Podcast appearances and mentions of vincent herring

Моим главным увлечением был джаз, но рок, соул и фанк не сильно отставали, иначе я бы пропустил сотни подростковых вечеринок, — сказал барабанщик Richard Baratta, размышляя о влияниях своей юности. Новый альбом Looking Back - Оглядываясь назад представляет собой переосмысление десяти классических поп-хитов середины-конца XX века. Аранжировки которых сделал давний коллега пианист Bill O'Connell. Кроме него, в состав вошли уже знакомые музыканты из предыдущего альбома Music in Film: The Real Deal 2020 года.Vincent Herring - alto saxophonePaul Bollenback - guitarMichael Goetz - upright bassPaul Rossman - congas, percussionАльбом доказывает, что музыканты одаренные новаторы, преобразующие знакомые мелодии в яркие джазовые манеры и привносят новые концепции в эти поистине культовые мелодии подчеркивая их вечную привлекательность. Напомню некоторые из них:Blowin' in the Wind • Bob Dylan,Purple Haze • Jimi Hendrix,I Feel Good • James Brown,Lucy in the Sky with Diamonds • The Beatles,Whole Lotta Love • Led Zeppelin.Этa джазовая пластинка вдыхает новую жизнь в знакомые песни, предлагая свежие перспективы для каждого трека и вызывает абсолютный восторг! Есть одна композиция с вокалом - это Feeling Good Нины Симон. В звучании есть легкий, самбовый настрой, и в нем присутствует замечательный вокал Carroll Scott. А так же все музыканты хором подпевают Битловскую Hey Jude.Лучшей композицией считаю California Dreamin' - Калифорния мечтает, потому что там есь флейта, в ней больше всего свинга, отличное сочетание всех инструментов и все хорошо ее знают. Каверы делали даже на русском языке, но по-джазовому и в такой прекрасной аранжировке, я встречаю впервые.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1786261359Music in Film - https://t.me/discor/5841Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music's integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.*Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Join us in-person for a discussion with performance, as we delve into music and the technology revolution, hearing Black voices on how technology is impacting our music. African Americans have played an outsized and pivotal role in American and global music. At most of the shifts and transitions in music driven by technology and culture, Black Americans have been in the forefront. Join us for a discussion of the past, present and future of the mix of technology and music with a focus on African American innovation.  In addition to the panel discussion, we will end with a short suite of performances by the presenters. About the Speakers Award winning recording artist Nicolas Bearde is a singer-songwriter, actor and educator whose career has spanned more than 35 years. Born and raised in Nashville, TN, the second of 7 children, he has toured the globe with many of today's jazz legends, such as Bobby McFerrin, Nat Adderley, Jr., Bernard Purdie, Vincent Herring and more. His style is likened to Lou Rawls, Nat King Cole and Bill Withers and he is known for his “velvet voice,” wit and engaging rapport that has drawn audiences into his live performances around the world. As an educator, Nicolas has worked with the California Jazz Conservatory and Jazz Camp West teaching “Vocal Intensive” workshops, skills he honed on the road as a member of Bobby McFerrin's wildly innovative a cappella ensemble, “Voicestra” for more than 10 years, and was the chair of “popular voice” for the Young Arts Foundation in Miami, Florida for 5 years. Phil Hawkins is a drummer and media producer living in San Francisco. He regularly performs with Ray Obiedo, Pete Escovedo and other local artists. Phil operates a media production business that offers audio recording, mixing, and mastering for videography, photography, and graphic design services. He has taught music production at the college level for more than 20 years. Glen Pearson is both a noted pianist as well as the current head of music studies at the College of Alameda. He began playing piano at age 6 and was playing professionally by age 15. He has appeared on stage, television and on recordings with such notables as Regina Belle, Jimmy Scott, Diane Reeves, Marlena Shaw, Bobby Hutcherson and Nicolas Bearde, and served for 11 years as the musical/band director for the world-renowned Boy's Choir of Harlem. For the past 5 years he toured with The Count Basie Orchestra, who's latest record, Basie Swings the Blues, netted “Best Large Jazz Ensemble Album” at the 2024 Grammy Awards. Organizer: Gerald Anthony Harris   An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Bearde photo by James Barry Knox Photography; Pearson photo by Timothy Bryan Burgess; additional photos courtesy the speakers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alto saxophonist Erena Terakubo, from Sapporo, Japan, began her recording career early, releasing her first album when she was only 15 years old. Inspired by a saxophone-playing M&M doll, Erena developed an interest in music that led her to become a notable figure in contemporary jazz. Her journey inclu0des playing in big bands in Sapporo and preferring jazz over classical music. In this episode, Erena Terakubo exuberantly shares her early influences, including J Fusion and musicians like Charlie Parker and David Sanborn. She shares insights into her life in the United States, cultural adjustments, and the challenges she encounters in New York City's jazz scene. With guidance from fellow alto sax player Vincent Herring, Erena navigated the business side of jazz. Erena talks about overcoming initial nervousness, gaining confidence, and arranging music for big band performances at Jazz at Lincoln Center. She highlights the significance of emotional expression in music and how her influences have shaped her improvisational style. Additionally, Erena discusses her experiences as a woman in the predominantly male jazz industry, her ongoing project, and her future goals. This episode delves in her story and explores various aspects of jazz. Erena acquired the nickname, North Bird. Find out at the end of this episode how she earned it. The discography for this 32-year-old saxophonist is impressive. Erena now has six recordings as a leader: Absolutely Live (King Records, 2019), Little Girl Power (King Records, 2018), A Time for Love (Cellar Live/King International, 2016), Erena Terakubo with Legends: Burkina (Eighty-Eight's, 2013), Erena Terakubo with Legends: New York Attitude, (King Records, 2011), and North Bird (King Records, 2011). What is more impressive are the personnel for her first three projects. Listen to this conversation to learn about this. Thanks to King Records, we will listen to three tracks from Erena's latest recording, Erena Terakubo: Absolutely Live! The quartet includes Erena Terakubo-Alto Saxophone, soprano saxophone; Mayuko Katakura-piano, Rhodes; Motoi Kanamori-bass; Shinnosuke Takahashi-drums, percussion. All compositions written by Erena Terakubo. 1. Little Girl Power 8:26), 2. A Crystal Path (6:54), 3. Be Nice (4:47) Thank you for listening. We appreciate your choice to listen to Strictly Jazz Sounds among numerous available podcasts. Photo by Yasuhisa Yoneda

Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo

Jay Metcalf reviews the new improvisation book by Vincent Herring #bettersax #saxophone #jazzimprovisation Logic and Critical Thinking in Jazz Improvisation Book by Vincent Herring https://geni.us/hlCnj

