Podcast appearances and mentions of kenny gamble

Play Episode Listen Later Sep 17, 2024 46:16

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud

The Rendezvous - Kurtis Powers // 11-08-24

The Face Radio

Play Episode Listen Later Aug 11, 2024 122:57

This week, we've got some Soul, Balearic, Yacht, Reggae, and Jazzy grooves.We celebrate the 81st birthday of musical icon Kenny Gamble.Plus, a new track from Stone Foundation!For more info and tracklisting, visit: thefaceradio.com/the-rendezvous/.Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio and Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: support.thefaceradio.com.Connect: https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

live soul acast powers reggae rendezvous yacht jazzy kurtis balearic kenny gamble face radio

LeRoy Bell

The B.I.Stander Podcast

Play Episode Listen Later Jun 18, 2024 70:08

www.LeRoyBell.com is an American singer and songwriter. He and friend Casey James formed the duo Bell and James, composing songs that were hits for other artists most notably two charting hit singles for Elton John. Later Bell with bassist Terry Morgan formed the group, LeRoy Bell & his Only Friends. In 2011, Bell auditioned for the American The X Factor and was chosen for the Final 16 and went on to the live shows being mentored by Nicole Scherzinger. He was eliminated after the ﬁfth live show ﬁnishing 8th overall in the inaugural season of the American The X Factor. BELL AND JAMES Bell and James was a duo soul group formed by LeRoy Bell (on drums and guitar) and Casey James (on guitar, bass and keyboards). They both had played in other bands together before they decided to team up as Bell & James. The duo released three albums: Bell & James (1978), Only Make Believe (1979) and In Black and White (1980), and had a number of singles, the most successful and well-known being “Livin' It Up (Friday Night)” released on A&M Records. It reached #15 on the U.S. Hot 100. SONGWRITING LeRoy Bell also co-wrote many songs for others in partnership with Casey James. They were encouraged by LeRoy's uncle Thom Bell who owned Mighty Three Music, a music publishing and production company along with Kenny Gamble and Leon Huff. The latter were a famous composing duo collaboration Gamble and Huff to whom Bell and James provided some of their compositions. Their songs were recorded by a number of groups including: The Spinners The O'Jays (notably in “This Time Baby”) The Temptations Rita Marley Gladys Knight & the Pips Freda Payne The Three Degrees WITH ELTON JOHN Most notably, two of the LeRoy Bell songs were recorded by Elton John. One was “Mama Can't Buy You Love” and the other “Are You Ready for Love”. The songs, a LeRoy Bell-Casey James co-composition appeared in the The Thom Bell Sessions in 1977. Elton John's song version of “Mama Can't Buy You Love” went to the Top 10 in the general charts and #1 the Adult/Contemporary chart and in the fall of 1979, earning Elton a Grammy Nomination for “Best Male R&B Vocal Performance”. His song “Are You Ready for Love” was even a bigger hit. Tracklist of Elton John singles: Side 1: “Are You Ready for Love” (LeRoy Bell, Thom Bell, Casey James) (8:31) Side 2.1: “Three Way Love Affair” (LeRoy Bell, Casey James) (5:31) Side 2.2: “Mama Can't Buy You Love” (LeRoy Bell, Casey James) (4:03) In February 1989, The Complete Thom Bell Sessions was released by MCA Records, although it had been recorded in 1977. In addition to “Mama Can't Buy You Love” and “Are You Ready for Love”, it featured three additional songs, including “Country Love Song” also co-written by LeRoy Bell. 1. “Nice and Slow” (Elton John, Bernie Taupin, Thom Bell) 2. “Country Love Song” (LeRoy Bell, Casey James) 3. “Shine on Through” (Elton John, G. Osborne) 4. “Mama Can't Buy You Love” (LeRoy Bell, Casey James) 5. “Are You Ready for Love” (LeRoy Bell, Casey James) 6. “Three Way Love Affair” (LeRoy Bell, Casey James) In 2003, Fat Boy Slim mixed Elton John's single version making it to the British Singles Chart. The song also charted in many European charts. WITH TEDDY PENDERGRASS LeRoy Bell had a long-running cooperation with Teddy Pendergrass for whom he wrote 5 songs in three different albums: 1979: “I'll Never See Heaven Again” on the album Teddy 1979: “Set Me Free”, also on album Teddy 1982: “Loving You Was Good” on album This One's for You 1983: “Heaven Only Knows” from the album Heaven Only Knows (lead song) Pendergrass album 1990: “Glad to Be Alive” from the album Truly Blessed OTHERS 1979: Lou Rawls: “Bark, Bite (Fight All Night)” on the album Let Me Be Good to You 1980: Lou Rawls: “Heartache (Just When You Think You're Loved)” and “You Are” on album Sit Down and Talk to Me 1988: Kimiko Kasai: “Love Talk” from album Love Talk (lead song) 2001: Me and You: “You Never Know What You Got (Til It's Gone)” 2002: Jennifer Lopez: “Still” cowritten with James and Jennifer Lopez herself in the latter's album This Is Me… Then 2005: The Freemasons: “Love on My Mind” that appears on albums Shakedown, Unmixed and Shakedown 2 He has also written for Phyllis Hyman SOLO CAREER Starting in the 2000s, he worked solo and toured extensively. In the process, he released various albums including his debut solo EP Spending Time (on his own

Episode 2476: Charlie Ingui ~ Original Lead Vocalist of The Soul Survivor's ~ "Expressway to Your Heart", Philadelphia International's #1 Breakthru

david bowie tant suivez laissez plongez perc billy paul kenny gamble philly sound philadelphia international records

Play Episode Listen Later May 19, 2024 46:16

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud

#37 - "J."

Lightnin' Licks Radio

Play Episode Listen Later May 19, 2024 110:35

Lickers Jay and Deon wax poetic on ten of their favorite records from their respective collections which are filed under the letter J. Their choices lead to discussions on Blindboy Boatclub (he rules), the origins of their nicknames (do you even know these guys?), another blind-bought Burger Records beauty (Jay is a total Burger fanboy), Steve Albini (R.I.P.), and much more. Tune in and rock out! --- In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, idiotic, introverted yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming thirty-seventh episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru I, so naturally, they went with J. Sonic contributors to the thirty-seventh episode of Lightnin' Licks Radio podcast include: Brothers Johnson, Holland-Dozier-Holland, Lee Moses, Steve Albini, L.L. Cool J, Patience, Prince Paul, De La Soul, Freddie King, Little Walter, Blinboy Boatclub, SHANNON, Cornbroom Jenkins, Mighty Mista Knapps, Lucy Givens, Sesame Street, Huey Lewis & the News, The Jesus Lizard, Jonathon Wolffe, Kenny Gamble, Leon Huff, The Three Degrees, EMINIM, Labi Siffre, Marilyn Manson, Hootie & the Blowfish, Drive Like Jehu, Led Zepplin, Helmet with David Yow, Junk Monkeys, Goo Goo Dolls, Syl Johnson, Howlin' Wolf, Wu-tang Clan, Kanye West with Jay-Z, Hank & Kieth Shocklee with Public Enemy, Charlie Rich, Cypress Hill, The Luniz, R2D2, Jessie Jones, Death Valley Girls, Pete Jolly, Art Pepper, Jessica McQuarter, Herb Alpert, Jerry Moss, Ugly Duckling, DJ Einstein, Jimmie & Vella, Bobby Womack, Dead Prez, J. Cole, Kendrick Lamar, Anthony Fantano, Drake, Timmy Thomas, Post-POTUS George W. Bush, Childish Gambino, Jobriath, David Bowie, Stephen Trask, Vernard Jonson, Peter C. Johnson, Paul Vance & Lee Pockriss, Cody Jinks, Shellac, the Radiolab archives, The Clockers. LLR “J” mixtape: [SIDE A](1) The Jesus Lizard - Mouth Breather (2) Jimmie & Vella - Well (3) Peter C. Johnson - Snowblind (4) J. Cole - No Role Modelz (5) Vernard Johnson - Soul Metamorphosis Medley MegaMix [SIDE B] (1) Pete Jolly - Springs (2) Junk Monkeys - Round and Round (3) Syl Johnson - Is It Because I'm Black (4) Jessie Jones - Sugar Coated (5) Jobriath - World Without You Thanks for listening. Tune in again sometime within a few weeks for another bonus episode. Have a great summer! *former REVIEW magazine best live streaming production --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Me and Mrs. Jones (Billy Paul)

Low-Noise

Play Episode Listen Later Mar 11, 2024 12:37

A (relatively) in-depth analysis of Me and Mrs. Jones by Billy Paul in (just under) fifteen minutes.Paul Williams known professionally as Billy Paul, was an American soul singer, known primarily for the song which was written by Kenny Gamble, Leon Huff, and Cary Gilbert. It describes an extramarital affair between a man and his lover, Mrs. Jones. The two meet in secret "every day at the same cafe", at 6:30, where they hold hands and talk. Hmmm...The single, released on the Philadelphia International label, was included on the album 360 Degrees of Billy Paul and was a number one hit for Paul in 1972.Me and Mrs. Jones was also recorded in 2007 by Michael Bublé along with with Bublé's then-girlfriend, Emily Blunt, who appears at the end of the track to perform the final verse. Other artists who have recorded the song include Monk Montgomery (1974), The Dramatics (1974), Freddie Jackson (1992), Robson Green (2002), Darryl Hall & John Oates (2003) and Taufik Batisah (2004).The song has been featured in several movies, most notably Bridget Jones's Diary, in the scene where Bridget's mother begins an extramarital affair (of course).In this episode I am in discussion with Dr. Andrew Webber.Podcast intro features an excerpt from 'Ma' from the album 'Asimov' by Inafer Era.I hope you enjoy the podcast and do leave feedback if you like what you you have heard.Mathew Woodall

La percée tardive de Billy Paul avec son envoûtant «Me and Mrs Jones»

La partition

Play Episode Listen Later Feb 22, 2024 7:27

Suivez l'évolution de la carrière de Billy Paul, depuis ses débuts modestes jusqu'à sa rencontre avec les producteurs Kenny Gamble et Leon Hough, à l'origine du label Philadelphia International Records. Plongez dans l'univers du fameux Philly Sound, caractérisé par des arrangements sophistiqués et une rythmique unique précurseur du disco. Laissez-vous bercer par les mélodies envoûtantes qui ont fait la renommée des studios de Philadelphie International Records, accueillant même des artistes de renommée internationale tels que David Bowie. Au cœur de cet épisode, découvrez les coulisses de la création de l'emblématique chanson "Me and Mrs Jones", qui propulsa Billy Paul au sommet des classements soul.

Ongoing legal proceedings surrounding death of Kenny Gamble II; A closer look at Kratom; Remembering Karalyn Marie Peter

The Daily Chirp

Play Episode Listen Later Jan 29, 2024 16:26

Today - we dive into the ongoing legal proceedings surrounding a tragic event from 2020 - the death of 2-year-old Kenny Gamble II. The case has seen its share of delays and legal intricacies.Support the show: https://www.myheraldreview.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

death legal ongoing surrounding closer look proceedings kratom kenny gamble karalyn

Jean Carn Story

Play Episode Listen Later Nov 27, 2023 3:26

Welcome to another episode of Funky Pearls Radio podcast, where we celebrate the musical legends who've shaped our world. Today, we're spotlighting the illustrious journey of Jean Carn, a name that resonates with soulful melodies and timeless artistry. Born Sarah Jean Perkins on March 15, 1947, in Columbus, Georgia, Jean Carne was destined for a life steeped in music. Raised in Atlanta, her parents recognized her talent early, encouraging her to sing in the church choir at just four years old. But Jean's musical prowess didn't stop at vocals; she also mastered piano, clarinet, and bassoon. Her academic journey was as impressive as her musical one. At Booker T. Washington High School in Atlanta, Jean not only honed her musical skills but also became fluent in Russian. Her dedication to music earned her a scholarship to Morris Brown College in 1965, where she expanded her repertoire to include various orchestral instruments. Jean's recording career blossomed in 1969 alongside her husband, Doug Carn. Their musical collaboration bore fruit in the form of three albums for Ovation Records. Jean's unique voice, first heard on the radio show 'Today In Georgia', captivated listeners, and her rendition of 'Misty' left an indelible mark. A trailblazer in her own right, Jean Carne was praised for being one of the first Afro-American women to take charge of her musical direction, resisting industry pressures. Her collaborations with legends like Duke Ellington, Norman Connors, George Duke, and Earth, Wind And Fire further solidified her status in the music world. Jean's time with Philadelphia International Records marked a pinnacle in her career, introducing her to R&B and pop audiences. Her move to Motown Records brought the hit 'If You Don't Know Me By Now', a duet with The Temptations, showcasing her versatility and reach. Beyond her own albums, Jean contributed to various projects, working with artists like Dexter Wansel, Kenny Gamble, and Stanley Turrentine. Her dedication to her craft never waned, as evidenced by her continuous touring, balancing her professional life with her personal life as a mother of three in Atlanta. In 2002, Jean toured the U.K., a testament to her enduring appeal and global reach. Her album 'Collaborations', released in 2003, was a celebration of her musical partnerships over the years, a fitting tribute to a career marked by diverse and enriching musical alliances. Jean Carne's discography, from her early collaborations with Doug Carn to her solo works and later albums, paints a portrait of an artist who not only embraced her musical roots but also evolved with the times. Albums like 'Jean Carne' (1977), 'Happy To Be With You' (1979), and 'Closer Than Close' (1986) are landmarks in a journey defined by passion, skill, and an undying love for music. As we celebrate Jean Carne on Funky Pearls Radio, we honor not just her music but her spirit - a spirit that has inspired and will continue to inspire generations of musicians and music lovers alike. Her story is a melody that speaks of perseverance, talent, and the transformative power of music. Jean Carne, a true musical virtuoso, remains an enduring symbol of soul, jazz, and R&B excellence.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Jones Girls Story

