Podcasts about 3d1

Rosetta and Milly have a kōrero with KaiShanDao ahead of her set at Goblin this Sunday, presented by Bass Rongoā! They catch up on all things new music, her touring initiative Kiwese, and summer gigs so far. Grab tickets for this weekend's gig via Humanitix and see KaiShanDao live alongside a cast of incredible DJs: Bbyfacekilla B2B Mimi Rivers, ajhoneysukle & DylanBiscuit. Whakarongo mai nei!

*[LIVE] Out of the Woods: The Threat Hunting Podcast – Threat Hunting Year in Review: 2025 Trends and What's NextJanuary 29, 2026 | 12:00 - 1:30 PM ETSign Up: https://www.intel471.com/resources/podcasts/threat-hunting-year-in-review-2025-trends-and-whats-nextTop Headlines: Securonix | Analyzing PHALT#BLYX: How Fake BSODs and Trusted Build Tools Are Used to Construct a Malware Infection: https://www.securonix.com/blog/analyzing-phaltblyx-how-fake-bsods-and-trusted-build-tools-are-used-to-construct-a-malware-infection/ https://mp.weixin.qq.com/mp/wappoc_appmsgcaptcha?poc_token=HM4cYGmjT2nsqEAFwWn2Sj9R90gqZmI2tEvjWdak&target_url=https%3A%2F%2Fmp.weixin.qq.com%2Fs%3F__biz%3DMzUyMjk4NzExMA%3D%3D%26mid%3D2247507757%26idx%3D1%26sn%3Dcf6b118e88395af45a000aae80811264 CYFIRMA | APT36 : Multi-Stage LNK Malware Campaign Targeting Indian Government Entities: https://www.cyfirma.com/research/apt36-multi-stage-lnk-malware-campaign-targeting-indian-government-entities/ BleepingComputer | VSCode IDE forks expose users to "recommended extension" attacks: https://www.bleepingcomputer.com/news/security/vscode-ide-forks-expose-users-to-recommended-extension-attacks/?&web_view=true ----------Stay in Touch!Twitter: https://twitter.com/Intel471IncLinkedIn: https://www.linkedin.com/company/intel-471/YouTube: https://www.youtube.com/channel/UCIL4ElcM6oLd3n36hM4_wkgDiscord: https://discord.gg/DR4mcW4zBrFacebook: https://www.facebook.com/Intel471Inc/

It all began in November 1961, when Arthur Duperrault, a 40-year-old optometrist from Green Bay, Wisconsin, finally set out to give his family the adventure he had been dreaming of for years. Arthur had built a thriving practice specializing in contact lenses, a career that afforded him comfort and stability. But he wanted more than the routines of Midwestern life. What he craved was experience, something unforgettable for himself, for his wife Jean, and for their children: 14-year-old Brian,  11-year-old Terry Jo, and little René, just 7 years old. For years, Arthur had talked about escaping the bitter Wisconsin winters, of trading frost for sunlight and snow for turquoise waters. The Bahamas, in particular, held a special place in his memory. He had promised himself then that he would one day return with the family he dreamed of building. That promise became a plan, and over time, a quiet obsession. He saved steadily until, at last, the moment arrived. What was supposed to be the trip of a lifetime would end in murder, and more than a few questions, and only one person would be left to tell the tale.  Join Cam and Jen on this episode of Our True Crime Podcast entitled ‘Bluebell Betrayal: Terri Jo Duperrault.' Listener discretion by Edward OctoberpodVHS @octoberpodVHS Music by our EP @theinkypawprint Sources:  https://www.vintag.es/2017/05/orphaned-on-ocean-unbelievable-story-of.html https://www.newspapers.com/newspage/219816524/ https://r.search.yahoo.com/_ylt=AwrhcaQGuk5pbccmIH1XNyoA;_ylu=Y29sbwNiZjEEcG9zAzYEdnRpZAMEc2VjA3Ny/RV=2/RE=1767976710/RO=10/RU=https%3a%2f%2fwww.nydailynews.com%2f2021%2f08%2f01%2fjustice-story-mystery-of-little-girl-lost-at-sea-after-family-is-slaughtered-aboard-their-boat%2f/RK=2/RS=E4PyQI3FuG_cpl5FxHI0.P_8n1E- https://www.newspapers.com/newspage/219816524/ https://r.search.yahoo.com/_ylt=AwrihfPLuU5p7w0KH9NXNyoA;_ylu=Y29sbwNiZjEEcG9zAzQEdnRpZAMEc2VjA3Ny/RV=2/RE=1767976652/RO=10/RU=https%3a%2f%2fwww.msn.com%2fen-us%2ftv%2frecaps%2fsole-survivor-of-family-yacht-massacre-dubbed-the-sea-orphan-recounts-harrowing-ordeal%2far-AA1QqPv5/RK=2/RS=pp5.5u.YB3ABBwpQCMX2Lg.MDII- https://r.search.yahoo.com/_ylt=AwrhcaQGuk5pbccmHn1XNyoA;_ylu=Y29sbwNiZjEEcG9zAzQEdnRpZAMEc2VjA3Ny/RV=2/RE=1767976710/RO=10/RU=https%3a%2f%2fwww.cbsnews.com%2fnews%2fbook-em-alone-orphaned-on-the-ocean%2f/RK=2/RS=LFc_O5uAZEGfVOOliG.CGWmsRqY- https://video.search.yahoo.com/video/play;_ylt=AwrFNFbuuU5p8xgCGAX7w8QF;_ylu=c2VjA3NyBHNsawN2aWQEZ3BvcwMz?p=terry+jo+duperrault&vid=ccc8147ec2dfb63a8b497d5dae1dfc31&turl=https%3A%2F%2Ftse4.mm.bing.net%2Fth%2Fid%2FOVP.RS5vx3w7LkZG1V61MjIygwHgFo%3Fpid%3DApi%26h%3D360%26w%3D480%26c%3D7%26rs%3D1&rurl=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dwm6_aQLN2C4&tit=Surviving+Alone+at+Sea%3A+%3Cb%3ETerry%3C%2Fb%3E+%3Cb%3EJo%3C%2Fb%3E+Dupperrault%26%2339%3Bs+Incredible+Story&c=2&sigr=HiVjSq0fRPdv&sigt=hK2aKYEUebpS&sigi=sp4TVRMIJpZQ&fr2=p%3As%2Cv%3Av&h=360&w=480&l=892&age=1722152718&fr=mcafee&tt=b https://www.twincities.com/2010/05/30/alone-book-recounts-green-bay-girls-1961-ordeal-at-sea-and-life-after/ https://r.search.yahoo.com/_ylt=AwrihfPLuU5p7w0KGdNXNyoA;_ylu=Y29sbwNiZjEEcG9zAzMEdnRpZAMEc2VjA3Ny/RV=2/RE=1767976652/RO=10/RU=https%3a%2f%2fwww.mirror.co.uk%2fnews%2fworld-news%2fman-who-killed-family-left-36410942/RK=2/RS=t_eXudIGd.DitWnU0wDNGvShofA- Logan, Richard; Duperrault Fassbender, Tere Jo (2010). Alone: Orphaned on the Ocean. Wisconsin: Titletown Publishing. ISBN 978-0-982-72063-9. https://books.google.com/books?id=AVQEAAAAMBAJ&pg=PA30 https://www.newspapers.com/clip/40365158/jodailynews23-11-61/ https://www.newspapers.com/newspage/219816524/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser Folge ist Björn zu Gast und berichtet über seine Arbeit als Ornithologe im Bereich Gelegeschutz. Wir sprechen über die Herausforderungen beim Schutz von Vögeln beispielsweise in landwirtschaftlich genutzten Gebieten. Berichte: https://m.facebook.com/flx/warn/?u=https%3A%2F%2Fcdn.fbsbx.com%2Fv%2Ft59.2708-21%2F472912826_1311626303260023_3190669962071340253_n.pdf%2FGelegeschutz-Bericht-Aper-Tief-2024-final.pdf%3F_nc_cat%3D109%26ccb%3D1-7%26_nc_sid%3D2b0e22%26_nc_ohc%3Dx2yoPaa7pcEQ7kNvwHIuoMy%26_nc_oc%3DAdmMgHp8WfsT_UxfnX1-9q5-VB9Sja0s7gKgrnjoZrzFtkVyNGRk_WfdVwjq3uzRCY6tjW2sqBTaY_zrk_v4gqWY%26_nc_zt%3D7%26_nc_ht%3Dcdn.fbsbx.com%26_nc_gid%3DUm9phe6iFUmvM9WQt8e08A%26oh%3D03_Q7cD3wEgUvuZpDkNdJPuzU1Sr6GqfcC2Jl6hd2lY8Qs_okhmhw%26oe%3D691D0165%26dl%3D1&h=AT2HYDuuFyXLeUSFaAX29RTeIK0mSgkJpYpsVb0r_v7rZMCZH24wZGzYi76173A5OIabULVu_DLTgVKK12fngYh4lTqieMNOvGoQ5O3uCkifxOd7ba0vWPnL6iMOgzldggm.facebook.com/flx/warn/?u=https%3A%2F%2Fcdn.fbsbx.com%2Fv%2Ft59.2708-21%2F555581328_1097558255892020_2493504112974208970_n.pdf%2FGelegeschutzbericht-Aper-Tief-2025-1.pdf%3F_nc_cat%3D111%26ccb%3D1-7%26_nc_sid%3D2b0e22%26_nc_ohc%3D_YhlixoiGfwQ7kNvwFlChdU%26_nc_oc%3DAdkxIHUsHa3xhuS1V9dIiE_Qgfc7PdTSxmGqanL9A9Na7QAg709jj1EFYhNf2SO5hvz5PfjJgUYZwszmgfIujl0e%26_nc_zt%3D7%26_nc_ht%3Dcdn.fbsbx.com%26_nc_gid%3DUm9phe6iFUmvM9WQt8e08A%26oh%3D03_Q7cD3wFa2jXhUfp1MiDRcRe4LoxFVOJWZHEQfnv_Z3NH29miCQ%26oe%3D691CFD44%26dl%3D1&h=AT1484Qs851r7QEQSyzaWR8CtDWNTO4N8iVv7f4mpW4tgfhhlSn0j6MknWCblS-qQyOcAL0kLrx0x5lbU8dQ1yFvw2gZ2tk7n7erOLfniFoNx87mamr7Au9sxz3tiHI6bQBjörn:ornithologe_bjoern Maira-Lee Lindtner: Mrs.Wildnis Unterstütze meine Arbeit: steady.page/de/mrs-wildnis/about

Ghost retornou de terras italianas com saudades das paisagens, temperatura e comidas. Na companhia dele, falamos dos indicados ao Game Awards de 2025, os 20 anos de Xbox 360, como tem sido a recepção de Black Ops 7 e mais.Participantes:Guilherme JacobsHeitor De PaolaAssuntos abordados:00:00 - Ghost voltou da Itália14:00 - Os indicados ao Game Awards36:00 - Preço do Xbox Series pode aumentar novamente41:00 - O lançamento morno de Call of Duty: Blacks Ops 747:00 - Vampire Crawlers e outros destaques do Xbox Partner Preview59:00 - Segundo Yves Guillemot, IA Generativa será um salto maior do que a ida do 2D ao 3D1:13:00 - 20 anos de Xbox 360Vai comprar jogos na Nuuvem? Use o link de afiliado do Overloadr!Use nosso link de filiado ao fazer compras na Amazon Hosted on Acast. See acast.com/privacy for more information.

Ghost retornou de terras italianas com saudades das paisagens, temperatura e comidas. Na companhia dele, falamos dos indicados ao Game Awards de 2025, os 20 anos de Xbox 360, como tem sido a recepção de Black Ops 7 e mais.Participantes:Guilherme JacobsHeitor De PaolaAssuntos abordados:00:00 - Ghost voltou da Itália14:00 - Os indicados ao Game Awards36:00 - Preço do Xbox Series pode aumentar novamente41:00 - O lançamento morno de Call of Duty: Blacks Ops 747:00 - Vampire Crawlers e outros destaques do Xbox Partner Preview59:00 - Segundo Yves Guillemot, IA Generativa será um salto maior do que a ida do 2D ao 3D1:13:00 - 20 anos de Xbox 360Vai comprar jogos na Nuuvem? Use o link de afiliado do Overloadr!Use nosso link de filiado ao fazer compras na Amazon Hosted on Acast. See acast.com/privacy for more information.