Send us your thoughts! As a finalist in the BBC Young Jazz Musician of the Year 2020, winner of the Rising Star category in the 2019 British Jazz Awards and three-time nominee in the Parliamentary Jazz Awards, Alex is known to be one of the most in-demand and versatile saxophonists to have emerged on the British jazz scene.Praised for her intelligent ear for harmony and a deep knowledge of repertoire across a broad spectrum of styles, Alex's sound is steeped in the tradition of bebop. Her total respect for the heritage of the music can be heard in a fiery, melodic approach inspired by the likes of Phil Woods, Cannonball Adderley and Vincent Herring. As a bandleader, Alex's quartet features some of the UK's finest musicians: David Newton, Dave Green and Steve Brown. In summer 2022, she released her latest album “Only A Year” and since then, her quartet have toured extensively around the country, appearing at jazz clubs and festivals including Swanage Jazz Festival and Scarborough Jazz Festival.Crown Lane StudioDiscover South London's hidden gem for musicians. Crown Lane Studio is a stunning multiroom complex.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

On this week's episode we direct our attention to a deeper cut that was recommended by a listener; Alto Summit by a trio of fantastic alto saxophonists. This album spans a few different generations of the music with Phil Woods being 64 at the time of the session and Vincent Herring and Antonio Hart both being under 35. Our overall combined rating for the album is 8.5/10, make sure to take a listen to our thoughts and how we came up with that score! Feel free to reach out to us with any listener questions or album recommendations at thejazzjampodcast@gmail.com  Website: Click here! Instagram: @thejazzjampodcast Spotify Playlist: Top 3 Playlist This episode may contain copyrighted material, the use of which may not have been authorized by the copyright owner. The material contained in this podcast is distributed without profit for research and educational purposes. This should constitute a 'fair use' of any copyrighted material (referenced and provided for in section 107 of the US Copyright Law).

Vincent Herring, James Carter, and more bring a brand new all-star band to put a soul jazz twist on some of the most popular songs in jazz during this KNKX Studio Session.

LOUIS HAYES “DREAMIN' OF CANNONBALL” New York, May 7 & 8, 2001What is this thing called love, The chant, Dat dereJeremy Pelt (tp) Vincent Herring (as) Rick Germanson (p) Vicente Archer (b) Louis Hayes (d) BARNEY KESSEL “EASY LIKE” Los Angeles, November 14, December 19, 1953Tenderly, Bernardo, Vicky's dream, Just Squeeze me, What is there to say ?, Salute to Charlie ChristianBud Shank (as,fl) Arnold Ross (p) Barney Kessel (g) Harry Babasin (b) Shelly Manne (d) EDDIE COSTA “IN THEIR OWN SWEET WAY” New York, July 13, 1957Get out of the road, In your own sweet way (1), Nature boy, Blues plus eightArt Farmer (tp) Phil Woods (as,p-1) Eddie Costa (p,vib-1) Teddy Kotick (b) Paul Motian (d) Continue reading Puro Jazz 26 de septiembre, 2024 at PuroJazz.

LOUIS HAYES “DREAMIN' OF CANNONBALL” New York, May 7 & 8, 2001What is this thing called love, The chant, Dat dereJeremy Pelt (tp) Vincent Herring (as) Rick Germanson (p) Vicente Archer (b) Louis Hayes (d) BARNEY KESSEL “EASY LIKE” Los Angeles, November 14, December 19, 1953Tenderly, Bernardo, Vicky's dream, Just Squeeze me, What is there to say ?, Salute to Charlie ChristianBud Shank (as,fl) Arnold Ross (p) Barney Kessel (g) Harry Babasin (b) Shelly Manne (d) EDDIE COSTA “IN THEIR OWN SWEET WAY” New York, July 13, 1957Get out of the road, In your own sweet way (1), Nature boy, Blues plus eightArt Farmer (tp) Phil Woods (as,p-1) Eddie Costa (p,vib-1) Teddy Kotick (b) Paul Motian (d) Continue reading Puro Jazz 26 de septiembre, 2024 at PuroJazz.

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SOMETHING ELSE! “SOUL JAZZ” New York at a Smoke Jazz Club “Daylight Session” New York, 2024Filthy McNasty, Mean greens, NaimaJeremy Pelt (tp) Vincent Herring (as) Wayne Escoffery (ts) David Kikoski (p) Paul Bollenback (g) Essiet Essiet (b) Otis Brown, III (d) DUKE ELLINGTON / RAY BROWN “THIS ONE'S FOR BLANTON” Las Vegas, Nevada, December 5, 1972Do nothin' till you hear from me, Things ain't what they used to be, Sophisticated lady, See see riderDuke Ellington (p) Ray Brown (b) BEN ALLISON “LAYERS OF THE CITY” 2017 Enter the dragon, Layers of the city, The detective's wifeJeremy Pelt (tp) Frank Kimbrough (p) Steve Cardenas (g) Ben Allison (b,el-b,comp,arr) Allan Mednard (d) Continue reading Jazz 01 de agosto, 2024 at PuroJazz.

SOMETHING ELSE! “SOUL JAZZ” New York at a Smoke Jazz Club “Daylight Session” New York, 2024Filthy McNasty, Mean greens, NaimaJeremy Pelt (tp) Vincent Herring (as) Wayne Escoffery (ts) David Kikoski (p) Paul Bollenback (g) Essiet Essiet (b) Otis Brown, III (d) DUKE ELLINGTON / RAY BROWN “THIS ONE'S FOR BLANTON” Las Vegas, Nevada, December 5, 1972Do nothin' till you hear from me, Things ain't what they used to be, Sophisticated lady, See see riderDuke Ellington (p) Ray Brown (b) BEN ALLISON “LAYERS OF THE CITY” 2017 Enter the dragon, Layers of the city, The detective's wifeJeremy Pelt (tp) Frank Kimbrough (p) Steve Cardenas (g) Ben Allison (b,el-b,comp,arr) Allan Mednard (d) Continue reading Jazz 01 de agosto, 2024 at PuroJazz.

