Podcasts about Billy Paul

Send us Fan MailOn this Episode Tom and Bert continue "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover The Music Wave that Dominated the 1970's!We introduce to you "The Philly Sound" Featuring "Philly International Records" Founders, Producers and Writers......Kenneth Gamble, Leon Huff and Thom Bell.Countless Hit Songs and Artists at "Philly" which rivaled Detroit's Motown Records. Here's just a few of the Acts.......The Delfonics, Billy Paul, Jerry "The Iceman" Butler, The Intruders, The O'Jays, The Spinners, The Stylistics and Teddy Pendergrass to name a few.Listen in as we discuss the beginning of their careers and the rise to stardom in the challenging 1960's and 1970's music scene.CHAPTERS:(:30) INTRO- The Philly Sound  impacted the Charts and the Radio airwaves(2:55) The partnership begins in the 1960's-- with the "Soul Survivors", "Intruders" and Jerry Butler(9:40) 1971- "Philly International" records is founded and dominates the 1970's--The O'Jays, Billy Paul and MFSB(25:06) How Involved were Gamble and Huff? And the hits keep rolling along!(28:27) The Philly Songs list, WOW! What an amazing list of Solid Gold Hits(38:52) "Ain't Nothing Like a House Party" and Songwriter Linda Creed's Impactful career then It's a Wrap!!****Also check out our Podcast from July 15th 2025 featuring Harold Melvin and the Bluenotes and The Stylistics to get more detail on those 2 great acts.Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Hey Beautiful People I'm back once again like a Renegade master this Wednesday for another journey into Musical Paradise so try and control your excitement!! So in Wednesdays's show We celebrate 700 show of the Disco's revenge series going back 14 years so in this show I'll be spinning tracks from the 70's 80's 90's and of course 00's in celebration of my journey through the musical timeline. !! Plus we have a fantastic Awesome 4Some tracks from the blender DJ Allan Singleton . So be prepared for another high energy uplifting radio show that brings sunshine and smiles on a a Humpday. It's a Specially Prepped for your aural pleasure. Much Love Marky MMP Cruise FM, and hope you can join me on this special weekly journey delivered with love.. I love you all Title Artist Star Earth, Wind & Fire Going Back to My Roots Odyssey Once I've Been There (Remastered) Norman Connors I Don't Know If It's Right Evelyn Champagne" King" Breaking Down Sugar Samba Julia & Company You're The One For Me D" Train" I Want Your Lovin' Curtis Hairston Criticize Alexander O'neal Body Work Hot Streak Dub Be Good to Me Beats International Push the Feeling On Nightcrawlers Saturday Night Party Alex Party Sweet Harmony Liquid I Wanted Your Love (Original Mix) GooDisco Can't Get Next To You (Antonello Ferrari Club Mix) Antonello Ferrari, Billy Paul, Jeff Taylor Dance Together (Sean McCabe Remix) Last Nubian, Goldbar, Josh Leon Wray, Sean McCabe All You Got (Jordi Cabrera 90's Flavour Mix) Luis Radio, Earl W. Green, Jordi Cabrera Break My Heart (John Morales M+M Groove Mix) Blonde Boys Orphanage, John Morales Believe In Me (Extended Vocal Remix) Groove Disciple, Phebe Edwards Mood (Dr Packer Extended Mix) Sweet Georgie, Tosha Marie, Dr Packer It's Up To You (Extended Mix) Mark Funk, Danny Cruz, Anna Ingram It's Alright (Extended Mix) Bender, Kathy Brown Who Keep Changing - The Whistle Song Remix (Roland Clark Remix) [Delete Records] - 2026 South Street Player & Frankie Knuckles

Tracklist D.O.N.S. In The Mix #905 01.04.2026 01. SUBNR, Chèrie - Satisfaction (Dirty Retro Mix) | Dirty Retro 02. Antonello Ferrari, Billy Paul, Jeff Taylor - Can't Get Next To You       (Antonello Ferrari Club Mix) | Sunflowermusic Records 03. Sweet Georgie, Tosha Marie, Dr Packer - Mood (Dr Packer Extd.) | Category 1 Music 04. The Weather Girls, DJ Spen, Thommy Davis - Earth Can Be Like Heaven (Spen &       Thommy's Vocal Mix) | Quantize Recordings 05. Mirko Donnini - I Can Feel It (Vocal Mix) | MONOSIDE 06. GENNARO - So High (Original Mix) | Cecille 07. Chris Wood, Christian Burkhardt - Unbreakmyheart (Original Mix) | CB Sessions 08. Montz (BR) - Right By Your Side (Turntables Night Fever Remix) | Safe Music 09. Denats - Something About Music (Original Mix) | promo 10. Bad Boy Bill, Mikey V, Gettoblaster - Bring The Beat Back (Original Mix) | Brobot Rec. 11. Demarkus Lewis - Better Not Sleep | Grin Music 12. Adrian Mart - Ramon Wigs (Original Mix) | Moxy Muzik 13. Babert, KPD - Play Hard (Extended Mix) | House Heads Playtime: 60:10min.

