Podcasts about jeunet

We explore the delightful joy of Jeunet's 2001 masterpiece Amelie for our deep dive this week, before Andy gives his thoughts on The Surfer, and the latest entry in the Final Destination series, Bloodlines.Get In TouchThreads @filmfileukBlueSky @filmfileuk.bsky.socialMastodon @filmfileuk@mastodonapp.ukX @FilmFileUKInstagram FilmFileUKYoutube https://tinyurl.com/yv5skc42Email podcast@filmfile.uk

Send us a textOn this episode of The Review Review, we are joined by Actor/Acting Coach/Head of the non-profit Brett's Bass Fund, and many other things as well, Kristina Haddad, for her charming choice "Amèlie." (2001 d. Jeunet).  Our biggest, and most important question this episode; How much prank, is too much prank? Foot cream toothpaste? Tiny slippers? Tampering with electronics? 111 copies of ************: ******* ** *** ****** on dvd? Possibly eternal questions. This, and the origins of the beloved "Travelocity Gnome," all in this episode!**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

After the hellacious shoot that was Alien 3, not to mention disappointing box office returns, it would seem that Brandywine and 20th Century Fox were done with the Alien franchise, and were willing to call it dead in space. But by 1997, Fox still thought it could get more acid blood from the Alien stone. And in order to help with this feat, they would pull from the one region where Alien 3 was successful, Europe, to get director Jean Pierre Jeunet (Delicatessen). Fox also had someone who created their show Buffy The Vampire Slayer by the name of Joss Whedon to pen a script that would somehow bring back Ellen Ripley from the dead in order to once again fight the xenomorphs. With Sigourney Weaver once again coming aboard, it would seem the pieces were all in place to make 1997's Alien Resurrection a return to form. But can admitted non Alien fan Jeunet and a pre Avengers Whedon bring the Alien franchise back to glory? Listen in as Garrett is once again joined by Matt and Adam to answer that question. And come back next week, as the boys take a break from the Alien franchise to start a special Halloween themed series. What can it be?

After the hellacious shoot that was Alien 3, not to mention disappointing box office returns, it would seem that Brandywine and 20th Century Fox were done with the Alien franchise, and were willing to call it dead in space. But by 1997, Fox still thought it could get more acid blood from the Alien stone. And in order to help with this feat, they would pull from the one region where Alien 3 was successful, Europe, to get director Jean Pierre Jeunet (Delicatessen). Fox also had someone who created their show Buffy The Vampire Slayer by the name of Joss Whedon to pen a script that would somehow bring back Ellen Ripley from the dead in order to once again fight the xenomorphs. With Sigourney Weaver once again coming aboard, it would seem the pieces were all in place to make 1997's Alien Resurrection a return to form. But can admitted non Alien fan Jeunet and a pre Avengers Whedon bring the Alien franchise back to glory? Listen in as Garrett is once again joined by Matt and Adam to answer that question. And come back next week, as the boys take a break from the Alien franchise to start a special Halloween themed series. What can it be?

Elle est la créatrice de NeurAthletics un logiciel d'entraînement cérébral personnalisé pour les sportifs afin de « remuscler » les zones du cerveau nécessaires à la réalisation d'un mouvement, selon les objectifs ou les pratiques. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This episode of Target Audience welcomes film critic and editor Robin Write. Robin is targeted by Jean-Pierre Jeunet's 2001 romantic fantasy Amelie. Join us as we discuss the French whimsy, the odd career of Jeunet, and discussing the most country-specific films. Robin on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ Fimotomy Website Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Pull Me Through" by Royal Blood

"Ela prefere imaginar uma relação com alguém ausente do que criar laços com aqueles que estão presentes." O Fabuloso Destino de Amélie Poulain (2001) conta a história de uma jovem sonhadora e solitária chamada Amélie Poulain, interpretada pela atriz Audrey Tautou. Ela trabalha como garçonete em um café em Montmartre, em Paris, e passa seus dias observando as pessoas ao seu redor. Após encontrar uma caixa com lembranças escondidas atrás de uma placa na parede de seu apartamento, Amélie decide devolvê-la para o dono original, iniciando assim uma jornada de descobertas sobre si mesma e os outros. O filme foi dirigido pelo cineasta francês Jean-Pierre Jeunet, que também escreveu o roteiro em parceria com Guillaume Laurant. Jeunet é conhecido por seu estilo visual único e surreal, reforçando a ideia da idealização do mundo na perspectiva da protagonista. O roteiro ainda é cheio de humor, charme e poesia, abordando temas universais como amor, solidão e busca pela felicidade. Esse episódio conta com a presença especial de Nathalie Martins (@natfanatic) do Tênis Verde juntamente com Fabio Rangel (@fabiomrangel), Rodrigo Carvalho (@_RodCarvalho) e Daniel Cavalcanti (@dani_aoc9). Entre os tópicos desenvolvidos, temos: A idealização do mundo de Amelie; As cores do filme; O prazer dos detalhes; Personagens cativantes do filme; --- Siga nossas redes sociais e expanda essa conversa! Twitter: @enquadrando_ Instagram: @enquadrando_oficial --- Apoie o Enquadrando em: apoia.se/enquadrando --- Send in a voice message: https://podcasters.spotify.com/pod/show/enquadrando/message

Venezia 2023: I denne fjerde episoden fra årets filmfestival i Venezia snakker vi om vinneren av Gulløven – Yorgos Lanthimos' elleville erotiske eventyr Poor Things, med Emma Stone i hovedrollen. Poor Things er basert på Alasdair Grays roman ved samme navn, og forteller om Bella Baxters coming of age-opplevelser. Bella er en voksen kropp med barnehjerne, et eksperiment signert den geniale legen og oppfinneren Godwin aka God (Willem Dafoe). Når hun oppdager sin seksualitet og entrer en opprørsk ungdomsfase, stiller hun spørsmål ved alle vedtatte sannheter og kulturelle normer på sin ferd ut i verden. Slikt blir det gøyal film av, og som erotisk eventyr kan Poor Things minne om kreasjonene til Walerian Borowczyk og Peter Greenaway. Den visuelle utformingen sender tankene til Terry Gilliam og Jeunet & Caro. Dette er en film man bør vite minst mulig om før man ser den, så panelet holder kortene tett til brystet og unngår spoilere. Det gjør at vi også får tid til å sneie innom noen av andre rariteter fra festivalløypa på Lido, som Luc Bessons DogMan og Harmony Korines Aggro Dr1ft. Ved mikrofonene sitter Karsten Meinich, Lars Ole Kristiansen, Truls Foss og Andrea Skotland. God lytting!

This month's Out Now with Aaron and Abe commentary track is finishing up the quadrilogy. Aaron is joined by Brandon Peters and Mark Hofmeyer to discuss 1997's Alien Resurrection, the fourth installment in the Alien franchise, from director Jean-Pierre Jeunet. Listen in to hear the group discuss what makes this entry stand out, where its legacy stands, the wide range of character actors involved, what Jeunet brings to the film, and more. There's plenty more discussion about the amount of slime and smoke in this movie, the excessive amount of hallways and corridors, the appeal of an alien hybrid, and lots of fun tangents as well. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Con Air: The Podcast, Deep Blue Sea the Podcast Watch the Trailer for Alien Resurrection #Alien #AlienResurrection #Commentary #JeanPierreJeunet #SigourneyWeaver #WinonaRyder #JossWhedon #RonPerlman #MichaelWincott #BradDourif #Xenomorph #film #movie #entertainment #outnowwithaaronandabe #outnowpodcast