Новый септет с интересным названием Something Else! - Что-то другое! возглавляет знаменитый альт-саксофонист Vincent Herring. И этот коллектив уже получил название супер-группа. В нее входят известные музыканты: трубач Jeremy Pelt, тенор-саксофонист Wayne Escoffery, гитарист Paul Bollenback, пианист David Kikoski, басист Essiet Essiet и барабанщик Otis Brown III. Когда я увидел этот состав на обложке, которая исполнена в моем вкусе, то сразу поднял этот альбом в очереди на простушку и оказалось не зря. Слушаю его с удовольствием и наслаждаюсь простотой и точностью исполнения знакомых мелодий, которые завораживают новым душевным исполнением.  Очень правилно назвали альбом простым и точным названием Soul Jazz. Он вышел 7 июня на лейбле Smoke Sessions Records и включает в себя джазовые стандарты таких мастеров, как Horace Silver, Herbie Hancock, Roy Hargrove, Donald Byrd, Stanley Turrentine, Eddie Harris, Pee Wee Ellis и John Coltrane. Когда в конце 1950-х – начале 1960-х годов зародился соул-джаз, он открыл путь для потрясающих фанковых грувов современного соула и R&B, которые проникли в мускулистый бибоп того времени. Для поколения, выросшего в ту эпоху, соул-джаз стал саундтреком всей жизни, не говоря уже о том, что играть его было просто кайфом. Этот проект представляет музыку, которую мы любим и которая просто великолепна, - говорит лидер. Все в группе выросли на соул-джазе, где чувство имело первостепенное значение. Музыка того времени была соул и R&B – это то, что мои родители слушали на стереосистеме дома, в машине и на концертах. Это те чувства, которые мы все хорошо знаем, понимаем и желаем играть. Без компромиссов этот альбом должен быть в моей коллекции, как хорошее напоминание, что существует такой стиль, как #souljazz СЛУШАТЬ АЛЬБОМ - https://album.link/i/1740827070 HAROLD MABERN - https://t.me/discor/6273 THE HEAVY HITTERS - https://t.me/discor/6690 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

Yasushi Nakamura loves his music. And he truly loves laying down the groove lines behind a hot band like he does for almost a dozen bands. However, being one of today's first-call bassists means frequent and long show tours that can take him away from his family of two-children and spouse for weeks, even months at a time. It has resulted in an impressive list and number of recordings made on both electric and acoustic or double bass. Pianist and longtime friend, Emmet Cohen, says that Yasushi “…is known in the music community for playing in over a dozen bands and is hardly ever seen reading music.” The reason, says Yasushi, is he has a photographic memory for the music. He takes one look at it and the rest he recalls. This allows him to internalize the music, a practice he highly recommends to young bassists today. Yasushi is a pretty shy guy on and off the bandstand. Watch a video of him and you'll notice he kicks it like the good bassist he is but rarely engages in any dialogue. He says he likes to lay back, be the guy behind the sound. You wouldn't know it, though, when it's time for him to step out. Sometimes a big grin will shine, but Yasushi is mostly focused on delivering a ballad or driving his bass through the high pace sounds left behind by the pianist or the horns. His discography is already enormous. Yasushi has performed in and out of the studio with many noted jazz musicians including Cecile McLorin Salvant, Emmet Cohen, Christian Sands, Amina Figarova, Shamie Royston, Jon Irabagon, Rudy Royston, Vincent Herring, and Ulysses Owners Jr. I saw Yasushi at the 2023 Monterey Jazz Festival touring concert at Denison University near Columbus, Ohio. In that show he was part of an all-star billing with Dee Dee Bridgewater, Kurt Elling, Lakecia Benjamin, and good friends and long-time collaborators, Christian Sands and Clarence Penn. Yasushi Nakamura is sharing two compositions with the podcast so thanks to him for that. They are:“Yasugaloo”-A Lifetime Treasure, Yasushi Nakamura-bass, Lawrence Fields-piano, Clarence Penn-drums; 9/29/2016 (Atelier Sawano)-7:03“Awesome Beef”-Hometown, Yasushi Nakamura-bass, Lawrence Fields-piano, Clarence Penn-drums, Bigyuki-Synths; 11/10/2017 (Atelier Sawano)-3:56 This episode is being released during Jazz Appreciation Month. What better person and humbler guy than Yasushi Nakamura to kick off this year's celebration of jazz.  And thank you for listening to Strictly Jazz Sounds. Spread the word about this podcast and share it with others when you can. Finally, support live jazz wherever you are. Photo by Stephen Braunginn  

Jay Metcalf interviews saxophonist Vincent Herring who is carrying on the legacy of great alto saxophonists in jazz. https://www.vincentherring.com/

Ben Webster: Ben's Blues; Vincent Herring, Bobby Watson, Gary Barth: Bird-ish; Monty Alexander: Satin Doll; Wynton Marsalis a.o.: Jump Monk; Jeff Goldblum & The Mildred Snitzer Orchestra: The Sidewinder/And The Beat Goes On; Dubbelaar: Harry Connick jr.: I Love Paris; … Lees verder →

Vincent Herring is a masterful alto and soprano saxophonist who first toured the U.S. and Europe with Lionel Hampton's Band. Heavily influenced by Julian “Cannonball” Adderley, Herring's talents came to the attention of Nat Adderley (Cannonball's Brother). He joined the trumpeter's band and toured and recorded with the group for nine years. After Nat's death, He worked with drummer Louis Hayes to form the Cannonball Adderley Legacy Band and worked with piano master Cedar Walton for more than two decades.  Additionally, he has also appeared on stage and or on recordings with Freddie Hubbard, Dizzy Gillespie, Art Blakey and The Jazz Messengers, Wynton Marsalis, Horace Silver Quintet, Jack DeJohnette's Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, and so many more. Vincent's discography reveals over 20 titles as a leader and over 250 as a sideman. Herring is also a noted educator who teaches at the Manhattan School Of Music and William Patterson University.

Jason Marshall's 2003 arrival in New York City signified the continuation of hard-swinging, forward-thinking baritone saxophone playing. With early encouragement to appreciate all types of music, Jason has developed a style that encompasses the whole of African-American music. A special interest is given to the amalgamation of soul, R and B, and funk with straight-ahead jazz. Years of dedication and perseverance have resulted in a giant, soulful sound and instantly appealing concept. Influences such as Leo Parker, Nick Brignola and Bruce Johnstone have coalesced to ensure an open perception of the baritone sax and a “take-no-prisoners” approach to playing jazz music. Jason has studied with no less than the elite baritone saxophone specialists of the 20th century including Hamiett Bluiett, Ronnie Cuber, and Gary Smulyan. These Three masters of the instrument have contributed invaluably to Jason Marshall's ability, each one pouring their own personal wealth of knowledge into him. Other teachers include altoists Bruce Williams, Mark Gross, Steve Wilson, and Vincent Herring and tenor players Greg Tardy, Wayne Escoffrey, and Paul Carr. Mr. Lorenz Wheatley garners special distinction as being Jason's first saxophone teacher and earliest source of musical direction. Jason's formative musical experiences include stints with the Thad Wilson Jazz Orchestra and Bluesman Roy Gaines. He is currently playing and touring with Roy Hargrove's band RH Factor and the Roy Hargrove Big Band. Jason's band “Overt Negritude” has Released its debut, self-titled album. Jason has also conducted numerous demonstrations, clinics, and workshops at every level of education throughout the world. In this episode, Jason shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

In this week's video I take you with me to several different concerts I attended last year by some of my favorite saxophonists. As an extra bonus, I managed to get these artists to share with us some of their valuable insights on how they got so good at music.

