Podcasts about il tabarro

“Seems an opera house is the perfect place for mischief and mayhem,” says the hard-boiled Inspector Cristina as she seeks to unravel the mystery at the heart of Overture to Murder, the meticulously researched third book of Erica Miner's “Julia Kogan Opera Mystery Series.” Mayhem and mischief are no strangers to the opera house, both on and off-stage.  Join us for a discussion of both Erica's new book and Giacomo Puccini's Il Tabarro, a powerful, gritty verismo opera inspired by the dramatic potential of the darker human impulses. For more on Erica Miner, visit ericaminer.com

Frank Murphy is joined by his friend Kathryn Frady of Marble City Opera. Find season tickets and information at https://www.marblecityopera.com/tickets  Frank and Becca James will emcee two food competitions in the Jacob Building at the Tennessee Valley Fair. They will host the Fair Food Throwdown on Saturday, September 7, 2024 at 2:00 p.m. and the Sweet Goodness Donut Challenge on Thursday, September 12, 2024 at 6:00 p.m.  Last year, Frank met Ricky the Dragon Steamboat at the Donut Challenge. Frank's television interview with Ricky will air at 12:00 a.m. on August 28, 2024 on East Tennessee PBS. You can watch the interview online at https://www.pbs.org/video/up-close-with-ricky-the-dragon-steamboat-qiz67j/  Marble City Opera had five performances in June. Frank's grandson Artie watched the dress rehearsal of Il Tabarro and both performances. The audience is left to wonder if Kathryn's character lives or dies at the end. She gave Frank a t-shirt with a list of “opera spoilers.”  Kathryn and her husband James went to the Festival on the Fourth at World's Fair Park and met up with Frank, Jere, Artie, and Dr. Frank Jr. PhD. James noticed a bad odor but was able to find its source. The Knoxville Symphony Orchestra began their performance with the “The Star-Spangled Banner” and conductor Aram Demirjian invited the audience to sing along. Several people noticed Kathryn's high note.  Frank and Jere took two of their grandchildren to the Children's Museum of Oak Ridge for a “Wonderful Wednesday” presentation by the Tri-M Music Honor Society at Oak Ridge High School. Jere informed Frank that she had been Tri-M president at her high school.  This episode is sponsored by BoneZones.com (don't forget the S). Buy books and other merchandise autographed by Body Farm founder Dr. Bill Bass at https://bonezones.com/ including Body Farm t-shirts. Contact BoneZones to hire Frank to give a presentation about Dr. Bass and the Body Farm.  Kathryn is reminded that author Elyse Bruce has inquired about including Marble City Opera in an upcoming Missy Barrett mystery book.  Marble City Opera will present a free concert at the Cathedral of the Most Sacred Heart of Jesus on Sunday, September 8, 2024 at 5:30 p.m. as part of the Cathedral Concert Series. Reserve a free ticket at https://www.eventbrite.com/e/cathedral-concert-marble-city-opera-tickets-993732870767  Kathryn, Jere, and Frank attended a recent Cathedral Concert that was the Album Release Performance of “Grit and Glitz” by violinist William Shaub and Friends. Kathryn and Jere bought CDs but neither of them have a CD player. Frank suggests trying to play them in a DVD player.  Frank reminisces about playing records, tapes, and CDs at WAVA, where all the songs were sped up slightly to get the listeners hooked on the faster version.  Frank and Jere took Artie to Mighty Musical Monday at the Tennessee Theatre.  Frank misplaced his prescription sunglasses but eventually found them on top of a book titled Thinking Clearly by John-Mark Miravalle.  A Waffle House waiter named Eric asked Frank to try Waffle House Sauce on his egg sandwich. When Frank liked it, Eric gave Frank extra packets to take home. Unfortunately Frank put the packets in his back pocket.  Support the Frank & Friends Show by purchasing some of our high-quality merchandise at https://frank-friends-show.creator-spring.com  Sign up for a 30-day trial of Audible Premium Plus and get a free premium selection that's yours to keep. Go to http://AudibleTrial.com/FrankAndFriendsShow  Find us online https://www.FrankAndFriendsShow.com/  Please subscribe to our YouTube channel at https://YouTube.com/FrankAndFriendsShow  and hit the bell for notifications.  Find the audio of the show on major podcast apps including Spotify, Apple, iHeart, Podbean, and Audible.  Thanks!

SynopsisOn today's date in 1918, the Metropolitan Opera in New York offered the world premiere performance of not one, not two, but three new operas by Giacomo Puccini.The three one-act operas are collectively billed as Il Trittico, or The Triptych. In order of their presentation at the Met, the triptych consisted of Il Tabarro (The Cloak), a rather sordid tale of passion and murder, followed by a sentimental tear-jerker titled Suor Angelica (Sister Angelica, after its Romantic heroine), and, for a comic finale, Gianni Schicchi, titled after the resourceful hero of its comic plot.Musical America reported a warm welcome for the three new Puccini operas, but did find Il Tabarro “in the main, black and brutal.” In that journal's opinion, the hit of the evening was the comic opera, Gianni Schicci. In particular, one brief soprano aria from that opera so pleased the first-night audience that it had to be encored.Over time, this little aria, “O Mio Babbino Caro,” has become one of Puccini's greatest hits and has even cropped up in the soundtracks of movies such as A Room With a View and G.I. Jane.Music Played in Today's ProgramGiacomo Puccini (1858-1924) Gianni Schicchi; Angela Gheorghiu, soprano; London Symphony; Antonio Pappano, cond. EMI 56587

