Podcast appearances and mentions of Madhuri Dixit

Hannah & Rose discuss Hum Aapke Hain Koon…! (1994), a romantic comedy about two families joined by marriage. This film is directed by Sooraj Barjatya with music by Raamlaxman. It stars Madhuri Dixit, Salman Khan, Renuka Shahane and Mohnish Bahl. Recommended for intermediate viewers. Rated for all ages. The songs used in this episode are … Continue reading "Episode 81: Hum Aapke Hain Koon…!"

Welcome to Khandaan: A Bollywood Podcast and the next movie in our 80s Dhamaka series is TRIDEV (1989). Directed and cowritten by Rajiv Rai, TRIDEV was a ginormous hit when it came out - enough for the Rais to repurpose it with Vishwatma a couple of years later. Starring Sunny Deol, Madhuri Dixit, Jackie Shroff, Sangeeta Bijlani, Naseeruddin Shah, Sonam, Amrish Puri and Anupam Kher among others, Tridev is still famous for its songs, composed by Kalyanji-Anandji although a case could be made that this was just an early Viju Shah soundtrack. This movie embodies the 80s vibe in a way that few others can pull off. The fashion, the songs, the villains, the homoerotic tension, there's a lot to get through this week. A big Shoutout to our friend Dj Shai Guy for the 80's Dhamaka Theme song. You can check out more of Shai's work here  

In her 40+ year career, Madhuri has out-acted her co-stars and peers, out-danced everyone, done films, streaming and reality shows and looked fabulous while doing it. We discuss Pukar (2000) (where she plays perhaps her only negative role?), Khel (1992), Deewana Mujhsa Nahi (1990), Khalnayak (1993) and Sailaab (1990). Tell us your favorite Mads movies! Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram and Twitter Pitu is @pitusultan on Instagram Beth is @bethlovesbolly on Twitter Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

Welcome to Khandaan: A Bollywood Podcast's Diwali special where we're discussing the crop of 2024. And what a crop it is! First, we discuss Anees Bazmee's BHOOL BHULAIYAA 3 starring Kartik Aaryan, Vidya Balan, Madhuri Dixit, and Tripti Dimri among others. This review contains spoilers so keep listening for the warning.  Next we have many thoughts about Rohit Sherry's SINGHAM AGAIN with Ajay Devgn, Kareena Kapoor Khan, Tiger Shroff, Ranveer Singh, Deepika Padukone, Arjun Kapoor and Akshay Kumar among others. Shownotes: This week's Bonus Episode is available for Patreon Only: Patreon Bonus- Baby John and I Want To Talk Trailers Check out our Video Essay on our YouTube Channel: "Kareena Kapoor Khan: The Last of the Bollywood Divas" Do leave a comment and subscribe, we would love to do more video essay's! Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram  Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn  

Send us a textBhool Bhulaiyaa 3 Trailer Reaction!  @D54pod  | Hindi |  Kartik Aaryan,Vidya B,Madhuri D,Tripti! Kathy and Amit react to the trailer for Bhool Bhulaiyaa 3, (transl. Labyrinth 3) an upcoming Indian Hindi-language comedy horror film directed by Anees Bazmee, written by Aakash Kaushik, and produced by T-Series Films and Cine1 Studios. It serves as the third instalment of the eponymous franchise after Bhool Bhulaiyaa (2007) and Bhool Bhulaiyaa 2 (2022). It stars Kartik Aaryan, Vidya Balan, Madhuri Dixit and Triptii Dimri, and is set in Kolkata, West Bengal.#BhoolBhulaiyaa3 #KartikAaryan #VidyaBalan #MadhuriDixit #TriptiiDimri Get early access to these reviews by joining Patreon or our YouTube channel! YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

