. Also on today's show, a comprehensive review of a huge International weekend. We hear from Ed Crisford on Morny heroine Señorita Bonita, from Australian Bloodstock's Jamie Lovett on Melbourne Cup hopeful Defiantly, and we check in with Matt Bernier on what exactly was achieved by Knightsbridge in his Pacific Classic romp. Plus, rounding up the rest of the top level action from Deauville and York, and Wesley Ward with a glorious reflection on Bacio's Nunthorpe.

In the 1,003rd episode of the PokerNews Podcast, which is sponsored by PokerStars, Chad Holloway, Mike Holtz, and Ben Ludlow are joined by longtime commentator James Hartigan at Level 9 Studio in Las Vegas. Ahead of EPT Barcelona, Hartigan shares some of his favorite memories from the European Poker Tour (EPT), including his debut at Deauville, being there for both of Vicky Coren's wins, and the rise of Adrian Mateos. Hartigan also shares his affinity for Barny Boatman, what it was like being at the 2010 armed robbery at the EPT Berlin, and much more. This is your chance to hear from one of the most respected commentators in poker history talk about legendary moments from the EPT!  A new PokerNews Podcast drops every Thursday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time    Topic* 00:00 | Welcome to the show  01:00 | Favorite EPT moments 02:18 | Moment #1 – EPT Deauville 07:00 | Finding his way into poker 10:10 | James Hartigan's EPT debut 10:30 | Moment #2 – Victoria Coren's first win 11:17 | Moment #3 – EPT's first two-time champ 16:46 | Moment #4 – The genesis of Adrian Mateos 21:37 | Moment #5 – Barny Boatman's EPT victory 25:50 | Robbery at EPT Berlin

Nick is joined by Racing Post senior writer, Lee Mottershead, to look at today's racing headline. First today TBA chair Philip Newton explores whether a private equity initiative could be back on the table for racing with the rehabilitation of Project Pace. Also today, fresh from success with Wimbledon Hawkeye at Deauville, George Scott look ahead to more potential riches at York's Ebor Festival and has an update on Arc bound Bay City Roller. Meanwhile Michael Dodds shares his excitement at one of the most talented two-year-olds he's trained, currently favourite for the Gimcrack Stakes at York. Plus Nick and Lee provide a comprehensive review of the action from Deauville over the weekend, look ahead to the Juddmonte International, canvas TPD'a Adam Mills's view on Survie's win in the Grade 1 Christophe Clement Stakes at Saratoga on Saturday night, while Bernard Condren, GOFFS & Arqana auctioneer, gives us the low down on another spelling binding session from the Arqana Yearling Sale on Sunday.

Nick is joined by Racing Post senior writer, Lee Mottershead, to look at today's racing headline. First today TBA chair Philip Newton explores whether a private equity initiative could be back on the table for racing with the rehabilitation of Project Pace. Also today, fresh from success with Wimbledon Hawkeye at Deauville, George Scott look ahead to more potential riches at York's Ebor Festival and has an update on Arc bound Bay City Roller. Meanwhile Michael Dodds shares his excitement at one of the most talented two-year-olds he's trained, currently favourite for the Gimcrack Stakes at York. Plus Nick and Lee provide a comprehensive review of the action from Deauville over the weekend, look ahead to the Juddmonte International, canvas TPD'a Adam Mills's view on Survie's win in the Grade 1 Christophe Clement Stakes at Saratoga on Saturday night, while Bernard Condren, GOFFS & Arqana auctioneer, gives us the low down on another spelling binding session from the Arqana Yearling Sale on Sunday.

Nick is joined by ITV and Sky broadcaster Matt Chapman to canter through today's racing news. First today, William Haggas gives us a comprehensive rundown on his big profile runners in coming days at Deauville, Newbury and York, with a notable warning over the participation of leading Ebor fancy Klassleader. Also on today's show, Ciaran Maher on the acquisition of Point of Law, now set for the Caulfield Cup and beyond. Plus, with an astonishingly successful Fasig Tipton Saratoga sale in the rearview, Nick catches up not only with Fasig `President Boyd Browning, but also Hunter Rankin, who with the Boersma family, steered their ownership entity The Flying Dutchmen to over $21m dollars of bloodstock out of the sale. Meanwhile, Nick and Matt get in to the weeds of this week's political issues.

Nick is joined by ITV and Sky broadcaster Matt Chapman to canter through today's racing news. First today, William Haggas gives us a comprehensive rundown on his big profile runners in coming days at Deauville, Newbury and York, with a notable warning over the participation of leading Ebor fancy Klassleader. Also on today's show, Ciaran Maher on the acquisition of Point of Law, now set for the Caulfield Cup and beyond. Plus, with an astonishingly successful Fasig Tipton Saratoga sale in the rearview, Nick catches up not only with Fasig `President Boyd Browning, but also Hunter Rankin, who with the Boersma family, steered their ownership entity The Flying Dutchmen to over $21m dollars of bloodstock out of the sale. Meanwhile, Nick and Matt get in to the weeds of this week's political issues.

Nick is joined by broadcaster Cornelius Lysaght for a look at the racing headlines around the world. With Vicky Foxcroft MP set to take control of the gambling brief in the UK, Nick talks to her shadow Louie French MP, and asks him what we can except from this new appointment, and what he makes of the Prime Minister's early pronouncements on the betting industry. Also today, Andrew Black, Betfair founder and owner-breeder, looks forward to what could be a famous double on the Knavesmire next week with two homebred fillies, including Tattycoram in the Yorkshire Oaks. Aga Khan Studs' Nemone Routh looks forward to a busy few days, with Rayif and more at Deauville and a very exciting addition to the Juddmonte International in Zaydann. Plus, with the heatwave intensifying once again, we talk to Windsor Clerk Charlie Rees about the challenges presented.

Nick is joined by broadcaster Cornelius Lysaght for a look at the racing headlines around the world. With Vicky Foxcroft MP set to take control of the gambling brief in the UK, Nick talks to her shadow Louie French MP, and asks him what we can except from this new appointment, and what he makes of the Prime Minister's early pronouncements on the betting industry. Also today, Andrew Black, Betfair founder and owner-breeder, looks forward to what could be a famous double on the Knavesmire next week with two homebred fillies, including Tattycoram in the Yorkshire Oaks. Aga Khan Studs' Nemone Routh looks forward to a busy few days, with Rayif and more at Deauville and a very exciting addition to the Juddmonte International in Zaydann. Plus, with the heatwave intensifying once again, we talk to Windsor Clerk Charlie Rees about the challenges presented.

After five weeks away, I'm back behind the mic and this episode is a little life catch-up from me to you I'm sharing some of the moments that filled my cup this summer: biking through Amsterdam, visiting the Anne Frank House, slowing down by the sea in Deauville, celebrating my parents' 50th wedding anniversary, and soaking up time with my very big (and beautifully chaotic) family. But coming home has also had me thinking about what travel gives us beyond the trip itself: perspective. I've been reflecting on the slower, more communal way of living I experience when I'm in Europe, how working from home has changed the way so many of us connect, and why I'm craving more community and clearer boundaries between work and home in this next season. I also share a little behind the scenes of life lately—from an unexpectedly slow workday that felt like exactly what I needed, to celebrating four years of marriage with Raúl and the questions we ask each other every anniversary. And finally, I open up about something that's been on my heart: how we can grow spiritually as a couple and create practices that help us feel connected to something bigger than ourselves. In this episode, we chat about:What five weeks away reminded me about rest and perspectiveWhy travel always makes me reconsider how I want to live at homeThe European approach to community and connection I want to bring back with meMy evolving relationship with working from homeThe four questions Raúl and I asked each other on our wedding anniversaryA few books, shows, and very random life updates along the way Consider this our coffee date after a few weeks apart. I'm so happy to be back!

