Podcast appearances and mentions of Barton Fink

Sir Roger Deakins is an acclaimed cinematographer who is known for his visual artistry on films including The Shawshank Redemption, 1917, Fargo, Skyfall and Blade Runner 2049. His talents have been acknowledged with a knighthood, five BAFTAs and two Oscars. Roger was born in Torquay, Devon in 1949. In 1968 he attended the Bath Academy of Art where he was inspired by one of his tutors, the street photographer Roger Mayne, to go out with his camera and capture what he saw. Roger Deakins followed this advice and spent his weekends shooting people and places in British seaside towns.In 1975 Roger graduated from the National Film School in Beaconsfield and started work as a cameraman – making documentaries and music videos. His first feature film was Cruel Passion which came out in 1977. In 1984 he worked on Michael Radford's film adaptation of George Orwell's novel 1984, starring Richard Burton and John Hurt. The first of Roger's collaborations with filmmakers Joel and Ethan Coen started in 1991 with the film Barton Fink. The three of them went on to make 12 films together including O Brother, Where Art Thou? Fargo and The Big Lebowski. In 2018 Roger won his first Academy Award for Blade Runner 2049, directed by Denis Villeneuve. He was knighted for services to film in 2021. Roger lives in California with his wife James. They also have a home in Devon. DISC ONE: One of Us Cannot Be Wrong - Leonard Cohen DISC TWO: Aqaba - June Tabor DISC THREE: 21st Century Schizoid Man - King Crimson DISC FOUR: Soldier's Song - Lucinda Williams DISC FIVE: Bat Out of Hell - Meat Loaf DISC SIX: The Island - Paul Brady DISC SEVEN: Sun Comes Up, It's Tuesday Morning - Cowboy Junkies DISC EIGHT: Isn't it a Pity - Nina SimoneBOOK CHOICE: Moby Dick by Herman Melville LUXURY ITEM: Fishing tackle CASTAWAY'S FAVOURITE: Aqaba - June Tabor Presenter: Lauren Laverne Producer: Paula McGinley

Full episode: https://www.patreon.com/madaboutmovies/posts/barton-fink-1991-167297085 Is 1991's BARTON FINK the most underrated Coen Bros. movie? Let's throw it back 35 years to some all-time character acting as we look at some pre-Fargo classic Coens. Support us on Patreon & become a MAM VIP! madaboutmoviespodcast.com/vip Follow: X: @madaboutmovies IG: @madaboutmoviespodcast Kent Letterboxd https://letterboxd.com/kentgarrison/ Brian Letterboxd https://letterboxd.com/briangill/ Richard Letterboxd https://letterboxd.com/richardbardon/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The time has come to discuss cover boy Jason Priestley, then just a few months into Season 2 of Beverly Hills, 90210. And since we have access to an expert — Sarah D. Bunting, Tara's co-host on the once-upon-a-time Beverly Hills, 90210 podcast Again With This (though we've since gone on to run out of those and move on to Melrose Place, Dawson's Creek, and very soon Felicity) and co-writer of A Very Special 90210 Book. Before we get to Priestley REALLY straining to seem edgier to Christina than his squeaky-clean character Brandon Walsh, there is much to discuss: Gregorian chants, mood rings, Hard Courts, Barton Fink, and much much more. No need to exchange an egg: hop right in!QUICK LINKS

This is the 11th time a Coen Brothers film has been discussed on Have You Ever Seen, although this black comedy is slyer than many of the others. There's also a lot of violence and horror in Barton Fink. It's covering a lot of ground. John Turturro plays the title character, a Broadway playwright who's hired to write a wrestling picture in 1941 Hollywood. After dealing with writer's block for what seems like weeks on end, his script gets meta...and things get weird. John Goodman plays a complicated character with a lot of wit and devilishness while John Mahoney, Judy Davis, Jon Polito and Steve Buscemi contribute their quirks to this one too. Joel & Ethan have Barton talking a lot about the common man in this very uncommon dramedy. T'is a theme. So take your head-box to the beach and contemplate your dark future in California as I fill out close to an hour of talk time in this 756th episode with a look into Barton Fink. Well, Actually: in the "So I Got Thinkin'" about some of the summer's big releases, Milly Alcock was misidentified Milly "Adcock." Subscribe to Have You Ever Seen in your podcast application. Rate the show and review it as well. Find me on Letterboxd (RyanHYES). I tweet (@moviefiend51) and lurk on Bluesky (ryan-ellis). Email is "haveyoueverseenpodcast@gmail.com).

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with actor/filmmaker Cameron Francis about: Persona, Barton Fink, and Halloween. Discover how these films shaped his filmmaking journey, personal growth, and understanding of cinema's power. Plus Cameron Francis discusses the making of his neo-noir micro budget thriller COVER.  Movies That Changed Your Life   Find out about how Cameron Francis made his neo-noir micro budget thriller COVER; and the lasting impact of cinema on his life with Stuart Wright on this movie podcast.   [1:20] BLOOD SECRET World Premiere at Frightfest 2026 [2:20] The making of Cameron Francis's neo-noir micro budget thriller COVER 3 Movies That Changed Your Life [19:30] Persona (1966): Watched, restarted it and watched it again. It just hit so hard. [27:15] Barton Fink (1991): The creepy beach in Blood Secret was influenced by the beach scene at the end of Barton Fink [32:15] Halloween (1978): As a person trying make stuff with little money, there's indelibly images in this movie that are so inspiring. Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  How Cameron Francis made his neo-noir micro budget thriller COVER Understand cinema's transformative power through Persona (1966), Barton Fink (1991), Halloween (1978) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Cameron Francis is an actor and filmmaker known for Cover (2025) and Blood Secret (2026); and his work in "Never Back Down" (2008), "Frank v. God" (2012), and the Kevin Smith film "Killroy Was Here.” COVER is out now on TUBI. https://tubitv.com/en-gb/movies/100052894/cover  For more behind the scenes discussion follow Cameron Francis on instagram https://www.instagram.com/cameronfrancis5/?hl=en  The world premiere of BLOOD SECRET is at Frightfest 2026, Thursday 27 August at 10:45pm see website for details https://frightfest.co.uk/LondoN2026/blood-secret.html  Credits:   3 Movies That Changed Your Life Podcast is written, produced, and hosted by Stuart Wright see https://linktr.ee/stuartwright  Learn more about your ad choices. Visit megaphone.fm/adchoices