**The Groove Doctors Friday Drive Time Show Replay On traxfm.org. This Week The Groove Doctor Featured 80's Grooves/Rare Groove/Contemporary Soul From Rick James. Sonya Spence. Walter Jackson. Billy Paul. Keni Burke. Change. Grey & Hanks. Mystic Merlin. Al Johnson. Captain Sky & More #originalpirates #soulmusic #boogie #80ssoul #RareGrooves Catch The Groove Doctors Friday Drive Time Show Every Friday From 5PM UK Time On traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**Malcolm Martin's Velvet Soul Replay on traxfm.org. This Week Malcolm Featured Boogie/Soul/R&B/70's Soul/80's Soul From Bunny Sigler, Billy Paul, MFSB, Darrell Johnson, LA Boppers, Chromeo, Jeffrey Osbourne, The Blackbyrds, Gwen McRae, Oliver Cheatham, Walter Jackson, Leon Haywood, Kloud 9, Leroy Hutson & More #originalpirates #soul #boogie #ballads #70ssoul #80ssoul Catch Malcolm Every Sunday On traxfm.org From 9PM UK Time. Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

Jean-Baptiste Tuzet vous présente le nouvel album de Bruno Mars, intitulé The Romantic, publié à la fin du mois de février 2026.Dans cet opus, l'artiste s'immerge dans les codes du boléro latino et du cha-cha-cha, adoptant un style vocal et une esthétique qui rappellent le chanteur Luis Miguel. La chronique détaille les nombreuses références musicales qui parcourent le disque, citant notamment les résonances avec les sonorités de Santana et George Benson.L'album est également marqué par l'influence de grandes figures de la soul telles que Billy Paul et Bill Withers. Ce projet s'inscrit dans une tendance actuelle où des artistes contemporains puisent dans le répertoire classique pour réinterpréter l'élégance musicale.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

**Jim Hughes & The Disco Direction Show Replay On traxfm.org. This Month Jim Featured a random Disco/Boogie Chart Year/era. Featuring First Choice, Robin S, Donna Summer, Melba Moore, Michael Wycoff, Glenn Jones, RJ's Latest Arrival, Too Shy, Gayle Adams, Louis La Roche, Billy Paul, Barry White, The Temptations, Natalie Cole & More. #originalpirates #danceclassics #70smusic #80smusic #disco #RetroCharts #boogie Catch Jim Hughes The First Tuesday Of Every Month From 9PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul From George Duke, Ray Goodman & Brown, LTD, Billy Paul, Lindsey Webster, Barbara Tucker & DJ Spen, The Gap Band, Commodores, Anita Baker, Chic, The Ritchie Family & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

Send us a text | I'm your host, Neo Griot, and welcome back to Rational Black Thought.  This week's title is a lyric from a Song by Billy Paul, “Am I Black Enough for You” and it's not for nostalgia. It's a political forecast we need to take to heart. It's the sound of a people deciding that survival is not enough, and that we are done negotiating for dignity one exception at a time.  When Billy Paul sings “Move on up” is not a personal affirmation. It's collective motion. It's disciplined, coordinated progress. Two by two means we do this together, not as lone heroes, not as isolated geniuses, not as individuals begging to be let into a burning house. It means we build capacity, we build systems, we build protection, and we build power that lasts.  And when he says “brand-new,” He doesn't mean a rebranding of the same old plantation with better lighting. He means structural change. New rules. New guardrails. New institutions. New expectations. A world where Black life is not an asterisk in somebody else's democracy.  So when the question gets asked, “Am I Black enough for you?” I'm not asking for approval. I'm asking if you're ready for the responsibility. Because Blackness is not a costume, and it's not content. It's an inheritance of resistance, creation, memory, and obligation.  In this episode, we're going to talk about what it means to move with intention. We're going to talk about fatigue and strategy. We're going to talk about democracy under threat. And we're going to talk about Black Power as a serious project, not a slogan. Let's get into it. Intro: Quote of the Week: Kofi Addae (aka Erriel D. Roberson) Unmasking the News: Democracy Watch: Trump is Telling you who he is Believe Him the First TimeFlooding the Zone with Bullshit “Prophet” as cover for predation Good News:  Black “Inspiration” and Black Infrastructure Strategies for Black Power: Racism: If You're Debating Intent, You're Already Losing Reflections and Call to Action: Closing/Outro:Sources:https://www.theguardian.com/us-news/2026/feb/03/trump-republicans-nationalize-elections-midterms?https://www.newsweek.com/steve-bannon-flood-zone-strategy-explained-trump-policy-blitz-2027482?https://www.vvdailypress.com/story/news/crime/2026/02/04/l-a-pastor-from-pion-hills-accused-of-child-sexual-abuse/88515694007/https://www.blackbusiness.com/2025/09/dee-daniels-entrepreneur-launches-50-ai-powered-tools-for-black-creators-journalists.html Power Concedes Nothing without a Demand...

