Podcasts about Audio Arts

This is the sixth and final installment of the 2025 NHCA Updates in Music Audiology Workshop recap. In this episode, we'll listen to Benj Kanters' lecture "Tools For Teaching Awareness From the Intersection of Music, Audio and Audiology". Whether you call it the caboose, anchor, closer, wrap-up, coda, or ultimate, Benj's talk was the last of a long day of lectures and panel discussions circling the larger topic of Music Audiology, and we could not have imagined a better way to close out the workshop. Note that the content has been edited slightly for the audio-only format, and these lecture recordings are not eligible for CEUs. If you want the full educational experience, we invite you to seek out the National Hearing Conservation Association and our annual conferences. Benj Kanters (BS/MM Northwestern University) is associate professor emeritus of audio, Columbia College Chicago, where he was on the faculty of the Audio Arts and Acoustics department from 1993 to 2022. He directed the Audio Design and Production major, teaching audio physics and recording/production at all levels of the curriculum. After studying hearing physiology as part of his master's degree at Northwestern, he developed the course Studies in Hearing in 2002, teaching physiology, disorders and conservation as a department core Requirement. Prior to Columbia, Benj spent twenty years in the Chicago music scene. He was partner and sound engineer at the concert-club Amazingrace, and later partner and chief managing engineer of Studiomedia Recording in Evanston. In 2007, he founded Heartomorrow and The Hearing Conservation Workshop, visiting universities and professional organizations to teach his unique flavor of hearing awareness to students and professionals in audio, music and the hearing sciences. To date, he has presented over 100 workshops in the US, Mexico and Europe and in recognition of his work received the Safe in Sound award in 2014.

On this YMC Special Episode, your hosts Jay Gilbert and Mike Etchart sat down for a conversation with Bill Werde, the Director of the Bandier undergraduate music industry program and the graduate Audio Arts program at the Newhouse School at Syracuse University.    Subscribe to the newsletter! YourMorning.Coffee

This week on “I Got More To Say,” Host Cato III welcomes the man who helped change his life,  legendary music industry veteran Todd Herreman! During Todd's 20 years in the music game, he has served as a producer, composer, engineer, and songwriter. After earning his Bacehlors in Music and Philosophy from Indiana University, Todd got his start by working as a Recording Engineer and Fairlight operator for Prince in 1986, recording multiple tracks on his magnum opus  “Sign O' The Times” album. He then went on to work with other superstars such as Michael Jackson, Jeff Beck, Jody Watley, and Brian Wilson. After earning a Master of Legal Studies degree with a concentration in Intellectual Property from Southern Illinois School of Law, he embarked on a 20 year teaching career. After 13 years at Southern Illinois, he served as a Co-Chair of Audio Arts at Cato III's Alma Mater of Syracuse University, in the prestigious Visual and Performing Arts College. Tune in as Todd details what it was like working with Prince, Michael Jackson, his experiences teaching, and gives his take on a few hot topics regarding record labels, contracts, and more! https://linktr.ee/igotmoretosay

BrownTown on BrownTown. BnB audio engineer Kiera Battles is back with her behind-the-scenes insights on the podcast as the team discusses the episodes of 2023. Last year brought the continuation of the Whiskey and Watching series, a host of episodes surrounding the 2023 Chicago Municipal Elections, a resurgent discussion of #NoCopAcademy in the midst of the #StopCopCity struggle in Atlanta, and plenty of reflective conversations on the podcast, SoapBox at large, and the direction of the movement media ecosystem. For better or worse, here's to 2024!With 17 total full episodes, 2023 brought 15 guest episodes (6 repeat guests; 8  with 2+ guests), only 1 with no guests, only 2 virtual recordings, 6 series-type episodes, and 2 bonus episodes. In addition to the breakdown, BrownTown chops it up about recording in different locations before settling into the new SoapBox office, their favorite episodes, and their hopes for 2024. Originally recorded December 19, 2023. GUEST: Kiera Battles is the BnB audio engineer and a music industry hopeful. Starting on the stage with choir and orchestra and later transitioning to life behind the scenes, music has always been with her. She began her audio journey during her junior year of high school as part of a vocational program to later get her BA from Columbia College Chicago in Interdisciplinary Studies focusing on Audio Arts with a concentration in live sound as well as Music Business. She continues to work in the audio and business side of the industry while earning her MA in Music Business at Berklee College of Music to later gain the tools and knowledge to start her own company. CREDITS: Audio engineered by Kiera Battles. Episode photo by Aidan Kranz. Listen to all the episodes on your chosen podcast application! For more information on the podcast, check out Bourbon 'n BrownTown on the SoapBox website.--Bourbon 'n BrownTownFacebook | Twitter | Instagram | Site | Linktree | PatreonSoapBox Productions and Organizing, 501(c)3Facebook | Twitter | Instagram | Site | Linktree | Support

