Podcasts about alien autopsy fact

UFO researcher and talk show host Don Ecker and Robert Kiviat, writer and producer of “Alien Autopsy: Fact or Fiction?” and other TV shows on paranormal topics, join us to talk about ongoing Moon discoveries and the amazing lunar/astronaut connection.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

Unmasking the 1995 Fox Alien Autopsy Hoax: Conspiracy, Controversy, & Pop Culture Legacy Dive into the mystery of the 1995 Fox TV Alien Autopsy film! Join us as we dissect the infamous pseudo-documentary that fooled millions, explore its ties to the Roswell incident, and reveal how Ray Santilli's hoax became a global sensation. Was it fact, fiction, or pure genius? Tune in now! Step into the world of UFO lore with our gripping podcast episode breaking down the 1995 Fox TV special "Alien Autopsy: Fact or Fiction?" Hosted by The Rocky Mountain UFO Podcast, we unravel the shocking story behind the grainy black-and-white footage that claimed to show a real alien autopsy from the 1947 Roswell crash. Discover how British entrepreneur Ray Santilli masterminded the hoax, why millions believed the fake “military cameraman” narrative, and how the film sparked debates about government cover-ups and media ethics. We'll analyze the film's cultural impact, from its record-breaking Fox broadcasts (hosted by Star Trek's Jonathan Frakes) to its enduring legacy in UFO conspiracy circles. Hear expert insights on the film's anatomical flaws, behind-the-scenes secrets of its rubber-and-chicken-entrails creation, and Santilli's 2006 confession. Plus, explore how this 90s phenomenon foreshadowed today's “fake news” era. Whether you're a UFO enthusiast, a pop culture junkie, or a skeptic, this episode probes the blurred lines between truth and entertainment. Subscribe now to The Rocky Mountain UFO Podcast and join the debate: Was the Alien Autopsy film a harmless stunt, a media betrayal, or proof we're not alone? Alien Autopsy 1995, Fox TV Special, Roswell UFO Hoax, Ray Santilli, Jonathan Frakes, Extraterrestrial Conspiracy, UFO Documentary, 90s Pop Culture, Media Deception, Pseudo-Documentary, Alien Autopsy Footage, Government Cover-Up, Fake News History. Area 51: Secrets, Mysteries, and Enduring Legends: From the 1950's to today the enduring legends, mysteries and secrets of Area 51 Just search for our new book on Amazon or click the link below. Link to Area 51 Book https://a.co/cOCHhDx

FOR IMMEDIATE RELEASEFamed Fox Network TV Producer Files Lawsuit Against CIA‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnellThe “X” Zone Broadcast Network Canadian Media Servicesrobmcconnell@xzbn.net(905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him.According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device.“Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.”While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most.“Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.”By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.”On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.”##Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.

Rejoice! Episode 194 is finally here! And this episode is as new as you could possibly get! As in, this was recorded just six hours ago, edited right after band practice, and served piping hot for maximum flavor! Dan and Ian catch up and talk about life, music, and then finally some alien autopsy hoaxing! Released on the show, "Alien Autopsy: Fact or Fiction", hosted by Jonathan Frakes back in 1995, this film caused a heated debate regarding it's authenticity, but has since been widely discredited and debunked as completely fake. It's good to be back in the saddle! Thanks for your patience, and thank you for listening! (c)2025 Scatterbrain Productions. Always.

Show Notes Episode 452: Subterranean Homesick Alien Autopsy This week Host Dave Bledsoe is back from his tax deductible “research trip” where he was researching a story about a old, fat, drunk man who gets thrown out of bars in a small southeastern Tennessee town screaming “You can't do this, I was born here!” (He was, and they can.) On the show this week we examine a television show that purported to show an alien autopsy that aired on Fox in 1995. (Fox, bringing the bullshit for over thirty years!) Along the way we learn that Dave saw a UFO on his flight, or at least what he thought was one. (It wasn't. He was drunk.) Then we dive right into why Americans Wanted To Believe in UFOs back in the mid 90's. (It was more that they wanted to have a threesome with Scully and Mulder.) We meet the “brains” behind Alien Autopsy: Fact or Fiction and ask the question, was Jonathan Frakes having money troubles when he did this? From there we introduce you to the English record producer who “accidentally” discovered footage proving that life exists on other planets and were visiting Earth for decades. (They aren't and he didn't.) Finally, we discuss WHY people believed it was real. (people are very stupid.) Our returning Sponsor is Morley Cigarettes, America Smokes a Morely.  We open with the Fox Special and close with Warrenmusic who met a friend on the subway. Show Theme: Hypnostate Prelude to Common Sense The Show on Twitter: https://twitter.com/TheHell_Podcast The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube:  https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ The Show on Instagram: https://www.instagram.com/whatthehellwereyouthinkingpod/ Our Discord Server: https://discord.gg/kHmmrjptrq www.whatthehellpodcast.com Give us your money on Patreon  https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music:https://youtu.be/uZpDRZMWyM4?si=aPWV555CD--CE3rK We are a proud member of the Seltzer Kings Podcast Network! http://seltzerkings.com/ Citations Needed: The Last Time There Was a Craze About UFOs and Aliens https://www.thebulwark.com/p/the-last-time-there-was-a-craze-about-ufos-and-aliens E.T. or B.S.? When Fox Aired Its Infamous 'Alien Autopsy' in 1995 https://www.mentalfloss.com/posts/fox-1995-alien-autopsy-hoax AUTOPSY OR FRAUD-TOPSY? https://content.time.com/time/subscriber/article/0,33009,983764,00.html Santill's Controversial Autopsy Movie http://www.v-j-enterprises.com/kjeff396.html Man behind infamous ‘alien autopsy' video finally reveals the whole truth behind it https://metro.co.uk/2017/09/25/man-behind-infamous-alien-autopsy-video-finally-reveals-the-whole-truth-behind-it-6954667/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this month's Halloween special, Adam and Ken dive into the wild world of made for TV horror with reviews of four titles including I'm Dangerous Tonight, Body Bags, Alien Autopsy: Fact or Fiction, and Wes Craven Presents Don't Look Down. 0:00 - Intro 0:24 - I'm Dangerous Tonight 22:24 - Body Bags 32:15 - Alien Autopsy: (Fact or Fiction?) 55:27 - Don't Look Down Twitter: http://twitter.com/90spod Facebook: http://facebook.com/90spod Web: http://90spodcast.com E-mail: 90s@filmpulse.net

