Podcasts about drama society

As the 2024 recipient of the Betty Jean Jones Award, Ann Folino White, associate professor of theatre studies at Michigan State University, joins the ranks of a select group of scholars honored by this prestigious national award for excellence in teaching and mentorship in theatre. Presented by the American Theatre and Drama Society, or ATDS, an international body of scholars dedicated to the study of theatre, performance, and drama across the Americas, the Betty Jean Jones Award signifies the profound influence Folino White has made on her students, colleagues, and the broader academic and theatre communities. The honor is more than just a recognition of her accomplishments – it is a validation of her lifelong commitment to inclusivity, impactful mentorship, and the study of theatre. Conversation Highlights: (1:05) - Congratulations! Tell us about ATDS and this award.  (2:29) – Tell us about your background and Spartan pedigree. (3:50) - Your work is distinguished by your commitment to dismantling the narratives that have long dominated theatre education. Why and how did you overhaul the theatre curriculum? (8:08) - You're based in the Theatre Department, but you're involved all over campus. Talk about your role as chair of the President's Advisory Committee on Disabilities Issues at MSU and the cool progress at Spartan Stadium you played a role in. (11:48) - Why do you love teaching and mentoring and promoting curiosity and collaboration? (14:59) - Talk about the book you're working on about Actors' Equity Association, the union that represents professional actors in the United States. What is Actors' Equity and how does the book explore acting as work and unionized labor, a concept you believe is often misunderstood and ignored. (19:42) - How have you seen students change over the 15+ years you've been teaching at MSU? (22:11) - What challenges and opportunities await your students in whatever field the enter, and what are those facing current actors around the world? Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

Students from Pansophia Academy in Coldwater will be back on the Tibbits Opera House stage this week.See omnystudio.com/listener for privacy information.

Kildysart Drama Society is gearing up for its latest annual production. The group will be bringing the John B. Keane classic Big Maggie to their local stage and will perform a total of four shows at Kildysart Community Centre over the next two weekends. To find out more on the upcoming performances, Alan Morrissey was joined by Colin McMahon, the play's Director. Picture (c) by Boommavel from TIVEL via Canva

The drama continues! After Bryce's body has been found, Mr. Crums steps in to solve the the case of this mysterious drama class death. But, figuring out who the killer is, isn't easy... Everyone has motive Everyone had opportunity But the evidence leads to one answer to the question... Who was the killer?! Find out in this episode of Party of Apes!   The Apes are: Gabby Brooks Luke George Matt Driver Scott Russell Editing, music and sound design by Matt Driver   Have any feedback, input, kind words, or ideas you'd like to see us make a radio play about? Contact us at: podcast@partyofapes.com  

A drama class with too much drama. What should have been a fun lesson for 3 students and their teacher, quickly turns into an intense scene as one of the students is murdered... But who is killed? Who is the killer? Who is the mysterious man in the next classroom over?! Find out in this episode of Party of Apes!   The Apes are: Gabby Brooks Luke George Matt Driver Scott Russell Editing, music and sound design by Matt Driver   Have any feedback, input, kind words, or ideas you'd like to see us make a radio play about? Contact us at: podcast@partyofapes.com  

My guest this week is Becky Jefcoate, who like me was at university in Lampeter from 1991-94 where she studied Archaeology and English Literature. We find out how Becky ended up there and why her school teacher had misgivings about doing Archaeology as a single honours subject. We talk about how Lampeter was a place you knew pretty quickly whether you were going to fit in or not and how it attracted a certain type of self-sufficient person. After university, Becky moved to London and we learn about her time working at the Cartoon Museum as well as in a theatre and at the Royal Opera House. We talk about the collections in the Cartoon Museum, exploring with different audiences what the relevance was to them personally of the likes of Hogarth and Bagpuss. There was a specific Nostalgia exhibition, and we learn how it affected Becky, and the therapeutic possibilities involved when recording people's memories. Becky has always kept a diary including from her Lampeter days, and we talk about the efficacy of diaries. We learn about Becky's childhood. She was born in Birkenhead and moved to Lincolnshire, and remembers watching Robin of Sherwood and its mystical world England. Her favourite film was Raiders of the Lost Ark and which was a determining factor in studying Archaeology. Musically, Becky was into the Pet Shop Boys and Crowded House. Becky was one of the DJs in the Union Disco in Lampeter, and we talk about the interplay between new and old music played by bands at gigs. We discuss the balance of Archaeology and English as they are about people and their stories, what they have left behind, and we find out how they have both helped Becky in terms of her career. Becky wrote over 500 letters to every arts organization and museum when applying for work, and she reflects on whether with the passing of time we tend to remember the good times, and what we learn from the past. Then, at the end of the interview, we find out about the performances Becky was involved with in the Drama Society, about the way we look back on particular years, and why Becky is an especially nostalgic person.