Play Episode Listen Later Nov 24, 2023 3:04

Welcome to Funky Pearls Radio, where today we're celebrating the musical journey of The Jones Girls, an iconic trio whose soulful harmonies and distinct sound left an indelible mark on the R and B scene. The Jones Girls – Brenda, Shirley, and Valorie – were born into a musical family in Detroit, Michigan. Their mother, Mary Frazier Jones, was a singer, nurturing their talents from a young age. By the 1960s, the sisters were already making waves in the music industry, performing alongside legends like the Four Tops, Little Richard, The Impressions, and B.B. King. Their first recordings, including 'Learn How To Love' and 'Come Back', showcased their vocal prowess, earning them recognition in the R and B world. By the mid-1970s, they had become sought-after background vocalists, working with artists like Aretha Franklin on 'Almighty Fire' and Linda Clifford on 'Runaway Love'. The turning point for The Jones Girls came when they joined Diana Ross on a major tour. This exposure led them to Philadelphia and the attention of Kenny Gamble, who signed them to Philadelphia International Records in 1979. This move marked the beginning of a golden era for the sisters. At Philadelphia International, The Jones Girls released four phenomenal albums: 'The Jones Girls' (1979), 'At Peace With Woman' (1980), 'Get As Much Love As You Can' (1981), and 'Keep It Comin' (1984). These albums included hits like 'Nights Over Egypt', 'You Gonna Make Me Love Somebody Else', and 'Dance Turned Into A Romance', cementing their place in R and B history. In addition to their own albums, The Jones Girls provided background vocals for numerous artists, enhancing tracks by Freda Payne, Lamont Dozier, Thelma Houston, and others. Their versatility and harmonies added a unique depth to every song they touched. The trio's journey took a new turn in 1983 when they moved to RCA Records for the album 'On Target', and then returned to Philadelphia International for 'Keep It Comin'' in 1984. During this period, Shirley Jones embarked on a successful solo career, highlighted by her 1986 album 'Always In The Mood' and the hit single 'Do You Get Enough Love?'. Tragedy struck the group in the early 2000s with the loss of Valorie in 2001 and Brenda in 2017. These losses were profound, not only to the remaining sister Shirley but also to the countless fans who adored The Jones Girls. As we remember The Jones Girls on Funky Pearls Radio, we honor a group that brought elegance, soul, and heartfelt emotion to the music world. From their early days in Detroit to their success at Philadelphia International, The Jones Girls' legacy is one of musical excellence, sisterly love, and enduring influence in the world of R and B. Their music continues to inspire and resonate, reminding us of the power of harmony, passion, and the enduring bond of family.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The O'Jays Story

Play Episode Listen Later Nov 24, 2023 3:42

Today on Funky Pearls Radio, we're exploring the remarkable story of The O'Jays , a group that has left an indelible mark on R and B and soul music with their harmonious sounds and timeless hits. Originating from Canton, Ohio, The O'Jays were initially formed as a quintet, later evolving into a trio during their most prominent recording years in the mid-1970s at Philadelphia International Records. The original lineup included Walter Williams, Bill Isles, Bobby Massey, William Powell, and Eddie Levert. The group, initially known as The Triumphs and later The Mascots, changed their name to The O'Jays in 1963 as a tribute to the local Cleveland radio DJ, Eddie O'Jay. Their early singles as The Mascots, including 'Story Of My Heart' and 'Lonely Rain', gained local traction and set the stage for their future success. The O'Jays' journey took a significant turn when they met producers Kenny Gamble and Leon Huff. This collaboration led to the release of the album 'The O'Jays In Philadelphia' in 1969, showcasing their early work under Gamble and Huff's guidance. Their big break came in 1972 with the single 'Back Stabbers' from the album of the same name, which became a massive hit. The group's success continued with the release of 'Ship Ahoy' in 1973, featuring the iconic 'For the Love of Money', and their live album 'The O'Jays Live In London' in 1974. Albums like 'Survival' and 'Family Reunion' in 1975 further solidified their status in the R and B world, with hits like 'I Love Music' and 'Living For The Weekend'. Tragedy struck with the passing of William Powell in 1977, but the group continued, with Sammy Strain joining the lineup. Their subsequent albums, including 'Travelin' at the Speed of Thought' (1977) and 'So Full of Love' (1978), which featured 'Use Ta Be My Girl', continued to chart successfully. Throughout the late '70s and '80s, The O'Jays released several albums, including 'Identify Yourself' (1979) and 'My Favorite Person' (1982), showcasing their ability to evolve with the times. Their album 'When Will I See You Again' in 1983 was notable for its modern sound, further demonstrating their versatility. The O'Jays continued to release music into the new millennium, with albums like 'For The Love' (2001) and 'Imagination' (2004). Their contributions to music were recognized with inductions into the Vocal Group Hall of Fame in 2004 and The Rock and Roll Hall of Fame in 2005. In 2003, The O'Jays co-starred in the movie 'The Fighting Temptations', showcasing their talent beyond music. The group's ongoing influence and popularity were celebrated at the 2009 BET Award Show, where they were honored with the Life Time Achievement Award. Despite challenges, including Walter Williams' battle with multiple sclerosis, The O'Jays have continued to inspire with their music and performances. Their latest albums, including 'Christmas With The O'Jays' (2010) and 'The Last Word' (2019), reflect their enduring appeal and legacy. As we honor The O'Jays on Funky Pearls Radio, we celebrate a group that has been the soundtrack to many lives, with songs that speak to love, struggle, and triumph. From their humble beginnings in Canton to the pinnacle of soul and R and B music, The O'Jays' journey is a testament to the enduring power of music to connect, uplift, and endure.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Whispers Story

Play Episode Listen Later Nov 23, 2023 3:21

Today on Funky Pearls Radio, we're diving into the rich history of The Whispers , an iconic R and B group known for their harmonious vocals and timeless classics. The Whispers, formed in 1963 in the Watts area of South Central Los Angeles, California, started as a quintet featuring Nicholas Caldwell, Walter Scott, Wallace 'Scotty' Scott, Marcus Hutson, and Gordy Harmon. Over the years, the group underwent several changes, but the core of their sound remained intact, defined by soulful melodies and poignant lyrics. Signing to Dore label in 1964, The Whispers released their early singles like 'I Was Born When You Kissed Me', laying the foundation for a career that would span decades. Their transformation from The Mascots to The Whispers in 1963 was a tribute to Cleveland radio DJ Eddie O'Jay, marking a new chapter in their journey. The late '60s saw The Whispers climbing the soul charts with 'The Time Will Come' and achieving their first R and B Top Ten hit with 'Seems Like I Gotta Do Wrong'. Working with Soul Clock and later producers Kenny Gamble and Leon Huff, the group honed their sound, leading to a series of successful albums and singles. In the mid-1970s, Gordy Harmon was replaced by Leaveil Degree from the Friends of Distinction, and the group continued to release hit albums like 'Bingo' and 'Whispers Getting Louder'. Their move to Soul Train Records saw the release of 'One For The Money', showcasing their ability to blend soulful harmonies with dancefloor-friendly tracks. The late '70s and early '80s marked a prolific period for The Whispers, with albums like 'Open Up Your Love', 'Headlights', and 'Happy Holidays To You'. Their self-titled album released in 1979 included the massive hit 'And The Beat Goes On', which was later sampled in Will Smith's 'Miami'. Entering the '80s, The Whispers moved into their most successful period with albums like 'Imagination', featuring hits like 'It's a Love Thing', and 'This Kind Of Lovin'', showcasing their versatility and timeless appeal. Their success continued with albums like 'Love Is Where You Find It', 'Love For Love', 'So Good', and 'Just Gets Better With Time', which included the R and B number one hit 'Rock Steady'. In 1990, their album 'More Than The Night' featured the hit 'Innocent', demonstrating their enduring appeal. Despite the departure of Marcus Hutson due to illness and the decision not to replace him after his death in 2000, The Whispers continued to perform as a quartet. In 2006, they released 'For Your Ears Only', and in 2009 they were back in the U.K. for live performances. Tragedy struck with the passing of Nicholas Caldwell in January 2016, and Gordy Harmon in January 2023, but the legacy of The Whispers lives on. Their contribution to R and B and soul music is unparalleled, with a discography that spans over 32 albums and 39 singles. As we celebrate The Whispers on Funky Pearls Radio, we honor a group whose music has been the soundtrack to countless lives. From their early days in Los Angeles to their rise as R and B legends, The Whispers' journey is a testament to the enduring power of music to connect, inspire, and transcend generations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode 2420: Charlie Ingui of The Soul Survivor's ~ "Expressway to Your Heart", Philadelphia International's #1 Major Music Hit Breakthru

Talk and Rock Radio Podcast

Play Episode Listen Later Oct 14, 2023 46:16

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.The Soul Survivors recorded new music and covers several years ago, most recently working with David Uosikkinen of The Hooters and his project "In the Pocket" which is paying tribute to the vast catalog of music created in Philadelphia.© 2023 All Rights Reserved© 2023 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud

E159: Vernon Gibbs on Marvin Gaye + Talking Heads + A&R at Arista

Rock's Backpages

Play Episode Listen Later Aug 29, 2023 75:42

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man. Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s. The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ. Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release. After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013). Many thanks to special guest Vernon Gibbs. Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

Johnny Madara 'Do The Bop' 'At The Hop'

Play Episode Listen Later Aug 3, 2023 94:18

John Madara was born on May 28, 1936 and grew up in Philadelphia, at a time when the city was teeming with groups and artists such as The Spaniels, The Clovers, Harvey and The Moonglows, Billy Ward and The Dominos and the great Jackie Wilson. Rock and roll was starting to take root and John Madara was destined to make rock and roll history. In 1957, John launched his solo career, with his first record, "Be My Girl," reaching the National charts. That same year, John co-wrote with Dave White a song called "Do The Bop." On the advice of Dick Clark, whose local show, American Bandstand, had just gone National, the title and lyrics were changed to "At The Hop." Danny and The Juniors recorded it, and by Christmas of 1957 it had reached the top of the pop and R&B charts worldwide. "At The Hop" remained #1 for an astounding 7 weeks, the first record ever to reach that success, and it has remained a rock and roll classic to this day. Barry) and “You Don't Own Me” (Lesley Gore). He also produced for Danny and The Juniors, “Rock and Roll Is Here To Stay." In the Mid ‘60s, John, Dave and local D.J. Ray Gilmore formed a group called “The Spokesmen” and released “The Dawn of Correction," an answer song to the enormous hit “Eve of Destruction” by Barry McGuire. At the same time, John was producing for other artists when he discovered a young man, Leon Huff, who later teamed up with Kenny Gamble and became one of the most prolific songwriting teams in the history of rock and roll, defining an entire category of Black popular music known as "The Sound of Philadelphia." He also discovered one of the most prolific duos of all time, Daryl Hall and John Oates. With them he produced two albums. In 1965, John and Dave started their own publishing company, discovering and signing new songwriters. The company was very successful, and in 1984, it was sold to Michael Jackson. In 1967, John, Dave and Local D.J. Ray Gilmore wrote the song, "Sadie The Cleaning Lady," which became a huge hit in Australia with singer, Johnny Farnham. John moved to L.A. in the ‘70s, where he found success writing and producing for movies and television. He produced the soundtrack for the James Caan/Marsha Mason movie, “Cinderella Liberty," and also produced the title song for the Cliff Robertson movie “Ace Eli and Roger of the Sky.” In the mid ‘70s, he was music supervisor for the hugely successful “Sid and Marty Kroft Comedy Hour." This was in conjunction with an ABC Comedy Hour and network special which launched the new ABC season. During that time, John wrote and produced the music for the show, and was hands on with the mixing and editing. In the late ‘70s, he also wrote the theme song for ABC Sports, which ran for two years. Las Vegas was also becoming a happening place for singers and performers. So it would seem appropriate that John would spend two years of his life working with one of the most successful performers of all time, Wayne Newton. He produced two of Wayne's albums and also produced and wrote songs for a Christmas television special for Wayne on CBS. In the mid ‘80s, John teamed up with one of the great film animators of all time, Ralph Bakshi. Ralph, known for the controversial film “Fritz The Cat," and also the highly regarded films “American Pop” and “Lord Of The Rings," needed songs for his upcoming animated film “Hey Good Lookin." John collaborated with the extremely talented writer/singer Ric Sandler, and they wrote and arranged all 18 songs in the film, which John produced. Ric also performed all of the songs. Time Magazine and Playboy raved about the film and later called it a cult classic. Through the years, John has produced albums and singles for companies such as CBS, Warner Bros., Polydor, Atlantic, Paramount, 20th Century, MGM and ABC Records. Madara & White songs have reached millions of people through radio, films and television. Worldwide sales of their songs and productions have reached over 2 hundred million records. Their songs have appeared on some of the biggest grossing soundtrack albums of all time, including “American Graffiti” and “Woodstock” (At The Hop), “Grease” (Rock and Roll is Here to Stay), “Hairspray” (The Fly and You Don't Own Me), “Mr. Holland's Opus” (1-2-3), and “Dirty Dancing” and “The First Wives Club” (You Don't Own Me). It was the 1996 hit film, “The First Wives Club," that paid the contemporary power of their talent the ultimate compliment by not only featuring “You Don't Own Me” but by making it the theme of the movie. Contemporary, in fact, has proven to be one of the mainstays of John Madara's contributions through the years. He has consistently offered the world of music songs that speak clearly of given eras, but have equal impact on all eras. John has continued to write and produce music, working with young, up-and-coming artists. He has always been a futurist, excited about working with new technology and incorporating it into his music and productions. His hands-on approach to every project he is involved in, whether it be as a writer, producer, music supervisor, editor, engineer or mixer, has enabled John to maintain the sound that is uniquely his own. In March of 2001, “At The Hop” was voted by the Recording Industry Association of America as one of the top 100 songs of the century. The soundtrack album, “Grease," was voted one of the top albums of the century. “Rock and Roll Is Here To Stay” is featured on that album.

