Podcast appearances and mentions of Barton Fink

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

On this new entry in the special episode series Breaking It Apart, I'm joined by Mike Miley, author of the book David Lynch's American Dreamscapes, to do a first of its kind episode... A look at films that may have been inspired by the collective works of David Lynch. Undoubtebly one of the most influential figures in cinema, after he recently passed away, it only made sense to do this episode on his full filmography rather than a single film. Puzzle pieces include Natural Born Killers, Synecdoche New York, Barton Fink and I Saw The TV Glow.As always, SPOILER ALERT for any of the movies we discuss!Mike Miley is a professor and writer whose most recent book is David Lynch's American Dreamscape.Check out Mike's work at https://www.mikemiley.com/And follow Mike on Instagram @mikecmileyMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Warm" from the new album MISSING PIECES.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts,

Michael Charles Lerner (June 22, 1941 – April 8, 2023) was an American actor. He was nominated for the Academy Award for Best Supporting Actor for his role as Jack Lipnick in Barton Fink (1991). Lerner also played Arnold Rothstein in Eight Men Out (1988), Phil Gillman in Amos & Andrew (1993), The Warden in No Escape (1994), Mel Horowitz on the television series Clueless, Jerry Miller in The Beautician and the Beast (1997), Mayor Ebert in Roland Emmerich's Godzilla (1998), Mr. Greenway in Elf (2003), and Senator Brickman in X-Men: Days of Future Past (2014). PICTURE: By CNN - CNN, Fair use, https://en.wikipedia.org/w/index.php?curid=74462544

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Happy 2025 My Dear Discover Indie Film Listeners! Our first podcast release of the year is a follow up to Tuesday's very special talk with filmmaker Peter Menchini. Peter Menchini directed the animated short, “When Mama and Me Lived Outside,” that took home the Grand Jury Award for Best Short Film – Animation at Film Invasion Los Angeles in 2023. I am delighted to launch this new year/new chapter with Peter's 4Qs. Anyone who wants to buy Tiny's book, and you SHOULD, can do so here: https://www.poorpress.net/ You can learn more if you visit Poor Magazine's website: https://www.poormagazine.org/ And, finally, Peter shared this fun video with us: https://vimeo.com/270538513. In his words, “A scene from Barton Fink for a directing class. Charlie, carrying a shotgun, sets the hotel on fire, then goes upstairs where 2 cops have Barton handcuffed to his bed. Each shot becomes more orange, and then we also had to simulate flames with no budget. I just think that's so fun.” _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

A Very Happy New Year's Eve to You All! I hope everyone is feeling healthy, rested and peacefully reflective on this past year. One thing that certainly filled my 2024 cup to the brim is all the amazing chats with talented, interesting filmmakers. I'm thrilled to end the last day of this year with one more, and I think it's a great one. Peter Menchini directed the animated short, “When Mama and Me Lived Outside,” that took home the Grand Jury Award for Best Short Film – Animation at Film Invasion Los Angeles in 2023. I referred to this film as an “animated documentary” and Peter agreed. This unique, compelling and meaningful film tells the story of Tiny Gray-Garcia's children's book of the same name, utilizing the artwork in creative and original ways to support the story. We had a wonderful screening of “When Mama and Me Lived Outside” at FILA 2023 that included a great Q&A with Peter and Tiny. I knew that it would be a wonderful and rewarding interview if or when Peter had time to do the podcast. Much to my delight we were able to record a Zoom interview and Peter did not disappoint, as the conversation is fantastic and, to me, particularly meaningful. Peter shared the following links: Anyone who wants to buy Tiny's book, and you SHOULD, can do so here: https://www.poorpress.net/ You can learn more if you visit Poor Magazine's website: https://www.poormagazine.org/ And, finally, Peter shared this fun video with us: https://vimeo.com/270538513. In his words, “A scene from Barton Fink for a directing class. Charlie, carrying a shotgun, sets the hotel on fire, then goes upstairs where 2 cops have Barton handcuffed to his bed. Each shot becomes more orange, and then we also had to simulate flames with no budget. I just think that's so fun.” I think it's fun, too! _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

SEASON 2 - EPISODE 118 - Mark Bridges - Costume Designer In his podcast debut, costume designer Mark Bridges (THE FABELMANS, JOKER, PHANTOM THREAD) speaks with us on this episode of the Team Deakins Podcast. Mark was once a costume assistant on BARTON FINK and HUDSUCKER PROXY alongside Mary Zophres (Season 1, Episode 80), and he shares how he made the jump to being a costume designer in his own right after meeting director Paul Thomas Anderson to work on his debut feature, HARD EIGHT. Throughout the episode, we discuss Mark's approach to his work, and he shares how he builds out a character's closet through diligent research and frequent testing. We also discuss how Mark communicates with the hair and makeup department, and he describes the types of conversations he has with the actors embodying a film's characters. Later, Mark discusses how he designs costumes in black-and-white, and he reflects on the extra legwork done to get ahead of any potential problems while shooting on location. And, while sharing advice at the end of the episode, Mark cautions young designers against making it about the money. - This episode is sponsored by Aputure

Ok . . . ok . . . come on, Max . . . you've done over three hundred of these . . . it's not that hard . . . just write. Just write SOMETHING. Oh god, why does a blank white screen look so horrible? Why is my keyboard laughing at me? Come … Continue reading "Episode 313 – Barton Fink (1991)"

This week we discuss writing as torture with one of us actually being a tortured writer. The films are the Stephen King adaptation Misery and the Coen Brothers classic Barton Fink. Timings for this week are: Misery (02:33) Barton Fink (30:49) Follow us on social media: Instagram Twitter Threads Bluesky Letterboxd Facebook Email: frame.to.frame250@gmail.com Gothamlicious by Kevin MacLeod Link License Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Wie immer gibts frische Ware immer am Dienstag, kommen sie ran, kommen sie ran - unsere Rezensionen sind die besten!!!