* Pastor, Creationist, Scientist: This week Fred Williams and Doug McBurney welcome Pastor Kevin Lea, (calvarypo.org) HPT expert and graduate of the Navy's Nuclear Propulsion Program to comment on the latest article published in the creation science literature referring to Hydroplate Theory. * Predictions: are the hard currency of real science, and Hydroplate Theory is brimming with confirmed predictions, while the Plate Tectonics model (promoted by the "good 'ole boy" network in the "creationism industry") has none. * The "A." In Edward A. Isaacs: ...appears to stand for "John R Baumgardner", and because of the Baumgardner/Isaacs "Axis of Incompetence" the reputation of creation science literature is in danger of devolving to the level of fables: namely THIS FABLE spun out in the latest issue of the CRSQ

* Pastor, Creationist, Scientist: This week Fred Williams and Doug McBurney welcome Pastor Kevin Lea, (calvarypo.org) HPT expert and graduate of the Navy's Nuclear Propulsion Program to comment on the latest article published in the creation science literature referring to Hydroplate Theory. * Predictions: are the hard currency of real science, and Hydroplate Theory is brimming with confirmed predictions, while the Plate Tectonics model (promoted by the "good 'ole boy" network in the "creationism industry") has none. * The "A." In Edward A. Isaacs: ...appears to stand for "John R Baumgardner", and because of the Baumgardner/Isaacs "Axis of Incompetence" the reputation of creation science literature is in danger of devolving to the level of fables: namely THIS FABLE spun out in the latest issue of the CRSQ

Kei te kōrero māua ki Te KuraHuia, i te waiata hou 'TOITŪ TE TIRITI', rāua ko Splore! Whakarongo mai nei!

What up everyone welcome back to Amanda's world this week. I'm bringing you guys a Long Island episode featuring Joey. Joey is a college student at the school that I go to and he does music. Thank you for listening Joey's social media links Joey Instagram https://www.instagram.com/joeymusic808?igsh=M2U2b2xlcWU2dmQ3 Joey's TikTok https://l.instagram.com/?u=https%3A%2F%2Fwww.tiktok.com%2F%40joeydoesmusic%3F_t%3DZT-8zV5u4bRS5P%26_r%3D1&e=AT2d3ME7MscumJhDSyxr4gb4LGwP7GZzWdjFI-c_-b_nI7vHtwuAN5BtXKJwk2Ag2TDdT7iq8YFhLWwMZOHDTqGRaQd7kdDR0DcG6Ge38eXCcKOc3_KTsGhpZQz8 Joey Spotify https://l.instagram.com/?u=https%3A%2F%2Fopen.spotify.com%2Fartist%2F6P6o8TUN0X3rL1U9sO4kbw%3Fsi%3DiD3oB77cRp6Vlp1lBeT6cQ&e=AT0XG0xLbr4YbNLaZlXlKxSygA2ZIR1QymcLfqZCyNlEMuqD2rIVJvOZxwLHbV7NxbNnRiA7EU6W3_VecgyS00U2l4tbQ_4xS6n9ayJcVOJbnVcW21OxZUEVeP32 Joey's YouTube https://l.instagram.com/?u=https%3A%2F%2Fyoutube.com%2F%40joeydoesmusic%3Fsi%3DSIWgj4Su6jMPiDfR&e=AT0GyxmXRrAEuRlq4rHtqvLO7aZvmtVvs0NdNqYy3ZikywTbky_JmGqu7cXucjh4dxCGuhGCqaH1QACHSKTGPCjvD6gep0c75ll1Q_3OvAfWpB8KABwNsG8Uukld Joey's Apple Music https://l.instagram.com/?u=https%3A%2F%2Fmusic.apple.com%2Fus%2Fartist%2Fjoey%2F1800576572&e=AT16bOf41AgSwXQJb38Y2HP_kMktHR01u65GIcQOm_seFNgTYSGetMtJb1xlZs5ju4uSF5fh7xrYvzg-AIAlfY48Sx1sEP-DacBLJaHmyhqJ6CqOr31LWguTBi5H . My Instagram. Amandasworldpodcast and Amanda_penny_14