Saucer Cinema veteran (and recent Hugo Award nominee) Bitter Karella and newbie guest Woosl join me to dissect the infamous 1995 Fox TV special Alien Autopsy: Fact or Fiction?, directed by Tom McGough and hosted by everybody's favorite Number One, Jonathan Frakes. We talk about the special's dubious origins, media hoaxes and credulity, hugging celebrities, Klingon/goth kid encounters, unexpected trading card crossovers, Poppin' Fresh the Pilsbury Doughboy, and more!

In this episode we will investigate the gateway drug to hell known as Dungeons & Dragons. A table top fantasy role playing game that I'm sure you have at least heard of. We follow the games invention by Gary Gygax and Dave Arneson in 1974 to moving 750 000 copies per annum by 1984.We look at the official magazines it spawned and the arrival of and attractive new character, Satan, introduced by Alexander von Thorn in 1979.Former lord of the 9 Hells, this shape shifter whose most potent power is temptation was toppled from his throne by a more powerful demon called Asmodeus, according to D&D lore.As the Satanic Panic of the 80s got underway and D&D got caught in the crossfire the devil found himself sidelined. The Newsweek article read out by Eddie Munson, played by Joseph Quinn in Stranger Things is real!From 1986 until 2007 the mere mention of The Wicked One was forbidden in official D&D products.We trace D&D's contribution to the Satanic Panic to the 1979 disappearance of 16 year old James Dallas Egbert III and the public allegations made by the private investigator hired by the family to find him, Bill Dear who describes himself as ‘the real James Bond'.We look at how Dear capitalized on the media frenzy around the case now known as ‘The Steam Tunnel Incident' and published a memoir entitled, ‘The Dungeon Master: The Disappearance of James Dallas Egbert III'Through Dear's love of the spotlight we talk about the exhumation of Lee Harvey Oswald in 1981, his claims O.J. Simpson is innocent and he can prove it and his involvement in the infamous, ‘Alien Autopsy' video for the Fox special, ‘Alien Autopsy: Fact or Fiction.'We also follow D&D's public scrutiny at the height of the panic through Rona Jaffe's novel, ‘Mazes and Monsters.'Which was turned into a made for TV movie starring Tom Hanks just a year later.Then we turn our attention to the most prolific anti-D&D campaigner Patricia Pulling and lobby group called, B.A.D.D. reminiscent of Tipper Gore's PMRC campaign.We investigate claims in Pulling's 1989 book, ‘The Devil's Web: Who Is Stalking Your Children for Satan?'Pulling claimed to have investigated the subject of teenage devil worship for 7 years and created educational material for schools and police departments which she distributed all across the U.S.In her uniformly uninformed way she claimed the number one pathway to hell, even above Role Playing Games was ‘Black Heavy Metal Music.'We'll take a close look at her 38 page pamphlet, ‘Dungeons & Dragons: Witchcraft, Suicide, Violence.'In which she quotes convicted murderer Mitchell Rupe and Church of Satan founder Anton Levay as if they are comparable.We'll pull apart her particular offense to the ‘Girdle of Femininity/Masculinity'. A D&D artefact that can change the gender of any character. She also gets very upset that the Player's Handbook allows players to choose the gender of their character. Then we introduce our hero of the piece author Michael Stackpole who in 1990 published ‘The Pulling Report'Accusing Pulling of inaccuracies in her so called data showing she was not an expert in anything. For example this so-called Satanist investigator does not even know the Necronomicon was a fictional creation of H.P. Lovecraft.Favourite of the show, Thomas Jefferson gets a mention. Virgil's epic poem ‘The Aenid comes into it and somehow D&D finds itself wrapped up in the ‘New Age' movement.Finally we will see the rise and disgraceful fall of founder of the National Coalition on TV Violence, psychiatrist and lawyer Thomas Radecki. 