The influence of Black music: How 'Flyte Tyme' changed the world from a recording studio

North Star Journey

Play Episode Listen Later Jun 30, 2023 8:26

An obscure funk band founded by a group of Minneapolis teenagers in the early 1970s caused Minnesota's music scene to catch lightning in a bottle not once, but twice. Minnesota has served as home base for two globally recognized music powerhouses — Prince and his Paisley Park sound and the Flyte Tyme Studios' groove of Jimmy “Jam” Harris and Terry Lewis.The band Flyte Tyme was established in 1972. A pre-fame Prince was merely a player in it. The band's name was based on the song “Flight Time” by jazz trumpeter Donald Byrd. Flyte Tyme had a rotating cast for nearly a decade with acclaimed local artists who would go on to work as longtime collaborators and, at times, rivals.That list included the likes of Jellybean Johnson, Cynthia Johnson and Alexander O'Neal who rotated in and out as members. But, the keyboardist and bassist, a young Harris and Lewis, respectively, remained constant. By the time 1980 rolled around, the band was done and Prince had assumed the mantle of king of the local music scene.“The Time” is a truncated version of “Flyte Tyme” and featured Harris and Lewis on keyboards and bass, respectively, and Morris Day on vocals.“Prince once said that the only band he ever feared was The Time,” said Christopher Fuller, co-founder of the Los Angeles-based Black Music Project, a group of artists and academics who promote the history of Black music as the story of America. “And, he was referring to The Time of Morris Day and Jimmy Jam and Terry Lewis and he kind of saw them as a threat. I think that's part of the reason they got fired.”Sources dispute whether it was Prince or Day who fired them, but Harris and Lewis were fired from the band because they were in Atlanta producing music for another act and missed a flight time.The pair could have licked their wounds, founded a middling funk band and carried on. But, they decided to create a music studio in south Minneapolis and later in Edina with their earnings. Make great music and keep it coming Gary Hines spent 10 years as a staff producer for Flyte Tyme and topped the charts with his Flyte Tyme-produced group, “Sounds of Blackness.”When Hines first entered the nondescript building at 4330 Nicollet Avenue on Minneapolis' southside, he knew Harris and Lewis had created something special. “Walking in the door and it was like, ‘Oh, my God!',” he said. “Seeing their Grammys and the photos of artists they had worked with and the range of those artists, you know, Michael, Janet, Lionel Richie … and the groups, New Edition.”To Hines, it was like he was handed the keys to the kingdom.Hines was one of about 10 staff producers, including local artists Jellybean Johnson, Stokely Williams and Jeff Taylor who comprised Flyte Tyme's front line. Their mission was simple: make great music and keep it coming. “The producers would basically live at Flyte Tyme — 12 to 14 hours or more, pretty much daily,” said Hines. “It was part of the joy and the intensity. There was a sign at the entryway that read, ‘The only thing that smokes in this building is the music!'”One of the producers' duties was to screen incoming submissions, which came in the mail, through couriers or were handed directly to the producers. There were demos from unknowns and from celebrities like Dolly Parton. Every staff producer screened hundreds of CDs and cassettes each week. “Jam and Lewis were looking for at least a song a week from us,” Hines said. “It might be two weeks and sometimes it might be a couple in a week.”Besides screening demos for the next hit song, the producers were also writing, often for bands they fronted, Stokely Williams, for example, was lead singer for Mint Condition. The band recorded their hit “Breakin' My Heart (Pretty Brown Eyes)” at Flyte Tyme's Edina studio in 1991. In 1992 the song peaked at No. 6 on the Billboard Hot 100 chart and No. 3 on Billboard's Hot R&B chart.Producers would also assist other projects in the pipeline. Whether it was through singing or playing, everyone was expected to contribute. “You were writing constantly, improving and honing your craft, obviously for their perusal, review and approval,” he said. “They were like ‘Don't not write. Write a bad song, but keep writing. Hone your craft.'”In its heyday, Flyte Tyme churned out 100 Billboard Top 10 songs; 16 Number One Hot 100 hits and 26 R&B Number One hits. That includes Janet Jackson's multi-platinum hit record “Control” which dropped in 1986.The process clearly worked. Imagine 1960s Detroit had spawned a trio of Berry Gordys, who then went on to create two Motowns. That was the late century Twin Cities music scene.But, Christopher Fuller says the Motown comparison is not as accurate as another.“Jimmy and Terry I think one would say they're closer to the Philly International [production studio] of Kenny Gamble and Leon Huff because basically those two were the Philly Sound. And, like Jimmy and Terry, they were songwriters, too. Not just producers,” he said.Fuller adds that unlike legendary Beatles producer George Martin, Jam and Lewis wrote or co-wrote many of the songs for the artists they worked with.Music created at Flyte Tyme reached audiences around the world.Hines remembers the chills he got touring with Sounds of Blackness when he first heard overseas audiences singing along to lyrics borne in Flyte Tyme studios.“Many of whom were not English speaking, but they knew every lyric, not only the choruses, but the verses in the bridge … and were singing them in perfect English!”Since Prince's passing and Flyte Tyme's move away from the Twin Cities, the founders of The Minneapolis Sound may have fallen quiet, but Fuller says their legacy is still with us in the new acts and their songs.“We're still seeing their effect today. The most popular music right now, globally, is K-Pop [Korean Pop Music],” Fuller said. “But, you know what K-Pop is? It's reconstituted Black music – especially 90s R&B, which along with Teddy Riley and New Jack Swing was Flyte Tyme. Jimmy and Terry. Just about all of modern pop music owes a huge debt to them.”

Kenny Gamble, Ira Tucker Jr. & Brother Ray l The Carl Nelson Show

The Carl Nelson Show

Play Episode Listen Later Jun 21, 2023 155:03

Singer, Songwriter, Super Producer, and one of the architects of the Philly Sound, Kenny Gamble, will continue our salute to Black Music Month. Before we hear from Kenny, Music Publicist Ira Tucker Jr. will check into our classroom, Ira's dad was a member of the Dixie Hummingbirds & his sister was a member of the Supremes. Before Ira, Civil Rights activist Brother Ray. Learn More About The 54 Countries of Africa Text "DCnews" to 52140 For Local & Exclusive News Sent Directly To You! The Big Show starts on WOLB at 1010 AM, wolbbaltimore.com, WOL 95.9 FM & 1450 AM & woldcnews.com at 6 am ET., 5 am CT., 3 am PT., and 11 am BST. Call-In # 800 450 7876 to participate, & listen liveSee omnystudio.com/listener for privacy information.

brothers singer countries civil rights songwriter big show call in supremes bst black music month super producer wol kenny gamble philly sound brother ray livesee carl nelson

Episode 2387: Charlie Ingui of The Soul Survivor's ~ "Expressway to Your Heart", Philadelphia International's #1 Major Music Hit Breakthru

Play Episode Listen Later Jun 3, 2023 46:16

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.Through the years, the Soul Survivors have continued to provide audiences with high energy performances and music that is timeless and authentic ,appearing with 60's contemporaries Felix Cavaliere's Rascals. the Turtles,the Association, as well as fellow TSOP artists Harold Melvin's Bluenotes,Billy Paul, the Intruders, Russell Thompkins' Stylistics and others.The group's CD is called " Heart Full of Soul ", produced by Grammy nominated producers Jimmy Bralower and Johnny Gale.The Soul Survivors recorded new music and covers several years ago, most recently working with David Uosikkinen of The Hooters and his project "In the Pocket" which is paying tribute to the vast catalog of music created in Philadelphia.© 2023 All Rights Reserved© 2023 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud

Episode 2366: Charlie Ingui ~ The Soul Survivor's ~ "Expressway to Your Heart", Philadelphia International's #1 Major Music Hit Breakthru

Play Episode Listen Later Mar 29, 2023 46:16

Gamble & Huff, Philadelphia International Rock & Soul Classic Charlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020. Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label. I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS. Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.Through the years, the Soul Survivors have continued to provide audiences with high energy performances and music that is timeless and authentic ,appearing with 60's contemporaries Felix Cavaliere's Rascals. the Turtles,the Association, as well as fellow TSOP artists Harold Melvin's Bluenotes,Billy Paul, the Intruders, Russell Thompkins' Stylistics and others.The group's CD is called " Heart Full of Soul ", produced by Grammy nominated producers Jimmy Bralower and Johnny Gale.The Soul Survivors recorded new music and covers several years ago, most recently working with David Uosikkinen of The Hooters and his project "In the Pocket" which is paying tribute to the vast catalog of music created in Philadelphia.© 2023 All Rights Reserved© 2023 Building Abundant Success!!Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBAS Audacy: https://tinyurl.com/BASAud

154- Pink, Gospel Chops and Trolls :: Brian Frasier-Moore

The Rich Redmond Show

Play Episode Listen Later Feb 10, 2023 61:20

Brian Frasier Moore- Musical Director/Producer/Musician PERFORMED WITH: The Whitehead Brothers, Les Nubians, Jill Scott, Glenn Lewis, Aaliyah, Usher, Goodie Mob, Patti LaBelle, George Howard, Vivian Green, Bruce Parham(Gospel), Ernie Sanders(Gospel), Steve Middleton(Gospel), Vikter Duplaix, Kenny Gamble and Leon Huff, Billy Paul, Bunny Sigler,Teddy Pendergrass, James Poyser, Backstreet Boys, Justin Timberlake, Ciara, Eric Benet, Ginuine, Toni Braxton, Keny "Babyface" Edmonds, Christina Aguilera, Janet Jackson, Madonna, Timbaland, Queen Latifah PERFORMED ON: AOL Sessions Presents: Christina Aguilera AOL Sessions Presents: Backstreet Boys Televised Performances: Jay Leno Conan O'Brien David Letterman Jimmy Kimmell Craig Ferguson Carson Daly Jenny Jones Keenan Ivory Wayans SNL Good Morning America Today Show Later with Jools and Holland SUPERBOWL XLVI SUPERBOWLII SUPERBOWL LIV Award Show Performances: Grammy Awards Latin Grammy Awards MTV Awards MTV Movie Awards American Music Awards Billboard Awards CMT Crossroads VH1: Men Strike Back DVD's: Madonna: "Sticky and Sweet" Madonna: "MDNA" Christina Aguilera: "Christmas 'Reflections' Concert" Christina Aguilera: "Stripped" Christina Aguilera: "Back to Basics" Janet Jackson: "All for You" Glenn Lewis: "Inside My World" Babyface: "Grown and Sexy Live" Usher Live: "My Way” Some Things That Came Up: 2:30 New gig with PINK 4:50 long rehearsals with dancers and pop acts 7:15 daily habits: family, cardio, music enjoyment time 8:15 starting drumming at age 5 and the obligation of church 9:00 first co cert was Amy Grant and finding purpose 10:40 Aliyah and genuine started 30 year touring life 11:00 The Masked Singer and Jimmy Fallon's “That's My Jam” tv shows 19:00 Ignoring the trolls 20:00 www.bfnworld.com 23:20 Consultations 30:00 Listening to reel from dropping the needle on records 30:30 Backing up Lionel Richie, The Eurythmics at Rock N' Roll Hall Of Fame 2033 32:20 A book, a documentary, a solo record 34:00 The genius of Alex Acuna 36:40 John Patitucci's “On The Corner” and THAT sound. 39:30 Guilty pleasure of boxing knockouts and MMA on Tik Tok 41:50 Loop package from www.yurtrock.com 43:40 Recording drums for movies and cartoons 46:15 Documentaries and listening to records 49:50 Playing at The White House for an Obama party 52:50 Family 57:00 Top Gun:Maverick 58:50 Shark Tank product Contact: www.bfmworld.com www.yurtrock.com IG: @bfm22 The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich's exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com

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Me And Mrs. Jones by Billy Paul

Classic 45's Jukebox

Play Episode Listen Later Dec 1, 2022

Label: Phil. Int'l. 3521Year: 1972Condition: M-Last Price: $15.00. Not currently available for sale.Listening to this Philly Soul classic again today, I was thinking that the spark of genius at work here, in the collaboration among Kenny Gamble, Leon Huff and Bobby Martin, is precisely the same as that which gave life to the Motown genius of producer/writers like Norman Whitfield & Barrett Strong, with miracles of Soul music such as "Just My Imagination" by the Temptations. Anyway, what I mean is... I love it! Not on the Rolling Stone, Dave Marsh or Kev Roberts lists? I think I'm hearing something those guys don't, cause to me this is a 2-star recommendation (our highest)! Note: This beautiful copy comes in a vintage Philadelphia Int'l Records factory sleeve. It has gorgeous, pristine Mint audio.