Weapons Kids are creepy right? We can all agree on that? Well, you know whats even creepier? When there are meant to be kids and they aren’t there. Or even worse… there’s just one. Weapons is the new horror from Zach Cregger starring Julia Garner, Josh Brolin and Alden Ehrenreich, whose first break out hit Barbarian scared the hell out of us… and guess what? It’s got a whole bunch of creepy not-there kids! But is it actually good? Or is this just a bunch of kids “naruto running” towards oblivion? Dion, Jill and Quinny are all in or this review, with Quinny being the only one who hasn’t been traumatised by Barbarian yet. Synopsis When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. https://youtu.be/Mw57elDUcdQ As always, a midnight thank-you to all you crazy kids join in with the conversation on the Twitch stream, live each Tuesday night at 7:30pm AEDT. And an especially huge thanks to any of you naruto running grade schoolers who are kind enough to support us by casting a tip into our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the lights on… because we’re scared of the dark. If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/OpThntO9ixc?si=_x20ryvp1bDvS9Mx WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/ Full text transcript Dion  Oh, well, hello and welcome to the periodic table of awesome. I’m unsure of who I am at the moment. I could be a weapon, I’m not sure. But you know who I know is absolutely a weapon. Jill. Jill is absolutely a weapon.  Quinny  Look at those ******* guns. Boom.  Dion  And and Quinny is potentially a weapon.  Quinny  Look, I I had to register my entire body as deadly weapon as, as, as legally one is bound to when one is as hard as ******* as I.  Jill  Make a gun.  Dion  Am I was actually going to say if you. If you commit to it quinny, if you if you, if you you put yourself on a regime, if you go to the gym, you could build yourself into a weapon. And.  Quinny  Buddy, I I am a weapon. It’s just like I’m a 10 LB ******* gun. I’m like, you know, you you you’re thinking of like a a fast kind of swishy weapon. I’m more like a like a a fat man bomb that gets dropped off, you know.  Speaker 6  Yeah.  Quinny  So technically, still the weapon.  Dion  I wasn’t gonna. I wasn’t gonna go there.  Quinny  Yeah, well, I know. And as telling us, there’s better being a weapon than being a tool. What are you?  Dion  Yeah, yeah. Now you’re a ******. Don’t don’t tism me. This is that will go down a rabbit hole. We’re not going to do it. Yes. OK. Weapons. We went and.  Quinny  I know, right?  Dion  Saw weapons. We did, we.  Quinny  Can’t get a water bomb is a weapon too.  Dion  All of that what is a weapon? Yeah.  Quinny  Is that my physique? Is that what? Speaker 7  We’re saying no.  Dion  Philosophically. OK, so story time now. A while back, Jill and I went and saw a.  Jill  Little film we trauma bonded over, but Marion.  Dion  Yeah, we trailer bond, we weren’t. We didn’t know what was going on. We weren’t. It was like, ohh this film. It’s called barbarian. OK, whatever. We’ll go do that. And they were good. They gave us some alcohol. I’m like, oh, yeah. Let’s get on this and started watching a film. And then. Don’t know, maybe. 3045 minutes into it, we started going wait, where the **** is this going? And and it just proceeded to get even ******* more terrifying and crazy all the way to the end. And then we walked out going. That was ******* cool.  Jill  Yes, it was ****** **, but it was cool.  Dion  Yeah, it was.  Speaker  Quinny  You’re not normally a huge horror fan. No, but like you, you will watch it. If it’s in front of.  Dion  I mean, you know, like I’m not the sort of person who’s like, oh, is it gory and horror, sure. Or go and laugh. I’m just more like, I don’t really need to see that. It has to be a good horror, elevated horror. Elevated horror is a discerning horror. Which, you know, like the traditional stuff like nightmare on Elm Street, you know and.  Quinny  13th.  Dion  Friday 13th and I don’t really go into. I don’t need to see Gore for the sake of gore.  Jill  Those are like a sub genre though those are.  Dion  Yeah, yeah. And slasher. Yeah. And but a good.  Speaker 6  Slasher films, yeah.  Quinny  Horror. Torture. ****. Not it’s like, you know, that kind of stuff where it’s just watching people be.  Dion  Nice.  Jill  Like so.  Quinny  Exactly.  Dion  Yeah. Yeah. I mean, like all that kind of stuff can kind of get a bit confused in. But you know, I can’t say I’m a fan of it because, you know, given the choice, I’m not sure that I’d go and see barbarian or weapons again in that kind of sense. But was it a good film? Yeah.  Speaker  But.  Dion  You know, it was just that way that it kind of went through. So sure, I’m not a huge horror fan. Jill. Jill though. Yeah, she yeah loves it. Except for.  Jill  You love it. Clowns. No, no, it I’ll never watch it.  Dion  Yeah. So. It.  Quinny  Ohh, but you’re you’re not looking forward to welcome. To Derry then.  Speaker 6  Yeah.  Quinny  The the prequel to it.  Jill  Good, because I would have thought it was something to do with dairy.  Dion  Yeah.  Speaker 8  Girls and I would have gone and seen it. And I would have been very upset.  Quinny  Why would you would have? It’s a TV series coming out soon and I’m actually really pumped. I’ve.  Speaker 6  Yeah, no.  Quinny  It was one of those books that ******* creeped this **** out of me as a kid and you know, I’m like, yeah.  Dion  Sure.  Jill  I couldn’t stare at a drain for a very long time because my father would say ohh it lives in the trees and it’s little children. So here I am in the shower, not making eye contact.  Dion  Sure.  Speaker 6  Yeah, yeah.  Jill  With the brain.  Dion  With the train.  Jill  Thinking it was any kind of drain that this ******* clown lived in.  Dion  Which which technically it did. So it does live in every drain and it is a clown.  Jill  Yeah. Yeah. And I’m like, don’t look down there cause you’ll see something staring back and. I was *******. He’s terrified.  Quinny  Hi, Georgie.  Dion  Yeah, yeah, yeah. Like if if I go down that rabbit hole, I could still easily terrify the **** out of myself.  Quinny  Yep.  Dion  Yes, so.  Jill  I do kind of tend to watch horror as a form of. Therapy. Because I’m in a constant state of fight or.  Speaker 8  Flight with anxiety and if.  Jill  I were to ah. Film. Then I I know that that is something that I can’t control and it’s I just have to go along for the ride. So I just kind of like purges the fright.  Dion  Sure. I mean it’s.  Quinny  Out and also. Yeah, it gives you that, that, that moment of tension and then release, whereas having a life of anxiety means there’s no release. Yeah, exactly.  Speaker 6  Yes.  Quinny  Just tension. Constant ******* ongoing tension.  Jill  Yeah.  Quinny  Yeah. Yeah, no, I get that totally.  Dion  Quinny, do you consider yourself a fan of horror?  Quinny  As a kid, **** no. Like I was terrified of anything that looked even remotely like horror, you know, like, even seeing a cover of a VHS of something like extra or fright night or something like that was enough to make me, you know. You have nightmares for ages, so it took me a really long time till I ever went anything near horror and I came to horror through so if I.  Dion  Sure.  Quinny  So right, you know, the first horror that I watched was aliens. And yeah, because that wasn’t really a horror. That was, you know, an action film that had horror elements.  Speaker 6  Hmm.  Quinny  Then I went back and rewatched or watched alien and was scared ********. But then I started to kind of get into it. No invasion of the body snatchers and. Like that and now I have a thing that I’m not in a huge rush to go and watch a horror.  Speaker 6  Sure. Yeah.  Quinny  But I will watch a good one.  Dion  And so back to this whole sort of story when weapons came out and it’s by Zach Krieger, who Jill and I have had the Zach Cregger experience with barbarian. And while we were like, this is gonna be like I I remember I was looking at.  Speaker 6  Hmm.  Speaker  We have.  Dion  Oh great. Ohh wait. OK. Like I’ll go see what this is, but I knew what I was going into. The funniest thing was watching it with Quinn, who had not. Had this experience at. All just going. What the **** I’m like, yeah.  Quinny  No. That’s in fact there. There are multiple times in the film where characters exclaim loudly what the ****? Sure, and I agree wholeheartedly with them.  Jill  Yeah.  Dion  Because there is a part of this where I feel like weapons is communicating with the audio. Once in a really interesting way and it doesn’t spoil anything. I just feel like there are parts of the movie and beats of the story and things that are going where it the the film makers are communicating with the audience going. We’ve just shown you a bunch of ****** ** **** and we’ve had a character on screen and saying what the **** and the whole audience is like. Yeah, what the ****?  Quinny  Yeah, yeah.  Dion  And it really it was an interesting as you were saying, the release of tension and I felt like that came through at the end too where it. Diverged a little bit, but allowed the audience to have that tension released, which has been built up for the whole thing, so I consider this one not particularly a horror, but it is. Let’s be honest. Yeah, it is. Yeah.  Jill  Ohh it is.  Dion  But it is.  Quinny  It’s it’s a proper horror, but you know.  Dion  It’s a it’s a really good tension film.  Jill  Yeah, Arena asked. Is it more of a thriller? But I would say no, it’s definitely.  Speaker 6  And.  Dion  No, no.  Jill  Not not thriller.  Dion  No, because and the horror.  Quinny  It. It does good tension building and it is it has that kind of thriller kind of thing, but no, it’s very definitely.  Dion  Yeah.  Speaker 6  Yes.  Dion  Yeah, as you say, like, oh, I’m not going with jump scares. I’m like, well, maybe this is not for you.  Quinny  In fact, this has moments that are not jump scares, but like there are there are some of the most effective moments of like, skin crawling horror that I have seen in a long time, and hearing a whole.  Dion  Horror. Just dread. That contained no.  Quinny  Audience yeah, react to them and ohh wow.  Dion  With like and they have no blood. It’s just really good ******* creepy ****.  Speaker 1  Yeah, and like.  Dion  That you’re waiting for something.  Jill  I I love all of that stuff. And when one of. The big jump scares happened and I screamed.  Dion  He did.  Speaker  It was great.  Quinny  A big way.  Dion  Yeah, and. And look, let’s be honest, we all knew it was coming. Like that’s one of the great things when you still have that result like ohh ****. Even though I knew it was coming.  Speaker 6  Yeah.  Jill  Yes. Yeah. Like, I’m like, oh, my God, I know this is coming. And then it did. And then I screamed. And I’m like, I haven’t screamed and. It jumps Gary and ages. Yeah. So it was it. Was a good pay off do do you wanna know?  Dion  And the.  Quinny  What the film’s actually about? No, no.  Dion  Not yet. One one second, one second. Can I, can I ask you one question because I don’t actually have any music and you’ve caught me off guard.  Quinny  I think. It. Yeah.  Dion  The last movie that I saw that did the same kind of thing that I really actually didn’t enjoy was smile too. Ohh yeah yeah. So watched that. Yeah, and I mean.  Jill  Never.  Quinny  Ohh you should get into that Joe.  Jill  Yeah, it’s on, it’s on telly. I’ll watch it, yeah.  Quinny  Yeah. That for the for the discomforting side of it, Dee or the.  Dion  No, the the way that it like, I mean smile, which I haven’t seen and I saw smile to going in blind which is a bit funny but I understood the craft and I thought they did it really well but they jump scares became a point where it was. Just this is the building to a jump scare. Whereas I liked weapons more because it was like is it a jump scare? Maybe you know? And it was some sort of smarter done and then sometimes was like, hey, it’s not a jump scare. It’s just something absolutely ******* terrifying that doesn’t really do it. Yeah, it’s it’s. And it’s not about some. That is terrifying. It’s the idea of it is built and constructed in such a great way that the audience is filling in their brain about how terrifying and what bad things could happen, and then it doesn’t really happen that way. It just puts the the situation goes, hey, how would you react to this situation? And everyone in the audience is going *******. No, I don’t want to be in that situation. I don’t want. To do this, I want to leave. Anyway.  Quinny  Absolutely. OK.  Dion  Sorry, synopsis time. Do you know what I’ve got? I’ve got on the boards for the music to go behind. It is stuff.  Quinny  I don’t know.  Dion  From Kpop Demon Hunter. So do you want that? Why not? We haven’t had enough.  Speaker 6  No.  Quinny  Why? No, I mean, hey, by the way, the the golden from K pop demon hunters went to number one of the Billboard charts today. Wow.  Dion  Excellent. Hear it again.  Speaker 7  Yeah, well, let’s go with.  Quinny  We’re just increasing its plays.  Dion  Sure.  Quinny  Jill  You’re gonna give us, like a Anna Delphi.  Quinny  Ohh but I can because you’re a poor.  Dion  Yes, do it.  Quinny  OK, when all but one child from the same classroom mysteriously vanish on the same night at exactly the same time because they’re porous.  Speaker 7  Right.  Quinny  A community is left questioning who or what is behind the disappearances. Sorry that just turned into the chick from SBS.  Speaker 8  This is going.  Jill  I was like, it’s like Christoph Waltz and Christopher Walken met Christoph Walton.  Quinny  First off. I apologize. I apologize to everybody that was, that was the absolute peak of **** accent.  Speaker  Yeah.  Jill  Wait, was that the whole boxes?  Quinny  Yeah. When all but one child from the same club, I can.  Speaker  Oh.  Quinny  Do a slightly longer. 1 So it’s a a horror film about a community grappling with the disappearance of 17 children from the same class, all vanishing at the same time on the same. Night and it follows. The aftermath, exploring things of trauma, grief, and the unsettling nature of the events of the townspeople, tried to understand. What happened and who is responsible?  Dion  Double s in officers. OK, one of them was backed by K pop and the other was. Just a flat scare. So. OK, yeah, good.  Quinny  Sorry.  Dion  Good, good, good, good, good, good, good, good so.  Quinny  Right. Yeah. That’s how we should do it. That’s that’s how we work there. Yes. And there was a little gesture.  Dion  Now very.  Quinny  In there I’m.  Dion  Sorry, very, very, very importantly, there was a notice in front of the screening. Which was, hey, don’t spoil it for people where people go in and I thought, OK, it’s a bit naff. Let the thing stand on its own. You know, there’s no need to go through it. But it went on upon reflection.  Speaker 8  Yes.  Dion  Having it’s it’s been out for a while now. I actually kind of go. Yeah, I don’t. Really want to. Do a big spoil because not that I think you’d lose anything from it. I just think it’s a more interesting film to not know. Sort of the last third going into it, I think it has a better effect, not not giving a **** about it. Like, don’t really listen. To. People reviewing it and and spoiling stuff because. You kind of lose.  Jill  It. Yeah, I mean, the trailer was enough and then kind of like discovering what is actually going on is I think lends more to the suspense and and keeps it interesting.  Dion  Yeah.  Speaker  Yeah.  Quinny  Yeah, I do want to talk like a little bit structurally about what happens at the end of the film, but I don’t want to talk about.  Jill  Oh yeah. OK.  Quinny  The the the facts of it like you know. But anyway, let’s not talk about that bit. Let’s talk about the beginning of the film. So a base concept, a bunch of kids run away one night. But it’s not just that they run away.  Speaker 7  Yeah.  Quinny  They Naruto runner.  Jill  Naruto run, they’re going to storm area 51. Yeah, at 2:17 in the morning? Absolutely.  Dion  At 2:17 and it’s all through grainy camera footage. And I love the little child like voice, voice over narration of, like, this is a true story. This is the stuff that happened and blah blah blah and I’m like.  Speaker 7  Which is.  Jill  Yeah, it gives it a little bit of found footage vibe.  Dion  Bit Nash.  Jill  Which is yeah. It’s like a bit creepy.  Quinny  Yeah, yeah, this this does that whole found footage and like, different cameras and stuff like that. So much better than that war of. The world’s ********.  Dion  ****, don’t. Don’t even. It’s it’s an interesting one too, because what I really like about it is it is. It is an easy to understand story. It’s set in suburban Americana. Sort of. There is something creepy going on in a space that generally wouldn’t be considered creepy, and I think you did it also in barbarian like and I and I really enjoy that. It doesn’t necessarily need. Rich people, poor people. It’s not about, you know, X&Y. It’s like, look, this weird thing happened. Hmm, that has probably been going on for a long time. In this and everyone is unsettled by it, but in the end. Life will keep going. And I really, I really like they explained at the start, they’re like ohh this really strange thing and in the end everyone just sort of accepted it. And moved on because it was too upsetting for people and I really like that it gave it a good basis and a good foundation to sort of settle in and go, OK what the?  Quinny  **** did happen but, but also it it does that that very smart thing of going OK how do people in you know, small towns react to bad things happening? They’ll turn.  Dion  You know clue.  Speaker 7  Insect.  Quinny  And and the the most obvious person to turn on is the the the school teacher. So if every kid from the class Bar 1. You know doesn’t show up who’s the first thing you’re gonna look at the school teacher. You’re gonna ask questions there.  Jill  See, I’m the opposite. I’m like, why is this one? Kid left on, yeah.  Quinny  Oh yeah, 100 percent, 100%.  Jill  What’s going on with this kid?  Quinny  And the the the good thing is they actually show you like they they interview the kid, they do a lot of like they go to great lengths to really show you that due diligence has been done. Yeah. You know, and this is just there is no answer. It’s just ******* weird.  Jill  Yeah, it’s it’s puzzling.  Dion  And and like I love that they used quite well in this, like the vignette sort of style, the way they chop it up and they follow, you know, you get introduced to kind of some of the characters and then you get like as you get introduced to more, it starts replaying their stories. And I like the way that they use that quite effectively, which is like here’s. This person, and this is their story. And then we’ll follow someone else and it overlaps and it overlaps and it overlaps until you finally get to the.  Jill  Yeah. And chill, there’s a point where it’s like, hang on a second. Something really *******.  Dion  Yeah.  Jill  Weird’s going on?  Dion  And until it gets to the point where it’s like, OK, we’ve given you enough back story about how all these things are kind of overlapping and then we’re just gonna follow this one. And explain exactly what happened and you were like by that time you’re like ohh ****. Like, how do you resolve this? What the **** did happen?  Quinny  Yeah.  Jill  Yeah, it was a good point to reveal it as well because like, it was a very kind of slow burn intro to the movie. And I was like, ohh, where is this going like?  Dion  Yeah.  Jill  It’s maybe, yeah, becoming a little bit dull until like you do get that pivot point and it’s like, ohh ****. OK now strap in, cause I’m ready for.  Dion  So.  Quinny  Yeah, yeah, yeah. She’s gotten real ****** **. Yeah, it it’s interesting because I was watching it and my immediate thought was the film rush him on, which is the one where they they tell the same story, but from different perspectives. And you see the way that interacts. It’s like that. But it it’s sort of.  