Lundi soir dans RTL2 Pop-Rock Station, nouvelle semaine et nouveau mois. La soirée démarre sous le soleil avec "Here Comes The Sun" des Beatles, puis une nouveauté signée Geese avant un retour en 1973 avec "Top Of The World" des Carpenters. La première heure enchaîne ensuite The Black Keys, New Order, Kavinsky et l'univers folk rock délicat de Midlake auteurs de l'album de la semaine "A Bridge To Far" avec "Eyes Full Of Animals". La seconde partie de l'émission fait résonner Aldous Harding, les Kinks et Florence + The Machine avant la reprise du soir : "Your Song" dans l'interprétation soul de Billy Paul. La suite s'annonce dense avec Placebo, Deftones, The White Stripes et The Strokes, avant une recommandation doom signée Francis Zégut avec Frayle, suivie de Supertramp et Deftones. La fin de soirée met à l'honneur Morrissey, actuellement en tournée, puis la nouveauté « Fresh Fresh Fresh » : "Left For Good" de Bad Omens, en concert au Zénith de Paris. Place ensuite à Placebo, puis un clin d'œil indie rock avec The Yummy Fur avant de conclure en direction de l'Irlande avec Thin Lizzy. The Beatles - Here Comes The Sun Geese - Cobra Carpenters - Top Of The World Eels - Souljacker, Pt 1 The Black Keys - Lonely Boy New Order - Blue Monday Kavinsky - Testarossa Autodrive Midlake - Eyes Full Of Animal Pink Floyd - The Great Gig In The Sky (Remaster) Aldous Harding - The Barrel The Kinks - Sunny Afternoon Florence + The Machine - Sympathy Magic Billy Paul - Your Song The Strokes - Reptilia Frayle - Boo Supertramp - Don't Leave Me Now The White Stripes - I Just Don't Know What To Do With Myself Deftones - Infinite Source The Who - Magic Bus Morrissey - First Of The Gang To Die Bad Omens - Left For Good Placebo - Johnny And Mary The Yummy Fur - The Canadian Flag Thin Lizzy - The Boys Are Back In Town Courtney Barnett - Stay In Your Lane The Chemical Brothers - BelieveHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

National eat a red apple day. Entertainment from 1997. Rosa Parks refused to give up her seat, 1st issue of Playboy magazine published, 1st US Navy officer executed for mutiny. Todays birthdays - Madame Tussaud, David Doyle, Lou Rawls, Billy Paul, Richard Pryor, Charlene Tilton, Bette Midler, Tyler Joseph. Nellie Fox died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Aplle round Apple red - Sing along for childrenCandle in the wind 1997 version - Elton JohnLove gets me everytime - Shania TwainBirthdays - In da club - 50 Cent      https://www.50cent.com/ You'll nver find another love like mine - Lou RawlsMe & Mrs. Jones - Billy PaulWind beneath my wings - Bette MidlerStessed out - Twenty one pilotsExit - Dip me in beer and throw me to the drunk chicks - Jeff Griffith     https://www.jeffgriffith.net/countryundergroundradio.comHistory & Factoids about today website

Fabrice Lafitte nous plonge dans les coulisses du célèbre titre 'Me and Mrs. Jones' de Billy Paul. Sorti en 1972, ce slow langoureux a marqué des générations de mélomanes. Fabrice nous révèle les origines de cette chanson, de la rencontre fortuite des auteurs dans un bar à l'inspiration derrière les paroles évoquant une liaison extraconjugale. Nous découvrons également les détails de l'enregistrement en studio et les influences musicales qui ont façonné ce succès. Que vous soyez un fan de Billy Paul ou simplement curieux d'en apprendre davantage sur les secrets de fabrication des tubes, cet épisode vous offrira un regard passionnant sur l'histoire de cette mélodie inoubliable.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