On episode 256 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Josh Parham to discuss Sean Baker's latest film, Anora, and discuss their favorite films to win the prestigious Palme d'Or award. While we are coming towards the end of fall festival season, one of the hottest festival films of the year was the winner of the Palme d'Or at the Cannes Film Festival back in May. Anora, written and directed by Sean Baker and starring Mikey Madison, has been the one of the most talked about films of the year, garnering praise from audiences around the world and setting itself up for a big run later this Oscar season. But just how good is the film? Ryan, Josh, and Dan breakdown Baker's latest, what they think of the film overall, the performances, mild discussion on the film's ending, and where they see its path in the Oscar race moving forward. Once they were done with that, they moved into a larger discussion over their favorite past winners of the top prize at the Cannes Film Festival, the Palme d'Or. With some of the most influential, celebrated films of their respected years winning the award, the Palme d'Or is a signal for excellence in cinema. Some of the films discussed ranged from All That Jazz, Taxi Driver, Pulp Fiction, The Piano, Brief Encounter, Blow Up, The Conversation, Parasite, Shoplifters, Barton Fink, The Umbrellas of Cherbourg, The Tree of Life, and many more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h49m. We will be back next to do discuss the main trifecta of fall festivals - Telluride, Toronto and New York - then in two weeks for AFI FEST Film Festival and take a look at the Oscar race after each. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us a textIn which we contemplate the life of the mind, and works of John Goodman

On this week's episode of Sole Free Harlan Friedman celebrates 80 years of Robert De Niro with actor John Turturro from De Niro Con. A career-spanning exhibit celebrating 80 years of Robert De Niro with over 300 items primarily sourced from his personal archive including rare images and video, annotated scripts, costumes, research materials, and storyboards. Plus, born and raised New York actor John Turturro (Do The Right Thing, Barton Fink, The Big Lebowski, Quiz Show, Rounders, The Batman) chimes in on the iconic De Niro. EXECUTIVE PRODUCERS: Harlan Friedman and @donnadrakeshowPRODUCER/EDITOR: Robin C. Adams#DeNiro #JohnTurturro #nyc #spikelee #CoenBrothers #brooklyn #tribeca #acting #fyp #highlights #motivation #motivational #solefree FOLLOW HARLAN ON INSTAGRAM: @theofficialharlanAbout Harlan:Harlan Friedman is a dynamic creative and influencer whose content blends engaging interviews with hip-hop, sports and film legends like Funkmaster Flex, Michael Strahan and Robert De Niro, collaborations with cultural icons, and behind-the-scenes glimpses into the worlds of music, fashion, film and sneaker culture. Known for capturing the vibrant energy of events and brand partnerships, Harlan's posts resonate with hip-hop enthusiasts and those passionate about the broader street culture, showcasing a unique influence across these spheres.

Dixon, un guionista amargado, bebe ginebra con soda y no suele ver las películas que escribe. Irascible, al borde del precipicio, sus ojos demacrados se reflejan en el retrovisor, ya en la primera escena quiere partirle la cara a un tipo al volante, es su carta de presentación en este noir esplendido realizado por Nicholas Ray. Destila magia a borbotones la atracción entre dos almas vecinas de soledad, Humphrey Bogart y Gloria Grahame. El guionista tiene una invitada que su vecina mira de reojo, en pocas horas será sospechoso de su asesinato. Dixon -Bogart- no aprecia en absoluto la novelucha que relata la pobre chica del guardarropa que morirá después, se la cuenta en su apartamento porque así le ahorra tener que leerla. En el film real a Nicholas Ray tampoco le convencía la obra original de Dorothy Hugues, en la que Dixon si era un asesino, en lugar de un tipo violento y bebedor que no sabe controlarse, y contó con Andrew Solt para adaptarla. Otro paralelismo entre la ficción y la realidad estriba en que Ray y Gloria Graham eran pareja y estaban al borde de la ruptura, y por supuesto las semejanzas del protagonista con el propio Bogart. El caso sin resolver de la chica asesinada sirve como pretexto para el interés real del film, la atracción entre Laurel y Dixon. Quizá el último refugio del lobo, esa mujer de ojos somnolientos que ríe mientras sueña y sufre en la vigilia, que le mira desde la ventana contigua y es capaz de decir en una comisaría con policías por medio que el sospechoso le parece un hombre atractivo. "Nací cuando ella me besó, morí el día que me abandonó, y viví el tiempo que me amó", la frase que ha escrito Dix y no sabe donde colocar, le pide su opinión a Laurel y ella le sugiere que la utilice de nota de despedida. En un lugar solitario es uno de los grandes films de cine negro sobre un romance y sobre el propio cine, a la altura de otros dos tan buenos como El crepúsculo de los dioses -Wilder- o Barton Fink de los Coen, más descarnado y cínico si cabe, no podía ser de otra forma siendo obra del director de “Los amantes de la noche” o “La casa en la sombra”, o “Más poderoso que la vida”. Esta noche intentamos no sospechar del guionista… Salvador Limón, Raul Gallego y Zacarías Cotán