There's Group 1 action at The Curragh and Deauville on Sunday, and who better to take you through it than the main man, Frank Hickey! Find more information on all of the available offers mentioned in the show, right here: https://promos.paddypower.com/sport Be sure to subscribe to the Paddy Power Racing YouTube channel so you don't miss any of our great racing content! It's Sunday Tipping, coming to you straight “From The Horse's Mouth”… 18+ GambleAware

Charlotte in for Nick today and joined by RTE's Jane Mangan. They begin by discussing the movement of the Preakness stakes, the second leg of the American Triple Crown, in response to the creation of the three-year-old Championship Series in the US and whether this means the Triple Crown as we know it has come to an end. Ahead of a couple of Group Ones in Europe this weekend, we hear from Michael O'Callaghan who runs Celeron in the Phoenix Stakes at the Curragh and Johnny Murtagh, who has Take Charge Star in the Prix Maurice de Gheest at Deauville on Sunday. Emmet Mullins has an update on Cox Plate entrant Zia Zabel and looks at where we could see him make his first start for the stable. Finally, Andrew Braithwaite of the British Racing School discusses how trainers can benefit from the current apprenticeship schemes.

Charlotte in for Nick today and joined by RTE's Jane Mangan. They begin by discussing the movement of the Preakness stakes, the second leg of the American Triple Crown, in response to the creation of the three-year-old Championship Series in the US and whether this means the Triple Crown as we know it has come to an end. Ahead of a couple of Group Ones in Europe this weekend, we hear from Michael O'Callaghan who runs Celeron in the Phoenix Stakes at the Curragh and Johnny Murtagh, who has Take Charge Star in the Prix Maurice de Gheest at Deauville on Sunday. Emmet Mullins has an update on Cox Plate entrant Zia Zabel and looks at where we could see him make his first start for the stable. Finally, Andrew Braithwaite of the British Racing School discusses how trainers can benefit from the current apprenticeship schemes.