Tenor Jonathan Tetelman marks the Puccini centenary by paying homage to one of the best-loved Italian opera composers The Great Puccini includes both favorite arias and rarities, with extracts from Il Tabarro, La bohème, La fanciulla del West, La Rondine, Le villi, Madama Butterfly, Manon Lescaut, Tosca and Turandot.Track Listing:1 Donna non vidi mai [Manon Lescaut, SC 64]2 Nessun dorma [Turandot, SC 91]3 Parigi! E la citta dei desideri [La rondine, SC 83]4 Che gelida manina [La bohème, SC 67]5 O soave fanciulla [La bohème, SC 67]6 Dunque è proprio finita! [La bohème, SC 67]7 Dammi i colori! Recondita armonia [Tosca, SC 69]8 Mario Cavaradossi? ... E lucevan le stelle [Tosca, SC 69]9 Ah! Manon, mi tradisce [Manon Lescaut, SC 64]10 Che giova? ... Io so che alle sue pene [Madama Butterfly, SC 74]11 Quello che tacete [La fanciulla del West, SC 78]12 Ch'ella mi creda [La fanciulla del West, SC 78]13 O Luigi! Luigi! ... Dimmi, perché gli hai chiesto [Il tabarro, SC 85]14 Non piangere, Liu [Turandot, SC 91]15 Torna ai felici dì [Le Villi, SC 60]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Frank Murphy is joined by his friend Kathryn Frady of Marble City Opera. Frank asks Kathryn if we are still in the “off-season” for opera companies.  Frank's wife Jere asked him to donate some of her old clothes to the Ladies of Charity Thrift Store on Baxter Avenue (https://www.ladiesofcharityknox.org/). While he was there, he picked up fifteen neckties to wear while hosting Tennessee Scholars' Bowl on East Tennessee PBS or when emceeing an event.  At his last teeth cleaning, Frank found out that his dentist was not in his new insurance network and he had to pay the full rate for a cleaning and x-rays. When he called to make an appointment with a new dentist, he was offered an appointment at 2:30 p.m., which is the best dad joke ever.  Frank's wife joked that he would search for an attractive blonde dentist, based on his choice of dermatologist. Kathryn is thinking of dying her hair blonde again. In 2018, she went from bleach blonde to black hair in order to sing Tosca with the Helena Symphony.  This episode is sponsored by BoneZones.com (don't forget the S). Buy books and other merchandise autographed by Body Farm founder Dr. Bill Bass at https://bonezones.com/ including Body Farm t-shirts. You can also get several of Sam Venable's books, signed by the author and the new book by former UT counsel Ron Leadbetter.  Marble City Opera used to schedule one mainstage performance in the Fall, one in the Winter, and one in the Spring but this season's shows will be The Christmas Spider on January 6, 2024; The Doctor and the Devils on June 6 and 8, 2024; and Puccini's Il Tabarro on a party barge on June 20, 2024. Season tickets are on sale now at https://www.marblecityopera.com/events/seasonticket  Frank and Jere were walking from a parking garage to a birthday party for Alex and Jenny Stokes in a downtown bar. Frank tried to swallow an Aleve gel-cap without water but it began dissolving in his mouth. Frank recalls that he knew some ballet dancers who used to pop the capsules and rub the gel on their toes.  Kathryn is headed back to Baton Rouge. She is concerned about recent wildfires and the possibility of hurricanes in Louisiana. Frank recalls that the owners of Little Nicky's New York Pizza in Solway lost their Florida restaurant in a hurricane. Kathryn and her husband James once got stuck in a Florida hurricane.  Frank went to a reception after Mass at which representatives of the various ministries recruit new members. Frank was speaking with the members of the Haiti Outreach Program because he will emcee their annual fundraising dinner on September 22, 2023. Admission is free but you are asked to RSVP at https://haitioutreachprogram.org/  Frank was recognized by a member of the group that holds an annual fishing trip called the Fly Fishers of Men Retreat. The man asked if Frank was the host of Tennessee Scholars Bowl. Frank returned the favor by recognizing the man as the guy who saved the day when a teenager's hair caught fire at the Easter Vigil in 2022 as described in episode 0043, “Hair on Fire” https://youtu.be/m4hsynpCJGM  Kathryn offers to sing a special aria when we finally surpass 1,000 subscribers on YouTube. Tell your friends.  Sign up for a 30-day trial of Audible Premium Plus and get a free premium selection that's yours to keep. Go to http://AudibleTrial.com/FrankAndFriendsShow  Find us online https://www.FrankAndFriendsShow.com/  Please subscribe to our YouTube channel at https://YouTube.com/FrankAndFriendsShow  and hit the bell for notifications.  Find the audio of the show on major podcast apps including Spotify, Apple, Google, iHeart, and Audible.  Find us on social media:  https://www.facebook.com/FrankAndFriendsShow  https://www.instagram.com/FrankAndFriendsShow  https://www.twitter.com/FrankNFriendsSh  Thanks!