We wrap July with Barton Fink (1991); a film that was perhaps second only to Trust (1990) in it's influence on a teen Keithy.Turturro, Goodman, Buscemi, Mahoney, Shaloub -- there's lots to enjoy about this movie. Plus we talk: Holocaust/Nazi/WWII fetishism in the US, the Hollywood trap, and Cradle Will Rock (1999). Plus our reflection on this month's selections. Referenced materials: The Story Department | Screenwriting for SoundJessFlix | Why Barton Fink Terrifies MeEvery Frame A Painting | Shot/Reverse ShotCoens & Turturro on Dick Cavett, 1991 +++++ Outro: Marc Blitzstein & Shirley Booth performing I've Got the Tune Theme by Professor Ping available on Bandcamp --- Support this podcast: https://podcasters.spotify.com/pod/show/zandkmoviepod/support

Tony and Jay meet for the first time. We talk about the depth of his character, Primo, in “The Big Night” and why Jay can't find that depth in real like. We also chat about growing up the 9th of 10 kids, the acting scene in Green Bay, WI., tailoring Monk for Tony, auditioning, the struggles of being an actor, & Tony's biggest mistake which lead to his greatest joy, acting in Italian, being a creative producer, the magic of connection in live performance, and why we both wish we were Richard Kind.Bio: Tony Shalhoub is a Tony Award, Golden Globe Award and four-time Emmy Award winning actor with a diverse and extensive resume. Most recently, he returned to the iconic role of the beloved obsessive-compulsive detective Adrian Monk in Peacock's critically acclaimed Mr. Monk's Last Case: A Monk Movie receiving ‘Best Actor' in a ‘Limited Series or Television Movie' nominations from the SAG and Critics Choice Awards. Shalhoub was born and raised in Green Bay, Wisconsin. His father emigrated from Lebanon to the United States as an orphan at age eight. Shalhoub's mother was also Lebanese. Tony spent most of his early acting career in the theater, after graduating from Yale Drama School in 1980. From 1980-1984 Tony was part of the company with the American Repertory Theater in Cambridge, before moving to New York. He met his wife Brooke Adams in 1990 while working together in The Heidi Chronicles. Prior to the Monk movie, Shalhoub portrayed Abe Weissman on Amazon Prime Video's The Marvelous Mrs. Maisel, for which he has won the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series and two SAG awards for Outstanding Performance by a Male Actor in a Comedy Series. Most recently he received his third Primetime Emmy nomination for his role in The Marvelous Mrs. Maisel. On the Broadway stage, Shalhoub most recently starred in David Cromer's The Band's Visit at The Ethel Barrymore Theater, winning a Tony for Best Performance by a Leading Actor in a Musical. Prior to that, Tony starred in Terry Kinney's revival of Arthur Miller's The Price opposite Mark Ruffalo and Danny DeVito. Tony's other theater work includes starring in the Broadway productions of Act One, Golden Boy and Conversation With My Father, receiving Tony Award nominations for each performance. Tony also appeared opposite Diane Lane in Lincoln Center's Off-Broadway production of The Mystery of Love & Sex. Tony Shalhoub is perhaps best known for his work as Adrian Monk in the hit USA Network television series Monk where he was Emmy-nominated for ‘Outstanding Lead Actor in a Comedy Series' for eight consecutive years (2003 to 2010), winning in 2003, 2005 and 2006. Additionally, Shalhoub won a Golden Globe Award and two SAG Awards for his work on the show. Other notable TV credits include ‘Antonio Scarpacci' in Wings, Braindead, Stark Raving Mad, Too Big Too Fail and Nurse Jackie, Shalhoub's film credits include Eva Longoria's Flamin' Hot, The Assignment, Pain & Gain, The Men In Black franchise, Galaxy Quest, The Siege, The Man Who Wasn't There, Big Night, Barton Fink as well as voicing the character of ‘Luigi' in the CARS franchise and ‘Master Splinter' in Teenage Mutant Ninja Turtles franchise.

Los chicos de Par-Impar llaman al guionista Fernando Castets (El Hijo de la Novia) para hablar de Barton Fink, una de las primeras joyas de los Coen.