Jill  The rest of it.  Speaker  Hmm.  Jill  Yeah.  Quinny  Just showing you different parts, but then continuing the story on. Yeah, which I thought was really smart.  Jill  And thank God you you made the cultural reference and didn’t go with like Pulp Fiction.  Quinny  Sure. Well, you know, because I’ve all filmically ******* knowledgeable.  Dion  I mean, look, you know.  Jill  It was like, where did that reference come from? Russian.  Dion  Barbarian great one much shorter like Barbarians. Only 100 minutes. Yeah, right. This one’s 128 minutes. So we got almost an extra half hour of, you know, additional weirdness, which I think was deserved in this. Like I really like the pacing and the punch of barbarian because it just kind of like starts off real slow and then starts hammering through this one. Get it? Has the same sort of thing. It starts off real slow, but it gives you time to build that tension. And then I think at the end, a little bit more. Time like. When you start explaining things. I thought it would move a little bit quicker, but I have to admit by the end of it I was like, Oh no, I’m fine with how you. Decided you wanted to go with this and by the time you get to that big turn or the big understanding about what is going on, which I say is like 2/3 of the way. Through the film. It does delve into stuff where I’m like, is this funny? Is this not funny? But also, how are you gonna resolve this? And the only way to do it is. Kind of with a little bit of ridiculousness. But I thought it. Was it served it quite well?  Quinny  I think the thing that worked for me about it was the way the characters each sort of had their their very clear part of the story. 3 and when it intersects with one particular place, that’s where **** starts to go badly wrong for everyone you know you’re you’re trying to. Everybody’s trying to work out. Something and they’ve all got their their challenges. So you’ve you’ve got our our Julia Garner. Who’s been Justine, who obviously school teacher Josh Brolin is the dad of one of the. Benedict Wong is one of the the principal principal of the the school. Alden Ehrenreich is one of the cops, and Austin Abrams is is a a junkie for I mean, for lack of any better description.  Jill  He’s.  Dion  Just cop.  Quinny  And each of them.  Speaker 6  They’ve.  Quinny  Their their thing, their story, their interaction, yeah.  Speaker 7  Sure.  Jill  And each of their encounters with what is going on. And so you kind of get their perspective on. Ohh man, how do we trying?  Speaker 8  It’s hard not to spoil it, but.  Dion  Isn’t it you? You get there? It’s, it’s. Yeah, they they put out like, I mean the the, the film posits a strange occurrence, and then all of these different people come into it at different ways, like their their approach that they’re in, they’re affected by it in different ways. And the way that they approach it is. All 100% what everyone knew and I would do like. Yeah, there are no, there is no stupid situation. I have to admit there’s nothing stupid about each of these characters and decisions they’re making along the way. It’s just that there is something else affecting them and we as the audience know that there is something real bad. Happening and we can’t stop them, even though within their characters like, you know, the problem with horror and like that kind of stuff. You’re like, don’t go into there. That’s stupid. You never do that. Stop splitting. Up. I don’t think there’s one character in this that makes a dumb.  Speaker 6  Yeah.  Dion  Every single character is like. This is weird. But I need to find the kids. And I’m just going to do something that’s seemingly innocuous but suddenly ends up in a world. Of hurt. Like and, that’s what I thought was great about it. Isn’t one of those things like watch out for the slash? Are they going to get you? It’s like, no, they don’t know they’re. Going to be gotten. Because they’re doing something really boring, like going to a house. In the middle of the day, yeah. And then, you know, bad **** happens not because they made a dumb decision, because something else is affecting them.  Quinny  Yes. Yeah, it’s, it’s smart and it doesn’t treat its audiences in any way stupid. Yeah, it takes some weird turns. Ohh.  Dion  100%.  Quinny  Like, yeah, there’s, I don’t know whether we talk about it afterwards or what, but there’s stuff to in the last act that I was just like, what the ****? And it really there was in some very strange directions. But up until that point, you’ve also had a bunch of pretty ******* weird moments. And there’s a point where.  Speaker  Yeah.  Quinny  Like you said, Joe, it’s gone fairly slowly for a while. Yeah. And then there’s a point. Where it just suddenly ramps up and it’s no longer creeping dread. Now it’s running ******* screaming, running, screaming, terrifying.  Jill  Naruto running.  Quinny  This is ******** terror.  Dion  And. Look, I I. Liked it because they set everyone up as an unreliable narrator or character, but everyone is in is is unreliable in this you immediately start following Justine, who’s the school teacher, and they go to great lengths to explain why. Maybe she.  Speaker 6  Yeah.  Speaker  It.  Dion  You know, and they do all of that like maybe the father, like is Josh Brolin’s character is maybe he’s got something to do with it because he seems. Overly crazy at certain points of time, but. Ultimately it’s it’s it’s very sane reactions to a very insane situation, and I think that was the success of how it worked.  Speaker 6  For me, does that make sense? Yeah. Here’s one roll. Sorry.  Dion  Hmm, also shot beautifully. Also shot. Beautifully.  Quinny  Shot beautifully and a lot of it in the very, very, very dark.  Dion  But that’s what worked, man.  Quinny  Absolutely. Like there are a lot of sequences moving around through dark houses and at night and stuff like that, which you know is one of those great tropes of all things horror. I do remember watching something recently only in the last couple of years where I was blown away that they did a horror, but in full daylight.  Jill  Oh, OK.  Quinny  And I’m bugged if I remember what it was, but it it it really impressed me that they managed to do. In full light, this one does a bit of it here and then the really.  Speaker 7  The character I.  Quinny  Wanted to call out that I thought was really impressive. Was James the our junkie buddy, really?  Speaker 8  OK, well, I was impressive.  Quinny  His character, like in terms of performance wise. Not likable, not likable at all, but the energy that he came at that with.  Speaker  No.  Quinny  Like the the really nervous ****** ** energy and the like. The complete sort of. Unreliability of the character I was like ****, that’s a really good performance. I don’t like the guy. I don’t like him at all, but that’s cause it’s a really good performance.  Speaker 8  Yeah.  Jill  Yeah, that’s true.  Dion  You know? Yeah. I mean, yeah, that was like, I mean, to be honest, halfway like by the time we got to that character, I didn’t know how they were going to make him scary because he is just a junkie. And they did do some pretty good, scary, scary scenes with that just really boring situation. Technically, when you look back at it after the jump scares and after everything has happened, you’re like ****. That was so tense. For something that was really boring.  Quinny  There is a sequence and I the possibly the sequence that the whole cinema reacted to the most.  Speaker  MHM.  Quinny  And. I don’t. It’s what I love about it and I’m not going to try and describe it because it it would be doing it a disservice to describe the sequence. But what I loved about it was that it was. Fear created almost purely through sound. Like there’s a visual element to it. Something that is this growing danger.  Dion  Yeah.  Quinny  But then the use of sound was the thing that made the whole audience go **** no. Like literally the guy behind me when you heard a particular sound that door open just went oh, no. Oh, no, no.  Speaker  Yeah.  Quinny  No. And I heard.  Jill  The dream sequence.  Speaker 6  No, no, no. OK, it’s.  Dion  It’s this like this, like stalking sequence.  Quinny  In a car.  Speaker 7  Ohh.  Dion  Yeah. Yeah, right.  Speaker 7  Yep, Yep.  Dion  See this is this is what I’m talking about the the the ability to create tension based around very boring, very banal, very normal ****.  Speaker 6  Mm-hmm.  Dion  In this is great. By doing you know great things. I was like, great. It’s gonna be in the middle of night. It’s like 2:00 AM. She’s creepy anyway. Yeah. And now we’re going to make this creepier by, you know, making it sound like there aren’t many sounds like you can hear things, but you don’t need to see it. Like, if you hear, don’t show.  Quinny  Yeah.  Speaker 6  Hmm.  Dion  It can be very creepy and I like that too when there are inside certain other houses and they’re doing the low light stuff that you kind of do.  Jill  Not just sound, but like lack of sound.  Dion  And yeah, lack of sound is a great. A great way to do that.  Jill  I think one of my favorite sequences was the dream sequence of Josh Brolin’s character because it was shot from like first person perspective. So really felt like a dream. And because it was like, you know, semi dark and like the cameras turning as if like. A person is walking through a house and you know doors are opening, but you’re not seeing it because it’s as if you’re doing it. Was absolutely terrifying because there’s like. If anybody has ever had a nightmare where, like you can’t control what’s going on and you’re like, fighting with yourself to even accomplish something within the dream, it felt just like that and that. Was that was. Really incredible bit of movie making, I thought.  Quinny  And and the the every time you round a corner or whatever, you’re expecting something to. Be there to to, you know, wanna hurt you or whatever. Cause you know vaguely where what we’re kind of doing here. We’re in horror territory. Yeah, but.  Dion  Yeah, yeah. And on top of that, I also love the the interesting ability here to allow the audience to really use their imagination while they’re watching this because.  Speaker 6  Mm-hmm.  Dion  Setting up a camera. Like we we had in the end of the trailer there or not at the end of the trailer, but like there’s scenes of like an open doorway, it’s pitch black. You can’t really see anything inside, but can you because your mind starts to fill things in?  Speaker 8  Yeah, I know. Cause it felt. It’s exactly like nightmares that I have where you’re like you’re looking and you’re looking. And it’s like you’re trying to make out something and it’s like is that.  Dion  Exactly.  Speaker 8  Something? Or is it just like?  Dion  Is it a shape? Is it a shape in the room or is it just your? Your chair group has come alive, or those those other ones, so I thought was really good, which is moving around the house and everything is normal and fine. But wait.  Speaker  Yeah, my God.  Dion  What is that like when you when your brain finally kicks in and goes, that’s not actually supposed to be there. That is not what you expect in that sort of thing. And you have to come back to it and you realize ****.  Speaker 6  Mm-hmm.  Dion  That’s terrifying. Like, these are the successful things about it, which is why I really hated watching it. But I enjoyed the. **** out of. The movie, like it was just fun and it was really fun. It, like really, as I said, it was really fun taking quinny along. So I recommend someone take someone who hasn’t seen their **** before.  Jill  Hey.  Dion  Hey, sorry Jill.  Jill  Yay on the titz off scale.  Dion  Yes, titz off none left **** all gone flying everywhere.  Jill  None left. That’s a big fat 0 on. The **** off scale.  Dion  They, they they, they were like, you know, Shinkansen hanging out the window. ****, they’re just gone.  Quinny  Love that we both.  Speaker 7  Had the same age. I love that they’re.  Dion  Connected though. I just thought that they’re like.  Quinny  Well, they connected for a while and then they go. Right. I I don’t know how many tips are off for me because I was scared titless.  Speaker 8  Ah, well, there you go. That’s zero as well.  Quinny  Yeah.  Speaker 7  Yeah, like.  Jill  I don’t know, just like in the last couple of movies that I’ve seen this month, I’ve just have not had. A reaction like I did. With this one MMM.  Quinny  Yeah. Yeah. Well, and and you, you come out of it with a very distinct sense of man. I’ve watched something. Yeah, like. You know, it wasn’t safe. It wasn’t normal. It it. It didn’t feel like just your average ******* horror. Like, oh, God. What was that movie we watched a couple of years back for? None. Like, based on The Conjuring thing.  Speaker 8  Yeah.  Jill  Yeah.  Quinny  And it was just like, yeah, it’s a horror film. Yes. There’s a spooky nun. Cool. Like, in some ways, smile was a little bit like that, though I did find it was creepy as ****. But this, I don’t know, this was doing something different. This was really going into a different level of. Scary.  Dion  I I feel like collectively. Everyone was like in the film that I was sitting there going. And yes and. Everyone just kind of decided not to talk about it anymore, cause too many people died and it was too freaky. And I’m like, yes, kind of like barbarian. Kind of like weapons. We’ve watched it now and ****, you know, a lot of stuff happened and things are good, but like. Just collectively not gonna watch it again. Or not gonna talk about it because you’re still processing stuff about it. Umm. Yeah. Anyway, look. But also, you know, I can see why some people were unhappy with it.  Quinny  What? Where do you think? It didn’t work.  Dion  It’s interesting because, well, I don’t think it it’s. I can see how some people were a bit unhappy with it because they might have wanted to go more into the slasher horror kind of stuff at the end because I feel like there was the turn that happens and it goes into more explanations. You don’t really understand.  Speaker  Oh.  Dion  Exactly what’s going on, but came to me. It became more comedy and I was like ohh, I’m getting this now. You just have to go with it and you know the ending isn’t as satisfying. I think that some people were really after because it has no resolution for the characters. But. You know, I feel like after the tension of the 1st. Aaron, Aaron. A bit. I was like, I’m happy for it to just help me relieve the tension.  Quinny  Yeah.  Dion  Yeah. And also, you know, people could be sitting there going. Ohh, I didn’t. You know, everyone thought it was great, but I didn’t like it. Like, yeah, OK, I did.  Speaker 6  Hmm.  Dion  It was fun.  Quinny  I’d I’d like predicate because thing I went in after hearing a ton of fat, and though I enjoyed it, I’m still firmly bitted.  Dion  Still, yeah, sure.  Quinny  Yeah, yeah. Yeah, like I can see why. So there is a massive tonal turn. Like. Yeah, and there’s a point where, like it goes. We’ve already talked about where it ramps up, the action, kind of the the like, the threat becomes a lot higher. Mm-hmm. But then there’s another point a little bit later on where it takes a fairly sharp left turn. Into what could be seen as comedy.  Dion  Yeah.  Jill  Yeah. I mean, I think it’s a comedic moment, but it kind of like washes all of the drama and the the evil away and kind of leaves you with. OK, this was a really ****** ** situation and you know a number of horrific things happened, but by the end of it, we’re all able. To walk away. Like and put the situation behind us and I think. If it hadn’t have ended, you know very finally like the way it did. Then it kind of leaves you open to explore that situation maybe happening again. So I think like, yeah, I think I feel like the comedic twist of the ending. Was to relieve all of the tension that we built throughout the whole movie.  Quinny  Absolutely now.  Jill  But to do it in a way that wasn’t necessarily with a scare.  Quinny  Yeah, though I I would say that they I felt like we started to get elements of comedy earlier. Ohh, OK. Like essentially when we’re introduced to one of the characters that we haven’t talked about that does. Kind of push the film into a different space. It goes from being kind of. Of. This uncertainty about what? Is happening too. Suddenly there is a. Focus for it. And the focus is. Or could be. Are let down 4 people and I. Yeah. So I had that that moment where I was like that’s that’s a weird ******* choice and I’m still creeped out. But yeah.  Dion  Should.  Jill  I I’ll stand by that choice because I think it was. It’s a good way to catch you unawares.  Quinny  Yeah, yeah, very true. Very, very.  Dion  True. So, Jill while. Try and find your **** to. Reattach them.  Speaker  Shouldn’t.  Quinny  Somewhere in the fields of Japan and all. Through the.  Dion  Quinnie, do you have a rating for for weapons?  Speaker 7  Yeah.  Quinny  Oh yes, that’s a good question. OK, I’m going to go.  Speaker 6  Adding.  Quinny  I was genuinely creeped out by most of the film, and I think it works. Incredibly well as a. Really. Proper, good, scary ******* horror. Your your mileage is going to vary as to whether or not the last bit like the the last. From a certain point onwards, works for you. For me, it did kind of make me go. Huh. But it still kept the tension pretty high. So yeah, that’s where I’m at. It’s 84. If you’ve got a number, drop it. Dion  Jewel. Right.  Quinny  In that chat. I look for them.  Dion  I was going to go 85. Ah, but I’m not. I’m gonna go 86 because I like round math. So, dude, Jill, you could totally frustrate me but.  Jill  Even number.  Dion  Getting an odd number.  Quinny  That prick dangers jumped to 93, so **** you.  Dion  Yeah.  Jill  Well, then I’ll bring it back and. I’ll, I’ll go. For a 91 so that we can.  Speaker 6  Oh ****.  Jill  Even it up.  Dion  All right.  Jill  We’re going to go 90, but because of the odd number, I’ll go 91 even it.  Dion  Yeah. Out again. Yeah, 86. I really. I really enjoyed it. I thought it was just, like, kind of watching barberry and like, what the **** is happening? But it’s really good. Can I recommend it to people? Yes, with, with, with ******* guard rails as in. You know, Peter didn’t come. That’s OK. She’s not going to see this. You know, she’s going to be like, Nope.  Quinny  Not the kind of thing that.  Dion  Beck’s gonna like. No, no, all of those kinds of things like it. It’s not for everyone. But I do think it’s great. So, yeah, that was my 86. And, Jill, you’ve already got not 91.  Speaker  No.  Jill  At 91, I I have a horror friend and I immediately went to her and said hey, I watched weapons and she said Ohh good, I’m going to go and see it on Friday. And then when she came back to me, she.  Speaker 8  Said what the ****? That was so good.  Jill  Like that ending was So what the ****? And I’m like, yeah, but it was great. And like, yeah, we were just, like, dissecting, you know, the way that they built tension and all that kind of stuff and the pay offs were were all really good. I got to say the creative.  Speaker 6  Yeah.  Jill  Format for the storytelling was was great. I thought that was very inventive for like a horror film. Yeah, the.  Speaker 8  Anything that made me ******* scream, I’m like, yes. Big ticks so.  Quinny  Yeah, it takes a bit to actually get you to scream. I I heard you scream and I thought that wouldn’t have.  Jill  There were so many moments throughout the film where I actually had to stop eating and drinking because holding on to the chair and I’m like, crawling back into the chair, like with my arms crossed thinking Oh my God, Oh my God, Oh my God. And yeah, it it made me out loud scream, not just like shock. No, I screamed. And thank God it was like a loud. Tension release in the. Audio of the film as well to kind of cover up. The embarrassment of me screaming in a horror movie, but yeah.  