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7 episodes with orange county museum
7 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
2 episodes with orange county museum
Bullet-Proof Vests For Dogs As our canine friends have become integral members of many police forces, it is becoming more apparent for the need to suit them properly for the dangerous job. That's where Sandy Marcal comes in. She's raising funds to help afford the $1000 a-piece vests that protect our working dogs. Listen Now Pet Food Stamps In these rough economic times, many pet owners are forced to abandon their beloved pets due to the inability to pay for their basic food supply and care. That's why Marc Okon formed a program to ship pet food to those who cannot afford it. He has all the details and how to apply for help. Listen Now "Bad Dog" Statute Leaves Yellow Stain on Building A giant statue known as "Bad Dog" is turning out to be good publicity for the Orange County Museum of Art. The 28-foot-tall piece of art by Richard Jackson depicts a dog lifting one leg and leaving a yellow paint stain on the side of the building. Museum spokeswoman Kirsten Schmidt tells the Orange County Register almost all of the reactions to the dog have been positive. However, some people do wish the pooch wasn't quite so anatomically correct. Listen Now The Cat's Peeing In The Dog Bed What happens when your pet relieves themselves in the wrong place? This is the most common behavioral problem we hear about. There is not always one standard solution. Dr. Debbie examines the different reasons cats and dogs do this. She'll help with a tough case of kitty revenge on the dog. Listen Now Read more about this week's show.
Episode 449 / Fred Tomaselli (born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016); Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli's work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.
Soumya Netrabile (b. 1966, Bangalore, India) received a BFA from the School of Art Institute of Chicago and a BS in Electrical Engineering from Rutgers University. Recent solo exhibitions include Rachel Uffner Gallery (New York, NY); Andrew Rafacz (Chicago, IL); Anat Egbi (Los Angeles, CA); Gana Art (Seoul, South Korea); Pt.2 Gallery (Oakland, CA); and The Journal (New York, NY). Recent group exhibitions include Andrew Rafacz (Chicago, IL); Anat Egbi (Los Angeles, CA); Rachel Uffner Gallery (New York, NY); Trinta Gallery (Santiago de Compostela, Spain); Indigo + Madder (London, UK); and Karma (New York, NY). Netrabile has exhibited in art fairs in Chicago, Miami, New York, San Francisco, Dallas, Seoul, and Hong Kong. Her work is in the public collections of the Orange County Museum of Art (Costa Mesa, CA); Crocker Art Museum (Sacramento, CA); University Club of Chicago (Chicago, IL); Aïshti Foundation (Jal El Dib, Lebanon); and Museu Inimá de Paula (Belo Horizonte, Brazil). Netrabile lives and works in Chicago, IL. Soumya Netrabile, Passage, 2024, oil on canvas, 48 x 60 in (121 x 152 cm), courtesy of the artist and Rachel Uffner Gallery. Soumya Netrabile, Wild Donkeys at Blackrock, 2024, oil on canvas, 24 x 24 in (60.96 x 60.96 cm), courtesy of the artist and Rachel Uffner Gallery. Soumya Netrabile, Water tower, 2024, oil on canvas, 60 x 72 in (152 x 182 cm), courtesy of the artist and Rachel Uffner Gallery.
China's edgy contemporary art exploded into global view over decades of China's meteoric economic growth. Gone were the days of Mao Zedong insisting that art had to “serve the people", by which he meant, the Communist Party, with socialist realist propaganda. Freed from those contraints with Mao's death and the end of the Cultural Revolution in 1976, successive generations of contemporary artists in China worked through political trauma, explored Chinese identity, experimented with the styles of modern masters in other parts of the world, and found their own voices, in ways that drew global attention, and drove a hot art market in the early 2000s and 2010s. How did that all happen, and what's happened to it now, under Xi Jinping's reassertion of the idea that art – and journalism, and film, and pretty much everything – should serve the Party's interests? In this episode, Barbara Pollack, an art critic, curator, and author who has focused on contemporary Chinese art since the late 1990s, shares her thinking and experience. Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China (2010) and Brand New Art from China: A Generation on the Rise (2018), is an award-winning writer, art critic, and curator, and a respected voice on contemporary Chinese art for a quarter century. As a curator, she created My Generation: Young Chinese Artists (Tampa Museum of Art and Orange County Museum of Art, 2014-2015); Mirror Image: A Transformation of Chinese Identity (Asia Society Museum New York, 2022), and Multiply: Strength in Numbers (Modern Art Museum Shanghai, 2024). She is cofounder of Art at a Time Like This, a nonprofit organization that provides platforms for artists and curators to respond to current events and social crises. The China Books podcast is a companion of the China Books Review, which offers incisive essays, interviews, and reviews on all things China books-related. Co-publishers are Asia Society's Center on U.S.-China Relations, headed by Orville Schell, and The Wire China, co-founded by David Barboza, a former Pulitzer Prize-winning New York Times China correspondent. The Review's editor is Alec Ash, who can be reached at editor@chinabooksreview.com.