FOR IMMEDIATE RELEASEFamed Fox Network TV Producer Files Lawsuit Against CIA‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnellThe “X” Zone Broadcast Network Canadian Media Servicesrobmcconnell@xzbn.net(905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him.According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device.“Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.”While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most.“Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.”By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.”On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.”##

FOR IMMEDIATE RELEASE Famed Fox Network TV Producer Files Lawsuit Against CIA ‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnell The “X” Zone Broadcast Network Canadian Media Services robmcconnell@xzbn.net (905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him. According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device. “Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.” While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most. “Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.” By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.” On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.” ##

FOR IMMEDIATE RELEASE Famed Fox Network TV Producer Files Lawsuit Against CIA ‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnell The “X” Zone Broadcast Network Canadian Media Services robmcconnell@xzbn.net (905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him. According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device. “Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.” While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most. “Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.” By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.” On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.” ##

FOR IMMEDIATE RELEASEFamed Fox Network TV Producer Files Lawsuit Against CIA‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnellThe “X” Zone Broadcast Network Canadian Media Servicesrobmcconnell@xzbn.net(905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him.According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device.“Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.”While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most.“Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.”By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.”On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.”##

This week, on a very "out of this world" episode of Network Special, Nathan & Zachariah take a look at a FOX documentary special centered around what is claimed to be actual footage of an alien autopsy filmed at Roswell, NM. We talk about our experiences with UFOs (we have none) and whether or not we believe the footage we are seeing. Tune in to find out if this week's episode is Funny or Not! LINKS https://www.youtube.com/watch?v=0viY_j5ynXI (Watch)