In this episode, we discuss recordings of “Beethoven: Piano Sonatas Opp. 101 & 106” by Maurizio Pollini, “Clara & Robert Schumann: Piano Concertos” by Beatrice Rana & Chamber Orchestra of Europe / Yannick Nézet-Séguin, “Beethoven, Schumann, Franck” by Renaud Capuçon & Martha Argerich, “The Source” by Kenny Barron, “Solemn Moments” by The Christopher Lucas Wilson Trio, and “The Heavy Hitters” by Mike LeDonne, Eric Alexander, Jeremy Pelt, Vincent Herring, Peter Washington & Kenny Washington.   The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts   Episode 102 Deezer Playlist   “Beethoven: Piano Sonatas Opp. 101 & 106” (Deutsche Grammophon) Maurizio Pollini https://open.spotify.com/album/3ZV0BCtPGQ5W7gESiXb8wG https://music.apple.com/us/album/beethoven-piano-sonatas-opp-101-106/1651884386   “Clara & Robert Schumann: Piano Concertos” (Warner Classics) Beatrice Rana, Chamber Orchestra of Europe / Yannick Nézet-Séguin https://open.spotify.com/album/1N1wu91bavegZTqzKc9Irp https://music.apple.com/us/album/clara-robert-schumann-piano-concertos/1655782702   “Beethoven, Schumann, Franck” (Deutsche Grammophon) Renaud Capuçon, Martha Argerich https://open.spotify.com/album/5lXD2xfntBspFkioroSd6g https://music.apple.com/us/album/beethoven-schumann-franck/1650381581   “The Source” (Artwork Records)  Kenny Barron              https://open.spotify.com/album/5e2gQsP9jvj5telqe9zERG https://music.apple.com/us/album/the-source/1659443592   “Solemn Moments” (Casa De Jazz Records)  Christopher Lucas Wilson Trio https://open.spotify.com/album/7K6dCF2g9xubIU51NNdPq3 https://music.apple.com/us/album/solemn-moments/1659199217   “The Heavy Hitters” (Cellar Live) Mike LeDonne, Eric Alexander, Jeremy Pelt, Vincent Herring, Peter Washington & Kenny Washington. https://open.spotify.com/album/4bYbjJktFFjj7WQjDg0iN0 https://music.apple.com/us/search?term=Mike%20LeDonne   Be sure to check out these other podcasts:  "SOMETHING came from Baltimore"   Jazz, blues, and R&B interviews from Tom Gouker. Famous Interviews and Neon Jazz  Features a wide range of artists, musicians, writers, creatives and business folks from around the globe.   "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.    

Con Enrique Tejado & Pepe Olmedo, Adriano Tortora, Samara Joy, Juana Gaitán, Petra Haden & Bill Frisell, Cecile McLorin, Vincent Herring, Melissa Aldana & Dizzy Gillespie y Valentín Murillo entre otros. Adriano Tortora, pianista italiano afincado en nuestro país, protagoniza hoy nuestro tiempo de estrenos estatales. El sello del colectivo valenciano Sedajazz publica su "Choret". Continuamos dando cuenta de algunas de las citas festivaleras de la escena estatal y portuguesa que acontecen o vienen desarrollándose en estas fechas. Así, viajamos desde Lisboa hasta Zaragoza pasando por Sevilla, Zahara de los Atunes y Madrid. En capítulo internacional continuamos presentando el último trabajo como lideresa de la saxofonista chilena Melisa Aldana que, por cierto, será la encargada de cerrar este año el Festival de Jazz de Badajoz. Tiempo también para la agenda regional y resto de noticias y actualidad nacional e internacional. El "Estándar de la semana" es "Alone together" de Schwartz/Dietz en grabación de los "extremeños" Pepe Olmedo y Enrique Tejado, perteneciente al serial "Jazz Extremeño" que en 2013 propusimos y realizamos desde este programa con los principales representantes de la escena jazz extremeña y finalizamos con "Melodía de luz", del saxofonista de origen extremeño Valenín Murillo (que estará este sábado en el Jazzahara 2022 presentando "La Ingesta", su primera entrega como líder); como "Favorito".  Con Javier del Barco.

Con Enrique Tejado & Pepe Olmedo, Adriano Tortora, Samara Joy, Juana Gaitán, Petra Haden & Bill Frisell, Cecile McLorin, Vincent Herring, Melissa Aldana & Dizzy Gillespie y Valentín Murillo entre otros. Adriano Tortora, pianista italiano afincado en nuestro país, protagoniza hoy nuestro tiempo de estrenos estatales. El sello del colectivo valenciano Sedajazz publica su "Choret". Continuamos dando cuenta de algunas de las citas festivaleras de la escena estatal y portuguesa que acontecen o vienen desarrollándose en estas fechas. Así, viajamos desde Lisboa hasta Zaragoza pasando por Sevilla, Zahara de los Atunes y Madrid. En capítulo internacional continuamos presentando el último trabajo como lideresa de la saxofonista chilena Melisa Aldana que, por cierto, será la encargada de cerrar este año el Festival de Jazz de Badajoz. Tiempo también para la agenda regional y resto de noticias y actualidad nacional e internacional. El "Estándar de la semana" es "Alone together" de Schwartz/Dietz en grabación de los "extremeños" Pepe Olmedo y Enrique Tejado, perteneciente al serial "Jazz Extremeño" que en 2013 propusimos y realizamos desde este programa con los principales representantes de la escena jazz extremeña y finalizamos con "Melodía de luz", del saxofonista de origen extremeño Valenín Murillo (que estará este sábado en el Jazzahara 2022 presentando "La Ingesta", su primera entrega como líder); como "Favorito".  Con Javier del Barco.

Marc Alessi, Friday Morning Tea Underwritten by Village Overhead Doors Former First District Assemblyperson and now executive director of The Tesla Center at Wardenclyffe, Marc Alessi, joins The Heart of The East End on-air for the Friday Morning Tea Underwritten by Village Overhead Doors to talk about raising $20 million to bring Tesla's lab in what is now known as Shoreham back to life, as well as next weekend's paranormal tour of the grounds at Wardenclyffe. Visit teslasciencecenter.org for tickets and additional information Vincent Herring, HOTsounds Underwritten by Sag Harbor Cinema Saxophonist Vincent Herring joins The Heart of the East End on-air for the HOTsounds segment underwritten by Sag Harbor Cinema to talk about this weekend's Celebration of Dizzy Gillespie and Charlie “Bird Parker” at Smoke Jazz Club. Visit smokejazz.com for tickets and information