Dimanche 28 septembre 1873. 15H. La ville d'Amiens est en effervescence. En ce début d'après-midi c'est la foule des grands jours qui se presse sur la place Longueville pour apercevoir l'aéronef qui y est amarré. Tout le monde ne parle que de ça. Et personne ne veut rater le départ du « Météore » qui s'envolera silencieusement pour effectuer un vol au-dessus de la ville. Vers 17h, ils sont 3 à prendre place dans la nacelle en osier du ballon de 900 mètres cubes ; 1 aérostier et 2 voyageurs qui mesurent la chance qui est la leur. Car à cette époque, s'élever dans les airs, est une aventure. Les Amiénois ne quittent pas des yeux les 3 hommes... La météo est idéale. Le ciel, bleu azur. Le vent, modéré, souffle vers le sud-est. A 17h24 précisément les attaches sont libérées. Le ballon entame alors son ascension. En à peine 4 minutes le voilà déjà à 800m d'altitude, l'aérostier lâche quelques lests pour atteindre à 5h32...1200m ! L'altitude modeste mais néanmoins impressionnante pour l'époque permet aux passagers de regarder loin par-delà la campagne amiénoise. Et tous se régalent de cet horizon à 360 degrés. Quel fascinant spectacle que de découvrir depuis le ciel les méandres de la Somme, la Cathédrale et sa flèche, les Hortillonnages, les rues de la ville... de suivre les allers et venues des gens, grands comme des fourmis, qui tentent de suivre la course du ballon ... ou d'apercevoir les villages environnants qui apparaissent comme Camon, Longueau ou Villers-Bretonneux... Après 24 minutes de vol, à 5h48, le Météore se pose non loin du quartier de La Neuville avec la délicatesse d'un oiseau. En 20 minutes le ballon est dégonflé, roulé, empaqueté... les 3 hommes en route pour le centre d'Amiens en voiture. A son bord, Eugène Godard, un aérostier chevronné qui effectuait son 1055ème vol. Albert Deberly, membre de l'académie d'Amiens et un écrivain à qui Théodore Jeunet, le directeur du « Journal d'Amiens » a commandé le récit du voyage. Une mission dont il s'acquittera sous la forme d'une longue lettre intitulée « 24 minutes en ballon » et qu'il signera de son illustre nom : Jules Verne.Texte : Phillippe Husson & David GonnerVoix : François BerlandEncore plus de Podcast à écouter ici sur PODCAST STORY

durée : 00:05:00 - L'invité du 6h-9h France Bleu Besançon

Les mots manquent presque pour décrire le monde foisonnant de Delicatessen de Marc Caro et Jean-Pierre Jeunet sorti en 1991. Un film fantastique, poétique, étrange, cannibale, punk, retro, burlesque, morbide, doré, magique, fantasmagorique. Lʹhistoire dʹun ancien clown engagé par un boucher ogre comme homme à tout faire dans un immeuble aux confins du temps et de lʹespace. Sʹy croisent un éleveur dʹescargots, un fabriquant de boîte à meuh, des troglodistes végétariens, une scie musicale, une suicidaire inventive et une jeune femme amoureuse. Les comédiens promènent leurs gueules dans ce film particulier. Jean-Claude Dreyfus, Dominique Pinon, Rufus, Ticky Holgado, Marie-Laure Dougnac, Karin Viard sont tous embarqués dans un univers foisonnant à la limite de lʹabsurde. Cet Objet Filmique non identifié, quand il sort en 1991, fait sensation. La bande dessinée y côtoie lʹunivers de Marcel Carné, les photographies de Robert Doisneau et les utopies de Métal Hurlant. Lʹesthétique particulière de Delicatessen marque son époque et signe les œuvres du duo Caro et Jeunet. Certains critiques regrettent lʹaspect esthétisant de la chose, reprochant à ses auteurs leur originalité formelle. Dʹautres encensent ce film à part, unique en son genre à ce moment-là. Il gagne quatre Césars en 1992. Ne tardons plus. La fin du monde connu est enclenchée. La recherche de la nourriture effrénée. Un immeuble se détache dans la brume, sorte de vaisseau fantôme peuplé dʹêtres étranges. Un clown vient dʹentrer dans la boucherie. REFERENCES Le making-of de Delicatessen https://www.youtube.com/watch?v=SNNaass9Zh4 Masterclass Jean-Pierre Jeunet, BIFFF 2014 https://www.youtube.com/watch?v=45teS0TcqOI DJAN, Laurent, Les cinémas de Caro & Jeunet, Editions Cernunnos/Dargaud 2018 JEUNET, Jean-Pierre, Je me souviens…500 anecdotes de tournage, LettMotif, 2018

The AMPM VIDEO crew tries to dream this week with The City of Lost Children (French: La Cité des enfants perdus) is a 1995 science fantasy film directed by Marc Caro and Jean-Pierre Jeunet, written by Jeunet and Gilles Adrien, and starring Ron Perlman. An international co-production of companies from France, Germany, and Spain, the film is stylistically related to the previous and subsequent Jeunet films, Delicatessen and Amélie. The musical score was composed by Angelo Badalamenti, with costumes designed by Jean-Paul Gaultier. It was entered into the 1995 Cannes Film Festival. You can watch the video podcast on YouTube, listen on Spotify or Apple Music & catch us next week live on twitch.tv/ampmvideo Drop a comment, like & hit the subscribe button. Give us a follow @ampm.video & @goteamvideo BIG shoutout to @gubbsmusic for our intro/outro music & BIG shoutout to @shotfromthepit for our fun promo photos! ⚡️ If you would like to support @ampm.video & @goteamvideo for all we do & so that we can keep creating more content, check out patreon.com/ampmvideo

This week Drusilla and Josh watched Cemetery Man aka Dellamorte Dellamore starring sexy, sexy Rupert Everett. But first! Robert Eggers and hot directors, reclaiming the New Beverly with an Errol Flynn double feature, Woodlands Dark and Days Bewitched, Robin Redbreast, You Won't Be Alone, Josh is ignorant about Macedonia, and then they get into the feature. Dru confesses her love of Angry Video Game Nerd, Josh goes to the video store, the life-changing Videoteque in South Pasadena, "style over substance" is bullshit, City of Lost Children and Jeunet et Caro, keeping your lover's head in a box, Kate McKinnon's doppelganger Anna Fulci, Michele Suovi and Stage Fright, this movie was filmed in a real cemetery with real skeletons, Magritte's The Lovers, little ghost sperms or will o' whisps, impotence and penis surgery, Tim Burton and Pee Wee's Playhouse, hilarious car accidents and motorcycle, the infamous ending of St. Elsewhere and movies that end with being trapped in a snowglobe, and Have They Seen It? Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com

Si Manech était mort, Mathilde le saurait... Ce mois-ci, Victoire, Pascale, Jeanne et Marianne comparent le roman de Sébastien Japrisot, Un long dimanche de fiançailles, Prix Interallié 1991, à son adaptation en film par Jean-Pierre Jeunet.  Une nuit de janvier 1917, cinq soldats français sont condamnés à mort pour automutilation. Deux ans plus tard, Mathilde, 19 ans, n'arrive pas à faire le deuil de son fiancé Manech, dit "le Bleuet", officiellement tué à l'ennemi, mais qui faisait partie du groupe de condamnés. Patiemment, obstinément, elle va mener l'enquête sur ce qu'il s'est vraiment passé ce terrible dimanche...  Mais le film de Jeunet est-il fidèle à l'oeuvre originale ? Réponse dans l'épisode !  2 min 48 : On commence par parler du récit Un long dimanche de fiançailles écrit par Sébastien Japrisot et paru en 1991. 40 min 12 : On enchaîne sur son adaptation en film réalisée par Jean-Pierre Jeunet sortie en 2005, avec Audrey Tautou et Gaspard Ulliel. 1 h 34 min 59 : On termine sur nos recommandations autour des romans et des films sur la Première Guerre mondiale. Si vous avez lu ou vu Un long dimanche de fiançailles, n'hésitez pas à partager votre avis avec nous !

Jean-Pierre Jeunet-t már a Delicatessen, az Elveszett gyerekek városa, az Alien 4. az Amélie csodálatos élete és a Hosszú jegyesség című alkotásai óta nagyon kedveljük. Valahogy így indul a diskurzus a 2020 Filmodüsszeia legújabb podcast adásában, melyben a JPJ Big Bug című legújabb sci-fi komédiáját vesézi ki a két állandó műsorvezető: Géczy Dávid filmrendező és Pöltl Oxi Zoltán újságíró. A Big Bug 2045-ben játszódik egy lakóparki házban, ahol az épület minden porcikáját okoseszközök, droidok és robotok irányítják, segítik működését. Ebben a jövőben, mely nem utópia, hanem disztópia, ugyancsak nem tesz jót az élet menetének, ha homokszem kerül a gépezet fogaskerekei közé, márpedig kerül. Alice-hoz váratlanul betoppan ex-férje és annak kikapós párja, hogy üdülésük előtt még elrendezzék a múltat, de egy technikai malőrnek köszönhetően az automatizált ház ajtajai lezárulnak, s a bent rekedt emberek a két középkorú pár mellett azok kamasz gyerekei és az okvetlenkedő szomszédasszony megkezdik a küzdelmet a high-tech kulipintyóból való szabadulásért. Jeunet parádés módon kritizálja az okoseszközök rabságában vergődő ember „modern” látás- és életmódját, s amolyan Moliére-i dramaturgiával szerkesztve tartja mindvégig rendkívül magas hőfokon a történetet. A szabadulásáért egyre elkeseredettebben küzdő embercsoport végül rájön, hogy csak akkor juthat ki a házból és ebből az örvénylő kalamajkából, hogy ha a központi főgonosz robot klónvezér Yonyx-ot sikerül legyőznie.