Get ready for another super special, laughter-packed episode of PopcornVersation! Join your favorite trio—Snayhil, Abbas, and Antariksh—as they resurrect the beloved Recasting series. This time, they're taking on the iconic Bollywood classic Hum Aapke Hain Koun! From the unforgettable chemistry of Salman Khan and Madhuri Dixit to the unforgettable songs and family drama, nothing is off-limits! Recorded at the witching hour when sleep was just a blink away, expect a delightful mix of fun bloopers, outrageous takes, and wild conversations about every element of this timeless film. So grab your popcorn and join the fun as the hosts dive into this cinematic gem with their signature humor. Whether you're a die-hard fan or new to the film, this episode promises a hilarious and entertaining ride. Tune in for the quirkiest recast you never knew you needed! Do subscribe to the channel for more such content. We release a video every week. Follow the hosts on Instagram: Snayhil: https://www.instagram.com/snayhil Abbas: https://www.instagram.com/abbasmomin88 Antariksh: https://www.instagram.com/antariksht #bollywood #salmankhan #madhuridixitsong #bollywoodpodcast #humaapkehainkoun #srk #cultclassics #90s #podcast #anupamkher #movie #film #hindifilm

This weeks' Patreon Exclusive: Bonus Patreon: Ulajh, Khel Khel Mein and Tezaab BTS: Being the Head Judge for the BBC Asian Network Welcome to Khandaan: A Bollywood Podcast where this week we're discussing DIL TERA AASHIQ from 1993.  Directed by Lawrence D'Souza, this movie stars Madhuri Dixit, Salman Khan, Kader Khan, Anupam Kher, and a host of character actors you haven't seen in decades. A remake of a play, this movie should have been effervescent good fun with two actors who were hitting the zeitgeist in spectacular fashion. Instead… listen to the episode to hear our views.  In this episode, we also invited members of our Patreon to send in their stories of how they discovered this podcast in order to celebrate our 250th episode and we read a few of them out. If you would like to send in your story, please send in a short note to upodcasting@gmail.com. Shownotes: Check out Asim's appearance on the BBC Asian Network here Check out our Video Essay on our YouTube Channel: "Why Amitabh Bachchan is Still Unmatched in Bollywood" "Madhuri Dixit: Bollywood's Angriest Leading Lady" and coming soon..."Kareena Kapoor Khan: The Last of the Bollywood Divas" Do leave a comment and subscribe, we would love to do more video essay's! Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram  Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn  

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Check out our first Video Essay on our YouTube Channel: "Why Amitabh Bachchan is Still Unmatched in Bollywood" Do leave a comment and subscribe, we would love to do more video essay's! Welcome to a special episode of Khandaan: A Bollywood Podcast with guest host Rahul Desai. We're discussing one of Rahul's comfort watches, DARR (1993). Directed by Yash Chopra and starring Sunny Deol, Juhi Chawla, and Shahrukh Khan in key roles, this movie is an important milestone in Bollywood history. For one thing, this kicked off the very successful collaboration between YRF and SRK, and for another, it was one of the cornerstones of the SRK as obsessive lover trope. Chapters 00:00 Introduction and Setting the Stage 05:38 The Long-Awaited Guest: Rahul Desai 13:22 The Impact of 'Darr' and Shah Rukh Khan as a Star 19:38 Exploring the Themes of Obsession and Stalking in 'Darr' 24:34 Nostalgia and Admiration for Shah Rukh Khan's Early Career 27:20 The Well-Crafted Nature of 'Darr' and Shah Rukh Khan's Enduring Appeal 27:45 Casting Choices and Tension with Sunny Deol 32:31 Subverting Expectations in the Film's Opening 34:15 Bittersweet Memories of the Song 'Jadu Teri Nazar' 37:06 Analyzing Juhi Chawla's Character in Darr 43:30 Sunny Deol: The Noble Hero in Darr 49:01 Exploring the Portrayal of Therapy in Darr 53:13 Rahul's Profession and Poetic Nature 54:00 Discussion on Songs and Picturization 55:14 The Standout Moments: Chase Sequences and the Holi Sequence 01.00:16 The Portrayal of Stalking in Darr and its Context 01.10:46 Appreciating Shah Rukh Khan's Acting in Darr 01.17:23 The Impact of Darr in the 90s and Shah Rukh Khan's Career We were on Manish Mathur's Bollywood Drafts Podcast ranking the movies of Amitabh Bachchan. Check out the episode here Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram  Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn  

Lajja (2001) Story, Direction & Dialogues: Rajkumar Santoshi Cast: Manisha Koirala, Rekha, Madhuri Dixit, Mahima Chaudhary, Anil Kapoor, Jackie Shroff, Ajay Devgan, Danny Denzongpa, Suresh Oberoi, Gulshan Grover, Samir Soni, Rohini Hattangadi, Govind Namdeo, Sharman Joshi, Johnny Lever & Farida Jalal Lyrics: Sameer & Prasoon Joshi Music: Anu Malik Background Score: Illaiyaraaja Written Description: Released in 2001, "Lajja," directed by Rajkumar Santoshi, is a film that delves into the societal injustices faced by women in India. The movie interweaves the stories of four women, each representing different facets of oppression and resistance within a patriarchal framework.