FOR IMMEDIATE RELEASE Famed Fox Network TV Producer Files Lawsuit Against CIA ‘Disinformation' Scientist and Antigravity/UFO Research Firm Contact: Rob McConnell The “X” Zone Broadcast Network Canadian Media Services robmcconnell@xzbn.net (905) 575-1222 March 7, 2019 – Orange, CA – Robert C. Kiviat, the investigative producer best known for his hit TV Specials FOX Broadcasting aired along with their X-Files series such as Alien Autopsy: Fact or Fiction?, UFOs: The Best Evidence Ever Caught On Tape and World's Greatest Hoaxes: Secrets Finally Revealed, has filed a lawsuit in California against longtime CIA scientist Ron Pandolfi, who ran the CIA's “Weird Desk” and most recently has been backing InterNASA, an advanced physics firm also named in the lawsuit which Kiviat worked for under contract since 2018, but has yet to pay him. According to the Complaint filed last week, Kiviat – whose 2014 TV Special for NBC Universal's Syfy channel, Aliens On The Moon: The Truth Exposed unveiled never-before-seen NASA photos taken by the Apollo astronauts that appear to show gigantic lunar constructions of unknown origin – is seeking $300,000 in employment salary arrears InterNASA presently owes him. The suit also promises to pry open for the first time, via legal discovery, the inner workings behind CIA operations ostensibly led by Pandolfi comprising a decades-long disinformation campaign designed to influence and confuse the public about UFOs – or exotic technologies – by manipulating researchers, and worse, lead those involved to lose money, and more, in the process. “Covering UFOs and other unexplained topics for TV networks made me keenly aware that both a former Director of the National Security Agency (NSA) and a famous astronaut had moved into anti-gravity R & D upon leaving government service,” Kiviat says. “So when InterNASA CEO Joe Firmage assured me he had secured the necessary funding and that Pandolfi was backing his gravity-control research, I accepted a position to oversee InterNASA's Studios division.” Kiviat adds that Pandolfi's apparent support of the science behind Firmage's device was independently corroborated by a prominent researcher and author giving lectures at packed UFO conferences throughout 2017, claiming he learned of it from a known Pandolfi operative. The same month that Firmage was recruiting Kiviat to oversee InterNASA Studios – which Firmage envisioned as a news and entertainment entity for informing the public about the implications of his discovery – The New York Times ran a front-page article announcing that unidentified “Tic Tac” shaped aircraft had been caught on video by U.S. Navy pilots easily outmaneuvering our fastest jets with gravity-defying capability. These videos The Times wrote about were not released by the U.S. military, but by a company headed by former Blink 182 guitarist Tom DeLonge and Dr. Hal Puthoff, a scientist who had conducted government ESP research and is a former paid consultant Firmage employed 10 years earlier when he was just beginning work on the anti-gravity device. “Firmage asked me repeatedly if I knew of any actual technology that was being developed by the company DeLonge and Puthoff were heading, which they named To The Stars Academy (TTSA), and when I told him I didn't, he indicated he felt Puthoff must have usurped his overall ‘new physics Academy' concept he had been talking about for years,” Kiviat recalls. “To be fair, Firmage had a point, in that InterNASA – or its full name, International Academy of Science and Arts, does sound like it could have inspired TTSA. Then he gave me our plan, which was to beat TTSA to the punch and get news stories and TV series made about our efforts to prove gravity-control exists.” While Kiviat explains that he performed multiple tasks for InterNASA working under his employment contract, including corporate communications, investor relations and also managed to make multiple trips to New York to pitch two major TV Networks a series which would, in part, unveil InterNASA's plans, it was Firmage's insistence that Kiviat actually was working for both him and Pandolfi that intrigued him the most. “Often when I would have my daily phone calls with Firmage, and also with Pandolfi's most trusted operative who was stationed at Firmage's Utah home laboratory overseeing technical progress being made on the gravity-control device and reporting back to Pandolfi on the East Coast, Pandolfi would call in and they would both have to aburprtly end our calls,” Kiviat says. “Any claim Pandolfi makes that he did not call in that frequently or was not majorly involved in monitoring InterNASA's technology development is preposterous and demonstrably false.” InterNASA's financial problems started early, Kiviat reveals, when its seemingly most interested investor, former Utah Congressman Daniel Marriott, feigned he would provide the investment capital to cover all operating costs, but kept coming up with reasons for holding up doing so, while curiously, also maintaining that if any other investor stepped in, he would pull his involvement completely. “It was this Catch-22 kind of dealing that basically strangled the company, Kiviat adds. “But Marriott did eventually make as minimal payment as possible to keep InterNASA's technological development going, and also paid me a small amount out of his own pocket to cover a tiny portion of my amassing InterNASA salary arrears.” By the middle of 2018, Kiviat was told by both Firmage and Pandolfi's operative in Utah that a major meeting – or “gravity control” demonstration – was being planned with Pandolfi's assistance in Colorado. But due to Firmage's inability to meet certain deadlines, the meeting abruptly was canceled. Kiviat was informed the company was going “dark” to work on the machine without distraction, and Kiviat – or what Pandolfi's operative called “Media” – would be the last to be paid with whatever funds Marriott was continuing to contribute. “From that point on, I focused primarily on getting a TV deal since it seemed money would have to come in from some outside source to keep InterNASA going, with Marriott manipulating the way he was doing,” Kiviat says. “TV executives I met with in both Hollywood and New York showed a lot of interest, and these negotiations are continuing despite the lawsuit being filed. One way or another, I think the series I presented will get made, and it will be the most definitive and far reaching TV project ever concerning UFOs, the subject's connection to exotic propulsion systems and what the U.S. government knows about possible extraterrestrial visitation.” On the advice of his attorney, Kiviat's lawsuit also names Marriott as a co-defendant and alleges he is culpable for money owed to Kiviat for the year or more of work performed under his employment contract. Yet Kiviat sees his case having much more significance than simply being about receiving his fair compensation. “Not only am I seeking to be paid for what I am owed legally for my dedicated efforts, but the suit has the added value of exposing the way the U.S. intelligence agencies have seemingly manipulated the UFO community and overall, the general public for years. And to put it mildly, it stinks, many good people have been damaged and it has to stop.” ## Our radio shows archives and programming include: A Different Perspective with Kevin Randle; Alien Cosmic Expo Lecture Series; Alien Worlds Radio Show; Connecting with Coincidence with Dr. Bernard Beitman, MD; Dick Tracy; Dimension X; Exploring Tomorrow Radio Show; Flash Gordon; Jet Jungle Radio Show; Journey Into Space; Know the Name with Sharon Lynn Wyeth; Lux Radio Theatre - Classic Old Time Radio; Mission Evolution with Gwilda Wiyaka; Paranormal StakeOut with Larry Lawson; Ray Bradbury - Tales Of The Bizarre; Sci Fi Radio Show; Seek Reality with Roberta Grimes; Space Patrol; Stairway to Heaven with Gwilda Wiyaka; The 'X' Zone Radio Show with Rob McConnell; and many other! That's The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotv *** AND NOW *** The ‘X' Zone TV Channel on SimulTV - www.simultv.com The ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

COMMERCIALSMobile Suit Gundam (2000)SOUNDS FROM FREESOUND.ORGAnagar, InspectorJ

On this installment of The Meltdown, I'm joined by Brian Hastie of the Double Density podcast to discuss another Jonathan Frakes classic, Alien Autopsy: Fact or Fiction?

On August 28, 1995, Fox aired alleged footage of 1947 alien autopsy, which turned out to be an elaborate hoax.Win a copy of the book Abandoned & History Los Angeles: https://www.ghosttownpod.com/p/bookgiveaway/YouTube: https://www.youtube.com/watch?v=W1LfkOKwoaoPatreon: https://www.patreon.com/ghosttownpodInstagram: https://www.instagram.com/ghosttownpodSources: https://bit.ly/2QN0MRS Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

On August 28, 1995, Fox aired alleged footage of 1947 alien autopsy, which turned out to be an elaborate hoax. Win a copy of the book Abandoned & History Los Angeles: https://www.ghosttownpod.com/p/bookgiveaway/ YouTube: https://www.youtube.com/watch?v=W1LfkOKwoao Patreon: https://www.patreon.com/ghosttownpod Instagram: https://www.instagram.com/ghosttownpod Sources: https://bit.ly/2QN0MRS Learn more about your ad choices. Visit megaphone.fm/adchoices