To say that Coco Chanel was influential in fashion would be a huge understatement. Ever heard of the little black dress? Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom-and-pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Oliva Gibbs Law Ad] Dave Young: Welcome back to the Empire Builders Podcast. And Dave Young here, Steve Semple over there. That doesn’t mean anything if you’re just listening to this in your car. I don’t know which one of us is here and which one of us is over there. But Stephen told me as the countdown started, he said, “Hey, I got another fashion topic for us.” And I’m like, “Shh, quiet. Let me guess. Let me guess because knowing me, maybe it’s something I know this time.” Right? Right. So I’m thinking Columbia fishing shirts. Stephen Semple: I think your other guess was Carhartt. Dave Young: Carhartt? Pants from Walmart or Sam’s Club. Probably not those, knowing you and your European travels and your fine taste. Stephen Semple: I think you’ve heard of this one though. I think you’ve heard of Chanel. Dave Young: Oh, Coco Chanel. Stephen Semple: Yes. Dave Young: She was in tight with the Germans, wasn’t she? Sort of accused of that? There’s intrigue. There’s movies. Stephen Semple: Oh yeah. Dave Young: There’s a whole miniseries and things. Stephen Semple: There’s a whole bunch of stuff about Coco Chanel, but she did a lot of innovation in fashion man. And I’m going to say this is one, given some of the background things that happened, I struggled a little bit with sort of creating the through line here because I didn’t want all of that stuff to overshadow some of the amazing things that she actually did in the fashion world that was unbelievably innovative. Dave Young: Cool. Stephen Semple: And today, Chanel remains one of the largest, most profitable luxury companies in the world. They are privately owned by a German family, the Wertheimer family. And so therefore, it doesn’t receive the same attention because it’s not publicly traded, but they do publish annual financials. And so 2025 revenue was 19.3 billion US, profit of 4.7 billion, 38,000 employees operating in a hundred countries. And to put that in perspective, that makes them the same size as Hermes, makes them bigger than Ferrari, 50% larger than Rolex. Really about the only one that’s larger is LVMH, but LVMH is like 75 luxury brands. So it’s a big deal. Really, really big deal. One of the other things I found interesting is they own dozens of these specialist artistry that do embroidery and feathers and- Dave Young: Really? Stephen Semple: … and do other luxury components. And they pretty routinely invest about a billion dollars annually in capital investment. Dave Young: Wow. Stephen Semple: They’re an interesting company, especially when you consider it all started with one tiny shop that sold hats in 1910. Dave Young: Hats? 1910? Stephen Semple: Just hats, yeah. Coco was born Gabriela Chanel. The name Coco was actually a nickname that came later when she was doing singing in Samoa, France in 1883. So in 1885, her mother dies. She’s 12 years old. She goes to an orphanage where she learns how to sew. Now in 1903, she’s working as a clerk in a seamstress in a shop in Milan that sells lingerie and linens and hosieries and things along that lines. And she’s also singing in cafes, which is where she gets the nickname Coco. Dave Young: Okay. Stephen Semple: Now it’s here that she meets Etienne Balsan, who’s an aristocrat, and Coco becomes his mistress and lives with him. And one of his passion is breeding horses. So she gets into the whole horse set thing. And there’s these early pictures that show her kind of really dressed very tomboyish for the time, really dressed for the outdoors. And she starts making hats and she wants to open a store selling hats. Now he feels this is kind of a bit of a passing fancy. So he lends her some money and says, “You can do this out of my apartment in Paris, but we’re not going to do this real store thing.” And during this time, she meets a friend of his, Arthur Boy Capel, who’s a coal mining millionaire. And for a short period of time, the three of them are kind of a triumvirate, but she falls in love with Boy and runs off with Boy to Paris. Dave Young: Okay. Stephen Semple: Now, this is where things are interesting. They create a gentleman’s agreement on finances. Capel finances the business and Balsan provides the location for their previously shared, I don’t know what status we’re talking about, but this is the part of the story I struggled with because on one hand you could look at this and say she couldn’t have done this without these rich men. But we also got to remember the rules at the time were so limiting for women. She couldn’t have signed a lease. She couldn’t have borrowed money at a bank. All of these things were such that that was the only way you could do something like this. Today she would’ve done it on her own. I’m completely convinced of that. Dave Young: Well, and you also have to say they couldn’t have done it without her. Stephen Semple: Absolutely, they couldn’t. Absolutely, they couldn’t. But find sometimes these things can diminish her accomplishments and her accomplishments are absolutely immense. So in 1910, she opens her first store at 21 Rue Cambon in Paris selling hats. But this is what made her hats different. At the time, women’s hats were headache-inducing, large, fuzzy, gauze, feathers, really, unbelievably ornate and hard to wear. You actually had hat pins to keep them on and all this other crap. Her hat’s still large, but they were simple and comfortable. That was her big thing. I want them to be simple and comfortable. Now, location she was in also already had a dressmaker, so she couldn’t make dresses. So she was doing these hats. And then in 1913, she opens a location in Deauville selling dresses. Again, here’s what she did different. Dresses at the time were these heavy corseted affairs. Hard to move in, hard to wear, uncomfortable. She made things that were simple and comfortable. This is what made Chanel so interesting. Simple and comfortable. Rather than being dazzled by aristocracy, she noticed something else. What she noticed is their fashion looked and felt uncomfortable. Huge hats, corsets, heavy dresses. Women may have looked elegant, but they just couldn’t move around. And this observation of hers created the opportunity. She didn’t just build a better product. She built a different philosophy. Most designers at the time were asking this question, “How can I make women look more extravagant?” Chanel asked the question, “How can I make a woman look elegant and feel free?” Dave Young: Okay. Stephen Semple: Which is a different question. Dave Young: It’s a big difference. Stephen Semple: Yeah. It is a big difference. And if you think about it, really what she created was first casual wear. Dave Young: Yeah. Stephen Semple: Right? Dave Young: Yeah. Stephen Semple: That’s really the category that she invented. So her next innovation came in 1913 with the dress store in Deauville where she started using this fabric called Jersey Fabric. Now, it’s a cheap fabric that up to this point had only been used for men’s underwear. But what she liked about it was comfortable. It was flexible. It was light. It was easy to wear. So she found this thing that everyone was dismissing, but she saw a value that no one else saw, and she changed the story around it. She basically, again, invented sportswear using this fabric. Isn’t that incredible? Now, here’s her other big innovation, and I didn’t realize this. She’s the one who invented the idea of the little black dress. Dave Young: Oh, I think I have a glimpse of that in the back of my storehouse of strange facts, but I probably couldn’t have pulled it out. Stephen Semple: Which is incredible how iconic that is. This happened in 1926. So before 1926, early 1920s, black was not considered fashionable for everyday wear. Black clothing was for mourning, was for widows, was for domestic servants, religious dress. That’s what it stood for. And she managed to take black, which let’s face it, no positives there, and made it elegant wear. If you were a wealthy woman at the time attending a social event, you were expected to wear colorful fabrics, elaborate embroidery, beads, lace decorations. Black was considered too plain. But what Chanel saw was after World War I, the world was changing. A middle class was emergent. Women had worked in factories, they were becoming independent, they were driving cars, they were playing sports, they were entering professional life, and their clothing hadn’t caught up. Chanel believed elegance wasn’t about showing wealth, it was more about confidence. So she stripped away everything that was unnecessary. If you think about the real breakthrough moment on this was in October 1926, Vogue published Chanel’s simple black crepe dress, and the magazine called it the Ford of Chanel. Dave Young: The Ford of Chanel. Stephen Semple: The Ford of Chanel. Dave Young: Yeah, like a model piece. Stephen Semple: Because it was simple, it was reliable, it was accessible, it was timeless, and it was suitable for almost everyone. So instead of being this hope couture that only a handful of women could wear, Vogue predicted that this dress would become the universal uniform for stylish women. And they were right. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell] Dave Young: Let’s pick up our story where we left off, and trust me, you haven’t missed a thing. Stephen Semple: Instead of being this hope couture that only a handful of women could wear, Vogue predicted that this dress would become the universal uniform for stylish women. And they were right. Dave Young: I don’t know. I’m no expert on those times, but when I think of other black garb and we talk about funerals and religious orders and things like that, you think of the flowing robes of a nun or the just frilly, lacy, Victorian era, I don’t even know, dresses that you see women in mourning in, right? Widows and things. And they look extremely bulky and hot and folded and frilly and uncomfortable. And she stripped all that away to where it’s just… What it really emphasized is form. Stephen Semple: Yes. Dave Young: And let you accessorize and add accents, right? Stephen Semple: Exactly. Dave Young: You show your arms, that’s like accessorizing the little black dress. And it highlights a piece of jewelry. Stephen Semple: Absolutely. Yeah. So what she removed was the heavy embroidery, the bright colors, all of those things. And social rules. She changed social rules around it. So what’s left? A clean silhouette and this simplicity that shifted the attention from the dress to the woman wearing it, which was a revolutionary concept. Dave Young: Before that, you would identify basically identity by the wearing of black. There’s a nun, there’s someone mourning. Stephen Semple: There’s a woman in mourning. Yeah. But the other thing is it changed the economics of fashion. To your point, Dave, simply change the shoes, the jewelry, the handbag, the scarf, and you change the outfit. And the same dress could be worn lunch, dinner, work, party. Today we call this versatility. Back then, revolutionary. Dave Young: Well, and honestly, in the mind, and we talk about this in our portals and the 12 languages, the mind class, the more you layer on things that. If you’re trying to say mourning, you’re mourning someone. Okay, black, folds, lace, hat, veil, all of the things that you associate with mourning. If you’re trying to say a nun, it would be folds and layers and nothing showing except maybe a little white in the hat or somewhere around the edges. And the more things that you layer on that provide it with the reinforcement of that meaning, the more deeply it’s felt to be understood. So you look at someone that’s wearing all that and you say, “Oh, this is a person that’s in mourning.” And if you strip all those things away and you do something that is different, that makes your head kind of go, “Wait, what’s this?” Instead of being, “Oh, this is a nun.” You say, “Oh, who are you?” You raise interest. You raise interest. Stephen Semple: See, this is what she understood. Oh yeah, but wouldn’t it be so easy to go, you can’t do black because black stands for all these negative things. But what she understood exactly what you’re saying, if I strip away all these things, I’m actually creating a new meaning to this color. I’m actually changing the language it’s speaking, which is so difficult and so amazing and so brilliant on her part. And it’s interesting when you think about she changed the economics of fashion so that essentially what used to happen with elegance is a wealthy woman would own a dozen elaborate dresses. Now, what could happen is a woman of means could have one beautifully designed dress that could do the work of many. So she changed that. You know who else did that when we think about it? If we go back to our early episode of M.M. LaFleur where she looked at fashion and she was a working woman, professional working woman, and she said, “You know what? Fashion doesn’t work for a woman in an office. I need to change the rules. It needs to have a pocket that works, needs to pass the New York taxi test. I can slide out of a taxi with skirt hiking up. I need to be able to bend over and get out a file without Cleavage showing.” But again, changed the rules around fashion. This is what Chanel did. And the interesting thing is luxury used to say the language of all this dress and whatnot was, how much money can I spend? Where the little black dress said, “I don’t have anything to prove.” It threw out a very different signal. It really was a dress innovation. For her, black was grief. After her, black was sophistication. Dave Young: Yeah, and mystery. It’s an intrigue as opposed to, “Well, I get this.” Stephen Semple: She persuaded society to see black differently. How freaking incredible is that? That is remarkable. Dave Young: She did removing most of the black. Stephen Semple: Yes. Yes. Very few people have had that type of cultural influence. So when I was looking at this, I went, “Oh man, she is a remarkable woman to be able to do that.” So when you step back and you think about the hats, the jersey sportswear, the little black dress, they all followed the same pattern. They weren’t three separate innovations. They were three expressions of one insight. And that insight was women wanted to feel free, not dressed. The hats removed the enormous feathers and decorations. The jersey sportswear removed the stiff, restricted fabrics, and the little black dress removed all the unnecessary ornamentation. And she did one other thing to further free women, handbags. She was the first person to add the shoulder strap to a handbag, freeing the hands. Dave Young: All right. I never think of that, but you’re absolutely right. Stephen Semple: The question she was constantly asking is how do I give women more freedom while making them feel even more elegant? That was the philosophy of the company. Dave Young: That’s so cool. Stephen Semple: Yeah. So she became an empire because the hats were successful. The Jersey clothing was successful. Little black dress was successful, all because they proved that same idea. Elegant should never come at the expense of freedom. And that’s the thing she pursued. And when we think about it, at the time, that was even a revolutionary idea. Dave Young: Yeah, absolutely right. Absolutely right. Stephen Semple: It was what we would call a bold idea. A bold, bold idea. Dave Young: I want to watch this movie about Coco Chanel, not the one where she gets. In the ’30s and ’40s, she got caught up with financial problems because everybody in Paris did. The market goes away and she was doing what she needed to do. Leave it at that. Stephen Semple: And that’s it. And there’s all sorts of things around how the ownership will come back and forth. And she left for a while and was brought back. But I decided, you know what? Dave Young: Yeah, that’s not what built her brand. Stephen Semple: And her brilliance was bold. These ideas seem obvious today, but they were bold change ideas that changed the way the world looked at fashion, changed the way the world looked at the color black. And anybody who does that is a remarkable innovator who took this bold idea and ran it out there. Dave Young: I love it. I love it. Thank you for sharing the Coco Chanel story. Stephen Semple: Remarkable woman. Yeah. Dave Young: Next week we’re going to explore the fashion options in the fishing section of Walmart. Maybe we won’t do that. Stephen Semple: People will start thinking you fish. Dave Young: I don’t. No, I absolutely don’t, but I absolutely do. I like fishing shirts. I just do. They’re comfortable. They breathe a little. Stephen Semple: There you go. Dave Young: You’d be surprised. Nevermind. You don’t want to know where to. I’ll tell you anyway, you’d be surprised if you go to the fishing section of Walmart to look for a shirt because you don’t expect to find a colorful, bright, comfortable shirt in the fishing section yet there they are. Stephen Semple: There they are. All right. Awesome. Dave Young: Thank you for bringing Coco Chanel to the Empire Building. Stephen Semple: I don’t know where to go with all this. No, we’re done. We’re done. Stick a fork in it. Thanks, David. Dave Young: See you next time. Thanks for listening to the podcast. Please share us, subscribe on your favorite podcast app, and leave us a big fat juicy five star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

