Podcasts about Montalvo Arts Center

Silas Munro is a designer, artist, writer, researcher, curator, and surfer. He founded the design studio Polymode, based in Los Angeles and Raleigh, that works with clients across cultural spheres. He's also curator and author of Strikethrough: Typographic Messages of Protest at Letterform Archive in 2022-2023 and contributor to W. E. B. Du Bois's Data Portraits: Visualizing Black America. He co-authored the first BIPOC-centered design history course, Black Design in America: African Americans and the African Diaspora in Graphic Design 19th-21st Century. Silas talks about the Academy Award Winning movie, Moonlight, discussing not only the Oscar blunder but also the movie's sights, sounds, actions, and emotions, from the use of lighting and music to the hero's journey. We see a young boy, Chiron, facing challenges and obstacles in school, mentored by Juan who takes the boy under his wings. Composed of multiple acts, we see Chiron grow into adulthood and reunite with his long lost love, Kevin.-Silas Munro, descendant of the Banyole people of Eastern Uganda, has had work recently exhibited at the Raizes Gallery at Lesley University, the LA Design Festival, and the Scottsdale Museum of Art, and it is included in the collections of Tufts University, Lesley University, and the Montalvo Arts Center. Upcoming exhibitions in 2025 include a solo show, How Does The Grid Deal with A Messy World? at The University of Hartford's Joseloff Gallery, and in the group show Data Consciousness: Reframing Blackness in Contemporary Print at Print Center New York, curated by Tiffany E. Barber. Munro is Founding Faculty, Chair Emeritus for the MFA Program in Graphic Design at Vermont College of Fine Arts. Find more of his courses such as Behind and Ahead of the Times: Histories and Futures of Black Futurity, Black Data: W.E.B. Du Bois and Data Visualization, Black Queer Stories in Print: 19th Century to the Harlem Renaissance, as well as Funk, Blaxploitation, & Hip Hop Aesthetics at BIPOC Design History's website.http://www.polymode.studio/https://www.bipocdesignhistory.com/ https://bipocdesignhistory.com/products/behind-and-ahead-of-the-times-histories-and-futures-of-black-futurity/https://bipocdesignhistory.com/products/black-data-w-e-b-du-bois-and-data-visualization/https://bipocdesignhistory.com/products/black-queer-stories-in-print-19th-century-to-the-harlem-renaissance/https://bipocdesignhistory.com/products/funk-blaxploitation-hip-hop-aesthetics/https://aadn.gsd.harvard.edu/2024/12/06/silas-munro-tobi-ashiru/https://raceremix.arts.arizona.edu/guest/silas-munro/-Moonlight (2016)https://www.imdb.com/title/tt4975722/https://youtu.be/yiTAQjPe_LM?si=aGf2dLAAVeeMpQWK https://www.nytimes.com/2024/08/20/theater/tarell-alvin-mccraney-geffen-playhouse.htmlhttps://shop.a24films.com/products/moonlight-book https://www.theguardian.com/tv-and-radio/video/2017/feb/28/who-had-the-card-jimmy-kimmel-explains-oscars-mix-up-videohttps://www.vox.com/first-person/2017/3/1/14777110/typography-oscars-2017-Other movies discussed, alphabetical listAnora (2024)Challengers (2024)

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Francisco Graciano Montalvo Art Center - “A Path Forward: Honoring Ohlone Land & Spirit” This feature is also available on Spotify, Apple Podcast, and YouTube.Francisco Graciano has been creating art in San José for as long as he can remember. His multi-disciplinary practices include sculpture, painting, music, and tattoos. In May 2024, Francisco was commissioned by Montalvo Arts Center to design and fabricate a ten-foot-tall hummingbird as part of their 2024 Marcus Exhibition. The exhibition, “A Path Forward: Honoring Ohlone Land & Spirit,” is a collaborative project led by our lead artist, Charlene Eigen-Vasquez, in partnership with the Confederation of Ohlone People and Santa Clara County Parks, dedicated to acknowledging and celebrating Ohlone Territories. Join Graciano and Montalvo Arts Center on Friday, July 19, 6–10 pm for their  2024 Marcus Festival, which celebrates the opening of their new outdoor art exhibition, Future Dreaming…A Path Forward. RSVP Here. Follow Francisco Graciano and Montalvo Arts Center at @francisco.graciano @pacofrancisco_tattoos and @montalvoarts --- Support this podcast: https://podcasters.spotify.com/pod/show/content-magazine/support