BrownTown on BrownTown. Now-BnB audio engineer Kiera Battles makes her debut bringing in behind-the-scenes insights to the podcast as the gang unpacks the episodes, new series, and various recording environments that made up 2022. For better or worse, here's to 2023!With 11 total full episodes, this shortened year brought 8 guest episodes (3 repeat guests), only 1 with no guests, and 2 new series (1 ongoing; 1 completed). In addition to breaking down 2022 episodes, BrownTown chops it out about episodes from 2021, the unofficial "in the age of spin" framework throughout the tenure of BnB, recording virtually versus in-person and switching locations, unions for creative industries, as well as body positivity and fat liberation. GUESTKiera Battles is the BnB audio engineer and all around audio extraordinaire who has been into music ever since starting the violin in the 4th grade and joining a choir in high school. She began her audio journey her junior year of high school and has enjoyed it ever since. Kiera graduated from Columbia College Chicago in 2022 with an Interdisciplinary degree in Audio Arts and Music Business and is currently pursuing a masters in the field at Berklee College of Music. Within these departments, she hopes to break into the music industry through both the audio and the business world! CREDITS: Audio engineered by Kiera Battles. Episode photo by Aidan Kranz. Listen to all the episodes on your chosen podcast application! For more information on the podcast, check out Bourbon 'n BrownTown on the SoapBox website.--Bourbon 'n BrownTownFacebook | Twitter | Instagram | Site | Linktree | PatreonSoapBox Productions and Organizing, 501(c)3Facebook | Twitter | Instagram | Site | Linktree | Support

On today's show, we talk with Darek DeLille (Bad River Band of Lake Superior Chippewa/Fond du Lac Band of Lake Superior Chippewa), Artistic Producer at New Native Theatre, community organizer, musician and audio artist. Darek now lives in Southeast Minneapolis after living on Fond du Lac for many years.Darek considers himself the “Anishinaabe army knife” who is always ready to learn and expand his knowledge while uplifting the people around him. Recently, Darek has started producing audio plays with New Native Theatre, managing the Four Sisters Farmers Market in Minneapolis and helping to organize the inaugural Two Spirit Pow Wow in Minneapolis.We loved hearing about Darek's love for community and his wisdom about life. Miigwech Darek DeLille!Native Lights: Where Indigenous Voices Shine is produced by Minnesota Native News and Ampers, Diverse Radio for Minnesota's Communities with support from the Minnesota Arts and Cultural Heritage fund. Online at https://minnesotanativenews.org/

