Podcasts about inside straight

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz's rich history and its vibrant future.These days, you'll find him leading his new band, Ursa Major, hosting NPR's Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He's also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we'll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz's rich history and its vibrant future.These days, you'll find him leading his new band, Ursa Major, hosting NPR's Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He's also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we'll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Subscribe to The Jazz, Blues and R and B Podcast and Radio Show Period: Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email: somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - The Jazz, Blues & R&B Podcast and Radio Show Period THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW. Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music TIPS! (Thank You!) Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account: Thomas-Gouker --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

That's how Megyn Kelly described what happened yesterday with the Supreme Court. Stigall sees it differently and predicts some possible outcomes. Congress is going to avoid a shutdown, until another shutdown threat next month. That's real. Hunter Biden gave closed door testimony to the House and Democrats did their thing after. You'll hear it. Also Mitch McConnell finally decides to leave the Senate. Who's going to replace him for Republicans? Washington Times Capitol Hill reporter Ramsey Touchberry brings us up to speed. Plus, another surprise take from John Fetterman -For more info visit the official website: https://chrisstigall.comInstagram: https://www.instagram.com/chrisstigallshow/Twitter: https://twitter.com/ChrisStigallFacebook: https://www.facebook.com/chris.stigall/Listen on Spotify: https://tinyurl.com/StigallPodListen on Apple Podcasts: https://bit.ly/StigallShowSee omnystudio.com/listener for privacy information.

Abrimos episodio de La Montaña Rusa con lo último de Rymden, o lo que es lo mismo, Bugge Wesseltoft, Magnus Öström y Dan Berglund, que a finales del 2023 han publicado Valleys & Mountains. Después escucharemos al contrabajista Christian McBride, quien publicó en 2021 junto a sus Inside Straight, Live At The VIllage Vanguard. Nuestro Clásico de la Semana ha sido todo un icono del Jazz Rock y la Fusión española de los años 70, Iceberg, la banda de nombres míticos como Joaquín «Max» Sunyer, José «Kitflus» Mas o Angel Riba, que debutó en 1975 con Tutankhamon. Seguir leyendo La Montaña Rusa 07.2024. Rymden. Christian McBride. Iceberg. David Murray. Pedro Molina. Walter Smith III. Allison Burik. en La Montaña Rusa Radio Jazz.

Abrimos número de La Montaña Rusa con lo nuevo de la contrabajista Linda May Han Oh, the Glass Hours, publicado este 2023. Después, escuchamos uno de los últimos trabajos del saxofonista Noah Preminger, Thunda, de 2021. Nuestro Clásico de la Semana fue el gran Cannonball Adderley, al que escuchamos en 1973 con Inside Straight. Del estupendo guitarrista londinense James Kitchman, escuchamos uno de sus últimos proyectos, First Quartet, publicado en 2022. Seguir leyendo La Montaña Rusa 36.2023. Linda May Han Oh. Noah Preminger. Cannonball Adderley. James Kitchman. Javier López Jaso. Kendrick Scott. en La Montaña Rusa Radio Jazz.

Acclaimed jazz musician Christian McBride has made hundreds of recordings, won eight Grammy Awards and led numerous ensembles, including the Christian McBride Band, the Christian McBride Big Band, Inside Straight and the New Jawn. The versatile bassist has collaborated with jazz legends Herbie Hancock, Ray Brown, Freddie Hubbard, and Chick Corea, as well as artists outside the genre like Sting, Paul McCartney and Celine Dion. Known as a child prodigy, McBride performed with Miles Davis and Wynton Marsalis while still in high school, where he attended Philadelphia's High School for the Creative and Performing Arts, alongside future members of The Roots and Boyz II Men. McBride now serves as the artistic director of the Newport Jazz Festival and the educational foundation Jazz House Kids. Christian McBride speaks with Alec about his influences, leaving Juilliard early to go on the road, and how being a working musician is similar to being a professional athlete. For information on upcoming tour dates, go to christianmcbride.com.   You can find a playlist featuring Alec's favorite Christian McBride songs here.See omnystudio.com/listener for privacy information.