To wrap up Madhuri Madness 2024 we're joined by our good friend Rashmeet to discuss two action films in which our beloved heroine finds herself at the centre of a deadly love triangle.  Show notes: Welcome Rashmeet! Madhuri Madness Madhuban Performing Arts and Urja Yeg Aarzoo Gaslight, Girlboss, Gatekeep Obsession gazebo Darkman "Dosti Karte Nahin" and "Mil Jaate Hain" St. Andrews INTERVAL ("Kay Sera Sera" from Pukar) "Que Sera Sera" Pukar "Hai Jaana Hai Jaana"  Are we Rajkumar Santoshi fans? Torturing Anil Kapoor Madhuri Dixit's emotional range and appeal NEXT TIME: Detective movies Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #MadhuriDixit, #Aarzoo, #LawrenceD'Souza, #AkshayKumar, #SaifAliKhan, #PareshRawal, #AmrishPuri, #Pukar, #RajkumarSantoshi, #AnilKapoor, #ManrataShirodkar, #OmPuri, #Danny Denzongpa, #PrabhuDeva, #LataMangeshkar, #Bollywood, #HindiCinema

To celebrate International Women's Day, we are kicking off Madhuri Madness 2024 with two feminist consciousness raising ensemble dramas. Show notes: Happy International Women's Day Madhuri Madness  Every film industry is patriarchal (except Paradise Island) Hollywood vs Bollywood women's pictures Mrityudand Shabana Azmi and Om Puri Prakash Jha's political filmmaking INTERVAL ("Badi Mushkil" from Lajja) Lajja A real multi-starrer Manisha Koirala learns about feminism Tonally inconsistent Ajay Devgn's whip sword NEXT TIME: MD & SRK Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #MadhuriDixit, #Mrityudand, #PrakashJha, #ShabanaAzmi, #OmPuri, #ShilpaShirodkar, #MohanJoshi, #MohanAgashe, #HarishPatel, #Lajja, #RajkumarSantoshi, #ManishaKoirala, #Rekha, #MahimaChaudhary, #JackieShroff, #AnilKapoor, #AjayDevgn, #JohnnyLever, #InternationalWomen'sDay, #Bollywood, #Feminism, #FeminisminFilm, #HindiCinema

This week on ‘Has It Aged Well?' Abbas and Urjita are joined by comedian Bhavish Ailani to discuss the iconic love triangle film from 1997, ‘Dil Toh Pagal Hai directed by Yash Chopra and starring Shah Rikh Khan, Madhuri Dixit and Karisma Kapoor. Topics discussed include: The lovely opening credits, whether Rahul was a bit of an ass to the girls in this film, which theatre group gets to perform in stadiums?, the evergreen music by Uttam Singh, Yash Chopra's brand of love and a lot more.Follow Bhavish here: https://www.instagram.com/bhavish_ailani/Follow Abbas here: https://www.instagram.com/abbasmomin88  Follow Urjita here: https://www.instagram.com/urjitawani  Get early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUE Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/  See omnystudio.com/listener for privacy information.