Blissful grooves from Somi, Gregory Porter, Mark Turner, Abdullah Ibrahim, Larry Goldings, Selene Saint-Aime, Kit Downes and moreSpring is Here, and 9 Other Reasons to be stoked this week! Somi & Gregory Porter Tasting the Strawberries, Abdullah Ibrahim at a Wedding, Mark Turner's Nigerian awakening, Kit Downes on the beach, Vincent Herring at Church, Sélène Saint-Aimé blossoming in the Caribbean, Joe Farnsworth abloom Bud-like, James Brandon Lewis amongst the Flowers and Larry Goldings Uniting us all for the doubtless brighter days ahead. Do NOT miss it!!  Joe Farnsworth: Bud-Like (Smoke) James Brandon Lewis: Fallen Flowers (Tao Forms) Sélène Saint-Aimé: Kosmos Abdullah Ibrahim: The Wedding (Gearbox) Somi feat Gregory Porter: Love Tastes Like Strawberries (Salon Africana) Kit Downes: Sandilands (Vermillion) Mark Turner: Nigeria II (ECM) Larry Goldings: United (Smoke) Vincent Herring: Preaching To The Choir (Smoke)

Miles Davis, Eric Alexander & Vincent Herring, Camille Thurman y Fco. Javier Torres. "Especiales S.S. Vol.II - Jazz en vivo". Segunda y última sesión de esta semana dedicada al jazz en vivo que nos sirve para recuperar los finales de los conciertos de Eric Alexander & Vincent Herring con M.LeDonne, J.Webber y C.Allen la noche del 2 de mayo de 2005 en el Smoke de N.Y. y de Camille Thurman liderando cuarteto junto a M.Whitfield, B.Allison y B.Drummond en el Rockwood Hall también de N.Y. el 19 de febrero de 2017.  Con Javier del Barco.

Con Eric Alexander & Vincent Herring, Fco. Javier Torres y Miles Davis. "Especiales S.S. Vol.I - Jazz en vivo". Aprovechamos para hacer un "break" a propósito de las fechas festivas y ponemos en antena la primera de las dos sesiones que dedicaremos esta semana a recuperar conciertos en vivo. Así, marchamos en esta ocasión al "Smoke" neoyorkino, uno de los escenarios clave del circuito jazzístico de la gran manzana, para recuperar parte del mano a mano que ofrecieron los saxofonistas Eric Alexander y Vincent Herring junto a una sección rítmica de fábula, con Mike LeDonne (p), John Webber (cb) y Carl Allen (b). El concierto quedó registrado y contó con la edición y publicación posterior a través del sello High Note. Y a propósito de fechas, las saetas de Fco. Javier Torres y de Miles Davis protagonizan nuestros obligados de la semana, el "Favorito" y el "Estándar".  Con Javier del Barco.

Patreon: https://www.patreon.com/somethingcamefrombaltimore JANUARY 15, 2021 On February 26, the venerated multi-instrumentalist and composer Joe Chambers will release Samba de Maracatu, a notable Blue Note Records return for a significant figure in the label's history. The album's Brazilian flavored title track “Samba de Maracatu,” which is available today to stream or download, was composed by Chambers and features him performing drums, vibraphone, and percussion with Brad Merritt on keyboards and Steve Haines on bass. The album is a nine-song set of original compositions, standards, and pieces by Wayne Shorter, Bobby Hutcherson, and Horace Silver. In the mid-to-late 1960s, Chambers played drums for numerous Blue Note luminaries appearing on some of the decade's most progressive albums including Shorter's Adam's Apple and Etcetera, Hutcherson's Components and Happenings, Freddie Hubbard's Breaking Point, Joe Henderson's Mode for Joe, Sam Rivers' Contours, Andrew Hill's Andrew!!!, Donald Byrd's Fancy Free, and many more. The label's owners – Alfred Lion and Francis Wolff – offered Chambers a chance to record his own album for the imprint during that fertile period, but he was riding so high on recording and touring with so many jazz greats that he declined the opportunity. Chambers eventually did release his own Blue Note debut Mirrors in 1998 featuring trumpeter Eddie Henderson, saxophonist Vincent Herring, pianist Mulgrew Miller, and bassist Ira Coleman. On Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone. Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt's piano accompaniments and solos. While Samba de Maracatu isn't a Brazilian jazz album in this strictest sense, Chambers utilizes various rhythms and indigenous Brazilian percussion instruments on several pieces, including the title track, which references the syncretic Afro-Brazil rhythms that were originated in the north-east region of Brazil. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

HAROLD MABERN – MABERN PLAYS COLTRANE – Nueva York, Enero 2018, lanzamiento Nov 2021 Dahomey Dance, Naima Harold Mabern (p) Vincent Herring (sa) Eric Alexander (st) Steve Davis (tbn.) John Webber (b) Joe Farnsworth (dr)           MARCUS ROBERTS – THE TRUTH IS SPOKEN HERE – New York, July 26 & 27, […]

Первая запись барабанщика Louis Hayes состоялась в 1956 году для альбома Horace Silver • Six Pieces of Silver в легендарной студии Ван Гелдера, где впервые прозвучал джазовый стандарт Señor Blues. Сразу хочу отметить очень качественную запись, вернее ее сведение, сделанное инженером David Stoller в студии Samurai Hotel Recording in Astoria, Queens при помощи исполнительного продюсера Maxine Gordon (жена саксофониста Dexter Gordon). Луи был лидером ряда потрясающих групп, играл и записывался с великими джазменами: John Coltrane, Thelonious Monk, J J Johnson, Sonny Rollins, Jackie McLean, Wes Montgomery, Joe Henderson, Cedar Walton, George Benson, Ravi Shankar, John Lee Hooker… В 2002 году он сформировал группу Cannonball Adderley Legacy Band и выпустил 3 успешных компакт-диска: Dreaming of Cannon, Maximum Fire Power и Louis Hayes and The Cannonball Adderley Legacy Band. В состав в разное время входили Vincent Herring, Jeremy Pelt и басисты Vincent Archer, Richie Goods и Dezron Douglas. Louis Hayes 84 drums Abraham Burton 50 tenor sax Steve Nelson 67 vibraphone David Hazeltine 63 piano Dezron Douglas 40 bass Camille Thurman 34 vocals Savant®️2021 #bebop

Trumpeter, composer, and educator Jared Hall hails from Spokane, Washington.  He studied at Whitworth University, the Indiana University Jacobs School Of Music, and The University Of Miami's Frost School Of Music, where he received the degree Doctor of Musical Arts in 2015. His primary teachers include Terence Blanchard, Joey Tartell, Dan Keberle, Whit Sidener, David Baker, and Brian Lynch, under whom he pursued his doctoral studies.  Hall is the winner of the 2013 National Trumpet Competition - Jazz Division, and has performed and recorded with Paquito D'Rivera, Bob Hurst, John Daversa, Arturo Sandoval, Maria Schneider, Vincent Herring, Peter Erskine, Dave Liebman, Alan Pasqua, Brian Lynch, Ira Sullivan, Jeff “Tain” Watts, Terence Blanchard, Rick Margitza, Wycliffe Gordon, David Binney, George Benson, Gloria Estefan, Fred Hersch, Shelly Berg, the South Florida Jazz Orchestra, the Frost Concert Jazz Band and the Henry Mancini Jazz Septet directed by Terence Blanchard, among many others. In this episode, Jaded shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Con Nat King Cole, Vincent Herring, Kevin Hays, Ben Street y Billy Hart, Renee Rosnes y Javier Navas entre otros. "Monográfico de 3er jueves de mes" que dedicamos a algunas de las últimas entregas y estrenos (todos de este 2021) del "Smoke Jazz Sessions", el sello del mítico club de jazz neoyorkino. 