Au lendemain de l'ouverture du meeting de Deauville, le débat sur l'ouverture du Prix de l'Arc de Triomphe aux hongres s'invite au cœur des conversations. Entre défense de la tradition, attractivité internationale et critiques sur la méthode employée, la réforme prend une dimension résolument politique à un an des élections de France Galop. L'équipe du Talk de JDG analyse les enjeux d'un dossier qui dépasse largement le simple cadre sportif, sans oublier les temps forts de la première journée du meeting.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:02:58 - Le Billet de François Morel - Michel Legrand est-il compatible avec les cartes postales ? Ce qui est frustrant, quand on écrit une carte postale, c'est qu'on ne peut pas vraiment y chanter. Pourtant, quand on est à Cherbourg ou à Rochefort, c'est quand même compliqué d'éviter la musique. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Je te raconte mon premier triathlon olympique à Deauville. Partage-moi ta prochaine compétition en commentaire ou sur Insta !

Écoutez ce numéro de Radio Balances, avec Gérard Augustin-Normand, Guillaume Flavigny (régisseur de Deauville), Miguel Blancpain, Pierre-Emmanuel Mary, Stéphane Alos, Anastasia Wattel et nos chroniqueurs Sami Bouazza, Alexandre Decoopman et Gilles Barbarin. Inscrivez-vous sur Genybet - Jusqu'à 250€ de bonus de bienvenue 10€ supplémentaires en ouvrant un compte sur Genybet avec le code « RB10 » avec ce lien bit.ly/3BvWfhe

Nick is in Durban, South Africa, for Saturday's Hollywoodbets Durban July, and takes you on a whistlestop tour this morning, encompassing the Summerfeld training centre - the gallops and trainers' barns - as well as Greyville Racecourse. With Ali Cohen as his guide, he talks to trainers Peter Muscutt (and assistant Vanessa Beets), and Justin Snaith, as well as ex-jockey MJ Byleveld, and trainer and former legendary rider Garth Puller. At Greyville, Mike de Kock makes a cameo, much to the delight of today's home guest Matt Chapman, who also provides commentary on the Coral Eclipse, the threat to racing in Wales, and the SMF's new Machine Gaming Tax proposals. Plus, Eva O'Neill is in Deauville, where she catches up with trainer Noel George.

Nick is in Durban, South Africa, for Saturday's Hollywoodbets Durban July, and takes you on a whistlestop tour this morning, encompassing the Summerveld training centre - the gallops and trainers' barns - as well as Greyville Racecourse. With Ali Cohen as his guide, he talks to trainers Peter Muscutt (and assistant Vanessa Beets), and Justin Snaith, as well as ex-jockey MJ Byleveld, and trainer and former legendary rider Garth Puller. At Greyville, Mike de Kock makes a cameo, much to the delight of today's home guest Matt Chapman, who also provides commentary on the Coral Eclipse, the threat to racing in Wales, and the SMF's new Machine Gaming Tax proposals. Plus, Eva O'Neill is in Deauville, where she catches up with trainer Noel George.

Lionel De Castro n'a pas choisi la comptabilité par vocation. Une orientation STT au lycée, une matière découverte par défaut, et une révélation lors de son apprentissage aux AGF, puis Allianz, où il décroche son premier poste sans le diplôme requis. Deux ans comme directeur financier de l'UNMI, Union Nationale Mutualiste Interprofessionnelle, et un parcours entièrement construit depuis la filière comptable : c'est ce profil que Jonathan Plateau reçoit dans ce nouvel épisode.L'échange commence sur la définition du business partner. Pour Lionel, c'est quelqu'un qui parle un langage compris de tous, qui aide la direction à décider plutôt qu'à constater, qui anticipe et qui sécurise la confiance des autres métiers. La filière comptable occupe une bonne partie de la conversation. Lionel défend un métier qui souffre d'une image qu'il juge injuste et dont la désaffection chez les jeunes tient selon lui à des discours erronés sur l'IA. Il décrit la transformation en cours : le comptable ne saisit plus, il explique, il analyse, il visualise. Et il rappelle que sans données comptables fiables, le contrôleur de gestion ne peut rien construire de solide. L'analogie avec le théâtre est directe : le comédien ne brille que si le son et la lumière sont au niveau.La partie centrale de l'épisode porte sur ce que signifie piloter les finances d'une mutuelle. Le produit est invisible. Il n'y a pas de stock, pas de référence tangible, seulement une promesse sur un risque futur. Sur une cotisation à 100, 75 partent en provision, et la marge visée tourne autour d'1 euro. L'ACPR surveille en permanence la capacité à honorer les engagements vis-à-vis des assurés. L'ORSA impose des projections à cinq ans que Lionel voit comme une discipline utile plutôt que comme une contrainte. Et dans une mutuelle, il n'y a pas d'actionnaire : les résultats sont réinvestis, ce qui change en profondeur la logique de pilotage.Le sujet des outils et du réseau vient clore l'épisode avant les questions de fin. Lionel décrit une organisation en cours de maturité autour d'un infocentre central, d'une automatisation croissante et d'un travail important sur la qualité de la donnée. Sur le réseau, il raconte comment un événement à Deauville l'a convaincu de la valeur d'une visibilité utile, celle qui ramène quelque chose de concret plutôt que de multiplier les contacts sans lendemain.Je m'appelle Jonathan Plateau. Je suis passé par EY, Valeo et Safran et j'essaye d'engager des échanges et des réflexions sur nos métiers de la finance.Ma mission : vous offrir une expérience éducative, divertissante et parfois surprenante.Ce podcast est fait pour les directeurs financiers (DAF, CFO), les contrôleurs de gestion, qu'ils soient juniors ou confirmés, et qui souhaitent profiter des échanges entre pairs pour enrichir leur pratique de la finance au quotidien et tendre vers le business partner.Joignez-vous à notre communauté passionnée qui explore chaque facette du contrôle de gestion et du business partner.N'oubliez pas que la finance, c'est aussi une question de mindset !N'hésitez pas à partager vos interrogations sur nos discussions ou sur le podcast. Vous pouvez me contacter sur LinkedIn directement.https://www.linkedin.com/in/jonathan-plateau-1980b610/Vous aimerez cette émission si vous aimez aussi :Les Geeks des chiffres • CFO Radio • Une Cession Presque Parfaite • Voie des comptables • Parlons Cash • Le nerf de la guerre • Feedback by la fée • Radio KPMGHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