**Kev White & The #White #House #Show Replay On www.traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years) From Duran Duran, DJ Crzy Rodriguez, Pepsi & Shirley, Ultravox, Elkie Brooks, Kool & The Gang, Soul Love, George Benson, Gladys Knight & The Pips, Earth Wind & Fire, Billy Paul, Mungo Jerry, Tom Robinson Band, Thin Lizzy, Sweet & More #originalpirates #danceclassics #70smusic #glamrock #80smusic #party #boogie #disco Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

 | People Power (Paul Simpson Re-edit)  | Billy Paul  | 2025 (1975) | Get On Down  | The Dells  | 1977 | You Groove Me (Original Mix)  | Jon Cutler feat. Kemdi  | 2001 | Girl You're Too Cool  | Magnum Force  | 1982 | Pay Up (Remixed Rhythm Track)  | Proton Plus  | 1981 | Say It (Vocal)  | Purple Gang  | 1987 | Nine Times  | Moments  | 1976 | Not Over You Yet (Dronez Mix)  | Diana Ross  | 1999 | Perfect Lover (Vocal/Club Mix)  | Company B  | 1987 | Right On Target  | Paul Parker  | 1982 | Coconut Groove  | Rice & Beans Orchestra  | 1977 | Party  | Van McCoy  | 1976 | Walk In The Night  | Shakatak  | 1998 | Must Be Love  | Maurette Brown Clark  | 1998 | I Look To Jesus  | Maurette Brown Clark  | 1998 | So Good To Know  | Virtue  | 1997 | Don't You Worry 'Bout A Thing  | Stevie Wonder  | 1973 | To Each His Own  | Faith, Hope & Charity  | 1975 | Betcha  | Sandra Feva  | 1981 | Rag Bag  | Dave Grusin  | 1980 | Maputo  | Bob James/David Sanborn  | 1986 | Whenever, Wherever (Tracy Young's Spin Cycle Mix)  | Shakira  | 2002

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Episode 139 explores a working theory headed up by DJ JAG comparing Billy Paul's 1972 classic "Me and Mrs. Jones" to Whitney Houston's 1987 hit "Saving All My Love".  We dissect the background story of each and determine if there's more here than meets the eye... or ears.Who was Mrs Jones? Who was Whitney saving all her love for? And was there ever anybody who did it better than '87 Whitney? It's time dissect NEXT!

The B SidesCan you go back to a time when you bought your favorite 45 of the week and as you sank yourself into the grooves something happened.That something was the flip side, the 'B' side. Suddenly you realized you got 2 for the price of one.This episode uncovers some of my favorite B sides over the years and I hope you enjoy.Featuring Deniece Williams, The Emotions, Billy Paul, Mass Production, Delegation, and many more.Let's take this trip together and remember when music was Music!DJ Rhythm DeePLAYLIST1. CAUSE YOU LOVE ME BABY/DENIECE WILLIAMS2. A FEELING IS/EMOTIONS3. ANGEL/MASS PRODUCTION4. BLUE GIRL/DELEGATION5. I WANT CHA' BABY/BILLY PAUL6. PICTURE SHOW/CROWN HEIGHTS AFFAIR 7. LET'S SPEND SOME TIME TOGETHER/THE O'JAYS8. ROCKET LOVE/STEVIE WONDER9. FOR YOUR LOVE/PETER BROWN10. COME ON GET THE LOVE/FATBACK BAND11. DREAM SERENADE/RJ'S LATEST ARRIVAL12. WHO'S LOVING YOU/JACKSON 513. THAT'S WHAT YOU GET FOR BEING POLITE/JACKSONS14. MYSTERY GIRL/ATLANTIC STARR15. I NEVER THOUGHT (I'D FALL IN LOVE WITH YOU)/BARRY WHITE16. HAPPY/BRICK17. 17 DAYS/PRINCE

BMS Slow Jams/Secret Garden Volume 2  (Didn't I Blow Your Mind)Slow Jams from The Delfonics, Billy Paul, The Manhattans, The Stylistics, Rose Royce, Cameo Force MD's and many more of my favourites.Do you remember that school dance, house party, or night at the club when you waited for the DJ to rock the slow jams because you just had to get close to that special someone before anyone else?This episode is for the lovers, so make sure you download this one and get closer.Didn't I Blow Your Mind?Remember when music was Music!Happy ValentinesPLAYLIST1 Didn't I (blow your mind) by The Delfonics2 You are Everything by The Stylistics3 Neither One of Us by Gladys Knight & The Pips4 Let's Make A Baby by Billy Paul5 I Wanna Get Next To You by Rose Royce6 Walking The Line by The Emotions7 Voyage To Atlantis by The Isley Brothers8 Special Lady by Ray, Goodman & Brown9 Shining Star by The Manhattans10 Feel Me by Cameo11 Sukiyaki by Taste Of Honey12 Dear Lover by Teena Marie13 Tender Love Force MD's14 Any Love by Luther Vandross15 I Like by Kut Klose16 Unbreakable (I'm Ready) by Alicia Keys