In this episode of The Truth in This Art podcast, host Rob Lee sits down with Warren Wolf Jr., a highly regarded multi-instrumentalist who has made a name for himself in the world of jazz. Warren shares his musical journey with listeners, starting from his upbringing in Baltimore, Maryland, where his father played a major role in shaping his musical career. He talks about his exposure to different genres of music, including classical, ragtime, and jazz, and how he has been able to incorporate these influences into his music.Warren also discusses his education at Peabody Preparatory, the Baltimore School for the Arts, and Berklee College of Music, where he honed his skills and became an active performer. He emphasizes the importance of having a diverse range of musical interests and how it has helped him become a successful musician. Warren also shares details about his recordings as a leader and his collaborations with various musicians, including his tours with Tia Fuller, Bobby Watson's "Live and Learn" Sextet, and Christian McBride & "Inside Straight." Listeners can also look forward to hearing about his upcoming record release with Mack Ave recording label.Throughout the episode, Warren highlights the value of continuous learning and growth as a musician, and how his practice regimen has helped him achieve success in his career. This conversation is a must-listen for anyone interested in jazz or music in general, and provides valuable insights into the life and experiences of one of the most talented musicians of our time. Don't miss out on this fantastic conversation with Warren Wolf Jr. on The Truth in This Art podcast.Creators & Guests Rob Lee - Host Warren Wolf - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★

Второй альбом басиста Christian McBride с проектом New Jawn называется Prime. Восемь композиций, три из которых каверы на темы Sonny Rollins, Ornette Coleman и Larry Young. Два трека написал лидер и по одному от каждого участника квартета. Предыдущий альбом вышел в 2018, я его слушал но, он меня не впечатлил. Другие его проекты: концертный с квинтетом Inside Straight, биг-бэнд и квартет Round Again, мне понравились и они есть на канале. Самое начало альбома страшное, в плане импульсивных фри-джазовых соло, но в общем это замечательная работа и прогресс группы ощутимый. Чувствуется как улучшилось мастерство и главное есть свежие произведения и аранжировки стандартов. Альбом больше для любителей хард-бопа и не для начинающих. Изюминка это басовый кларнет на трех треках, работа смычком и фанковые рифы на контрабасе. Титульная композиция попадает в мой плэйлист как лучшая. Кому нравятся определения стиля типа: пост-боп, авангард, нео-джаз, фри-джаз, то это ваше, но я отмечу, как всегда более просто. © 2023 Mack Avenue Records II Christian McBride - bass Josh Evans - trumpet Marcus Strickland - tenor sax 2,4,6-8 & bass clarinet 1,3,5 Nasheet Waits - drums Produced by Christian McBride #bebop --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

All music used with permission by Haidu, Williams and Allen. What a Difference a Day Makes - Grever/Adams The Chance - Kirkland You and the Night and the Music - Schwartz/Dietz Georgia On My Mind - Carmichael/Gorrell I Thought About You - Jarrett/Peacock/DeJohnette Pianist Noah Haidu's two most recent releases are outstanding tributes to jazz legends, and he stopped by for two sold out performances with a legendary trio to play selections from both.  Doctone is the culmination of a film, book and album tribute to the legendary Kenny Kirkland, released in 2019. Slowly is his tribute to Keith Jarrett, released in May 2021. Both project feature performances of compositions by these legends and Doctone is a larger project that documents Kirkland's life. Noah took our stage for two performances with two jazz legends. Bassist and Grammy winner Buster Williams has a career spanning sixty years working with everyone from Herbie Hancock to Miles Davis. Drummer Carl Allen has worked with artists as diverse as Freddie Hubbard, Ricky Lee Jones and Christian McBride's Inside Straight. The Trio joined us on stage on November 21st, 2022 and here's Part Two – Live at the Bop Stop. This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio with additional production by Graham Rosen and editing for WOBC and WNPA provided by Dr. Pete Naegele and for our podcast and other affiliates by Shawn Gilbert and Carsen Gilbert at GilAzar media.  The Executive Producer is Daniel Peck. For extended version of all our shows –our Live at The Bop Stop podcast can be found on your favorite podcast app. Want to Support The Bop Stop?  Donate here! Contact us here

All music used with permission by Haidu, Williams and Allen. Dienda - Kirkland Mister JC - Kirkland End of a Beautiful Friendship - Cole My Song - Jarrett Up Jumped Spring - Hubbard  Pianist Noah Haidu's two most recent releases are outstanding tributes to jazz legends, and he stopped by for two sold out performances with a legendary trio to play selections from both.  Doctone is the culmination of a film, book and album tribute to the legendary Kenny Kirkland, released in 2019. Slowly is his tribute to Keith Jarrett, released in May 2021. Both project feature performances of compositions by these legends and Doctone is a larger project that documents Kirkland's life. Noah took our stage for two performances with two jazz legends. Bassist and Grammy winner Buster Williams has a career spanning sixty years working with everyone from Herbie Hancock to Miles Davis. Drummer Carl Allen has worked with artists as diverse as Freddie Hubbard, Ricky Lee Jones and Christian McBride's Inside Straight. The Trio joined us on stage on November 21st, 2022 and here's Part One – Live at the Bop Stop. This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio with additional production by Graham Rosen and editing for WOBC and WNPA provided by Dr. Pete Naegele and for our podcast and other affiliates by Shawn Gilbert and Carsen Gilbert at GilAzar media.  The Executive Producer is Daniel Peck. For extended version of all our shows –our Live at The Bop Stop podcast can be found on your favorite podcast app. Want to Support The Bop Stop?  Donate here! Contact us here