Como lo oyes - Black Lover - 23/09/22

Como lo oyes

Play Episode Listen Later Sep 23, 2022 58:34

Seguimos combinando actualidad y nuestra búsqueda habitual de grandes clásicos del soul, rhythm and blues, funk, disco, rap, etc. Hoy rescatamos a Phillip Bailey, One way, Windjammer o Stevie Wonder. Joe Simon nacido en septiembre de 1943 en Simmesport, Louisana. Más intérprete que autor hoy ofrecemos su versión de un clásico de Kenny Gamble y Leon Huff que fue su éxito hace medio siglo exactamente. Antes había grabado como miembro del grupo vocal The Golden Tones for Hush en 1960. Comenzamos con el nuevo disco del guitarrista madrileño Pedro Andrea que hace un par de homenajes a Wonder. DISCO 1 PEDRO ANDREA Isn’t She Lovely (2) DISCO 2 STEVIE WONDER Boogie On Reggae Woman 1974 (ESCA) DISCO 3 JONAS BLUE & Louisa Johnson Always Be There (ESCA) DISCO 4 DANNY TOEMAN When The Lights Go Down (ESCA) DISCO 5 JOE SIMON Drowning On The Sea Of Love (ESCA) DISCO 6 ONE WAY Condemned (Cara 2 Corte último) DISCO 7 JOHN LEGEND ft. Saweetie All She Wanna Do (ESCA) DISCO 8 TRISTAN SIMONE Music Is Dead (ESCA) DISCO 9 EARTH WIND & FIRE & Angie Stone Wonderland (PROMISE) (ESCA) DISCO 10 PHILLIP BAILEY & Phil Collins Easy Lover (Cara 2 Corte 1) DISCO 11 BROTHERS JOHNSON Stomp! (ESCA) DISCO 12 DIANA ROSS Let’s Do It (ESCA) DISCO 13 GAIL ANN DORSEY Wasted Country (Cara 1 45 RPM) Corporate World WINDJAMMER I Thought It Was You (Cara 1 Corte 3) Escuchar audio

Episode 2276: Charlie Ingui of The Soul Suvivors ~ "Expressway to Your Heart", Philadelphia International's #1 Major Music Hit Breakthru Pt 1

Play Episode Listen Later Jul 2, 2022 43:41

Gamble & Huff, Philadelphia International Rock & Soul Classic Charlie Ingui, Original Lead Vocalist still records & tours go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020. Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label. I am a Music Lover of All Styles, Generations. This Week I Flashback....... The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS. Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969. During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing. Through the years, the Soul Survivors have continued to provide audiences with high energy performances and music that is timeless and authentic ,appearing with 60's contemporaries Felix Cavaliere's Rascals. the Turtles,the Association, as well as fellow TSOP artists Harold Melvin's Bluenotes,Billy Paul, the Intruders, Russell Thompkins' Stylistics and others. The group's CD is called " Heart Full of Soul ", produced by Grammy nominated producers Jimmy Bralower and Johnny Gale.The Soul Survivors recorded new music and covers several years ago, most recently working with David Uosikkinen of The Hooters and his project "In the Pocket" which is paying tribute to the vast catalog of music created in Philadelphia.© 2022 All Rights Reserved© 2022 Building Abundant Success!!Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBAS

Episode 107: Philly Dogs Revue 06/26/22

world change sound philadelphia press oppression god bless high calling world better calling of god john whitehead thom bell leon huff kenny gamble philadelphia international records

Play Episode Listen Later Jun 25, 2022 114:02

1 Roll It The Baker Brothers 01:14 Time To Testify2 Wake Up Everybody Harold Melvin & The Blue Notes 07:34 Philly Sound 3: Kenny Gamble, Leon Huff And The Story of Brotherly Love (1966 - 1976)3 Wolves in Disguise Izo FitzRoy 03:33 How The Mighty Fall4 God Bless America for What Swamp Dogg 05:31 Rat On5 Eve of Destruction Max Romeo 04:24 Words from the Brave6 Without Guns Dean Francis㥦 05:38 This Groove's For You7 03_03_Compared_To_What Ladama 04:41 8 Heaven Ural Thomas & the Pain 04:07 Dancing Dimensions9 Every 1's a Winner (feat. Eric Gales) Angie Stone 04:15 Covered in Soul10 Peace And Understanding Boukou Groove 03:59 A Lil' Bouko In Your Cup11 Like Marvin Gaye Said (What's Going On) Arrested Development 03:44 Greatest Hits [Disky]12 Merry Jane (with Ishtar) Eric Boss 03:50 13 Take A Walk In Their Shoes Beverley Skeete 03:19 Beverley Skeete - Woman Got Soul14 People Have the Power Candi Staton 03:58 Unstoppable15 Resurrection City Jalal 04:17 On The One16 Who Would Follow Iyeoka 04:35 Gold17 I Stay Ready Cody ChesnuTT 02:47 My Love Divine Degree18 Beat Con Flow Mista Savona 04:34 Havana Meets Kingston Part 219 Lost In Kinshasa Ariya Astrobeat Arkestra 07:27 Ariya Astrobeat Arkestra20 Rolling In The Deep Hackney Colliery Band 03:38 Rolling In The Deep21 People Get Ready Brand New Heavies 03:46 In Tha Beginning22 Keep On Truckin' Matt Covington 05:37 Funk-A-Licious - Rarities, Outakes & B-Sides23 We Got What You Want Brian Culbertson 04:03 Funk!24 Givin' Up Food For Funk (Part 1) J.B.'s 03:09 Pass The Peas: The Best Of The J.B.'s25 Cut Me In Kissing Potion 04:16 Kissing Potion26 Man Of Your Word (CD) Laura Vane & The Vipertones 03:16 Laura Vane & The Vipertones CD27 The Ghetto (Live) Ruthie Foster 05:10 Live at the Paramount

live dogs pain winner wolves funk paramount covered revue brotherly love givin blue notes outakes merry jane kenny gamble philly sound laura vane this groove

Press on Toward the Mark of the High calling of God

GROW Podcast

Play Episode Listen Later Jun 25, 2022 19:35

GROW Greatness Reached over Oppression through Wisdom Wake up Everybody, The World won't get no better, if we just let it beThe World won't get no better, We got to Change it yeah, You and meGene McFadden and John Whitehead became songwriters for Philadelphia International Records, a soul music power house, together they would team with Victor Carstarphen along with Leon Huff, Kenny Gamble and Thom Bell to create The Sound of Philadelphia;‘Wake Up Everybody No More Sleepin In BedNo More Backward Thinkin Time For Thinkin AheadThe World Has Changed So Very MuchFrom What It Used To Be SoThere Is So Much Hatred War An' PovertyWake Up All The Teachers Time To Teach A New WayMaybe Then They'll Listen To Whatcha Have To SayCause They're The Ones Who's Coming Up And The World Is In Their HandsWhen You Teach The Children Teach Em The Very Best You Can.The World Won't Get No Better If We Just Let It BeThe World Won't Get No Better WeGotta Change It Yeah, Just You And Me.Wake Up All The Doctors Make The Ol' People WellThey're The Ones Who Suffer An' Who Catch All The HellBut They Don't Have So Very Long Before The Judgement DaySo Won'tcha Make Them Happy Before They Pass Away.Wake Up All The Builders Time To Build A New LandI Know We Can Do It If We All Lend A HandThe Only Thing We Have To Do Is Put It In Our MindSurely Things Will Work Out They Do It Every Time'Wake Up EverybodySung by Teddy PendergrassWe got to Change it yeah, You and Me Sow Love, be the Change to make the World Better for you and me God Bless you as You GROW

Celebrating Gamble and Huff

IncenseNashtrays

Play Episode Listen Later Jun 6, 2022 149:26

Tonight we review the music of Philadelphia International Records founders Kenny Gamble and Leon Huff. Their music was full of life, love, and soul. Sit back, relax and enjoy. This Series on my Black American Music tree breaks down who, what, when, where, and how black American music has influenced the world.

american gamble huff this series leon huff kenny gamble philadelphia international records