Zoë Latzer is the Curator and Director of Public Programs at the Institute of Contemporary Art San José (ICA San José). Latzer's approach to curation focuses on world-building through the installation of immersive exhibitions that provide audiences with sensory experiences. Through her work, Latzer hopes to create a platform for artists whose artwork addresses underrepresented narratives through lived experiences and personal histories. In this conversation, we discuss Latzer's love for nature, her favorite artworks, the science of sad songs, and her current exhibition at ICA San José, a collaboration with Montalvo Arts Center. Check out “P L A C E: Reckonings by Asian American Artist,” from March 23 through August 11, featuring eleven California-based Asian American artists and two artist collectives at the ICA San José in downtown San José. Follow ICA at icasanjose and Zoë at zoelatzer --- Support this podcast: https://podcasters.spotify.com/pod/show/content-magazine/support

This week Sarah talks with Ranu Mukherjee, a professor at California College of the Arts and a prolific artist in many different mediums including painting and new media installations.  During our chat they talk a lot about Ranu's Indian ancestry and how that has influenced her work and her outlook as an artist. They also talk about her more recent challenges with addiction in her family and the EMDR treatments that she did to heal from them. About Ranu Mukherjee Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2022); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others.  Reserve your spot for the upcoming live event in San Francisco at the ICA SF about creativity and what blocks it. November 5, 3-5pm https://www.eventbrite.com/e/the-side-woo-ica-sf-a-live-talk-about-creativity-and-what-blocks-it-tickets-729930229967 Show Notes Ranu's Website https://www.ranumukherjee.com/about A+P+I Residency at Mills College https://mcam.mills.edu/exhibitions/api-current1.php --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

This is the first of 10 episodes that I recorded and produced at The Space Program Residency in San Francisco. The first in the series is a conversation with artist and educator Libby Black. We talk about sobriety, lesbian visibility, teaching before and after the pandemic, and that time she swam The Rock, yes Alcatraz. About Libby Black Libby Black is a painter, drawer, and sculptural installation artist living in Berkeley, CA. Her artwork charts a path through personal history and a broader cultural context to explore the intersection of politics, feminism, LGBTQ+ identity, consumerism, addiction, notions of value, and desire. She has exhibited nationally and internationally, with such shows as “California Love” at Galerie Droste in Wupertal, Germany; “Bay Area Now 4” at Yerba Buena Center for the Arts; “California Biennial” at the Orange County Museum of Art; and at numerous galleries in New York, Los Angeles, and San Francisco. Black has been an artist-in-residence at Headlands Center for the Arts in Sausalito, CA; Montalvo Arts Center in Saratoga, CA; and Spaces in Cleveland, OH. Her work has been reviewed in Artforum, Art in America, ARTnews, Flash Art, and The New York Times. She received a BFA from the Cleveland Institute of Art in 1999 and an MFA at the California College of the Arts in 2001. Libby is an Assistant Professor at San Francisco State University. About The Side Woo Host & Creator: Sarah Thibault On-site Producer: Bryan Lovett Sound & Content Editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message

"What first appears to be a wish for more time may turn out to be just one part of a simple, yet vast, desire for autonomy, meaning, and purpose." -Jenny Odell Join us for an evening on long-term thinking with a talk & reading from Jenny Odell and conversation with Long Now's Executive Director Alexander Rose. Artist and writer Jenny Odell brings her acutely insightful observations to the dominant framework of time, based on industrial and colonial worldviews, that is embedded within our societies. Addressing the inability to reconcile the artificially constructed time pressures of modern culture with planetary-scale crisis, she offers a series of histories, concepts, and places as "provocations that can defamiliarize an old language of time, while pointing in the direction of something else." Odell's newest book is Saving Time: Discovering a Life Beyond the Clock (March 02023) and her first book is the widely-read How to Do Nothing: Resisting the Attention Economy (02019). Her visual work is exhibited internationally, and she's been artist in residence at Recology SF (the dump), the San Francisco Planning Department, the Internet Archive, and the Montalvo Arts Center. Previously, Odell taught digital art at Stanford University.