Caroline talks to Christian Sands, a friend, and Multi-Grammy Nominated Pianist. This episode is filled with amazing, moving glimpses into his working process, and life as an artist, musician, and human. We discuss managing life's pressures, connecting with yourself, understanding that it's okay to not be okay sometimes, and making adjustments when necessary. Sands also shares a personal experience he had with Warren Buffett and the life lesson that he learned and carries with him to this day. Christian Sands Bio Often, the term prodigy is applied with minimal context. In the case of jazz pianist Christian Sands, it is appropriate. He has studied piano since the age of 3 and began composing at five years old. By ten, he was performing across the United States.  After years of formal music education, he became a protege of the great pianist and educator, Dr. Billy Taylor. Like his mentor, Sands is devoted to performance, community involvement and music education. His initial break came when he was asked to be a member of world renowned bassist', Christian McBride's quintet (Inside Straight) at the Jazz Standard in New York City. After, he collaborated with McBride in a celebrated trio and which gained a Grammy-nomination in 2013 with their release, “Out Here.”  Over the years, Sands has performed, collaborated and written with artists like Oscar Peterson, Herbie Hancock, Dee Dee Bridgewater, David Sanborn, Cécile Mclorin Salvant, Coolio, A Tribe Called Quest, Robin Thicke and Taylor Dayne to name a few as well as scoring music for television and film. With multiple successful albums under his belt, his latest project, “Be Water” was nominated in 2021 for Best Jazz album in the 52nd NAACP Image Awards and Best Instrumental Composition in the 63rd Annual Grammy Awards. #musicians #listen #playing #kid #kids #podcast #type Resources: Christian Sands: iTunes - Album - Be Water https://music.apple.com/us/album/be-water/1500308161 Christian Sands: iTunes - Artist Link - https://music.apple.com/us/artist/christian-sands/272387208 Ryan Sands: iTunes - Album - Standing on the Edge of Tomorrow https://music.apple.com/us/album/standing-on-the-edge-of-tomorrow/1621900581 Podcast Jingle by Real Topeka People Real Topeka People: Spotify - https://spoti.fi/3Np78CY Real Topeka People: TikTok - https://vm.tiktok.com/ZMLHgoYuc/

Wenger returns from Florida (a state with which Brian has some familiarity) and is able to tell the tale. Also: The delay explained! What's with the eyepatch! Tales from the theater! And more!   Check out microwave bowl coozies at mrswenger.com Check out Managing Expectations Merch (with Big Big Face) at managing http://Managingexpectationspodcast.com Check out Silver Age comics and graphic novels at allinadream.us    

Christian McBride имеет более 300 записей в качестве сайдмена и 11 альбомов, получивших признание критиков в качестве лидера. Он влиятельный и вездесущий басист своего поколения, о чем свидетельствуют его квинтет Inside Straight, биг-бэнд, трио и работа с James Brown, Pat Metheny, Chick Corea, Wynton Marsalis, Sting, The Roots, Paul McCartney… Новый альбом можно рассматривать как спутник отмеченного наградой GRAMMY® альбома Christian McBride Trio • Live at the Village Vanguard®️2015. Квинтет, положивший начало сотрудничеству с лейблом Mack Avenue выпуском Kind of Brown в 2009 году, так же играл на этой площадке, но запись тогда не издавалась, и осталась только в воспоминаниях публики, посещавших тогда эти концерты в самом уважаемом джаз-клубе Америки. За исключением 2020, квинтет Inside Straight играл в этом клубе каждый год, начиная с 2009 года, поэтому поклонники во всем мире имеют сегодня возможность услышать и эти сеты, записанные за три вечера, на каждом из которых было больше ста зрителей. Christian McBride - Bass, Composer, Producer Steve Wilson - Alto & Soprano Sax, Composer Warren Wolf - Vibraphone, Composer Peter Martin - Piano Carl Allen - Drums Recording: December 5 - 7, 2014 at The Village Vanguard, New York, NY Release: November 26, 2021 ©️ Mack Avenue #bebop