Michael Jackson Part 1 of 2

Icons and Outlaws

Play Episode Listen Later May 30, 2022 65:35

The future king of pop, Michael Joseph Jackson, was born on August 29, 1958 in Gary, Indiana. Joe Jackson, Michael's dad, was a former boxer and crane operator at U.S. Steel during the 1950s in Gary – according to a fantastic article by Rolling Stone, quoted in the book; Dave Marsh's Trapped: Michael Jackson and the Crossover Dream, there were actual quotas in place on how many black workers were allowed to move up the ladder into skilled trades in the city's mills. This idiocy meant black workers were paid less than white workers. Unfortunately, this also meant they were subject to higher rates of fatal industry-related illnesses – but Papa Joe hoped that music would lift his life. Michael's mother, Katherine Scruse, was from Alabama but lived in East Chicago, Indiana when she met Joe. Momma Katherine played clarinet and piano, had dreams of being a country-and-western performer, worked part-time at Sears, and was a Jehovah's Witness. She grew up listening to country & western music, and even though she had a dream to be a musician, she was stricken with a bout of polio that had left her with an unfortunate and permanent limp. Papa Joe and Momma Katherine were young when they married in 1949 and started on the idea of a big ol family. The first of the bunch was Maureen (aka Rebbie) in 1950, then Sigmund (aka Jackie) in 1951, Toriano (Tito) followed up in 1953, Jermaine in 1954, La Toya in 1956, Marlon in 1957. Then there came Michael in 1958, Randy in 1961, and little baby Janet in 1966, making her 16 years younger than Rebbie. Marlon was actually a twin but their brother, Brandon, died shortly after birth. M.J. and his cluster of brothers and sisters constantly had music around them. Papa Joe was super into the new electric R&B sound tearing up Chicago, which wasn't far away, not to mention the beginning stages of early rock & roll. So Papa Joe formed a band with his brothers called "the Falcons," making some extra coin in the surrounding area at parties and small clubs. In his 1988 autobiography, Moonwalk, Michael wrote, "They would do some of the great early rock & roll and blues songs by Chuck Berry, Little Richard … you name it," Going on to say, "All those styles were amazing, and each had an influence on … us, though we were too young to know it at the time." The Falcons eventually broke up, and Papa Joe put down his guitar and hid it in his bedroom closet. He wouldn't let anyone near it, let alone touch it, giving us insight into his control over the household. Regardless of Papa Joe's musical dismay, Momma Katherine taught her flock of kiddies how to harmonize while listening to her favorite country/western songs. Tito, just like daddy, was drawn to music and one day thought it was a bright idea to snag Papa Joe's precious guitar from the closet and take it to practice with his brothers. Well, guess what? He broke a string. Michael later said Joe whipped Tito for the infraction and, "he let him have it,." After the whoopin', Papa Joe told Tito to show him what he could do on the guitar. Well, Papa joe was floored. Tito impressed the crap out of him. Is it possible that at that very moment, Papa Joe's lightbulb blew a breaker and saw his musical dreams come to fruition vicariously through his kids? First, he bought Tito his own guitar and taught him some Ray Charles music, then he got Jermaine a bass. Soon he was working all his sons into an ensemble. So, I'm going to say yes, the breaker blew. Papa Joe loved the blues, but he appreciated that his kids liked the new R&B – Motown and soul – and more than likely saw dollar signs every time they mentioned it. Joe wanted Jermaine to be the lead singer with Jackie and Tito, and Michael and Marlon playing the tambourine and congas. Michael has said that his father told him he had a "fat nose" (just a little foreshadowing here) and abused him during rehearsals. Michael recalled that Joe often sat in a chair with a belt in his hand as his children rehearsed, ready to punish any mistakes. Joe acknowledged that he regularly whipped Michael. Katherine said that although whipping came to be considered abuse, it was a common way to discipline children when Michael was growing up. Jackie, Tito, Jermaine, and Marlon have said that their father wasn't abusive and that the whippings, which were harder on Michael because he was younger, kept them disciplined and out of trouble. Michael said his childhood was lonely and isolated. At just four years old, Momma Katherine saw Michael singing along to a James Brown song, and she saw – in both his voice and moves – he was already better than his older brother. So she told Joe, "I think we have another lead singer." Katherine would later say that sometimes Michael's precocious abilities frightened her – she probably saw that his childhood might give way to stardom – but she also noticed that there was something undeniable about his young voice. Michael was also a natural entertainer. He absolutely loved singing and dancing, and because he was so young, the choice was clear, Michael was young, AND Michael was BAD. Get it? No? He was fantastic, OK? Joe Jackson was good at what he did. "He knew exactly what I had to do to become a professional," Michael later said. "He taught me exactly how to hold a mic, make gestures to the crowd, and handle an audience." But by Joe's own admission, he was also unrelenting. "When I found out that my kids were interested in becoming entertainers, I really went to work with them," he told the time in 1984. "I rehearsed them about three years before I turned them loose. That's practically every day, for at least two or three hours. … They got a little upset about the whole thing in the beginning because the other kids were out having a good time. … Then I saw that after they became better, they enjoyed it more." That isn't always how Michael remembered it. "We'd perform for him, and he'd critique us," he wrote in Moonwalk. "If you messed up, you got hit, sometimes with a belt, sometimes with a switch. … I'd get beaten for things that happened mostly outside rehearsal. Dad would make me so mad and hurt that I'd try to get back at him and get beaten all the more. I'd take a shoe and throw it at him, or I'd just fight back, swinging my fists. That's why I got it more than all my brothers combined. I'd fight back, and my father would kill me, just tear me up." Those moments – and probably many more – created a loss that Jackson never got over. He was essential to the family's music-making, but there was no other bond between father and son. Again, from Moonwalk: "One of the few things I regret most is never being able to have a real closeness with him. He built a shell around himself over the years, and once he stopped talking about our family business, he found it hard to relate to us. We'd all be together, and he'd just leave the room." Around 1964, Joe began entering the Jackson brothers in talent contests, many of which they handily won. Michael started sharing lead vocals with Jermaine, and the group's name was changed to the Jackson 5. In 1965, the group won a talent show; Michael performed the dance to Robert Parker's 1965 song "Barefootin'" and sang the Temptations' "My Girl." From 1966 to 1968, the Jackson 5 toured the Midwest; they frequently played at a string of black clubs known as the Chitlin' Circuit as the opening act for artists such as Sam & Dave, the O'Jays, Gladys Knight, and Etta James. Oh, and James Brown. No one was as important to Michael as James Brown. "I knew every step, every grunt, every spin and turn," he recalled. "He would give a performance that would exhaust you, just wear you out emotionally. His whole physical presence, the fire coming out of his pores, would be phenomenal. You'd feel every bead of sweat on his face, and you'd know what he was going through….You couldn't teach a person what I've learned just standing and watching." The chitlin circuit was a collection of performance venues throughout the eastern, southern, and upper Midwest areas of the United States that provided commercial and cultural acceptance for African American musicians, comedians, and other entertainers during the era of racial segregation in the United States through the 1960s. The Jackson 5 also performed at clubs and cocktail lounges, where striptease shows were featured, and local auditoriums and high school dances. In August 1967, while touring the East Coast, they won a weekly amateur night concert at the Apollo Theater in Harlem, NY. "At first, I told myself they were just kids," Joe said in 1971. "I soon realized they were very professional. There was nothing to wait for. The boys were ready for stage training, and I ran out of reasons to keep them from the school of hard knocks." So in 1966, he booked his sons into Gary's black nightclubs and some in Chicago. Many of the clubs served alcohol and several featured strippers. "This is quite a life for a nine-year-old," Katherine would remind her husband, but Joe was undaunted. "I used to stand in the wings of this one place in Chicago and watch a lady whose name was Mary Rose," Michael recalled. "This girl would take off her clothes and panties and throw them to the audience. The men would pick them up and sniff them and yell. My brothers and I would be watching all this, taking it in, and my father wouldn't mind." Sam Moore of Sam and Dave recalled Joe locking Michael – who was maybe 10 years old – in a dressing room while Joe went off on his own adventures. Michael sat alone for hours. He also later recalled having to go onstage even if he'd been sick in bed that day. On those tours, the most famous place was the Apollo in New York, where the Jackson 5 won an Amateur Night show in 1967. Joe had invested everything he had in his sons' success, though any accurate recognition or profit would also be his success. While on the circuit, Joe had known Gladys Knight, who was enjoying a string of small wins with Motown, America's pre-eminent black pop label. With the encouragement of both Knight and Motown R&B star Bobby Taylor, of Bobby Taylor and the Vancouvers, Joe took his sons to Detroit to audition for the label after they opened for Taylor at Chicago's Regal Theater in 1968. Taylor produced some of their early Motown recordings, including a version of "Who's Lovin' You." In 1969, Motown moved the Jackson family to Los Angeles, set them up at the homes of Diana Ross and the label's owner, Berry Gordy, and began grooming them. Finally, Motown executives decided Ms. Ross should introduce the Jackson 5 to the public. Michael remembered Gordy telling them, "I'm gonna make you the biggest thing in the world. … Your first record will be a number one, your second record will be a number one, and so will your third record. Three number-one records in a row." In 1959, Gordy founded Tamla Records – which soon became known as Motown – in Detroit. By the time he signed the Jackson 5, Motown had long enjoyed its status as the most essential black-owned and -operated record label in America, spawning the successes of Smokey Robinson and the Miracles, the Temptations, Mary Wells, the Four Tops, and Diana Ross and the Supremes, among others. Unlike Stax and Atlantic, Motown's soul wasn't incredibly bluesy or gritty, nor was it music that spoke explicitly to social matters or to the black struggle in the U.S. By its nature, the label exemplified black achievement. Still, its music was made to be consumed by the pop mainstream – which of course, meant a white audience as much as a black one (the label's early records bore the legend "The Sound of Young America"). At the time, rock music was exceedingly becoming a medium for full-length albums. However, Motown maintained its identity as a label that manufactured hit singles, despite groundbreaking albums by Stevie Wonder and Marvin Gaye. Gordy was looking for a singles-oriented group to deliver hits for young people and give them somebody to identify as their own and admire. The Jackson 5, Gordy said, would exemplify "bubblegum soul." The Jackson 5 made their first television appearance in 1969 in the Miss Black America pageant, performing a cover of "It's Your Thing." Rolling Stone later described the young Michael as "a prodigy" with "overwhelming musical gifts" who "quickly emerged as the main draw and lead singer." The Jackson 5's first three singles – "I Want You Back," "ABC" and "The Love You Save" – became Number One hits as Gordy had promised, and so did a fourth, "I'll Be There." "I Want You Back" became the first Jackson 5 song to reach number one on the U.S. Billboard Hot 100; it stayed there for four weeks. It was originally written for Gladys Knight and The Pips and Diana Ross. The group was established as the breakout sensation of 1970. Fred Rice, who would create Jackson 5 merchandise for Motown, said, "I call 'em the black Beatles. … It's unbelievable." And he was right. The Jackson 5 defined the transition from 1960s soul to 1970s pop as much as Sly and the Family Stone. When many Americans were uneasy about minority aspirations to power, the Jackson 5 displayed an agreeable ideal of black pride, reflecting kinship and aspiration rather than opposition. Moreover, they represented a realization that the civil rights movement made possible, which couldn't have happened even five or six years earlier. Not to mention, the Jackson 5 earned the respect of the critics. Reviewing "I Want You Back" in Rolling Stone, Jon Landau wrote, "The arrangement, energy and simple spacing of the rhythm all contribute to the record's spellbinding impact." Yes, we all they were a fantastic group. However, there was no question about who the Jackson 5's true star was and who they depended on. Michael's voice also worked beyond conventional notions of male-soul vocals – it surpassed genders. Cultural critic and musician Jason King wrote, "It is not an exaggeration to say that he was the most advanced popular singer of his age in the history of recorded music. His untrained tenor was uncanny. By all rights, he shouldn't have had as much vocal authority as he did at such a young age." In May 1971, the Jackson family moved into a large house on a two-acre estate in Encino, California. Michael turned from a child performer into a heart-throbbing teen idol during this period. Michael and his brothers seemed like they were everywhere for at least the first few years and enjoyed the praise of the masses. But soon, they experienced some problematic limitations. The music they were making wasn't really of invention – they didn't write or produce it – and after Michael was relegated to recording throwback tunes like "Rockin' Robin," in 1972, he worried that the Jackson 5 would become an "oldies act" before he left adolescence. Michael released four solo studio albums with Motown: Got to Be There (1972), Ben (1972), Music & Me (1973), and Forever, Michael(1975). "Got to Be There" and "Ben," the title tracks from his first two solo albums, sold well as singles, as did a cover of the aforementioned, Bobby Day's "Rockin' Robin." They were frustrated by Motown's refusal to give creative input, so The Jackson 5 started producing themselves and creating their own sound. When given creative leeway, Stevie Wonder and Marvin Gaye showed the ability to grow and change – and sell records. And with 1974's "Dancing Machine," the Jacksons proved they could thrive when they tackled a funk groove and brought the robot dance into popularity. Motown, however, wouldn't consider it. "They not only refused to grant our requests," Michael said in Moonwalk, "they told us it was taboo to even mention that we wanted to do our own music." Michael understood this: Motown would not let the Jackson 5 grow. But unfortunately, they also wouldn't let him grow as an artist. So Michael waited, studying the producers he and his brothers worked with. "I was like a hawk preying in the night," he said. "I'd watch everything. They didn't get away with nothing without me seeing. I really wanted to get into it." In 1975, The Jackson 5 left Motown, and Joe Jackson negotiated a new deal for his sons with Epic Records for a 500 percent royalty-rate increase and renamed themselves the Jacksons, with younger brother Randy joining the band around this time. The contract also stipulated solo albums from the Jacksons (though the arrangement did not include Jermaine, who married Gordy's daughter Hazel and stayed with Motown, creating a rift with the family that lasted for several years). Motown tried to block the deal and stopped the brothers from using the Jackson 5 name. Instead, epic initially placed them with Philadelphia producers Kenny Gamble and Leon Huff. Still, it wouldn't be until 1978's "Destiny" that the Jacksons, with Michael as their primary songwriter, finally took control over their music and rebranded their sound with the dance-tastic hits "Blame It on the Boogie" and "Shake Your Body (Down to the Ground)," while bringing a newly found emotional embellishment in songs like "Push Me Away" and "Bless His Soul." Destiny, however, was just the start. After that, Michael was ready to make significant changes to establish his dominance as a solo artist. In 1977, Michael moved to New York City to star as the Scarecrow in The Wiz. It costarred Diana Ross, Nipsey Russell, and Ted Ross. The movie was a box-office failure but has gained significant traction as a cult classic. Its score was arranged by a gentleman named Quincy Jones, who later produced three of Michael's solo albums. In New York, Jackson often hung out at the Studio 54 nightclub, where he discovered early hip hop; this influenced his beatboxing on future tracks such as "Working Day and Night." In 1978, Jackson broke his nose during a dance routine. A rhinoplasty led to breathing difficulties that later affected his career. During this time, he fired his father as his manager and found himself a new father figure, that guy Quincy Jones. Jones was a respected jazz musician, bandleader, composer, and arranger who had worked with Clifford Brown, Frank Sinatra, Lesley Gore, Count Basie, Aretha Franklin, and Paul Simon. In addition, he wrote the film scores for The Pawnbroker, In Cold Blood, and In the Heat of the Night. Michael liked Quincy's ear for mixing complex hard beats with soft overlayers. "It was the first time that I fully wrote and produced my songs," Jackson said later, "and I was looking for somebody who would give me that freedom, plus somebody who's unlimited musically." Specifically, Michael said his solo album had to sound different than the Jacksons; he wanted a cleaner and funkier sound. These two getting together was history in the making. Quincy brought an ethereal buoyancy to Michael's 5th solo album, Off the Wall, and his soft erotic fever on songs like "Rock With You" and "Don't Stop' Til You Get Enough," and in a fantastic moment like "She's Out of My Life," Where Quincy pulled out and left the intense heartbreak in Michael's voice. The tears in She's Out of My Life are real. Jackson would break down in tears at the end of each studio take. "We recorded about - I don't know - 8 to 11 takes, and every one at the end, he just cried," producer Quincy Jones said. "I said, 'Hey - that's supposed to be, leave it on there.'" The resulting album was a massive hit, selling more than 5 million copies in the U.S. alone by 1985 and producing four top ten singles. It reached number 3 on the Billboard 200 and sold more than 20 million copies worldwide. “Don't Stop Til You Get Enough” was solely written by Michael. He decided to write the song after constantly humming the melody at home. Michael won three American Music Awards for his solo work in 1980: Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough." He also won a Grammy Award for Best Male R&B Vocal Performance for "Don't Stop 'Til You Get Enough." However, he thought he should have taken away more. The Doobie Brothers' "What a Fool Believes" won Record of the Year, and Billy Joel's 52nd Street won Album of the Year. Michael was stunned and kind of bitter. "My family thought I was going crazy because I was weeping so much about it," he later said. "I felt ignored and it hurt. I said to myself, 'Wait until next time' – they won't be able to ignore the next album. … That experience lit a fire in my soul." Michael told Quincy and others that his next album wouldn't simply be more immense than "Off the Wall," it would be the biggest album ever. Man, he wasn't lying. In 1981, Michael was the American Music Awards winner for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit. So what are royalties, you may ask? Music royalties are compensation payments received by songwriters, composers, recording artists, and their respective representatives in exchange for the licensed use of their music. Michael recorded with Freddie Mercury, the star-studded frontman of future Icons Queen, from 1981 to 1983, recording demos of "State of Shock," "Victory," and "There Must Be More to Life Than This." The recordings were supposed to be for an album of duets, but, according to Queen's manager Jim Beach, the relationship went to crap when Jackson brought a llama into the recording studio. Yes, a llama. Also, Michael was upset by Mercury's drug use. But yet... a llama. Luckily, those songs were released in 2014. Michael recorded "State of Shock" with Mick Jagger for the Jacksons' album Victory (1984), the fifteenth studio album by the Jacksons. The album was the only album to include all six Jackson brothers together as an official group; also, it was the band's last album to be entirely recorded with Michael as lead singer. In 1982, Michael contributed "Someone in the Dark" to the audiobook for the film E.T. the Extra-Terrestrial.

united states america music new york california new york city chicago man los angeles state americans sound ms philadelphia ny victory alabama dad forever night detroit african americans record abc indiana wall heat dark witness cultural miracles atlantic beatles vancouver midwest studio michael jackson rolling stones ground knight east coast apollo papa steel shock atlanta falcons billboard mercury grammy awards frank sinatra number one temptations stevie wonder aretha franklin my life tito jehovah circuit boogie james brown motown billy joel rockin sears marvin gaye mick jagger quincy jones freddie mercury lovin paul simon ray charles diana ross sly scarecrows little richard wiz chuck berry supremes latoya smokey robinson billboard hot gladys knight family stone american music awards jacksons etta james joe jackson gordy pips my girl moonwalk count basie sigmund apollo theater four tops epic records berry gordy encino in cold blood robert parker mary rose i want you back sam moore jason king young america blame it lesley gore mary wells papa joe clifford brown fool believes amateur night east chicago jon landau jim beach sam dave chitlin bobby taylor your thing leon huff rock with you dave marsh kenny gamble pawnbroker dancing machine stop til you get enough miss black america michael joseph jackson rebbie music me shake your body down

#Patti labelle love need and want you

THE MISTERman's Take

Play Episode Listen Later Apr 21, 2022 4:25

#Patti labelle love,need and want you # one of the greatest soul singers ever# classic song and vocals # songwriters Bunny Sigler and Kenny Gamble# song has been sampled by Nelly and Kelly Rowland and Outkast# respect --- Support this podcast: https://anchor.fm/mr-maxxx/support

outkast kelly rowland patti labelle kenny gamble bunny sigler

Soulbeat: Butler's Songwriters Workshop (04/04/22)

Play Episode Listen Later Apr 4, 2022

"La música negra se está involucrando intelectualmente. Se estaba metiendo en cosas que realmente tocan a la gente. La música en sí misma se está volviendo más honesta" JB Con José Manuel Corrales.