Mary Mazurek is a GRAMMY-nominated recording engineer. Her nomination was awarded at the 61st Annual Grammy Awards in the category of Best Engineered Album, Classical. She is also a broadcaster and radio producer. Her work is regularly featured on WFMT Radio, WFMT.com, and through the European Broadcast Union. Her credits include Alec Baldwin, The Chicago Chorale, The Chicago Symphony Orchestra, Charles Earland, Michael Feinstein, International Music Foundation, Justice Ruth Bader Ginsburg, Kronos Quartet, LA Guitar Quartet, Howard Levy, Lyric Opera of Chicago, The New York Philharmonic, Yo-Yo Ma, Johnnie Hammond Smith, Dr. Lonny Smith, and many others. Her recordings appear on the Bellissima, Cannonball, Çedille, Delmark, Lyon & Healy, MSR, Naxos, Random House, Sheridan, and Sounds True labels.   She began teaching in the Audio Arts and Acoustics Department of Columbia College in 1995 as an adjunct professor, and now also teaches at DePaul University. She received her MFA in Interdisciplinary Arts Columbia College in 2011 and her PhD in Philosophy, Aesthetics, and Art Theory from IDSVA in 2022 while maintaining an active recording career. Additionally, she is a sought-after educator and speaker who enjoys contributing in the classroom and on panels and committees within her industry and beyond. Dr. Mazurek serves as a role model and advocates for women in the recording industry, which presently is less than 5% female. She has served as a governor, and Classical Task Force Chairperson for the Chicago Chapter of the Recording Academy. She is currently the DEI Chairperson for the Audio Engineering Society. She loves sharing her sonic insights across disciplines. IN THIS EPISODE, YOU'LL LEARN ABOUT:   - Finding your niche vs. it finding you - Recording classical music - Mixing through mic placement - Stereo micing techniques - Checking for phase issues with stereo micing - Using reverb to create depth vs. capturing the sound of the room - Mixing live-to-air performances - How to record a band with only two microphones - Creating a “meter-stick” mix through gainstaging - using parallel compression   To learn more about Mary Mazurek, visit: https://www.marymazurek.com/   To learn more tips on how to improve your mixes, visit https://masteryourmix.com/   Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/   Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/   Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community   To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android.   Have your questions answered on the show. Send them to questions@masteryourmix.com   Thanks for listening! Please leave a rating and review on iTunes!