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Thinking Cap Theatre's Artistic Director Nicole Stodard Ph.D talks with Brian Herrera, Associate Professor of Theatre at the Lewis Center for the Arts at Princeton University, and Anne Garcia-Romero, Associate Professor of Theatre in the Department of Film, Television, and Theatre at the University of Notre Dame. BRIAN HERERRA's BIO Brian Herrera is, by turns, a writer, teacher and scholar - presently based in New Jersey, but forever rooted in New Mexico. Brian's work, whether academic or artistic, examines the history of gender, sexuality and race within and through U.S. popular performance. He is author of The Latina/o Theatre Commons 2013 National Convening: A Narrative Report (HowlRound, 2015). His book Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (Michigan, 2015) was awarded the George Jean Nathan Award for Dramatic Criticism and received an Honorable Mention for the John W. Frick Book Award from the American Theatre and Drama Society. With Stephanie Batiste and Robin Bernstein, Brian serves as co-editor of “Performances and American Cultures” series at NYU Press. Also a performer, Brian's autobiographical storywork performances (including I Was the Voice of Democracy and TouchTones) have been presented in venues large and small across the United States, as well as Beirut and Abu Dhabi. Brian is a longstanding contributor to the Fornés Institute, a project committed to preserving and amplifying the legacy of María Irene Fornés. He has also worked closely with ArtEquity, an organization committed to creating and sustaining a culture of equity and inclusion through the arts; with Theatrical Intimacy Education, a group researching, developing, and teaching best practices for staging theatrical intimacy; and with The Sol Project, an initiative dedicated to producing the work of Latinx playwrights in New York City and beyond. He serves on the Director's Council of the DramaLeague and on the boards of Clubbed Thumb and Bard at the Gate. Brian is presently at work on several scholarly book projects: Next! A Brief History of Casting, a historical study of the material practices of casting in US popular performance; Starring Miss Virginia Calhoun, a narrative portrait of a deservedly obscure early 20th century actress/writer/producer; and Fornés in Context, an anthology (co-edited with Anne García Romero and under contract with Cambridge University Press) documenting the life, work and legacy of playwright María Irene Fornés. He also publishes the #TheatreClique Newsletter. ANNE GARCIA-ROMERO'S BIO Anne García-Romero's plays include: Staging the Daffy Dame, Lorca in New York, Mary Domingo, Provenance, Paloma, Earthquake Chica, Mary Peabody in Cuba, Desert Longing, Juanita's Statue, Girlus Equinus and Santa Concepción. Her plays have been developed and produced most notably at the New York Shakespeare Festival/Public Theatre, the Eugene O'Neill National Playwrights Conference, The Goodman Theatre, Denver Center Theatre, The Mark Taper Forum, Hartford Stage, Borderlands Theater, National Hispanic Cultural Center, Nevada Repertory Company, Los Angeles Theatre Center, Kitchen Theatre, and South Coast Repertory. She has also written for Peninsula Films, Elysian Films and Disney Creative Entertainment. Her translation of The Gröholm Method by Jordi Galcerán has been produced in Los Angeles and London. She's been a Jerome Fellow at the Playwrights Center of Minneapolis as well as a MacDowell Colony fellow. She is an alumna of Chicago Dramatists and of New Dramatists in New York City. She is a founding member of the Latinx Theatre Commons, where she contributes to The María Irene Fornés Institute. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Actors Collaborative Toledo. Our mission is produce superior quality live theatre in the Greater Toledo area. ​ Actors Collaborative Toledo is committed to equal opportunities for actors and encourages and promotes a casting policy without regard to race or ethnicity. Actors Collaborative Toledo (ACT) is a 501 (c) (3) nonprofit organization formed in August 2013 with the staged reading of "Walter Cronkite is Dead" by Joe Calarco at the historic Mansion View Inn. Since that time our company has performed at The Toledo Museum of Art, Trinity Episcopal Church, The Village Players Theatre, The Collingwood Arts Center, The Moxie Live!, Delightful Art with Dee, Pam's Corner, Owens Community College, The Franciscan Center at Lourdes University and The Center for Performing Arts at the University of Toledo. ACT is a group of local theatre artists dedicated to bringing contemporary theatre to Toledo, with a focus on the importance of new and seldom performed plays, thus educating audiences to the power of live theatre. Through collaborative and fundraising efforts with other non­profits around town, we are bringing awareness to important social issues. We have formed collaborations with other theatres in the area to promote a sense of community; including The Village Players Theatre, Cutting Edge Theatre Company, The Toledo Repertoire Theatre, Glacity Theatre Collective and Hawk and Handsaw Theatre. Company members have served as mentors for local students as they prepared for their senior acting projects, as well as participated in summer day camp programs. ACT also has collaborated with students from the Drama Society at Lourdes University. ACT has produced benefits for other charitable organizations including: Music & Arts at Trinity Episcopal Church ("The Testament of Mary"), Episcopal Relief and Development ("Speak Truth to Power"), The Zepf Center ("'night, Mother"), Equality Toledo ("Standing on Ceremony: the Gay Marriage Plays", "Mr. Charles; currently of Palm Beach" and "Gay Shorts"), The Perrysburg Chorale ("The Christians") Jewish Family Services ("The Velocity of Autumn") and the Ella P. Stewart Academy for Girls ("Pretty Fire"). ​ The founding members of ACT are Jeffrey Albright, Barbara Barkan and John DuVall.