Dion  And. I had the yeah.  Jill  Really thoroughly enjoyed.  Speaker  It.  Dion  I had The thing is like I I like weapons as a journey. Of a film. Like.  Speaker 6  Hmm.  Dion  I don’t think that there’s like there’s no point talking about A twist or a turn or this thing and this other what the **** I’m like. I like the journey of the film. Yeah, I mean.  Jill  I feel like you don’t get to have all of this fun in the end of the movie if you don’t put in the work at the start of getting through the build up.  Dion  Yeah. And by chopping it up and following.  Quinny  Yeah, you’ve gotta get to know the characters.  Dion  Yeah. And chopping up and following people with different experiencing not the same time from a different perspective, but also like different times at different perspectives. Once you understood the establishment of the character.  Jill  Yeah, but you kind of start to get little other pieces in within these people stories so that you can, like, try to build what’s happening before it’s just revealed to you in the movie. So like you as an audience are actually doing work in the film.  Dion  Yeah.  Speaker 6  Hmm.  Quinny  Too. I like that. I really like the feeling that it was showing me things. But I wasn’t. Being spoon fed them exactly and there are certain things that they showed and implied, but never actually said. So you have to make the assumption that that character did that. They may not have, but did fairly heavily implied. I live with that. I love being asked as an audience to put a little bit of thought in.  Speaker 6  Yeah. MHM.  Dion  Crazy concept. Look, Speaking of James, I actually have a James Heavy trailer for this. Just goes on about that. We’ll do that and then come back and try not to spoil, but still talk about.  Speaker 7  Oh, OK.  Dion  It a bit more depth, OK.  Speaker  I’m calling about the $50,000 reward. For information about the missing kids. Because I know. Where they are. Filter. Help me. Help me. Come on. Please help me.  Dion  Oh yes, we. Yeah, that was James. He was the the junkie, and he had tent and a very bad experience in a tent.  Jill  Sure. Just sure, we’ve all had a bad experience in the tent.  Quinny  Yeah, yeah. Mine was really intense.  Dion  Ohh George yes, and thankfully for people who haven’t seen it. And you’re like, no.  Speaker  ah  Jill  You up for that one?  Dion  Thank you. I’m like, yeah, yeah, but. It’s a really it’s. It’s so good how it makes you go. ****. I don’t wanna know about that, but it gives you an understanding back when you like, I feel like. Having watched it and then you look at all of the tents and and spooky scenes that were through earlier in the movie, you’re like, ohh, that’s not that spooky when you really think about it. It was our own imagination making it spookier than we thought. But again, of course no like.  Speaker 7  No, sure.  Quinny  Like it’s scary.  Dion  Yeah.  Quinny  It’s it’s interesting, I think I said to you guys afterwards, I I thought we were going perhaps to go in a different direction with it. So there’s a there’s a Stephen King short story that I love super short, like, only like 5 or 6 pages or something like that called suffer the little children. It’s in one of his short story collections and it’s about a teacher. Who starts seeing out of the corner of their eyes their their primary school kids? As like little demons like you know that they’re they’re wrong. They’re twisted. There’s something ****** ** about them, but only out of the corner of their eyes. So when they turn and look at them.  Jill  Ohh, I see kids like that all the time.  Quinny  Yeah. So that’s just being a teacher. But then, yeah, one day teacher goes and 1 by 1 calls all the kids at her office. Cool. Yeah. And I thought maybe we were going to go into that direction and I was like, because that’s one. Of my favorite stories, but it’s still ****** **.  Dion  Yeah, the welcome to. The thing about the unreliable like characters that we’re we’re following here and like I think yes, Karina, I’m not. I don’t want to talk about the spoiler of the twists, that of why is it like, why is this all happening? Mainly because I don’t think it’s it. It doesn’t do anything to give you. A reason to go see the movie.  Speaker 6  Hmm.  Dion  I’d rather talk around it and let people go and see it and say, hey, did you like that? Cause it’s ****** **, isn’t it? Like I don’t really.  Jill  Yeah, like, don’t be like my mother who told me that. Bruce Willis was dead the whole time, so that I don’t even bother to watch 6th sense. Yeah. And to this day have not watched it.  Dion  You know, Jill, I gotta say I’m. I’m. I’m with you on that because it was spoil. It was spoiled for me in the break room at at a work thing. And I was like, ohh. And they’re like, oh, you haven’t seen I’m like, no, because it came out yesterday.  Jill  What’s the point? There. Yeah. Thanks.  Speaker 6  Thanks.  Quinny  Yeah, yeah, I remember.  Dion  So I’ve never actually watched it.  Quinny  Trying to watch like Battlestar Galactica, the the 2000 series, and then somebody said to me, oh, I can’t believe that such and such and such and such and such for the final styles. And I was like. What the ****? And they’re like, ohh. It’s a joke. And I’m like you weren’t ******* joking.  Dion  Thanks.  Quinny  That’s cool. Well, I got to interview them this ******* weekend. So great.  Dion  Well, look, the the I think the the the non spoilery things I can say about it is that I was disappointed with. Was that the whole mystery is all about the kids. All right.  Speaker 6  Dion  And then you really don’t get a good resolution with the kids.  Jill  Yeah.  Dion  And it’s just a little bit you, you, I understand why they did the things that they did, but there isn’t. There isn’t a great resolution really.  Jill  Yeah, I feel like you don’t always have to have that in a film.  Speaker 7  No, and there is something.  Jill  It’s like we said, like it was. It was really. The journey of the movie that was the reward.  Dion  I got to say by the end of it, like the the kid who plays Alex, Carrie Christopher, he like I didn’t give a **** about.  Jill  Gorgeous little kid.  Dion  I yeah, I I was really disappointed with that kid right up until towards the end. And then I’m like ohh, that that kid did a really ******* good. Like having to do with a lot of adult themes and adult concepts by the end. And you’re like, holy ****, that kid is either gonna be a freaking St. or the devil.  Quinny  And I do like that whilst it’s avoiding tropes all over the place, you know, and it’s doing everything it can to try and not be the obvious or whatever you do still end up in a haunted house in a way. And you know it, it’s becomes.  Speaker 6  Yeah.  Jill  Yeah, with your don’t go in the basement moment.  Quinny  I know you. You’ve got 100%, you’ll do not go in the basement moment. And I was like, yeah, cool. We’re we’re. You know, we’re hitting on those things because I do think there is something like really archetypal about certain ideas and horror concepts. And being chased around your own house. Is terrifying, and people that you know not being themselves is terrifying. Yeah, yeah.  Dion  You know, and now you’ll never look at a kid in a playground running like that with their arms out. Being a plane without going whoop.  Quinny  Have you ever Naruto run? Dion  Didn’t you? You asked that question.  Jill  God, I I. Have dignity.  Quinny  I asked it off microphone.  Jill  I have dignity I.  Quinny  Thank you.  Jill  Run.  Quinny  I have seen so many people Naruto run around conventions.  Jill  I bet you.  Quinny  Have you know I’ve seen so many *******.  Jill  Yes. Yeah, they don’t do it ironically either.  Quinny  You. This. No. And I just wonder, I I I look at this and I was like, was that intentional? Did they know that they were doing that? Oh, isn’t it? No, no.  Jill  This is not a Naruto. Arm is like the arms have to be out back behind you, yeah.  Dion  Out. Yeah, they’re gonna be.  Quinny  Ohh. OK, right. Sorry, right, right. Just like.  Jill  This was like.  Dion  Yeah, this is just.  Jill  Just to the side.  Dion  Yeah, yeah, yeah. Sort of straight down kind of thing, but I mean don’t take anything you see on anime and try and replicate it and realise you’ll just hurt yourself.  Quinny  Yeah. Or someone.  Dion  Else. Yeah, yeah, yeah, all parties.  Quinny  Teapots. Right. OK, yeah.  Dion  Fair enough. Kind of planking. If only they were yelling, skippity rears when they ran around.  Quinny  Yeah, like there are. There are so many really good, very quick jump scares. Like, you know, there are there’s moments in a bed, there’s moments, you know, all over the place where you just like, really good. Momentary jump skis, but it also does that very clever thing of going we’re building up to a a jump scare and then we’re going to give you something that isn’t the jump scare. But. That can be really obvious. Like we all know that if you’re gonna build up to a jump scare, you’re not gonna give us the jump scare. You’re gonna add in a a thing. This one I was like actually that were pretty good. Like they weren’t fake outs or anything. These felt like something that still maintained the tension.  Speaker  See.  Dion  See, I really wish we’d had been able to arrange it earlier for you to have seen, barbarian. I get before this.  Speaker 6  One going on about barbaric.  Jill  We keep talking about it. We keep talking about it, but only.  Dion  Like.  Jill  For a very good.  Speaker 7  Reason. OK so so.  Dion  I warn you, I. Don’t you, Connie? It’s not a fun watch. I’m not recommending this to you because I think you’re gonna have a good time. I’m recommending it for you because all of the tense and scary things that you kind of felt from weapons, you’re going to get in barbarian again.  Quinny  OK so. Can you give me a like give me a vague synopsis of what barbarian is about.  Dion  It’s about the dangers of Airbnb.  Jill  Yeah.  Quinny  Oh, right.  Dion  Sounds boring, huh? Definitely not.  Jill  Yeah, but Justin Long is in it, but. And he’s the red herring.  Speaker 6  Eh.  Quinny  Right, so This is why you were all very excited when. He showed up in this.  Jill  Yeah. We’re Justin long shows up in a horror movie. Yeah, right.  Dion  As the thing like. It’s it’s done it it, it does a little bit of vignette things where it sort of takes the the two things it’s like it’s following Justin Long and it’s following another character. And they’re both standing at the same Airbnb and then it’s following one.  Jill  Yeah, there’s like, a really good fake out in the beginning because you’re like, ohh, this is very much going to be this thing and then it’s not. And then you’re like, but wait, what the **** is actually happening?  Dion  Yeah. Yeah, it’s like. Yeah. And by the time you find out what the **** is actually happening, you’re like. What the **** is happening?  Jill  Yeah. And you’re like, why and why and why?  Dion  No, no. And then it.  Speaker  Speaker 6  Yeah.  Dion  Just turns out it was just really, really ******* creepy.  Speaker  Yeah.  Dion  Yeah. Anyway, but it is more. It is more your traditional horror.  Speaker 6  Yeah.  Dion  You know.  Quinny  Right cause I I looked at that and I thought it sounded a bit more like the torture pointy kind of things like.  Speaker 6  This.  Jill  Body horror elements in it, that’s for sure.  Dion  There’s a little bit of torture **** because I’ve gotta also say there was just that thing of like, I don’t want to be in that situation and it’s a bit too graphic for me. Yeah, but you don’t like, you know, it’s. It’s just a good. It was the start of the way of building tension and and confusing you by going. We’re going to present you with a thing that says you’re going down this road, but it’s just going to kind of keep going. And then it’s actually like, wait. I was on on a road at all. I was actually on a lake. How did I get in this lake? And I’m not in a boat. What is going on?  Quinny  Sorry, I just I wanted to look up torture **** films cause I’m trying to think of it and particular one.  Jill  What kind of results did you?  Quinny  Just get well. Yeah, it was not a. Good time hostel. That was the one that I was trying. To. Find the name of hostel and hostel too.  Speaker 6  Yeah.  Quinny  But I love it.  Jill  Ohh, not not hostile you’re saying hostel?  Quinny  Hostile. Sorry. Yeah. Like that was one of those ones where it’s just like, you know, bad things happen to people. Human centipede, that kind of thing, bad things happened to people. It’s about the the torture.  Speaker  Oh.  Jill  Yeah, yeah.  Quinny  Salo. 120 days of sort. Sort of I was. I’m looking down this list, and I’m like, oh, yeah, I remember that when I run into that one. Yeah. Yeah. OK. And then I get. Justin Bieber never say never like. Well done to whoever ******* wrote that.  Jill  Well done.  Quinny  List because that was. Comic timing, like you wouldn’t believe.  Speaker  Ohh dear look.  Dion  There’s, you know, like, weapons isn’t a perfect film. There are some beats, I think didn’t quite. Planned and some decisions, as you said like it it goes a bit strange in the end. You’re like you’re going to go with it or you’re just going to be like oh.  Speaker 6  Hmm.  Dion  That’s sure that’s. Stupid. It’s like, no, I was. Yeah. No, I was 100% there for it too.  Quinny  I I yeah, I actually thought and I said to a couple of people, I thought it let off the the accelerator a little bit when they introduced the.  Dion  The reason?  Quinny  The reason? Yeah, like the to me when we started to get a few answers as to what was causing this, I felt like the tension ratcheted down a little bit.  Dion  Yep. I feel like they’ve they’ve followed that through with the comedy though, but they did ramp back the they did get back to the tension as they try to resolve everything as you get to the resolution.  Speaker 6  Hmm.  Dion  You’re wrapping. You’re ramping that sort of thing up again. Yeah. I thought they did it quite well. And, you know, the the end of it was. Fun.  Jill  I think it’s just like we’re going to blow off all. Of the steam that. Yeah, you know. Yeah. Of this movie? Yeah. And we’re going to do it in a comedic way, just to kind of like, yeah, that all out, you know.  Dion  Yeah. I mean, I feel like by the end of it, the audience was all kind of like, oh, ****, that was weird and ****, and I don’t know, but it was much more. Or interesting to to see that whole audience who had who had. Spent. You know good hour and a half tense as ****, absolutely sitting there going. What the **** is happening? I don’t want to be in this audience or thankfully, we’re all experiencing this together to then have a bit of a OK, well, OK, ****. OK. What was that all about? And I love confusing a confused audience. Not a confused.  Speaker 6  Hmm.  Dion  Audience like why was Ice cube in an ad for Amazon for 80 minutes? But more like that. Was that good like I had that the thing when at the end of it I was like, is that was that a good movie?  Speaker 6  Yeah.  Quinny  And I think people will take away from it what they what they will, you know, they’ll they’ll either enjoy bits of it or they want or they’ll find that some of it worked for them and some. Of it didn’t. Yeah, but. It’s done very well. That’s something that I do, you know, I’m happy to report that it’s. Done a lot better than most of the other films were released this weekend.  Jill  Quinny  Like based on its budget and everything, it’s kicked the **** out of a couple of much bigger films.  Jill  Good for.  Quinny  Them. Yeah, one of them being freakier Friday.  Dion  Look, I’m. I’m.  Jill  The Disney cash grab.  Dion  I’m happy that Zach Cregger, you know, survived the bidding war for weapons.  Speaker 6  Yes.  Dion  And that Jordan Peele fired a couple of people over not getting it.  Jill  Ohh, Jordan Peele movie coming out soon. Him.  Dion  Oh yeah. Yeah. Yes, but he was. Yeah, he was trying like Jordan Peele was trying to get Zach Craig as, Umm, spec script for his production company and did not get it. And then fired two of his management people for not getting it. OK. And I’m like, OK, but the really interesting thing I think for the next project that has been announced for this director is the Resident Evil reboot. Oh ****. And he’s writing directing. It. Ohh so it was like OK. Interesting. Yeah. Hmm. I mean, you never like a franchise with an established fan base, and many temps is fraught with peril. Yeah, absolutely.  Speaker  Yes.  Jill  But it means we don’t have to see *******. Milla Jovovich wheeled out again.  Dion  You’d leave Miller alone. She’s the supreme being.  Quinny  I mean. I love that they even attempted another reboot a few years ago and just nobody paid any attention to.  Dion  It. Yeah, I love that even one of them was a 3D1, which was like, you know, your franchise is in trouble when you’ve gone through an era of 3D coming and going again. Like jaws, jaws through the return jaws, three Jaws 3D. Like what the ****?  Speaker 6  Hmm.  Dion  Anyway.  Quinny  Trying to remember what that ******* ohh yeah. Resident Evil. Welcome to Raccoon City, you know? Yeah, the one that nobody paid any attention to at. All. But it mean.  Dion  Yeah, you know, look had no Miller in.  Quinny  It.  Dion  It’s.  Quinny  Oh well, look, I’m. I’m keen to see what he does next. Absolutely. And if he can make Resident Evil work? Cause like to me, I think that’s that’s not actually it shouldn’t be that hard. Like resident evil’s.  Jill  Yeah, it’s really not. It’s such a straightforward premise.  Quinny  Yeah, if you do a good solid zombie film and you use the characters that are in the in the games, it’s not that hard. I would ******* love to see this guy have a go at Silent Hill.  Jill  Yeah, that could have been.  Quinny  Like.  Jill  Silent Hill would have been better than Resident Evil. For this guy.  Quinny  Yeah, I think he’s his. Disturbing.  Jill  Because this guy is like, so good at, like, suburban. Dystopia.  Quinny  Yeah.  Jill  So I think like silent. Hill would be perfect for.  Quinny  Him absolutely.  Dion  Is am I the only one who didn’t mind the Silent Hill film that came out with rider? Mitchell, like I thought it was alright.  Quinny  No, I quite liked it. If the.  Dion  Freaky and the and the Borg Queen as the evil witch woman.  Speaker 6  Yeah.  Quinny  That was another one where I was like, OK, it it started really well, did some really good creepy stuff and then ended poorly. But yeah, I quite like that.  Speaker  Sure.  Dion  I mean, I’ve I I’m I I think with in return in in the idea of Zach Gregor. I’m kind of like just let him cook. Don’t give him a franchise. Don’t let him don’t make him do other **** just like no let him do his stories he’s doing quite well at the moment.  Jill  Yeah.  Dion  Of just. That’s true. Going barbarian? Yeah, that’s a good one. Weapons pretty good. You know what’s the next one? And I don’t pitch quinnie. Go for him and say, like, can you make a the same horror film, but everything you shot during the? Hi.  Quinny  I would love to see somebody ever go. On. It I haven’t watched Midsummer so.  Dion  Really.  Quinny  Yeah.  Dion  It answers the question who would you like? Would you prefer a bear or a man?  Speaker 8  Yes.  Dion  In the wheel.  Quinny  I don’t know because I always looked at that and I thought it looked a little bit, Wicker Manish, but now I’m completely confused as. To what that may actually be that.  Dion  Yes, but it’s a woman, so it’s a Wicker woman.  Quinny  Ohh.  Dion  Sorry, there are no. Ease.  Quinny  Good, because they weren’t me in the ******* original.  Dion  Film No, but there was in the Nick Cage one.  Quinny  Don’t don’t say it.  Speaker 7  Not. Why would you mention? ******* ohh. You broke my legs.  Dion  It’s very bad, it’s. Yeah, Speaking of Speaking of bad, what are we doing next week?  Quinny  Oh, oh, well, well.  Speaker  Oh.  Jill  Hopefully it’s not a bad show, yeah.  Dion  Two shows having a bit of. It