Peter and Adam respond to a listener's question about one of Peter's solos while playing at the Village Vanguard last week as part of Inside Straight with Christian McBride. Listen to the referenced tune "Gang Gang" here Have a question for us? Leave us a SpeakPipe Support the pod by spreading the word with the link youllhearit.com  Learn more about Open Studio Pro: openstudiojazz.com/pro Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 25th November 2021 Artist - Track - Album - Year Roberto Magris    Match Point    Match Point    2021 Christian McBride & Inside Straight    The Shade of the Cedar Tree    Live at the Village Vanguard    2021 Tom Garvin    Katherine    Ivory Jazz (Alone, 2015)    2021 The Oscar Peterson Quartet    Sushi    A Time for Love: Live in Helsinki, 1987    2021 Edward Simon    Country    Solo Live    2021 Montréal Jazz Trio    Empathy    Steve Amirault/Adrian Vedady/Jim Doxas    2021 Bill Charlap Trio    The Duke    Street of Dreams    2021 Lorraine Feather    Sweet Little Creature    Street of Dreams    2021 Pat Bianchi    Go Home    Something to Say: The Music of Stevie Wonder    2021 Marc Cary    Dreamlike    Life Lessons    2021 Nicholas Payton    Gold Dust Black Magic    Smoke Sessions    2021 Louis Hayes    Oxygen    Crisis    2021 Jazz Daddies    On Call    On Call    2021 Kristen R. Bromley Quintet    Between Canyon Walls    Bluish Tide    2021 Bruce Forman    Rope-a-Dope    Reunion!    2021 Ben Allison    Voyage of the Nautilus    Moments Inside    2021 Lionel Loueke    Close Your Eyes    Close Your Eyes    2021 Rich Halley/Dan Clucas/Clyde Reed/Carson Halley    The Lean    Boomslang    2021 Daggerboard    The Last Days of Studio A    The Last Days of Studio A    2021 The post The Creative Source (#CreativeSource) – 25th November 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Peter and Adam listen to and break down the first track off of Christian McBride & Inside Straight "Live at the Village Vanguard" featuring Christian McBride (bass), Warren Wolf (vibraphone), Steve Wilson (saxophone), Carl Allen (drums) and YHI's own Peter Martin (piano). Preorder your copy of the album on CD or LP HERE Listen to this tune on Spotify Have a question for us? Leave us a SpeakPipe Support the pod by spreading the word with the link youllhearit.com  Learn more about Open Studio Pro: openstudiojazz.com/pro Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