Today, Chris shares his story, from playing college baseball to founding multiple successful businesses and eventually joining SEO Capital. We dive deep into the nuances of venture capital, the importance of investing in people, and the unique approach SEO Capital takes in identifying and supporting great companies. If you're eager to understand how to navigate the VC world, grow your business, and learn from someone who's been through it all, this episode is packed with valuable insights.#RickJordan #Podcast #EntrepreneurWe Meet:Chris Van Dusen, Senior Partner at Solyco CapitalConnect:Connect with Rick: https://linktr.ee/mrrickjordanConnect with Chris: https://www.solycocapital.com/chris-van-dusen/ Universal Rate & Review: https://lovethepodcast.com/allinwithrickjordanSubscribe & Review to ALL IN with Rick Jordan on YouTube: https://www.youtube.com/c/RickJordanALLINAbout Chris: Chris Van Dusen is a Senior Partner at Solyco Capital as well as Chief Growth Officer and Partner in 3 exits through Acquisition. Solyco, is a vertically integrated investment firm that delivers capital solutions for late-stage startup and growth companies. They take a private equity approach to venture capital. Solyco builds its portfolio of assets brand by brand - instead of through specific categories. Once the investment is secured, a partner led team is deployed on secondment to work alongside the portfolio company's executive team. In 2022 Van Dusen joined Solyco. He is the last partner to be brought on by the firm. He manages sourcing of capitalization and serves in CMO and CRO roles for the brands in the portfolio. Chris Van Dusen is a successful marketing and growth professional with extensive early stage and capitalization experience. Prior to joining Solyco, he launched marketing agency Parcon LLC. He was a partner in an Orange County liquor distillery, Surf City Still Works, where he led the successful merger with Kimo Sabe. He is formally the Chief Growth Officer (CGO) of Balanced Health Botanicals (BHB) in Denver, CO which he successfully exited in 2021. Chris received his Bachelor's degree in Economics from the College of William and Mary. He is active in the community and has held a variety of board seats at institutions like the Orange County Museum of Art (OCMA) and the Irvine Public Schools Foundation (IPSF). In addition to his non-profit work, Chris is a National Board member of Alder, a member of Entrepreneurs Organization(EO), and has traveled extensively speaking on a variety of topics. A life-long athlete he also has is black belt in Jiu Jitsu.
Tony Marsh is an artist and educator who earned his BFA in Ceramic Art at California State University Long Beach in 1978. After graduating he spent three years in Mashiko, Japan at the workshop of Tatsuzo Shimaoka. Marsh completed his MFA at Alfred University in 1988. He teaches in the Ceramic Arts Program at California State University Long Beach where he was the Program Chair for over 20 years. He is currently the first Director of the Center for Contemporary Ceramics at CSULB. He was named a United States Artists Fellow in 2018, an honor awarded to outstanding contributors in American Arts and Letters. His work is the collections of museums across the globe including the Metropolitan Museum of Art, NY; Museum of Art and Design, NY; Los Angeles County Museum of Art; Oakland Museum of Art; Gardiner Museum of Art, Toronto; Museum of Fine Arts, Houston; San Jose Museum of Art; ASU Art Museum Tempe; the Foshan Museum of Contemporary Art, Foshan, China; and the Orange County Museum of Art.He and Zuckerman discuss being a teacher, making art, making a real impact, doing things with your whole heart, the influence of his mom, living and training in Japan, things that are encoded with success, how simple things are hard to make, marriage vessels, fertility vessels, and appropriate shapes, suspending time, magic, failure, craft, notions of taste, and taking no out of your vocabulary!