Cyrille Aimee, Adonis Rose, NOJO, Theo Croker, Terence Blanchard, Palladium, Roxana Amed, Renee Rosnes, Vincent Herring, Johnathan Blake, Jaleel Shaw, Nate Smith, Michael Mayo, saje, Rachel Eckroth, Earl MacDonald, Miguel de Armas, David Lavoie & Carson TworowPlaylist: Cyrille Aimee, Adonis Rose, New Orleans Jazz Orchestra - DownTheo Croker - Hero Stomp A Future PastTerence Blanchard, featuring The E-Collective & Turtle Island Quartet - FallPalladium, featuring Nicole Glover, Sasha Berliner, Sean Mason, Russell Hall & Victor Lewis - House of JadeRoxana Amed - VirgoRenee Rosnes, featuring Chris Potter, Christian McBride, Carl Allen & Rogerio Boccato - Life Does Not WaitVincent Herring, featuring Cyrus Chestnut, Yasushi Nakamura & Johnathan Blake - HelloJohnathan Blake - Homeward Bound (For Ana Grace)Jaleel Shaw - LeeNate Smith , featuring Kokayi & Michael Mayo - Square WheelMichael Mayo - Bonessaje, featuring Gerald Clayton - Dusk BabyRachel Eckroth, featuring Tim Lefebvre & Christian Euman - Low Hanging FruitEarl MacDonald, featuring Karly Epp - Be Still, My SoulMiguel de Armas Quartet - Eva LunaDavid Lavoie & Carson Tworow - Bucharest

We had a blast talking about all things drums and drumming! ENJOY and be sure to check out Carl's website at: http://www.carlallen.com With over 200 recordings to his credit, the gifted Milwaukee-born, New York-based drummer, sideman, bandleader, entrepreneur, and educator, Carl Allen's profound and propulsive percolations provided soulful and syncopated support for nearly three decades. Born on April 25, 1961, Allen grew up on gospel, R&B, and funk, but later turned to jazz after hearing an LP by the legendary saxophonist Benny Carter. He studied with drum instructor Roy Sneider and band director Robert Siemele. His first hometown gigs were with sax greats Sonny Stitt and James Moody. Allen studied at The University of Wisconsin at Green Bay from 1979 to 1981, and transferred to William Patterson College in New Jersey, where he graduated in 1983 with a Bachelor's Degree in Jazz Studies and Performance. Allen joined trumpeter Freddie Hubbard a year before his graduation, served as his Musical Director for eight years, and recorded several recordings with the trumpeter including Double Take and Life Flight. Allen also played with Michael Brecker, Randy Brecker, Benny Golson, Jennifer Holliday, J.J. Johnson, Rickie Lee Jones, Sammy Davis Jr., Branford Marsalis, Kenny Garrett, Lena Horne, Ruth Brown, Wayne Shorter, Herbie Hancock, Bobby Hutcherson, Mike Stern, Nellie McKay, Terence Blanchard, Phil Woods, Benny Green, Cyrus Chestnut, Joe Henderson, Billy Childs and many others. Allen's phenomenal sideman discography also includes Jackie McLean (Dynasty), Donald Harrison (Indian Blues, Noveau Swing), Donald Byrd (A City Called Heaven), and Art Farmer (The Company I Keep). “Carl Allen is an international powerhouse. His sound and feeings have fuled the bands of Freddie Hubbard, Christian McBride and countless others as well leading his own projects. “ – Joe Lovano Piccadilly Square (Timeless) was Allen's first CD as leader, released in 1989, followed by The Dark Side of Dewey (Evidence), The Pursuer (Atlantic), Testimonial (Atlantic), and Get Ready, his 2007 Mack Avenue gospel/Motown accented debut release with co-leader, bassist Rodney Whitaker followed up by Work to Do (Mack Avenue Records) featuring Kirk Whalum. Education has always been part of my mission Allen says. Art Blakey taught me the importance of nurturing the next generation of musicians. “Every generation needs someone to help them get to the next level and this what I am hoping to do”. In May of 2012 Allen received an honorary doctorate from Snow College in Ephraim, Utah in Humane Letters. Allen is also an accomplished businessman. He co-founded Big Apple Productions in 1988 with saxophonist Vincent Herring, produced several recordings for several Japanese labels with future stars Roy Hargrove and Nicholas Payton. Several years ago he created Nella Productions which produces projects and developed an education component to the company called The New York Jazz Symposium where he runs workshops around the world on jazz. Allen has also produced recordings for pianist Eric Reed, Dewey Redman. Pharoah Sanders, Freddie Hubbard, Kris Bowers and guitarist Lage Lund, the winner of the 2005 Thelonious Monk International Monk Competition and many others totaling nearly 70 credits as a producer. Carl Allen's multifaceted career provides the perfect template for what a modern musician should be. As Sid Gribetz of Jazz Times wrote, “more than just another fine drummer, Carl Allen has it all together as a bandleader, businessman, and producer, becoming a force in today's jazz world.” Allen maintains an exhaustive schedule of recording, touring and teaching. He remains active as a sideman with Christian McBride and Inside Straight, Benny Golson and others. As a leader most recently leading The Carl Allen Quartet as well as The Art of Elvin, a tribute band dedicated to his two drum influences, Art Blakey and Elvin Jones was started after the passing of Elvin Jones in 2004.

Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 Check out the full interview on YouTube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA JANUARY 15, 2021 On February 26, the venerated multi-instrumentalist and composer Joe Chambers will release Samba de Maracatu, a notable Blue Note Records return for a significant figure in the label's history. The album's Brazilian flavored title track “Samba de Maracatu,” which is available today to stream or download, was composed by Chambers and features him performing drums, vibraphone, and percussion with Brad Merritt on keyboards and Steve Haines on bass. The album is a nine-song set of original compositions, standards, and pieces by Wayne Shorter, Bobby Hutcherson, and Horace Silver. In the mid-to-late 1960s, Chambers played drums for numerous Blue Note luminaries appearing on some of the decade's most progressive albums including Shorter's Adam's Apple and Etcetera, Hutcherson's Components and Happenings, Freddie Hubbard's Breaking Point, Joe Henderson's Mode for Joe, Sam Rivers' Contours, Andrew Hill's Andrew!!!, Donald Byrd's Fancy Free, and many more. The label's owners – Alfred Lion and Francis Wolff – offered Chambers a chance to record his own album for the imprint during that fertile period, but he was riding so high on recording and touring with so many jazz greats that he declined the opportunity. Chambers eventually did release his own Blue Note debut Mirrors in 1998 featuring trumpeter Eddie Henderson, saxophonist Vincent Herring, pianist Mulgrew Miller, and bassist Ira Coleman. On Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone. Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt's piano accompaniments and solos. While Samba de Maracatu isn't a Brazilian jazz album in this strictest sense, Chambers utilizes various rhythms and indigenous Brazilian percussion instruments on several pieces, including the title track, which references the syncretic Afro-Brazil rhythms that were originated in the north-east region of Brazil. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Ralph Peterson, Kenny Garrett, Vincent Herring, Charente Moffett, Willie Jones III, Jeremy Pelt, Steve Slagle, Michael Stephenson, Bruce Harris, Lauren Henderson, Adi MeyersonPlaylist: Ralph Peterson - Shorties PortionKenny Garrett - For Art's SakeVincent Herring, featuring Cyrus Chestnut, Yasushi Nakamura, & Johnathan Blake - Preaching to the ChoirCharnett Moffett - Flying in the AirWillie Jones III - To Wisdom, The PrizeJeremy Pelt - UnderdogSteve Slagle, featuring Jeremy Pelt - New NoteMichael Stephenson, featuring Julius Rodriguez - For All We KnowBruce Harris - Saucer EyesLauren Henderson, featuring Marquis Hill, Sullivan Fortner, Eric Wheeler & Joe Dyson - Forget MeAdi Meyerson - KabochaBrandi Disterheft - The Pendulum at Falcon's LairMarika Galea - FeelCaity Gyorgy - There By The DoorEmily Steinwall - Back to EarthSpike Wilner Trio - Aliens & Wizards

Former Stanford University undergraduate dean Julie Lythcott-Haims' memoir, 'Real American,' is the story of her coming to terms with her racial identity. Her father was a successful Black physician, her mother a white British woman. She recalls stories from her childhood, and the racist messaging she received. "I knew by 7 that something was wrong with Blackness." Kevin Whitehead reviews the album 'Minor Swing,' by Vincent Herring. Journalist Michael Moss says processed foods can be as addictive as cocaine, heroin and cigarettes. In his new book, 'Hooked,' Moss explores how these companies appeal to our senses, nostalgia and brain chemistry to keep us snacking.

Former Stanford University undergraduate dean Julie Lythcott-Haims' memoir, 'Real American,' is the story of her coming to terms with her racial identity. Her father was a successful Black physician, her mother a white British woman. She recalls stories from her childhood, and the racist messaging she received. "I knew by 7 that something was wrong with Blackness." Kevin Whitehead reviews the album 'Minor Swing,' by Vincent Herring. Journalist Michael Moss says processed foods can be as addictive as cocaine, heroin and cigarettes. In his new book, 'Hooked,' Moss explores how these companies appeal to our senses, nostalgia and brain chemistry to keep us snacking.

  VINCENT HERRING – PREACHING TO THE CHOIR El saxofonista Vincent Herring habla por casi todos nosotros cuando comenta que el 2020 y el 2021 fueron una pesadilla. Herring ha experimentado los efectos de la pandemia contrayendo COVID-19 además de sufrir la misma pérdida de oportunidades de trabajo que le ha ocurrido a todos los […]

In this episode, we discuss recordings of the music of Josquin des Prez by Stile Antico, Beethoven's Symphony No. 7 by Teodor Currentzis and MusicAeterna, Liszt piano music by Benjamin Grosvenor, and three new jazz saxophone releases by Francesco Amenta, Claus Waidtløw, and Vincent Herring.   The Adult Music Podcast is featured in: Feedspot's Top 20 Classical Music Podcasts Feedspot's Top 25 Jazz Podcasts   Episode 13 Deezer Playlist   “The Golden Renaissance: Josquin des Prez” (Decca) Stile Antico https://open.spotify.com/album/10KrRMLwof6IDVAjF0NRqD https://music.apple.com/us/album/the-golden-renaissance-josquin-des-prez/1537654822   “Beethoven: Symphony #7” (Sony Classical) Teodor Currentzis: MusicAeterna https://open.spotify.com/album/3XhMAN3LuTlxUJkVbfqIoG https://music.apple.com/us/album/beethoven-symphony-no-7-in-a-major-op-92/1553729421   “Liszt” (Decca) Benjamin Grosvenor https://open.spotify.com/album/2c44i8YA1pPl4y8KfR0FLI https://music.apple.com/us/album/liszt/1547588501   “Midtown Walk” (Amenta Music International) Francesco V. Amenta https://music.apple.com/us/album/midtown-walk/1556579343 http://jazzbluesnews.com/2021/04/26/cd-review-francesco-amenta-midtown-walk-2021-video-cd-cover/   “Portraits in Jazz-Sunday” (Waidtlow Music) Claus Waidtløw https://open.spotify.com/album/1bKp1d91vHHm0HAcmqCXMC https://music.apple.com/us/album/sunday/1557436280   “Preaching to the Choir” (Smoke Session Records) Vincent Herring https://open.spotify.com/album/3Lc55JT9sZ0c4nTVu2xKWD https://music.apple.com/us/album/preaching-to-the-choir/1557973605

Alan and Nick talk about the new additions to the This is Jazz Today playlist with new music from artists like: Ulysses Owens Jr. Big Band, Vincent Herring, Harry Connick Jr., Gretchen Parlato, and more!

Tommaso joins the show to chat about his life and music. Creative, inspiring and intriguing, Tommaso is a joy to listen to. Rob and Dan discuss the upcoming shows and Tara takes the lead with Tommaso.  Tommaso has performed and collaborated with many great musicians including Dave Liebman, Kenny Wheeler, Billy Cobham, Jim Mullen, Liam Noble, Jonathan Gee, Roger Beaujolais, Paolo Pellegatti, Attilio Zanchi, Fabrizio Bosso, Tino Tracanna, Paolo Fresu, Gianni Giudici and Academy Award Winning composer Dario Marianelli. He continues to seek inspiration and nurture his jazz expertise by taking part in jazz seminars and classes led by some of the greatest musicians alive, including Dave Liebman, Miguel Zenon, Vincent Herring, Ted Nash.Support the show (http://www.prestomusic.com/jazz)