 Today's guest is none other than Raja Kumari, a Grammy-nominated songwriter, and India's top female rapper. Known as Svetha Rao to loved ones, she brings an otherworldly fusion of Eastern and Western music that's completely reshaping the industry.In our chat, Raja Kumari takes us on a journey through her album 'The Bridge'. Released worldwide in April 2023, this album is a work that not only showcases her unique blend of cultures but also marks her debut under her own label that launched two years prior, Godmother Records. Talk about trailblazers, guys, this woman is fearless. She has such a charismatic personality and is truly a natural-born storyteller, who by the way now has over 43 million monthly Spotify streams. I had such a blast interviewing her as she shared captivating insights into her transition from classical dance to hip-hop, her struggles with American labels, and her groundbreaking move back to India, where she found an audience that immediately resonated with her music. We also touch on her collaborations with absolute legends in the industry like John Legend, her approach to songwriting, and her vision for empowering women in music. Join us as we dive into Raja Kumari's world, where music is an expression of identity and a tool we can use to decorate time. Her experiences, from performing at India's biggest music festival to working with all sorts of iconic figures, highlight her journey as an artist and a cultural innovator.  We talked about:  Finding a guardian angel in Madhuri Dixit + the initial journey to making revolutionary music (2:12) Touring for 'The Bridge' (14:42) Transforming Svetha Rao through the birth and evolution of Raja Kumari (22:44) Slaying the challenges of creating an album during a global pandemic (29:15) Raja's inspiration for naming GodMother + showcasing the power of authenticity and cultural pride (36:55) What's up next for Raja + healing through music (42:23) Rapid Fire Questions (50:29)  Raja's Soundbite For The Soul (53:43) Connect with Raja: Official WebsiteInstagramLet's talk Connect:InstagramThis podcast is produced by Ginni Media.

In this episode, host Satish Kaushik talks about the movie "Pukar". Directed by Rajkumar Santoshi, this film, starring the dynamic Anil Kapoor and the enchanting Madhuri Dixit, turned out to be a mega-hit despite its tragic undertones. Prabhu Deva set the theatres on fire with his dance moves. Did you know there's an interesting story behind why Madhuri Dixit was cast in the lead role? And which actor got really outraged when Anil Kapoor was preferred over him? To find out, just give it a listen!

In this episode, host Satish Kaushik talks about the movie "Pukar". Directed by Rajkumar Santoshi, this film, starring the dynamic Anil Kapoor and the enchanting Madhuri Dixit, turned out to be a mega-hit despite its tragic undertones. Prabhu Deva set the theatres on fire with his dance moves. Did you know there's an interesting story behind why Madhuri Dixit was cast in the lead role? And which actor got really outraged when Anil Kapoor was preferred over him? To find out, just give it a listen! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Satish Kaushik takes us back to 1993 when "Dil Tera Aashiq" graced the theaters, starring Salman Khan and Madhuri Dixit. This film drew inspiration from the 1892 American play, "Charley's Aunt," and went on to become an all-time hit. Satish Kaushik highlights the iconic scenes that contributed to its success. Tune in to listen to the full episode.

In this episode, host Satish Kaushik takes us back to 1993 when "Dil Tera Aashiq" graced the theaters, starring Salman Khan and Madhuri Dixit. This film drew inspiration from the 1892 American play, "Charley's Aunt," and went on to become an all-time hit. Satish Kaushik highlights the iconic scenes that contributed to its success. Tune in to listen to the full episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abhay is joined by Priya Arora, a queer non-binary South Asian American journalist writing and telling stories related to pop culture, entertainment, California, and everything in between!  They chatted about LA, about South Asian American entertainment, about Bollywood, about the variety of journeys they've taken, and about evoking activism through their presentations.  (0:00 - 2:38) Introduction(2:38 - 13:15) Part 1: returning to and rediscovering LA, entertainment culture(13:15 - 25:06) Part 2: Madhuri Dixit, Bollywood, blending themes(25:06 - 39:40) Part 3: being a lighthouse, Queering Desi, using their writing voice(39:40) Conclusion