Photo: Elon Schoenholz, courtesy of David Kordansky Gallery For over four decades, Raúl Guerrero (b. 1945, Brawley, California) has made work informed by his experiences navigating cultures as an American of Mexican ancestry in Southern California. In his paintings, photographs, video, and performance works, Guerrero utilizes language and cultural signifiers to examine notions of place as a way to understand personal concepts of self. An aspect of his work depicts—and critiques—colonial narratives in the Americas such as the settlement of the Great Plains, the history of Latin America, and imposed notions of the American “West.” With compositions fusing Mexican, American, and European visual traditions, he incorporates influences ranging from the readymades of Marcel Duchamp to conceptually-oriented practices associated with a preceding generation of California artists (including John Baldessari and Ed Ruscha) who emerged from Guerrero's alma mater, the Chouinard Art Institute. A long-time exhibiting artist on the West Coast, Guerrero reflects an intellectually rigorous approach suffused with humor and a deep engagement with legacies of visual art from Southern California and the Southwest. Raúl Guerrero has been the subject of solo exhibitions at David Kordansky Gallery, Los Angeles (2021); Ortuzar Projects, New York (2018); Air de Paris (project space), Romainville, France (2014); Athenaeum Music and Arts Library, San Diego, California (2001, 2007, and 2013); CUE Art Foundation, New York (2010); Long Beach Museum of Art, California (1977); Museum of Contemporary Art San Diego (1989); and San Francisco Art Institute, California (1977). Guerrero was included in the California Biennial 2022: Pacific Gold at the Orange County Museum of Art, Costa Mesa, California (2022–2023), and was the recipient of an NEA Photography Fellowship (1979) and the San Diego Art Prize (2006). Guerrero lives and works in San Diego. Raul Guerrero, Fernando y Isabela: 1494, 2023 oil on linen 56 1/8 x 76 1/8 x 1 5/8 inches (142.6 x 193.4 x 4.1 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, Del Taco, 2023 oil on linen 56 x 76 1/4 x 1 1/2 inches (142.2 x 193.7 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, The Alhambra: 1492, 2024 oil on linen 96 x 76 x 1 1/2 inches (243.8 x 193 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery
Brian Calvin b.1969 Lives and works in Ojai, CA. Calvin studied at the University of California, Berkeley and at The Art Institute of Chicago. He received the California Arts Council Fellowship and an art residency from Art Production Fund, Giverny, France. Calvin has exhibited at Anton Kern Gallery, New York; Corvi Mora, London; Cabinet, Milan; Almine Rech Gallery, Brussels; Corbett vs. Dempsey, Chicago; Mu.ZEE, Ostend, Belgium; Le Consortium, Dijon, France; Marc Foxx, Los Angeles, CA; and Gallery Side 2, Tokyo. Among his group exhibitions are at Museum of Contemporary Art, Lyon; Astrup Fearnley Museet, Oslo; Samsung Museum of Art, Seoul; Museum of Contemporary Art, Los Angeles, CA; and the Centre Georges Pompidou, Paris, among other places. His work is included in the collections of the Aïshti Foundation, Beirut; DePaul Art Museum, Chicago; Los Angeles County Museum of Art; and Orange County Museum of Art, Newport Beach, CA. He has a show up now at Anton Kern Gallery, check it out!
American artist Rodney McMillian's paintings, sculptures, videos, and performances address the African-American experience while examining race, gender, and class in a broader political context. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature. McMillian modifies familiar and found objects into new – he offers an alternative reality that reveals how past ideas relate to the present. He is now a professor of sculpture at the School of Arts and Architecture at UCLA. McMillian's work can be found in the permanent collections of the Los Angeles County Museum of Art, UCLA Hammer Museum, and the Museum of Contemporary Art Los Angeles, The Orange County Museum of Art, among others.He and Zuckerman discuss the role of chance in his paintings, intimacy and residue, what landscape can mean, issues of class and taste, retitling, existing within uncomfortable contexts, “hitting it on the one,” napping, the physicality of making art, the present moment, working with a voice coach, and the thrill of accomplishing hard things!