Art Hirahara is a jazz keyboardist and composer based in New York, NY. Originally from the San Francisco Bay Area, Art moved to New York in 2003 to be challenged by its pool of world-class musicians. Here he has honed his craft, performing in a wide range of musical situations ranging from straight-ahead standards to time cycle-based progressive jazz to working with singer/songwriters. From the traditional to the avant-garde, Art has found a sound of his own that cuts across genres and boundaries. Art has had the privilege to perform with Don Braden, Stacey Kent, Freddy Cole, Akira Tana, Rufus Reid, Dave Douglas, Vincent Herring, Royal Hartigan, and many others. He has performed around the world in Europe, Asia, Africa, South America, the Middle East, and extensively around the United States. As a bandleader, he has released five recordings on Posi-Tone Records, working with well-known musicians including Donny McCaslin, Melissa Aldana, Linda May Han Oh, Joe Martin, and Rudy Royston. In this episode, Art shares his background, education, and musical journey.   If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcasts, Google Podcasts, etc.  Connect with us on all social media platforms and at www.improvexchange.com

E.J. and I spoke about his love for music and how this love has to evolve as you grow and change. He also touched on the challenges he faced throughout his career and how those things were integral for him to bring his dreams to life. E.J. is an amazing musician who understands that giving is the key to a success. We also touched on the violence that has plagued the Afro-American from the hands of the "Authorities". Overall this interview gives you a birds-eye view into the mind of E.J. and the heart of the community as a whole. Connect with E.J. here www.ejstricklandmusic.com Bio: Enoch Jamal “E.J.” Strickland is the world-class, world-travelled drummer, composer, educator, and artist you've heard on over 60 albums in the last 10-plus years. The Miami native grew up in a creative household, where his dad was a percussionist in the Ft. Lauderdale Orchestra; his twin brother Marcus played the saxophone; and where E.J. beat on pots, pans, and tables until he finally got his hands on the drums. He was only in middle school, yet E.J. knew then that jazz was his calling. Where does one go as a young jazz musician, serious about the work? New York City, of course. Like so many talented artists before him, E.J. chose the New School to further his jazz education, a course of study that would introduce him to greater technical ability, but really, to the meat of any jazz program: teachers and peers. Reggie Workman. Buster Williams. Billy Harper—just to name a few of the living legend, caring instructors who guided E.J. during his tenure. And the peers? Friends who would spend almost every moment together, growing as young musicians and future leaders of the sound: Mike Moreno, Robert Glasper, Brandon Owens, and Marcus Baylor. Together, they formed a group that would shape their voices, and establish their careers. E.J. quickly graduated into New York's gigging jazz scene, playing early on with Russell Malone and Ravi Coltrane. Both artists proved to be big brother types for E.J., gently guiding him as he established his voice. “Russell really stressed the point that as a drummer, you're supposed to make the music feel good,” he says. “I always try to remember what he instilled in me.” Ravi Coltrane lent a similar kind of open-ended guidance, telling E.J. to simply “find something” in the music. Just what that would be was up to him. Since then, Strickland has built a successful career as a composer, bandleader, educator, and sideman. He's toured, performed, and recorded with some of the greatest names in contemporary music: Cassandra Wilson, Terence Blanchard, Lizz Wright, Wynton Marsalis, George Colligan, David Gilmore, Vincent Herring, and Nnenna Freelon, to name a few. As an instructor, he's taught alongside some of the world's best jazz educators: Dave Douglas and Vijay Iyer at the prestigious Banff International Workshop in Jazz & Creative Music, Steve Kirby at the University of Manitoba, and Earl MacDonald at the University of Connecticut. As a leader, he's released two albums: 2009's In This Day featuring Marcus Strickland, Jaleel Shaw, Luis Perdomo, and Hans Glawischnig in a blend of musical settings. His most recent release, The Undying Spirit “positively glows…its success comes largely from the leader's ability to inspire the best in his fellow musicians,” says Brian Zimmerman, Downbeat Magazine. Nick Bewsey in Icon Magazine calls E.J. “an artist with a clear and sensible vision: that a drummer-led jazz record should give listeners an opportunity to get their groove on.” Variety—of influence and interest—might be the keyword for E.J. in his creative approach. He studied both classical and Latin percussion, working early on with the great Cuban drummer Ignacio Berroa. “Growing up, we listened to all kinds of music in the house,” he says. “Miles, Stevie; just good music.” He's applied his wide-ranging tastes to the artists he plays with today: funk and fusion with pianist Manuel Valera's Groove Square; Latin jazz... Support this podcast

Tonight's Jazz Feature is all about some of the "keepers of the Jazz flame". These five talented gentlemen are some of the busiest and most active people on the New York Jazz scene.They are all internationally known and all of them are leaders on their individual instruments. They play in other bands but they all come together as they do on this disc and make some significant music. This album recorded just last year in June of 2016 is a fine example of the kind of playing that reflects the advances in Jazz but adheres to it's noble traditions such as swing, melody and an overall feeling of the blues. "That Feelin'" is the name of the album and the players are: organ master Mike LeDonne, tenor saxophonist Eric Alexander, alto saxophonist Vincent Herring, guitarist Peter Bernstein and the always swinging Joe Farnsworth on drums. Nine great tunes cover the spectrum of sound here and the tunes range from the challenging first cousin to Coltrane's "Giant Steps" in Donald Byrd's "Fly Little Bird Fly" to Ray Brown's "Gravy Blues" to Natalie Cole's "This Will Be Everlasting Love". Sit back and enjoy some real Jazz by some of the living and youthful great on today's scene.

This superb album was recorded in Vancouver at Cory Weeds' Cellar Jazz Club on December 7 & 8, 2013. The club has now unfortumately closed it's doors as of February 28, 2014. This band was the last great New York based band to play the club and it was a tribute band led by the only surviving member,aside from pianist Barry Harris, of the two great organizations led by alto saxophone giant Julian "Cannonball" Adderley....his Quintet and his Sextet. The have been associated historically with Adderley's bands and they are are now part of that band's history. This is a tribute band but with a difference. They respect the Adderley tradition and the "feel" of the tunes and yet they extend the Adderley tradition into new territory. The people involved are of course drummer Louis Hayes, alto saxophone master Vincent Herring, trumpet heavy Jeremy Pelt, pianist Rick Germanson, who can cover all bases and young up and coming bassist Dezron Douglas plus one cameo appearance on the final (encore) tune by club owner Cory Weeds on tenor saxophone. The music here is superb and o in the words of host Cory Weeds, "one of the best bands to ever play in the 14 year history of the club". Listen and I know you'll agree with Mr. Weeds.

Kind of Blue at 50 featuring Wallace Roney on trumpet with Jimmy Cobb's So What Band featuring: Vincent Herring, Javon Jackson, Larry Willis, and John Webber (filling in for Buster Williams who is ill, but doing better), was a wonderful musical reflection on that great session March 2& April 22, 1959 released on Columbia Records August 17, 1959, that changed the way “jazz music” was perceived, then and now forever after if one takes the word of some of the musicians born in its wake –by just a few years and even after that. Visit http://www.jimmycobb.net/