Episode 41 Sounds for Museums Sound Art to Accompany Exhibits Playlist François Baschet, Bernard Baschet, and Jacques Lasry, “Sonatine (3 Mouvements)” from Structures for Sound (1965 BAM). The exhibition 'Structures For Sound-Musical Instruments' by François and Bernard Baschet was shown at The Museum of Modern Art, New York, from October 4 to December 5, 1965. Although not heard in the exhibit, this set of compositions was co-marketed by the museum and BAM and clearly intended as a takeaway souvenir. The recordings were made in France, and released there as Les Structures Sonores Lasry-Baschet, then repackaged for the US market and exhibit. The piece was written by Jacques Lasry. Various Artists, Art By Telephone (1969 Museum Of Contemporary Art Chicago). Artists were asked to phone-in instructions for a work of art to be exhibited at Art by Telephone, held at the Museum of Contemporary Art Chicago. The museum released a recording of the phone calls and sold it at the exhibit. Here are four excerpts by John Giorno, Dick Higgins, Sol Lewitt, Richard Serra, and Jack Burnham. In total, 38 artists provided instructions that were included on the album. Audio Arts: Volume 3 No 4 Side A (1977 Audio Arts). Excerpts from a radio work by John Carson broadcast by Downtown Radio, Belfast in 1977. The program was a compilation of recordings made in June 1977 at Documenta VI, an international exhibition of contemporary art in Kassel, West Germany. We hear two excerpts, the first from artist Wolf Vostell which opens with the sound of bubbling water and the second a sound work by Achim Freyer. These audio works played in the exhibit. Other portions of the complete cassette recordings alternated between statements/interviews and sound environments/installations. Audio Arts was a magazine in continuous publication for 33 years and ran to 24 volumes, each of four issues. Various artists, from Sound (1979 Los Angeles Institute of Contemporary Art). Four of the tracks from this collection are included: Terry Fox, “Labyrinth Scored For II Cats” (1979); Jim Gordon, “Piece For Synthesizers, Computers And Other Instruments” (1979); Doug Hollis, “Aeolian Harp” (1975-76), composed 1975-76 at the San Francisco Exploratorium; Bill Fontana, “Kirribilli Wharf” (1979). Album produced for SOUND. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles Institute of Contemporary Art July 14-August 31, 1979. P.S.I. New York, September 30-November 18, 1979. Jeff Gordon, “Everyone's An Artist” (1984). Vocal Jeff Gordon and Mug Maruyama; Programming, Graham Hawthorne; Emulators/Keyboards, Jeff Gordon. Gordon produced Revolutions Per Minute (The Art Record), a collection of audio tracks by artists released as a double LP. This track by Gordon was not included in that release but I think was used for a traveling exhibition featuring sound, The RPM Touring Exhibitions, designed by Gordon and his wife Juanita, that toured the US and Europe for over four years, including The Tate Museum in London. Laurie Anderson, “The telephone,” “The polaroid,” “The sheet,” “The wedding dress,” “The bathrobe” from La Visite Guidée (1994). Music: Laurie Anderson; Voice: Sophie Calle. Exhibition catalogue consisting of artist's book and Audio CD published in conjunction with the show held March 27- 29, 1994. The work consisted of a total of 21 short compositions. We hear five consecutive tracks from the collection. This audio was provided on a cassette for the exhibit, which visitor's played on a Sony Walkman while taking a guided tour of the Sophie Calle's exhibition Absent. Steven Vitiello. World Trade Center Recordings: Open House Bounce (1999). A recording from the 91st floor of the World Trade Center, Tower One made with contact microphones placed on the inside of the windows. This recording was only published as part of a CDR sold at an Open House Exhibition in the fall of 1999. Various recordings were made during a 6-month residency. This one in particular picked up a number of passing planes and helicopters. Various artists, Whitney Biennial 2002 (2002 Whitney Museum Of American Art). A CD was included with the 292-page hardcover catalogue "Whitney Biennial 2002" published for the same-titled exhibition at the Whitney Museum Of American Art, March 7-May 26, 2002. Four tracks are heard: Maryanne Amacher, “A Step Into It, Imagining 1001 Years Entering Ancient Rooms” (excerpt); Meredith Monk, “Eclipse,” with performers Ching Gonzalez, Katie Geissinger, Meredith Monk, Theo Bleckmann; Marina Rosenfeld, “Delusional Dub;” Tracie Morris, “Slave Sho' To Video A.k.a. Black But Beautiful.” 