Indeed, there is no shortage of debatable evidence and probable hoaxes when it comes to the subject of UFOs and aliens. Yet as with any cultural phenomenon, there are those prime examples that rise to the top to become forever cemented into our collective consciousness. One such artifact is a 17-minute black-and-white film that became so iconic it is merely, and famously known only as "Alien Autopsy."  The film sequence purported to show government or military Medical Examiners performing an autopsy on an alien lifeform supposedly recovered along with debris from an equally famous event, the 1947 Roswell UFO crash.  One could argue that the film has become more well-known than the incident upon which it was supposedly based.  The first public screening of the film occurred on May 5, 1995, in a small theater at the Museum of London.  The organizer of the event who had possession of the film at the time, a music and television producer named Ray Santilli, had invited the Press, UFOlogists, and even clergy members to witness the extraordinary footage to generate buzz and controversy.  Accomplishing both aims, news outlets around the world picked up on the story.  But the biggest sensation sparked on August 28th of that year, when Fox Television aired a documentary Special featuring the footage titled, Alien Autopsy: Fact or Fiction.  The Special was re-broadcast two more times, with each one generating millions of more viewers.  The backstory Santilli stated then was that he purchased the footage from a retired military cameraman who shot the film during the actual autopsy at the Roswell Army Air Field.  However, just before the release of a 2006 British comedy called Alien Autopsy, which dramatized the story of the events surrounding the film, Santilli admitted that the film he and his partner Gary Shoefield released was a recreation of the original footage he acquired in 1992. He claims that in the time he first viewed the 22 original reels and the 1995 release, the film deteriorated so severely that his team needed to recreate the shots based on what he had seen.  But Santilli also insists that they spliced frames from the original footage into the film they released – that an authentic, 1947 autopsy film existed.  But that is his story, and as we all know, there are always more sides to one.  Enter tonight's guest, magician and media producer Spyros Melaris.  Spyros has a convincing story of his own, that he and his friend, sculptor and Special Effects artist John Humphreys created the film and everything seen in it – that there is no authentic autopsy film.  Whatever you may decide after hearing part one of our interview with Spyros, one thing is sure: the Alien Autopsy film captured the imagination of the world and might be one of the greatest hoaxes of all time.  Visit our website for a lot more information on this episode: https://www.astonishinglegends.com/2020/8/23/ep-186-alien-autopsy-part-1 (http://www.astonishinglegends.com/al-podcasts/2019/7/14/ep-149-dan-susan-micah-hanks-and-missing-time)

Welcome Back Unbelievers... to our 50th Episode!Yup, thats right! 50 episodes in and many more to come... and tonight were covering one of the most popular pieces of Paranormal Evidence to ever exist in American Pop Culture... the mysterious and notorious... Alien Autopsy! At this point, most paranormal enthusiasts have already seen the much talked about Alien Autopsy Footage, but the best way to digest the film is through the Fox Television Documentary Special "Alien Autopsy: Fact or Fiction" hosted by the one and only Jonathan Frakes.In this special, Frakes and various people from the world of Film and the Paranormal view the footage and give their take on what is seen in the Alien Autopsy Video... and some of their insight is... remarkable. But could the video actually be the real deal? Or is it all just a work of Fiction? We find out tonight on the program where you CONTINUE to LEARN to UNLEARN, EVERYTHING YOU KNOW!Host: Rus RyanCo-Hosts: Drea Mora & Rob OkeyProduced by: Rob OkeyFOR BONUS CONTENT & TO SUPPORT THE SHOW, JOIN OUR PATREON AT:www.patreon.com/unbelieverspodcastwww.unbelieverspodcast.com@UnbelieversPodcast on Instagram@The Unbelievers Podcast on Facebook@UnbelieversPod on TwitterUnbelieversPodcast@gmail.com

Once upon a time, some strange objects were found by a rancher and it was reported that a flying saucer had crashed! Years later, a man claimed to have actual footage of an autopsy of one of the creatures found at the sight. It became a worldwide phenomenon – and then he said he was lying, but also that it wasn’t a hoax. I have the story of the 1995 Alien Autopsy Film on the 188th episode of Coffee With Jeff. Show notes and links: * Alien autopsy – Wikipedia (wikipedia.org) * Before Independence Day: The Hoax That Captivated the World (time.com) * Roswell Alien Autopsy – 2/4 – Eamonn Investigates (youtube.com) * Welcome to Fortean Times Magazine (forteantimes.com) * Alien Autopsy: Fact or Fiction? [HQ] (youtube.com) * Bull Shit. Regards; Don Ecker UFO Magazine (archive.org) * The Alien Autopsy – YouTube (youtube.com) * Episode 32 – Alien Autopsy Part 1 with Spyros Melaris (conman.com.au) * #32 – Alien Autopsy Interview (acast.com) * Inside the Outer Limits – Spyros Melaris (youtube.com)