D.C. Maxwell is on the line with Milly and Rosetta to chat about his brand new single and video Jesus' Son - out today! Whakarongo mai nei!

We discuss everything about the golf business from where its been, where it is and where its goinghttps://www.googleadservices.com/pagead/aclk?sa=L&pf=1&ai=DChsSEwjKoKfNzsyOAxVgQ_8BHY8FGHgYACICCAEQABoCbWQ&co=1&ase=2&gclid=CjwKCAjwp_LDBhBCEiwAK7Fnkn1qW-eGQJvboitFzIVCAfdzItEgEFqH14lAZd8LeX7qsYtjHkjUDRoCgQAQAvD_BwE&ohost=www.google.com&cid=CAESVuD29XmUIdKE4c8mhImlDCN3kORvbtQ2sX0uWie_NiELsxBN8ZKxA-7CfScZHbmg9pH7fxVzrZR09RH754xWlgPa0z_MKl_GAG9aHI47M48SDyur4Sty&category=acrcp_v1_40&sig=AOD64_1Z7cRK8oKrFlgBfL7sCIREz523Fg&q&nis=4&adurl=https://maplehillgolf.com/?gad_source%3D1%26gad_campaignid%3D1902041003%26gbraid%3D0AAAAADPXRSTeN9Ht46m798pSz27XwnrI7%26gclid%3DCjwKCAjwp_LDBhBCEiwAK7Fnkn1qW-eGQJvboitFzIVCAfdzItEgEFqH14lAZd8LeX7qsYtjHkjUDRoCgQAQAvD_BwE&ved=2ahUKEwib4aHNzsyOAxUknokEHWYCAnIQ0Qx6BAgfEAQ