We had a blast talking about all things drums and drumming! ENJOY and be sure to check out Carl's website at: http://www.carlallen.com With over 200 recordings to his credit, the gifted Milwaukee-born, New York-based drummer, sideman, bandleader, entrepreneur, and educator, Carl Allen's profound and propulsive percolations provided soulful and syncopated support for nearly three decades. Born on April 25, 1961, Allen grew up on gospel, R&B, and funk, but later turned to jazz after hearing an LP by the legendary saxophonist Benny Carter. He studied with drum instructor Roy Sneider and band director Robert Siemele. His first hometown gigs were with sax greats Sonny Stitt and James Moody. Allen studied at The University of Wisconsin at Green Bay from 1979 to 1981, and transferred to William Patterson College in New Jersey, where he graduated in 1983 with a Bachelor's Degree in Jazz Studies and Performance. Allen joined trumpeter Freddie Hubbard a year before his graduation, served as his Musical Director for eight years, and recorded several recordings with the trumpeter including Double Take and Life Flight. Allen also played with Michael Brecker, Randy Brecker, Benny Golson, Jennifer Holliday, J.J. Johnson, Rickie Lee Jones, Sammy Davis Jr., Branford Marsalis, Kenny Garrett, Lena Horne, Ruth Brown, Wayne Shorter, Herbie Hancock, Bobby Hutcherson, Mike Stern, Nellie McKay, Terence Blanchard, Phil Woods, Benny Green, Cyrus Chestnut, Joe Henderson, Billy Childs and many others. Allen's phenomenal sideman discography also includes Jackie McLean (Dynasty), Donald Harrison (Indian Blues, Noveau Swing), Donald Byrd (A City Called Heaven), and Art Farmer (The Company I Keep). “Carl Allen is an international powerhouse. His sound and feeings have fuled the bands of Freddie Hubbard, Christian McBride and countless others as well leading his own projects. “ – Joe Lovano Piccadilly Square (Timeless) was Allen's first CD as leader, released in 1989, followed by The Dark Side of Dewey (Evidence), The Pursuer (Atlantic), Testimonial (Atlantic), and Get Ready, his 2007 Mack Avenue gospel/Motown accented debut release with co-leader, bassist Rodney Whitaker followed up by Work to Do (Mack Avenue Records) featuring Kirk Whalum. Education has always been part of my mission Allen says. Art Blakey taught me the importance of nurturing the next generation of musicians. “Every generation needs someone to help them get to the next level and this what I am hoping to do”. In May of 2012 Allen received an honorary doctorate from Snow College in Ephraim, Utah in Humane Letters. Allen is also an accomplished businessman. He co-founded Big Apple Productions in 1988 with saxophonist Vincent Herring, produced several recordings for several Japanese labels with future stars Roy Hargrove and Nicholas Payton. Several years ago he created Nella Productions which produces projects and developed an education component to the company called The New York Jazz Symposium where he runs workshops around the world on jazz. Allen has also produced recordings for pianist Eric Reed, Dewey Redman. Pharoah Sanders, Freddie Hubbard, Kris Bowers and guitarist Lage Lund, the winner of the 2005 Thelonious Monk International Monk Competition and many others totaling nearly 70 credits as a producer. Carl Allen's multifaceted career provides the perfect template for what a modern musician should be. As Sid Gribetz of Jazz Times wrote, “more than just another fine drummer, Carl Allen has it all together as a bandleader, businessman, and producer, becoming a force in today's jazz world.” Allen maintains an exhaustive schedule of recording, touring and teaching. He remains active as a sideman with Christian McBride and Inside Straight, Benny Golson and others. As a leader most recently leading The Carl Allen Quartet as well as The Art of Elvin, a tribute band dedicated to his two drum influences, Art Blakey and Elvin Jones was started after the passing of Elvin Jones in 2004.

Joe catches up with trainer Robertino Diodoro and jockey David Cohen, the connections of Derby starter Keepmeinmind. Joe and Robertino discuss his start at bush tracks in Canada, managing over 100 horse across the country, making our sport cleaner, Special Relativity, Inside Straight, 2020 Oaklawn Leading Trainer title, his partnership with David Cohen, why Ava's Grace was scratched from the Kentucky Oaks and Keepmeinmind's chances heading into the first Saturday in May! Joe and David discuss his beginnings in California, Proud Tower Too's Golden Shaheen, Golden Ticket's DH victory in the Travers, overcoming injuries and loss, returning to the saddle in 2017, Special Relativity, proposing on Belmont Stakes day, teaming up with Robertino Diodoro and riding in his first Kentucky Derby aboard Keepmeinmind!

It can be hard to know when to change up your practice routine, but every musician knows it's necessary if you want to grow your skills. Today, Adam breaks down these two vital concepts for musicians.Links From Today's Episode:Check out the latest course from Open Studio - the Magic Voicing System. Learn from Adam Maness in this entirely Guided Practice Session-based course as he shows you an easy way to always play great sounding voicings that never clash.Today's Open Studio Live Events (All times in EDT):1:00 PM - Adam's Daily Guided Practice Session (for Members Only)For the rest of this week's calendar, follow this linkThursday's Open Studio Live Events:1:00 PM - Adam's Daily Guided Practice Session (for Members Only)8:00 PM - A Hang With Christian McBride's Inside Straight on YouTube10:30 PM - Live From Spragueland - Peter Sprague on YouTubeInterested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Facebook | Twitter | Instagram See acast.com/privacy for privacy and opt-out information.

In 1986 saxophonist Branford Marsalis released an album he titled "Royal Garden Blues". The album was well recieved and reviewed and helped solidify Branford as a musician to be rekoned with, one of my favorite tracks on the album is an original written by Branford entitled "Emanon". I recall reading or hearing somewhere that Branford titled it Emanon as an inside joke...when he couldn't think of a name for the tune, he flipped the words no and name and came up with eman on (emanon), which is no name spelled backwards. I have flipped the script on this podcast and I am back in the groove. Enjoy The Mix, Brian "Katzpheno" Phoenix featuring: Christian McBride & Inside Straight - "Brother Mister" (2009) Jason Moran (featuring: Lisa E. Harris) - "Honeysuckle Rose" (2014) The Roy Hargrove Quintet - "I'm Not So Sure" (2008) Pat Metheny - "Breakdealer" (2012) Geri Allen - "Baby, I Need Your Loving" (2013) Victor Wooten - "Ari's Eyes" (2005) Kenny Garrett - "Books & Toys" (1992) Chantale Gagne - "The Light We Need" (2010) Jose James - "Nola" (2008) Branford Marsalis - "Emanon" (1986) Yellowjackets - "Rosemary" (2011)