Ghostwatch was a British movie that traumatized an entire nation and mentally scarred young children for years to come. Presented as a live news broadcast, Ghostwatch followed a group of reporters as they staked out an alleged haunted house in the hopes to find irrefutable evidence of ghosts. It was broadcast only once on BBC 1 on Halloween 1992, gaining an impressive audience of over 11 million viewers. The movie offered no disclaimers that it was a fictional account of a news broadcast and cast recognizable British TV personalities in the lead roles, further blurring the line between fact and fiction. It’s estimated that 30,000 calls were made to the “live” call-in number displayed on the screen during the show. If a caller was able to get through, a recorded message was played saying that the show was fictional and was not being broadcast live. Since the phone lines were jammed by the sheer volume of calls coming in all at once, not many callers were able to get through to receive this message. It’s not the first time that a work of fiction presented as a real news account caused panic or confusion. On October 30 1938, Orson Welles narrated “War of the Worlds” by H.G. Wells in the style of a news report, complete with breaking news interruptions. The listener was told repeatedly that it was merely a reading of the science fiction classic, but the style of the broadcast seemed to cause confusion anyway. The theatrical interpretation began with: “Ladies and gentleman, we interrupt our program of dance music to bring you a special bulletin. Martians have landed in New Jersey!” While the amount of alleged “panic in the streets” as a result of this radio program are probably more mythical than anything, Welles’ reading of “War of the Worlds” presented an original way to present fictional material.More recent attempts of this fact or fiction debate include 1995’s Alien Autopsy: Fact or Fiction. The show was rebroadcast several times, growing in ratings each time. The program presented video footage of a “real” medical autopsy of an alien corpse with special effects wizards and medical experts commenting on the validity of the autopsy’s authenticity. In 2012, another docufiction special titled “Mermaids: The Body Found” aired on Animal Planet and the Discovery channel. The show detailed the discovery of a strange aquatic form. It was a ratings hit and, apparently, fooled millions of people at the same time. Ghostwatch seemed to be an inspiration in other ways. The rise of “ghost hunting” reality shows with their use of night vision and thermal imaging cameras seem to owe a direct debt to this movie. Found footage films, which would become very popular in the years after the broadcast of Ghostwatch, seem to be the direct descendants of this movie. There are certainly a number of parallels that can be drawn between The Blair Witch Project and Ghostwatch.Pipes the ghost (as named by the kids in the movie based on the knocking sound that he makes on the pipes in the house) makes brief appearances during Ghostwatch as a flicker on the screen or a reflection in the window. Fans of the movie are still searching for easter eggs, but the most recent count stands at 13 different appearances for Pipes. If you’re eager to play a Halloween-themed version of “Where’s Waldo?”, go ahead and look for Pipes while viewing Ghostwatch.For a longer, more comedic look at Ghostwatch, listen to episode four of “Someone’s Favorite Movie”, a new movie podcast dedicated to the b-movies, guilty pleasures, and forgotten gems that people love to talk about. Got your own guilty pleasure that not many people know about, but you feel deserves to be seen? Email us at someonesfavoritemoviepodcast@gmail.com and tell us about the movie and why you love it. We might cover it on a future episode!Like what you hear? Check out Randy and Tommy on Miserable Retail Slave - an improv comedy show that has been making folks laugh for 7.5 years. Check out the Tom Coe's podcast Jake and Tom Conquer the World! Intro: “Feel the Buzz” by Dan “D-Boy” AmboyCheck out his music: https://soundcloud.com/dan-amboyRandy juggles two jobs and is the miserable retail slave of the two. He lives outside beautiful Flint, MI, USA and struggles with being a lazy, yet overworked dreamer and a struggling, but barely trying writer.Tommy also lives outside Flint, MI with The Beloved and his two step daughters. He's a stand up comedian and a man of questionable common sense. Check out his stand up dates and plan a trip to throw tomatoes at http://tomethompson.com 

Ryktet har gått i många år om att ett UFO kraschade i Roswell i USA 1947. Media har granskat det, och flera filmer har gjorts på ämnet. Men TÄNK OM vi inte bara fick ett UFO till den amerikanska staden, utan om vi även lyckades tillfångata - och obducera - utomjordingar? Detta ska vi titta närmare på i dagens avsnitt.Källor:Alien Autopsy – Fact or Fiction? (dokumentär; https://www.youtube.com/watch?v=qyh36fQf7p8)Eamonn Investigates: Alien Autopsy (dokumentär; del 1 finns på https://www.youtube.com/watch?v=h-LgUFx8xv8)Tidningsartiklar från 1947Källor till artikeln från Wikipedia (https://en.wikipedia.org/wiki/Alien_autopsy)Musik och ljud:"Life Decisions" av Remember the Future (intro och outro)Övrig musik och ljudeffekter levereras av Epidemic Sound (https://epidemicsound.com)Sponsra oss gärna för att få fler och längre avsnitt! Gå in på Patreon.com/tankom och donera en summa som vi får per publicerat avsnitt!Diskutera dagens avsnitt på facebook.com/tankom.se. See acast.com/privacy for privacy and opt-out information.