France has been upping fines for men going shirtless in public, but how does this translate to Irish spaces? Around 20 towns are clamping down on locals and tourists from baring their chests in city centres. The glamorous resort of Deauville has hiked up its token fine of £15 (€17) to a heftier £130 (€150). Editor of Cork Beo, Joe O'Shea joined Ciara and Shane to discuss.

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Au menu de la deuxième heure des GG du jeudi 28 mai 2026 : "Médecin militaire tué : quatre ans après, le meurtrier est libéré", "Deauville, La Baule : des zones de non-droit ?" et "Les jeunes femmes boudent le sexe : inquiétant ?", avec Laura Warton Martinez, sophrologue, Joëlle Dago-Serry, coach de vie, et Charles Consigny, avocat.

A 10h, ce jeudi 28 mai 2026, les GG : Laura Warton Martinez, sophrologue, Joëlle Dago-Serry, coach de vie, et Charles Consigny, avocat, débattent de : Deauville, La Baule : des zones de non-droit ?

B is for Brocantes! This podcast episode features an interview with Sharon Santoni, a long-time expert on French lifestyle and author of the book "The Art of Antiquing in France." She discusses the nuances of the "brocante", which she defines as accessible antiques that possess a unique history and patina. The conversation explores the cultural importance of repurposing vintage items and provides practical advice for navigating famous markets like the Puces de Saint-Ouen in Paris and fairs in Provence. Sharon shares her personal journey from starting a blog in 2010 to building a community centered on French country aesthetics. Additionally, she shares tips for international travelers on how to identify quality pieces, negotiate prices, and transport treasures home. Key Links and Websites Sharon Santoni's Official Website: www.myfrenchcountryhome.com  This is the primary hub for her blog (started in 2010), her My French Country Home magazine, and her boutique. The Book: "The Art of Antiquing in France" - Published by Flammarion, this book serves as both a reference and a coffee table book. Signed editions can be purchased directly via her website on this link.  Antique Fair Locator: Sharon mentions the website, www.brocabrac.fr, which is a helpful resource for finding fairs happening across France on any given weekend Places Mentioned The episode covers several iconic and local spots for antiquing and living in France: In Paris: Les Puces de Saint-Ouen: Located on the northern perimeter of Paris, Sharon describes it as a unique place in the world with over 500 vendors and specialized knowledge in everything from paintings to textiles Marché aux Puces de la Porte de Vanves: A weekend morning market Sharon and Oliver both enjoy for its "authentic vibe." It is known for its urgency, as dealers unpack from cars at 8:00 AM and pack up by 12:30 PM Foire de Châtou: A large, prestigious 10-day antique fair held just outside of Paris In Provence and Southern France: L'Isle-sur-la-Sorgue: This town is famous for its antique dealers and weekend markets.  Villeneuve-lès-Avignon: A "wonderful" fair mentioned by Sharon Carpentras: Another "fantastic" fair located in the south In Normandy and Northern France: The Eure Valley (Val de l'Eure): Sharon lives in the Normandy countryside, roughly halfway between Paris and Deauville, near the famous village of Giverny Amiens: A northern city (noted as the home of Emmanuel Macron) that hosts a spectacular fair where selling starts as early as midnight Lille: Known for its massive fair, though Sharon notes it is so large it can be "scary" because it includes items beyond just antiques Notable Details for Antiquing Brocante vs. Antiques: Sharon defines brocante as "relaxed antiques", a mix of items with patina and repurposed pieces, whereas the "antique world" typically involves highly polished furniture and higher price points The "Hand Rule": Sharon advises that if you are interested in an item, keep your hand on it; if you take your hand off and step away, someone else can jump in Suitcase Treasures: For travelers, she suggests looking for paintings, vintage postcards, or palettes that can easily fit into a suitcase One tip she shares from her travelers is to "ship home their dirty laundry" to make room for their antique treasures in their luggage. __________________________________________________________ A reminder: For this new season, we're doing a new take on the A to Z of Paris. This time, B stands for Brocantes, following from A which stoof for Arc de Triomphe.  This episode brought to you by The Earful Tower Tours. Come join us in the Marais, Montmartre, or the Latin Quarter. Our Walking Tours are exceptionally highly rated online and are the best way to experience this podcast in real life. The Earful Tower exists thanks to support from its members. For just $10 a month you can unlock almost endless extras including bonus podcast episodes, live video replays, special event invites, and our annually updated PDF guide to Paris.  Membership takes only a minute to set up on Patreon, or Substack. Thank you for keeping this channel independent.  For more from the Earful Tower, here are some handy links: Website  Weekly newsletter  Walking Tours

durée : 00:06:05 - Romans, biographies, ou encore ouvrages d'analyse : la musique s'invite sous plusieurs formes dans les rayons des librairies. A qui s'adresse cette littérature et comment se porte-t-elle ? Reportage au salon « Livres et musiques » à Deauville. - réalisation : Sofia Anastasio Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Le festival Livres & Musiques s'installe aux Franciscaines du 23 au 26 avril. Ouest Track vous fait vivre le festival en direct ce samedi avec au micro Loïc, Killian, Sylvain, Sarah, Murielle, Morgane, Anthony et Baptiste qui le temps d'une émission vous partage la programmation du festival, interviewent les artistes Marcus Malte, Agnès Desarthe et Thomas Fersen et réalisent blind test, bingo littéraire et autres folies pour vos oreilles curieuses.