Jean-Pierre Jeunet, réalisateur d'Amélie Poulain, Alien 4 ou encore Un long dimanche de fiançailles est notre invité pour un épisode au coeur de son cinéma à l'occasion de la sortie de son nouveau film : Big Bug ! Découvrez les coulisses de son univers mais également ses folles anecdotes de tournage en France et à Hollywood ! Vous allez halluciner ! On vous fait gagner le DVD d'un Long dimanche de fiançailles en fin d'épisode au cours d'un Blind Test Musiques cultes Remixées !

Grosse sélection, du très lourd et du TRÈS nul ! On vous parle de BIGBUG de Jeunet, LES VEDETTES du Palmashow, ENQUETE SUR UN SCANDALE D'ETAT, MOONFALL et MORT SUR LE NIL. En bref, c'est THE INNOCENTS et LA DISPARITION et pour le passé, LOST IN TRANSLATION !Cette émission est réalisée en partenariat avec la chaîne TCM CINÉMA. (55 ou 403 chez Orange, 162 avec SFR, 90 avec Bouygues, 123 avec Free).Pour en savoir plus : https://www.canalplus.com/chaines/tcm-cinemaMerci à BABBEL pour la sponso ! N'hésite pas à utiliser le code PARDON par ici : babbel.com/parler_______________________________________________________________________LE LIVRE PARDON LE CINÉMA EST SORTI !Amazon : https://bit.ly/PardonAmazonFnac : https://bit.ly/PardonLaFnacCultura : https://bit.ly/PardonCulturaDecitre : https://bit.ly/PardonDecitresLesLibraires : https://bit.ly/PardonLesLibrairesMerci pour votre soutien depuis bientôt 2 ans

durée : 00:53:43 - Popopop - par : Antoine de Caunes, Charline ROUX, Aurélien Ezvan - Son nouveau film "Big Bug" sera mis en ligne sur Netflix demain. Pour parler du monde de demain, des robots et des intelligences artificielles, Jean-Pierre Jeunet est l'invité d'Antoine de Caunes et Charline Roux. - réalisé par : Ghislain Fontana

Jean-Pierre Jeunet présente BigBug sur notre podcast ! Avec Le Fabuleux Destin d'Amélie Poulain, Alien 4 : la Résurrection, La Cité des Enfants Perdus, Jean-Pierre Jeunet a fait rêver, il a fait rire et il a fait même sursauter des millions de spectateurs dans le monde. Jean-Pierre Jeunet nous fait le plaisir d'être notre invité spécial. BigBug, son dernier long métrage, sort vendredi 11 février sur la plateforme Netflix. Nous recommandons chaudement aux amoureux de science-fiction de voir ce film. BigBug est une œuvre drôle qui interroge et dénonce avec intelligence le monde moderne. Il y a une richesse créative portée par des gadgets et des idées visuelles en permanence. Impossible de passer à côté des multiples références aux classiques du genre comme 2001, l'Odyssée de l'espace, Fahrenheit 451, Robocop, Blade Runner, Brazil, ou encore Terminator. Entre les drones publicitaires, l'omniprésence des machines, une domotique qui devient folle, l'obsolescence programmée, le film interroge notre emprisonnement à la technologie. Avec son humour si particulier, Jean-Pierre Jeunet malaxe des vieux poncifs de la SF sur l'humanité des machines ou sur le fantasme de l'anéantissement de l'homme par les robots. Bref, c'est un coup de cœur !

Salut, ça va ? Nous, oui, il y a des bons films ! On vous parler de SPENCER, NIGHTMARE ALLEY & L'AMOUR C'EST MIEUX QUE LA VIE ! En bref c'est LES LEÇONS PERSANES, VAL & UN MIRAGE AMÉRICAIN, et pour le passé UN LONG DIMANCHE DE FIANÇAILLES ! Bonne écoute :)_______________________________________________________________________LE LIVRE PARDON LE CINÉMA EST SORTI !Amazon : https://bit.ly/PardonAmazonFnac : https://bit.ly/PardonLaFnacCultura : https://bit.ly/PardonCulturaDecitre : https://bit.ly/PardonDecitresLesLibraires : https://bit.ly/PardonLesLibrairesMerci pour votre soutien depuis bientôt 2 ans !_______________________________________________________________________L'édito : Alexis & le cinéma de divertissement (~28min)TRUCS DU PRÉSENT :- SPENCER (~34min)- NIGHTMARE ALLEY (~55min)- L'AMOUR C'EST MIEUX QUE LA VIE (~1h16)EN BREF :- LES LEÇONS PERSANES (~1h33)- VAL (~1h37)- MICHAEL CIMINO UN MIRAGE AMÉRICAIN (~1h43)LE FILM DU PASSÉ :- UN LONG DIMANCHE DE FIANÇAILLES (~1h50)Les chroniqueurs sont SIMON RIAUX, RITA & ALEXIS ROUX. Et c'est présenté par votre serviteur de la chaîne INTHEPANDA, VICTOR. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Become a member at https://plus.acast.com/s/pardon-le-cinema.

The Alchemist move into a building of hungry odd balls in Delicatessen.  Key Elements: Monkey Suit, Saw Band, The Australian Join the Patreon: https://www.patreon.com/filmalchemistpod  

We take the whimsical streets of Paris for Jean-Pierre Jeunet's cult classic Amelie in today's episode, brought to us by our very special guest autistic film journalist Lillian Crawford. We take great pleasure in revisiting Amelie from an autistic perspective, finding neurodivergent expression in the heightened audio and visual richness of Jeunet's film. Amelie herself is a character who uses various autistic techniques to figure out the people she meets, by using objects and wordplay rather than direct communication to reach her understandings. Things are not entirely rosy: concerns are raised about the film's adherence to heteronormativity, as well as a lack of non-white characters, as well as its sanitised vision of a picture-perfect vision of Paris. Huge thanks to Lillian Crawford for bringing this film to the podcast. We've all become big fans of Lillian's writing on film, and we'd very much encourage you to seek her words out. Visit her website here: lillcrawf.co.uk and follow her on Twitter here: twitter.com/lillcrawf You also heard the voices of our regulars John-James Laidlow, Alex Widdowson and Janet Harbord.