In our second annual Madhuri Madness we discuss two awards-nominated performances from the early 90s. Show notes: Madhuri Madness 2022: Parinda and Dil and The Fame Game   Sadly The Fame Game has been cancelled Saajan “playboy-operator type“ Comparisons to Cyrano de Bergerac Is Sanjay Dutt a convincing romantic lead? Songs: “Bahut Pyar Karte Hain,” “Pehli Baar Mile Hain,” “Mera Dil Bhi Kitna Pagal Hai,” “Dekha Hai Pehli Baar,” and “Bahut Pyar Karte Hain (Male)”   (INTERVAL (“Choli Ke Peeche Kya Hai” from Khalnayak) Khalnayak Zee5 is missing over 20 minutes of this film Now here Sanjay Dutt is convincing Songs: “Khal Nayak Hai Tu,” “Aye Sahib Yeh Theek Nahin,” “Aaja Sajan Aaja,” “Palki Mein Hoke Sawaar,” and “Khal Nayak Hoon Main”   Next time: actors playing actors Bollywood is For Lovers is a member of the Alberta Podcast Network Listen to The Well Endowed Podcast Check out Park Power Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #MadhuriDixit, #SanjayDutt, #SalmanKhan, #Saajan, #KaderKhan, #ReemaLagoo, #LawrenceD'Souza, #LaxmikantBerde, #Khalnayak, #AnupamKher, #SubhashGhai, #JackieShroff, #NeenaGupta, #RakheeGulzar, #Bollywood, #BollywoodPodcast, #HindiCinema

In this episode of Just A Filmy Game Show, Antariksh is joined by standup comedians Shashwat Maheshwari and Chirag Panjwani. They guess the order of release of various films where Amrish Puri played the villain and films where he played the father, and also sing songs about falling in love! All to win the title of 'The Biggest Bollywood Deewana'! Follow Antariksh on Instagram: https://www.instagram.com/antariksht/ follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Follow Chirag on Instagram: https://www.instagram.com/ichaadhari_naag/ Follow Shashwat on Instagram: https://www.instagram.com/kaatilkabootar/ This Show is Available across audio Platforms:  Spotify | Gaana | Apple Podcasts | Google Podcasts See omnystudio.com/listener for privacy information.

In this episode, host Satish Kaushik will share some glimpses of the movie Tridev starring Sunny Deol, Madhuri Dixit, and many more stars. Why did Naseeruddin Shah told that he had done the movie just for money? Why was Sanjay Dutt denied playing the role of Jackie Shroff in the movie? Tune in now to know more!

Nikita interviews Anand Siva, CEO of the newly launched India Animal Fund that encourages effective giving for animals. The fund is backed by professionals in the corporate sector, blessed by His Holiness the Dalai Lama and supported by several celebrities like Sir Paul McCartney, Alicia Silverstone, Madhuri Dixit and Shikhar Dhawan.India's first platform created by seasoned professionals in the corporate sector, that encourages effective giving for animals, bringing together high-value donors, highly efficient NGOs, and a solution-based mindset to ensure the reduction of animal suffering.IAF brings together a diverse mix of passionate leaders from the corporate and animal welfare sector taking a strategic look at ending all forms of animal harm. With decades of experience in multinational corporations and the development sector, they believe that doing the most-good means to minimise the suffering of the most vulnerable viz animals.They are devoted to the cause of mainstreaming and elevating the animal protection movement in India. They work in collaboration with national and international sector experts and constituents to create impact.Anand Siva is the CEO of the India Animal Fund. After proving his mettle in advertising, data & analytics for 3 decades, Anand is now involved in building tech solutions in the e-com space. He's a known name in the field of animal welfare, having led many campaigns to draw awareness & public support and manages the non-profit PACE Trust (Protection of Animals and Conservation of Environment). He's a firm believer in the concept for life without medicines and conducts corporate sessions to help boost health & productivity.

This week on 'Has it Aged Well?' Abbas and Urjita dial it back to the 80's as by discussing Vidhu Vinod Chopra's iconic gangster film 'Parinda'. Joining them for the episode is writer, content creator and the man behind the instagram handle @notwhyral: Sudarshan. They talk about Nana Patekar's break out performance, Anil Kapoor and Jackie Shroff's chemistry, the unhinged portrayal of Bombay, how Parinda was a precursor to Satya, and ponder over the metaphorical meaning of 'Parinda'. You can watch our Satya episode here: Satya | Has It Aged Well? Ep. 07 | Ft. Sankalp Rastogi You can find Uday Bhatia's book on Satya here: https://www.amazon.in/Bullets-Over-Bombay-Uday-Bhatia-ebook/dp/B09BCBXG4N Watch the Film Companion Director's choice Parinda Q&A here: FC Director's Choice| Parinda | Q & A | Jio MAMI 2015 Follow Sudarshan's instagram page here: https://www.instagram.com/notwhyral/ Follow his personal instagram here: https://www.instagram.com/pseudoinsudo/? Follow Urjita here: https://www.instagram.com/urjitawani/ Follow Abbas on instagram here: https://www.instagram.com/abbasmomin88/ Follow Abbas on twitter here: AbbasMomin For more fun pop culture stuff from the IVM team subscribe to the IVM Pop feed and also check out our Youtube channel:IVM Pop: The Entertainment Hub of IVM Podcasts You can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: IVM Podcasts - Apps on Google Play or iOS: https://ivm.today/iosSee omnystudio.com/listener for privacy information.