In this episode of JCO Article Insights, host Dr.  Ash Gurumurthi summarizes JCO articles, "Phased Variant–Supported Circulating Tumor DNA as a Prognostic Biomarker After First-Line Treatment in Large B-Cell Lymphoma: Findings From the DIRECT Study" and " Prospective Validation of Circulating Tumor DNA Measurable Residual Disease After First-Line Therapy in Large B-Cell Lymphoma" TRANSCRIPT Ash Gurumurthi: Hi and welcome to JCO Article Insights. I'm your host, Ash Gurumurthi, and today we will be discussing two articles, both published in the Journal of Clinical Oncology, on the real-world utility of circulating tumor DNA (ctDNA) MRD in newly diagnosed large B-cell lymphoma. The first study is the article "Phased-Variant-Supported Circulating Tumor DNA as a Prognostic Biomarker After First-Line Treatment in Large B-Cell Lymphoma: Findings From the DIRECT Study" by Dr. Joanna Krupka and colleagues in the United Kingdom. For the sake of convenience, I'll refer to this as the DIRECT study. The second study is "The Prospective Validation of Circulating Tumor DNA Measurable Residual Disease After First-Line Therapy in Large B-Cell Lymphoma" by Dr. Steven Wang and colleagues in the Netherlands, referred to as the HOVON 902 study. By way of background, I wanted to talk about MRD in hematolymphoid malignancies. Nodal diseases have lacked a robust biomarker for end-of-treatment response. They have relied historically on PET scans interpreted using the semiquantitative Deauville 5-point scale, which has a high negative predictive value but a limited positive predictive value. The poor positive predictive value for survival results in extended follow-up with serial imaging for risk stratification with unnecessary and invasive biopsies. There have been recent revolutionary advancements in ctDNA MRD in B-cell lymphoma. The use of ctDNA in lymphoma began with CAPP-seq, which tracked single nucleotide variants that were tumor specific but was limited by excessive background sequencing noise with false negatives. To overcome this, Dr. Kurtz and colleagues developed the proprietary PhasED-seq assay. This tracks well-recognized phased mutations on the same DNA strand in cis configuration within hypermutated regions that are unique to B-cell lymphoma. Using this method, they pushed their limit of detection at 95%, the so-called LOD95, to 0.7 parts per million under optimal circumstances with 120 nanograms of input cell-free DNA from plasma. Based on the use of the PhasED-seq assay in trials of newly diagnosed large B-cell lymphoma with the use of investigational agents, the NCCN currently recommends consideration of ctDNA MRD assay with a detection limit of less than 1 part per million if biopsy is not feasible for a positive end-of-treatment PET. However, I believe this threshold needs reconsideration given it is based on an ideal assay LOD95 under optimal circumstances rather than sample-specific LOD95. Real-world validation of the role of end-of-treatment ctDNA and appropriate thresholds for sample-specific LOD95 were lacking until the publication of these two studies. The DIRECT and the HOVON 902 studies were multicenter, prospective trials using real-world cohorts of newly diagnosed large B-cell lymphoma treated with standard anthracycline immunochemotherapy, ie, R-CHOP chemotherapy. They validated end-of-treatment ctDNA MRD response measured on a phased-variant platform and found them to be strongly prognostic for relapse and survival. This was independent of PET imaging or baseline clinical prognostication like the International Prognostication Index, the IPI. They also demonstrated a threshold with an LOD95 of approximately 1 in 100,000 is necessary for clinical utility. Both trials recruited over a similar period between 2020 to 2023, with the DIRECT study conducted within the National Health Service in the United Kingdom and the HOVON 902 as a national study in the Netherlands. For survival analysis, only patients who reached the landmark event of end of treatment with an available ctDNA MRD sample without progressive disease or death at that time point were included. These studies evaluated similar-sized cohorts with 134 patients for HOVON 902 and 151 patients for the DIRECT study. As expected, their baseline demographics are reflective of a real-world population of newly diagnosed cases with large B-cell lymphoma. Although both used comparable statistical methodologies with time-to-event analysis, the primary outcomes vary, making headline comparisons quite challenging. The DIRECT study utilized the time to tumor progression, censoring death unrelated to disease. This was done to isolate the molecular impact of detectable ctDNA at the end of treatment. In contrast, the HOVON 902 study used progression-free survival, which counts all-cause mortality as an event. This naturally results in lower event-free rates for PFS compared to TTP in the DIRECT study. The trials differed in their choice of phased-variant platforms, with the DIRECT study developing an independent, fully open-source phased-variant ctDNA assay. This has been released on GitHub. In contrast, the HOVON 902 study utilized PhasED-seq by Foresight Diagnostics, which is currently the only proprietary and commercially available phased-variant assay for lymphoid malignancies. Interestingly, despite the differences in platforms and the primary end points, the results were remarkably consistent. The DIRECT study found a highly significant difference in the 2-year TTP rate of 96% in those with undetectable ctDNA MRD at the end of treatment compared to 45% in those with detectable ctDNA, with a hazard ratio of 15. Similarly, the HOVON 902 study found a significantly superior 3-year PFS of 85% in those with undetectable ctDNA compared to 17% with detectable ctDNA, with a hazard ratio of 10. Crucially, both studies found end-of-treatment ctDNA MRD significantly outperformed PET response assessment for long-term PFS. In fact, for the end point of PFS in both trials, the baseline IPI lost all statistical significance in both univariate and multivariable analysis when accounting for ctDNA MRD and PET status at the end of treatment. While both studies demonstrate the superiority of ctDNA MRD compared to PET in predicting survival, interestingly, the combination of both tests appeared to be complementary in identifying the highest-risk group. The HOVON 902 study identified 13 patients who were double positive, ie, they were positive with end-of-treatment PET and detectable ctDNA MRD. Every single one of these patients progressed over a 3-year period with a dismal overall survival of 17%. The DIRECT study mirrored these findings with the same double-positive group having a 2-year time to progression rate of 23%. Given consistency in identifying the poor outcome of this double-positive population in both studies, this is clearly a group that would benefit from trial-based approaches like consolidation or, alternatively, frequent surveillance for clinical relapse. On the other hand, the best-performing group was the double negative, ie, those who had achieved PET negative and ctDNA undetectable at the end of treatment. The double-negative group had a 2-year time to progression of 97% in the DIRECT study and a 3-year PFS of 88% in the HOVON 902 trial. This is quite impressive. Based on these findings, we can anticipate that ctDNA may complement rather than wholly replace PET at the end of treatment for response assessment. Perhaps the most critical finding from both studies challenged current NCCN-recommended ctDNA MRD sensitivity threshold of achieving less than one part per million. While phased-variant assays can theoretically detect this, this is under optimal conditions, specifically 120 nanograms of input cell-free DNA. In both trials, only 3% of samples could achieve this sensitivity, with the vast majority limited to a sample-specific LOD95 of approximately 1 in 100,000 informative reads. The primary constraint was simply limited plasma volume collected, a denominator problem of input cell-free DNA. For example, the HOVON 902 study had a median plasma volume of 5 mL, yielding 20 nanograms of input DNA. The DIRECT study elegantly demonstrated bridging the gap to attain the NCCN standard of LOD95 of less than 1 part per million is practically impossible. This would require greater input DNA, attained through a 20- to 30-milliliter collection of plasma rather than the standard 10 milliliters, and a massive 20- to 40-fold increase in sequencing depth. With the current real-world sensitivity of roughly 1 in 100,000 in both these studies, the negative predictive value is already nearly at 90%. There is going to be diminishing returns for further analytical sensitivity. This strongly suggests that the NCCN guidelines should be updated to prioritize achievable sample-specific LOD95 rather than assay-specific theoretical limits. Collectively, these studies validate the real-world utility of ctDNA MRD as an independent predictor of long-term outcomes following first-line therapy of large B-cell lymphoma. Finally, after two decades of the default R-CHOP for all, the field of aggressive large B-cell lymphoma is taking leaps and bounds by integrating ctDNA MRD with the current wave of bispecific and cellular therapies. I want to now leave you with my five key clinical takeaways from both these studies. ●        Firstly, ctDNA MRD is a more potent independent predictor of outcome than end-of-treatment PET/CT and baseline IPI. ●        Second, ctDNA MRD in first-line large B-cell lymphoma is already reshaping clinical trial space with therapeutic escalation and de-escalation strategies based on ctDNA kinetics during treatment, as well as identifying candidates with persistent ctDNA at the end of treatment for consolidation approaches. ●        Thirdly, this technology is ready for prime time. Whether this is through Foresight's PhasED-seq assays or the open-source method released by the DIRECT group, academic centers can now operationalize this in routine clinical care. ●        Fourth, biology clearly provides a ceiling. Current sensitivity goals of less than one part per million as recommended by the NCCN are limited by the actual amount of cell-free DNA we can extract from a patient's blood, not just the assay's technology. I believe these two studies will inform the NCCN's next revision to move away from theoretical assay limits to a more realistic sample-specific LOD95 of approximately 1 in 100,000. ●        Finally, it appears that the end-of-treatment ctDNA MRD test may be complementary to PET/CT rather than a replacement. Clearly, the best outcomes are seen in double-negative patients, while double-positive results, ie, positive end-of-treatment PET and detectable ctDNA at the end of treatment, identify a group with an extremely high risk of early progression who may need early intervention. Thank you for listening to JCO Article Insights. Please come back for more interviews and article summaries, and be sure to leave us a rating and review so others can find our show. For more podcasts and episodes from ASCO, please visit asco.org/podcasts. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.  