It's Jeunet et Caro week with Delicatessen (1991), a film about the people living above a sinister delicatessen, all during the post apocalypse; followed by The City of Lost Children (1995), a surrealist fairy tale about a little girl, her friend, and their search for his brother. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Không lâu sau tác phẩm điện ảnh kinh điển “Cuộc đời tươi đẹp của Amélie Poulain”, đạo diễn Jean Pierre Jeunet, một lần nữa, lại đạt tới những thành công vang dội cùng “Cuộc đính hôn lâu dài” vào năm 2004 với 12 đề cử César (giành 4 giải) và 2 đề cử Oscar. Bộ phim được liệt vào dạng chủ đề lãng mạn chiến tranh, hư cấu một câu chuyện về sự tìm kiếm gần như tuyệt vọng của một người phụ nữ trẻ tên Mathilde với chồng chưa cưới của cô là Manech, người có thể đã bị giết chết trong thời gian chiến tranh thế giới thứ I, ngay trước trận Somme. Để rồi từ những tìm hiểu và điều tra của Mathilde, rất nhiều sự thật, nhiều cảnh huống về cuộc chiến và cả số phận những người trong và ngoài cuộc được phơi bày. Dựa theo cuốn tiểu thuyết cùng tên của tác giả Sebastien Japrisot, xuất bản năm 1991, nhưng “Cuộc đính hôn lâu dài” đã tạo nên một dấu ấn riêng, gần như đứng độc lập được với tác phẩm gốc, bởi bức tranh đặc sắc mà Jeunet đã vẽ nên. Trong suốt hơn 2 tiếng đồng hồ, người xem như được chiêm ngưỡng một tuyệt phẩm với đầy những sắc màu tưởng như tương phản, nhưng lại vô cùng đồng điệu và hòa quyện vào nhau. Bộ phim với khối lượng nhân vật khá nhiều, vặn xoắn, các tình tiết thay đổi liên tục, đưa đẩy khán giả từ phán đoán này tới phán đoán khác, lúc vui, lúc buồn cùng hành trình đi tìm người yêu của Mathilde để rồi cuối cùng, tất cả thở phào khi, như một câu chuyện cổ tích, nó đã có một Happy Ending đúng nghĩa. Chiến tranh nhuốm màu đen tối      Cho dù ở đâu hay vào thời điểm nào hay đối với bất cứ dân tộc nào thì chiến tranh luôn mang màu sắc đen tối nhất. Mở đầu phim, Jeunet đã đẩy người xem tới chiến trường Bingo Crépuscale ác liệt, với hình ảnh xác một người lính bị xé làm nhiều mảnh, với mưa bùn ngập ngụa, khói của khí độc và năm người lính Pháp đang trên đường bị đưa đi xử tử. Họ bị buộc tội đào ngũ. Đó là một người thợ mộc đa tình, một anh thợ hàn thẳng tính luôn muốn thức tỉnh người khác rời khỏi cuộc chiến, một nông dân dũng cảm cứng cỏi nhất, một gã ma cô thành thị giỏi lừa đảo dối trá và cuối cùng là Manech, anh chàng mới bước qua tuổi 20, làm nghề đánh chuông ở nhà thờ. Tất cả họ đều, một cách vô tình hay cố ý, làm mình bị thương để rời khỏi cuộc chiến càng nhanh càng tốt. Cái cuộc chiến mà với họ và với cả những người khác là thứ nhuốm màu tối thẫm vô vọng, là những bữa ăn như cám heo và là thân thể đồng đội nổ tung reo rắc khắp các chiến hào. Nhưng họ không bị xử tử như một quân nhân, mà lại bị đẩy ra ngoài nơi mà người ta gọi là “No man's land”, là vùng đất ranh giới giữa hai chiến tuyến của Pháp và Đức. Sĩ quan cấp trên của họ, Lavrouye, cảm thấy vui vẻ hơn, nếu họ bị quân Đức săn đuổi và bắn nổ tung như pháo hoa. Lại thêm một dải màu đen được phơi bày ở đây, đó chính là sự phi nhân đạo trong một bộ phận những người cầm đầu, những kẻ ăn trên ngồi trốc, chưa từng ra trận, chưa từng chịu cơn đói khổ cùng cực và cái chết cận kề, ngay cả khi cuộc chiến đang ở vào giai đoạn khốc liệt nhất. Cũng chính là Lavrouye đã xé đi quyết định tha bổng của tổng thống dành cho năm người lính khốn khổ ngay sau đó, đẩy họ vào tận cùng tuyệt vọng. Chẳng có một lý do chính đáng nào được đưa ra cho hành động của vị sĩ quan này, ngoài câu “thích thì làm”.         Đau đớn nhất là biết bao mưu mô toan tính để thoát khỏi cuộc chiến đều không thành, kể cả khi, bạn thân của anh chàng thợ mộc Bastoche sẵn sàng đưa vợ mình vào tay Bastoche, cố gắng để vợ có thai đứa con thứ 6 và anh ta sẽ được trở về nhà. Nhưng người vợ không những không có thai mà trớ trêu thay, cô còn nảy sinh tình cảm với Bastoche và phản bội chồng theo đúng nghĩa. Cuộc chiến đã khiến cho những mất mát của họ không chỉ là mất đi một phần cơ thể, mà còn là một phần của trái tim với biết bao tổn thương ghi dấu mãi mãi. Màu xanh hi vọng Xen lẫn vào giữa những tối đen ấy là vài giây phút lóe lên màu xanh hi vọng, dù còn yếu ớt nhưng đủ để khán giả có thể nhìn thấy sự Yêu thương. Đó là lúc Manech được đầu bếp của đội “phục vụ” món bánh mì tẩm mật ong nướng cùng bát chocolate trắng thượng hạng trước khi bị đẩy ra vùng đất “No man's land”. Là lúc ngay giữa cuộc chiến căng như dây đàn, máy bay địch lượn vòng vòng trên trời và những nòng pháo chĩa thẳng về phía quân đội Pháp, Manech vẫn kiên nhẫn khắc lên cái cây duy nhất còn đứng vững giữa chiến trường ba chữ M, có nghĩa là “Mathilde cưới Manech”. Khát khao được trở về, khát khao Yêu và Được Yêu có lẽ là động lực vô hình giúp chàng trai trẻ vượt qua tất cả những gì là điên cuồng nhất của cuộc chiến.  Để rồi, một màu xanh thật sự tràn qua phủ lên thứ rêu hi vọng, khi Mathilde nhận được tin Manech đã chết và cô hoàn toàn không tin vào điều đó. Đến đây, khán giả cảm thấy một Amélie Poulain khác, cũng với vai diễn tuyệt vời của nữ diễn viên Audrey Tautou, nàng thơ của điện ảnh Pháp, trong vai một đứa trẻ mồ côi có tật nói chuyện một mình và một bên chân tập tễnh vì hậu quả của bệnh bại liệt. Vẫn với đôi mắt to, long lanh, sáng bừng hi vọng, Mathilde chưa bao giờ ngưng tin tưởng là Manech còn sống. Cô giữ vững niềm tin ấy ngay cả khi hết thảy mọi người đều cho rằng anh đã chết và những việc cô đang làm là vô nghĩa. Mathilde dốc đến những đồng tiền cuối cùng mà cha mẹ để lại cho mình để đi khắp nước Pháp tìm tung tích những người có thể kết nối câu chuyện của chồng chưa cưới, thậm chí thuê cả thám tử tư giỏi nhất ở Paris. Niềm tin mãnh liệt ấy đã lan tỏa khiến cho nhiều người cảm thông và muốn giúp cô hơn. Trên chặng đường tìm kiếm của Mathilde, biết bao nhiêu mặt tối của cuộc chiến, cũng là bao nhiêu thân phận người đàn bà được phơi bày. Người bị chồng đẩy vào tay bạn thân và cuối cùng trở thành ngoại tình. Người vì khao khát trả thù mà lần lượt giết những kẻ đã gián tiếp, hoặc trực tiếp hại chết người tình của mình như là Tina Lambordi, bạn gái của tay ma cô thành thị, để rồi sau đó phải đối mặt với án tử hình bị chém đầu. Thông qua những câu chuyện này, người ta thấy rất rõ ràng chiến tranh không chỉ ác liệt ở trên chiến trường, mà nó còn len lỏi vào cuộc sống, biến chúng trở nên tồi tệ ở bất cứ phương diện nào. Những bước chân tập tễnh của Mathilde đi tới đâu là gieo màu xanh hi vọng tới đó. Càng nhiều người hi vọng thì cơ hội Manech của cô còn sống lại càng tăng lên. Có những lúc tưởng như cô sẽ gục ngã khi vị thám tử đưa tới thông tin về ngôi mộ có đề tên Manech, khi nhiều nhân chứng nói đã chứng kiến cái chết của anh, nhưng không, số phận vẫn mỉm cười với Mathilde bởi cô vẫn gắng gượng đứng lên và nỗ lực tìm kiếm không ngừng nghỉ. Màu vàng yêu đương tràn ngập Gam màu sắc chủ đạo của “Cuộc đính hôn lâu dài” là màu vàng của yêu thương ấm nồng. Phần lớn trong hơn 2 tiếng đồng hồ, ngoài những trường đoạn trên chiến trường, bộ phim trải một màu vàng óng ả như mật ong, tươi sáng, đầy hi vọng và đẹp đẽ. Tình Yêu đã đem đến cho Manech sự tự tin và những suy nghĩ tích cực nhất. Trong lúc mọi người đều cảm thấy tồi tệ khi sắp bị vứt ra vùng ranh giới giữa quân Pháp và Đức, thì chàng trai trẻ 20 tuổi này lại vừa ăn bữa ăn ngon lành cuối cùng, vừa nói rằng anh sẽ về nhà sau buổi hành quyết. Nếu chú ý, khán giả sẽ thấy chiếc găng tay mà Manech được đồng đội tặng, chiếc găng tay len màu đỏ với những chấm trắng li ti được anh đeo vào bên tay phải. Đó là bàn tay Manech đã dùng để đặt lên bầu ngực Mathilde trong cái đêm đầu tiên họ ở với nhau trên ngon hải đăng. Bàn tay anh giữ chặt và cảm nhận trái tim cô. Manech vẫn tâm sự với đồng đội rằng “tim cô ấy đập trong bàn tay em”, có lẽ vì thế mà anh muốn chiếc găng tay sẽ giữ ấm cho nó, để mãi lưu giữ trái tim và tình yêu của Mathilde dành cho mình. Hai người như là một đôi thanh mai trúc mã, thân thiết từ nhỏ cho tới lớn và dành cả tình cảm cho nhau. Họ chỉ biết đến nhau. Tình yêu lúc này như một liều thuốc thần kì để giữ cho Manech sống sau khi trúng một loạt đạn từ phía quân Đức và mắc cả chứng viêm phổi nặng. Hành trình tìm kiếm Manech của Mathilde và hành trình cố gắng giành giật sự sống của Manech đã được Tình Yêu đưa lối. Còn gì có thể mạnh mẽ hơn những xúc cảm vẫn luôn được nuôi dưỡng và nâng niu? Chắc là không cần phải nhắc tới những gì Mathilde và Manech dành cho nhau khi gặp lại sau bao trắc trở, hi vọng rồi lại thất vọng rồi lại hi vọng. Chỉ biết là dù có bị mất trí nhớ hoàn toàn, thậm chí phải học đọc và viết từ đầu thì Manech vẫn nói một câu khi anh nhìn thấy Mathilde. “Em có đau khi bước đi không?” - câu nói mà anh đã nói lần đầu tiên khi anh thấy Mathilde tập tễnh trên đôi chân đã teo vì bại liệt ngày còn thơ bé, đứa lên 9, kẻ lên 10. Thế là đủ hiểu, tất cả sẽ lại nở hoa, kết trái. Tất cả sẽ lại là một màu xanh hi vọng và vàng óng ả yêu đương, là dấu ấn khó phai trong mỗi chúng ta.      