Frank Murphy is joined by his friend Kathryn Frady of Marble City Opera. Kathryn says she is 5' 4”. Frank asks if her family measured the children's height on a door or wall. Frank's daughter saved a door jamb with her sons' heights when their family moved to a larger house.  Pool owners often have to deal with dead critters in the pool. Sometimes the animals can be rescued in time. Frank saved a bat from drowning in the pool. It clung to the fence all day while it rested and dried off.  Frank's wife Jere cooked steaks on the grill on Father's Day. Frank taught his kids to sing the Father's Day song that Groucho Marx used to sing. They changed the lyrics slightly to say they were giving him a box of frozen meat instead of a necktie. Kathryn sent her father a fresh cheesecake via a restaurant delivery service.  This episode is sponsored by BoneZones.com (don't forget the S). Buy books and other merchandise autographed by Body Farm founder Dr. Bill Bass at https://bonezones.com/ including Body Farm t-shirts. You can also get several of Sam Venable's books, signed by the author and the new book by former UT counsel Ron Leadbetter.  Kathryn has officially announced Marble City Opera's 11th season. She had revealed the information on episode 0101 of the Frank & Friends Show. The mainstage productions are The Christmas Spider on January 6, 2024; The Doctor and the Devils on June 6 and 8, 2024; and Puccini's Il Tabarro on a party barge on June 20, 2024. Season tickets are on sale now at https://www.marblecityopera.com/events/seasonticket  Frank has noticed that Google Maps alters its list of “recent searches” based on the day of the week. For example, it moves his church to the top of the list on Sundays. Frank also noticed that Google Docs asks if he wants to open a specific document that he often opens around a certain time of day.  Sign up for a 30-day trial of Audible Premium Plus and get a free premium selection that's yours to keep. Go to http://AudibleTrial.com/FrankAndFriendsShow  Find us online https://www.FrankAndFriendsShow.com/  Please subscribe to our YouTube channel at https://YouTube.com/FrankAndFriendsShow  and hit the bell for notifications.  Find the audio of the show on major podcast apps including Spotify, Apple, Google, iHeart, and Audible.  Support the Frank & Friends Show by purchasing some of our high-quality merchandise at https://frank-friends-show.creator-spring.com  Find us on social media:  https://www.facebook.com/FrankAndFriendsShow  https://www.instagram.com/FrankAndFriendsShow  https://www.twitter.com/FrankNFriendsSh  Thanks!  

Frank Murphy is joined by his friend Kathryn Frady of Marble City Opera. Kathryn posted on social media that she was going to start drinking coffee and Frank suggested some roasts but Kathryn changed her mind.  Frank cut an orange lily to put in a vase for the show. The flowers remind him of his birthday because the lilies at his childhood home in New York would bloom in mid-June. In Tennessee, they bloom a month earlier.  Kathryn has been in Baton Rouge, Huntsville, and Pittsburgh. The Opera America conference was in Pittsburgh this year. The opening reception was on a boat. Kathryn's husband James had to wait in the standby line because he hadn't pre-registered for the cruise on the app for the conference.  For Marble City Opera's next season, Kathryn is planning a production of Puccini's Il Tabarro on a party barge on June 22, 2024; The Christmas Spider on January 6, 2024; and The Doctor and the Devils on June 6, 2024. A concert called Stalactites, Sopranos, & Stilettos at Cherokee Caverns will be on August 19, 2023. Season tickets are available at https://www.marblecityopera.com/events/seasonticket  This episode is sponsored by BoneZones.com (don't forget the S). Buy books and other merchandise autographed by Body Farm founder Dr. Bill Bass at https://bonezones.com/ including the new long-sleeve Body Farm t-shirt. You can also get several of Sam Venable's books, signed by the author and the new book by former UT counsel Ron Leadbetter.  Frank had trouble hearing his wife Jere in a noisy environment. However when she sings to him, he hears her loud and clear. While watching the recent coronation on TV, Jere sang along as the church choir sang “Zadok the Priest.”  Jere received a gift of stainless steel chopsticks. The package is entirely written in Chinese. Frank used the Google Translate app on his phone to learn what it said. There was a warning to not put it in the “Huiboyi.”  Frank was glad that a nonjudgmental plumber who unclogged his bathroom sink. Frank thinks that the glob of material that came out was congealed hair gel.  Jere received two large coffee mugs that say Volvo. Frank wants to give them to his sister, who has two Volvo cars but doesn't want to pay the postage to mail them to New York. Kathryn promises to give the mugs to Frank's sister if he were to die and his sister were to attend the funeral.  Sign up for a 30-day trial of Audible Premium Plus and get a free premium selection that's yours to keep. Go to http://AudibleTrial.com/FrankAndFriendsShow  Find us online https://www.FrankAndFriendsShow.com/  Please subscribe to our YouTube channel at https://YouTube.com/FrankAndFriendsShow  and hit the bell for notifications.  Find the audio of the show on major podcast apps including Spotify, Apple, Google, iHeart, and Audible.  Support the Frank & Friends Show by purchasing some of our high-quality merchandise at https://frank-friends-show.creator-spring.com  Find us on social media:  https://www.facebook.com/FrankAndFriendsShow  https://www.instagram.com/FrankAndFriendsShow  https://www.twitter.com/FrankNFriendsSh  Thanks!

Giorgetta: Renata Scotto | La Frugola: Lili Chookasian | Lover: Betsy Norden | Luigi: Harry Theyard | Michele: Cornell MacNeil | Talpa: Philip Booth | Tinca: Charles Anthony | Song Seller: Jon Garrison | Lover: Douglas Ahlstedt

[@ 3 min] We go ‘Inside the Huddle' with Eric Einhorn, Artistic Director of On Site Opera - America's leading presenter of site-specific operas in non-traditional venues - which just celebrated its 10th anniversary. We'll find out how they plan to use all of the aluminum gifts they've received in their upcoming production of “Il Tabarro”… [@ 24 min] And then… It's the annual Hallowe'en Spooktacular! What is your worst onstage nightmare? We share some opera tales from the crypt… [@ 40 min] Plus, in the ‘Two Minute Drill'… The shameful tradition of Blackface is back in the news… operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Il trittico, Il tabarro di Giacomo Puccini https://open.spotify.com/album/2TwBW19PyURvb1MHlrYGME?si=-pEP55c-QPWupJe7v50IXg&utm_source=copy-link http://www.murashev.com/opera/Il_trittico_(Il_tabarro,_Suor_Angelica,_Gianni_Schicchi)_libretto_Italian