With his aristocratic comedy Savage House now available on digital and on demand, writer-director Peter Glanz is here to venture into the depths of Joel and Ethan Coen's unquantifiable Hollywood nightmare Barton Fink. Your genial host Norm Wilner is already quite well-acquainted with the life of the mind, thank you. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The SUMMER OF JASON continues as we finally cover the Coen Brothers' 1991 Hollywood writer's block nightmare starring John Turturo and John Goodman, Barton Fink. Joining us is the showrunner of Veep, writer/director (Seinfeld, Curb Your Enthusiasm, White House Plumbers) and co-host of The Stuff Dreams Are Made Of, Dave Mandel. We discuss San Diego ComicCon's biggest highlights, DNC missteps, and this fantastic film.ChaptersIntroduction (00:00:00)Hatch News (00:23:48)Barton Fink Roundtable (00:38:11)Your Letters (01:25:22)Notes and LinksCheck out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.See the movies we've watched and are going to watch on LetterboxdEscape Hatch's Breaking Dune News Twitter listRate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.Follow @escapehatchpod on Bluesky,Instagram, and TikTok.Music by Scott Fritz and Who'z the Boss Music.Cover art by ctcher.Edited and produced by Haitch.Escape Hatch is a production of Haitch Industries.

Send us a text or a voicemailA reckless Patreon Supporter goes dangerously rogue to catch a group of hardened podcasters. He explores a corrupt world where the lines between fantasy and reality completely blur. On Episode 724 of Trick or Treat Radio we are joined by Joshua Libre for the June Patreon Takeover! Josh has selected the films; To Live and Die in L.A. from director William Friedkin, and The Convent (2000) from director Mike Mendez for us to discuss! We also find out what a four robot lion Voltron would look like, learn what horrifying selections have been curated on our Tubi recommendations, and we react to trailers for the films; Fall 2: Deadpoint, and Night Nurse. So grab your bags of neon blood, make sure to have unique serial numbers on your counterfeit money, and strap on for the world's most dangerous podcast!Stuff we talk about: George A. Romero, Day of the Dead, Tom Savini, Scream Factory, Cine-Strange, AI upscaling, Voltron, forming the blazing sword, a one-armed Jack Palance push-up, City Slickers, Rescue from Gilligan's Island, Martin Landau, The Professionals, Qui-Gon Libre, The Covenant, Tubi or not Tubi, Megan is Missing, Salo, Massage Parlor Murders, Debbie Does Demons, A Clockwork Shining, Donald Farmer, 8 1/2, Fellini, Amityville Spa, Bob Kraft, Donna Speir, Ted Lasso, World Cup, The Oblong Box, E.T. The Extraterrestrial, Humongus, Witchcraft 4: The Virgin Heart, Jurassic Park, Blink, The Chronicles of Riddick, Open Water, The Stepford Wives, The Originals, The Vampire Diaries, Shia Lebouf, The Transformers, Joshua Jackson, Shutter, Fringe, The Facts of Life, being a Cloney, Peter Dinklage, The Toxic Avenger, Adrienne Barbeau, The Fog, Creepshow, Escape From New York, Open House, Back to School, Young Frankenstein, Gene Wilder, Richard Todd, The House of Long Shadows, Sly Stallone, Fall 2: Deadpoint, The Spierig Brothers, My Bloody Valentine, Undead, Bad Taste, Night Nurse, Masters of the Universe, Wang Chun, Laura Branigan, To Live and Die in L.A., Willem Dafoe, William Friedkin, William Peterson, Michael Mann, Cruising, Al Pacino, Sorcerer, Sirat, American Ninja, Dead Stockwell, Quantum Leap, Steve James, Griffin Dunne, Asia Argento, the history of the Secret Service, Invasion USA, Die Hard, Cobra, Barton Fink, John Turturro, Oliver Stone, Natural Born Killers, John McTiernan, Neon Demons, The Convent, Mike Mendez, Dead Alive, Evil Dead II, Night of the Demons, Nunsploitation, Hokum, Patreon Takeover, Iron Lung, Backrooms, CSI DSO, Brian May, I'm Prince Albert Prince of Eternia, Nipsey Muscle, and the details are a lie.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Julius en Jasper bespreken twee films van de gebroeders Coen: Barton Fink (1991) en The Big Lebowski (1998). Als er eentje zou moeten verdwijnen, welke mag dan blijven? In de volgende aflevering bespreekt het hele team hun favoriete films van de jaren 70. En in de volgende aflevering van Julius vs Jasper bespreken ze twee horrorklassiekers uit 1980: The Shining en The Changeling.

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers' 1991 masterpiece Barton Fink […]

Original Release Date: Monday 1 June 2026    Description:   Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”.  The Coen Brothers' 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean's mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

It's high time that the boys talk about the Coen brothers and they've decided to remedy that by discussing their first impressions of Barton Fink. Stay tuned for all the John Turturro action you crave. It's time to get your Fink on!Barton Fink (1991) is directed by Joel Coen and stars John Turturro, John Goodman, Judy Davis, Michael Lerner, and John Mahoney Music: “Fractals” by Kyle Casey and White Bat Audio

Noel catches up with Richard Portnow. The actor played Uncle Junior's lawyer, Harold "Mel" Melvoin, on The Sopranos;. Richard had memorable roles in Good Morning, Vietnam, Seven, Barton Fink and many more. Richard played Howard Stern's father, Ben in Private Parts. Seinfeld fans will recognize Richard as the wheelchair salesman in "The Handicap Spot" episode.

In this episode, Rick and Anjel discuss the 1994 movie Barton Fink, directed by the Cohen Brothers and starring John Turturro, about a successful playwright who gets conscripted to write movie screenplays and all the tragic dysfunctional Hollywood characters he meets along the way. During this episode we discuss the pitfalls of being a creative who is unfamiliar with the topic that one is paid to write about and if a playwright can transition to screen plays. We also talked about if this movie aged well 31 years later watching it today. 

Hello, and welcome to another exciting episode of the Shame List Picture Show. In this episode, Michael is joined by the wonderful Austin Proctor, who is not only the editor of this fine podcast but also the host of the incredible horror-themed show Frightmares (also on the Someone's Favorite Productions Network).In this episode, we're crossing a film off both of our Shame Lists—The Coen Brothers' follow-up to Barton Fink, The Hudsucker Proxy.We discuss the Coens' films to date, the inspirations behind The Hudsucker Proxy, how the Coens balance tone, and their collaborations with Sam Raimi.Be sure to check out our Patreon at www.patreon.com/shamelistpictureshowIntro Bumper - 0:00 - 0:07 One Track Mind Ad - 0:07 - 1:10 Intro Music - 1:10 - 2:22 Preamble - 2:22 - 33:45 Movie Summary - 33:45 - 35:23 Trailer - 35:30 - 37:28 Hudsucker Proxy - 37:28 - 1:28:35 Social Media Plugs - 1:28:35 - 1:30:30 Outro Music - 1:30:30 - 1:31:31Edited by: Austin ProctorProduced by: Michael ViersTheme Music by: Austin ProctorOpening Narration by: Nick RichardsCredits Music by: Ten-SpeedLogo Design by: Amanda ViersFor more amazing shows like this, be sure to check out https://www.someonesfavoriteproductions.com/network

Óscar Restrepo je kot mladenič opozoril nase z dvema pesniškima zbirkama, zdaj pa že nekaj desetletij išče svoj glas in nadaljevanje poti, neguje vzvišene ideale in kot k pijančevanju nagnjen, pretežno brezposeln in ločen obstranec životari pri ostareli mami. Ko je zaradi dolgov prisiljen prevzeti učiteljsko službo, spozna med učenci izjemno nadarjeno dekle iz favele, ki piše pesmi iz lastnega veselja. A njegovi načrti, da bi jo vpeljal v svet pesniškega establišmenta, ne gredo v skladu s pričakovanji. Kolumbijski celovečerec Pesnik (Un poeta, 2025), ki ga podpisuje Simón Mesa Soto, je divja, dinamična in duhovita satira, ki se sprva osredotoča na splošno prepoznavne, celo stereotipne like vsake umetniške scene, a skoraj neopazno preraste v sijajen prerez družbe. V naslovni vlogi strastnega, tudi inteligentnega, a nespretnega in nesrečnega pesnika blesti naturščik Ubeimar Ríos, za katerega je to prva in za zdaj edina filmska vloga. Pesnik predstavlja posrečeno karakterno študijo, povsem v skladu z znamenito Heraklitovo tezo, da je človekov značaj tudi človekova usoda. V ta filmski organizem, lahko bi rekli tudi anamnezo ali diagnozo, je vpletena še kriza srednjih let, narava odvisnosti, pretvarjanja kot neizogibnega družbenega maziva, svojo vlogo igrajo socialne razlike in izkoriščanje, kar avtor sopostavi z iskanjem lepote, resnice in presežnega v človeku. Vse to bi kajpak zlahka vodilo v pripoved, ki bi nasedla na čereh pretencioznosti, vendar se jim Simón Mesa Soto ves čas mojstrsko izogiba. V temelju gre za strukturo, ki je dobro poznana tudi nam: Óscar Restrepo je pravzaprav Cankarjev Martin Kačur, ki ga je Igor Pretnar leta 1976 ekraniziral pod zgovornim naslovom Idealist; le da je Mesa Soto v primerjavi s Cankarjem duhovit oziroma z bohotnimi odmerki črnega humorja prekriva bolečino propada in dobrih namenov, ki jih družba nekako dosledno potepta. V čustvenem poskusu krpanja očetovskih vezi oziroma razmisleku o naravi ustvarjalnosti pa bi bil film lahko tudi oddaljen bratranec Sentimentalne vrednosti (2025) Joachima Trierja – zanimivo, obe deli sta slavili vsako v svoji sekciji lani v Cannesu. In če smo že pri Cannesu, prihaja na misel tudi tamkajšnji veliki zmagovalec Barton Fink (1991) bratov Coen. Skratka, umetniška scena zelo rada gleda in nagrajuje filme o umetniški sceni in o kronični odtujenosti ustvarjalcev od tako imenovanega »malega človeka«. Celovečercu Pesnik uspeva do vseh teh nastavkov vzpostaviti ironično distanco, hkrati pa je pretresljivo iskren in se polomijam svojega protagonista nikoli zares ne posmehuje. Znak zrelega avtorja in eden od biserov sodobne latinskoameriške kinematografije.

Actor/writer/director Grace Glowicki is the creative voice behind DEAD LOVER (a Sundance surprise from 2025 that is getting a theatrical release this month) and TITO, and she stars in the archly comic horror thriller HONEY BUNCH (from directors Madeline Sims-Fewer and Dusty Mancinelli, now streaming on Shudder). While her films and performances are uniquely her own, Grace takes a surprising inspiration from John Turturro as BARTON FINK (yes, the same character that made film critic Walter Chaw feel seen just a couple episodes ago!). Here's an episode that proves that the same character can prove fodder for two very different conversations! Then, Jordan has one quick thing about Support us by subscribing to our new YouTube channel! You can watch a video version of this episode there right now. Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

In this episode, we welcome legendary sound mixer and CAS President Peter Kurland, CAS. Peter is a BAFTA-winning, Grammy-winning, 4x Oscar-nominated, and 3x CAS Award-winning Sound Mixer who's worked on films such as Blood Simple, Hoosiers, Raising Arizona, Barton Fink, Fargo, Men in Black, The Big Lebowski, O Brother Where Are Thou, The Man Who Wasn't There, Walk The Line, No Country for Old Men, A Serious Man, True Grit, Inside Llewan Davis, and The Tragedy of Macbeth. In our conversation, Peter shares his origin story, about his decades-long collaboration with the Coen Brothers, and stories from capturing sound on set. He also offers insights and advice for the next generation of artists and storytellers today. “The Making Of” is presented by AJA:Butcher Bird Studios solves common video routing and I/O challenges with AJAStep inside Butcher Bird Studios' hybrid production environment with Technical Director Brian Druckman and Executive Producer MeeRa Kim. They explain how KUMO SDI routers and Io 4K Plus help their team deliver flexible routing, low-latency monitoring, and streamlined I/O inside and outside the studio. Read the full interview.Kodak Celebrates Kristen Stewart, Autumn Durald Arkapaw, Joachim Trier and Patricia Keighley at the 8th Annual Kodak Film AwardsChristopher Nolan Presents Inaugural Keighley Award at ASC Clubhouse CeremonyOn March 2, Kodak hosted the 8th Annual Kodak Film Awards at the American Society of Cinematographers (ASC) Clubhouse in Hollywood, honoring filmmakers and artists whose work continues to advance cinematic storytelling on film. 2026 Honorees included: Debut Feature Award: Kristen Stewart (presented by Corey C. Waters, Director of Photography), Lumière Award: Autumn Durald Arkapaw (presented by Vanessa Bendetti, VP and Head of Motion Picture, Kodak), Auteur Award: Joachim Trier (presented by Jason Reitman, Director), Keighley Award: Patricia Keighley of IMAX (presented by Christopher Nolan, Director, Producer and Screenwriter), Music & Commercial Film Director Award: Salomon Ligthelm (presented by Ali Brown, PRETTYBIRD President/Executive Producer), Television Series of the Year: Fallout (presented by Vanessa Bendetti, VP and Head of Motion Picture, Kodak). Read more hereLos Angeles Event: ZEISS Aatma Lenses - A Conversation with Pascale Marin, AFCTuesday, March 10th | Los AngelesJoin ZEISS Cinema at the Showroom for an in-depth discussion and demo of the new ZEISS Aatma cinema lenses. Director Helene de Roux and cinematographer Pascale Marin, AFC will be on hand to discuss their experience using the lenses to craft the short film Welcoming Grace. Join us from 6pm-9pm on March 10th to be one of the first to experience this unique lens family from ZEISS!RSVP for free hereAttendees will receive free parking validation.Now with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work. Browse hereA New Solution from Atomos:The Atomos Shogun AV-19 Rack-Mounted 4K HDR Monitor/Recorder/Switcher is your all-in-one solution for professional live production, combining a stunning 19” 4K HDR DCI-P3 display with quad-channel switching, real-time ISO recording of up to four camera feeds plus program out, and support for 10-bit Apple ProRes, ProRes RAW, and Avid DNx recording to CFexpress or USB-C media. Perfect for studios, video village, and broadcast environments, it delivers the monitoring accuracy and workflow efficiency your production demands. The Atomos Shogun AV-19 is available for pre-order now for $2,099.00. Learn more at Videoguys.com or call our production experts at 800-323-2325 today!Advertise in The Making Of:Feature your products or solutions in The Making Of and reach over 250,000 film and TV industry each week.To explore a partnership, please email mvalinsky@me.comPodcast Rewind:Feb. 2026 - Ep. 122. Get full access to The Making Of at themakingof.substack.com/subscribe

Writer, film critic, and educator Walter Chaw has been writing and thinking about cinema since he was a teenager -- when he discovered how it could make him feel understood, and that saved his life. Now, he's a critic whose unapologetically personal takes on cinema makes some folks love his work, and really pisses some other folks off. Despite his artist's temperament and his expertise, Walter wants to stay in touch with the common man...just like BARTON FINK, from the Coen Brothers' classic 1991 anti-ode to the Studio System. Then, Jordan has one quick thing about some exciting June Squibb News. Listen Next:-June Squibb on 'Nebraska'-Sophie Nelisse on 'Inside Out 2'-Roxana Hadadi on 'Pump Up the Volume'   Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

NB: Oops, I forgot about 2.5, which is the extremely brief wedding scene, which includes both R & J but which is also only barely a scene and which thus is very easy to forget.SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Pre-order Brian's book The Optimists! It's so good!– Let me know if you'd like a review copy of my forthcoming chapbook The Soft Black Stars: sleerickets [at] gmail [dot] com– Romeo and Juliet– A Midsummer Night's Dream– Macbeth– Hamlet– Twelfth Night– & Juliet– Romeo and Juliet (1996)– Romeo and Juliet (1968)– Ep 224: Broadway Omnibus– Grendel by John Gardner– Micah Mattix– Noises Off by Michael Frayn– Waiting for Godot by Samuel Beckett– Endgame by Samuel Beckett– Fargo (1996)– Barton Fink (1991)Frequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena Feder– David Yezzi– Victoria Moul– Katie Dozier & Tim Green– Tristram Fane SaundersOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah Perseus BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

You are about to listen to a mega episode. Charged up and sans guest, we dive deep into a core facet of moviemaking and film-viewing: point of view—the power of films to invisibly place you behind the eyes, and inside the mind, of a specific character. Jumping off from two dynamite script pages, and pulling crucial info from our film studies education, we explore how subjectivity is essentially inescapable as soon as a camera angle is chosen. We also turn our attention to what “objectivity” could possibly mean in a cinematic context, what happens when multiple POV characters collide, and whether we may have found the most perfect pair of socks for a cold weather film set.Coens covered: Barton Fink, Touileries (from Paris, je t'aime), Fargo, A Serious Man, True Grit, Inside Llewyn Davis, Hail, Caesar!, The Gal Who Got Rattled (from Buster Scruggs)Plus: Frankenstein (2025), AmélieWant to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help. And join the Discord too!**You can also support us directly at https://ko-fi.com/tothewhitesea**For all things TTWS visit tothewhitesea.me

Sinema yazarı ve çevirmen Fatma Cihan Akkartal ve yazar Hakan Bıçakcı ile Gece Vardiyası, ayda 2 defa Pazartesi akşamları karşınızda... 

Un capítulo del que se hará eco en las revistas de filosofía y los suplementos literarios finos. “Pop y Pressing Catch” va de lo que anuncia su nombre: bigardos en leotardos dándose leches guionizadas. Benja Villegas, fan del deporte, glosa sus inicios desde que el primer griego completó con éxito una llave de rendición; explica las tragedias de Chris Benoit, Owen Hart y la Von Erich Family; y ofrece tributo a André El Gigante. Kiko Amat, por su parte, realiza una “digresión intelectual” sobre el fenómeno en cuatro prodigiosos saltos dialécticos, y trata de hallar una conexión, por ténue que sea, con una de sus películas favoritas, Barton Fink (1991). Al final del capítulo, como empieza a ser tristemente habitual, canta.

Daniel and Harry step away from their latest Capitol Pictures assignment—something about a wrestling picture?—to dive into the Coen Brothers' Barton Fink. They are joined by actor, writer, director, and novelist Tim Blake Nelson, whose new book Super Hero adds an extra layer to their exploration of creativity, identity, and the strange, sticky world of Hollywood.Together, they unpack the film's Jewish themes, its surreal portrait of the “life of the mind,” and why Barton Fink still feels so eerily relevant. From peeling wallpaper to the pressures of writing for “the common man,” this conversation blends film history, industry insight, and classic Jews on Film humor—without the Hotel Earle's heat.Barton Fink Movie TrailerBarton Fink on IMDbTim's LinksPurchase "Super Hero" by Tim Blake NelsonUpcoming Events12/1 Tim Blake Nelson in conversation with Elizabeth Marvel at The Strand NYC12/16 Book Soup Reading & Signing Event in Los Angeles12/11 An Evening with Tim Blake Nelson at Bnei Emunah in Tulsa, OKConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Join screenwriter Stuart Wright as he dives into movies that changed your life with screenwriter Philip Ralph, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Barton Fink impact, Big Night analysis, and Bloody Sunday influence on his personal growth and cinema's transformative power. Philip Ralph also discusses the ongoing, rolling paradigm shift/crisis in the TV industry (and film industry too), the impact on working class people entering/staying in the TV industry and what the TV industry could be doing to make things better. Movies That Changed Your Life   Find out about the ongoing, rolling paradigm shift/crisis in the TV industry and the lasting impact of cinema with Stuart Wright on his movie podcast.   [2:00] What do you mean by rolling paradigm shift/crisis in the TV industry? [8:40] Philip's open tweet to the industry goes viral [12:00] The political argument for the cultural importance of public service broadcasting to the wider successes in UK TV (and film) [15:00] UK TV has to be affordable to be sustainable and costs are rocketing. [17:00] What are the opportunities to improve the UK TV industry? We need to go back to basics. You need to invest in the future of the industry. More low budget shows? [21:00] Channel 5 resurrection of Play For Today  [23:40] We need a bit of punk ethos [31:00] The pressure that every show has to sell around world stifles innovation/narrows the window of opportunity. [34:00] 3 Films That Have Impacted Everything In Your Adult Life Barton Fink impact  [34:45] Philip Ralph saw Barton Fink at the now defunct Lumiere Cinema when he was studying at RADA. It really stayed with him and has become something incredibly important to his life. Big Night analysis [42:00] Philip Ralph says Big Night is his favourite film of all time. He could've done a whole podcast on Big Night he loves it so much. For Philip, Big Night is the perfect evocation of art versus commerce.  Bloody Sunday Influence   [48:40] Philip Ralph says that Bloody Sunday, over and above the execution of it, demonstrates Paul Greengrass's unique ability to take you into the minutiae of a day like that and never dehumanises anybody, even the people who end up doing appalling things. The power of it as a piece of documentary drama, it inspired a whole strand of Philip's writing life. Key Take Aways:   - Discover how movies that changed your life shape personal and professional growth. Learn about the ongoing, rolling paradigm shift/crisis in the TV industry (and film industry) What the we and the TV industry could be doing to make things better Understand the impact on working class people Understand cinema's transformative power through Barton Fink (1991), Big Night (1996), Bloody Sunday (2002) About the Guest:   Philip Ralph is a a multi-award-winning writer for screen and stage. Find him on LinkedIn at https://www.linkedin.com/in/philip-ralph-1258a7260/ Philip's keynote speech on class in the UK TV industry given at Leeds University's Media department in Ocftober 2025 - COMMON PEOPLE: Reclaiming The Narrative On Class in TV at a Time of Crisis https://www.youtube.com/watch?v=_66i8f815oA Play for Today: The revival hoping to save British TV from a class crisis https://www.independent.co.uk/arts-entertainment/tv/features/play-for-today-channel-5-b2863772.html?utm_medium=Social&utm_source=Twitter#Echobox=1763018711 Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate our 200th podcast, we take a look at some of the less screened and spoken about movie masterpieces that give us "that feel". Movies like Chaplin's The Gold Rush, Renoir's Boudu Saved From Drowning, Forman's The Fireman's Ball, the Coens' Barton Fink, Wim Wenders' Wings of Desire among many others are what Secret Movie Club founder.programmer Craig Hammill calls "lightning bottle movie masterpieces". Movies that give you "that feel" of electric, exciting "I want to do this" moviemaking. We discuss 15 movies in all, including asserting that Citizen Kane, as discussed as it is, is taken for granted and underrated now. Our hope here is that you'll go check out or re-watch a few of these movies and seek out cinema that gives you "that feel" to make amazing movies. 

In this episode, Austin and Tim travel back in time to 1991 to see 6 movies. A special kid club screening of the 1985 film, Follow that Bird, Jodie Foster's directorial debut Little Man Tate, Danny DeVito in Other People's Money, rapper Vanilla Ice makes his screen debut in Cool as Ice, David Mamet's Homicide, and capping off the evening with the Coen Bros' 4th film Barton Fink.

Skriv til os!William har set en masse spændende ting mens han har være væk hjemmefra og ligget ved poolen med en lille skærm i favnen. Derfor bliver der både snakket nye dokumentarer og den seneste fra Darren Aronofsky. Gutterne vender lige Peacemaker og House of Dynamite igen og udveksler skuffede blikke og slukørede kommentarer om Big Bold Beautiful Journey. Listen byder på de sidste gys fra en skræmmende oktober. I næste uge skal det bl.a. handle om Frankenstein. God lyttelyst.(00:00:00) intro og nyheder(00:14:41) Hvad vi har set med Roofman i biograferne, Caught Stealing på VOD, I Love LA på HBO Max, Sæsonfinalen på Peacemaker S2, The Alabama Solution på HBO Max, Songs from the Hole på Netflix, The Perfect Neighbor på Netflix, House of Dynamite genbesøgt, A Big Bold Beautiful Journey i biograferne, Mr. Scorsese på Apple TV(00:53:30) Listen med Candyman fra 2021 og Barton Fink(01:20:06) Outro og teaser for næste ugeIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

Miller's Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers' early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.The journey to get there wasn't exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller's Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld's moody cinematography and Carter Burwell's haunting score elevating the production. While the film didn't set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens' most accomplished works.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.From the visionary Coen Brothers comes Miller's Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.Miller's Crossing - loyalty has a price… and betrayal has consequences.Fun FactsMiller's Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett's novels The Glass Key and Red Harvest.During production, the Coen Brothers experienced writer's block and paused to create Barton Fink (1991) before returning to finish Miller's Crossing.The title Miller's Crossing refers to the forested setting where some of the movie's most pivotal scenes take place.Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.Over the years, Miller's Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers' finest works.The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).Today, it's seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

We jump the gun on a third season film cause Luke wants to talk about it so much and as you can see there's a lot to discuss. Barton Fink is a playwright and screenwriter who is also just the worst human to ever live. We talk: Coen Brothers FMK, Sonic The Hedgehog Cinematic Universe, Pokemon White, Silksong, Moving, Tank Girl, Comfortable Being Uncomfortable, Just Write The Script Script Writer, Steve Buscemi Lives In The Basement, Studio Head, The John Baddestman, Tony Shalhoub Is A Great Asshole, Where's My Honey, Does Charlie Exist, Sliding Into DMs, Crashed Worldview, Ever Read The Bible, Self Plagiarism, USO Dance, The Literal Christian Devil, Shining Ending, Coen Lists,

Skriv til os!Andreas er på besøg hos Jens for at lave den ultimative gennemgang af Joel og Ethan Coens filmografi. Som enhver anden seriøs cinefil mand i 30'erne så har de et nært forhold til flere af Coen-brødrenes film og prøver ihærdigt at møve sig gennem filosofiske videoessays og afhandlinger omkring de mange hyldester, referencer og dekonstruktioner på tværs af 18 film. God lyttelyst!(00:00:00) Intro(00:08:26) Gennemgang startende ved Blood Simple(01:12:49) Outro og teaser for næste ugeIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

Is John Goodman the devil? Is the studio system good, actually? Is it better to be the director of a bomb than it is to be the director of a film that doesn't exist? Filmmaker (and part of a DGA-sanctioned directing duo) Chris Weitz joins us to talk about Barton Fink, possibly the greatest film ever made about the “art vs. commerce” divide inherent to the movie business. It's not easy to make a picture, folks. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bloody Awesome Movie Podcast - I Know What You Did Last Summer Bloody Awesome Movie Podcast - I Know What You Did Last Summer This week, we review I Know What You Did Last Summer. We also discuss Recommendations in Concessions of a Cinephile, and more! The Bloody Awesome Movie Podcast delivers a spoiler-free review of a film, usually a new release, with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from disappointment media will introduce a variety of movies or pop-culture-related topics in a series of segments. Review of I Know What You Did Last Summer Director, writer, and cast provided by Letterboxd.com IMDb.com Synopsis: When five friends inadvertently cause a deadly car accident, they cover up their involvement and make a pact to keep it a secret rather than face the consequences. A year later, their past comes back to haunt them and they're forced to confront a horrifying truth: someone knows what they did last summer…and is hell-bent on revenge. RATINGS: 38% RT critic 69% RT audience 43 Metascore 5.7 IMDb user score 2.6 Letterboxd 13 million (#3) Concessions of a Cinephile In this segment, we switch to movie-motivated conversations of a large variety that could include headlines, trailers, top five lists, best of, competitions, etc…. Topic recommendations Jon's thoughts on Audition Matt's thoughts on The Wolfpack Jon's next watch is Cruising (1980) Matt's next watch is The Hero (2017) Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc, that we use to pass the time Matt's consumption Fantasia 2025: Noise, Terrestrial, Rewrite, The Well, Contact Lens, Hellcat M3GAN 2.0 Jon's consumption House on Eden, Miller's Crossing, Barton Fink, Eddington Agatha All Along, episode 1 Coen's audiobook

Surprise! We're back with a new episode. We jump off from the idea introduced to us by J. Todd Anderson, by way of Alfred Hitchcock, that filmmaking is about two things (and according to J. Todd only these two things): suspense and surprise. We analyze ways in which films create a “burden of knowledge” in the mind of the audience, and how this can dramatically affect the way scenes play out on a screen and behind our eyes. Sometimes you're ahead of the characters, and sometimes they're way, way ahead of you. Check us out in the new episode of Blank Check where we kick off their Coen brothers mini series Pod Country for Old Cast with the first film in the Coens ouvre, Blood Simple! Coens Covered: Raising Arizona, No Country for Old Men, Barton Fink, True Grit, Intolerable Cruelty, The Man Who Wasn't There Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Send us a textBecause in the end, maybe the real way was the brothers we made along the Coen.

The Coen Brothers' 1991 bizarre dark comedy, BARTON FINK, is our feature presentation this week. Special Guest and owner of Vulture Video, Dave Walter, joins us to discuss the film. We talk about how a bout with writer's block during the scripting of Miller's Crossing spurned the film and the creeping dread lurking beneath the film's surface. We also ask the question if The Hotel Earle is Hell itself, and much more! We also pick our TOP 7 JOHN GOODMAN MOVIES in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here linker.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

From misguided men to chaotic criminals, noir shadows to screwball shenanigans—the Coens have done it all.  In this episode, we're drafting our ultimate lineup of Coen Brothers films, one pick at a time.  Is The Dude abiding early, or are we out of our element?  Will Fargo get picked faster than you can say "Yah, you betcha" or will we succumb to that Barton Fink feeling?  Would that it were so Blood Simple.  Expect passionate picks, surprising snubs and a whole lotta y'know... Coen-isms.email: openmicmovies@latertaterfilms.comwebsite: openmicmovies.buzzsprout.cominstagram: @latertaterfilms  

A socially-conscious East Coast playwright gets a taste of Hollywood in BARTON FINK (1991). We discuss Barton, Madman Mundt, and "the common man." PLUS: One last check-in on the Canadian election. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/127528125

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

On this new entry in the special episode series Breaking It Apart, I'm joined by Mike Miley, author of the book David Lynch's American Dreamscapes, to do a first of its kind episode... A look at films that may have been inspired by the collective works of David Lynch. Undoubtebly one of the most influential figures in cinema, after he recently passed away, it only made sense to do this episode on his full filmography rather than a single film. Puzzle pieces include Natural Born Killers, Synecdoche New York, Barton Fink and I Saw The TV Glow.As always, SPOILER ALERT for any of the movies we discuss!Mike Miley is a professor and writer whose most recent book is David Lynch's American Dreamscape.Check out Mike's work at https://www.mikemiley.com/And follow Mike on Instagram @mikecmileyMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Warm" from the new album MISSING PIECES.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts,

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Happy 2025 My Dear Discover Indie Film Listeners! Our first podcast release of the year is a follow up to Tuesday's very special talk with filmmaker Peter Menchini. Peter Menchini directed the animated short, “When Mama and Me Lived Outside,” that took home the Grand Jury Award for Best Short Film – Animation at Film Invasion Los Angeles in 2023. I am delighted to launch this new year/new chapter with Peter's 4Qs. Anyone who wants to buy Tiny's book, and you SHOULD, can do so here: https://www.poorpress.net/ You can learn more if you visit Poor Magazine's website: https://www.poormagazine.org/ And, finally, Peter shared this fun video with us: https://vimeo.com/270538513. In his words, “A scene from Barton Fink for a directing class. Charlie, carrying a shotgun, sets the hotel on fire, then goes upstairs where 2 cops have Barton handcuffed to his bed. Each shot becomes more orange, and then we also had to simulate flames with no budget. I just think that's so fun.” _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

A Very Happy New Year's Eve to You All! I hope everyone is feeling healthy, rested and peacefully reflective on this past year. One thing that certainly filled my 2024 cup to the brim is all the amazing chats with talented, interesting filmmakers. I'm thrilled to end the last day of this year with one more, and I think it's a great one. Peter Menchini directed the animated short, “When Mama and Me Lived Outside,” that took home the Grand Jury Award for Best Short Film – Animation at Film Invasion Los Angeles in 2023. I referred to this film as an “animated documentary” and Peter agreed. This unique, compelling and meaningful film tells the story of Tiny Gray-Garcia's children's book of the same name, utilizing the artwork in creative and original ways to support the story. We had a wonderful screening of “When Mama and Me Lived Outside” at FILA 2023 that included a great Q&A with Peter and Tiny. I knew that it would be a wonderful and rewarding interview if or when Peter had time to do the podcast. Much to my delight we were able to record a Zoom interview and Peter did not disappoint, as the conversation is fantastic and, to me, particularly meaningful. Peter shared the following links: Anyone who wants to buy Tiny's book, and you SHOULD, can do so here: https://www.poorpress.net/ You can learn more if you visit Poor Magazine's website: https://www.poormagazine.org/ And, finally, Peter shared this fun video with us: https://vimeo.com/270538513. In his words, “A scene from Barton Fink for a directing class. Charlie, carrying a shotgun, sets the hotel on fire, then goes upstairs where 2 cops have Barton handcuffed to his bed. Each shot becomes more orange, and then we also had to simulate flames with no budget. I just think that's so fun.” I think it's fun, too! _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

SEASON 2 - EPISODE 118 - Mark Bridges - Costume Designer In his podcast debut, costume designer Mark Bridges (THE FABELMANS, JOKER, PHANTOM THREAD) speaks with us on this episode of the Team Deakins Podcast. Mark was once a costume assistant on BARTON FINK and HUDSUCKER PROXY alongside Mary Zophres (Season 1, Episode 80), and he shares how he made the jump to being a costume designer in his own right after meeting director Paul Thomas Anderson to work on his debut feature, HARD EIGHT. Throughout the episode, we discuss Mark's approach to his work, and he shares how he builds out a character's closet through diligent research and frequent testing. We also discuss how Mark communicates with the hair and makeup department, and he describes the types of conversations he has with the actors embodying a film's characters. Later, Mark discusses how he designs costumes in black-and-white, and he reflects on the extra legwork done to get ahead of any potential problems while shooting on location. And, while sharing advice at the end of the episode, Mark cautions young designers against making it about the money. - This episode is sponsored by Aputure

Ok . . . ok . . . come on, Max . . . you've done over three hundred of these . . . it's not that hard . . . just write. Just write SOMETHING. Oh god, why does a blank white screen look so horrible? Why is my keyboard laughing at me? Come … Continue reading "Episode 313 – Barton Fink (1991)"

On episode 256 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Josh Parham to discuss Sean Baker's latest film, Anora, and discuss their favorite films to win the prestigious Palme d'Or award. While we are coming towards the end of fall festival season, one of the hottest festival films of the year was the winner of the Palme d'Or at the Cannes Film Festival back in May. Anora, written and directed by Sean Baker and starring Mikey Madison, has been the one of the most talked about films of the year, garnering praise from audiences around the world and setting itself up for a big run later this Oscar season. But just how good is the film? Ryan, Josh, and Dan breakdown Baker's latest, what they think of the film overall, the performances, mild discussion on the film's ending, and where they see its path in the Oscar race moving forward. Once they were done with that, they moved into a larger discussion over their favorite past winners of the top prize at the Cannes Film Festival, the Palme d'Or. With some of the most influential, celebrated films of their respected years winning the award, the Palme d'Or is a signal for excellence in cinema. Some of the films discussed ranged from All That Jazz, Taxi Driver, Pulp Fiction, The Piano, Brief Encounter, Blow Up, The Conversation, Parasite, Shoplifters, Barton Fink, The Umbrellas of Cherbourg, The Tree of Life, and many more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h49m. We will be back next to do discuss the main trifecta of fall festivals - Telluride, Toronto and New York - then in two weeks for AFI FEST Film Festival and take a look at the Oscar race after each. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us a textIn which we contemplate the life of the mind, and works of John Goodman

On this week's episode of Sole Free Harlan Friedman celebrates 80 years of Robert De Niro with actor John Turturro from De Niro Con. A career-spanning exhibit celebrating 80 years of Robert De Niro with over 300 items primarily sourced from his personal archive including rare images and video, annotated scripts, costumes, research materials, and storyboards. Plus, born and raised New York actor John Turturro (Do The Right Thing, Barton Fink, The Big Lebowski, Quiz Show, Rounders, The Batman) chimes in on the iconic De Niro. EXECUTIVE PRODUCERS: Harlan Friedman and @donnadrakeshowPRODUCER/EDITOR: Robin C. Adams#DeNiro #JohnTurturro #nyc #spikelee #CoenBrothers #brooklyn #tribeca #acting #fyp #highlights #motivation #motivational #solefree FOLLOW HARLAN ON INSTAGRAM: @theofficialharlanAbout Harlan:Harlan Friedman is a dynamic creative and influencer whose content blends engaging interviews with hip-hop, sports and film legends like Funkmaster Flex, Michael Strahan and Robert De Niro, collaborations with cultural icons, and behind-the-scenes glimpses into the worlds of music, fashion, film and sneaker culture. Known for capturing the vibrant energy of events and brand partnerships, Harlan's posts resonate with hip-hop enthusiasts and those passionate about the broader street culture, showcasing a unique influence across these spheres.

Tony and Jay meet for the first time. We talk about the depth of his character, Primo, in “The Big Night” and why Jay can't find that depth in real like. We also chat about growing up the 9th of 10 kids, the acting scene in Green Bay, WI., tailoring Monk for Tony, auditioning, the struggles of being an actor, & Tony's biggest mistake which lead to his greatest joy, acting in Italian, being a creative producer, the magic of connection in live performance, and why we both wish we were Richard Kind.Bio: Tony Shalhoub is a Tony Award, Golden Globe Award and four-time Emmy Award winning actor with a diverse and extensive resume. Most recently, he returned to the iconic role of the beloved obsessive-compulsive detective Adrian Monk in Peacock's critically acclaimed Mr. Monk's Last Case: A Monk Movie receiving ‘Best Actor' in a ‘Limited Series or Television Movie' nominations from the SAG and Critics Choice Awards. Shalhoub was born and raised in Green Bay, Wisconsin. His father emigrated from Lebanon to the United States as an orphan at age eight. Shalhoub's mother was also Lebanese. Tony spent most of his early acting career in the theater, after graduating from Yale Drama School in 1980. From 1980-1984 Tony was part of the company with the American Repertory Theater in Cambridge, before moving to New York. He met his wife Brooke Adams in 1990 while working together in The Heidi Chronicles. Prior to the Monk movie, Shalhoub portrayed Abe Weissman on Amazon Prime Video's The Marvelous Mrs. Maisel, for which he has won the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series and two SAG awards for Outstanding Performance by a Male Actor in a Comedy Series. Most recently he received his third Primetime Emmy nomination for his role in The Marvelous Mrs. Maisel. On the Broadway stage, Shalhoub most recently starred in David Cromer's The Band's Visit at The Ethel Barrymore Theater, winning a Tony for Best Performance by a Leading Actor in a Musical. Prior to that, Tony starred in Terry Kinney's revival of Arthur Miller's The Price opposite Mark Ruffalo and Danny DeVito. Tony's other theater work includes starring in the Broadway productions of Act One, Golden Boy and Conversation With My Father, receiving Tony Award nominations for each performance. Tony also appeared opposite Diane Lane in Lincoln Center's Off-Broadway production of The Mystery of Love & Sex. Tony Shalhoub is perhaps best known for his work as Adrian Monk in the hit USA Network television series Monk where he was Emmy-nominated for ‘Outstanding Lead Actor in a Comedy Series' for eight consecutive years (2003 to 2010), winning in 2003, 2005 and 2006. Additionally, Shalhoub won a Golden Globe Award and two SAG Awards for his work on the show. Other notable TV credits include ‘Antonio Scarpacci' in Wings, Braindead, Stark Raving Mad, Too Big Too Fail and Nurse Jackie, Shalhoub's film credits include Eva Longoria's Flamin' Hot, The Assignment, Pain & Gain, The Men In Black franchise, Galaxy Quest, The Siege, The Man Who Wasn't There, Big Night, Barton Fink as well as voicing the character of ‘Luigi' in the CARS franchise and ‘Master Splinter' in Teenage Mutant Ninja Turtles franchise.

Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:Bridge of Spies (2:16)Barton Fink (6:15)Self Reliance (8:18)2) The Big Recommend: Being There (12:20)3) Surprise Double Feature: ????????  (49:55)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Our Sponsors:* Check out Factor 75 and use my code recotopia50 for a great deal: https://www.factor75.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mimi Sheraton was a food writer and restaurant critic for The New York Times. So she wouldn't get preferential treatment at a restaurant, she had a collection of wigs to disguise herself. She died earlier this month at age 97.Actor Michael Lerner played a studio mogul in Barton Fink, and a mob boss in Harlem Nights. He died earlier this month at age 81.Also, Justin Chang reviews Showing Up, the new film by Kelly Reichardt.