33 RPM: Ten Hours of Sound From France (2003 235). Exhibition companion compilation to San Francisco Museum of Modern Art, Sept. 6-14, 2003, listening room program. 33 RPM consisted of ten one-hour segments that were played on a rotating schedule at the museum during the exhibition. This was the fourth installment of an ongoing series at the museum that presented sound art scene in a variety of countries. We include the following tracks from this compilation: Kasper T. Toeplitz, “PURR#2” (2003); Jean-Claude Risset, “Resonant Sound Spaces/Filters” (2002); Mimetic, “evolution” (2003); and Lionel Marchetti, “À rebours” (1989). Jane Philbrick, "Voix/e" (2003-04 SW Harbor Songline). Installation two lightboxes, with color Duratrans (large-format backlit color transparency film), 48 x 24 x 6; two inset Alpine speakers, synthesized voice track, 9 1/2 mins. looped.; two companion LCD-screen DVDs. On view at Real Art Ways, Hartford, CT, and Consolidated Works, Seattle (2004). Audio work created by Jan Philbrick at the Center for Spoken Language Understanding, Oregon Graduate Institute. The piece consists of Philbrick's reading of the "Song of Solomon," modified and edited using voice-gendered speech synthesis to speak bride, groom, and companion parts. Marko Timlin, “Audible Light” (2017), Created by Marko Timlin, a Finnish sound artist whose work has frequently been integrated into museum installations. This installation, Audible Light, created sound directly out of light, “work inspired by Evgeny Sholpo's Variophone instrument developed in 1930.” Solo exhibition, Oksasenkatu 11 in Helsinki. Not to be confused with the 2000 museum exhibition called Audible Light at the Museum Of Modern Art, Oxford, to be featured in a future podcast. Opening montage: sounds from the recordings of Art By Telephone (1969 Museum Of Contemporary Art Chicago) and Audio Arts: Volume 3 No 4 Side A, cassette (1977 Audio Arts). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Esther Bourdages is an art critic, radio journalist, independent curator, and musician based in Montréal. She is an improviser of extraordinary sensitivity, bringing a playfulness to her tactile manipulation of vinyl records, sometimes outright mishandling them. This freedom to destroy is indicative of a resistance to structure and formalism, but Esther’s work can’t be easily dismissed as some sort of exercise in catharsis. Instead her approach to live improvisation is raw and expressive, and cultivated over decades of ongoing exploration. Much of her recent studio work is for radiophonic diffusion, often based on field-recordings and with a politicized context. We discuss her unique approach to vinyl, the history of Canadian artist-run centres, and the intersection of art and sound from multiple perspectives. Interview recorded in Montreal, October 2020 Produced and mixed in Montreal, January 2021 Read more at: http://acloserlisten.com/2021/01/21/sp-episode-16-freedom-to-destroy-with-esther-b-podcast/ TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Esther B. –Think about the rhythm (Audio Postcard, 2020) Esther B. - excerpt a (live at Spiro Space, 2019) Esther B. / Erik Hove / Thom Gossage - The Space between - 01 Exclusive piece_no1!(Particles, Contour Editions, 2021) [the user] (Emmanuel Madan and Thomas MacIntosh) - “Silo # 5” (Silophone, The Kitchen, 2001) Esther B. - excerpt b (live at Spiro Space, 2019) Luigi Turra / France Jobin – “France Jobin Variation” (Fukinsei VARIATIONS, 2020) Togetherness! – “Salaam/Looking for Gilchrist (Abdullah Ibrahim / William Parker)” (Togetherness!, Mr. E Records, 2018) Martin Tétreault ‎– “Abandon” (La Nuit Où J'Ai Dit Non, Audioview, 1997) Christian Marclay & Okkyung Lee – “Rubbings” (From The Earth To The Spheres Vol. 7, Opax, 2005) Esther B.- Silence film : quand l’audience devient la trame sonore 2016 Anne-F Jacques / Tim Olive – “Sur Place/Staying” (AMPLIFY 2020) Joane Hétu / Diane Labrosse / Zeena Parkins / Danielle P. Roger* / Tenko ‎– “Les Pluies Acides” (La Légende De La Pluie, Ambiances Magnétiques, 1992) Esther B. (with Jon Ascencio, Aimé Dontigny, Édouard Jeunet, James Schidlowsky, David Turgeon) – “Untitled 4” (It is not easy for doug engelbart to give a conference when Youppi and Mad Dog are in the house, No Type/Bricolodge, 2004) Jean Tinguely – “Homage to New York (Radio sculpture) / Sculpture at the Tate 12 / Mta harmonie II” (Sculpture at the Tate, Audio Arts, 1982) Esther B. - excerpt c (live at Spiro Space, 2019) Maria Chavez – “The Rain of Applause” (Amplify 2020) Cover image: Jean Tinguely