Constantine Costi is a director, writer and the co-artistic director of Red Line Productions at the Old Fitz working across opera, film, and theatre. He was named one of the 21 hottest creatives of 2021 by The Australian.Most recently Constantine directed Handa Opera on Sydney Harbour La Traviata for Opera Australia, as well as Verdi's Requiem for Ensemble Apex and Phoenix Central Park, and is currently preparing a Kurt Weill Double Bill for The Old Fitz Theatre of Mahagonny Songspiel and The Seven Deadly Sins.In 2020 he directed the feature film A Delicate Fire for Pinchgut Opera based on the madrigals of Barbara Strozzi, wrote the libretto of a new Australian opera Cassandra for Victorian Opera by composer Simon Bruckard, directed Monochromatic; a video series of piano portraits for Phoenix Central Park, and directed an online Don Giovanni production for the Shanghai Opera with Maestro Xu Zhong.Constantine has also directed Karakorum starring David Wenham (Australian Brandenburg Orchestra); the award-winning production of Bittersweet Obsessions, and Messiah which played to standing ovations and sell-out seasons in Sydney, Melbourne and Brisbane; Puccini's Suor Angelica (Opera Projects Sydney); and Il Tabarro at Alfie's Sydney.Constantine has directed revivals of Harry Kupfer's Otello (OA), Il Viaggio a Reims (Dutch National Opera, OA and Royal Danish Opera), Sir David Mc Vicar's Vienna State Opera production of Falstaff(National Centre of Performing Arts, Beijing); and La Traviata (OA).He also assistant directed productions of Ring Cycle (Chen Shi-Zheng) and Wozzeck (Salzburg Festival, OA, Canadian Opera Company, Metropolitan Opera); Hunde Gottes (Schauspielhaus Vienna); and The Marriage of Figaro (OA). Constantine has also worked with director Chen Shi-Zheng as assistant director of Puccini's Turandot (OA, Handa Opera on Sydney Harbour), as well as co-directing Werther with director Elijah Moshinsky (OA).Other work includes directing and co-creating the world premiere of jazz musical The Overcoat (Belvoir's 25A); co-writing the immersive theatre experience Visiting Hours (Vivid Festival); and directing The Space Between the Fuel and the Fire (NIDA).Constantine is the recipient of The Berlin New Music Opera Award with The Opera Foundation for Young Australians where he worked with Komische Oper Berlin's directing team on the premiere of Tchaikovsky's Eugene Onegin directed by Barrie Kosky.Other directing credits include: The Hypochondriac, The Shewing-up of Blanco Posnet (NIDA); Young Artist's Program Showcase (Opera Australia); Thomas Arne's The Sailor's Return (Nagambie Lakes Opera Festival); The Master and Margarita after Bulgakov (Aboriginal Centre of the Performing Arts); Accidental Death of an Anarchist by Dario Fo (Zenith Theatre); and The Canterbury Tales by Chaucer (George Georgiou Inc). Constantine has previously been a member of the Belvoir Artists' Workshop and was affiliate director with Griffin Theatre.Constantine's screen credits include: music videos, I Know What You're Hiding (Hedge Fund) and Into My Arms (Bloods) for Triple J Unearthed; and the short films Ferguson & Daisy & Ursula, andDonny.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Edição de 18 de Maio 2021

Constantine Costi is one of our most exciting emerging talents at Opera Australia, and has been honing his craft by working alongside many of our most experienced directors, assisting on large-scale productions and reviving celebrated stagings. In 2020, he was due to tackle his biggest project for us yet: directing Handa Opera on Sydney Harbour. Costi was about to move his production of La Traviata (based on Francesca Zambello’s 2012 staging) from the rehearsal room to the harbour-side stage when COVID-19 restrictions forced the cancellation of the season.   In this conversation with Opera Australia Artistic Director Lyndon Terracini, Costi talks about growing up working in the family business, De Costi Seafood, and how he’s still on call to work at peak times. He also talks about some of his early adventures in opera — including a production of Il Tabarro staged in a commercial kitchen in Enmore — and explains why directors are “glorified stage mums”.

On today’s date in 1918, the Metropolitan Opera in New York offered the world premiere performance of not one, not two, but three brand-new operas by Giacomo Puccini. The three one-act operas are collectively billed as “Il Trittico” or “The Triptych.” In order of their presentation at the Met, the triptych consisted of “Il Tabarro” (or “The Cloak”), a rather sordid tale of passion and murder, followed by a sentimental tear-jerker titled “Suor Angelica” (or “Sister Angelica,” after its Romantic heroine), and, for a comic finale, “Gianni Schicchi,” titled after the resourceful hero of its comic plot. Musical America reported a warm welcome for the three new Puccini operas, but did find “Il Tabarro” “in the main, black and brutal.” In that journal’s opinion, the hit of the evening was the comic opera, “Gianni Schicci.” In particular, one brief soprano aria from that opera so pleased the first night audience that it had to be encored. Over time, this little aria, “O mio babbino caro,” has become one of Puccini’s “Greatest Hits,” and has even cropped up in the soundtracks of a movies like “A Room With a View” and “G.I. Jane.”