The power of imagination and love is on full display in 2001's French romantic comedy film, "Amelie". This is one of Dana's all-time favorite movies and we're excited to finally get a chance to see how this film hits us as adults.----------*NEW* Become a member exclusively on Ko-fi for as little as $1 per month. Access to our personal Discord server, Ad-free RSS feed, merch, and more awaits! Join today - https://ko-fi.com/movie/tiers----------Movie DetailsDirected by Jean-Pierre Jeunet, with a screenplay by Jeunet with Guillaume Laurant, Music by Yann Tiersen. Starring Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, and Maurice BénichouBudget of only $10mil, made roughly $174mil in the box officeCurrently a 8.3 on IMDb----------We would like to send a special shout out to our On Second Watch members!Derek, Mom (Hi Mom!), Simon, Thanon, and Nigel----------Request a personalized shout out - https://ko-fi.com/movieCommission a movie review of your choice! - https://ko-fi.com/movie/commissionsCheck out all our episodes and subscribe – www.oswpodcast.com Twitter – www.twitter.com/oswpodcast1Facebook – www.facebook.com/oswpodcastInstagram – www.instagram.com/oswpodcast

Alien Resurrection is a movie that needs to justify its own existence to its audience especially on the heels of Ripley's ultimate sacrifice. But what better way to continue our heroine's story than to lean into the Christ metaphor and resurrect her with late 90s-era cloning hysteria? Jean Pierre Jeunet earns his audience trust in this film by striking a decidedly goofier tone in this bizarre/grotesque romp that ends up demystifying the alien while honouring the Ripley narrative in a surprisingly satisfying way. Once again we get a stellar ensemble of misfits and some very impersonate-able moments that will leave you thirsty for more. Aleks wears the dunce cap in this ep for losing his audio and causing the gang to rerecord the episode and then having crunchy audio in his re-recording, but he makes up for it by yelling a lot. The gang gives Ripley a fitting send off as they finally complete the Quadrilogy including an emotional tribute from Leila at the end of the episode. You don't want to miss this one!Enjoy!Please involve yourselves in BLM initiatives. Here are some links to resources to help you get started: https://docs.google.com/document/d/1loo_jm5t2jiMDVQOccuFMaP6G1UYyeGLkxwcCDIIwLY/edit?fbclid=IwAR3IeY2btoDZSjdh8QKRg7mEMGV1uGztTcXWTM2aNN5TUdG-of11gO2NW0ohttps://medium.com/equality-includes-you/what-white-people-can-do-for-racial-justice-f2d18b0e0234Stay safe and indoors friends of the show!Tell a fellow movie fan.Instagram/Facebook: @thirstyformorepresentsTwitter: @morethirsty 
Youtube: https://www.youtube.com/channel/UCUyVV223fWcNenwcwugHfmAEmail: schwartzythepodcast@gmail.comApple: https://podcasts.apple.com/hr/podcast/thirsty-for-more-jean-pod-van-damme/id1471906981?uo=4Spotify: https://open.spotify.com/show/5LjFpZAm1pGSztRcD9P64o?si=8OgIMDMNSomT99AKoXn30g

Ryan and Dave are back to dig up a cult satire perhaps best left buried, as Dave finally gets his revenge on Ryan for inflicting "Hard Ticket to Hawaii" on him, all those moons ago. With an equal parts disturbing and hilariously over-the-top Bill Paxton performance, Wayne Newton in a prominent role for some reason, and Judd Nelson before he disappeared off the face of the earth, this film was... certainly something. Also, Ryan detects echoes of Lynch and Jeunet in director Adam Rifkin's dystopian presentation, while Dave waxes nostalgic over the niche video store where he found this movie in the first place.

durée : 00:03:58 - Si on sortait France Bleu Orléans

The Alchemist are cloned and return with a wet jumper and Xenomorph in our blood in Alien: Resurrection.  Key Elements: Ripley Believe It Or Not, Shoulder Hair, XenoToddler

Esther Bourdages is an art critic, radio journalist, independent curator, and musician based in Montréal. She is an improviser of extraordinary sensitivity, bringing a playfulness to her tactile manipulation of vinyl records, sometimes outright mishandling them. This freedom to destroy is indicative of a resistance to structure and formalism, but Esther’s work can’t be easily dismissed as some sort of exercise in catharsis. Instead her approach to live improvisation is raw and expressive, and cultivated over decades of ongoing exploration. Much of her recent studio work is for radiophonic diffusion, often based on field-recordings and with a politicized context. We discuss her unique approach to vinyl, the history of Canadian artist-run centres, and the intersection of art and sound from multiple perspectives. Interview recorded in Montreal, October 2020 Produced and mixed in Montreal, January 2021 Read more at: http://acloserlisten.com/2021/01/21/sp-episode-16-freedom-to-destroy-with-esther-b-podcast/ TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Esther B. –Think about the rhythm (Audio Postcard, 2020) Esther B. - excerpt a (live at Spiro Space, 2019) Esther B. / Erik Hove / Thom Gossage - The Space between - 01 Exclusive piece_no1!(Particles, Contour Editions, 2021) [the user] (Emmanuel Madan and Thomas MacIntosh) - “Silo # 5” (Silophone, The Kitchen, 2001) Esther B. - excerpt b (live at Spiro Space, 2019) Luigi Turra / France Jobin – “France Jobin Variation” (Fukinsei VARIATIONS, 2020) Togetherness! – “Salaam/Looking for Gilchrist (Abdullah Ibrahim / William Parker)” (Togetherness!, Mr. E Records, 2018) Martin Tétreault ‎– “Abandon” (La Nuit Où J'Ai Dit Non, Audioview, 1997) Christian Marclay & Okkyung Lee – “Rubbings” (From The Earth To The Spheres Vol. 7, Opax, 2005) Esther B.- Silence film : quand l’audience devient la trame sonore 2016 Anne-F Jacques / Tim Olive – “Sur Place/Staying” (AMPLIFY 2020) Joane Hétu / Diane Labrosse / Zeena Parkins / Danielle P. Roger* / Tenko ‎– “Les Pluies Acides” (La Légende De La Pluie, Ambiances Magnétiques, 1992) Esther B. (with Jon Ascencio, Aimé Dontigny, Édouard Jeunet, James Schidlowsky, David Turgeon) – “Untitled 4” (It is not easy for doug engelbart to give a conference when Youppi and Mad Dog are in the house, No Type/Bricolodge, 2004) Jean Tinguely – “Homage to New York (Radio sculpture) / Sculpture at the Tate 12 / Mta harmonie II” (Sculpture at the Tate, Audio Arts, 1982) Esther B. - excerpt c (live at Spiro Space, 2019) Maria Chavez – “The Rain of Applause” (Amplify 2020) Cover image: Jean Tinguely

24 minutos en globo, de Julio Verne. Journal d’Amiens - Moniteur de la Somme, 2 de sept, 1873. Se trata de un pequeño relato de Verne a partir de las experiencias de la única ascensión en globo que hizo en su vida, junto a Eugenio Godard a bordo del Meteoro . Verne escribe el texto a partir del encargo de su amigo Teodoro Jeunet, director del Journal d'Amiens y lo redacta en forma de carta y dirigida al señor Jeunet. Ahora RBA presenta sus obras en una edición inspirada en la original de Hetzel, su primer editor y uno de los más importantes de la época. Una pequeña joya bibliográfica que ha sido cuidada hasta el menor detalle, con el diseño original en cubiertas y lomos, estampaciones en oro y ilustraciones interiores. En definitiva, una ocasión única para conseguir una colección única. Ya a la venta en quioscos y en www.coleccionjulioverne.es Base musical Epidemic Sound con licencia Premium autorizada Sígueme en Twitter y no te pierdas nada @hleidas Gracias por vuestro apoyo y vuestros comentarios, para mi son importantes. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hvem elsker ikke en vaskeægte "romcom" aka romantisk komedie? Det gør vi fx IKKE! Vi gav os i kast med "Den fabelagtige Amélie fra Montmartre" fra 2001, instrueret af Jean-Pierre Jeunet, for at se, om den kunne overbevise os om, at genren har noget at byde på. Og selvom klicheerne vælter frem i filmen - så som den gudesmukke indadvendte franske pige (i form af Audrey Tautou), som alle mænd overser (som om!), polerede franske fortovscafeer, klassisk fransk musik med Eifeltårnet i baggrunden etc. - you get the point - så HAR filmen faktisk noget at byde på også. I denne episode lader vi os inspirere af filmens tema og kommer med hver vores bud på de tre bedste romantiske komedier gennem tiden.