On our final episode of the semester, we interview Katie O'Halloran (she/her) and Vinh Nguyen (he/him). Katie is a Dublin-based, interdisciplinary director and creator from Minneapolis, Minnesota. Her work celebrates theatricality, examines the materiality and effects of borders and confines, and prioritises a thorough probing of the text. She fuses her love of analyzing language with detailed vocal and physical work, as she firmly believes that “actors write with their bodies”. She holds a BFA (Hons) in Musical Theatre from The Boston Conservatory (concentrations in Directing, Acting, Songwriting) and an MFA (Distinction) in Directing from The Lir National Academy of Dramatic Art. Vinh is a multi-faceted theatre maker, educator, and EDI consultant based in the San Francisco Bay Area/Ohlone Native Land. He has performed with companies such as 42nd Street Moon, San Jose Stage, Bay Area Musicals, Cabrillo Stage, and Pacific Coast Repertory Theatre. During his time in San Diego to pursue his graduate studies, Vinh performed in concerts with The Old Globe Theatre, San Diego Symphony, and Kristin Chenoweth at the Music Box Theatre. As a director, Vinh aims to critically examine and reinterpret the American Musical Theatre cannon for a modern audience. He is also invested in and has contributed to the creation of new works that spotlight BIPOC voices and diverse cultural experiences. Selected world premieres include: Mr. Holland's Opus (by BD Wong and Wayne Baker), Gold: The Midas Musical (by Min Kahng for Bay Area Children's Theatre), and The Emeryville Horror (Same Boat Theatre Collective, the Bay Area's first & only environmental justice theatre company). Vinh will be directing the musical Company for South Bay Musical Theatre and the musical Allegiance for Palo Alto Players this upcoming season. Vinh is a passionate advocate and consultant for the causes of Equity, Diversity, and Inclusion (EDI) and anti-racism in the theatre, having contributed to EDI efforts of companies such as: South Bay Musical Theatre, Hillbarn Theatre, 42nd Street Moon, and Portola Valley Theatre Conservatory. He is the Manager of Youth and Family Programs at Montalvo Arts Center and an adjunct professor at his alma mater, San Jose State University. Vinh received an MFA in Musical Theatre from San Diego State University. Membership includes: the Stage Directors & Choreographers Society (SDC), Equity Membership Candidate Program (EMC), and the Musical Theatre Educators' Alliance (MTEA).

Chris and Courtney sit down with Danez Smith to talk about Passion, Process, Pitfalls, and Poetry!  Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of “Homie” (Graywolf Press, 2020), "Don't Call Us Dead" (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and "[insert] boy" (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez has been featured as part of Forbes' annual 30 Under 30 list and is the winner of a Pushcart Prize. They are a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Executive Director Angela McConnell reveals how the center has reimagined its programming while dealing with funding reductions during Covid.

Alina, Laura, and Chip recap all the latest happenings in Hollywood, how life has changed amid the COVID pandemic, and share fun stories from their teen years. This week's episode features a special guest, Angela McConnell. McConnell is the Executive Director of Montalvo Arts Center, a local nonprofit that works to engage community members of all ages in creativity. She shares all that she has done to steer the beloved community center in the right direction. McConnell also dives into all the fun and exciting opportunities the arts center has for everyone from little kids to elders, even during a pandemic. learn more at montalvoarts.orgFollow Montalvo Arts Center on Facebook to keep up on the latest events and activities! @montalvoarts

"Weeping Mary was composed by Matthew Petty after spending time in Weeping Mary, TX and meeting the eldest descendants of those freed slaves whose land was stolen. Mr. Petty asked me to record the song in his studio while we were Lucas Artist Fellows at the Montalvo Arts Center in Saratoga, CA. It was recorded in 2018 and today we can feel the profound resonance for the times in which we are living. It is time to be shared. Listen, weep, mourn, love and keep and moving." —Alva Rogers