On today’s date in 1918, the Metropolitan Opera in New York offered the world premiere performance of not one, not two, but three brand-new operas by Giacomo Puccini. The three one-act operas are collectively billed as “Il Trittico” or “The Triptych.” In order of their presentation at the Met, the triptych consisted of “Il Tabarro” (or “The Cloak”), a rather sordid tale of passion and murder, followed by a sentimental tear-jerker titled “Suor Angelica” (or “Sister Angelica,” after its Romantic heroine), and, for a comic finale, “Gianni Schicchi,” titled after the resourceful hero of its comic plot. Musical America reported a warm welcome for the three new Puccini operas, but did find “Il Tabarro” “in the main, black and brutal.” In that journal’s opinion, the hit of the evening was the comic opera, “Gianni Schicci.” In particular, one brief soprano aria from that opera so pleased the first night audience that it had to be encored. Over time, this little aria, “O mio babbino caro,” has become one of Puccini’s “Greatest Hits,” and has even cropped up in the soundtracks of a movies like “A Room With a View” and “G.I. Jane.”

Just before the 100th anniversary of its premiere performance at the Metropolitan Opera, we dive into Puccini's Il Trittico, a trilogy of one-act operas. This week we discuss the first and probably most intense of the trio, Il Tabarro (The Cloak).

Una passeggiata tra arte, musica e aneddoti della Genova antica e attuale insieme al poliedrico artista e scenografo Genovese Enrico Musenich. In questa seconda parte ci lasceremo alle spalle campetto prima e piazza Banchi poi attraversando alle atmosfere da suq di sottoripa per arrivare in Strada Nuova (via Garibaldi). Chi è Enrico Musenich:Nato a Roma nel 1962, studia violino e viola con Renato de Barbieri, scenografia e illustrazione con Emanuele Luzzati e Gianni Polidori.Si forma come tecnico di palcoscenico, scenotecnico e scenografo realizzatore al Teatro della Tosse, al fianco di Elio Sanzogni e al Teatro dell’Opera di Genova. È disegnatore scenotecnico al Teatro Carlo Felice di Genova; ne è stato Direttore Allestimenti Scenici ad interim per la Stagione 2014/2015.Nel 2009, in occasione del secondo anniversario della scomparsa di Emanuele Luzzati, riceve l’incarico per la ricostruzione de “Il Turco in Italia”, storico allestimento del 1983 del Rossini Opera Festival: realizzerà il nuovo progetto per il grande palcoscenico genovese, la maquette, e un cartone animato divenuto poi sigla dell’omonimo DVD prodotto da RAI Trade.Nel 2011, sempre per il Carlo Felice, firma le scene de “Il Campanello” e “Gianni Schicchi” con la regia di Rolando Panerai e, dai bozzetti di Francesco Musante, realizza il progetto scenografico de “La Bohéme”, regia di Augusto Fornari.Nel 2013 sarà incaricato di progettare un nuovo allestimento di “Rigoletto” con materiali di dotazione del Teatro Carlo Felice: regia di Rolando Panerai, costumi di Regina Schrecker. L’allestimento sarà riproposto all’aperto alla Fortezza del Priamar a Savona e nello stesso Teatro Carlo Felice sotto la Direzione di Fabio Luisi.Per “Suor Angelica e Il Tabarro” con Aprile Millo, a sostegno iconografico del dittico andato in scena in forma di concerto, realizza 2 tavole originali per i fondali video proiettati.Nel 2014 è scenografo assistente nell’allestimento di “Carmen”, regia di Davide Livermore.Nel 2015 assume l’interim della Direzione Allestimenti del Teatro Carlo Felice e firma le scene di Lucia di Lammermoor di Dario Argento: l’allestimento sarà in cartellone alla Royal Opera House di Muscat in Oman nel gennaio 2016.Sempre nel 2015 progetta e realizza le scene de La Vedova Allegra, regia di Augusto Fornari.Nel 2017 firma le scene de La Cenerentola, regia di Aldo Tarabella, costumi originali di Emanuele Luzzati, nuovo allestimento del Teatro del Giglio di Lucca, in coproduzione con: Teatro Alighieri di Ravenna, Fondazione Teatri di Piacenza, e la collaborazione di Teatro Comunale "A. Rendano" di Cosenza, Ente Luglio Musicale Trapanese.È tra i 5 fondatori del canale streaming webTV del Teatro Carlo Felice.E’ scenografo in numerosi spettacoli per ragazzi e attivo collaboratore nei laboratori per lescuole.Inventa Happy Charly, fumetto ispirato alla torre scenica del Teatro Carlo Felice; il fumetto èpresente su Facebook, e da marzo a dicembre 2016 è stato regolarmente pubblicato su OltrePalco, il magazine del Teatro dell’Opera di Genova.