MOKOTRON is up in the studio, for a kōrero with Milly and Rosetta about his recent adventures at Glastonbury with Pulotu Underworld! The trio also chat about coining a new term for Māori electronica, 'Hiko'. Whakarongo mai nei!

Today we investigate dead animals appearing on a grave and then we find out ebay is selling haunted sex dolls! Original Air Date: Aug 24, 2020   Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share   Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg “Alien Flyer” By TVP VT U https://imgur.com/gallery/aPN1Fnw “QR Code Flyer” by Finn https://imgur.com/a/aYYUMAh   Links: Arkansas man accused of placing dead animals on former neighbor's grave https://www.wfla.com/news/national/arkansas-man-accused-of-placing-dead-animals-on-former-neighbors-grave/?utm_source=knewz HAUNTED Sex Attraction Magic Doll XXX Adult Only Live The Life Of A Porn Super https://www.ebay.com/itm/HAUNTED-Sex-Attraction-Magic-Doll-XXX-Adult-Only-Live-The-Life-Of-A-Porn-Super/164329288939?hash=item2642c9f4eb:g:TdYAAOSwpBxfLwoq Haunted Vessel Doll Elizabeth Sexual Energy Playful Delightful Fulfilling Sexy https://www.ebay.com/itm/Haunted-Vessel-Doll-Elizabeth-Sexual-Energy-Playful-Delightful-Fulfilling-Sexy/224122922159?hash=item342ec464af:g:SIIAAOSwvi9fKwOq Haunted Doll Miracle Spirit Vessel Sexual Aggressive https://www.ebay.com/itm/Haunted-Doll-Miracle-Spirit-Vessel-Sexual-Aggressive/114367709492?_trkparms=aid%3D1110006%26algo%3DHOMESPLICE.SIM%26ao%3D1%26asc%3D228426%26meid%3D182d4f2f90854f9e8fac6fd033fb154c%26pid%3D100005%26rk%3D2%26rkt%3D12%26mehot%3Dpf%26sd%3D224122922159%26itm%3D114367709492%26pmt%3D0%26noa%3D1%26pg%3D2047675%26algv%3DDefaultOrganic&_trksid=p2047675.c100005.m1851 Haunted Antique Doll Mandy Sexual Spirit Vessel ACTIVE https://www.ebay.com/itm/Haunted-Antique-Doll-Mandy-Sexual-Spirit-Vessel-ACTIVE/114363661437?_trkparms=aid%3D1110006%26algo%3DHOMESPLICE.SIM%26ao%3D1%26asc%3D228426%26meid%3D182d4f2f90854f9e8fac6fd033fb154c%26pid%3D100005%26rk%3D3%26rkt%3D12%26mehot%3Dpf%26sd%3D224122922159%26itm%3D114363661437%26pmt%3D0%26noa%3D1%26pg%3D2047675%26algv%3DDefaultOrganic&_trksid=p2047675.c100005.m1851   ---------------------------------------------- Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny The Cat Discord Mods: Mason   http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2025  

There was just too much to fit in the last episode of The Dashboard Diaries! On this episode we consider another way the history of black baseball connects Kansas City, MO and Anchorage.   #anchoredcity https://anchorageutc.org https://www.facebook.com/AnchorageUTC @AnchorageUTC   Theme Music by Tech Oasis from Pixabay   Resources Used To Make This Episode: https://www.in.gov/history/state-historical-markers/find-a-marker/find-historical-markers-by-county/indiana-historical-markers-by-county/washington-park-baseball/ https://sabr.org/research/article/we-are-the-ship-all-else-the-sea-the-founding-of-the-negro-national-league/ https://sabr.org/gamesproj/game/april-11-1966-emmett-ashford-makes-history-as-first-black-umpire-in-american-league/ https://www.mlb.com/news/umpire-emmett-ashford-broke-many-barriers https://baseballhall.org/discover/going-deep/emmett-ashford-blazed-trails-for-umpires https://adn.newsbank.com/doc/image/v2%3A14454275A04DAA79%40NGPA-AKADN-16BCD09641CD94B6%402441044-16BC9CBA94E5F066%401-16BC9CBA94E5F066%40?search_terms=o%09Emmett%2BAshford&text=o%09Emmett%20Ashford%20%20&docref=doc/image/v2%3A14454275A04DAA79%40NGPA-AKADN-16BCD09641CD94B6%402441044-16BC9CBA94E5F066%401-16BC9CBA94E5F066%40%3Fsearch_terms%3Do%09Emmett%2BAshford%26text%3Do%09Emmett%20Ashford%20%20%26docref%3Ddoc/image/v2%3A14454275A04DAA79%40NGPA-AKADN-16ECE7E70A987C21%402439043-16EB45C233555D81%4013-16EB45C233555D81%40%3Fsearch_terms%3DPaige%26text%3DPaige%26content_added%3D%26date_from%3D1965%26date_to%3D1965%26pub%5B0%5D%3D14454275A04DAA79%26sort%3Dold%26page%3D1%26pdate%3D1965-10-09%26pub%5B0%5D%3D14454275A04DAA79%26sort%3Dold%26pdate%3D1971-04-02&pub%255B0%255D=14454275A04DAA79&sort=old&pdate=1971-04-02 https://adn.newsbank.com/doc/image/v2%3A1445094F387BC7E2%40NGPA-AKADN-1445494E91A8B395%402441140-144514429E891F70%4012-144514429E891F70%40?search_terms=Emmett%2BAshford&text=Emmett%20Ashford&content_added=&date_from=&date_to=&pub%255B0%255D=1445094F387BC7E2&sort=old&page=1&pdate=1971-07-07 https://adn.newsbank.com/doc/image/v2%3A1445094F387BC7E2%40NGPA-AKADN-14455532E68BCA8E%402441119-144552CCE137E009%4011-144552CCE137E009%40?search_terms=Emmett%2BAshford&text=Emmett%20Ashford&content_added=&date_from=&date_to=&pub%255B0%255D=1445094F387BC7E2&sort=old&page=1&pdate=1971-06-16 https://adn.newsbank.com/doc/image/v2%3A1445094F387BC7E2%40NGPA-AKADN-14455BD6D6D65E59%402441045-14454DA57510D4FB%408-14454DA57510D4FB%40?search_terms=Emmett%2BAshford&text=Emmett%20Ashford&content_added=&date_from=&date_to=&pub%255B0%255D=1445094F387BC7E2&sort=old&page=1&pdate=1971-04-03 https://adn.newsbank.com/doc/image/v2%3A1445094F387BC7E2%40NGPA-AKADN-14A2A7DC40DE40CB%402442166-14A297E0FB4A4B70%4028-14A297E0FB4A4B70%40?search_terms=Emmett%2BAshford&text=Emmett%20Ashford&content_added=&date_from=&date_to=&pub%255B0%255D=1445094F387BC7E2&sort=old&page=5&pdate=1974-04-28 https://adn.newsbank.com/doc/image/v2%3A1445094F387BC7E2%40NGPA-AKADN-14BF4217AEB814D5%402442913-14BF3EFCDEFA05AB%4012-14BF3EFCDEFA05AB%40?search_terms=Ashford&text=Ashford&content_added=&date_from=1976&date_to=1976&pub%255B0%255D=1445094F387BC7E2&pdate=1976-05-14 https://adn.newsbank.com/doc/image/v2%3A14454275A04DAA79%40NGPA-AKADN-16B39EFDF6EA91FC%402444301-16B3987F1E9A45F1%400-16B3987F1E9A45F1%40?search_terms=Ashford&text=Ashford&content_added=&date_from=1980&date_to=1980&pub%255B0%255D=14454275A04DAA79&pdate=1980-03-02

This week your host Fred Williams and co-host Doug McBurney welcome Dr. James Oschman for his beneficial insights on the connection between our bodies, energy, information and the creation, (specifically the earth).   *Welcome James Oschman, PhD: Dr. Oschman has both academic credentials and a background in alternative therapies. His degrees are in Biophysics and Biology from the University of Pittsburgh. He has worked in major research labs around the world, including Cambridge, Case-Western, the University of Copenhagen, Northwestern where he was on the faculty, and the Marine Biological Laboratory, where he was a staff scientist. His many scientific papers have been published in the world's leading journals. He's written 3 books, The Resonance Effect: How Frequency Specific Microcurrent Is Changing Medicine, Energy Medicine: The Scientific Basis and Energy Medicine in Therapeutics and Human Performance: providing a theoretical basis for exploring the physiology and biophysics of energy medicine.   *The Dust of the Ground: Genesis clearly indicates a connection between our mortal bodies and the earth: Gen 2:7, “And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul. Gen 3:17b, “...cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life…” Gen 4:11-12, “And now art thou cursed from the earth, which hath opened her mouth to receive thy brother's blood from thy hand; When thou tillest the ground, it shall not henceforth yield unto thee her strength…”   *Earthing: Hear how Earthing - simply grounding yourself to the earth (especially while sleeping) can improve your health and quality of life, and help with inflammation and dozens if not hundreds of other health problems.   *Bone of my Bone: Hear how the peizo-electrical effect affects and encourages skeletal health.   *Magnetism, Meridians & the Placebo  Effect: Ever noticed how just holding a sore spot makes it feel better? Why is that? Hear some fascinating incites on how knowledge of electromagnetism, information science and physics are beginning to teach us that an understanding of such sciences among medical doctors will improve medicine!   *Mysticism, Materialism vs Biophysics: Find out how the perceived mystical aspects of energy and earth medicines are beginning to be explained in light of the biophysical and information sciences.

This week your host Fred Williams and co-host Doug McBurney welcome Dr. James Oschman for his beneficial insights on the connection between our bodies, energy, information and the creation, (specifically the earth).   *Welcome James Oschman, PhD: Dr. Oschman has both academic credentials and a background in alternative therapies. His degrees are in Biophysics and Biology from the University of Pittsburgh. He has worked in major research labs around the world, including Cambridge, Case-Western, the University of Copenhagen, Northwestern where he was on the faculty, and the Marine Biological Laboratory, where he was a staff scientist. His many scientific papers have been published in the world's leading journals. He's written 3 books, The Resonance Effect: How Frequency Specific Microcurrent Is Changing Medicine, Energy Medicine: The Scientific Basis and Energy Medicine in Therapeutics and Human Performance: providing a theoretical basis for exploring the physiology and biophysics of energy medicine.   *The Dust of the Ground: Genesis clearly indicates a connection between our mortal bodies and the earth: Gen 2:7, “And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul. Gen 3:17b, “...cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life…” Gen 4:11-12, “And now art thou cursed from the earth, which hath opened her mouth to receive thy brother's blood from thy hand; When thou tillest the ground, it shall not henceforth yield unto thee her strength…”   *Earthing: Hear how Earthing - simply grounding yourself to the earth (especially while sleeping) can improve your health and quality of life, and help with inflammation and dozens if not hundreds of other health problems.   *Bone of my Bone: Hear how the peizo-electrical effect affects and encourages skeletal health.   *Magnetism, Meridians & the Placebo  Effect: Ever noticed how just holding a sore spot makes it feel better? Why is that? Hear some fascinating incites on how knowledge of electromagnetism, information science and physics are beginning to teach us that an understanding of such sciences among medical doctors will improve medicine!   *Mysticism, Materialism vs Biophysics: Find out how the perceived mystical aspects of energy and earth medicines are beginning to be explained in light of the biophysical and information sciences.