Bill Schultz, Executive VP/Content Development at Cadence13, has had a career spanning more than 30 years in the radio and podcast world. Our conversation delves into the fast changing podcasting industry and how the most creative people in the audio arts are gravitating towards this space

Chris “Classick” Inumerable discovered his love and talent for music at a young age. The native Chicagoan comes from a musically-inclined family and in 2006 built a small recording studio in his parents’ basement. Chicago being the big small town that it is, his clientele list quickly grew via word-of-mouth. Classick quit his bank job and transferred from DePaul University to Columbia College Chicago to study Audio Arts & Acoustics.creative output from Classick Studios this decade has gone worldwide, with Classick’s studio being the home of some of the biggest releases from the city. Classick now manages two of the brightest talents the city has produced in years: St. Louis native Smino and producer Monte Booker. He’s one of a very small list of Chicagoans who have their finger on the pulse of what’s going on culturally in 2019 and I’m sure you’re going to enjoy this.

Hello! This is a bonus episode of Lecker from me, a slightly hoarse Lucy Dearlove. This is a very short piece, produced for Table For One, an audio installation I produced during a recent residency at this year's HearSay Audio Arts Festival in beautiful Kilfinane, Ireland.  There are four stories in total, each one a different tale of eating alone, which visitors to the installation listened to while seated at a specially dressed table for one in the main square of the town. Everyone who shared their story with me has been left anonymous and is only identified by the food they eat alone. I spoke to more people while working on this project but didn't have space for all the stories I collected - I'm hoping to continue it in some way though. If anyone listening has a story about eating alone that they'd love to share then please do get in touch! Normal Lecker service will be resumed with a brand new episode next week. With thanks to Diarmuid, Mary, Daniel, Tereza and all of the HearSay Festival team, and to all of the solo diners too

Hello! This is a bonus episode of Lecker from me, a slightly hoarse Lucy Dearlove. This is a very short piece, produced for Table For One, an audio installation I produced during a recent residency at this year's HearSay Audio Arts Festival in beautiful Kilfinane, Ireland.  There are four stories in total, each one a different tale of eating alone, which visitors to the installation listened to while seated at a specially dressed table for one in the main square of the town. Everyone who shared their story with me has been left anonymous and is only identified by the food they eat alone. I spoke to more people while working on this project but didn't have space for all the stories I collected - I'm hoping to continue it in some way though. If anyone listening has a story about eating alone that they'd love to share then please do get in touch! Normal Lecker service will be resumed with a brand new episode next week. With thanks to Diarmuid, Mary, Daniel, Tereza and all of the HearSay Festival team, and to all of the solo diners too

Hello! This is a bonus episode of Lecker from me, a slightly hoarse Lucy Dearlove. This is a very short piece, produced for Table For One, an audio installation I produced during a recent residency at this year's HearSay Audio Arts Festival in beautiful Kilfinane, Ireland.  There are four stories in total, each one a different tale of eating alone, which visitors to the installation listened to while seated at a specially dressed table for one in the main square of the town. Everyone who shared their story with me has been left anonymous and is only identified by the food they eat alone. I spoke to more people while working on this project but didn't have space for all the stories I collected - I'm hoping to continue it in some way though. If anyone listening has a story about eating alone that they'd love to share then please do get in touch! Normal Lecker service will be resumed with a brand new episode next week. With thanks to Diarmuid, Mary, Daniel, Tereza and all of the HearSay Festival team, and to all of the solo diners too

Hello! This is a bonus episode of Lecker from me, a slightly hoarse Lucy Dearlove. This is a very short piece, produced for Table For One, an audio installation I produced during a recent residency at this year's HearSay Audio Arts Festival in beautiful Kilfinane, Ireland.  There are four stories in total, each one a different tale of eating alone, which visitors to the installation listened to while seated at a specially dressed table for one in the main square of the town. Everyone who shared their story with me has been left anonymous and is only identified by the food they eat alone. I spoke to more people while working on this project but didn't have space for all the stories I collected - I'm hoping to continue it in some way though. If anyone listening has a story about eating alone that they'd love to share then please do get in touch! Normal Lecker service will be resumed with a brand new episode next week. With thanks to Diarmuid, Mary, Daniel, Tereza and all of the HearSay Festival team, and to all of the solo diners too

Audio Arts Cassettes was a British magazine documenting contemporary artistic activity interviewing artists and curators, publishing sound performances or sound-based artworks. Audio Arts has been active from 1973 to 2006, issuing 25 volumes and now is part of the Tate Modern collection. The episode features: Uniform, Glenn Branca, Susan Hiller, Yura Adams, Dan Graham, Ann Lee, Charlie Hooker and Lawrence Weiner.