2016 Trump campaign veteran Corey Lewandowski flew with the president on Air Force One to the big 2020 campaign kickoff in Florida this week. What do they talk about on the World's Greatest Airplane? Plus: How does Trump win over voters turned off by his style? Were the first six months of the Trump White […]

2016 Trump campaign veteran Corey Lewandowski flew with the president on Air Force One to the big 2020 campaign kickoff in Florida this week. What do they talk about on the World’s Greatest Airplane? Plus: How does Trump win over voters turned off by his style? Were the first six months of the Trump White […]

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Warren Wolf took a break from a week long series of classes, workshops, and performances with the SF Jazz Collective in Sonoma to speak with OTS SFO.  Best known for his work on Vibraphone, he has also performed or recorded with some of the biggest names in jazz, including Ron Carter, Kenny Barron, Bobby Watson, Nicholas Payton, Tia Fuller, Terri Lynn Carrington, Wynton Marsalis and the Lincoln Center Jazz Orchestra, and many more. Wolf grew up in  Baltimore, MD., and trained on vibraphone, marimba, drums, and piano beginning at age three. After attending prestigious regional arts schools, he went on to graduate from Berklee College of Music in Boston, and quickly became a fixture on the performing and recording scene there. He came to prominence as a member of bassist/composer Christian McBride’s “Inside Straight” band. Most recently, he has been a member of the SF Jazz Collective and was featured on live recordings from the Collective’s last two seasons, and will be performing and recording in support of the new season addressing the music of Miles Davis. We spoke about the above, along with family, career, fitness, and his secret desire to become a professional wrestler.  He also released his third recording for Mack Avenue with an all-star line up entitled "Convergence". EDITORS NOTE: The song "King of Two Fives" was originally released in error to read "Kind of Two Fives" through digital media. 

I spoke with Mark Herrmann, the Vice President, Chief Counsel – Litigation, and Global Chief Compliance Officer for Aon, about his fourth book, Inside Straight: Advice About Lawyering, In-House and Out, That Only the Internet Could Provide (ABA Publishing, 2012), which is a compilation of his columns for AbovetheLaw.com about life as an in-house lawyer. He balances his often-humorous guidance with selected comments from readers of his work. “Some of the things people write are unbelievably funny; some are strikingly smart … and collectively the commenters know an awful lot of stuff,” he said. The book highlights techniques for developing business, succeeding in the law, and navigating corporate politics, among other topics. He is also the author of the highly-acclaimed, The Curmudgeon's Guide to Practicing Law by Mark Herrmann (ABA Publishing, 2006), which itself started as a series of articles. In fact, he noted: “In some ways, Inside Straight is a sequel to the Curmudgeon's Guide.” Herrmann is also the co-author of Drug and Device Product Liability Litigation Strategy (Oxford University Press, 2011) and Statewide Coordinated Proceedings: State Court Analogues to the Federal MDL Process (Thomson-West, 2004). Since introducing his first column for Above The Law in November of 2010, he has been writing about his interactions with outside counsel, experiences collaborating with AON's management, and the perils of modern communication, as well as other issues. In our interview, Herrmann discusses his passion for writing articles, which he started doing as a third-year associate, and provides advice for professionals interested in getting published, including: “Write [at least] one article per year. To crank out one [article] a year is just not that hard.” “As a lawyer, at a firm, maintaining a high public profile is worth things to you … and having all of your lawyers writing while raising the collective profile is good for the firm.” “Lots of people realize that writing matters; everybody doesn't realize it, but lots of people do.” Ultimately, “I don't like writing. I like having written,” he concluded.