Una passeggiata tra arte, musica e aneddoti della Genova antica e attuale insieme al poliedrico artista e scenografo Genovese Enrico Musenich. In questa seconda parte ci lasceremo alle spalle campetto prima e piazza Banchi poi attraversando alle atmosfere da suq di sottoripa per arrivare in Strada Nuova (via Garibaldi). Chi è Enrico Musenich:Nato a Roma nel 1962, studia violino e viola con Renato de Barbieri, scenografia e illustrazione con Emanuele Luzzati e Gianni Polidori.Si forma come tecnico di palcoscenico, scenotecnico e scenografo realizzatore al Teatro della Tosse, al fianco di Elio Sanzogni e al Teatro dell’Opera di Genova. È disegnatore scenotecnico al Teatro Carlo Felice di Genova; ne è stato Direttore Allestimenti Scenici ad interim per la Stagione 2014/2015.Nel 2009, in occasione del secondo anniversario della scomparsa di Emanuele Luzzati, riceve l’incarico per la ricostruzione de “Il Turco in Italia”, storico allestimento del 1983 del Rossini Opera Festival: realizzerà il nuovo progetto per il grande palcoscenico genovese, la maquette, e un cartone animato divenuto poi sigla dell’omonimo DVD prodotto da RAI Trade.Nel 2011, sempre per il Carlo Felice, firma le scene de “Il Campanello” e “Gianni Schicchi” con la regia di Rolando Panerai e, dai bozzetti di Francesco Musante, realizza il progetto scenografico de “La Bohéme”, regia di Augusto Fornari.Nel 2013 sarà incaricato di progettare un nuovo allestimento di “Rigoletto” con materiali di dotazione del Teatro Carlo Felice: regia di Rolando Panerai, costumi di Regina Schrecker. L’allestimento sarà riproposto all’aperto alla Fortezza del Priamar a Savona e nello stesso Teatro Carlo Felice sotto la Direzione di Fabio Luisi.Per “Suor Angelica e Il Tabarro” con Aprile Millo, a sostegno iconografico del dittico andato in scena in forma di concerto, realizza 2 tavole originali per i fondali video proiettati.Nel 2014 è scenografo assistente nell’allestimento di “Carmen”, regia di Davide Livermore.Nel 2015 assume l’interim della Direzione Allestimenti del Teatro Carlo Felice e firma le scene di Lucia di Lammermoor di Dario Argento: l’allestimento sarà in cartellone alla Royal Opera House di Muscat in Oman nel gennaio 2016.Sempre nel 2015 progetta e realizza le scene de La Vedova Allegra, regia di Augusto Fornari.Nel 2017 firma le scene de La Cenerentola, regia di Aldo Tarabella, costumi originali di Emanuele Luzzati, nuovo allestimento del Teatro del Giglio di Lucca, in coproduzione con: Teatro Alighieri di Ravenna, Fondazione Teatri di Piacenza, e la collaborazione di Teatro Comunale "A. Rendano" di Cosenza, Ente Luglio Musicale Trapanese.È tra i 5 fondatori del canale streaming webTV del Teatro Carlo Felice.E’ scenografo in numerosi spettacoli per ragazzi e attivo collaboratore nei laboratori per lescuole.Inventa Happy Charly, fumetto ispirato alla torre scenica del Teatro Carlo Felice; il fumetto èpresente su Facebook, e da marzo a dicembre 2016 è stato regolarmente pubblicato su OltrePalco, il magazine del Teatro dell’Opera di Genova.

Una passeggiata tra arte, musica e aneddoti della Genova antica e attuale insieme al poliedrico artista e scenografo Genovese Enrico Musenich. Punto di partenza la fontana di piazza De Ferrari, di fronte al palazzo ducale ed al Teatro Carlo Felice, da li ci inoltriamo nei vicoli fino ad arrivare in via Luccoli in direzione piazza Campetto.Chi è Enrico Musenich:Nato a Roma nel 1962, studia violino e viola con Renato de Barbieri, scenografia e illustrazione con Emanuele Luzzati e Gianni Polidori.Si forma come tecnico di palcoscenico, scenotecnico e scenografo realizzatore al Teatro della Tosse, al fianco di Elio Sanzogni e al Teatro dell’Opera di Genova. È disegnatore scenotecnico al Teatro Carlo Felice di Genova; ne è stato Direttore Allestimenti Scenici ad interim per la Stagione 2014/2015.Nel 2009, in occasione del secondo anniversario della scomparsa di Emanuele Luzzati, riceve l’incarico per la ricostruzione de “Il Turco in Italia”, storico allestimento del 1983 del Rossini Opera Festival: realizzerà il nuovo progetto per il grande palcoscenico genovese, la maquette, e un cartone animato divenuto poi sigla dell’omonimo DVD prodotto da RAI Trade.Nel 2011, sempre per il Carlo Felice, firma le scene de “Il Campanello” e “Gianni Schicchi” con la regia di Rolando Panerai e, dai bozzetti di Francesco Musante, realizza il progetto scenografico de “La Bohéme”, regia di Augusto Fornari.Nel 2013 sarà incaricato di progettare un nuovo allestimento di “Rigoletto” con materiali di dotazione del Teatro Carlo Felice: regia di Rolando Panerai, costumi di Regina Schrecker. L’allestimento sarà riproposto all’aperto alla Fortezza del Priamar a Savona e nello stesso Teatro Carlo Felice sotto la Direzione di Fabio Luisi.Per “Suor Angelica e Il Tabarro” con Aprile Millo, a sostegno iconografico del dittico andato in scena in forma di concerto, realizza 2 tavole originali per i fondali video proiettati.Nel 2014 è scenografo assistente nell’allestimento di “Carmen”, regia di Davide Livermore.Nel 2015 assume l’interim della Direzione Allestimenti del Teatro Carlo Felice e firma le scene di Lucia di Lammermoor di Dario Argento: l’allestimento sarà in cartellone alla Royal Opera House di Muscat in Oman nel gennaio 2016.Sempre nel 2015 progetta e realizza le scene de La Vedova Allegra, regia di Augusto Fornari.Nel 2017 firma le scene de La Cenerentola, regia di Aldo Tarabella, costumi originali di Emanuele Luzzati, nuovo allestimento del Teatro del Giglio di Lucca, in coproduzione con: Teatro Alighieri di Ravenna, Fondazione Teatri di Piacenza, e la collaborazione di Teatro Comunale "A. Rendano" di Cosenza, Ente Luglio Musicale Trapanese.È tra i 5 fondatori del canale streaming webTV del Teatro Carlo Felice.E’ scenografo in numerosi spettacoli per ragazzi e attivo collaboratore nei laboratori per lescuole.Inventa Happy Charly, fumetto ispirato alla torre scenica del Teatro Carlo Felice; il fumetto èpresente su Facebook, e da marzo a dicembre 2016 è stato regolarmente pubblicato su OltrePalco, il magazine del Teatro dell’Opera di Genova.