Gus and Adam discuss the Coen Brothers' fourth movie. The What are you Watching? segment includes discussions of Next Goal Wins and Drive to Survive. follow us on Instagram: @a_movie_odyssey

This episode is pretty self explanitory. We talk about every single Coen Brothers directed project in order of release and he are all the titles and time codes for your viewing covinence. BLood Simple (2:11), Raising Arizona (6:38), Millers's Crossing (10:48), Barton Fink (14:31), The Hudsucker Proxy (18:19), Fargo (21:15), The Big Lebowski (26:42), Oh Brother Where Art Thou (36:35), The Man Who Wasn't There (41:59), Intolerable Cruelty (45:48), Lady Killers (50:10), No Country For Old Men (53:44), Burn After Reading (1:00:35), A Serious Man (1:06:31), True Grit (1:11:16), Inside LLewyn Davis (1:15:34), Hail Ceaser (1:20:31), The Ballad of Buster Scruggs (1:23:49), The Tragedy of Macbeth (1:26:50), and finally the newest release from specifically Ethan Coen Drive-Away Dolls (1:30:41)

Do you remember when Ryan Spar joined us a couple of weeks ago to discuss that amazing hockey stats dashboard? Well, we're heading back onto the ice to delve deeper into that theme, but with a new twist. This time, we're homing in on something incredibly crucial, yet often elusive in the world of data and beyond: the art of really listening to what people have to say. In today's episode, we circle back to Rob's Amazing Indy Inline Hocky Stats Dashboard. Initially, it captivated us with its insightful analytics and dynamic visuals, but the journey didn't stop there. With an unexpected gap in his schedule, Rob took the opportunity to share how the project is evolving, fueled by ongoing feedback from players and data enthusiasts alike. He reveals how the transition from merely displaying data to actively incorporating stakeholders' feedback has elevated the dashboard, making it a more meaningful and inclusive tool for the entire hockey community. So, strap in for an episode that seamlessly blends sports, data, and the power of effective communication. Discover the transformative impact of not just showcasing numbers, but truly understanding and responding to the needs and voices of those involved. If this episode resonates with you, we'd love to hear your thoughts. Don't forget to leave us a review on  your favorite podcast platform and and be sure to stay tuned for more Raw Data stories! Also on this episode: Barton Fink

Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:Bridge of Spies (2:16)Barton Fink (6:15)Self Reliance (8:18)2) The Big Recommend: Being There (12:20)3) Surprise Double Feature: ????????  (49:55)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Our Sponsors:* Check out Factor 75 and use my code recotopia50 for a great deal: https://www.factor75.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We are reviewing the 90s comedy movies bracket that social media voted on. Please let us know what movie should be the best comedy of the 90s. Black Sheep (1996)Ace Ventura: When nature Calls (1995)Airheads (1994)The Meteor Man (1993)Major Payne (1995)Toy Story (1995)Half Baked (1998)Toy Story 2 (1999)Empire Records (1995)Groundhog Day (1993)The Players club (1998)The Full Monty (1997)Nothing to lose (1997)The Truman Show (1998)Don't Be a menace to South Central while drinking your juice in the hood (1996)Dave (1993)Don't Tell mom the babysitter's dead (1991)Fargo (1996)The Waterboy (1998)Being John Malkovich (1999)Coneheads (1993)House Party (1990)Home Alone 2: Lost in New York (1992)Men in Black (1997)Bebe's Kids (1992)Dazed and Confused (1993)Blue Streak (1999)Election (1999)Hocus Pocus (1993)City Slickers (1991)Big Daddy (1999)Barton Fink (1991)Can't Hardly Wait (1998)Galaxy Quest (1999)Billy Madison (1995)Matilda (1996)Doctor Dolittle (1998)Rushmore (1998)Bad Boys (1995)Clerks (1994)Tommy Boy (1995)Get Shorty (1995)Death Becomes Her (1992)Swingers (1996)Robin Hood: Men in tights (1993)Flirting with Disaster (1996)Space Jam (1996)My Cousin Vinny (1992)Small Soldiers (1998)Pleasantville (1998)Ace Ventura: Pet Detective (1994)Bottle Rocket (1996)Fear and Loathing in Las Vegas (1998)Hot Shots! (1991)Kingpin (1996)What about Bob? (1991)Kindergarten Cop (1990)The Big Lebowski (1998)CB4 (1993)There's Something About Mary (1998)Life (1999)Liar Liar (1997)Austin Powers: The Spy Who Shagged Me (1999)Grosse Pointe Blank (1997)The Cable Guy (1996)Clueless (1995)George of the Jungle (1997)Bowfinger (1999)Mars Attacks! (1996)The Birdcage (1996)Bill & Ted's Bogus Journey (1991)Office Space (1999)Mallrats (1995)South Park: Bigger, Longer & Uncut (1999)Kicking and Screaming (1995)A League of their own (1992)Rush Hour (1998)The Mask (1994)Wayne's World 2 (1993)Wayne's World (1992)The Wood (1999)Addams Family Values (1993)Happy Gilmore (1996)White Men Can't Jump (1992)American Pie (1999)Friday (1995)The Nutty Professor (1996)Cool Runnings (1993)The Sandlot (1993)Sister Act (1992)The Addams Family (1991)Cry-Baby (1990)Pretty Woman (1990)Austin Powers: International Man of Mystery (1997)Dogma (1999)Mrs. Doubtfire (1993)Home Alone (1990)The Santa Clause (1994)Dumb and Dumber (1994)10 Things I Hate About You (1999)The Wedding Singer (1998)Beavis and Butt-Head Do America (1996)Analyze This (1999)Father of the Bride (1991) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

Tune in to the latest episode of "Hindsight is Horrifying" for a deep dive into the intriguing and complex 1991 film Barton Fink! This episode is particularly special as the movie is a personal favorite of Jason and a surprise pick by Adam, while Darth experiences it for the very first time.