Nicole Schmölzer works with oil paint and ink. Her intuitive, abstract imagery emerges out of the dynamics and the organic flow of the fluid paint, in which gravitation, sedimentation and other process-oriented approaches are in play. The distinctive characteristics of her work lie in a play and counter-play of intention and chance, suggestive rhythms, as well as of an attractive-repulsive aspect as they are revealed in the creative process and its becoming. Her paintings grow and develop rhythmically over time, giving visible form to natural phenomena as known in our cyclical, suggestive and paradoxical reality: (an extract of her new publication: Imbuing, Modo Publisher. “With painting I am pursuing an approach to the real which is not necessarily visible or depicted as such. I have followed the motivation for abstraction, the inner impulse, a life rhythm, a movement or an energy which underlie the tides of life and human growth. To translate this into painting, to represent and incorporate the flowing, to catch the subtle movement of the changeable, to set one’s sights on in-between state (describable through an observation from the inside); the stillness in the flow—all this becomes the content of a painting for me as a painter and observer.” Nicole Schmölzer is from Switzerland and has been painting since 1995 in her studios in Basel and New York. She was introduced to painting at an early age through the art school Martenot (1975-88) and completed pedagogical studies at Martenot in Paris in 1988-89. Since 1995 her work has been regularly shown at different galleries and exhibition spaces in Europe, the United States and Japan. She has received grants for artist residencies from the Art OMI Foundation NY, the Helene Wurlitzer Foundation in New Mexico, the Valparaiso Foundation in Spain, the Virginia Center for the Arts, the Montalvo Arts Center in California and the Heliker-LaHotan Foundation in Maine. She has also worked with site-specific art and architecture realizations (Basel, 2014), as well as with projection-performance-projects involving animated painting (experimental video). For more information on the interdisciplinary project mentioned in the interview, click here. Imbuing 39x31.5 inches, oil, ink, linen. Staining, 70x60 inches, oil, ink, linen. Studio, 2020

Yelena Rachitsky, Executive Producer of Experiences at Oculus, and Kelly Sicat, the director of the Artistic Program and Lucas Artists Residency Program at Montalvo Arts Center, discussed how cultural producers working with both virtual and analog technologies are addressing the so-called “loneliness epidemic” by creating space for authentic empathic connections. Through the yearlong initiative SOCIAL: Investigating Loneliness Together, Montalvo brings together artists who are investigating how to foster social engagement in an age where social media both connects and isolates people. Oculus's recent project Traveling While Black is a virtual reality documentary that immerses the viewer in the long history of restricted movement for Black Americans. James Voorhies, Chair, Graduate Program in Curatorial Practice, California College of the Arts, moderated the conversation.

Oh there you are, lovely. Last week, we chopped it up with worldwide sensation Danez Smith on reading for the National Book Awards, joy, and the violence necessary to achieve utopia. For this week's episode, they brought in Franny Choi's "Introduction to Quantum Theory" for us to discuss, and spoiler alert: it's a banger. DANEZ SMITH is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Don't Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. Danez's third collection, Homie, will be published by Graywolf in Spring 2020. FRANNY CHOI is a writer, performer, and educator. She is the author of Floating, Brilliant, Gone (Write Bloody, 2014) and the chapbook Death by Sex Machine (Sibling Rivalry Press, 2017). She has been a finalist for multiple national poetry slams, and her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen, co-host of the podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, is forthcoming from Alice James Books

On this episode of Black Market Reads, the acclaimed poet Danez Smith. Smith is the author of two award-winning collections of poetry: 2014’s [insert] boy which was awarded the winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry; and their most recent collection, Don’t Call Us Dead, published by Graywolf Press in 2017, which was winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award. Smith is the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Smith is a member of the Dark Noise Collective and is the co-host of  VS, a podcast sponsored by the Poetry Foundation and Postloudness. To learn more about Smith's work, visit their website: http://www.danezsmithpoet.com/

You're back, dear listener, and just in time to hear us fangirl over fangirling, We also interview American treasure Danez Smith while sipping Hot Daddies.  DANEZ SMITH is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Don't Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. Danez's third collection, Homie, will be published by Graywolf in Spring 2020.  THE HOT DADDY Fun fact! Langston Hughes's favorite cocktail was one he invented called the ‘Hard Daddy.' As described in a letter to a friend, the ‘Hard Daddy' = whiskey, maple syrup, lemon juice, and ice. For our recording sesh with Danez Smith, we decided to make a hot version of this intriguingly named cocktail, subbing hot water for the ice and serving it in a cozy mug. Go generous with the lemon and light on the syrup and your taste buds will be happy. Pairs perfectly with cold winter Mondays, Ezell's chicken, and this here episode.    INGREDIENTS: 2 oz Irish whiskey; fresh lemon; maple syrup; hot water  REFERENCES: 2018 National Book Award Poetry Finalists, The Fat Sonnets by Samantha Zighelboim, The Tradition by Jericho Brown, Youth Speaks Brave New Voices, "summer, somewhere", "Litany with Blood All Over" and "Not an Elegy" by Danez Smith; Stamped from the Beginning by Ibram X. Kendi; Heavy by Kiese Laymon