You are in for a treat with this episode! I am joined by a special guest, Dr. Koritha Mitchell. Listen in as we discuss homemade citizenship, the concept of creating your own belonging; discursive violence, the cruelty of stereotypes determining people's impressions regardless of what you do; and know-your-place aggression, the backlash against Black and Brown success. We will go into detail about these concepts and the formula that you can implement so that you can thrive and live in your purpose despite the existence of racism and sexism.   Koritha Mitchell is a literary historian, cultural critic, and associate professor of English at Ohio State University. She is the author of Living with Lynching, which won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. She is editor of the Broadview Edition of Frances Harper's 1892 novel Iola Leroy, and her scholarly articles include “Love in Action,” which appeared in Callaloo and draws parallels between lynching and violence against LGBTQ communities. Her second monograph, From Slave Cabins to the White House: Homemade Citizenship in African American Culture, was published in August 2020. Her commentary has appeared in outlets such as Time, CNN, Good Morning America, The Huffington Post, and NPR's Morning Edition. Follow her @ProfKori.   CONNECT WITH OUR GUEST —  Twitter - @ProfKori Instagram - @ProfKori Facebook - Koritha Mitchell Website - korithamitchell.com Book - Living with Lynching Book-  Iola Leroy Book - From Slave Cabins to the White House: Homemade Citizenship in African American Culture   MENTIONED IN THIS EPISODE —  Incidents in the Life of a Slave Girl by Harriet Jacobs Brooke Castillo - Modelthon - The Life Coach School  Beyond Respectability by Brittney Cooper “I'm a Black Woman Who's Met All the Standards for Promotion. I'm Not Waiting to Reward Myself.”   LET'S GET SOCIAL — Website Instagram Facebook

In this episode, Cite Black Women podcast host, Christen A. Smith sits down with Koritha Mitchell a literary historian, cultural critic, and associate professor of English at Ohio State University. to discuss book. From Slave Cabins to the White House: Homemade Citizenship in African American Culture (August 2020, University of Illinois Press). In her most recent monologue, Mitchell illuminates the links between African American women's homemaking and citizenship in history and across literature. Koritha Mitchell is a literary historian, cultural critic, and associate professor of English at Ohio State University. She is author of Living with Lynching: African American Lynching Plays, Performance, and Citizenship, which won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers.  She is editor of the Broadview Edition of Frances Harper’s 1892 novel Iola Leroy, and her articles include “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie,” published by American Quarterly, and “Love in Action,” which appeared in Callaloo and draws parallels between lynching and violence against LGBTQ communities. Her second monograph, From Slave Cabins to the White House: Homemade Citizenship in African American Culture, was published in August 2020 by the University of Illinois Press. Her commentary has appeared in outlets such as CNN, Good Morning America, The Huffington Post, NBC News, PBS Newshour, and NPR's Morning Edition. You can find Dr. Mitchell’s full bio can be here: http://www.korithamitchell.com