What's up yawl hope you guys and gals had a blessed week. On todays episode i have Amber she is an expert in the Cult of J.W.C (Jehovah's Witness Cult).  She was in it as well as her husband for 38 years. She explains the in's and out's & how they recruit and operate also what happen with her in the cult and how and why she got out ! And Guest CO Host C.W Operator call sign (JUICE) LETS GO!!!! Ways to Support and Connect with Amber from (Cult Life Escaped) :  ✅https://www.instagram.com/cult.life.escaped?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== CultLifeEscaped@gmail.com https://l.instagram.com/?u=https%3A%2F%2Fwww.tiktok.com%2F%40cult.life.escaped%3F_t%3D8sDPZUYHd1y%26_r%3D1%26fbclid%3DPAZXh0bgNhZW0CMTEAAaZyIEeql3a6iGyke_x_FMDIADYs1aCMcGC0Eb3PmCY9WZHjvIDMaC_zjIY_aem_VVaUiv-m2Gb0o0mRMjwoSw&e=AT3MGTHA4kYYdKOGFcjBWr1omRUXQm-WcqA3zJNsGqPy5gvwmstEPBH8UCT5BoAF10r3lO6up-arf9TF5OqEkal47peekYyjHeUVhIka9bz0ELC9kQZj2Bc                 Help a brother out and buy me a Coffee ☕️ (Monthly or one time donation keeps the show going): We know there is room for improvement and have decided to ask you (Our amazing listeners) to help the podcast grow! This will help with better audio, expedition funding, and much more!  ✅ https://venmo.com/u/cryptidwarfare     Email me:  Podcast Cryptidwarfare@gmail.com   Critter/Cryptid Control/Consulting  C.WOPPS@protonmail.com C.woperations17905@gmail.com         Help support our mission in giving you the best podcast on

Carmella Charrington shares her story on how her NYC home is being stolen. Carmella's Linkshttps://www.instagram.com/mellamella1/?hl=enhttps://www.facebook.com/profile.php?id=100033357391916&ref=ig_profile_achttps://l.instagram.com/?u=https%3A%2F%2Fwww.tiktok.com%2F%40carmellacharringt4%3F_t%3D8kc1Vw19gJX%26_r%3D1%26fbclid%3DPAZXh0bgNhZW0CMTEAAaZI4bJiLnWSuUOZH6TDksxkBX7R6aCN36SD-iLaeMC7kfIysXHSo7ktYqA_aem_oi92gftgf3IDrBhsKI4YJg&e=AT19k37KaftOPPn4LslvnpYDsoyZ6jdy2PFw8DX0S9g_Hd1NhC2AtXb9Ue-w32aShuI40gxfjDpmuXvUemU1mvDTzEEUL9-LuRpzULIhttps://linktr.ee/toevils?fbclid=PAZXh0bgNhZW0CMTEAAaahZPTQqAl_c6K85O41-D3udqW55NXqSx2aGsOwkzdf-R7u0EoGNrIaJJk_aem_ENf9XHIEkYnvpogv-2hnAwDo you want to be a guest? Fill out the form https://forms.gle/5H7FnhvMHKtUnq7k7Send me an email here: insidetruecrime@gmail.comF*%k your khakis and get The Perfect Jean 15% off with the code COX15 at theperfectjean.nyc/COX15 #theperfectjeanpod https://theperfectjean.nycGet 50% sitewide for a limited time. Just visit https://GhostBed.com/cox and use code COX at checkout. Go to https://www.Qualialife.com/true for up to 50% off and use code true at checkout for an additional 15% off. For your convenience Qualia Senolytic is also available at select GNC locations near you.Do you extra clips and behind the scenes content?Subscribe to my Patreon: https://patreon.com/InsideTrueCrime

Award-winning harpist Ashley Jackson, whose expressive work melds traditional classical music with the rich heritage of Black spirituality, has a new album on the horizon — Take Me To The Water (out March 21).  In her masterful dip into transformative and spiritual power of water, Jackson interprets work by Alice Coltrane, Claude Debussy, and — on Today’s Top Tune “Deep River II” — the work of Samuel Coleridge-Taylor. 

Amy Millan is a Star, literally, she’s a member of the beloved  Montreal indie-pop group Stars. She’s also a satellite member of the iconic Broken Social Scene collective. But the song you’re about to hear, “Wire Walks,” is from her first solo release in fifteen years — I Went To Find You. Diving deep into her past, Millan taps into one of her favorite memories with her father, whom she enjoyed singing with in the evenings before his tragic death when she was five. 

Melbourne-based collective Surprise Chef are busy cooking up their new album Superb.It’s slotted for release mid-May, but we are here to share the song “Fare Evader” — a creamy drum-heavy beat that’s guaranteed to shake, rattle, and roll your speakers. 

Nigeria-born, UK-based Obongjayer reflects on a surprising theme which you wouldn't guess when you hear the beat of “Just My Luck.” 

One night, Canadian artist Leif Vollebekk dreamt that Jeff Buckley taught him a song in a Manhattan rehearsal space. Vollebekk watched Buckley’s hand on the fretboard of his guitar as he followed along. Vollebekk felt like he was in heaven, as their falsettos rang out. When he woke up, he wondered which Buckley song that might have been. He quickly realized that it was “Rock and Roll,” his own new song. 

Belgian outfit Black Flower has created a song around the parable of the monkey. It is said that a trap is set in a hole in a tree and hidden within is an enticing prize for the primate. The monkey takes it, but as danger approaches he refuses to let go and gets his fist stuck in the hole. The monkey finds himself in a bind, trapped by clinging to desires that hold us back. “Monkey System,” which features Ethio-Belgian troubadour Meskerem Mees, helps us learn an important lesson. 

If you can believe it, it’s Friday once again! To celebrate the end of a tough month, let’s turn to revered British trio Jungle who set our hearts ablaze with “Keep Me Satisfied.” Nuff said. 

What the world needs now is a little love and goodwill and that’s what you’ll hear when you spin Montreal-based Yves Jarvis’ new driving song “All Cylinders.” We believe you’ll find it to be in the style and warmth of Dionne Warwick and Burt Bacharach. 

Let’s tap into the work of composer, producer, and multi-instrumentalist Serebii (aka Callum Mower) — a talented, jazzy crooner based in New Zealand. Here’s “Verrans Corner,” which AI says is a location in Auckland that includes character shops.   

As we know, change isn’t easy — whether it’s going through puberty or adjusting to what life throws at you. LA-based trio Trousdale — Quinn D’Andrea, Georgia Greene, and Lauren Jones — address all of it head on with their ripping new track “Growing Pains.” 

808s stay bumpin’ to the bone when LA artist, DJ, and producer TOKiMONSTA turns her attention to music making. With  new album Eternal Reverie slated to drop on March 7,let’s spin the slick sound of “Feel It (Feat. grouptherapy.).” 

Afrobeat superstar Seun Kuti teams up with Zambian singer, rapper, and songwriter Sampa the Great. Dedicated to uniting a panoply of voices across the African diaspora, Kuti lights up the airwaves with the powerful  “Emi Aluta (Zamrock remix).” 

You’ll recognize the voice within the first few notes…  It’s the signature sound of Little Dragon’s celebrated vocalist Yukimi, and there will be more to enjoy as she puts the finishing touches on her solo album debut For You (set for release on March 28). We share “Winter Is Not Dead,” inspired by Scandinavia’s long, dark winters. Yukimi states what it's like to live there: “The lack of light brings many of us down. At the same time, underground, life thrives. Microbes stay busy breaking down organic matter, recycling nutrients and improving the soil, quietly preparing for spring. I also grow during my personal winter seasons, even though things might feel dead on the surface. Wheels turn as I transform and move through it getting ready for spring and summer.”

Rapper, actor, and film-director Dear Derrick’s new film The Black Sea features an accompanying soundtrack of the same name. It’s an homage to the golden era of hip-hop and offers reflections on his own upbringing in Brooklyn. “Ven Aqui (feat. Dario),” is an anthemic love song in Spanglish.   

One of LA’s finest multi-instrumentalists Charlie Bereal is back with his latest song, “Hope.” It was originally written as a tribute to the great Martin Luther King, Jr. on his birthday. Now the song has added meaning for Charlie, who shares: “Being a Pasadena/Altadena Native and watching my family churches, homes, and businesses burn has been completely devastating for me and our community. But one thing I know is that my city is strong, and we’re finding hope.”

Thai-born, Canada-based drummer, producer, and composer Salin gifts us with an edgy mix that conjoins the sound of her native homeland with 70’s psychedelia from West Africa. The track is called “Puaj,” which is Thai for the indigenous bamboo jew’s harp that provides such a heady mix. “Each note tells a story, echoing the lives and experiences of those who play it,” says Salin. “It’s a reminder that music is a universal language, transcending borders and uniting us all in a shared experience of joy and creativity.”

After a couple grueling years touring around the country for their debut album Shadowglow,  powerhouse indie rock band flipturn will soon release their sophomore album Burnout Days (early reviews have been raves). Tucked away in a cabin in the North Carolina mountains, the band wrestled with exhaustion to gain their endurance and envisioned an immersive world only they could create. Visit that world now through this shiner of a song, “Rodeo Clown.”

It’s Monday and who doesn’t like starting their week with a banger?! That’s why we’re so happy to share the first new music in several years from singer, songwriter, and dang-good pianist Neal Francis. His latest is the dance-ready track “Back It Up.” Let’s get laced-up, friends. 

In 2020, Laura Marling released Song For Our Daughter, a collection of music dedicated to a daughter that didn’t yet exist. The album she’s released now, Patterns in Repeat, was written after her actual kiddo was born and it mirrors the patterns at play when it comes to family. Check out “Child of Mine.” 

Slowly but surely, O & The Mo, are teasing out tracks from their forthcoming album, Make Way For The Sun (set to drop in late January, 2025). Recorded in their home studio in the pastoral valley of Wakapuaka, New Zealand,  “The High” captures their signature sounds as they emanate from a handmade nikau palm guitar. 

Let’s turn now to a band that you might not be aware of. Trupa Trupa is a post-punk band from Gdańsk, Poland, known for their unique blend of brooding alternative rock and psychedelic influences. Dark, dense, and full of mystery — “Sister Ray” recalls the beat of the 1980s in the best way possible.   

British-born, Stockholm-based poet and musician Joshua Idehen makes magic by intertwining both mediums. On “Mum Does The Washing,” Idehen dissects world theories via a simple-yet-meaningful analogy that will make you laugh (and think). And be sure to check out his cover of Talking Heads’ “Once In A Lifetime.”  

It’s crazy to think that the postmodern, post-punk, post-human collective known as The Mekons are celebrating roughly 50 years together. These rebellious souls are still doing their thing, challenging and entertaining us at the same time. “You’re Not Singing Anymore” will find you ruminating on their acidic wit and most likely singing along to the chorus. 

Columbian artist Ela Minus will soon unveil her sophomore album DIA (translating to “day” in English). It will arrive almost five years after the release of her debut album acts of rebellion. Cast as an electronic venture intertwining the singer-songwriter’s personal reflections and written in numerous inspirational locations, we catch a glimpse of the future with the song “Broken.”

For “Silver Bullet,” The South Hill Experiment employed pitched seismometer waves and twelve-story-stairwell tracked vocals alongside their guitars to provide a sense of scale. You may not be aware of the layering you are hearing because the lyrics provide a mantra you might find yourself repeating: “I think I’m getting older/I think I’m getting over it.” And that seems to be their intention. 

As we await the arrival of Franz Ferdinand’s new studio recording The Human Fear – slated for release in early 2025 – we wind back the clock to 2004. At that time the Scottish band was just breaking through in the U.S. and they chose to make their radio debut on Morning Becomes Eclectic.  

SoCal musical polymath Cameron Lew has an alluring way of pulling you inside his work as Ginger Root. His homespun sound, informed by his Asian-American roots, also leans into his love of music from the ‘70s and ‘80s: from Japanese and French pop, to Philly soul.  The title of his third album SHINBANGUMI translates from Japanese to ‘a new season of a show,’ and it features a very appropriate track for today — “Better Than Monday.” 

Mapache songwriter, producer, and multi-instrumentalist Sam Blasucci swerves into his love of Motown as you’ll hear on the song “Flower.” You can find the track on Blasucci’s sophomore solo album Real Life — a place where he navigates new sonic territory.   

We’ve got a beast of a track to share today by New Zealanders Lips. It’s called “The Wolf” and it features the sinister sound of E from EELS. We’ll let the band explain.  “E had heard us on KCRW in LA, and reached out on Instagram,” recalls Lip Fen Ikner. “[It was] right around the time we had this track on the boil and were looking for a cool way to end it." "I’ve been an Eels fan for the longest time, and was truly honored to hear from him. I still can’t believe he was nice enough to go along with our nonsense.”  

A child of Los Angeles, Ariella has been nurturing her creativity and fine tuning her songwriting since early on. This indie folk artist recently released her debut album Crybaby. From it, we share “Call Me Your Angel.”