Tracklist: 01. Billy Paul, Dennis Cartier - Only The Strong Survive (Dennis Cartier Remix)02. HUGEL, Vidojean X Oliver Loenn, Mr Alame - SXY 03. HUGEL & Diplo - Forever ft. Malou & Yuna (Meduza Remix)04. Markem, Manybeat - WRDNG 05. AVAION x Sofiya Nzau - Wacuka 06. Sentin, Skiavo & Vindes, Dennis Cartier - Cumbiamba 07. MLVR - Viento 08. Markem, Patrick M - Natale 09. Tom Enzy, Lucas Estrada & Tanaka - Baddie *TRACK OF THE WEEK*10. SOMETHING ELSE, Stephan Jolk - Miçanga (feat. BaianaSystem) 11. Cassius - Sound Of Violence (Lexx London Edit) 12. Dennis Cartier, Avensis - Because The Night (feat. ILSE) 13. Zerb, Ty Dolla $ign, Wiz Khalifa - Location (ft. Wiz Khalifa) 14. Helvig - Show Me The Way 15. Justin Timberlake - Sexyback (Markus Martinez Remix) 16. Azari & III - Hungry For The Power (KOCHAM Remix) 17. Robin Schulz & CYRIL - World Gone Wild (Matt Sassari Remix) 18. Arthur Divoy - Back To Me

Tracklist: 01. ID - ID 02. Belle, Crazibiza, Cheesecake Boys - Good Life 03. Lavern - Into The Lights 04. Andruss, Juos - Dame Más (Gasolina) 05. MLVR - Viento 06. Sentin, Skiavo & Vindes, Dennis Cartier - Cumbiamba 07. AMÉMÉ x Franc Fala - Wait For You 08. Burak Yeter & Vessbroz & Aurelios - Love Is Everywhere *TRACK OF THE WEEK* 09. SOMETHING ELSE, Stephan Jolk - Miçanga (feat. BaianaSystem) 10. Don Diablo & MK ft. Gaby Gerlis - Next To Me 11. Owson - Hear My Call (Feat. Bianca) 12. Billy Paul, Dennis Cartier - Only The Strong Survive (Dennis Cartier Remix) 13. HUGEL & Diplo - Forever ft. Malou & Yuna (MEDUZA Remix) 14. Razor - Horizon 15. GAMEBOYS - In The Music 16. HÄWK, LEVEL UP (IT) - My Friend 17. Azari & III - Hungry For The Power (KOCHAM Remix)

The next episode in our occasional new series called Sooz Kempner's One Hit Wonders where Sooz takes us through the story of some of the very best (and worst) one hit wonders. Where are they now? Why did their one hit hit so hard and then other songs fail to replicate the success?For this second episode, Sooz tells us the brilliant story of Billy Paul and his soul hit 'Me & Mrs Jones', as well as educating us on his follow-up single which failed to replicate its predecessor's success despite being our collective new favourite song...Hosted by Masud Milas, Chris Stokes, and Sooz Kempner Mystery on the Rocks is a high concept comedy and true crime/unexplained phenomena podcast set in a fictional mystery-solving bar with real cocktails!. The focus of the show is to attempt to crack a real, unsolved mystery from history – true crime and bizarre occurrences, all with a whodunnit or WTF happened question hanging over them.You can follow us on Bluesky, X and Instagram too! Hosted on Acast. See acast.com/privacy for more information.

Tracklist: 01. Snoop Dogg & Pharrell - Let's Get Blown (Sam Soulero Edition) 02. AfroSalto, Mednas - All Good Things (Come To An End) 03. ID - ID 04. AVAION x Sofiya Nzau - Wacuka 05. MLVR - Viento 06. SOMETHING ELSE, Stephan Jolk - Miçanga (feat. BaianaSystem) *TRACK OF THE WEEK* 07. Kid Massive - House Arrest (Avensis Remix) 08. Burak Yeter & Vessbroz & Aurelios - Love Is Everywhere 09. ID - ID 10. Lost Frequencies - Love Is The Only Thing 11. Billy Paul, Dennis Cartier - Only The Strong Survive (Dennis Cartier Remix) 12. HÄWK, LEVEL UP (IT) - My Friend 13. Jesús Fernández - Guayabú 14. HERMANN - Bueno 15. Shaggy Vs Constantin - Sexy Lady Ndiani (Dj Lucian & Geo Afro Remix) 16. MAHANDANA - Sugar & Spice 17. Goose - Synrise (Sentin & Razor Remix)