For episode 10, we spoke with senior Theatre and Kinesiology major Donovan Andrade about TheatreMSU and Blackfriar's Drama Society's upcoming play Pipeline. The play will be Feb. 26-28. Tickets are available at https://msstate.universitytickets.com/

Description This week, returning guest John Darowski joins Joe and Andrew to discuss “The Spirit of Christmas” from The Goes Wrong Show. When a small troupe of actors attempt to stage a Christmas play, everything that can go wrong does. … Continue reading →

Newfoundland And Labrador Drama Society Chair Brian Dove - Community Theatre Thriving Despite COVID by VOCM

In perhaps her most open and honest interview to date, actress/writer/designer Amy Huberman speaks to Jarlath about her unusual up-bringing (8:00) and how constant rejection has paved the way for her success (13:00). Having acted in The Clinic for seven series, listener’s will be surprised to hear the fascinating story of how she was working in coffee shops in London during that period (51:00). Amy also speaks frankly about her struggle with self-doubt and experiencing ‘imposter syndrome’ early on in her career (45:00).   From getting the boat to Wales just to get cherry lip balm (6:00), learning to act with Chris O’Dowd in UCD’s Drama Society (38:00) and how being handcuffed to Bill Bailey for a day got her through a hard time (19:00), this episode is not to be missed.   To access this episode in full and to hear all of our episodes in full each week, visit www.patreon.com/irishmanabroad and sign up for just the price of a pint every month. In return, you will gain full access to our entire archive of all of the podcasts we have ever released including - An Irishman In America, Men Behaving Better and An Irishman Behind Bars. If you come over and join in the first two weeks of August 2020, you will be given something very special as an additional thanks that won't disappoint.   Our charity partner is jigsawonline.ie. In these tricky times, Jigsaw provides a range of resources, advice and care for your people to help them strengthen their mental health and the skills needed to navigate life. Please visit their website and consider making a donation.   For updates on future episodes and live shows follow @jarlath on Twitter, visit www.jigser.com or email the show directly on irishmanabroadpodcast@gmail.com.   Disclaimer: All materials contained within this podcast are copyright protected. Third party reuse and/or quotation in whole or in part is prohibited unless direct credit and/or hyperlink to the Irishman Abroad podcast is clearly and accurately provided.  

Original Posting Date: April 3rd, 2020In this episode I talk to Mohamed Moustafa, a 4th year student studying Computer Science.  Mo has worked with the Department of Student Life as a work-study student for parts of the last three years and is heavily involved on campus.  He has been involved groups such as the Association of Mathematical and Computer Science Students and the Drama Society and has also worked as a TA for over 2 years. Mo tells me he has been spending my quarantine cooking, eating, sewing, and "trying to make myself hireable".

Sue and Liam from the CDS stopped in this morning to tell us about their latest upcoming production of "A Playhouse Family Christmas"

In this episode, Connor and Catherine sit down with Olivier Award-winning, Phantom of the Opera star David Thaxton. David tells us about how he got into the industry from his early days in amateur dramatics with KLODS; King's Lynn Operatic and Drama Society, to performing at the opening of the Millennium Centre to then making his west end debut in Les Misérables. We speak about his role as Phantom in Phantom of the Opera as well as about founding W1 Workshops with his wife Nancy Sullivan back in 2012. Throughout this podcast, David Thaxton gives key advice about trying to forge a career in the industry as well as looking after your own mental health. Theme music by Simon Oskarsson and Alex Cardall for ACT Music Ldn.

Chatting with Jordan Walsh from BMDS about his upcoming Footloose show. Tickets available at www.goh.co.uk/footloose Cut loose and kick off your Sunday shoes with Belfast Music & Drama Society as they perform the explosive rock ‘n’ roll musical sensation Footloose, an energetic show sure to get your toes tapping. Based on the 1980s hit film that took the world by storm, Footloose the Musical sizzles with the same spirit of youth, rebellion and romance. City boy Ren thinks his life is over when he is forced to move to Bomont, an American rural backwater. But things are far worse than he could have ever imagined, as the town bans dancing. It isn’t long before Ren can’t resist breaking the rules, and he’s not alone…