This interview is about the role of community collaborations in art projects. Part 1 of this interview is with Robin Treen, Special Projects Coordinator at the San Jose Museum of Art (SJMA) and Donna Conwell, Associate Curator at the Montalvo Arts Center is about the New Terrains project organized by SJMA and the artist residency at Montalvo Arts Center. Part 2 of this interview is with Agustina Woodgate and Stephanie Sherman of RadioEE.net, a nomadic, online, translingual radio station that hosts 24-hr broadcast events about mobility and movement.

episode 13: Jaime Cortez & Genevieve Quick (Live!) In this episode, recorded live at Montalvo Arts Center, we talk with artists & writers Jaime Cortez and Genevieve Quick about the ways their visual and writing practices inform one another and how they negotiate the other roles they play in supporting the local arts ecology. jaimecortez.org and genevievequick.com.

Niki Ford is an artist, writer and chef. She worked at Chez Panisse for six years, then at the American Academy in Rome as a part of the Rome Sustainable Food Project. As a Culinary Fellow at the Montalvo Arts Center in California, she spent a year testing out a more “plant driven” menu concept in a community of artists from around the world, where she also kept a menu blog called Mountains in my Spoon. She was the opening Chef of Healdsburg SHED, and now works as a freelance chef and food editor for GFF Magazine. Chelsea and Devon met Niki at Salmon Creek Farm, on the Mendocino coast, where she is working on a place-based cookbook with artist Fritz Haeg. Her website is NikiFordCooks.com, and she posts delicious pictures at nikifordcooks on instagram. In this episode, Niki talks to Devon about plant-driven cooking, getting tired of dining, and food at the nexus of creativity and poverty. See acast.com/privacy for privacy and opt-out information.

Visiting Parker on the site of his piece, "Caracol," (Spanish for snail) Spark gets a firsthand look at how he turns sod into art. Inspired by his 4-year-old son's snail collection, "Caracol," like Parker's other works, is fashioned almost entirely out of natural materials. Using tightly compacted clay and sand as a base, Parker constructs his nautilus-shaped creation entirely out of sod. Parker says he enjoys working with sod "because it is a living, growing entity" that eventually becomes "a very exciting support."

Gediminas Urbonas is artist and educator, and co-founder (with Nomeda Urbonas) of Urbonas Studio – an interdisciplinary research program that advocates for the reclamation of public culture in the face of overwhelming privatization, stimulating cultural and political imagination as tools for social change. Often beginning with archival research, their methodology unfolds complex participatory works investigating the urban environment, architectural developments, and cultural and technological heritage. The Urbonases have established their international reputation for socially interactive and interdisciplinary practice exploring the conflicts and contradictions posed by the economic, social, and political conditions of countries in transition. Working in collaboration they develop models for social and artistic practice with the interest to design organizational structures that question relativity of freedom. They use art platform to render public spaces for interaction and engagement of the social groups, evoking local communities and encouraging their cultural and political imagination. Combining the tools of new and traditional media, their work frequently involves collective activities such as workshops, lectures, debates, TV programs, Internet chat-rooms and public protests that stand at the intersection of art, technology and social criticism. They are also co-founders of VILMA (Vilnius Interdisciplinary Lab for Media Art), and VOICE, a net based publication on media culture. They have exhibited internationally including the San Paulo, Berlin, Moscow, Lyon and Gwangju Biennales – and Manifesta and Documenta exhibitions – among numerous other international shows, including a solo show at the Venice Biennale and MACBA in Barcelona. Their work was awarded a number of high level grants and residency awards, including the Lithuanian National Prize (2007); a fellowship at the Montalvo Arts Center in California (2008); a Prize for the Best International Artist at the Gwangju Biennale (2006) and the Special Prize for the best national pavilion at the Venice Biennale (2007). Their writings on artistic research as a form of intervention to social and political crisis was published in the books Devices for Action (2008) by MACBA Press, Barcelona and Villa Lituania (2008) by Sternberg Press. Gediminas Urbonas is Associate Professor in Visual Arts at ACT – the MIT Program in Art, Culture and Technology.

Join us at Montalvo Arts Center where landscape artist Herb Parker creates a nature-based sculpture. Original air date: January 2004.

Kitty discusses her work as culinary fellow at Montalvo, what brought her there, and what projects the future holds for her.

Climb a tree with Chris Drury whose installations at the Montalvo Arts Center mimic the underlying patterns of the natural world. Original air date: May 2005.