Tracklist: 01. AfroSalto, Mednas - All Good Things (Come To An End) 02. Topic x A7S - Breaking Me (VIP Mix) 03. Razor - Horizon 04. Goose - Synrise (Sentin & Razor Remix) 05. Boston Bun - This City's Burning 06. La Fuente - Born To Make It 07. AVAION x Sofiya Nzau - Wacuka *TRACK OF THE WEEK* 08. Raffa FL, MichaelBM, Jayie feat. Vika - Latinamerica 09. Jesús Fernández - Guayabú 10. Jamie Jones & Miluhska - La Musa (Andruss Remix) 11. Robin Schulz & CYRIL - World Gone Wild (Matt Sassari Remix) 12. ID - ID 13. Billy Paul, Dennis Cartier - Only The Strong Survive (Dennis Cartier Remix) 14. Belle, Crazibiza, Cheesecake Boys - Good Life 15. Gian Varela feat. Vikina - No Other 16. Alé Kumá x Cumbiafrica x MORENITA - La Noche

Quand Julien Courbet mentionne le chanteur Billy Paul, une auditrice réagit avec une passion débordante... Tous les jours, retrouvez en podcast les meilleurs moments de l'émission "Ça peut vous arriver", sur RTL.fr et sur toutes vos plateformes préférées.

Dennis Bullock known as Saxybullock on Stage studied in Music School in New York, International Soul Singer and Saxophonist, Born in Philadelphia in America An RnB Soul Singer, a great Jazz Funk Saxophone Player, and Gospel Singer.He has done many TV shows around the world and performed in the famous Montreux Jazz Festival in Switzerland for many years. Also he has worked with many Great Stars, like the late Prince, Princes sister Tyka Nelson, with the late James Brown, Maceo Parker, The Stylistics, Billy Paul, Kool & The Gang, David Sandborn, Markus Miller, Connie Harvey, background singer for Teddy Pendergrass, Joe Sample, George Duke and Quincy Jones. He also performed with some of the horn section of Michael Jackson, Alan Prater and Westly Phillips.Please enjoy my conversation with Dennis Bullock.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Pete aims to bring some heat to a winter's afternoon with 2 hours of top choices, covering soulful sounds, funky grooves and jazzy vibes. There are birthday celebrations for Frankie Beverly, Billy Paul and Lou Rawls, with new music coming from Homer Steinweiss, Laura Rain and Emilia Disco. For more info and tracklisting, visit: https://thefaceradio.com/superfly-funk-and-soul-show/Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Fridays from 10 AM - 12 PM EST / 3 - 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

HERE WE GO MY SHOW FOR 28-NOV-2024 WITH A MIXED BAG OF OLD CLASSICS INCLUDING ( GLADYS KNIGHT & THE PIPS, GREG HENDERSON, THE WHISPERS, ONE WAY, BILLY PAUL, TOM BROWNE, DIANE SHAW, SPERANZA  ) AND MANY MORE ALSO SOME TOP NEW TRACKS FROM ( EVERIS, SHAILA PROSPERE, THE STUDIO SINGERS ) WE ALSO HAVE THE CONNOISSEURS CORNER ( THIS WEEK WE HAVE KIRK WHALUM AND DAVID SANBORN ) AND WE HAVE THE BACK TO BACK CLASSICS BY A CLASSIC ARTIST (THIS WEEK WE HAVE TWO TRACKS FROM HOWARD JOHNSON ) THEN WE HAVE THREE TRACKS DUG OUT FROM THE GARAGE FROM ( THE FOUR TOPS, STEVIE WONDER, DIANA ROSS & THE SUPREMES) FINNISHING OF WITH A COUPLE OF SLOW TRACKS AND MUCH MUCH MORE SIT BACK WITH A GLASS OF SOMETHING AND ENJOY OR DOWNLOAD FOR LATER

Este é só um trecho da aula completa da música "Me & Mrs. Jones", com Billy Paul, que você encontra aqui no podcast "Aprenda Inglês com Música". Use a lupa do podcast para encontrar a aula completa para ouvir ;) Quer dar aquele up no seu inglês com a Teacher Milena ?

Este é só um trecho da aula completa da música "Me & Mrs. Jones", com Billy Paul, que você encontra aqui no podcast "Aprenda Inglês com Música". Use a lupa do podcast para encontrar a aula completa para ouvir ;) Quer dar aquele up no seu inglês com a Teacher Milena ?

Este é só um trecho da aula completa da música "Me & Mrs. Jones", com Billy Paul, que você encontra aqui no podcast "Aprenda Inglês com Música". Use a lupa do podcast para encontrar a aula completa para ouvir ;) Quer dar aquele up no seu inglês com a Teacher Milena ?