Working Class Audio #184 with Joe Tessone!!! Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the Old Town School of Folk Music where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the Association for Recorded Sound Collections, the Audio Engineering Society, and is a voting member of The Recording Academy (Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT,  WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine. Joe worked as an engineer for the “127 Songs Live From the Old Town School of Folk Music” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more. Since 2012, Joe has been a consultant for Sensaphonics, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments. In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music. Joe is also the Head of Audio for Sofar Sounds Chicago, were he produces dozens of live recordings year, including recent recordings of Jack Garrett, Shawnee Dez, CHAI, and Tank and the Bangaz. In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the Punk Rock Karaoke Collective, a community fundraising organization and an advocate for Jail Guitar Doors, an organization dedicated to bringing music to the lives of those in prison. In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen. About this Interview: Joe joins me to talk about his multi-facetted studio Mystery Street Recording  which exemplifies the concept of diversification. The studio handles an array of  tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party's, video production, consulting and podcast recording. Enjoy! - Matt ________________________________ Show Notes and Links Universal Audio's "Half Yearly Sale": https://www.uaudio.com/half-yearly-sale Mystery Street Recording: https://www.mysterystreetrecording.com/

Chelsea Jeffery ( mix by Bill polonsky) Audio Arts 2.0 by CJUC Audio Art Immersion

My returning guest is Mary Mazurek! She is an audio engineer with 25 years experience, radio producer at WFMT Chicago including the “Live from WFMT” show, and instructor in the Department of Audio Arts and Acoustics at Columbia College in Chicago. We discussed: Recording ping pong balls being poured into an open piano! Recording and broadcasting classical ensembles in studio and on location Identical stereo pairs of AKG 414's and Schoeps mic's capturing the room in stereo Spot mic's on each musician including KM 184, DPA, Shure's Blending close mic's and room mic's Lexicon 300 Phasing, space between mic's, etc. F5 Fusion 8 channels of Grace mic pre's Recording to Tascam flash recorders as well as a CD burner ProTools mastering and MP3 creation On location ISDN line And here are two other programs that Mary engineers: The Dame Myra Hess Memorial Concert, and Live from WFMT. Thanks for hanging out with us again, Mary! DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. Thanks for listening! Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in iTunes, Google Play, Stitcher, TuneIn Radio, Android, RSS

My guest is Mary Mazurek - audio engineer with 25 years experience, radio producer at WFMT Chicago including the “Live from WFMT” show, and instructor in the Department of Audio Arts and Acoustics at Columbia College in Chicago.  Because she's doesn't host her own podcast show yet (coming soon!), she joined the show from her makeshift studio in her closet including a homemade pop filter using a knitting hoop and panty hose!  We had an awesome conversation about many vital topics:  Trying out her new microphone - Shure MV-51 USB EQ frequency bands and how they affect the sound Fletcher–Munson curves Compression philosophy and tips Microphone choice Microphone placement Proximity effect Thank you for being a wonderful guest, Mary! DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. Thanks for listening! Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in iTunes, Google Play, Stitcher, TuneIn Radio, Android, RSS

In this month's podcast, Audio Arts and Acoustics instructor Scott Lee talks about his experience in flipping his classroom. He lets us know exactly what flipping your class is all about (which has been ‘all the rage’ in the world of pedagogical theory lately) as well as the nitty gritty details about how he actually went about doing it.

In this month's podcast, Audio Arts and Acoustics instructor Scott Lee talks about his experience in flipping his classroom. In last month’s podcast, Scott let us know what it actually took to flip his class. And this month, we’ll take a look at how it went, what he’s learned, and why he’s “never looking back.”

Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Scottish comedian Geoff Boyz discusses his De Niro and Pacino impressions, the world's best hecklers, Billy Connolly, Jack Dee, Geordie birds and tells us who'd win in a fight between Jeremy Clarkson and the UK Prime Minister. With thanks to Audio Arts.