This week on the Talk Without Rhythm Podcast, NoirVember comes to a close with a look at the lowest, most pathetic figures ever to emerge from depths of Film Noir - Hollywood Screenwriters. From the Classic Noir period we have 1950's Sunset Boulevard and from the Neo Noir era we have 1991's Barton Fink.   [00:00] INTRO [02:03] Projection Booth Podcast Promo [03:13] RANDOM CONVERSATION [12:51] Sunset Boulevard (1950) [01:09:53] Barton Fink (1991) [01:53:03] FEEDBACK [02:00:28] ENDING MUSIC: Hollywood Babylon by The Misfits Buy Sunset Boulevard (1950) Buy Barton Fink (1991) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Gregory, Justin and Dan talk about starting NaNoWriMo, the end of comic con season, and going into "creative mode" at the studio. Gregory and Justin also do a postmortem on Winnipeg Comiccon 2023, including a story about someone trying to change things for the better, but making them worse. Transition clips are from Barton Fink (1991) - https://youtu.be/WK0WjWlVO9w?si=MWYnM0rGD-Jrmlki Follow the gang on Instagram: ⁠⁠⁠⁠https://www.instagram.com/gmbchomichuk/⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.instagram.com/chasingartwork/⁠⁠⁠⁠ GMB Chomichuk's online store ⁠⁠⁠⁠https://www.gmbchomichuk.ca⁠⁠⁠⁠ Chasing Artwork's online store: ⁠⁠⁠⁠https://www.chasingartwork.com/⁠⁠⁠⁠ Production: Dan Vadeboncoeur Titles: Jesse Hamel & Nick Smalley --- Send in a voice message: https://podcasters.spotify.com/pod/show/gmb-chomichuk/message

This week, I was so pleased to welcome back to the pod one of my crime writer friends' favorite crime writers & a man whose taste in film, literature, & poetry is an endless source of delight on Twitter. Adrian McKinty was born & raised in Belfast, Northern Ireland, & then studied philosophy at Oxford University before he moved to Australia & New York. He is the author of more than a dozen crime novels, including his Dagger & Edgar nominated debut DEAD I WELL MAY BE, the critically acclaimed Sean Duffy series, as well as the smash international bestseller & award-winning standalone thriller THE CHAIN.A man whose books have been translated into over thirty languages, Adrian has won the Edgar Award, the International Thriller Writers Award, the Ned Kelly Award (three times), the Anthony Award, the Barry Award, the Macavity Award, the Theakston Old Peculiar Crime Novel of the Year Award. Adrian's most recent novels include the smash bestseller THE ISLAND & the latest Sean Duffy mystery THE DETECTIVE UP LATE.After having such a delightful first conversation with Adrian about EXCALIBUR & LORD OF THE RINGS earlier in the year (& then chatting with him once again for the upcoming MIDNIGHT RUN-THROUGH pod series with Blake Howard's One Heat Minute Productions), I couldn't wait to bring him back to discuss movies with me once again. Emailing me while working on his next book, Adrian came up with an ingenious idea to look at the ways that the Coen Brothers address creative blocks in the films BARTON FINK & INSIDE LLEWYN DAVIS.Witty yet highly analytical, in this episode, we check into the hotel from hell to explore the life of the mind in the 1991 film first & then take a folksy walk through early '60s Greenwich Village in search of a cat in one of the Coens' final works as a filmmaking team. The perfect companion to your holiday travels this week in the United States, it's a must for fans of the filmmakers & especially those who adore FINK, which is dissected in great detail in this entertaining conversation.Originally Posted on Patreon (11/18/23) here: https://www.patreon.com/posts/93115677Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop

In this episode, we spoke at length with filmmaker Scott Ressler. Scott is an industry veteran who's worked on projects including Barton Fink, Scream, Lost Highway, Who's Harry Crumb?, Austin Powers, The End of Violence, The Straight Story, The Cider House Rules, Mulholland Drive, Inland Empire, I Heart Huckabees, Jarhead, Jurassic Park III, “Dexter” and “Twin Peaks” S3. Scott was also DP on David Lynch's short film What Did Jack Do? featured on Netflix in 2020 — and is currently Chair of Cinematography at UNC School of Arts, a Top 10 film school in the U.S. The Making Of is presented by AJA Video Systems:AJA ColorBox: A powerhouse for color conversionPerform LUT-based color transformations with powerful video processing using AJA ColorBox in live, on-set, and post production environments. The compact device, which features 12G-SDI in/out and HDMI 2.0 out, provides advanced-level color science via the AJA Color Pipeline, as well as support for Colorfront, ORION-CONVERT, BBC, and NBCU color management approaches. Learn more here: www.aja.com/colorbox.NYC Cinematography Event:A Documentary DP ConversationOn Sept. 28th, Foto Care Rentals will open its doors for the first of a brand-new Education & Networking Series in NYC. This evening event will focus on Documentary Cinematography. Moderated by filmmaker David Leitner, award-winning DPs Wolfgang Held ASC, Matt Porwoll and Martina Radwan will take us behind-the-scenes of shooting their latest projects. Join for the Panel, enjoy food & drink, and catch up with filmmaker friends — more info here!Film Book of the Month: Room to DreamIn this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he's faced to bring his unorthodox projects to fruition. Lynch's lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists.Check it out here ZEISS introduces their new camera tracking systemWith CinCraft Scenario, ZEISS presents a new, powerful and flexible camera tracking system as part of their CinCraft ecosystem. Built upon NCAM's unique tracking technology and ZEISS' expertise in lens data, the camera tracking system introduces a user experience designed to match the film crew's workflow and ease of use. Learn more hereCSS Music is the go-to production Music Library for the entire Film, TV and A/V markets. CSS offers thousands of tracks in every genre and style — helping producers and editors score their latest productions with licensing to fit any budget, from Royalty-Free or needle drop to Gratis (free) for qualified projects. With its easy-to-use search capability, great service and high-quality music, CSS has continued to serve the community since 1982. Visit cssmusic.com Have questions? Contact us at info@cssmusic.comUpcoming Event:Cine Gear Atlanta | October 6-7, 2023The industry's most-renowned southern community event will return in October to Atlanta's Trilith Studios with its hallmark exhibits, seminars and screenings! It's the event to attend to reconnect with colleagues, friends and collaborators. Learn more and free passes hereOWC Thunderbolt Go DockThe OWC Thunderbolt Go Dock is the first of its kind, full-featured Thunderbolt dock with a built-in power supply and 11 ports, for additional ease and connectivity while on the Go. It's a one-dock solution that works with all past, present and future Thunderbolt and USB devices and accessories. Take a look herePodcast Rewind:Sept. 2023 - Episode XVII…The Making Of is produced by Michael Valinsky.To promote your products or services to over 6,500 leading film, TV and video industry pros, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In today's episode we're joined by multi-disciplinary artist and writer Liz Ryerson. Liz brings her background in music and game design to discuss scenes from the Coens' movies in which characters drift through the wide world of their story, and in their wanderings—be they pastoral, tacky, gnarly, or urbane—make discoveries without and within. Outro Music: Liz Ryerson - Village Theme Support Liz on Patreon and Bandcamp! Coens covered: Inside Llewyn Davis; Barton Fink; O Brother, Where Art Thou?; No Country for Old Men Plus: Twin Peaks s3e8, No Direction Home, I'm Not There, Mazes and Monsters, Thief, Deus Ex, Zork, Hitman, Prey, Problem Attic, Half-Life If you want to join the study group please follow TTWS on social media, tell your friends about it, and leave a rating/review on Spotify and Apple Podcasts.  ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord!

Sean talks to Broti Gupta (The Simpsons/Friends from College) about the movie Barton Fink. They also discuss their early days as writers, their best and worst meetings, and the Coen Brothers.Every episode is available at Patreon.com/TheFlagrantOnes on The Bundle Tier with selected episode available for free here! Hosted on Acast. See acast.com/privacy for more information.

In this chapter, Jillian and Jerry delve deep into Alan's surreptitious obsession with Ben Savage home videos, his obsessive control over Cory and his own arrested development. Also Bad Morgan decides that the louder she screams her lines, the better her acting is... So Cory attempts to murder her, but they make up and bond over some mittens. Shawn is acting like a douche, Topey is acting completely out of character and also GO GIRL!!!!!!!!!!! So grab a clownburger and scream AA-OO-GA cos it's time for this Chapter of The Story of Cory. Find us on Twitter @StoryofCoryPod Or email us with your thoughts and opinions at StoryofCoryPod@gmail.com download (right click, save as...) WARNING: This episode contains adult language.

Welcome to Episode 4 of our Coen Brothers Series! This week we discuss the incredibly dark and perplexing 'Barton Fink.' Visit our Website Strangeloveofmovies.com and follow us on Instagram @Strangeloveofmedia

Take 42: Barton Fink, Intolerable Cruelty, & Onslaught of Biopics.

Mark and Zanandi (@ZaNandi on Twitter) talk about their favorite movie moments that feature someone having a terrible time at a hotel. In this episode, they discuss painful scenes from Forgetting Sarah Marshall, Barton Fink, Identity, The Devil's Rejects and more! Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3382899/advertisement

Today we celebrate the spiciest of Grouches with a couple of picks from Zach's childhood with "Snoopy Come Home" and "Barton Fink"

Join Deb in confusion as we talk about Around the World in 80 Days, Spider-Man: Across the Spiderverse, Barton Fink, Gloomhaven, FUBAR, Back to the Future, St. Elmo's Fire, Dead Island 2, Episode Thirteen, Jordan Peele Movies, Dark Corner Reviews, Lon Chaney, Moviepass, Writer's Strike, Muppets, Miles Morales movie, Thread: An Insidious Tale, Apple Vision Pro, John Wick 5, Straczynski, and Barry gets his candy cigarettes crushed. Who? Next on GeekShock!