Este é só um trecho da aula completa da música "Me & Mrs. Jones", com Billy Paul, que você encontra aqui no podcast "Aprenda Inglês com Música". Use a lupa do podcast para encontrar a aula completa para ouvir ;) Quer dar aquele up no seu inglês com a Teacher Milena ?

HERE WE GO MY SHOW FOR 04-JULY-2024 WITH A MIXED BAG OF OLD CLASSICS INCLUDING ( CHANGE, BILLY PAUL, SURFACE, DAVID BENDETH, SUN, ASHFORD & SIMPSON, NED DOHENY,  ) AND MANY MORE ALSO SOME TOP NEW TRACKS FROM ( CHRIS KINGDON AND SHAUN ESCOFFERY  ) WE ALSO HAVE THE CONNOISSEURS CORNER ( THIS WEEK WE HAVE AZYMUTH AND ONE WAY ) AND WE HAVE THE BACK TO BACK CLASSICS BY A CLASSIC ARTIST (THIS WEEK WE HAVE TWO TRACKS FROM G Q ) THEN WE HAVE THREE TRACKS DUG OUT FROM THE GARAGE FROM (JACKIE WILSON, OTIS READING/CARLA THOMAS AND THE FOUR TOPS ) FINNISHING OF WITH A COUPLE OF SLOW TRACKS AND MUCH MUCH MORE SIT BACK WITH A GLASS OF SOMETHING AND ENJOY OR DOWNLOAD FOR LATER

Recognizing Your Day and Serpent Seed Sermon:https://www.youtube.com/live/HvjbFNMeucE?si=paI07TAUff328TrA2024, Q: Is Joseph Branham a Prophet? + 3 Times Bro. Branham Said “MAYBE” Rebekah, Billy Paul, and Joseph Had Prophetic Ministries https://youtu.be/JV4kXhg6cas?si=ShklD2BDWazT4wMe2020, Is Joseph Branham a Prophet? No, At Least Not Yet:https://youtu.be/8zz2BwualM0?si=NWM_RPqnIBsqV7om

Recognizing Your Day and Serpent Seed Sermon:https://www.youtube.com/live/HvjbFNMeucE?si=paI07TAUff328TrA2024, Q: Is Joseph Branham a Prophet? + 3 Times Bro. Branham Said “MAYBE” Rebekah, Billy Paul, and Joseph Had Prophetic Ministries https://youtu.be/JV4kXhg6cas?si=ShklD2BDWazT4wMe2020, Is Joseph Branham a Prophet? No, At Least Not Yet:https://youtu.be/8zz2BwualM0?si=NWM_RPqnIBsqV7om

Is Joseph Branham a Prophet? No, At Least Not Yet: https://youtu.be/8zz2BwualM0The 1977 Prediction of Brother Branham:https://youtu.be/Ze8QUw3zoFM24 Lies of Branham Tabernacle Playlist:https://www.youtube.com/playlist?list=PL04VmPBCQbVqHUTU1dhBD9PISNcSs2rtJ

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023)Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Going from Dean Martin to current day, this episode is the debut of a few new records to the podcast. Billy Paul, George Clinton and Players all seeing their first feature this week. That Me and Mrs. Jones as well as Baby Come Back had me all kinds of fired up in here. Hope somebody out there enjoyed the episode, these things are naturally getting to be over an hour now. Not bad, Clark. Not bad. As always, Coffee Stain website is fully operational. Should be bringing some more heat in the coming week. Thank you for being here, deet doot.Your host with the most,Quintin Tarantincheese

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023)Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

 This week, part 2 of our series on R&B, Soul, Disco and Hip-Hop!  As usual, we have a great collection of interview clips with some of the greatest artists of the genre. -        Tina Turner breaks down her performing style (and explains why she didn't like her voice) -        Michael Jackson recalls the earliest days of The Jackson 5 -        The O'Jays explain how they initially rejected one of their biggest hits -        Nona Hendrix talks about the recording and controversy of the classic soul hit, “Lady Marmalade” -        Gloria Gaynor tells the story of having to fight to release “I Will Survive” -        The Commodores talk about learning the tricks of the trade from The Jackson 5 -        Donna Summer reveals the song that inspired “Love To Love You” -        How Arrested Development created hip-hop music to reflect a different side of the African-American experience -        Anita Baker tells Marilyn Denis about her style (or lack of style) -        Diana Ross talks about the early days of The Supremes -        Plus, revealing clips from Barry White, James Brown, Stevie Wonder, Jully Black, The Chi-Lites, Deborah Cox, Lenny Kravitz, Billy Paul, Marilyn McCoo & Billy Davis Jr and Lou Rawls.   And we'll tell the amazing story about the birth of hip-hop in an NYC house party on August 11, 1973.   Plus, Tom tells us about a whole bunch of Cool Soul Facts!   Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville.  It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