La semaine dernière, profitant du beau temps et des vacances, nous avons passé une journée à Trouville-sur-mer. Après un pique-nique sur la plage et un tour au centre culturel de Deauville, Les Franciscaines, nous sommes passés à la librairie L'usage du papier tenue par un couple de libraires engagés. Jean-Philippe a accepté de présenter un livre pour le podcast. Vous allez l'entendre parler de son choix dans l'épisode d'aujourd'hui.  Bien sûr, dans la lettre qui accompagne cet épisode, il y aura les références culturelles et de vocabulaire utiles pour parfaitement comprendre tout ce qui est dit, comme si vous étiez française ou français. Nous nous arrêterons aussi sur trois tournures utiles présentes dans l'épisode, en y ajoutant des exemples. Vive la liberté de parler français! Pour recevoir les lettres du podcast, je vous invite à vous abonner sur www.cultivateyourfrench.com

Tout le monde connaît le métier de créateur de contenu. Mais créateur de contenu dans le cinéma, ça vous parle ?Pour ouvrir cette nouvelle saison du Job Show, Louis Rouleau revient sur son parcours : ses débuts de comédien, ses premières vidéos sur YouTube, puis ses expériences sur Canal+ et au Festival de Deauville, qui l'ont conduit à son métier aujourd'hui.Il nous parle aussi du quotidien des créateurs de contenu, de ce qui fait la singularité de ce métier et des critères essentiels pour se lancer.Abonnez-vous pour découvrir l'épisode complet!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

Ce jeudi, nous mettons à l'honneur deux joueurs qui ont brillé lors de la finale du Barrière Poker Tour joué à Deauville couvert en début de mois par @veunstyle :Arthur Amar : vainqueur du BPT Main Event, 30 ans, jeune marié, il est entrepreneur et à la tête d'un cabinet de courtage en énergie. Il a commencé le poker en jouant de petites parties entre amis puis s'est tourné vers le online pendant son école de commerce et gagnant un peu tous les tournois de la grille Winamax. Il se tourne ensuite vers le Live à la réouverture des clubs parisiens en 2018 et depuis le covid, il joue le circuit parisien et s'offre quelques déplacements plaisir à La Grande Motte, Monaco et Prague. Mikaël Ifergan : vainqueur du High roller, 35 ans et entrepreneur, il a ouvert son barber shop dans le 3e arrondissement il y a 5 ans. Passionné d'Echecs, de grappling et de poker, il maintient son équilibre entre ses passions depuis l'âge de 17 ans. Désormais, il souhaite se donner plus de temps pour voyager et participer un peu plus sérieusement à des festivals de poker.Présentation : Comanche et ShiShiStreaming : WRéalisation et montage : GabrielClub Poker Radio vous est présentée par Winamax, le n°1 du poker en ligne. Perte d'argent, conflits familiaux, addiction… Les jeux d'argent sont interdits aux moins de 18 ans et peuvent être dangereux. En cas de besoin, contactez le 09 74 75 13 13.

This week's episode is also due for an update since it aired in 2022. Will be focusing on Hodgkin Lymphoma (HL), both classical and nodular lymphocyte-predominant. We will go into important details on the pathology, staging, Deauville scoring, and treatment for early stage/advanced stage as well as relapsed and refractory HL.

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Décoration, design, création, savoir-faire, ces mots vous parlent ? Alors vous êtes au bon endroit ! Dans ARCHI COOL un architecte d'intérieur nous raconte un projet qu'il a mené du sol au plafond, sa manière de travailler, ses tips, ses bonnes adresses bref ses partis-pris et son savoir faire pour inspirer autant les pros que les fans de déco.

En Pienso, luego estorbo, con Toño Fraguas, descubrimos la figura del gran filósofo francés Gilles Deleuze. Nacido en París en 1925, vivió entre la ciudad y la costa normanda de Deauville, un entorno que marcó su sensibilidad entre lo urbano y lo periférico. Se formó en la Sorbona, influido por pensadores como Merleau-Ponty y Canguilhem, lo que situó su pensamiento entre la fenomenología y la historia de las ciencias.Uno de sus conceptos más influyentes es el de rizoma, una forma de pensar la realidad sin jerarquías ni centros fijos. A diferencia de los árboles, que tienen raíces únicas y estructuras verticales, el rizoma se extiende en múltiples direcciones, como una red subterránea. Para Deleuze, el conocimiento, la cultura y la sociedad funcionan así: conectados por múltiples entradas y salidas, sin un orden único. Es una forma de entender el mundo contemporáneo como complejo, descentralizado y siempre en movimiento.Escuchar audio

durée : 00:10:18 - Le Point culture - par : Marie Sorbier - La 16ᵉ édition du festival de photographies Planches Contact vient de débuter à Deauville. Un festival particulier dans le paysage culturel, car son socle repose sur des temps de résidence et des expositions pointues et stimulantes présentées sur des cimaises, mais aussi en extérieur. - réalisation : Laurence Malonda - invités : Camille Binelli Responsable du pôle photographique aux Franciscaines de Deauville ·; Jonas Tebib Co-directeur de Planches Contact Festival; Lionel Charrier Rédacteur en chef photo du journal Libération, co-directeur du Planches Contact Festival

Emmet Kennedy is joined by Georgia Cox, Adam Mills and Jamie Wrenn to dissect a thrilling York Ebor Festival 2025 — with shocks, flops, and future stars emerging — plus key takeaways from the Curragh, Deauville and Saratoga.

Looking for the best horse racing betting tips this weekend? Emmet Kennedy is joined by Adam Mills, Peter Michael & Andy Newton for a blockbuster weekend of international racing — York Ebor Festival, the Curragh, Saratoga & Deauville - with big-priced value bets, strong opinions, and Group 1 analysis.