Una passeggiata tra arte, musica e aneddoti della Genova antica e attuale insieme al poliedrico artista e scenografo Genovese Enrico Musenich. Punto di partenza la fontana di piazza De Ferrari, di fronte al palazzo ducale ed al Teatro Carlo Felice, da li ci inoltriamo nei vicoli fino ad arrivare in via Luccoli in direzione piazza Campetto.Chi è Enrico Musenich:Nato a Roma nel 1962, studia violino e viola con Renato de Barbieri, scenografia e illustrazione con Emanuele Luzzati e Gianni Polidori.Si forma come tecnico di palcoscenico, scenotecnico e scenografo realizzatore al Teatro della Tosse, al fianco di Elio Sanzogni e al Teatro dell’Opera di Genova. È disegnatore scenotecnico al Teatro Carlo Felice di Genova; ne è stato Direttore Allestimenti Scenici ad interim per la Stagione 2014/2015.Nel 2009, in occasione del secondo anniversario della scomparsa di Emanuele Luzzati, riceve l’incarico per la ricostruzione de “Il Turco in Italia”, storico allestimento del 1983 del Rossini Opera Festival: realizzerà il nuovo progetto per il grande palcoscenico genovese, la maquette, e un cartone animato divenuto poi sigla dell’omonimo DVD prodotto da RAI Trade.Nel 2011, sempre per il Carlo Felice, firma le scene de “Il Campanello” e “Gianni Schicchi” con la regia di Rolando Panerai e, dai bozzetti di Francesco Musante, realizza il progetto scenografico de “La Bohéme”, regia di Augusto Fornari.Nel 2013 sarà incaricato di progettare un nuovo allestimento di “Rigoletto” con materiali di dotazione del Teatro Carlo Felice: regia di Rolando Panerai, costumi di Regina Schrecker. L’allestimento sarà riproposto all’aperto alla Fortezza del Priamar a Savona e nello stesso Teatro Carlo Felice sotto la Direzione di Fabio Luisi.Per “Suor Angelica e Il Tabarro” con Aprile Millo, a sostegno iconografico del dittico andato in scena in forma di concerto, realizza 2 tavole originali per i fondali video proiettati.Nel 2014 è scenografo assistente nell’allestimento di “Carmen”, regia di Davide Livermore.Nel 2015 assume l’interim della Direzione Allestimenti del Teatro Carlo Felice e firma le scene di Lucia di Lammermoor di Dario Argento: l’allestimento sarà in cartellone alla Royal Opera House di Muscat in Oman nel gennaio 2016.Sempre nel 2015 progetta e realizza le scene de La Vedova Allegra, regia di Augusto Fornari.Nel 2017 firma le scene de La Cenerentola, regia di Aldo Tarabella, costumi originali di Emanuele Luzzati, nuovo allestimento del Teatro del Giglio di Lucca, in coproduzione con: Teatro Alighieri di Ravenna, Fondazione Teatri di Piacenza, e la collaborazione di Teatro Comunale "A. Rendano" di Cosenza, Ente Luglio Musicale Trapanese.È tra i 5 fondatori del canale streaming webTV del Teatro Carlo Felice.E’ scenografo in numerosi spettacoli per ragazzi e attivo collaboratore nei laboratori per lescuole.Inventa Happy Charly, fumetto ispirato alla torre scenica del Teatro Carlo Felice; il fumetto èpresente su Facebook, e da marzo a dicembre 2016 è stato regolarmente pubblicato su OltrePalco, il magazine del Teatro dell’Opera di Genova.

Aus dem Wiener Konzerthaus kommt diese Einspielung von "Il tabarro", des ersten Teils des "Trittico" von Giacomo Puccini. Am Pult steht der langjährige Chefdirigent des RSO Wien: Bertrand de Billy. Volkmar Fischer lobt Billys "feines Ohr" bei der Realisierung von Puccinis Partitur.

In Puccinis Oper "Il Tabarro", Teil von Lotte de Beers Inszenierung des "Trittico" an der Bayerischen Staatsoper, verkörpert Wolfgang Koch die Rolle des Michele. Annika Täuschel sprach mit dem Bariton im Vorfeld der Premiere.