ICYMI: Later, with Mo'Kelly Presents – ‘Friday Nights' with L.A. Radio Legend Nautica De La Cruz highlighting everything from the Orange County Museum of Arts to the “Glass Slipper Foundation, Inc.” and MORE…PLUS - Mark Rahner takes another deep dive into the list of 2024 SAG Award contenders & shares memories of ‘Dawn of the Dead' actor David Emge in 'The Rahner Report' AND on the anniversary of the death of NBA Legend Kobe Bryant, Mo takes a look at the life and legacy of the ‘Mamba' - on KFI AM 640 – Live everywhere on the iHeartRadio app
ICYMI: Later, with Mo'Kelly Presents – ‘Friday Nights' with L.A. Radio Legend Nautica De La Cruz highlighting everything from the Orange County Museum of Arts to the “Glass Slipper Foundation, Inc.” and MORE - on KFI AM 640 – Live everywhere on the iHeartRadio app
Carolyn Harding with visual artist/activist Andrea Bowers and Lauren Leving, curator at Cleveland Museum of Contemporary Art, or commonly called moCa. On December 21, 2023, Andrea, you posted on Face Book, “A line from the Lake Erie bill of rights will be shining over Lake Erie on the science center across from the rock and roll hall of fame!” with photos and video clip from the installation of your work of Art, which is now hundreds of feet high installed on the Great Lakes Science Center, next to the Rock and Roll Hall of Fame in downtown, Cleveland, Ohio. Congratulations! That's a big and very public work of Art. Let's Talk about this huge Glowing Sign that says “Lake Erie has the Right to Exist, Flourish and Naturally Evolve” in Red, Green, Blue and Yellow Neon. Ohio-raised Andrea Bowers is a Los Angeles-based artist who has been recording and amplifying the work of activists present and past for more than two decades. Her multi-media practice includes drawing, video, sculpture, and installation work that foregrounds the experience of the people who dedicate their time and energy to the struggle for gender, racial, environmental, labor, and immigration justice and those who are directly affected by systemic inequality. Over time, her different bodies of work have become a document of the changing language, prerogatives, and dynamics of social justice movements. In 2021, a major mid-career survey of Bowers's work curated by Michael Darling and Connie Butler opened at the MCA Chicago and traveled to the Hammer Museum in Los Angeles in 2022. Other recent solo exhibitions include Grief and Hope, Museum Abteiberg, Mönchengladbach, Germany and Light and Gravity, Weserburg Museum für moderne Kunst, Bremen, Germany. In September 2022, Bowers opened a solo exhibition including both new and existing work at the Galleria d'Arte Moderna di Milano as part of an exhibition program organized by the Fondazione Furla. Bowers is represented by Vielmetter Los Angeles, Andrew Kreps Gallery, Kaufmann Repetto, and Jessica Silverman Gallery. Lauren Leving (she/her) is a curator and writer based in Chicago, IL and Cleveland, OH. Her work explores how creative practice can expand institutionally-rooted understandings of access. Currently, she is Curator-at-Large at the Museum of Contemporary Art (moCa) Cleveland; Associate Curator for the Orange County Museum of Art's 2024 California Biennial; and Co-Curator of Everlasting Plastics, originally presented in the U.S. Pavilion during the 2023 Venice Architecture Biennale. Since joining moCa in 2019, Leving has organized projects including the Getting to Know You residency, which supported the production of Messages to Authorities (Go Away!), a largescale textile commission by Aram Han Sifuentes and Don't mind if I do, a group exhibition stewarded by Finnegan Shannon. She holds an MA in Museum & Exhibition Studies from the University of Illinois–Chicago and a BA from Tulane University. https://www.mocacleveland.org/exhibitions/andrea-bowers-exist-fourish-evolve Celdf.org GrassRoot Ohio - Conversations with everyday people working on important issues, here in Columbus and all around Ohio. Every Friday 5:00pm, EST on 94.1FM & streaming worldwide @ WGRN.org, Sundays at 2:00pm EST on 92.7/98.3 FM and streams @ WCRSFM.org, and Sundays at 4:00pm EST, at 107.1 FM, Wheeling/Moundsville WV on WEJP-LP FM. Contact Us if you would like GrassRoot Ohio on your local LP-FM community radio station. Face Book: www.facebook.com/GrassRootOhio/ Instagram: www.instagram.com/grassroot_ohio/ All shows/podcasts archived at SoundCloud! @user-42674753 Apple Podcast: podcasts.apple.com/.../grassroot-ohio/id1522559085 YouTube: www.youtube.com/channel/UCAX2t1Z7_qae803BzDF4PtQ/ Intro and Exit music for GrassRoot Ohio is "Resilient" by Rising Appalachia: youtu.be/tx17RvPMaQ8 There's a time to listen and learn, a time to organize and strategize, And a time to Stand Up/ Fight Back!