Secret Transmission Presents Secret Theater 2999 Episode 3 - Alien Autopsy: Fact or Fiction The Secret crew watch the documentry called "Alien Autopsy: Fact or Fiction" from 1995! BUT... does Netflix give away an important detail before we even push play? Listen to us discuss this film, or watch along with us as we... TRY TO EXPLAIN THE UNEXPLAINABLE! ______________________________________ We are proud members of the Dark Myths! Check out other great shows on http://www.DarkMyths.org Follow them on Twitter and Facebook for updates! #DarkMyths Twitter: @DarkMythsPods http://www.twitter.com/DarkMythsPods Check out The SomeBuddies Network Twitter: @SomeBuddiesNet http://www.twitter.com/SomeBuddiesNet _______________________________________ Our sponsors are: Sudio Sweeden Headphones http://www.sudio.com Promo code "SECRET" for 15% off Cryptid Crate http://www.cryptidcrate.com Promo code "SECRETPOD" for 20% off your first purchase! _______________________________________ Our show is available on iTunes, Stitcher, Google Play, TuneIn Radio, the Satchel app, and YouTube! Just search for "Secret Transmission Podcast" Please subscribe, rate, and review! Order a shirt to help support the show! http://teepublic.com/user/secrettransmission Patreon: https://www.patreon.com/SecretTransmission Twitter: @secrettranspod https://twitter.com/secrettranspod Instagram: @secrettranspod https://www.instagram.com/secrettranspod/ Facebook: https://www.facebook.com/SecretTransmissionPodcast/ Secret Transmission's Secret Group https://www.facebook.com/groups/1437706986282724/?fref=mentions Email: secrettransmission@hotmail.com Voicemail: (304)602-7444 Thank you for listening! ========================Support the show (https://www.patreon.com/badsecretmedia)

The truth is out there! Join us as we disect the 1995 television special: "Alien Autopsy: Fact or Fiction?" and The X-Files episode "Jose Chung's From Outer Space".                          "Haunted Davenport Theme" by Chris Howcroft Outro Music: "Mr. Spaceman" performed by The Byrds

No dia 8 de julho de 1947, a manchete principal do jornal The Roswell Daily Record foi um tanto surreal. Nela, dizia-se que militares haviam recuperado destroços de um “disco voador” em um rancho nos arredores de Roswell, Novo México. Apenas um dia depois, a declaração foi retirada, mas foi o suficiente para que a pequena cidade do Sudoeste americano passasse do seu status de “capital do laticínio” para o famoso local de um dos (supostos) incidentes ufológicos mais importantes do século XX. Nesse Mundo Freak Confidencial acompanhe os investigadores Andrei Fernandes, Lucas Balaminut e Rafael Jacaúna se unem para ir até a pequena cidade americana investigar a fundo sobre discos voadores. Comentado nos recados: Preciosa Madalena - A nova casa do Ponto G; Padrim do Ponto G - Apoie! Podcast do Lucas Balaminut; Comentado no episódio: Primeira página do Roswell Daily Record; Primeira página do Roswell Daily Record publicando a retratação do Gen. Ramey; Major Jesse Marcel segurando os "destroços"; Os generais Roger Ramey e Thomas Dubose com os "destroços" na fotografia de retratação; Kenneth Arnold mostrando uma ilustração do Disco Voador (que baseou o termo) baseado em suas descrições; Capa do livro UFO Crash At Roswell - Onde foi publicado a entrevista feita por Friedman; Representação da suposta ilustração da enfermeira amiga de Dennis; (NSFW) Um dos possíveis corpos transportados para Wright-Patterson; Capa do documentário "Alien Autopsy: Fact or Fiction"; (NSFW) Famosa autópsia do alien; Reportagem do Fantástico quanto a autópsia;

No dia 8 de julho de 1947, a manchete principal do jornal The Roswell Daily Record foi um tanto surreal. Nela, dizia-se que militares haviam recuperado destroços de um “disco voador” em um rancho nos arredores de Roswell, Novo México. Apenas um dia depois, a declaração foi retirada, mas foi o suficiente para que a pequena cidade do Sudoeste americano passasse do seu status de “capital do laticínio” para o famoso local de um dos (supostos) incidentes ufológicos mais importantes do século XX. Nesse Mundo Freak Confidencial acompanhe os investigadores Andrei Fernandes, Lucas Balaminut e Rafael Jacaúna se unem para ir até a pequena cidade americana investigar a fundo sobre discos voadores. Comentado nos recados: Preciosa Madalena - A nova casa do Ponto G; Padrim do Ponto G - Apoie! Podcast do Lucas Balaminut; Comentado no episódio: Primeira página do Roswell Daily Record; Primeira página do Roswell Daily Record publicando a retratação do Gen. Ramey; Major Jesse Marcel segurando os "destroços"; Os generais Roger Ramey e Thomas Dubose com os "destroços" na fotografia de retratação; Kenneth Arnold mostrando uma ilustração do Disco Voador (que baseou o termo) baseado em suas descrições; Capa do livro UFO Crash At Roswell - Onde foi publicado a entrevista feita por Friedman; Representação da suposta ilustração da enfermeira amiga de Dennis; (NSFW) Um dos possíveis corpos transportados para Wright-Patterson; Capa do documentário "Alien Autopsy: Fact or Fiction"; (NSFW) Famosa autópsia do alien; Reportagem do Fantástico quanto a autópsia;

Due to technical difficulties, our coverage of season 1, episode 23 is not coming out this week. Instead, we have a special UPDATE + a Q and A episode for you! We answer some of our listener's burning questions and give you a few special updates. We're back next week with your regularily scheduled Unsolved Mysteries content.  Can't wait? Head over to Patreon where we just released our February bonus episode! Subscriptions of any amount gain access to monthly bonus content. This month we re-watched the hilariously ridiculous 1990's Fox special, "Alien Autopsy: Fact or Fiction." Check it out at https://www.patreon.com/perhaptsitsyou > Outro music by Olivia Hinthong Follow us on Facebook, Instagram, and Twitter @PerhapsItsYou, or email us at perhapsitsyoupodcast@gmail.com.