Anna Picard recommends a recorded version of Puccini's Il Tabarro

Libby Purves meets shepherd James Rebanks; Helen Scott from the Three Degrees; journalist Caitriona Palmer and American tenor Carl Tanner. James Rebanks is a shepherd, known to his followers as the Herdwick Shepherd. The first son of a shepherd, who was the first son of a shepherd himself, he and his family have lived and worked in and around the Lake District for generations. In his book, The Shepherd's Life, he writes about a shepherd's year, giving an account of rural life and the connection with the land that has often been lost. The Shepherd's Life - a Tale of the Lake District is published by Penguin. Caitriona Palmer is a journalist based in Washington DC. Adopted as a baby, she writes about establishing contact with her birth mother in her book, An Affair with my Mother. Caitriona was raised by loving adoptive parents and enjoyed a happy childhood. She discovered her birth mother, 'Sarah', in her twenties and they developed a close attachment. But Sarah set one condition on this relationship - she wished to keep it a secret. An Affair with my Mother is published by Penguin. Carl Tanner is an American tenor. He plays Luigi in the Royal Opera House's production of Il Tabarro, a role he has previously sung in Buenos Aires and for New York City Opera. Before turning to opera Carl led an eventful life as a truck driver and bounty hunter. A keen and talented singer all his life, his career took off when he was discovered performing in a New York restaurant. Il Tabarro is at the Royal Opera House, London. Singer Helen Scott is one third of The Three Degrees. The longest-running female vocal group in history, The Three Degrees were originally formed in 1963 in Philadelphia. Their hits include When Will I See You Again, Take Good Care of Yourself and A Woman in Love. Their first new studio album in 25 years, Strategy (Our Tribute to Philadelphia), is on SoulMusic Records and they are touring the UK. Producer: Paula McGinley.

Hist

Rare historical recordings from volumes 47 and 48 of the "Record Collector" series. 1.Meta Seinemeyer (1929)      "Die Nacht" (Rubenstein)  (Tragic death at 33) 2-3. Heinrich Schlusnus (1920)   "Zueignung" (R.Strauss) and Hamlet aria 4-5.  Marcel Journet (1912 and 1916) Robert le Diable aria (Meyerbeer) and Cleopatre aria (Massenet) 6-7.  Nino Piccaluga (1925 and 1928)  Arias from La Fanciulla del West and Andrea Chenier 8. Anne Roselle   (1926)    "O Patria mia." 9-10. Leon Campagnola (1922 and 1911)   Walkure  "Ein Schwert" and Favorite aria (en Francais) 11. Antonio Pini-Corsi (1907)   Fra Diavolo (Auber) "Del Capitano alla Salute." 12.  Gaetano Pini-Corsi  (1909) (His brother)  Siegfried Forging Song 13.  Umberto Pini-Corsi  (1904)  (Their cousin, possibly age 14.)  "Una Furtiva lagrima" 14.  Ninon Vallin  (1939)   "Mailied"  (Beethoven) 15. Franz Voelker  (1937)  "Staendchen' (Schubert)  (One of Charlie's top favorite tenors.) 16. Julius Patzak    (1932)    Faust aria  (In Deutsch) 17.  Ettore Bastianini   (1953,live perf.)   Il Tabarro aria

The superb baritone,Giuseppe Taddei, appears as Michele in "Il Tabarro." This is from Venice, 1969 under Oliviero de Fabritiis. Angelo Mori is Luigi, Jolanda Michieli sings Giorgetta, and Anna Di Stasio is La Frugola.     This is followed by some scenes from Gianni Schicchi with Taddei, Adriana Martino (Lauretta), Luciano Saldari (Rinuccio), and Mafalda Masini (Zita.)     (69 min.)

Bob Wilcox and Gerry Kowarsky review (1) THE WIZ, by Charlie Smalls & William F. Brown, at The Black Rep, (2) ALWAYS . . . PATSY CLINE, by Ted Swindley et al., at Stages St. Louis, (3) SIX DEGREES OF SEPARATION, by John Guare, at Stray Dog Theatre, (4) IL TABARRO & PAGLIACCI, by Puccini & Leoncavallo, at Opera Theatre of St. Louis, (5) CHAPTER TWO, by Neal Simon, at Insight Theatre Co., (6) KING LEAR, by William Shakespeare, at St. Louis Actors' Studio, (7) A TRIP TO THE MOON, at Circus Flora, (8) BUKOWSICAL, by Spencer Green & Gary Stockdale, at New Line Theatre, and (9) THE CHERRY SISTERS REVISITED, by Dan O'Brien, at R-S Theatrics.

An Exciting Il Tabarro from 1946 under Cesare Sodero, with Licia Albanese, Lawrence Tibbett, Frederick Jagel, Margaret Harshaw, Alessio de Paolis, and Virgilio Lazzari. This is followed by some 1970 scenes from Il Tabarro from Florence, with Magda Olivero, Aldo Bottion, and Giulio Fioravanti,under the direction of Gaetano Delogu.  (72 min.)

Antonio Pappano, Music Director for the Royal Opera House, introduces Il tabarro as part of Puccini's triptych.

Kevin Rainey presents an audio introduction to Puccini's triptych.

  Here are some scenes (live and recorded) of the great tenor, Giuseppe "Pippo" Di Stefano. They are from Tosca,Turandot, Mme.Butterfly, La Boheme and Il Tabarro. Leonard Warren, Renata Tebaldi and Maria Callas also appear in these excerpts.     I have announced all the selections on the podcast.     (56 min.)

  Several years I was delighted to hear Argentinian soprano Fabiana Bravo as Giorgetta in "Il Tabarro" and at a concert as well.I found her voice what we call "old style," with mixed chest voice and quite a depth of emotion. I present three excerpts from her new CD and hope you enjoy her.         The selections are from Verdi's "Il Corsaro," Giordano's "Andrea Chenier," and Puccini's "Edgar."    The album is on the KLEOS Classics label,Number KL5149 and you might search on Helicon Records Site.   (I get NO commission!!!!)

 Scenes from Manon, Il Tabarro, Tales of Hoffman, and Roberto Devereux featuring Beverly Sills and Placido Domingo.  (63 min.)                                        

  A birthday tribute to the very great tenor, Mario del Monaco.Included are selections from: Aida, Carmen, Ernani, Andrea Chenier, Otello, Pagliacci,Fanciulla, Turandot, Il Tabarro, Macbeth.                                  (62 minutes)