The talented and iconic Madhuri Dixit joins Abhay to chat about reflections on confidence and trust, about exploring all of her talents and diverse roles, and about advocating for women in central storytelling roles. Happy Diwali!

This week we got you 2 movies with big stars, a stand-up show, and a series. We start with #AmitabhBachchan's #Goodbye -about an old man trying to cope with the loss of his wife while giving us Bhagbaan-ish vibes. Sigh to this Indian movie's theme of depicting young people who falter to show filial piety as sorta villains.Then Hasan Minhaj shines in #thekingsjester, and we highly recommend you watch it.#KarmYuddh on @hulu is a thriller with too many plots, and #MadhuriDixit is the end game in #MajaMa which is a story of a housewife coming out on @primevideo.That's it for the week peeps.We will be back next week with more reviews so miss us till then!!Team Desis.Desislive podcast delivers the latest movie and show reviews to your devices. Wherever in the world you are, tune in to desislive.

Madhuri Dixit Nene talks to Anupama Chopra about the response to her film Maja Ma where she essays the role of a lesbian housewife. The actor talks about the intent behind signing the film and her approach to playing the character. She lets us in on her singing career as well as how she manages her life in the social media glare. Listen to this interview to find out what she is working on next!

Maja Ma is a tender, emotionally resonant story of a middle-aged married woman who slowly makes peace with the fact that she is a lesbian. Pallavi Patel played by Madhuri Dixit makes Maja Ma even more striking. To know more about the film, listen to the full review by Anupama Chopra.

This week on ‘Has It Aged Well?' Abbas and Urjita are talking about ‘Devdas', and we swear we're doing this sober. Joining them to dissect the Bhansali epic is content creator and SRK junkie: Pulkit Kochar.The trio discusses why the first third of the film is reminiscent of a K-serial, Bhansali's obsession with injuries, does SLB sacrifice progressive values at the cost of authenticity?, whether Madhuri is this film's saving grace, is Chunni Lal representative of that one friend who is a bad influence?, why Devdas features heavily in Shahrukh Khan parodies and most importantly: Was Devdas just an a**hole?For more fun, pop culture stuff from the IVM team subscribe to the IVM Pop feed and also check out our Youtube channel: https://bit.ly/3fa2M66Follow Abbas Momin on twitter: https://twitter.com/AbbasMomin& instagram: https://www.instagram.com/abbasmomin88Follow Urjita Wani on Twitter: https://twitter.com/WaniUrjita& instagram: https://www.instagram.com/urjitawaniFollow Pulkit Kochar on twitter: https://twitter.com/kocharpulkit& instagram: https://www.instagram.com/pulkitkocharYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/android or iOS: https://ivm.today/ios