Ste is a photographer and an actor from Dublin. He studied Architecture in UCD, getting involved with the Drama Society during his time there. Since graduating, Ste has been a freelancing as a photographer at www.ste.ie, and as an actor on stage and screen projects. His recent work includes ‘BlackCatfishMusketeer’ at Camden People’s Theatre and Summerhall Edinburgh Fringe with Malaprop , ‘Sunder’ with Anu Productions, ‘Carmen Disruption’ at the Beckett Theatre, ‘Panned’ at Theatre Upstairs, a tour of ‘Angels in the Park’, ‘Cornerstones’ at Civic Theatre, ‘The 24 Hour Plays’ at The Abbey, ‘Fused’ at Project Arts Centre, ‘Tales from Briar Hall’ at Theatre Upstairs, and Fishamble’s Tiny Plays for Dundrum. Previous work with WeGetHigh Collective includes ‘Narf!’ and ‘Sluts’ at Smock Alley and Edinburgh Fringe Festival, respectively. On screen, he has appeared in TV Series ‘Eipic’ and ‘Corp + Anam’, short films ‘Summon Her Children’, ‘A Long Shot’, as well as web series ‘The Goo’. His next appearance will be in Caitriona Daly's 'Panned' - a one man show that looks at mental health issues. It runs at Project Arts Centre from the 12th-17th of November 2018. ***

Frances Ellen Watkins Harper's nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper's writings and highlighting her important contributions to African American literature and history. Koritha Mitchell's new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper's life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell's foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell's website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Resistance in the Francophone World, examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper's nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper's writings and highlighting her important contributions to African American literature and history. Koritha Mitchell's new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper's life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell's foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell's website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Resistance in the Francophone World, examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

http://thecomedycast.com Laura will be instantly recognisable to anyone that has seen any of the Facts videos. If you've not heard of Facts, it's a massive YouTube channel that makes videos of Irish comedians commenting on things like watching American TV shows, trying Polish desserts and watching Star Wars for the first time. We start off the interview by speaking about how much Laura's been gigging all over Ireland lately. We speak too about coming from a place in Dublin with a mad name; Stepaside and it turns out we used to be neighbours, yes, Ireland's a small place. We get ont comedy then and spoke about how and why she got into it; starting with her getting involved with the Drama Society while in college and how she used to write plays while studying. We spoke too about how when she started her comedy career she had to battle with shyness, and how to get past it she almost plays a role while going onstage. We have a natter then about Laura's love for music and we find something in common that I thought only I suffered from. Laura tells me then about the responsibility she feels onstage and how brightening up somebody's day is one of the best feelings to have when coming off stage. We get onto Facts then and we speak about it; how she got involved, its huge success and how it's great for improvisation skills. We talk then about the bizarreness of being watched by 100,000s of viewers on every video yet still being fairly anonymous in her daily life. We chat then about some of the weird things that have appeared on the internet about her thanks to the videos. I noticed during the interview that Laura's pretty harsh on herself so we spoke about that for a bit, she describes herself as an optimistic pessimist, something I can definitely identify with as you'll hear.

Episode 5: UCD Dramsoc   In Episode 5, Scott talks to Seán Mac Dhonnagáin, auditor of UCD’s Drama Society, and Leanne Bergin, Dramsoc’s Technical Manager, about theatre, creativity, production and finding community in college.   Follow DramSoc on Facebook:  goo.gl/yts3mJ Follow DramSoc on Twitter:  goo.gl/szdqZQ Follow DramSoc on Instagram:  goo.gl/lccquz Follow the StoryCast on Twitter: goo.gl/vJ78oX Follow Scott on Twitter: goo.gl/18vRRD  

Mix session - 60 min. / Electro Techno, Acid Techno, House.1 / Intro (original mix) - SebastiAn2 / MecaFunk (original mix) - Jan Driver3 / The Panther Unreleased Mix - Ripperton4 / Opportunities (original mix) - Jori Hulkkonen5 / Jack Is Back (original mix) - Steve Bug6 / Voice Modulation - Aux 88, Anthony Rother (instrumental mix)7 / Avalanche (original mix) - Boys Noize, Erol Alkan8 / Crying Hero feat Turner (Tiga remix) - Drama Society9 / Hatred (original mix) - Gesaffelstein10 / Variations (original mix) - Gesaffelstein11 / 1X1 Phil Kieran remix - Motor12 / Nott Paul Chambers Adventure remix - Boys Noize13 / The Voice (original mix) - Gesaffelstein14 / Ill Get You IV remix - Classixx15 / Pure Liquid (original mix) - Manik