Oscar-winning re-recording mixer & supervising sound editor Skip Lievsay takes you behind the sound on the Cohen Brothers' beloved film Barton Fink. He talks about his 38-year collaboration with the Cohen Brothers, what it was like to work on a film pre-Pro Tools, the stories behind the Barton Fink mosquito, the signature door whoosh, that never-ending hotel desk bell, and so much more! Interview by Jennifer Walden, and hosted by Asbjoern Andersen from asoundeffect.com

On the 303rd episode of Piecing It Together, Ben Miller joins me to talk about Inside. Willem Dafoe is an art thief who gets stuck in a high rise apartment and spends the rest of the movie trying to get out... What more could you want? Puzzle pieces include Oxygen, The Martian, The Shining and Barton Fink.As always, SPOILER ALERT for Inside and the movies we discuss!Written by Vasilis Katsoupis and Ben HopkinsDirected by Vasilis KatsoupisStarring Willem DafoeFocus Featureshttps://www.focusfeatures.com/inside/Ben Miller is a film critic and runs Ice Cream For Freaks at https://icecream4freaks.com/Follow Ben on Twitter @nebisbenMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music video “Ascending" which you can watch at https://www.youtube.com/watch?v=fypZ3Z8qeT8The song at the end of the episode is "Inspiration" from my latest album MORE CONTENT.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!Check out Awesome Movie Year at https://www.awesomemovieyear.comAnd most important of all… Keep going to the theater to see new movies!

Find Scotty:https://twitter.com/MarylandMudflaphttps://www.instagram.com/thebananaspodcast/As always please reach out and let Dirk know your experiences or thoughts on any and all of the movies or guests. Want to be a guest or just share a story? Please do!https://www.patreon.com/vhushttps://vhuspodcast.threadless.comhttps://twitter.com/VHUS_Podcasthttps://letterboxd.com/DirkMarshall/https://www.instagram.com/dirkzaster/?hl=enhttps://www.instagram.com/vhus_podcast/https://www.facebook.com/vhuspodcast 

Mimi Sheraton was a food writer and restaurant critic for The New York Times. So she wouldn't get preferential treatment at a restaurant, she had a collection of wigs to disguise herself. She died earlier this month at age 97.Actor Michael Lerner played a studio mogul in Barton Fink, and a mob boss in Harlem Nights. He died earlier this month at age 81.Also, Justin Chang reviews Showing Up, the new film by Kelly Reichardt.

Morse code transcription: vvv vvv Mifepristone US justice department challenges Texas abortion pill ruling Michael Lerner Elf and Barton Fink actor dies at 81 Mother of 6 year old who shot Virginia teacher is charged Pentagon documents leak a risk to US national security, officials say Pierre Lacotte French dancer who helped Rudolf Nureyev defect dies UK Israeli mother wounded in West Bank attack dies Louisville, Kentucky shooting sees multiple casualties, police say Evan Gershkovich US says journalist is wrongfully detained in Russia Justin Jones Tennessee lawmaker reinstated three days after expulsion Rare California poppy superbloom thrills crowds

00:00 - 41:08 - In a Lonely Place 41:08 - 1:00:03 - Malcolm in the Middle 1:00:03 - 2:01:22 - Barton Fink We're joined by Evan from the Jokermen podcast this week to talk about a couple of all-time great films about the people who write films. We dive back into Nick Ray's sensitive thugs; the roles of masculinity, the artistry of rage, etc. then, a jam-packed Malcolm in the Middle segment (41:08) covering the late 40s and early 90s, two ultimate sweet spots of cinema history. finally, we review a Coen brothers movie.(1:00:03) it only took us three years. Barton Fink is one of their greatest accomplishments - we talk about the nightmare version of Hollywood, the act of creation, hollywood' connection to great literature, and more. it's a jam-packed episode. listen to Evan's podcasts: Jokermen (about Bob Dylan in season 1 and now The Velvets + John and Lou solo) and Never Ending Stories (about Bob Dylan's Never Ending Tour). *there's also a point in this show where Rob calls in from the oscars red carpet. i know you can't hear him. the file got corrupted. sorry.

I'M A WRITER, YOU MONSTERS! On this episode of HOW DO YOU DO, FELLOW KIDS? we're getting down with The Coen Brothers' Cannes-dominating pitch-black comedy BARTON FINK from 1991. Starring John Turturro as a Hollywood neophyte struggling with writer's block (and everything else), it's filled with dynamite supporting performances and feels a bit more personal than the Coen's work up to that time, while also being filled with wild, surreal touches. All that, and Steve Buscemi is there as well. Listen to what we think, buster. And that's an order. 