I spoke with Mark Herrmann, the Vice President, Chief Counsel – Litigation, and Global Chief Compliance Officer for Aon, about his fourth book, Inside Straight: Advice About Lawyering, In-House and Out, That Only the Internet Could Provide (ABA Publishing, 2012), which is a compilation of his columns for AbovetheLaw.com about life as an in-house lawyer. He balances his often-humorous guidance with selected comments from readers of his work. “Some of the things people write are unbelievably funny; some are strikingly smart … and collectively the commenters know an awful lot of stuff,” he said. The book highlights techniques for developing business, succeeding in the law, and navigating corporate politics, among other topics. He is also the author of the highly-acclaimed, The Curmudgeon’s Guide to Practicing Law by Mark Herrmann (ABA Publishing, 2006), which itself started as a series of articles. In fact, he noted: “In some ways, Inside Straight is a sequel to the Curmudgeon’s Guide.” Herrmann is also the co-author of Drug and Device Product Liability Litigation Strategy (Oxford University Press, 2011) and Statewide Coordinated Proceedings: State Court Analogues to the Federal MDL Process (Thomson-West, 2004). Since introducing his first column for Above The Law in November of 2010, he has been writing about his interactions with outside counsel, experiences collaborating with AON’s management, and the perils of modern communication, as well as other issues. In our interview, Herrmann discusses his passion for writing articles, which he started doing as a third-year associate, and provides advice for professionals interested in getting published, including: “Write [at least] one article per year. To crank out one [article] a year is just not that hard.” “As a lawyer, at a firm, maintaining a high public profile is worth things to you … and having all of your lawyers writing while raising the collective profile is good for the firm.” “Lots of people realize that writing matters; everybody doesn’t realize it, but lots of people do.” Ultimately, “I don’t like writing. I like having written,” he concluded.

I spoke with Mark Herrmann, the Vice President, Chief Counsel – Litigation, and Global Chief Compliance Officer for Aon, about his fourth book, Inside Straight: Advice About Lawyering, In-House and Out, That Only the Internet Could Provide (ABA Publishing, 2012), which is a compilation of his columns for AbovetheLaw.com about life as an in-house lawyer. He balances his often-humorous guidance with selected comments from readers of his work. “Some of the things people write are unbelievably funny; some are strikingly smart … and collectively the commenters know an awful lot of stuff,” he said. The book highlights techniques for developing business, succeeding in the law, and navigating corporate politics, among other topics. He is also the author of the highly-acclaimed, The Curmudgeon’s Guide to Practicing Law by Mark Herrmann (ABA Publishing, 2006), which itself started as a series of articles. In fact, he noted: “In some ways, Inside Straight is a sequel to the Curmudgeon’s Guide.” Herrmann is also the co-author of Drug and Device Product Liability Litigation Strategy (Oxford University Press, 2011) and Statewide Coordinated Proceedings: State Court Analogues to the Federal MDL Process (Thomson-West, 2004). Since introducing his first column for Above The Law in November of 2010, he has been writing about his interactions with outside counsel, experiences collaborating with AON’s management, and the perils of modern communication, as well as other issues. In our interview, Herrmann discusses his passion for writing articles, which he started doing as a third-year associate, and provides advice for professionals interested in getting published, including: “Write [at least] one article per year. To crank out one [article] a year is just not that hard.” “As a lawyer, at a firm, maintaining a high public profile is worth things to you … and having all of your lawyers writing while raising the collective profile is good for the firm.” “Lots of people realize that writing matters; everybody doesn’t realize it, but lots of people do.” Ultimately, “I don’t like writing. I like having written,” he concluded.

I spoke with Mark Herrmann, the Vice President, Chief Counsel – Litigation, and Global Chief Compliance Officer for Aon, about his fourth book, Inside Straight: Advice About Lawyering, In-House and Out, That Only the Internet Could Provide (ABA Publishing, 2012), which is a compilation of his columns for AbovetheLaw.com about life as an in-house lawyer. He balances his often-humorous guidance with selected comments from readers of his work. “Some of the things people write are unbelievably funny; some are strikingly smart … and collectively the commenters know an awful lot of stuff,” he said. The book highlights techniques for developing business, succeeding in the law, and navigating corporate politics, among other topics. He is also the author of the highly-acclaimed, The Curmudgeon’s Guide to Practicing Law by Mark Herrmann (ABA Publishing, 2006), which itself started as a series of articles. In fact, he noted: “In some ways, Inside Straight is a sequel to the Curmudgeon’s Guide.” Herrmann is also the co-author of Drug and Device Product Liability Litigation Strategy (Oxford University Press, 2011) and Statewide Coordinated Proceedings: State Court Analogues to the Federal MDL Process (Thomson-West, 2004). Since introducing his first column for Above The Law in November of 2010, he has been writing about his interactions with outside counsel, experiences collaborating with AON’s management, and the perils of modern communication, as well as other issues. In our interview, Herrmann discusses his passion for writing articles, which he started doing as a third-year associate, and provides advice for professionals interested in getting published, including: “Write [at least] one article per year. To crank out one [article] a year is just not that hard.” “As a lawyer, at a firm, maintaining a high public profile is worth things to you … and having all of your lawyers writing while raising the collective profile is good for the firm.” “Lots of people realize that writing matters; everybody doesn’t realize it, but lots of people do.” Ultimately, “I don’t like writing. I like having written,” he concluded.