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Soulbeat: Butler's Songwriters Workshop (04/04/22)

sound philadelphia gamble motown mccartney huff spinners clive davis blue notes three degrees harold melvin billy paul cbs records philly soul leon huff kenny gamble

Play Episode Listen Later Apr 4, 2022

"La música negra se está involucrando intelectualmente. Se estaba metiendo en cosas que realmente tocan a la gente. La música en sí misma se está volviendo más honesta" JB Con José Manuel Corrales.

workshop butler songwriters dinah washington terry callier leon huff kenny gamble philadelphia international records soulbeat

Episode 37: Philly Soul and the Sound of the 70s

For the Record: The 70s

Play Episode Listen Later Feb 28, 2022 45:55

There is no single sound that defines the 70s but there is no doubt that Philly Soul, or the Sound of Philadelphia, is an essential element. The O'Jays, The Spinners, Three Degrees, Harold Melvin and the Blue Notes, and Billy Paul are just some of the artists that created silky, lush soul records under the direction of "The Mighty Three": Thom Bell, Kenny Gamble, and Leon Huff. With a distribution deal from Clive Davis at CBS Records, Gamble and Huff were not only the McCartney and Lennon of the 70s, they created Philadelphia's Motown. Their brand of soul, or "funk dressed in a tuxedo" was not just dressed up R&B, but also told stories and spoke to social issues that were part of the fabric of the 70s. --- Send in a voice message: https://anchor.fm/amy-lively/message

PIR Episode 4: Here to Create Music

Play Episode Listen Later Feb 25, 2022 18:43

On the fourth and final episode of The Story of Philadelphia International Records, we'll explore the fascinating passion projects that defined the late 1970s for PIR. This episode will cover the story of 1977's Let's Clean Up the Ghetto by The Philadelphia International All-Stars — a supergroup featuring Billy Paul, Archie Bell, Teddy Pendergrass, The Three Degrees and more — and Leon Huff's own 1980 solo album, Here to Create Music. We'll hear from Kenny Gamble, Leon Huff, PIR vocal trio The Jones Girls member, Shirley Jones, and Mark Anthony Neal, the James B. Duke professor of African American Studies at Duke University. This season of the VMP Anthology Podcast is hosted by John Morrison. It's written by John Myers and Alex Lewis, with help from John Morrison. It was produced by Alex Lewis and John Myers of Rowhome Productions, and executive produced by Amileah Sutliff. A special thanks to the people at Sony Music and Philadelphia International Records.

PIR Episode 3: Wake Up Everybody

Play Episode Listen Later Feb 25, 2022 18:31

Next up, our journey through Philadelphia International Records finds us right at the label's height of ubiquity during the mid-1970s. This episode will cover the story of Harold Melvin and The Blue Notes' 1975 record, Wake Up Everybody, and Dexter Wansel's widely sampled 1976 record, Life on Mars, featuring interviews from Kenny Gamble, Leon Huff, PIR vocal trio The Jones Girls member, Shirley Jones, and Mark Anthony Neal, the James B. Duke professor of African American Studies at Duke University. This season of the VMP Anthology Podcast is hosted by John Morrison. It's written by John Myers and Alex Lewis, with help from John Morrison. It was produced by Alex Lewis and John Myers of Rowhome Productions, and executive produced by Amileah Sutliff. A special thanks to the people at Sony Music and Philadelphia International Records.

PIR Episode 2: T.S.O.P (The Sound of Philadelphia)

Play Episode Listen Later Feb 25, 2022 17:15

Our second iteration of VMP's Anthology podcast on Philadelphia International Records starts off at the former site of Sigma Sound Studios, the long-gone historic recording studio where most of the artists on Philadelphia International recorded. This episode will cover the story of PIR house band MFSB's 1973 record, Love is the Message, and vocal trio The Three Degrees' 1973 self-titled release, and we'll hear from Kenny Gamble, Leon Huff, The Three Degrees's Valerie Holiday and PIR vocal trio The Jones Girls member, Shirley Jones. This season of the VMP Anthology Podcast is hosted by John Morrison. It's written by John Myers and Alex Lewis, with help from John Morrison. It was produced by Alex Lewis and John Myers of Rowhome Productions, and executive produced by Amileah Sutliff. A special thanks to the people at Sony Music and Philadelphia International Records.

PIR Episode 1: Start a Love Train

DivaTalkRadio - Divabetic

Play Episode Listen Later Feb 25, 2022 18:08

In the first episode of our podcast on The Story of Philadelphia International Records, we'll introduce you to our host, John Morrison, who will kick things off with a trip through the early days of Philadelphia International Records. We'll also explore 1972's Back Stabbers by The O'Jays and 1972's 360 Degrees of Billy Paul by Billy Paul, featuring exclusive interviews with Kenny Gamble, Leon Huff and Mark Anthony Neal, the James B. Duke professor of African American Studies at Duke University. This season of the VMP Anthology Podcast is hosted by John Morrison. It's written by John Myers and Alex Lewis, with help from John Morrison. It was produced by Alex Lewis and John Myers of Rowhome Productions, and executive produced by Amileah Sutliff. A special thanks to the people at Sony Music and Philadelphia International Records.

Praise Through The Process

#CGHTHOUGHT

Play Episode Listen Later Feb 18, 2022 35:59

Carvin Haggins sits down with Rock & Roll hall of fame inductee, Grammy award-winning, Co-Founder of Black Music Month, and co-creator of Philly Soul, Mr. Kenny Gamble. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Diabetes Late Nite Inspired by Teddy Pendergrass

Play Episode Listen Later Jan 11, 2022 73:00

Divabetic's first podcast of the year featuring Rachel Zinman, Arthur Aston, and Patricia Addie Gentle RN, CDCES. Rachel will be presenting a guided mediation you won't want to miss! Our musical inspiration, R&B singer Teddy Pendergrass, who was not living with diabetes, overcame many obstacles and continued to sing after a car crash in 1982 that left him in a wheelchair. Before the crash, Mr. Pendergrass's explosive, raw voice earned turned him into an international star and sex symbol. His masculinity, passion, and the joys and sorrow of romance were featured in songs such as Close the Door, Love T.K.O, and other hits that have since become classics. Teddy's longtime collaborator Kenny Gamble said, "He had a tremendous career ahead of him, and the accident sort of got in the way of many of those plans." Mr. Pendergrass suffered a spinal cord injury that left him paralyzed from the waist down - still able to sing but without his signature power. The image of the masculine, virile lover was replaced with one that drew sympathy. But instead of becoming bitter or depressed, Teddy Pendergrass created a new identity - that as a role model, Mr. Gamble said. "He never showed me that he was angry at all about his accident," Mr. Gamble said in a telephone interview with The Associated Press. "In fact, he was very courageous." After extensive physical therapy, he resumed his recording career. He had Top 10 rhythm and blues hits and gold albums into the '90s. We hope Teddy Pendergrass helps inspire you to focus on the positive in the face of challenges related to managing your diabetes. Throughout the podcast, we will be featuring music by Teddy Pendergrass courtesy of SONY Music.

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Billy Paul 1:7:22 7.56 PM

CAT BEAR

Play Episode Listen Later Jan 8, 2022 3:31

Keyboard player: Gail NoblesAll vocals: Gail NoblesPhoto credit: PhillyCAM/ WikipediaUsage: CC BY 2.0Only the Strong Survive is a song written by Jerry Buttler, Kenny Gamble, and Leon Huff and originally sung in 1968 by Jerry Butler. But Billy Paul also recorded Only the Strong Survive in 1977. He had his own version and it was released on the Philadelphia International label. It entered the singles chart on Nov. 17, 1977, had a chart life of seven weeks and a peak position of No. 33.Billy Paul is the man that sung the song Me and Mrs. Jones. That was also written by Kenny Gamble and Leon Huff. The song was released in 1972.Well, I hope you're enjoying the Cat Bear's music commentary. I'd like to thank you all for listening. You gave the Cat Bear a wonderful 2021. It hasn't been easy making the music, sounds, and voices and vocals for the podcast. Then writing down everything I say on top of that. Podcasting can be a lot of work depending on what you do. When I first starting podcasting, I had no idea how I was going to talk about music without music. I had to figure out how to beat and bang on the drums pads. I had a tough time trying to get the drums to record what I played. It's easy to just play the loops, but sometimes you might want a special beat or sound. So if you're thinking about you're own show, and if you want to talk about music, you might be surprised at what you come up with. It might turn out to be alright. Podcasting can make a creator out of you. You're listening to the Cat Bear. I'm you're host, Gail Nobles. I'll be back again soon with more music commentary. Goodbye now.

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Episode 55: Billy Amendola with Earl Young Part 1

The Modern Drummer Podcast

Play Episode Listen Later Oct 28, 2021 55:42

Welcome to this week's Modern Drummer Podcast with Billy Amendola and August 2021 MD cover artist Earl Young. Tune in to watch/listen to part 1 as Billy and Earl talk about how The Sound of Philadelphia (TSOP) was born—Earl's early days learning drums, going in the studio with the rhythm section Baker, Harris, Young, and how the trio began working with Kenny Gamble, Leon Huff, and Thom Bell - three of the most successful producer/songwriters of all-time. Parts of Earl's interview can be read in his cover story in both print/digital editions of MD but, we had so much to cover that we wound up talking for hours and having enough material for the magazine and two episodes for the MD Podcast. Earl's career is astounding because most people know him as the recording drummer/singer/performer of the Grammy award-winning group The Trammps. To this day, the group is still selling out shows around the world. Earl also happens to be one of the most recorded Disco/R&B/Soul drummers of all time. Earl created a whole new sound he innovated called disco. At one point, TSOP/MFSB/Salsoul turned out hit after hit after hit and had songs on the radio in the 1960s & 70s that are now “Soul/R&B/Disco classics.” Enjoy part 1, and please come back for part 2. “Burn Baby Burn!”

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Black Gold 8/7/2021 - Kenny Gamble( of Gamble & Huff) Birthday/ Philly Soul Celebration

Accelerated Radio Network

Play Episode Listen Later Aug 7, 2021 119:22

Black Gold every Saturday 2pm on AcceleratedRadio.Net

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EP 012 Kamilah Barrett Forster

I Miss Him Podcast

Play Episode Listen Later Jul 28, 2021 58:28

EP 012 - Kamilah's life changed at a Prince concert when she was dancing with friends in the 2nd row. She caught the Purple One's attention and he invited her to dance on stage with him. The rest is history. In this episode the triple threat (actress, singer and dancer) Kamilah Barrett Forster tells Melissa and Jasia her captivating story of how she was discovered by Prince and the friendship they carried throughout his life. She also shares the story of the connect that brought her a Prince so close together, her mother Vinnie Barrett. Vinnie Barrett is an awarded songwriter who has worked with R&B icons Kenny Gamble and Leon Huff (founders of Philadelphia International) and penned such hits as “Sideshow” and “Love Won't Let Me Wait.” Prince was a fan of Vinnie's to say the least. Full story in the episode. IG @kamilahbarrett4sterIMDB https://www.imdb.com/name/nm2053597/I Miss Him Podcast Socials:IG @istillmisshimpodcastFB https://www.facebook.com/ImisshimpodcastTwitter @imisshimpodcastCredits:"I Miss Him" Podcast Is:Produced & Hosted by Melissa Williams & Jasia Kiersnowski |All Art by #Jdawnink |Original Music by Michael Schifanelli |"Mushroom" by Uros R. |

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Kenny Gamble (Gamble & Huff - Phllly International Records)

One Hundred: The Ed Gordon Podcast

Play Episode Listen Later Jul 2, 2021 38:29

Ed has a conversation with Kenny Gamble, one half of the iconic writing and producing team that created the sound of Philadelphia. Gamble talks about the 50th anniversary of their record label Philadelphia International Records, the importance of their classic music and some of the famed artist that sang their songs including: Patti Labelle, Teddy Pendergrass and The O'Jays. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

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Gamble & Huff

Rock & Roll High School With Pete Ganbarg

Play Episode Listen Later Jul 1, 2021 66:22

As creators of the "Philly Sound" and their own Philadelphia International Records label, Kenny Gamble & Leon Huff have written and produced over 175 gold and platinum records, including all-time classics by The O'Jays, Billy Paul, Harold Melvin & The Blue Notes, MFSB, The Three Degrees, Lou Rawls, Teddy Pendergrass, and The Jacksons. Their hits include iconic classics like “Love Train” by The O'Jays and “Me And Mrs. Jones” by Billy Paul. In 1995, they were inducted into the Songwriters Hall Of Fame and in 2008, the Rock and Roll Hall of Fame. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Beano French & Brianna Castro

Love + Grit

Play Episode Listen Later Jun 1, 2021 29:53

Philly’s music scene is one of love, authenticity and community, with people like Kenny Gamble, Dyana Williams and Patti LaBelle supporting and producing unforgettable beats created in the City of Brotherly Love. Today’s hitmakers keep it real. West Philly’s Beano French and North Philadelphia’s Brianna Castro join the Love + Grit hosts in this episode to talk about their burgeoning music careers as Philly — and the nation — celebrates Black Music Month. Both artists are part of the Love + Grit Concert Series Presented by VISIT PHILADELPHIA®, an original series streamed exclusively on BlackStream Live, a new Twitch channel delivering curated live programming focused on Black culture, premiering June 1, 2021.

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50 Years Of Philadelphia International Records

Fresh Air

Play Episode Listen Later May 31, 2021 48:39

TSOP (The Sound of Philadelphia) was the theme from 'Soul Train,' and was one of the many hits written and produced by Kenny Gamble and Leon Huff for Philadelphia International Records, the label they co-founded. The label is celebrating its 50th anniversary this year. They recorded The O'Jays, Patti LaBelle, Harold Melvin and the Blue Notes, Teddy Pendergrass, Billy Paul, McFadden and Whitehead, Soul Survivors and more. We'll listen back to the interview Terry Gross recorded with Gamble and Huff in 2008, in which they talked about their partnership, their label, and some of their greatest recordings.Also, Kevin Whitehead reviews the album 'Black to Future' by the London quartet Sons of Kemet.