A long awaited episode for Philosophy In Film, as we finally tackle the 2001 Jean-Pierre Jeunet Romantic Comedy, "Amelie".  Chris fights through some technical difficulties and explains the concept of moral happiness, Alain argues that this is darkest movie we've covered yet, and Craig talks about Swiss Chalet. In a somewhat surprising turn, Alain shocks us all at the end of the episode... again. Featured Beverage:  Hopped Mead from the Fallentimber Meadery. (Water Valley, Alberta)

Pour cette nouvelle édition, JVDDVA a le plaisir de recevoir un grand nom de la presse cinéma : Jean-Pierre LAVOIGNAT.Jean-Pierre LAVOIGNAT a commencé sa carrière de journaliste à l’AFP tout en participant au lancement de “Première” dont il est devenu, en 1982, le rédacteur en chef.En 1987, avec Marc ESPOSITO, il a créé “Studio Magazine”. Directeur de la rédaction adjoint, il devient à partir de 1993, le directeur de la rédaction, jusqu'en mars 2006.Il fut chroniqueur cinéma à Canal+ dans l'émission "Allons au cinéma ce week-end" avec son acolyte François FORESTIER, et présenté par Isabelle GIORDANO aux commandes de ce rendez-vous hebdomadaire.Il se consacre à la réalisation de documentaires pour la télévision (Spielberg, Jeunet, Claude Berri, Gérard Oury, James Gray, Charlotte Gainsbourg et Jean Dujardin ) ainsi qu’à l’écriture.Il est l’auteur de «Portraits choisis», avec Catherine Deneuve, de «Histoire de désirs» avec Pierre Lescure, de « Studio, La légende du cinéma» et, avec Christophe d’Yvoire, de « Mesrine, 30 ans de cavale au cinéma».Et tant d'autres activités : plume du livre de confidences et biographique - Casino d'hiver - avec Dominique BESNEHARD / Commissaire de l'exposition Romy SCHNEIDER, etc. Source : https://www.franceculture.fr/personne-jean-pierre-lavoignat C'est avec plaisir que Jean-Pierre LAVOIGNAT échange avec nous sur :- le cinéma et son devenir,- son parcours et la presse écrite cinéma,- des anecdotes rocambolesques et étonnantes (Chevalier de l'Ordre des Arts et de Lettres - un grand moment),- de ses rencontres avec des artistes du 7ème art (mais pas que...) : Steven SPIELBERG, Mylène FARMER- de ses projets (encore secrets) en lien avec... Hollywood ! Une émisison où règne bonne humeur/rires, authenticité et confidences. Une émission coup de coeur avec un homme de coeur. Bonne écoute.Alain. Cyril. Laurent.www.jvddva.com

Are you prepared to watch an adorable movie, filled with murder and cannibalism? Then boy, is this the film for you! How about an in-depth allegory for a tyrannical government that devours its people in the name of creature comforts for the rest? If you checked yes, then golly, you have found your movie! I could keep going with these things, but I'm just trying to tell you it's a multi-faceted film full of charm and meaningful symbolism! CHECK IT OUT Featuring: Kaileigh!You know, the Kaileigh you all know and love!? Her! If you are French, and you would like to express your discontent with my (racism) then EMAIL ME:thisisnotfilmschool@gmail.com Musical Suggestion:  The Avett Brothers Special Thanks To:Ryan Maguire - For knowing how to play a musical saw...probably! (Music)Sarah M. Frye - For your cute and whimsical ART! (Art)Joe Moubhij - For all the clickity-clackity! (IT Advice) And Jean-Pierre Jeunet and Marc Caro! Your movies are so meticulously crafted, I love them! I hope we see more of you soon!

Actor and producer Lotta Losten (Lights Out, Annabelle: Creation and Shazam!) takes us on a tour of The City of Lost Children (1995), the unique science fantasy film directed by Marc Caro and Jean-Pierre Jeunet, which celebrates its 25th anniversary this year. It's a surreal steampunk fever dream featuring a circus strongman, evil conjoined twins and hypnotic mechanical fleas, but does it deserve to be overshadowed by Jeunet's international breakthrough hits Delicatessen and Amélie? Follow Lotta Losten on Instagram and Twitter, and check out the horror shorts she makes with husband David F. Sandberg on the Ponysmasher Youtube channel. Follow us on Twitter, Facebook and Instagram Support us on Patreon to nominate future films and access exclusive bonus content

« Dieu-e nous a rejoint pour que nos vies, notre humanité, notre Histoire trouvent et retrouvent la source de la vie. Trouver la source de la vie, c’est cela être sauvé-es. » Sœur Michèle Jeunet fait partie de l’Institut des Soeurs de ND du Cénacle dont l'apostolat spirituel donne à des femmes la possibilité d’un ministère de la Parole, au travers de toutes formes de missions permettant une expérience de Dieu. Son livre Masculin-Féminin fait suite à son mémoire de Maitrise en théologie et décrypte le discours d’une encyclique sur les femmes, discours qui est à la racine de leur discrimination dans l’Eglise catholique romaine. Elle tient un blog où découvrir ses homélies, ses pistes pour méditer et d’autres sujets qui la passionne ou la mobilise. Textes du jour : www.aelf.org/2020-03-01/romain/messe Pour le script de l'homélie rdv sur notre site internet : www.ohmygoddess.fr/2020-03-01 Pour s'abonner à notre newsletter hebdomadaire : www.ohmygoddess.fr/newsletter Crédits : Composition : Noé Plantin Montage son : Joseph Anot Illustration : Louise Plantin

We discuss Jeunet and Caro's wonderfully delicious Delicatessen and, in the 'afterword' section, we delve into Midsommar. Presenters: Wynter Tyson, Matt Walters, Lizzie Loveridge Music: Cameron Tyson

We limp through Jeunet’s “A Very Long Engagement” and discuss: color; story; and other such stuff and things and stuff. “The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. […] The post Ep 66: “A Very Long Engagement” appeared first on The Pestle.

Podcast nombre 84 travels to buoyant Paris and glides into the charming world of Amelie Poulain. Audrey Tautou dream girls it up as the title character, never quite falling into the trap of being too cutesy...or manic pixie-ish. Jean-Pierre Jeunet's direction is right on point (en pointe?) and kudos to him for making a film that's remained pretty timeless. Your coffee urges will be joyously taken care of by going to Sparkplug Coffee where you can save 10% on your first order if you use the discount code “Top100Project”.

Le vilain petit canard névrosé du cinéma français, Albert Dupontel, quitte la comédie un instant pour adapter un gros succès populaire, “Au revoir là-haut” prix Goncourt 2013, et entre donc pour la première fois dans l’univers d’un autre, sans s’effacer derrière le sujet. Novembre 1919, Albert et son ami Edouard, défiguré pendant la dernière journée de combat, survivent à la grande Guerre, et montent une arnaque aux monuments aux morts. Le film est ambitieux dans sa construction, minutieux sur la restitution, et raconte une histoire intimiste plutôt que la naissance des années 20. Les ingrédients habituels sont là : lutte des classes, laissés pour compte et une note cartoonesque. Un film touchant, à la hauteur de notre amour pour le cinéma de Dupontel. Podcast animé par Daniel Andreyev avec Stéphane Moïssakis et Hugo Alexandre. RÉFÉRENCES CITÉES DANS L’ÉMISSIONAu revoir là-haut (Albert Dupontel, 2017), Nahuel Perez Biscayart, Au revoir là-haut (Pierre Lemaitre, 2013), 120 battements par minutes (Robin Campillo, 2017), Le vilain (Albert Dupontel, 2008), 9 mois ferme (Albert Dupontel, 2013), La proie (Eric Valette, 2012), Gotlib, Le Kid (Charlie Chaplin, 1921), Un long dimanche de fiançailles (Jean-pierre Jeunet, 2004), Tim Burton, Phantom of the Paradise (Brian de Palma, 1974), Irréversible (Gaspar Noé, 2002), Enfermés dehors (Albert Dupontel, 2006), Wonder Woman (Patty Jenkins, 2017), Si j’étais un homme (Audrey Dana, 2017), Bernie (Albert Dupontel, 1996), Le créateur (Albert Dupontel, 1999), Terry Gilliam. RECOMMANDATIONS ET COUPS DE COEURRETROUVEZ LES RECOMMANDATIONS FAITES EN FIN D'ÉMISSION sur la page Soundcloud officielle des recommandations de NoCiné >> @nocine-reco