Nick is joined by ITV's Oli Bell to discuss the latest from around the racing world. With York around the corner, Oli has news of his tour round Ireland, complemented by Nick's interview with Paddy Twomey about possible Great Voltigeur contender Carmers and more besides. Also on today's show, Sam Sangster on the purchase of Diego Velazquez, who will be the first Ballydoyle horse to run in the famous Sangster silks for over twenty years in Sunday's Prix Jacques le Marois. Plus, Stuart Williams on City of York contender Quinault and Racing Post Deputy Industry Editor Pete Scargill on covering the downfall of Phoenix Thoroughbreds and Amer Abdulaziz. Charlotte has a sneak preview of what to expect tomorrow from her trip to the Aga Khan Studs in Deauville.

Nick is joined by ITV's Oli Bell to discuss the latest from around the racing world. With York around the corner, Oli has news of his tour round Ireland, complemented by Nick's interview with Paddy Twomey about possible Great Voltigeur contender Carmers and more besides. Also on today's show, Sam Sangster on the purchase of Diego Velazquez, who will be the first Ballydoyle horse to run in the famous Sangster silks for over twenty years in Sunday's Prix Jacques le Marois. Plus, Stuart Williams on City of York contender Quinault and Racing Post Deputy Industry Editor Pete Scargill on covering the downfall of Phoenix Thoroughbreds and Amer Abdulaziz. Charlotte has a sneak preview of what to expect tomorrow from her trip to the Aga Khan Studs in Deauville.

Nick is joined by Mirror man David Yates to discuss the latest from around the racing world. On today's show, Billy Loughnane talks about winning his first Group One on Rebel's Romance, and we get the lowdown on the performance from TPD's Adam Mills. Prince AA Faisal joins the show to reflect on the triumph of his homebred Sajjir in Deauville's Group One Prix Maurice de Gheest, while James Willoughby talks all things Shergar Cup, plus lauds the decision to run Spicy Marg in the Nunthorpe at York next week. The filly's owner, Emma Banks, also drops in to explain the decision and reflect on a highly successful weekend.

Charlotte Greenway brings you the Saturday Edition this week and takes a look at the Group 1 Phoenix Stakes, for which Dave Loughnane discusses his runner before Kevin Ryan explains why he's opted to send Inisherin to Deauville for the Group 1 Prix Maurice de Gheest on Sunday, over a trip to York. Then looking at Haydock's fixture tomorrow, we hear from Ollie Sangster and Owen Burrows on their fancied runners in the pattern races. Finally, ahead of tomorrow's Shergar Cup, Robbie Dolan looks forward to having his first ride at Ascot.

Josh in for Nick and joined by RacingTV's Tom Bull on this Monday's episode, packed with big-name guests and standout performances from both sides of the Atlantic. Fresh from his Stewards' Cup success, Richard Spencer reflects on the impressive rise of Two Tribes, while Hugo Palmer joins to look back on a golden spell for the yard—including Roman Dragon's record-breaking win in the Queensferry Stakes, making him Chester's winningmost horse in modern history. Charlotte Greenway brings her Stateside insight with a review of a thrilling Whitney at Saratoga, and Danny Tudhope rounds out the show with his thoughts on the supremely talented Fallen Angel, after guiding her to Group 1 glory in the Prix Rothschild at Deauville on Sunday.

Josh in for Nick and joined by RacingTV's Tom Bull on this Monday's episode, packed with big-name guests and standout performances from both sides of the Atlantic. Fresh from his Stewards' Cup success, Richard Spencer reflects on the impressive rise of Two Tribes, while Hugo Palmer joins to look back on a golden spell for the yard—including Roman Dragon's record-breaking win in the Queensferry Stakes, making him Chester's winningmost horse in modern history. Charlotte Greenway brings her Stateside insight with a review of a thrilling Whitney at Saratoga, and Danny Tudhope rounds out the show with his thoughts on the supremely talented Fallen Angel, after guiding her to Group 1 glory in the Prix Rothschild at Deauville on Sunday.

Un roadtrip le long des côtes normandes et bretonnes, ça vous dit ? Si vous avez envie de découvrir ces régions du Nord-Ouest de la France, voici nos conseils ! D'Étretat au Morbihan, nous vous proposons un itinéraire où chaque étape permet de découvrir un aspect différents de la Normandie et de la Bretagne : des plages agréables de stations balnéaires prisées, aux paysages sauvages, en passant par des villages charmants et des lieux de mémoire et d'Histoire. Voici les lieux qui sont cités dans cet épisode :  Étretat Le Havre et Honfleur Trouville, Deauville et Cabourt Les plages d'Utah, Omaha, Juno, Sword et Gold La Manche dont le Cotentin Le Mont Saint-Michel La côté de granit rose (Perros Guirec et Locquirec) Le Finistère dont la presqu'île de Crozon Le Golfe du Morbihan Retrouvez sur notre site la transcription et deux reproductions de tableaux de Monet évoqués dans cet épisode. Découvrez également nos cours pour progresser en français !

Duško Popov, né en 1912 en Serbie, est un personnage aussi réel que fascinant. Avocat de formation, polyglotte, séducteur invétéré, amateur de voitures de luxe et de casinos, il fut surtout un espion double, voire triple, pendant la Seconde Guerre mondiale. C'est lui qui aurait inspiré à Ian Fleming le célèbre personnage de James Bond.Popov est recruté dès 1940 par les services secrets allemands, l'Abwehr. Mais il accepte cette mission dans le but de servir les Alliés. Rapidement, le MI6 britannique le repère et l'enrôle comme agent double. Son nom de code : "Tricycle", parce qu'il gérait plusieurs sources… ou, selon la légende, pour sa vie amoureuse à trois.Là où Popov devient un personnage-clé de l'Histoire, c'est qu'il réussit à duper les nazis pendant toute la guerre. Il leur transmet de fausses informations préparées par les Britanniques, jouant un rôle essentiel dans les opérations de désinformation précédant notamment le Débarquement.Mais Popov n'était pas un simple bureaucrate de l'ombre. Il menait une vie digne d'un roman d'espionnage : séjours dans les plus grands hôtels, jeux de baccarat à Deauville ou Lisbonne, relations avec des femmes célèbres, dont, dit-on, l'actrice Simone Simon. C'est lors d'une de ces soirées à l'hôtel Casino Estoril, au Portugal, en 1941, qu'il attire l'attention de Ian Fleming, alors jeune officier du renseignement britannique. Popov mise l'équivalent de 40 000 dollars sur une seule main de baccarat, pour humilier un agent nazi — un coup de bluff spectaculaire qui impressionne profondément Fleming. Ce moment précis aurait inspiré la scène culte de "Casino Royale", premier roman de James Bond.Autre fait marquant : en 1941, Duško Popov informe le FBI qu'une attaque japonaise contre les États-Unis se prépare, visant potentiellement Pearl Harbor. Mais J. Edgar Hoover, directeur du FBI, n'aime pas les méthodes de Popov, qu'il trouve trop libertines… et ne donne pas suite à l'alerte.Après la guerre, Popov quitte le monde de l'espionnage. Il publie ses mémoires en 1974, intitulées Spy/Counterspy, où il raconte ses missions, son double jeu et ses rencontres avec les plus hautes sphères des services secrets.En résumé, Duško Popov est un espion aussi séduisant qu'efficace, dont la vie a directement inspiré Ian Fleming pour créer James Bond : un homme de charme, de risque, de mystère — mais surtout, un maître dans l'art de tromper son monde. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.