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50 Years Of Philadelphia International Records

Fresh Air

Play Episode Listen Later May 31, 2021 48:39

TSOP (The Sound of Philadelphia) was the theme from 'Soul Train,' and was one of the many hits written and produced by Kenny Gamble and Leon Huff for Philadelphia International Records, the label they co-founded. The label is celebrating its 50th anniversary this year. They recorded The O'Jays, Patti LaBelle, Harold Melvin and the Blue Notes, Teddy Pendergrass, Billy Paul, McFadden and Whitehead, Soul Survivors and more. We'll listen back to the interview Terry Gross recorded with Gamble and Huff in 2008, in which they talked about their partnership, their label, and some of their greatest recordings.Also, Kevin Whitehead reviews the album 'Black to Future' by the London quartet Sons of Kemet.

black future philadelphia sons gamble huff whitehead mcfadden patti labelle kemet terry gross teddy pendergrass soul survivor blue notes harold melvin billy paul leon huff kenny gamble philadelphia international records kevin whitehead

The Keynote Cafe's Interview with Vinnie Barrett

THE KEYNOTE CAFE

Play Episode Listen Later Mar 20, 2021 73:21

Host LaVelle Powell chops it up with legendary songwriter Vinnie Barrett, who has written some of the biggest classic hits for artists such as Major Harris, Blue Magic, Ronnie Dyson and many more. She is known as well for her hit collaborations with songwriter Bobby Eli and her work with music pillars Kenny Gamble and Leon Huff of Philadelphia International Records.

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Bobby Rush - "If you dont like the blues, you dont like ya mamma"

IncenseNashtrays

Play Episode Listen Later Mar 12, 2021 61:49

Bobby Rush started playing with Delta blues guitarists Boyd Gilmore and Elmore James in Arkansas during the early '50s before migrating to Chicago. Bobby's “Sock Boo Ga Loo” on the tiny Starville label was picked up by Chess Records in 1967, propelling the singer into the big leagues of R&B. BOBBY RUSH BIO In 1971, Bobby broke through on the national charts with the lowdown funk grinder “Chicken Heads” for Galaxy Records. “That was the first big record I ever had,” notes Rush. The song has since been featured in the film Black Snake Moan, HBO's Ballers, and more. Calvin Carter, the producer of “Chicken Heads,” put out Rush's '72 followup “Gotta Be Funky” on his own On Top logo and then sold Bobby's contract to Stan Lewis' Jewel Records in Shreveport, La. Lewis issued several Rush singles before Bobby made the major label leap in 1974 with “Get Out of Here” for Warner Bros. The sparkling album Rush Hour for Kenny Gamble and Leon Huff 's Philadelphia International empire should have made Bobby a huge star in 1979 but didn't receive its proper praise until the 2000s, when Rolling Stone recognized it as one of the best blues albums of the '70s. An encore LP was summarily shelved, and before long Rush moved back south to Jackson, Mississippi, where his legion of fans eagerly embraced him. The lascivious “Sue” didn't chart for him in 1983 on the LaJam imprint, but it blasted out of countless ghetto jukeboxes and sold over a million records. His reputation for spectacular live performances growing exponentially as he did a minimum of 200 shows a year. His mainstream recognition campaign commenced when he earned his first Grammy nomination for his 2000 album Hoochie Man, followed by an appearance in the Martin Scorsese-produced 2003 PBS docu-series The Blues with his own segment in the episode The Road to Memphis. To date Bobby has earned 12 Blues Music Awards and 48 nominations, including the prestigious B.B. King Entertainer of the Year Award and Album of the Year. Rush co-starred in the 2014 documentary Take Me to the River alongside Terrence Howard, Snoop Dogg, and Mavis Staples. That same year, Bobby joined Dan Aykroyd on The Tonight Show With Jimmy Fallon to perform two songs, marking his first late-night television appearance. In 2019 the feature film Dolemite Is My Name about Rudy Ray Moore making cult classic film Dolemite, was released in select theaters and on Netflix, starring Eddie Murphy, Wesley Snipes, Keegan-Michael Key and with a cameo by Bobby Rush. BOBBY RUSH BIO --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Raheem Islam Jr. (Owner of Cherish Philly)

Philly Famous Podcast

Play Episode Listen Later Feb 1, 2021 37:45

"Cherish Philly” restaurant owner Raheem Islam Jr. talks with Greg about his unexpected childhood in Jamaica, making wings for Don King at Kenny Gamble’s restaurant in South Philly, and how his family-influenced dishes reflect his philosophy on life and food. Go check out Philly's best new breakfast spot, Cherish Philly located at 7060 Germantown Ave, Philly PA 19119

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Episode 31: Philly Dogs Revue 01/16/21

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Play Episode Listen Later Jan 16, 2021 113:21

1 Crackle Ska The Higher Notes 03:13 Double Salute 2 Love Is All Buck D.D. Black 03:09 Mississippi Bluze Mass 3 Victory! Michelle David & The Gospel Sessions 04:20 2020 - The Gospel Sessions Vol. 4 4 Out In The Country David Ruffin 03:36 David - Unreleased LP & More 5 Play Me Marcia Griffiths 03:09 Sweet Bitter Love 6 From Warm To Cool To Cold Earl Gaines 02:57 Deluxe 125 45 7 Pullin' The Minits 02:18 Memphis 70: The City's Funk And Soul In The Decade After Otis, 1968-1978 8 One Part Love - Two Parts Pain (Atlantic 2728) Sam & Dave 03:10 I Got Everything I Need (Singles + More 1962-77) 9 Go Go Power Sugar Pie DeSanto 02:52 Go Go Power:Chess Records 10 Bad News Aaron Frazer 03:49 Introducing... 11 Amigo Black Slate 04:44 Black Slate 12 I Ain't New To This Leela James 02:31 My Soul 13 King's Man Darondo 04:20 Listen to My Song: Music City Sessions 14 Love Reverberation (feat. Jonny Benavidez) Adrian Quesada 03:42 Look At My Soul The Latin Shade Of Texas Soul 15 (Whats so Funny 'Bout) Peace, Love, and Understanding Candi Staton 04:07 Unstoppable 16 Rich Get Richer The O'Jays 04:24 Philly Sound 3: Kenny Gamble, Leon Huff And The Story of Brotherly Love (1966 - 1976) 17 Masters Of Greed (feat. Ruben Rodriguez and Anthony Carrillo) Rebel Tumbao 05:54 Rebel Tumbao 18 Clean the House Fat Freddy's Drop 04:15 Blackbird 19 A Day In The Life Black Merda 05:37 Renaissance 20 Spaceship: Earth feat. Anthony Joseph Mop Mop 05:59 Lunar Love 21 Dem People Go Dennis Ferrer 05:17 The Rough Guide To Afrobeat Revolution 22 Seven Nation Army Brass Roots 04:01 Good Life 23 the jam Graham Central Station 08:14 The Larry Graham & Graham Central Station Anthology Disc 1 24 Don't Stop Ya Lovin Erica Falls 04:52 HomeGrown 25 Funkship Area - 51 (feat. Christian McBride & Brother Nature) Bootsy Collins 04:00 The Power of the One 26 The Payback James Brown 07:40 The Payback 27 To Sir With Love Al Green 04:10 Truth N Time

Me And Mrs. Jones by Billy Paul

Classic 45's Jukebox

Play Episode Listen Later Jan 14, 2021

Label: Phil. Int'l. 3521Year: 1972Condition: M-Price: $15.00Listening to this Philly Soul classic again today, I was thinking that the spark of genius at work here, in the collaboration among Kenny Gamble, Leon Huff and Bobby Martin, is precisely the same as that which gave life to the Motown genius of producer/writers like Norman Whitfield & Barrett Strong, with miracles of Soul music such as "Just My Imagination" by the Temptations. Anyway, what I mean is... I love it! Not on the Rolling Stone, Dave Marsh or Kev Roberts lists? I think I'm hearing something those guys don't, cause to me this is a 2-star recommendation (our highest)! Note: This beautiful copy comes in a vintage Philadelphia Int'l Records factory sleeve. It looks very close to Mint (Labels, Vinyl) and has gorgeous, pristine Mint audio.

Christmas Eve with Frank McComb & Family

The Satin Lounge Interviews

Play Episode Listen Later Dec 24, 2020 33:48

#FrankMcComb #BestofTSL www.frankmccomb.bandcamp.com www.thesatinlounge.com Best of The Satin Lounge with Kia René welcomes back legendary soul singer, songwriter, and keyboardist Frank McComb & Family. For those unaware Frank McComb gifted The Satin Lounge with our original theme song. He's always been one of our biggest supporters, we share mutual support and love for one another. We were thrilled to have he and his family join us for this throwback for Christmas Eve. The McCombs share their holiday traditions, original Christmas music and indie hacks for creatives. Tune in as we celebrate the holidays with Frank's Christmas single "How I Remember Christmas" and "The Fans' Favorites a 3-CD set" which celebrates a decade of Frank McComb's music with songs chosen by the fans. We'll also discuss his latest CD "The Living Room" featuring Frank's LA-based trio, Robert Miller on drums, Anthony Crawford on bass. "The Living Room" is a live CD with no production, no backing vocals, bells or whistles and highlights the mastery of Frank as a vocalist and improvisational keyboardist. For your holiday playlist & perfect stocking stuffers consideration downloading his new single "Christmas 2020" (featuring Najee), "How I Remember Christmas" and "Christmas Day". Frank McComb has worked with Branford Marsalis's Buckshot LeFonque band, Prince, Teena Marie, Jazzy Jeff & The Fresh Prince, Philip Bailey, Chaka Khan, Gato Barbierie, The Rude Boys, Patrice Rushen, New Sector Movements, Philadelphia International Records legendary songwriting duo, Kenny Gamble and Leon Huff and a host of other artists. He's had two major label deals (Columbia and Motown's MoJazz group) and an indie contract (Malibu Sessions), releasing the albums Love Stories (co-produced by Marsalis) and The Truth. While with MoJazz he recorded two albums worth of material that were never released. In 2005, he took matters into his own hands and he launched his own record label Boobeescoot Music and prides himself on successfully releasing his music directly to his fans. Download his music! FRANK MCCOMB www.frankmccomb.bandcamp.com FACEBOOK @FrankMcCombFans INSTAGRAM @FrankMcComb TWITTER @MrFrankMcComb OUR SOCIALS www.thesatinlounge.com YouTube Channel #TheSatinLoungeLive INSTAGRAM @_thesatinlounge TWITTER @_thesatinlounge FACEBOOK @TheSatinLoungewithKiaRene www.kiarene.com INSTAGRAM @iamkiarene TWITTER @KiaRene FACEBOOK @iamkiarene --- Send in a voice message: https://anchor.fm/thesatinlounge/message Support this podcast: https://anchor.fm/thesatinlounge/support

Whitney Houston - Wanna Be Startin Somethin - 10:5:20, 9.26 PM

CAT BEAR

Play Episode Listen Later Oct 6, 2020 3:03

Story by: Gail NoblesJingle: Gail NoblesMusic by: Passion HiFhttp://www.thepassionhifi.comDo you remember when Whitney Houston sung live at MJ 30th Anniversary Celebration.? It was the year of 2001, and now when I look back at the video, Whitney was singing Michael's song as if it had been made for her to sing. "If you can't feed your baby, then don't have a baby". She was sining Michael Jackson's "Wanna Be Startin' Somethin'" with the same attitude and expression in her voice. Now I'm thinking Whitney sang "Greatest Love of All, The Star Spangled Banner", and a lot of good love songs. And every song she sang, she made it her own. Whitney had a talent for singing somebody else's song well. Dolly Parton's song, "I Will Always Love You". Whitney Houston was already a superstar. She could have been made a monstrous star. Whitney could have been a big threat. If someone like Kenny Gamble and Leon Huff was behind her with the kind of songs that they wrote, they would have made Whitney rest. They would have had to make her sit down and let somebody else make some cash. That's what a monstrous star is to me. You know what I'm saying? She was already making the cash. And to all those hip hop stars, if Whitney knew how to read a poem, she could have done a little rap too.Whitney Houston could do anything in music. She just didn't get a chance to do all that she wanted to do and all that was in her maybe. There were people that could have brought a lot more out of her. (Singing)I can hear her now in tune with Michael Jackson. I'm Gail Nobles and your listening to The Whitney Soul Podcast on the CAT BEAR.

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The Victor Brooks Show Episode 30 (Quarantine Series) Shirley Jones Of The Jones Girls

The Victor Brooks Show

Play Episode Listen Later Aug 20, 2020 74:40

I am honored to include this episode of the Incredibly talented Shirley Jones Of The Jones Girls. Shirley shares her journey that was shared by her equally talented sisters, collectively known as The Jones Girls. For during a half decade between 1979 and 1984, Shirley, Valorie and Brenda Jones created some of the most glorious Soul music around. Born and raised in Detroit in a gospel singing family, the Jones Girls spent the better part of the 60s and 70s as sought-after backing vocalists, first regionally and then on a national basis. Their attempts to break through as a singing group on a number of smaller labels (including a brief stint at Curtis Mayfield's Curtom label) failed, and they seemed destined to spend their careers harmonizing behind bigger artists. However, while serving as Diana Ross's backing group during a mid-70s tour, the girls were "discovered" by Kenny Gamble and were signed to Gamble & Huff's Philadelphia International Records. They came out smoking on PIR with their eponymous debut album and the infectious dance single "You Gonna Make Me Love Somebody Else," which stormed the pop, soul and dance charts. They followed with the beautiful ballad, "We're A Melody," a prototypical Philly song with sophisticated arrangements wrapped around their wonderful harmonies. Both drop dead gorgeous and talented, the Jones Girls were individually accomplished singers; but together, their voices were absolutely heavenly. And at PIR they found the perfect match in the melodic writing and lush production that Gamble & Huff and Dexter Wansel/Cynthia Biggs provided them. Their second and third PIR albums were gems. At Peace With Woman and Get As Much Love As You Can featured a number of now classic cuts, including the club favorite "Nights Over Egypt," the sassy "I Just Love the Man" and a timeless cover of the Stylistics' "Children of the Night." In what would prove a career mistake, the Jones Girls left Philadelphia International for RCA Records in 1984, and couldn't recapture the magic. They retired the group in 1985 and lead singer Shirley Jones went solo, returning to PIR in 1986 for Always In The Mood and its #1 hit, "Do You Get Enough Love." She continued to record sporadically over the next decade, and the group reunited from time to time for special concerts and issued a 1992 reunion album, Coming Back, in Europe. The sisters spent much of the next decade raising their children, occasionally reuniting for shows (particularly in Europe) and providing guest vocal help to other artists. They released Best of the Jones Girls in 2000, a great sampler of their work on PIR and an essential purchase for lovers of sophisticated, well orchestrated soul music. Sadly, sister Valorie died the next year. Currently, Brenda Jones lives in Atlanta and sings frequently with her four-piece band, performing both Jazz and R&B numbers, including several Jones Girls tunes.