I spoke with Mark Herrmann, the Vice President, Chief Counsel – Litigation, and Global Chief Compliance Officer for Aon, about his fourth book, Inside Straight: Advice About Lawyering, In-House and Out, That Only the Internet Could Provide (ABA Publishing, 2012), which is a compilation of his columns for AbovetheLaw.com about life as an in-house lawyer. He balances his often-humorous guidance with selected comments from readers of his work. “Some of the things people write are unbelievably funny; some are strikingly smart … and collectively the commenters know an awful lot of stuff,” he said. The book highlights techniques for developing business, succeeding in the law, and navigating corporate politics, among other topics. He is also the author of the highly-acclaimed, The Curmudgeon’s Guide to Practicing Law by Mark Herrmann (ABA Publishing, 2006), which itself started as a series of articles. In fact, he noted: “In some ways, Inside Straight is a sequel to the Curmudgeon’s Guide.” Herrmann is also the co-author of Drug and Device Product Liability Litigation Strategy (Oxford University Press, 2011) and Statewide Coordinated Proceedings: State Court Analogues to the Federal MDL Process (Thomson-West, 2004). Since introducing his first column for Above The Law in November of 2010, he has been writing about his interactions with outside counsel, experiences collaborating with AON’s management, and the perils of modern communication, as well as other issues. In our interview, Herrmann discusses his passion for writing articles, which he started doing as a third-year associate, and provides advice for professionals interested in getting published, including: “Write [at least] one article per year. To crank out one [article] a year is just not that hard.” “As a lawyer, at a firm, maintaining a high public profile is worth things to you … and having all of your lawyers writing while raising the collective profile is good for the firm.” “Lots of people realize that writing matters; everybody doesn’t realize it, but lots of people do.” Ultimately, “I don’t like writing. I like having written,” he concluded.

A Celtic Cross Beats an Inside Straight Amateur Skeptics 043 Notes: A Celtic Cross Beats an Inside Straight Amateur Skeptics 043... see full notes

  Huitième de la quinzième session...   Cette semaine, toujours du nouveau jazz, quelque chose de free et bref retour sur le FIJM 2010...   En musique:   Art Blakey & The Jazz Messenger sur l'album The Big Beat (Blue Note, 1960);   Christian McBride & Inside Straight sur l'album Kind of Brown (Mack Avenue, 2009);   Odean Pope Quartet sur l'album Fresh Breeze (Cimp, 2010);   Eric Boeren Quartet sur l'album Song for Tracy The Turtle (Clean Feed, 2010)...

  Huitième de la quinzième session...   Cette semaine, toujours du nouveau jazz, quelque chose de free et bref retour sur le FIJM 2010...   En musique:   Art Blakey & The Jazz Messenger sur l'album The Big Beat (Blue Note, 1960);   Christian McBride & Inside Straight sur l'album Kind of Brown (Mack Avenue, 2009);   Odean Pope Quartet sur l'album Fresh Breeze (Cimp, 2010);   Eric Boeren Quartet sur l'album Song for Tracy The Turtle (Clean Feed, 2010)...

Well after a forced week off I am back and fully charged to qoute Bob from the old animated show Reboot.  First up you get my book review of the new Wildcards mosaic novel Inside Straight edited by George R.R. Martin as a new generation of heroes take center stage.  Then we head into the world of identify theft as Lincoln Rhyme tackles a deadly killer in the audio book The Broken Window by Jeffrey Deaver.  You also get my review of Season 2 of LOST on DVD as The Others threaten the survivors of Oceanic Flight 815.  My feature segment is a talk with the Televixen herself, Melissa Girimonte who attended the recent Fan Expo in Toronto on August 22-24.  We talk about the convention as well as Smallville, Battlestar Galactica and even Henry Winkler.  Music for this week features ther song Lost Communication by Frenz and can be found at www.podsafemusic.com along with the intro music of Lets Get Ramblin' by Dynamo Snackbar.  Other instrumental music is by the band Mr. Burns and they can be found at http://mrburns.homestead.com/index.html.  As always your comments and suggestions are welcome.