El artículo 577. Guionistas protagonistas: Barton Fink se publicó primero en David Esteban Cubero. Los guionistas estamos acostumbrados a escribir historias donde los protagonistas son otros: abogados, cantantes, oficinistas, espías o superhéroes. Pero a veces también escribimos historias con guionistas protagonistas. Hoy continuamos con la serie de pódcast en la que analizo películas donde los guionistas son los personajes principales y que tratan sobre sus dilemas y conflictos. Ya […] El artículo 577. Guionistas protagonistas: Barton Fink se publicó primero en David Esteban Cubero.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, alcohol, drinking, racism, antisemitism, fascism, Nazis, gunshots. We continue our Oscars ‘91 series this week with yet another dark movie about Hollywood. Though this version has a twist: it's the Coen brothers, and they're making things incredibly weird, as they're known to do. For a movie written about writer's block by two writers dealing with writer's block, it happens to be a fairly decent movie. It's just that the Coens hadn't struck that balance of digging up obscure references and making them instantly relatable. John Turturro and John Goodman give truly incredibly performances, but the Coens seem to have internalized the story a bit too much. Roll in some paper and get to typing as we watch Barton Fink on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records. Excerpts taken from the film Barton Fink, © 1991 Circle Films, Inc. Excerpt taken from “The Red Knight Suite” from the soundtrack to the motion picture The Fisher King, composed by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, gun violence, gangs, racism, police, gang violence, crime, death. Oscars ‘91 continues this week with a movie that lives up to the title of the show, because we really should have seen this movie already. John Singleton, right out of film school, created a narrative that was so authentic and poignant that it didn't matter how predictable the story arc was. The plot isn't complicated, the characters are relatively simple, but it's the reality of life in South Central LA that makes this movie so incredibly powerful. That, and incredible performances from a cast of rising stars, all poised to become household names in the wake of the movie. Grab some barbecue and settle in for Boyz n The Hood on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “How to Survive in South Central,” written and performed by Ice Cube and produced by Ice Cube and Sir Jinx. © 1991 Columbia Pictures Industries, Inc.; Qwest Records. Excerpts taken from the film Boyz n The Hood, © 1991, 1992 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records.

Hey everyone! We're back with our second episode this week. So if you can't find what you're looking for in Hollywood, you might find it here. Our Recent Review is Babylon, and our Geriatric Cinematic is Barton Fink (1991).  If that doesn't entice you, we've got nothing else for you in this episode. However, we'll be back in a couple of weeks with our Recent Review of M3GAN, in theaters Friday, January 6th, and our Geriatric Cinematic will be Child's Play (1988), streaming on Showtime and is available to rent on Apple TV, Amazon, YouTube TV, and other VOD services. Be sure to follow us on Twitter (@TheReelAppeal), Facebook, and Instagram, and you can contact the show at TheReelAppeal@gmail.com. Find every episode on all podcast catchers, and don't forget to rate our show on iTunes!  Babylon - 20:10 Spoilers - 41:10 Geriatric Cinematic - Barton Fink (1991) - 1:04:32

Hey everyone! We didn't die! We are getting over colds, but we knew you wouldn't survive if we weren't here to bring you our Recent Review of Avatar: The Way of Water and our Geriatric Cinematic of Avatar (2009).  Since this is not a regular episode due to our absence from being sick, we have no Variety of Time to bestow upon your ears. But we will do another episode this week. Our films will be our Recent Review of Damien Chazelle's Babylon in theaters now and our Geriatric Cinematic of the Coen brothers' Barton Fink, available to rent on Apple TV, Amazon, YouTube TV, and other VOD services. Be sure to follow us on Twitter (@TheReelAppeal), Facebook, and Instagram, and you can contact the show at TheReelAppeal@gmail.com. Find every episode on all podcast catchers, and don't forget to rate our show on iTunes!  Avatar: The Way of Water - 13:50 Spoilers - 41:13 Geriatric Cinematic - Avatar (2009) - 1:00:02

Kelsey and Mark have been stricken with something awful and would like to give their audience an update. Also, they'll be reviewing Damien Chazelle Babylon in theaters on Friday, December 23rd, and their Geriatric Cinematic will be 1991's, Barton Fink. The Cohen Brother's classic film is available to rent on Apple TV, Amazon, YouTube TV, and other VOD services. 

Scotty tried to claim we were being lazy this week, but Amelia violently disagreed. Either way, we have another research-free movie episode for you guys, where each of us picked a favorite film that we knew the other would probably never watch on their own. Scotty chose the Coen Brothers' 1991 black-comic Hollywood horror/noir Barton Fink, and Amelia selected Alfonso Arau's 1992 adaptation of Laura Esquivel's magical-realist novel Like Water for Chocolate. As Amelia said: to know these movies is to know us. WARNING: We go DEEP into spoiler territory with both of these films, so if you haven't seen them we suggest you take an afternoon to check them out before listening to this episode. This podcast is powered by Pinecast.

A comedy of technical errors leads to one of our longest shows to date! We cover Barton Fink  (1991) and we pit Sherlock Holmes against Batman!  

Craig answers listener questions ranging from craft to career: how do you find your voice? What questions should you ask before writing a new project? When should silence carry a scene? Craig offers professional advice and gets dangerously close to starting a cult. We follow up on Barton Fink, writer's block, and keyboards. In our bonus segment for premium members, Craig and Megana discuss millennials and how Hollywood can invest in R&D. Links: Logitech K860 has Bluetooth! Take this typing test – Craig got a 110 wpm! Barton Fink Chernobyl, Chernobyl Podcast and The Dropout 60 Seconds With Emily Cox and Henry Rathvon and puzzle here Not Past It Podcast Get a Scriptnotes T-shirt! Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Twitter John August on Twitter John on Instagram Outro by Matthew Chilelli (send us yours!) Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.