Aidez-nous à améliorer Happy Hour en répondant à notre court sondage : http://bit.ly/2wUUdoW - Au programme du podcast pop culture ce qu'on a vu, lu et écouté ce mois-ci : retour sur l'Etrange Festival (03:10), l'expo Carot et Jeunet (16:06), Superman American Alien (26:26), Nestor Burma (34:00), Guild Wars 2 (45:44), Mario et les Lapins Crétins (56:55), Kingsman Le Cercle d'Or (1:05:33), Vietnam (1:22:35), Starsailor (1:31:25)

Sony executive Becky D'Anna joins Martin for a conversation about love, happiness, and digital color timing. They look at how Amélie fits into the filmography of Jean-Pierre Jeunet, and discuss its cast, visual style, and music as well as its enduring appeal. Becky relates Amélie to Terminator 2 and Martin gives his Paris hot take.

Our spotting session for Amélie is perhaps our most unique installment thus far. We endeavor to cover the entire soundtrack for the film, putting each piece in its time and place. Jeunet, Tiersen and the editorial team assembled a clever collection of 'needle drops' into a narratively compelling underscore. We progress track by track through Amélie's music, uncovering the spirit of the film and the soul of our heroine. From 40s era showtunes to carnival organs to club remixes to intimate original piano ballads, listening to the music of this film end to end is an aural delight. Breaking down each individual piece, we set the table for next week's full-length audio commentary. Enjoy!Listen to episode 4m3 Spotting Session d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Jeunet and Caro's delightful delicacy "Delicatessen" is arguably the best post-apocalyptic cannibal comedy--ever. Combining a singular look, hearkening back to the silent era of great European cinema, with a wild and ultimately touching story of a clown, a girl and a butcher, "Delicatessen" does what perfect movies do--it pulls you in and, just for a time, removes you from your hum-drum existence.

Episode 34 de Super Ciné Battle, le podcast où nous établissons le classement ultime du cinéma. Nous prenons vos listes que vous nous adressez pour les classer, du meilleur au pire afin d’obtenir LA liste ultime. On vous propose un antidote à une semaine chargée en news jeux vidéo. Un vrai épisode canonique avec un … Continuer la lecture de « Episode 34 : le Tarkovski du 9 3 »

This week things get a bit tasty as we revisit a post apocalyptic France with clowns and cleavers. It's Delicatessen. If you want to contact the show, or simply have a chinwag with the chaps, then please pop by our Facebook page -  https://www.facebook.com/isawthatyearsago or follow us on Twitter: @istyashow You can even contact us on good old email by sending your missives to - show@isawthatyearsago.com Also, check out our new YouTube channel and let us know what you think; https://youtu.be/Saq6SHejuUA

Episode 26 de Super Ciné Battle, le podcast où nous établissons le classement ultime du cinéma. Nous prenons vos listes que vous nous adressez pour les classer, du meilleur au pire afin d’obtenir LA liste ultime. On a essayé de faire plus court, on a fait aussi long avec moins de films encore. On continue … Continuer la lecture de « Episode 26 : la foudre a frappé le cinéma »

For the first episode of season 3, Renan and Bill consider their second Jeunet et Caro film: 1995's THE CITY OF LOST CHILDREN. Featuring Ron Perlman in his first starring feature role (in phoenetically-memorized French!), six times the Dominique Pinon as Delicatessen, incredible constructed harbor town sets and all the water to go with it, Rube Goldberg-inspired sequences, and conjoined twins, CITY is a feast for the senses. So, how does it stack up against other Jeunet films? What makes it work (or not) as a story? How does it borrow from Charles Dickens? What tropes does it trade on? And what went wrong with Alien: Resurrection? This episode has all that, and more! Film links: Wikipedia IMDb 366 Weird Movies Roger Ebert review Stephen Holden review Disenchantment and the City of Lost Children Show links: Rate us on iTunes!  Friend us on Facebook! Reblog us on Tumblr! Follow us on Twitter! Email us at void@enterthevoid.fm!

For the first episode of season 3, Renan and Bill consider their second Jeunet et Caro film: 1995's THE CITY OF LOST CHILDREN. Featuring Ron Perlman in his first starring feature role (in phoenetically-memorized French!), six times the Dominique Pinon as Delicatessen, incredible constructed harbor town sets and all the water to go with it, Rube Goldberg-inspired sequences, and conjoined twins, CITY is a feast for the senses. So, how does it stack up against other Jeunet films? What makes it work (or not) as a story? How does it borrow from Charles Dickens? What tropes does it trade on? And what went wrong with Alien: Resurrection? This episode has all that, and more! Film links: Wikipedia IMDb 366 Weird Movies Roger Ebert review Stephen Holden review Disenchantment and the City of Lost Children Show links: Rate us on iTunes!  Friend us on Facebook! Reblog us on Tumblr! Follow us on Twitter! Email us at void@enterthevoid.fm!

With influences ranging from Chaplin and Fellini to Rube Goldberg and Terry Gilliam, DELICATESSEN by Jean-Pierre Jeunet and occasional co-director Marc Caro defies easy summary. Maybe you'd better just give it a try? Set in a single apartment building in a dystopic future France, Jeunet et Caro imagine a world of hidden connections, quiet desperations, quirky comedy, light-hearted cannibalism, and a roster of peculiar residents whose dependence on their barbarous landlord-butcher is challenged by an erstwhile clown still mourning the tragic death of his chimpanzee partner. Also on this episode, we discuss the directors' famous feature follow-ups, little-known earlier short films, other movies set in just one location, and the discreet charm of Dominique Pinon.  DELICATESSEN links  IMDb ◇ Wikipedia ◇ AV Club ◇ 366 Weird Movies ◇ "The Bunker of the Last Gunshots" ◇ "Foutaises" ◇ "Charcuterie Fine" Enter The Void links  iTunes ◇ Tumblr ◇ Facebook ◇ Spotify ◇ @enterthepod We did good? Rate us on iTunes! Got a movie for us? Email us at void@enterthevoid.fm!

With influences ranging from Chaplin and Fellini to Rube Goldberg and Terry Gilliam, DELICATESSEN by Jean-Pierre Jeunet and occasional co-director Marc Caro defies easy summary. Maybe you'd better just give it a try? Set in a single apartment building in a dystopic future France, Jeunet et Caro imagine a world of hidden connections, quiet desperations, quirky comedy, light-hearted cannibalism, and a roster of peculiar residents whose dependence on their barbarous landlord-butcher is challenged by an erstwhile clown still mourning the tragic death of his chimpanzee partner. Also on this episode, we discuss the directors' famous feature follow-ups, little-known earlier short films, other movies set in just one location, and the discreet charm of Dominique Pinon.  DELICATESSEN links  IMDb ◇ Wikipedia ◇ AV Club ◇ 366 Weird Movies ◇ "The Bunker of the Last Gunshots" ◇ "Foutaises" ◇ "Charcuterie Fine" Enter The Void links  iTunes ◇ Tumblr ◇ Facebook ◇ Spotify ◇ @enterthepod We did good? Rate us on iTunes! Got a movie for us? Email us at void@enterthevoid.fm!

¿Existe un fandom femenino? ¿Por qué triunfan ciertas franquicias entre las chicas? ¿Mercadeo de género? Nos adentramos en un animado debate en el que caben desde superheroínas como Viuda Negra o Batgirl, iconos como Leia o Ripley, lecturas de verano como 30 Sombras de Grey, directores como Whedon o Jeunet, fenómenos como Moderna de Pueblo, proyectos como las nuevas Cazafantasmas y series como Sexo en Nueva York. Girl Power!

¿Existe un fandom femenino? ¿Por qué triunfan ciertas franquicias entre las chicas? ¿Mercadeo de género? Nos adentramos en un animado debate en el que caben desde superheroínas como Viuda Negra o Batgirl, iconos como Leia o Ripley, lecturas de verano como 30 Sombras de Grey, directores como Whedon o Jeunet, fenómenos como Moderna de Pueblo, proyectos como las nuevas Cazafantasmas y series como Sexo en Nueva York. Girl Power!