We look to the skies as we revisit Alien Autopsy: Fact or Fiction and examine two films based on "real life" alien abductions - Fire in the Sky and Alien Abduction Sources for this episode: "Alien Autopsy: Fact or Fiction" (1995) "How an Alien Autopsy Hoax Captured the World's Imagination for a Decade" by Nathalie Lagerfeld, Time "The Story Behind the Alien Autopsy Hoax" by Joe Nickell, Live Science Fire in the Sky (1993) "The Story of Travis Walton and Fire in the Sky" by Matt Molgaard, Dread Central    

In this episode Nathan, Jenn & Cal take a look at the infamous mid-90's documentary "Alien Autopsy - Fact or Fiction". Produced by Fox at the height of X-Files the influenced UFO/conspiracy craze and hosted by number one himself, AKA Jonathan Frakes (Star Trek Next Generation's Will Riker). Alien Autopsy focuses on the alleged footage of the US Army performing an autopsy on an apparent alien being, whose body was extracted from the Roswell "UFO" Crash. This documentary whilst not in anyway remarkable serves as an interesting historical artefact, showing how in the pre-internet age memes and fake news were still prevalent. Sources:Alien Autopsy fact or Fiction? - https://www.youtube.com/watch?v=qyh36fQf7p8Background on the footage - https://en.wikipedia.org/wiki/Alien_autopsySantilli admits the hoax - http://www.thelivingmoon.com/49ufo_files/03files2/1947_Roswell_Alien_Autopsy_Video.htmlStan Winston and Kevin Randle claim they were quote mined -http://www.dirtypoetfilms.com/JcJarchives/Alien_Autopsy.htmlhttp://www.time.com/time/magazine/article/0,9171,983764-1,00.htmlKevin Randle's website - http://kevinrandle.blogspot.co.uk/  Like the show? Support us on patreon :- http://www.patreon.com/trollingwithlogic Thanks to our patrons: Josh, Society for Advancement of Sciencehttps://www.youtube.com/channel/UCVXF–HIS6h1KBqlntnzc-Q MicroBlogganism:https://www.youtube.com/user/MicroBlogganism     TWL website : http://www.trollingwithlogic.com/TWL facebook group : http://on.fb.me/TZwgy3TWL twitter : https://twitter.com/TrollingWLogicTWL facebook page : http://on.fb.me/1Eq3b8k Subscribe to the podcast:-Feedburner: http://tinyurl.com/twl-feed-burnItunes : http://tinyurl.com/twl-itunesStitcher : http://tinyurl.com/twl-stitcher Podbean : http://tinyurl.com/twl-podbeanPodfeed : http://tinyurl.com/twl-podfeed

August 26 - September 1, 1995 Today Ken welcomes writer/comedian Ryan Staples to the show. Ken and Ryan discuss Ken's museum like home, Burger King vs. McDonald's, snake based terror, bag o burgers, Kelly Kapowski, Summer's last hurrah, Ryan's 9th birthday, Are You Afraid of the Dark? marathon, squatting in your own home, Gymkata, why "Pulp Comics" was the greatest stand up show ever, Kids in the Hall, smuggling snacks into a movie theater, Danny Cooksey, hitting on the bass player from Ash, backstage at Roxette, The Simpsons, Matt Stone and Trey Parker, 1986's True Stories, WWF, Summer Slam, Hot Black Boxes, Brian Wilson, when tennis replaces wrestling, Fresh Prince, The biggest event in the history of the world: Alien Autopsy Fact or Fiction, Munsters/Addams Family, Bill & Ted's Bogus Journey as the Godfather II of awesome movies, Nowhere Man, The Prisoner, Full House, The Greek Extinguisher, Rescue 911, Nielson Families, Ghostbusters II, Bobby Brown, Vigo the Carpathean as Ken's Middle School librarian, the definition of "a clown", The John Larroquette Show, the Mystery of Comedy Product, Drive-In Review with Buzz Killman, John Tesh at Red Rocks, House Guest, Ellen's grudge, Dumb & Dumber, Outside Providence, Ken's memorization of Revenge of the Nerds II: Nerds in Paradise, Fresh Horses, Newsradio, Mad About You, Clip Shows, TGIF, Family Matters, Ken's hatred of Disney World, TV Nation, Baywatch, Boy Meets World, debating the best Monkee, X-Files, the death of John Candy, and the worst of the 1970s.

UFO researcher and talk show host Don Ecker and Robert Kiviat, writer and producer of “Alien Autopsy: Fact or Fiction?” and other TV shows on paranormal topics, join us to talk about new Moon discoveries and the lunar/astronaut connection.