Allison Miller was born in Evanston, Illinois and lives and works in Los Angeles. She received a BFA in Printmaking at the Rhode Island School of Design and an MFA in Painting from the University of California, Los Angeles. She is represented by Susan Inglett Gallery, NY and has had solo shows at The Pit, Los Angeles, The Finley, Los Angeles and ACME. Los Angeles. Group exhibitions of note include: The Holographic Principle, Philip Martin Gallery, Los Angeles, The Los Angeles Museum of Art (LAMOA) presents Mülheim/Ruhr and the 1970's, Kunstmuseum Mülheim an der Ruhr, Germany; “six memos for the next…”, NOW-ism: Abstraction Today, Pizzuti Collection, Columbus, OH, Magazin 4 – Bregenzer Kunstverein, Bregenz, Austria and Made in L.A. 2012, Hammer Museum in collaboration with LAXART, Los Angeles. Miller's work can be found in the permanent collections of the Frances Lehman Loeb Art Center, Vassar College; the Orange County Museum of Art, Newport Beach; the Pizzuti Collection, Columbus; the Santa Barbara Museum of Art; and the Neuberger Museum of Art, Purchase, among others. Her work has been reviewed in The New Yorker, Artforum, Frieze, The Los Angeles Times, Flash Art, The Brooklyn Rail, and Hyperallergic, among others.
Chicago-based artist Tony Lewis's practice focuses on the relationship between semiotics and language to confront social and political topics such as race, power, communication, and labor. Lewis creates drawings using graphite, pencil and paper, mediums the artist uses to trace and develop abstract narratives and reflections on the notion of the gestural. By pushing the boundaries of drawing and the possibilities of abstraction, he expands the use of the “material” of language. He currently has a solo exhibition at the Orange County Museum of Art/OCMA.He and Zuckerman discuss labor and work, changing the way you think about making art, saying yes, listening to music on repeat, “keep going,” things that exist outside of art, motivational language, caring enough, nicknames, and the precision of human nature!
Pritzker Prize-winning American architect and educator Thom Mayne is the founder of Morphosis, an innovative architecture, urbanism, and design collective. Named after the Greek term for ‘to form or be in formation' – Morphosis has gained recognition for its sustainable designs. Notable projects include the Perot Museum of Nature and Science in Dallas, Emerson College in Los Angeles, New York's Cooper Union building, and the Orange County Museum of Art. Alongside his architectural practice, Mayne has been actively involved in education and academia, as he played a pivotal role in establishing the Southern California Institute of Architecture. He and Zuckerman spoke about how LA is a midwestern city, the museum as a cultured event, community making, formed architecture, American architects, having a voice, being what you are instead of what you do, license to dream, authentically seeing yourself, being a humanist, and the profound and enduring power of artistic activity!