Philly Dogs Revue 08/08/20

Play Episode Listen Later Aug 8, 2020 113:26

1 la ranita los destellos 02:45 sicodélicos 2 I'll Keep My Light In My Window New York Community Choir 02:41 Make Every Day Count (Expanded Edition) 3 The Warning Roy Tyler & New Directions 03:53 Three Way Calling 4 Get A Hold Of You Jr Thomas & The Volcanos 03:32 Beware 5 The Mighty Quinn Solomon Burke 03:03 Proud Mary -- The Bell Sessions 6 One Way Ticket to Nowhere Syl Johnson 02:30 The Complete Twinight Singles 7 Mr Fix It The Sisters Love 02:55 Give Me Your Love 8 Slow Motion, Part 1 Johnny Williams 02:58 Philly Sound 1: Kenny Gamble, Leon Huff & The Story Of Brotherly Love (1966-1976) 9 Camel Walk (Take 1) (Bonus) The Ikettes 02:35 Soul The Hits '65 10 What Goes Around Comes Around (Paula 386) Bobby Patterson 02:51 Then You'll Know (Discography 1966-83) 11 The Queen Of Starting Over Beverley Knight 03:48 Music City Soul 12 Singin' the Blues (Live) Ruthie Foster 03:44 Live at the Paramount 13 05 Blood Red Blues (Protest Song) The Devonns 04:25 The Devonns 14 All Power To The People Pt 1 Joe Savage & The Soul People 02:16 The World Needs Changing, Street Funk & Jazz Grooves 1967-1976 15 Cash In Your Face Stevie Wonder 04:00 Hotter Than July 16 I Am Somebody (Parts I & II) Johnnie Taylor 05:51 05 - One Step Beyond 17 Music Soothsayers 03:37 One More Reason 18 01_Creation (East LA) feat. Jimetta Rose Quantic Presents The Western Transient 06:11 Creation (East L.A.) feat. Jimetta Rose 19 Do It (This Time with Feeling) Cymande 04:49 Cymande A Simple Act of Faith 20 Time come Linton Kwesi Johnson 03:27 Forces of Victory 21 Voraz Newen Afrobeat 05:28 Curiche 22 Busy Dizzy And The Word Of Bird Jalal 07:33 On The One 23 Uhh (part 1 & 2) Dyke & the Blazers 06:06 Mortimer Compilation 24 We_Play_the_Funk_Feat_Bootsy_Collins_ Five_Alarm_Funk_ 04:03 advance single 25 Baby Baby Sonny Knight & The Lakers 03:11 I'm Still Here 26 Funked Up Gary Bartz 06:15 Can't Hide Love 27 Big Payback Martha High 06:37 Its High Time 28 Baltimore Jazmine Sullivan 05:04 Nina Revisited… A Tribute to Nina Simone

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Soulbeat - “Am I Black Enough for You” (20/07/20)

Play Episode Listen Later Jul 20, 2020

La elección de Kenny Gamble para aquel single de Billy Paul fue de confrontación “Am I Black Enough for You?”, "¿Soy lo suficientemente negro para ti?"

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For The Victims 06/05/20

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Play Episode Listen Later Jun 6, 2020 119:43

1 Cryin' in the Street Parts 1 & 2 George Perkins 03:21 Louisiana-Texas Wailers 2 Black Myself Our Native Daughters 03:55 Songs of Our Native Daughters 3 Let My People Go Darondo 03:55 The Soul of the Black Panther Era Vol 1 4 Time Will Tell Bob Marley And The Wailers 03:29 Kaya (German Box Set) 5 Something In The Air/The Revolution Will Not Be Televised Labelle 05:59 Pressure Cookin' 6 The World (Is Going Up In Flames) Charles Bradley 03:23 No Time For Dreaming 7 Exactly Like Me Willie Walker & The Butanes 03:38 Memphisapolis 8 Midnight Rider Charlie Whitehead 02:32 Songs To Sing - Charlie Whitehead Anthology, 1970-76 9 Putting Up Resistance Beres Hammond 03:48 10 What If? Karen Gibson Roc 03:14 Touching The Soul 11 If All I Was Was Black Mavis Staples 03:56 If All I Was Was Black 12 The Klan Gil Scott-Heron 04:50 Real Eyes 13 Equal Rights Peter Tosh 05:58 Equal Rights 14 03. To Be Invisible Curtis Mayfield 04:08 Sweet Exorcist 15 I Can't Breathe Queen Ifrica 02:53 Climb 16 Am I Black Enough For You Billy Paul 05:18 Philly Sound 2: Kenny Gamble, Leon Huff & The Story Of Brotherly Love (1966-1976) 17 Law Of The Land (Alternate Mix) Temptations 04:56 The Alternate Album - Vol 2 18 Is It Because I'm Black slim moore and the mar-kays 05:22 Introducing 19 Stand Up and Fight Back Jimmy Cliff 03:17 Give Thankx 20 Bullets_In_The_Street_and_Blood_feat_Raphael_Saadiq_ Cody Chesnutt 04:00 21 Change the System Oghene Kologbo & Afrobeat Academy 04:21 Remember Fela Anikulapo Kuti 22 Winter In America M1, Brian Jackson, The New Midnight Band 03:53 Evolutionary Minded -Furthering The Legacy Of Gil Scott-Heron (Kentyah Presents) 23 Police the Police The Souljazz Orchestra 03:50 Chaos Theories 24 Fight Harder Bunny Wailer 04:38 Reincarnated Souls 25 Revolution (Parts 1 & 2) Nina Simone 05:06 Legendary Nina Simone (CD1) 26 Dem Militarize Democracy Femi Kuti 04:34 One People One World 27 I Can't Breathe [feat. Mocean Worker] Marcus Miller 05:10 Afrodeezia 28 God Bless America for What Swamp Dogg 05:31 Rat On

Kenny Gamble

Questlove Supreme

Play Episode Listen Later Jun 3, 2020 119:53

This week on Questlove Supreme, a living legend joins the show. Kenny Gamble is considered one of the greatest composers, producers and music businessmen of all time. The cofounder of Black Music Month, he and his partner Leon Huff literally crafted The Sound Of Philadelphia. So get ready to join him along with Questlove and Team Supreme. Class is now in session! Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

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Soulbeat - Philadelphia International Records (01/06/20)

Play Episode Listen Later Jun 1, 2020

"Los discos de soul de Filadelfia tenían la capacidad de romper el gran dominio pop si solo una empresa pudiera reconocer esa situación". Kenny Gamble canalextremadura.es

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John Madara ~ GRAMMY® Hall of Fame Honoree, "Rock n Roll is Here to Stay!"

Play Episode Listen Later May 27, 2020 36:41

Happy Birthday to John Madara!! Iconic Hit Writer: "At The Hop", "Rockn Roll is Here to Stay", "You Don't Own Me" "1-2-3" & More John Madara was born & grew up in Philadelphia, PA at a time when the city was teeming with groups and artists such as The Spaniels, the Clovers, Harvey and the Moonglows, Billy Ward and the Dominos and the great Jackie Wilson. Rock and Roll was starting to take root and John Madara was destined to make rock and roll history. In 1957, John launched his solo career, with his first record, "Be My Girl," reaching the national charts. That same year, John co-wrote with Dave White a song called “Do The Bop." On the advice of Dick Clark, whose local show, American Bandstand, had just gone national, the title and lyrics were changed to “At The Hop." Danny and the Juniors, recorded it, and by Christmas of 1957, it had reached the top of the pop and R&B charts worldwide. “At The Hop” remained #1 for an astounding 7 weeks, the first record ever to reach that success, and it has remained a rock and roll classic to this day. Following “At The Hop," John produced and co-wrote with Dave such mega-hits as “The Fly” (Chubby Checker)“You Don’t Own Me” (Lesley Gore) among other smash hits. He also produced for Danny and The Juniors, “Rock and Roll Is Here To Stay." In 1965, John and Dave started their own publishing company, discovering and signing new songwriters. The company was very successful, and in 1984, it was sold to Michael Jackson. In the Mid ‘60s, John and Dave formed a group called “The Spokesmen” and released “The Dawn of Correction," an answer song to the enormous hit “Eve of Destruction” by Barry McGuire. At the same time, John was producing for other artists when he discovered a young man, Leon Huff, who later teamed up with Kenny Gamble and became one of the most prolific songwriting teams in the history of rock and roll, defining an entire category of Black popular music known as "The Sound of Philadelphia." He also discovered one of the most prolific duos of all time, Daryl Hall and John Oates. With them he produced two albums. John moved to L.A. in the ‘70s, where he found success writing and producing for movies and television. He produced the soundtrack for the James Caan/Marsha Mason movie, “Cinderella Liberty," and also produced the title song for the Cliff Robertson movie “Ace Eli and Roger of the Sky.” In the mid ‘70s, he was music supervisor for the hugely successful “Sid and Marty Kroft Comedy Hour." This was in conjunction with an ABC Comedy Hour and network special which launched the new ABC season. During that time, John wrote and produced the music for the show, and was hands on with the mixing and editing. In the late ‘70s, he also wrote the theme song for ABC Sports, which ran for two years. Through the years, John has produced albums and singles for companies such as CBS, Warner Bros., Polydor, Atlantic, Paramount, 20th Century, MGM and ABC Records. It would seem appropriate that John would spend two years of his life working in Las Vegas was also becoming a happening place for singers and performers. So it ng with one of the most successful performers of all time, Wayne Newton. He produced two of Wayne’s albums and also produced and wrote songs for a Christmas television special for Wayne on CBS. Madara/White songs have reached millions of people through radio, films and television. Worldwide sales of their songs and productions have reached over 2 hundred million records. Their songs have appeared on some of the biggest grossing soundtrack albums of all time, including “American Graffiti” and “Woodstock” (At The Hop), “Grease” (Rock and Roll is Here to Stay), “Hairspray” (The Fly and You Don’t Own Me), “Mr. Holland’s Opus” (1-2-3), and “Dirty Dancing” and “The First Wives Club” (You Don’t Own Me). It was the 1996 hit film, “The First Wives Club," that paid the contemporary power of their talent the ultimate compliment by not only featuring “You Don’t Own Me” but by making it the theme of the movie. John has continued to write and produce music, working with young, up-and-coming artists. He has always been a futurist, excited about working with new technology and incorporating it into his music and productions. His hands-on approach to every project he is involved in, whether it be as a writer, producer, music supervisor, editor, engineer or mixer, has enabled John to maintain the sound that is uniquely his own. In March of 2001, “At The Hop” was voted by the Recording Industry Association of America as one of the top 100 songs of the century. The soundtrack album, “Grease," was voted one of the top albums of the century. “Rock and Roll Is Here To Stay” is featured on that album. John recently finished producing an album with Tony Danza, following a hugely successful radio hit single that he also produced, “The House I Live In.” He is also working on a feature film, “At The Hop.” In 2016, his song with the late singer ,songwriter Dave White "You Don't Own Me" was made a #1 Hit all over again with 19 year old Austrailian singer " Grace" and features G-EAZY. It was Produced by Quincy Jones. ~ thatphillysound.com 2020 All Rights Reserved © 2020 BuildingAbundantSuccess!! Join me on iHeart Radio ~ https://tinyurl.com/BASiHeartRadio Spotify @ https://tinyurl.com/BASonSpotify "Follow Me" on Twitter ‎@SabrinaMarieW

FSQ with Chuck Da Fonk

The Face Radio

Play Episode Listen Later Apr 1, 2020 119:47

"Funny" songs about "jokes" and "fun" in the spirit of April Fool's Day - for example jams with those words in the title by George Clinton, Chic, Sly & The Family Stone, Cameo, Kenny Gamble, The Time, and Mtume. Who knew there are 3 different songs called "Funny Funk" ?! One French, One Finnish, and One by the legendary George Duke and we play them all. Plus in the 2nd hour a special tropical disco DJ set by Mexico City based DJ and production duo Djeko & K'You.Catch FSQ with Chuck Da Fonk every Wednesday from 12 Noon - 2 PM EST / 5 - 7 PM GMT.For a complete track listing, visit: https://thefaceradio.com Facebook: https://www.facebook.com/fsqofficial/Instagram: https://www.instagram.com/fsqofficial/Soundcloud: https://soundcloud.com/fsqofficialTwitter: https://twitter.com/fsqofficial Support The Face Radio with Patreon See acast.com/privacy for privacy and opt-out information.

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Soulbeat - Virtue Studios & Jimmy Bishop (30/03/20)

Play Episode Listen Later Mar 30, 2020

Uno de los primeros clientes de Virtue, que tenía una de las dos mesas de grabación de tres pistas en la ciudad, fue Jerry Ross quien hizo que Kenny Gamble y Tommy Bell grabaran allí. canalextremadura.es

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The Soul Suvivors ~ "Expressway to Your Heart", Philadelphia International's #1 Major Music Hit Breakthru