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.  Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women. Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Welcome to Khandaan: A Bollywood Podcast where we discuss a whole slew of new arrivals in the world of Bollywood.  Hrithik Roshan is back in form in the song Alcoholiya from VIKRAM VEDHA, which comes out at the end of September. We have mixed feelings. - Madhuri Dixit makes us miss Saroj Khan in her new song for the Gujarati film MAJA MA- Nora Fatehi is once again the hottest as she dances to the Hindi version of the Sri Lankan social media hit Manike for the upcoming movIe THANK GOD- We discuss new episodes of KOFFEE WITH KARAN: with Varun Dhawan and Anil Kapoor, and Katrina Kaif with her PHONE BHOOT co-stars Siddhant Chaturvedi and Ishaan Khattar- Asim watched EK VILLAIN: THE RETURN for the lols and lived to regret it Shownotes: Patreon: So you can help support us and grow our podcast by contributing As many of you are aware the floods in Pakistan have devastated the country. Here are a list of charities:  https://www.floods.pk/ And these are the ones we usually donate to: Edhi Foundation: https://donate.edhi.org/product/flood-relief-campaign/ Al Khidmat: https://alkhidmat.org Muslim Hands: https://muslimhands.org.uk/donate/pakistan-floods-emergency The Khandaan Merchandise store is live: A great new way to support your favourite Bollywood podcast. Your support will help us create and grow the show. Check out some of the first designs here. More to come soon!Don't forget to subscribe!Make sure you don't miss any future live events, subscribe to our Khandaan Podcast YouTube page.Khandaan now has an Instagram page and we're on Tik Tok too Follow us for some masti over there too!Follow and subscribe to Amrita's new Youtube Book channel by going here!Find us on Apple Podcasts! and Stitcher! and AudioBoom! and iHeartRadio! and Spotify! and Google Podcasts!And now you can also listen to us on Hubhopper!Follow us on Twitter! Like us on Facebook!You can follow all of us on @AmritaIQ, Sujoy on @9e3k and @asimburneySujoy's instagram which has amazing shots can be found here, we strongly recommend you follow him!    

Longest Running Radio Show hosted by top rated host Sameer Khera from San Francisco. This is a tribute to Madhuri playing Cover songs from her films.

GRMD Aug 18 Madhuri Dixit Special by Top Rated RJ Sameer

Abhay is joined by rapper and artist Raja Kumari and chat it up about a variety of things, mostly related to her wonderful new E.P - H.B.I.C. They chatted about being an American artist in India, filming a video with Madhuri Dixit, and pushing for South Asian American grammy awards!

MOTIVATION that is my karuthu what is iam saying with a good song

Happy Birthday to Madhuri Dixit and Meta Vidmar! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

On this episode of the Split Screen Podcast, host Shah Shahid is joined by the hosts of the brand new Bollywood Podcast, Jab We Pod. Rimjhim and Priley share their insights as the three review the brand new Bollywood Netflix series, The Fame Game. Being a show about a Bollywood celebrity, the series stars Madhuri Dixit, in her return to acting in a few years. But is The Fame Game worthy of her talent? Does the show work as a thriller set in the world of Bollywood's star culture? The guests try to answer these and more questions in this spoiler-filled review of The Fame Game.  HIGHLIGHTS: ⭐️ Technically not Priley's first time on the Split Screen Podcast ⭐️ Priley and Rimjhim discuss their motivations for starting a brand new Bollywood podcast.  ⭐️ What exactly is Jab We Pod?  ⭐️ We review The Fame Game and whether it works as a thriller or not.  ⭐️ Rimjhim is cautious of bad-mouthing Bollywood celebrities, but the show seemingly does that on its own? ⭐️ Priley points out the good things about The Fame Game ⭐️ Shah's not too happy with how the show turns out, including the cliffhanger ending.  ⭐️ The trio discusses whether the show works as a Bollywood story about Bollywood.  FOLLOW OUR GUESTS: Subscribe to Jab We Pod at Anchor FM. Follow Jab We Pod on Twitter @jabwepod Follow Priley on Twitter: @prileykwest Follow Rimjhim on Twitter @rimjhimgiresawn FOLLOW THE SHOW:  Subscribe to The Split Screen Podcast on Apple Podcasts or any of your favourite podcasting platforms.   Follow the Split Screen Podcast on Twitter @splitscreen_pod. Follow Shah on Twitter and Instagram @theshahshahid. 

Super Star Agni and LRK discuss endings that would have made the Madhuri Dixit-starrer,  Fame Game, more satisfying.

We wrap up Madhuri Madness month with a look at Madhuri Dixit's foray into streaming TV, the buzzy Netflix family mystery The Fame Game. Show notes: Supplemental Episode 3: Sri Rao's Bollywood Kitchen! The Fame Game Spoiler Zone: 37:06 - 45:00 NEXT TIME: Cricket Biopics Bollywood is For Lovers is a member of the Alberta Podcast Network Check out Three Kitchens Podcast! Listen to Overdue Finds! Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! and Saavn! and Hubhopper! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #MadhuriDixit, #TheFameGame, #SriRao, #Netflix, #NetflixIndia, #SanjayKapoor, #ManavKaul, #SuhasiniMulay, #RajshriDeshpande, #LakshvirSaran, #MuskkaanJaferi, #GaganArora