After a week long absence, Pete's back to celebrate the 150th show here on The Face Radio. There is of course, the usual mix of classic tracks and new music, with recent releases from The Tibbs, Sofia Rubina, Bella Brown, Orgone and 2 from the new Smoove & Turrell album, Red Ellen. There are also heavenly birthday celebrations for Billy Paul & for Lou Rawls. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Dennis Bullock, known as Saxybullock on stage, shares his incredible NDE that will have you on the edge of your seat. What was he warned to avoid and did it come true?  He'll also share the vast information he was downloaded with during his 2nd NDE, including the contract Earth made billions of years ago that has officially ended. Her 3D game is over… Dennis has done many TV shows around the world and performed in the famous Montreux Jazz Festival in Switzerland for many years.  He has worked with many great stars, like the late Prince, Prince's sister Tyka Nelson, with the late James Brown, Maceo Parker, The Stylistics, Billy Paul, Kool & The Gang, David Sandborn, Markus Miller, Connie Harvey, background singer for Teddy Pendergrass, Joe Sample, George Duke and Quincy Jones. He also performed with some of the horn section of Michael Jackson, Alan Prater and Westly Phillips. To contact Dennis Bullock, click below:

GRAMMY® Award Winning  Multi-Instrumentalist, Producer, Songwriter and Arranger ~Philly Int'l, MFSB,  Gamble & Huff Tribute to the Songwriter, Musician, Bobby Eli (1946-2023) Intro Music ~ TSOP (The Sound of Philadelphia) '73. Composed by Kenneth Gamble and Leon HuffMusic by MFSB , Vocals by The Three Degrees(C) 1973 TSOP/Philadelphia International Records, Inc.My Music Flashback Series continues this week featuring the genre of R& B. Soul & Funk.It can be a great tribute to a music artist when their style can influence current pop culture for century's & decades.The genre of Soul, R & B & Funk is taken for granted today & the influence is heard & seen in grooves, style & fashions most of todays' pop artists. However, the original recording artists truly paid dues to get in the position to not only become recording artists, but to write & produce their work. At that time, some of the artists who created a new innovative style had the challenge of the music executives not understanding the genre, and some even refusing to promote the compositions. Today we call this music - classics & the artists trailblazers. My guest this week in one of them. Bobby Eli is a Grammy Award Winning, internationally acclaimed Grammy Winning Record Producer, Engineer, Songwriter, Arranger and Multi-Instrumentalist. Bobby was a founding member of the famed Philadelphia studio group, MFSB. If the music is Philadelphia International, Gamble & Huff / TSOP. Bobby's music is more than likely on it. His signature guitar licks can be heard on countless gold and platinum hit recordings by artists such as: Chris Brown, Jay Z, George Clinton, Elton John, David Bowie, Hall and Oats, The Jacksons, MFSB, The Ojay's, Teddy Pendergrass, The Stylistics, Lou Rawls,Salsoul Orchestra, Patti Labelle, Phyllis Hyman, B.B. King, Dixie Hummingbirds, Billy Paul, The Spinners, Johnny Mathis, Deniece Williams, Wilson Pickett, Dusty Springfield, Nancy Wilson, and many other wonderful artists too numerous to mention.As a songwriter and producer Eli was responsible for such monster hits as the Grammy winning number one song, “Love Won't Let Me Wait”, as recorded by Luther Vandross, “Sideshow” and “Three Ring Circus” by Blue Magic, “Just Don't Want To Be Lonely” by the Main Ingredient, the first two albums by: “Atlantic Starr”, self titled and “Straight to the Point”, the Grammy nominated album: “Love Niecy Style” by Deniece Williams, Rose Royce's number one U.K. hit single “Magic Touch” and their album” Music Magic”. Bobby was responsible for the Jackie Moore number one dance classic,” This Time Baby”, the number one international hit singles “Zoom” by Fat Larry's Band and “Love Town” by Booker Newberry III.Artists as diverse as Luther Vandross, BeBe & CeCe Winans, Shaggy, Regina Belle, The Whispers, Isaac Hayes, The Dells, Sister Sledge, Englebert Humperdink, Harold Melvin and the Blue Notes and an array ofothers have recorded Bobby's songs.Bobby now owns and operates The Grooveyard @ Studio E, a recording facility in Upper Darby, Pennsylvania. His intimate studio is only minutes from his hometown, The City Of Brotherly Love, Philadelphia. Here Eli is keeping real music alive and continues to be guiding light and inspiration to musicians and artists everywhere© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud