Podcasts about devil have all

Joel hosted a conversation with two first-time podcast guests all about 'CCM' or 'Contemporary Christian Music.' They explore various cultural aspects of 'CCM,' as well as the reality of profit-driven corporate influence. Larry Norman figures prominently in their discussion, and Joel reflects a bit on his experience as a 90s kid immersed in this industry.Leah Payne is Associate Professor of American Religious History at Portland Seminary and a 2023–2024 Public Fellow at the Public Religion Research Institute (PRRI). She holds a Ph.D. from Vanderbilt University and her research explores the intersection of religion, politics, and popular culture. Payne is co-host of Rock That Doesn't Roll, a Public Radio Exchange (PRX) podcast about Christian rock and its listeners and Weird Religion, a religion and pop culture podcast, as well as the author of the new book God Gave Rock & Roll to You: a History of Contemporary Christian Music (Oxford University Press, 2024).Gregory Alan Thornbury, currently serves as Executive Director of Silver Art Projects at the World Trade Center. He has spent the past 25 years in higher education and arts nonprofits, as a professor, college dean, vice president, and president. Most recently, he served in senior leadership as Vice President at the New York Academy of Art in Tribeca, founded by Andy Warhol. In addition to being a curator, he is a scholar of art, philosophy, and religion, and his most recent book is "Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock" (Convergent Books, 2018).Books Mentioned in this Episode:If you'd like to order any of the following books, we encourage you to do so from Hearts and Minds Books(An independent bookstore in Dallastown, PA, run by Byron and Beth Borger) God Gave Rock and Roll to You: A History of Contemporary Christian Music by Leah PayneWhy Should the Devil Have All the Good Music? Larry Norman and the Perils of Christian Rock by Gregory Alan ThornburyEvangelicals, Incorporated: Books and the Business of Religion in America by Daniel VacaDiary of a Wimpy Kid by Jeff KinneyMissions Begin with Blood: Suffering and Salvation in the Borderlands of New Spain by Brandon BayneFrom Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics and the Rise of Conservative Evangelicalism by Darren DochuckThe Heaven and Earth Grocery Story by James McBrideTomorrow and Tomorrow and Tomorrow by Gabrielle ZevinEncounters: Experiences with Nonhuman Intelligences by D. W. PasulkaWhy We Can't Sleep by Darian LeaderModern Genre Theory: An Introduction for Biblical Studies by Andrew JuddYou Like it Darker: Stories by Stephen King

SHAME, Chasing the Monsters Away. Monty welcomes Pastor & Author Dennis McGuire back to Take 12 Radio to talk about his new book on the topic of defeating shame and condemnation. We all have things we are ashamed of, but is shame interfering with our life as to keep us from who God wants us to be? How does shame interfere with our recovery? Closing Song: Why Should the Devil Have All the Good Music by Larry Norman. #shame #shamefull #higherpower #god #aa #na #alcoholicsanonymous #recovery #recovered #alcoholic #twelvesteps #wedorecover #narcoticsanonymous #addiction #bigbook

Está no ar mais um episódio do Podcast que vai pocar as suas ideias! Neste episódio recebemos diretamente da Crentassos Produções Subversivas o nosso querido Jonatha Zimmer, nos ajudando a contar a História do Rock Cristão! Ouça e Compartilhe com alguém! Site da Crentassos: https://crentassos.com.br/blog/ Pesquisa do João Marcos que usamos no episódio: HISTÓRIA DO ROCK CRISTÃO Rock é um termo abrangente que define um gênero musical de música popular que se desenvolveu durante e após a década de 1950. Suas raízes se encontram no rock and roll e no rockabilly que emergiram e se definiram nos Estados Unidos no final dos anos 1940 e início dos 1950 e que, por sua vez, evoluíram do blues, da música country e do rhythm and blues. O rock cristão é uma forma de rock que apresenta letras focadas em questões de fé cristã, geralmente com ênfase em Jesus, geralmente interpretadas por indivíduos cristãos autoproclamados. Entre as primeiras bandas que tocaram rock cristão estava o The Crusaders, uma banda de rock de garagem do sul da Califórnia, cujo álbum Make a Joyful Noise with Drums and Guitars lançado em novembro de 1966, é considerado um dos primeiros lançamentos de rock gospel, ou mesmo "o primeiro disco de rock cristão", e Mind Garage, sem dúvida a "primeira banda do gênero", cujo álbum, Electric Liturgy de 1967 foi gravado em 1969. Larry Norman, freqüentemente descrito como o "pai do rock cristão", e em seus últimos anos "o avô do rock cristão", que, em 1969, gravou e lançou Upon This Rock ", o "primeiro álbum de Jesus rock lançado comercialmente, desafiou uma opinião defendida por alguns cristãos conservadores de que o rock era anticristão. Uma de suas canções, "Why Should the Devil Have All the Good Music?" (Por que o diabo deveria ter toda a boa música?) resumiu sua atitude e sua busca pelo pioneiro do rock cristão. O rock cristão era frequentemente visto como uma parte marginal da nascente música cristã contemporânea (MCC) e da indústria gospel contemporânea nas décadas de 1970 e 1980. Petra e Resurrection Band, duas das bandas que trouxeram o hard rock para a comunidade do MCC, tiveram suas origens no início e meados da década de 1970. Eles alcançaram seu auge em popularidade no final dos anos 80, ao lado de outros artistas de hard rock que identificam-se de cristãos, como Stryper. [1] As primeiras obras e bandas do rock cristão no Brasil são ainda na década de 70. Uma das bandas que mais alcançou notoriedade no Brasil no rock cristão durante este período foi a banda Êxodos. Sua canção mais conhecida foi "Galhos Secos". A década de 80 é marcada pelos trabalhos de Janires Magalhães Manso, que fundou o Rebanhão. Após deixar o Rebanhão, Janires foi para Belo Horizonte onde fundou a Banda Azul e gravou o clássico Espelho nos Olhos. No final dessa década surgiram algumas bandas que seriam as mais notáveis da década seguinte, como Oficina G3, Resgate, Fruto Sagrado, Catedral, Rosa de Saron, além da banda Katsbarnea, que em 1989 lançou o K7 O Som que Te Faz Girar. A banda ficou conhecida por suas letras de temáticas urbanas e sociais, aliadas a um som experimental. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pocast-podcast/message

Well, at least they didn't hate the film as much as they thought they would. In this follow-up episode to their discussion on praise and worship music, Tim and Ray review the latest documentary on contemporary Christian music, The Jesus Music. In between giving their thoughts on what they (mostly dis)liked about the film, the hosts do their best to supplement the narrative with all of the Jesus movement and CCM history left out of the movie—from the dozens of essential Christian artists that went completely unmentioned (How do you tell this story without Randy Stonehill?) to the avoided industry and religious politics that defined the trajectory of the music over its 50+ year history. (Side note: Why were so many music acts shown as being interviewed for the film if nothing they actually said was going to make the final cut?) Opening banter includes part one of a two-part, long-overdue rant about our societal and governmental failures regarding the ongoing COVID-19 pandemic. Stay tuned for the second half of this conversation which will dig deeper into the life and career of gospel and CCM legend Andraé Crouch! Follow us: Tim: @timdillinger Ray: @raycurenton Subscribe to Tim's newsletter at https://godsmusicismylife.substack.com/ Resources/References: The Jesus Music (2021) dir. Andrew and Jon Erwin Frisbee: The Life and Death of a Hippie Preacher (2005) dir. David Di Sabatino Fallen Angel: The Outlaw Larry Norman (2009) dir. David Di Sabatino Jesus People (1972) dir. David Adams Not By Might Nor By Power: The Jesus Revolution by Lonnie Frisbee with Roger Sachs Why Should the Devil Have All the Good Music? Larry Norman and the Perils of Christian Rock by Gregory Alan Thornbury God's Forever Family: The Jesus People Movement in America by Larry Eskridge “Jesus, drugs and rock 'n' roll: How an O.C. hippie church birthed Contemporary Christian music” by Randall Roberts “Who killed the contemporary Christian music industry” by The Week “CCM industry stays silent on LGBTQ inclusion as queer artists carve inroads” by Kathryn Post --- Send in a voice message: https://podcasters.spotify.com/pod/show/outlawsevidence/message

I share some updates on what I've been doing over the break, I recommend Gregory Alan Thornbury's really interesting book, Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock (Convergent), and I talk about Paul's argument regarding Israel in Romans 10. I also mentioned this article: "'An American Tradition': Lessons from a year covering conspiracy theories," Jose A. Del Real, The Washington Post, Dec. 29, 2021.

We are stoked to bring you this very special and very enjoyable bonus episode of The Shock Absorber with Dave Lovell from Christian Surfers. Stu and Tim chat with Dave about the prominent ministry that adopted the missional approach from the 1970s in the Sutherland Shire, and has continued to grow across the world. 01:07 Who is Dave Lovell and his role at Christian Surfers03:20 Cultural Artefact - The Ramones at Brighton Hotel Pier06:08 Dave's background and becoming a Christian17:13 Christian Surfers19:32 God's song for us26:15 Relational passion and purpose28:53 Surfing culture + Australian culture36:38 Christian Surfers + relational ministry48:07 Final wordsWatch on YouTube-----------------------------DISCUSSED ON THIS EPISODE:Christian Surfers AustraliaChristian Surfers InternationalGroundswell by Brett DavisThe Silmarillion by J.R.R. TolkienThe Story of the Tune, by Larry NormanTommy, by The WhoGet Back, by The BeatlesWhy Should the Devil Have All the Good Music?, by Gregory A ThornburyPuberty Blues, by Gabrielle Carey & Kathy LettePuberty Blues film (1981)Puberty Blues TV show (2012-2014)Tim KellerRevisiting Relational Youth Ministry, by Andrew Root-----------------------------CONTACT US:Email: joel@shockabsorber.com.auDiscord: https://discord.gg/Vb6g4JzD

Larry Norman biographer Gregory Alan Thornbury (Why Should the Devil Have All the Good Music) joins the podcast to talk about the godfather of Christian rock music and the larger Jesus Movement that he inspired and later disavowed. He also talks about Critical Kayfabe Theory, a way of interpreting the actions of public figures like Mark Driscoll through the lens of professional wrestlers, who have a strict code of staying in character, and what happens when things go off script. Get a copy of "Why Should the Devil Have All the Good Music: Larry Norman and the Perils of Christian Rock" right here: https://www.penguinrandomhouse.com/books/537583/why-should-the-devil-have-all-the-good-music-by-gregory-alan-thornbury/ Follow Greg Thornbury on Twitter: @greg_thornbury Read the viral article on Kayfabe theory on David Dark's Substack: https://daviddark.substack.com/p/on-metaphor-and-kayfabe -Check out Zach's music by going to: https://muzach.bandcamp.com -Read Dave's occasional blogging at: www.dangeroushope.wordpress.com Twitter: @vcwpod Zach- @muzach Dave- @Davejlester Podcast music by Zach Malm Logo by Zach Malm

This week we are privileged to have the great Gregory Thornbury, author of Why Should the Devil Have All the Good Music and some terrific essays as well, notably this one on QAnon, to talk with us about The Devil and Daniel Johnston, Jeff Feuerzeig’s 2005 documentary about the late, supernaturally gifted, near-unknown singer-songwriter whose struggles with bipolar disorder kept him out of the public eye even as he amassed a following of similarly talented people. Also, demons.Demonology is something we talk about a little on the podcast when we watch The Exorcist or Hereditary; here we get a lot more intense about it, and Greg shares some of his own observations and experiences and I just want to say I’m really grateful to him for being so open and honest with us and with all of you. We hope you dig this one. Also if you’re just in it for good music, you’ve come to the right place, and you can listen to new, happy, funky, countrified stuff from Greg’s amazing daughter Kate Thornbury on Spotify, too. Greg was kind enough to supply the image for this week’s episode, drawn by Johnston himself for a showing of his art that Greg moderated, and is used with our thanks and permission.Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. The Devil and Daniel Johnston is copyright 2005 Sony Pictures Classics. Brief audio excerpts are used herein for purposes of review. All other material is copyright 2021 Sam Thielman and Alissa Wilkinson.This is a free episode! We’d love it if you subscribed! This is a public episode. Get access to private episodes at yammpod.substack.com/subscribe

For the penultimate episode in our Art & Culture series we are joined by Dr. Greg Thornbury to discuss Art & Cultural Engagement. Dr. Thornbury is Vice President for Development at the New York Academy of Art in New York City and the author of Why Should the Devil Have All the Good Music: Larry Norman and the Perils of Christian Rock. Over the course of the conversation we talk about problematic ways of conceiving of “cultural engagement,” bad forms of Christian art, and why the rock star Larry Norman was such a helpful model for what it means to be a Christian in the arts. One of the more intriguing aspects of the conversation is the notion of ”kayfabe,” which comes from the arena of professional wrestling, referring to the illusions of real fighting, but actually isn't. Dr. Thornbury uses this concept as a fascinating metaphor for dishonest art. Team members on the episode from The Two Cities include Amber Bowen, Dr. Josh Carroll, Dr. John Anthony Dunne, Rev. Daniel Parham, and Dr. Logan Williams.

¡¡ God Bless !! Hola amigos, para esta nueva edición de JUST ROCK queremos presentar un especial : Rock Cristiano y sus variantes. Gracias de parte de todos los componentes de JUST ROCK y esperamos seguir celebrando muchos aniversarios mas. Disfrutar de las canciones y un saludo de toda la familia que realizamos, Just Rock. Puedes comentar y pedir temas en el Chat de IVOOX y a través de Facebook, También puedes suscribirte, es gratis y estarás al día cuando se suba cada PodCast. Y recuerda, Si te gusta "No seas egoísta y comparte". Rock On!!! Y de nuevo gracias a todos esos músicos, medios de comunicación y amigos, que poco a poco con sus Saludos, ya forman parte importante de JUST ROCK.!! " GOD BLESS " Playlist: 1.- AGE OF FAITH - God's Got an Army. 2.- GIANT - Stay. 3.- JOHN SCHLITT - Where Would I Be!. 4.- MICHAEL SWEET – Real. ⭐ Sección "El Rincón Del Tigre". 5.- MAGDALLAN - Radio Bikini. 6.- GEOFF MOORE - Why Should the Devil Have All the Good Music. ⭐ Sección "Los Consejos De David" 7.- BOB CARLISLE - One Step Closer To Your Broken Heart. 8.- GUARDIAN - Never Say Goodbye. 9.- DEGARMO & KEY- Every Moment. 10.- HALO- Saved by Grace. 11.- BRIAN WHITE AND JUSTICE - Radical Love. 12.- IDLE CURE - Frontline. 13.- VU - Whenever I Call Your Name. 14.- AMY WOLTER - There Won't Be A Next Time. 15.- SURE CONVICTION - Proclaiming . 16.- ALLIES - Surrender. 17.- WHITE HEART - Independence Day. 18.- STRYPER - Invitation Only.

Die Welt-Ersteinspielung von John Adams' Klavierkonzert "Must the Devil Have All the Good Tunes?" mit dem Los Angeles Philharmonic Orchestra unter Gustavo Dudamel sowie der Pianistin Yuja Wang ist nur als digitales eAlbum und auf Vinyl erschienen. Wir haben dafür unseren Plattenspieler reaktiviert.

Details, credits, errata: This week Sam and Alissa talk about Donald W. Thompson’s kitsch classic/terrifying youth group mainstay A Thief in the Night, a trim 68-minute horror film about the Rapture, which, Sam was annoyed to learn after having rented it twice on Amazon, is available for free on Tubi, as is are its sequels.Our guest is the wonderful Elizabeth Spiers, who wrote an absolutely terrific piece about the downfall of Jerry Falwell, Jr. and the conservative heirarchy of sin for the New York Review of Books, which we discuss briefly and recommend to you highly.We also mention Corrie Ten Boom’s 1971 Christian Holocaust memoir The Hiding Place, which may be of interest to non-evangelical listeners and is avaialble from The Internet Archive here; and the Billy Graham Evangelistic Association’s series of films, which are available through the BGEA’s deal with Amazon and are generally of higher quality than A Thief in the Night. At some point we’ll get around to the movie of The Hiding Place or maybe Joni. Sam offhandedly mentions the upsetting story of Fr. Andras Kun; he is remembered here, at the US Holocaust Memorial Museum’s excellent website. We also talk about Larry Norman, the godfather of Christian rock, and Alissa recommends a well-regarded biography of Norman, Why Should the Devil Have All the Good Music? by Gregory Thornbury.Our episode art on the website this week is Empty Roads, a photo of Times Square in the twilight, made freely available by the photographer Julien Reidel through his Unsplash page, and used with our thanks.Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. A Thief in the Night is copyright 1972 Mark IV Pictures and brief clips from the movie, and from the song I Wish We’d All Been Ready by Larry Norman, are used briefly for review purposes, with no other copyright intended or implied. All other content is copyright 2020 Sam Thielman and Alissa Wilkinson.If you’re a subscriber and you haven’t yet, check out our special episode on Tenet! If not, subscribe now! This is a public episode. Get access to private episodes at yammpod.substack.com/subscribe

durée : 00:17:44 - John Adams - Must the Devil Have All the Good Tunes ? - John Adams : Must the Devil Have All the Good Tunes? Yuja Wang & Los Angeles Philharmonic & Gustavo Dudamel Deutsche Grammophon (DG)

Fiona Apple's long-awaited Fetch the Bolt Cutters leads our rundown of the best new albums out this week. Hear that, plus the latest from Shabazz Palaces, Lido Pimienta, Rina Sawayama and more.Featured Albums: 1. Fiona Apple — Fetch the Bolt CuttersFeatured Song: "I Want You to Love Me"2. Rina Sawayama — SawayamaFeatured Song: "STFU!"3. Lido Pimienta — Miss ColombiaFeatured Song: "Quiero Que Me Salves"4. Sarah Siskind — Modern AppalachiaFeatured Song: "Punk Rock Girl"5. Shabazz Palaces — The Don of Diamond Dreams6. Zelma Stone — DreamlandFeatured Song: "Fly"7. John Adams — Why Must the Devil Have All the Good Tunes Featured Songs: Excerpts from the 1st and 3rd movementsOther notable albums out on April 17: Bobby Bare — Great American Saturday Night; Brett Newski — Don't Let the Bastards Get You Down; dvsn — A Muse In Her Feelings; EOB — Earth; Girl Skin — Shade is on the Other Side; The Pack A.D. — It Was Fun While It Lasted; Shelby Lynne — Shelby Lynne; RJD2 — The Fun Ones; Ron Sexsmith — Hermitage; Sophie Hutchings — Scattered on the Wind; Soul Asylum — Hurry Up and Wait; Tech N9ne — Enterfear.Sign Up For The NPR Music Newsletter: www.npr.org/musicnewsletter

On today's show, Tim welcomes several current Philadelphia Eagles players, including Dallas Goedert, Jason Kelce, Miles Sanders, Vinny Curry, and Matty Pryor to discuss the upcoming game against the Seattle Seahawks this Sunday on NBC. They talk game strategy, and mental and physical preparation for this game and any game. Then Tim has Philadelphia's hardest working producer, Joe Harnett live in-studio to mark a historical point in Joe's career. Listen to find out what it is! Tim also plays clips from past shows, specifically Mike Norman, who discusses his role in Pole Gems, the importance of self-value, and his relationship with his father, Larry Norman, who is also one of the original musicians in the contemporary Christian genre. As any Friday episode goes, Tim ends the show with the Now THAT'S Punny segment with his new producer, Dani Roth. Listen live weekdays 4-5 pm ET on AM 560 WFIL. Music ft: Why Should the Devil Have All the Good Music (Larry Norman)See omnystudio.com/listener for privacy information.

So what do Superman, Captain America, Professor X, and Jesus Christ all have in common? According to the canonical accounts of their lives, each one has been raised from the dead. So why is it that, even in fiction, humans yearn for heroes who die and return to life? That’s one of the questions that apologist and bestselling author Timothy Paul Jones explores in this episode with cohost Garrick Bailey and guest Todd Miles. In the second half, Garrick and Timothy go digging for God’s truth in the music of Larry Norman, the father of Christian rock--and, as it turns out, someone that Garrick had never even heard about until recently. This week's dilemma from the Infinity Gauntlet leads to a deadly duel between Jedi Master Yoda and Gandalf the White. In this Episode Todd Miles, Ph.D. is professor of theology at Western Seminary in Portland, Oregon. He is the author of the B&H Academic titles Superheroes Can’t Save You (2018) and A God of Many Understandings? (2010). Questions to Discuss 1. In Infinity War, Rocket Raccoon asks Thor about his brother Loki who has just died. Thor’s reply is, “Well, he’s been dead before” which is a reminder of how frequently death is temporary in comic-book universes. What are some of the best comic-book resurrection stories? 2. Why is there a recurrent theme of sacrifice, death, and resurrection in the comic books? 3. How might the rise of secularity reshape superhero stories now and in the future? Links to Click B&H Academic Superheroes Can’t Save You: book by Todd Miles A God of Many Understandings?: book by Todd Miles The Gospel According to Superheroes: book with foreword by Stan Lee (Google Preview) Why Should the Devil Have All the Good Music?: book by Greg Thornbury The Great American Novel: song by Larry Norman Why Should the Devil Have All the Good Music?: song by Larry Norman Why Don't You Look Into Jesus?: song by Larry Norman Jesus Sound Explosion: vinyl LP recorded at Explo '72 ThreeChordsApologetics.com How to Make Three Chords and the Truth More Amazing than It Already Is Support the show and spread the word! Here are a few ways to do that: 1. Subscribe to Three Chords and the Truth: The Apologetics Podcast (Apple Podcasts / Android / RSS) 2. Leave a rating and review on iTunes to encourage other people to listen to the show. 3. If you purchase any of the books mentioned in Three Chords and the Truth, consider using the Amazon links provided in the show notes. The show will receive a small percentage of each sale. 4. Visit our Patreon site where you can support the podcast, suggest future songs or topics, and order Three Chords and the Truth merchandise. 5. Make contact with us on Twitter: @DrTimothyPJones  @GarrickBailey  @ApologeticsPod  The Closing Credits Three Chords and the Truth: The Apologetics Podcast thanks B&H Academic for their sponsorship. Music for the podcast has been licensed through Artlist.io and performed by the band Vegan Friendly—even though neither Garrick nor Timothy has ever been vegan friendly. Brief excerpts of music played in the second half of each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. "The fair use of a copyrighted work ... for purposes such as criticism, comment, news reporting, teaching, ... scholarship, or research, is not an infringement of copyright" (U.S. Code § 107, Limitations on exclusive rights: Fair use).

About the Performance: The astounding Yuja Wang collaborates with Dudamel to give the first-ever performances of John Adams' newest piano concerto, paired with Mahler's beloved song-filled symphony, rife with quintessential Mahlerian touches: nature-inspired lyricism, a funeral march, and explosive crescendos. Program: John ADAMS : Must the Devil Have All the Good Tunes? (world premiere, LA Phil commission with generous support from the Lenore S. and Bernard A. Greenberg Fund) Intermission MAHLER : Symphony No. 1 Artists: Los Angeles Philharmonic Gustavo Dudamel conductor Yuja Wang piano SUN / MAR 10, 2019 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

Christian rock wasn’t always a thing, until the controversial singer-songwriter Larry Norman came around. In an era when the church deemed rock and roll evil, Larry wrote a song called “Why Should the Devil Have All the Good Music.” He threw a wrench in the gears of rock and roll history as we know it. My friends and I discuss this game-changing artist’s career (and his influence) at length.

"Contemporary Christian Music" began in the 70s, grew in the 80s, and exploded in the 90s as Christians began to answer Larry Norman's question, "Why Should the Devil Have All the Good Music?" with, "He doesn't!" But where is the state of Christian Music today and does it matter? All this and more will be discussed in our latest podcast. 

A conversation with author Gregory Alan Thornbury about 70s Jesus Music, apocalyptic politics, Bob Dylan, countercultural Christianity, and his fascinating biography of the Christian rock star Larry Norman: Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock.  

Dr. John Mark Reynolds discusses the book "Why Should the Devil Have All the Good Music"by Chancellor Gregory Alan Thornbury of the King's College.

This week’s featured interview is with Gregory Alan Thornbury. Gregory has been a college professor, dean, and president of The King’s College in New York City. A popular writer and speaker on philosophy, religion, and contemporary culture, he currently serves at the New York Academy of Art.His new book “Why Should the Devil Have All the Good Music” is out now. Our REPLY ALL question is: What is your favorite Easter memory? For more extended answers, you can answer in our Facebook Group: CRTVTALKS. And, for more precise comments join the conversation on Facebook or Twitter by following @CRTVCHURCHFollow CRTVCHURCH on social media @CRTVCHURCH on all handles and check out our website CRTVCHURCH.com. See acast.com/privacy for privacy and opt-out information.

Gregory Alan Thornbury, Chancellor of The King's College and Vice President of New York Academy of Art, joins me on the podcast to talk about Larry Norman, “father of Christian Rock.”   In the recently released biography on Larry Norman, titled Why Should the Devil Have All the Good Music?, Thornbury talks about Larry Norman and […] The post Gregory Thornbury-episode 125 appeared first on Anita Lustrea.

Gregory Alan Thornbury, Chancellor of The King’s College and Vice President of New York Academy of Art, joins me on the podcast to talk about Larry Norman, “father of Christian Rock.”   In the recently released biography on Larry Norman, titled Why Should the Devil Have All the Good Music?, Thornbury... The post Gregory Thornbury-episode 125 appeared first on Anita Lustrea.

Greg Thornbury’s new book poses the question, “Why Should the Devil Have All the Good Music?” and Greg continues his interview sharing some great answers from the life of musician Larry Norman.See omnystudio.com/listener for privacy information.

Author Greg Thornbury is in the studio sharing stories about the perils of Christian rock from the life of musician Larry Norman in the book, “Why Should the Devil Have All the Good Music?”See omnystudio.com/listener for privacy information.

Michial Farmer interviews Gregory Alan Thornbury about his new book, "Why Should the Devil Have All the Good Music?"

Michial Farmer interviews Gregory Alan Thornbury about his new book, "Why Should the Devil Have All the Good Music?"

Michial Farmer interviews Gregory Alan Thornbury about his new book, "Why Should the Devil Have All the Good Music?"