March Madness is here, but it isn't basketball we're excited about, it's Madhuri Dixit! Kicking off our series on one of Bollywood's most talented leading ladies, we discuss two early roles.  Show notes: March Madness is a US college basketball thing The stans took over our Twitter poll Madhuri Dixit Anil Kapoor's 80s: Mashaal, Chameli Ki Shaadi, and Tezaab Parinda Split Screen Podcast: The Hollywood Remake of Parinda "Sehre Main Dulha Hoga" aka the baby song Broken Horses Anupama Chopra's review "Kitni Hai Pyari Pyari" What Top Gun was going for (INTERVAL (“Pyaar Ke Mod Pe" from Parinda) Dil Is Aamir Khan Jason Voorhees? Forcibly marrying someone in front of their dad Enemies to lovers "Hum Pyar Karne Wale" Crave, our favourite Canadian streaming service has added some Bollywood films Next time: The Fame Game Netflix & Dil Bollywood is For Lovers is a member of the Alberta Podcast Network Listen to The Well Endowed Podcast Check out RUMI by ATCO Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook! #MadhuriDixit, #AnilKapoor, #JackieShroff, #NanaPatekar, #AnupamKher, #VidhuVinodChopra, #SaeedJaffrey, #AamirKhan, #Parinda, #Dil, #Bollywood, #HindiCinema, #IndraKumar

#ContentStrategizing and #BollywoodChoreography are the careers up for discussion on today's podcast! Savio Barnes is the head of content strategizing at Dance with Madhuri. Tune in to discuss the journey of a successful Bollywood Choreographer. Learn from his experience in Content Strategizing and choreographing in TV reality shows with Bharti Singh and Hardcore. We talk about his challenges and learnings along the journey, his interactions with Bollywood stars such as Akshay Kumar, Madhuri Dixit and the late Saroj Khan. Discover a career in Bollywood and content strategizing. Learn about a career in Bollywood choreography by listening to the best Bollywood Podcast! Savio Barnes is a Bollywood Dance choreographer and Content Strategist. He became famous after choreographing many performances on the TV reality show named Jhalak Dikhhla Jaa for season 3, 4, 5, 6 and 7. He received his dance inspiration from Bollywood stars such as Govinda, Jitendra, and Mithun. While growing up, he used to dance in Church and other small functions. He has worked with the likes of Bharti Singh (Comedy Queen), Akshay Kumar, Madhuri Dixit and many more. THE CAREER SHOW WEBSITE: https://www.thecareershow.in/ SAVIO'S LINKEDIN: https://www.linkedin.com/in/savio-barnes-67697950/ SAVIO'S INSTAGRAM: https://www.instagram.com/saviobarnes DANCE WITH MADHURI'S YOUTUBE: https://www.youtube.com/user/DanceWithMadhuri ------------------------------------- Introduction: (0:00) Did his family support his Bollywood Dance journey?: (1:57) Meeting his role model, Saroj Khan Ma'am: (6:15) Kick starting his career with Jhalak Dikhla Jaa: (7:59) Participating with Bharti Singh: (9:36) Dealing with Challenges of Dance Reality Shows: (11:53) Behind the scenes of a Bollywood Choreography: (14:15) Working with Akshay Kumar: (16:47) Dealing with Challenges of Bollywood Choreography: (19:18) Dealing with the pressure of Bollywood: (21:06) Working at Dance With Madhuri: (23:32) What steps to take to strategize content?: (28:16) Advice for young students aspiring to work in content strategy: (30:23) Important advice to note!: (31:50) Conclusion: (33:20) ------------------------------------- INSTAGRAM: @the_careershow https://www.instagram.com/the_careershow/ LINKEDIN: @The Career Show https://www.linkedin.com/company/thecareershow ------------------------------------- Editor: Siddhesh Varadkar: https://www.instagram.com/sidvaradkar_editor/ Balraj Kashinath Jadhav: https://www.facebook.com/balraj.jadhav.5 ------------------------------------- Music: https://bit.ly/306W5qS --- Send in a voice message: https://anchor.fm/thecareershow/message