Interview: Helena Bonham Carter and Jean Pierre Jeunet (TS Spivet) - In English and in French by Maïa Morgensztern

Porn star Jenna Ivory sits in this week with tales from the set, Geoff sucks some wieners and we find the prep you have to do for an ayahuasca trip.

We love doing our Listener’s Choice episodes — it’s a great way for our listeners to get us to finally talk about movies about which conversations are long overdue. Cameron Ryan, our 2014 Pony Prize winner, got to pick the movie this time, and ended up picking the fantastic black comedy “Delicatessen,” a movie that we both love but for whatever reason just hadn’t gotten around to discussing yet. So now finally, join us — Pete Wright and Andy Nelson — as we enjoy another Listener’s Choice episode with one of our faves, the Jean-Pierre Jeunet & Marc Caro 1991 film “Delicatessen.” We talk with Cameron about why she chose this film and what it means to her, as well as the joy of winning the Pony Prize. We discuss the look of the movie — Jeunet and Caro each come from graphical backgrounds and, when paired with Darius Khondji’s beautiful cinematography, as well as the amazing production and costume design, created an unforgettable post-apocalyptic world. We chat about the indelible performances, starting with Dominique Pinon, a perfect choice for someone who was a former circus performer. And we talk about the nature of the story, a very upside down world with hell on earth and underground saviors. It’s a marvelous film that deserves to be talked about, so tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

We love doing our Listener's Choice episodes — it's a great way for our listeners to get us to finally talk about movies about which conversations are long overdue. Cameron Ryan, our 2014 Pony Prize winner, got to pick the movie this time, and ended up picking the fantastic black comedy “Delicatessen,” a movie that we both love but for whatever reason just hadn't gotten around to discussing yet. So now finally, join us — Pete Wright and Andy Nelson — as we enjoy another Listener's Choice episode with one of our faves, the Jean-Pierre Jeunet & Marc Caro 1991 film “Delicatessen.” We talk with Cameron about why she chose this film and what it means to her, as well as the joy of winning the Pony Prize. We discuss the look of the movie — Jeunet and Caro each come from graphical backgrounds and, when paired with Darius Khondji's beautiful cinematography, as well as the amazing production and costume design, created an unforgettable post-apocalyptic world. We chat about the indelible performances, starting with Dominique Pinon, a perfect choice for someone who was a former circus performer. And we talk about the nature of the story, a very upside down world with hell on earth and underground saviors. It's a marvelous film that deserves to be talked about, so tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

We love doing our Listener's Choice episodes — it's a great way for our listeners to get us to finally talk about movies about which conversations are long overdue. Cameron Ryan, our 2014 Pony Prize winner, got to pick the movie this time, and ended up picking the fantastic black comedy “Delicatessen,” a movie that we both love but for whatever reason just hadn't gotten around to discussing yet. So now finally, join us — Pete Wright and Andy Nelson — as we enjoy another Listener's Choice episode with one of our faves, the Jean-Pierre Jeunet & Marc Caro 1991 film “Delicatessen.” We talk with Cameron about why she chose this film and what it means to her, as well as the joy of winning the Pony Prize. We discuss the look of the movie — Jeunet and Caro each come from graphical backgrounds and, when paired with Darius Khondji's beautiful cinematography, as well as the amazing production and costume design, created an unforgettable post-apocalyptic world. We chat about the indelible performances, starting with Dominique Pinon, a perfect choice for someone who was a former circus performer. And we talk about the nature of the story, a very upside down world with hell on earth and underground saviors. It's a marvelous film that deserves to be talked about, so tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

We love doing our Listener's Choice episodes — it's a great way for our listeners to get us to finally talk about movies about which conversations are long overdue. Cameron Ryan, our 2014 Pony Prize winner, got to pick the movie this time, and ended up picking the fantastic black comedy “Delicatessen,” a movie that we both love but for whatever reason just hadn't gotten around to discussing yet. So now finally, join us — Pete Wright and Andy Nelson — as we enjoy another Listener's Choice episode with one of our faves, the Jean-Pierre Jeunet & Marc Caro 1991 film “Delicatessen.” We talk with Cameron about why she chose this film and what it means to her, as well as the joy of winning the Pony Prize. We discuss the look of the movie — Jeunet and Caro each come from graphical backgrounds and, when paired with Darius Khondji's beautiful cinematography, as well as the amazing production and costume design, created an unforgettable post-apocalyptic world. We chat about the indelible performances, starting with Dominique Pinon, a perfect choice for someone who was a former circus performer. And we talk about the nature of the story, a very upside down world with hell on earth and underground saviors. It's a marvelous film that deserves to be talked about, so tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

This week we welcome Josh Cain (Motion City Soundtrack) to the show to talk about his favorite movies and his experiences being in a band and making videos alongside longtime friend and collaborator, Justin Pierre. Jean-Pierre Jeaunet (Director) / Terry Gilliam (Director) / Motion City Soundtrack "Hold Me Down" (Music Video) / David Lynch (Director) / Weezer Bus Crash / Twin Peaks (2016) / Indiana Jones and the Crystal Skull (Review by Red Letter Media) 

Paul and Josh finish up the third installment of Old, New, Boring and Blue by talking about Night of the Hunter, Delicatessen and The Diving Bell and the Butterfly, along with a couple of other movies that they watched this week.  Subscribe on iTunes:  https://itun.es/i6gB67Y  Check out our Facebook page:  www.facebook.com/actorandengineer and follow us on twitter @actorengineer.

El pasado sábado llegó a su fin la 61 edición del Festival de San Sebastián, un imprescindible evento cultural y cinematográfico que en Premios Oscar hemos seguido muy de cerca durante toda su celebración. Para culminar la cobertura al certamen cinematográfico más importante de nuestro país, hemos hecho un especial de La Sexta Nominada haciendo un conciso repaso a los títulos que vimos en el Zinemaldia. Ya que mis compañeros Javier Escartín y Juan Sanguino no estaban presentes en el festival, en esta ocasión he contado con la colaboración especial de la periodista y guionista Elena González de Sande. Guía del capítulo 00'00" Introducción + Strawberry Fields Forever (Los Beatles) 04'10" Sección Oficial: Futbolin, Caníbal, Club Sandwich, Devil's Knot, Enemy, For those who can tell no lies, La Herida, Mon Ame par toi guerie , Oktober November, Pelo Malo, Quai D'Orsay, The Railway Man, Le Week-End, Las Brujas de Zugarramurdi, El extraordinario viaje de TS Spivet + Gloria (Umberto Tozzi) 44'30" Perlas de Otros Festivales: Gloria, The Face of Love, 9 mois ferme, About Time , L'Amour Est a Perfect Crime, Dallas Buyers Club, Fruitvale Station, Gravity, Jeunet et Jolie, Narco Cultura , Child's Pose, The Wind Rises, Like father, like son y A touch of sin + Midnight City (M83) 01h25'15" Otras Secciones: La vie d'Adele, Prisoners, La jaula de oro, Heli, Wakolda (El médico alemán), Wolf, Luton, Paraíso y Vals con Bashir 01h42'30": Despedida del programa y avance del próximo capítulo + Il Mondo (Jimmy Fontana)

Salve galera! Bem-vindos a mais um Cinecast Cult. No programa de hoje Bruno Gunter, Bruno Costa, Luciano Vieira (RádiOutrora), Erika Pessanha (Sexo e Tintas), Camila Carrossine (Buba Filmes) e Jeff Navarim (Edenpop) se reúnem para falar sobre O Fabuloso Destino de Amélie Poulain, filme de 2001 dirigido por Jean-Pierre Jeunet. Por que Amélie é um filme relevante? Jeunet quebra paradigmas? Seria Amélie o trabalho de sua vida?

Et voilà le 42ème numéro de Ça va trancher. Oui. 42. Le chiffre ultime. Les vannes fusent, une par news, minimum, et du niveau Carambar, maximum, le tout sous l'oeil déprimé de Ismael, notre invité de www.noqulture.be. On y parle de musique avec Renaud, de jeu vidéo avec Metal Gear Solid, et de cinéma avec Mozart. Mais tout le reste est meilleur ! Et voici les liens des conneries du web : http://awkwardfamilyphotos.com http://youtu.be/P5GNhn3LY7I http://9gag.com/gag/682273 http://youtu.be/3G1PFLuTrgM

This episode is best served cold. Isaac's pick: Micmacs (Jean-Pierre Jeunet, 2009); Clayton's pick: Revanche (Götz Spielmann, 2008); Ryan's pick: Once Upon A Time In The West (Sergio Leone, 1968). To get involved in the discussion, like us on facebook.com/threefilmegos. Follow us on twitter @threefilmegos. Email us at threefilmegos@gmail.com. Go to threefilmegos.podomatic.com to subscribe and donate to the show.