Jose Lozano received his Master of Fine Arts from California State University, Fullerton. His drawings and paintings have been exhibited widely at venues that include the Museum of Contemporary Art San Diego, UCLA Armand Hammer Museum, Orange County Museum of Contemporary Art, Patricia Correia Gallery, Self Help Graphics, and Avenue 50 Studio. He has received many awards including a J. Paul Getty Mid-Career Grant in Painting and a California Arts Council Grant for Drawing and Painting.Born in 1959 in Los Angeles, his mother soon moved the family to her birthplace of Juárez, México. On the border, he found many of the cultural touchstones that continue to influence his work today as an artist and as a children's book writer. The family returned to Southern California in 1967 where his teachers encouraged him to draw and paint. José is considered a principal in the vibrant Los Angeles Latino arts scene. His art has been featured in numerous prestigious exhibits in Southern California; his public installation “La Metro Lotería” entertains passengers at the La Brea Metro stop in Los Angeles; and Cheech Martin collects his work for his important Chicano Art Collection. He received his Bachelor of Fine Arts and Master of Fine Arts degrees from California State University at Fullerton. He lives in Anaheim, CA. ---------------------------------------------------------------------------------------------Please SUBSCRIBE, LIKE and COMMENT!Share with your friends.Thank you for listening.Donate through VENMO: @DANCNGSOBRFind Jose at:Instagram: @joselozanoartistWebsite: https://www.joselozano.net----my LINKS:Merch: http://rafa.LA/shopMy photography: http://rafa.LA----Recorded at Espacio 1839https://www.espacio1839.com_____Recorded on TASCAM Mixcast and Mics*************************************Suicide prevention:Dial: 988, for Suicide and Crisis LifelineOnline visit: https://988lifeline.orgSubstance Abuse and Mental HealthSAMHSA National Helpline: 1-800-662-4357Online visit: https://www.samhsa.gov/find-help/nati...******
This is the first of 10 episodes that I recorded and produced at The Space Program Residency in San Francisco. The first in the series is a conversation with artist and educator Libby Black. We talk about sobriety, lesbian visibility, teaching before and after the pandemic, and that time she swam The Rock, yes Alcatraz. About Libby Black Libby Black is a painter, drawer, and sculptural installation artist living in Berkeley, CA. Her artwork charts a path through personal history and a broader cultural context to explore the intersection of politics, feminism, LGBTQ+ identity, consumerism, addiction, notions of value, and desire. She has exhibited nationally and internationally, with such shows as “California Love” at Galerie Droste in Wupertal, Germany; “Bay Area Now 4” at Yerba Buena Center for the Arts; “California Biennial” at the Orange County Museum of Art; and at numerous galleries in New York, Los Angeles, and San Francisco. Black has been an artist-in-residence at Headlands Center for the Arts in Sausalito, CA; Montalvo Arts Center in Saratoga, CA; and Spaces in Cleveland, OH. Her work has been reviewed in Artforum, Art in America, ARTnews, Flash Art, and The New York Times. She received a BFA from the Cleveland Institute of Art in 1999 and an MFA at the California College of the Arts in 2001. Libby is an Assistant Professor at San Francisco State University. About The Side Woo Host & Creator: Sarah Thibault On-site Producer: Bryan Lovett Sound & Content Editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message
AN EXPERIENCE OF JOY. The artist Jennifer Guidi works and lives in Los Angeles. Represented by Gagosian, Massimo de Carlo and David Kordansky Gallery, her work has been exhibited around the world. Her solo exhibition Mountain Range is on view in the Richard Rogers Gallery at Château La Coste, Aix-en-Provence, France, until September 3rd 2023, and from September 16th to January 7th 2024 the Orange County Museum of Art in California will host her first institutional exhibition in the United States.
Simphiwe Ndzube stitches together a subjective account of the Black experience in past and present-day South Africa from a mythological perspective creating universes with his sculptures, paintings, and assemblages. Living and working between Los Angeles and Cape Town, South Africa, Ndzube's work was recently on view in the California Biennial 2022: Pacific Gold exhibition at the Orange County Museum of Art/OCMA. He and Zuckerman discuss the hero's journey, magical realism, mothers, play, love, community, opportunity, and apartheid. This conversation was recorded in front of a live audience at OCMA and includes some of their questions at the end of the episode.
Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.
This week: the first ever museum show of Keith Haring's work in Los Angeles. We talk to Sarah Loyer, the curator of Keith Haring: Art Is for Everybody at the Broad in Los Angeles. Alex Farquharson, the director of Tate Britain in London, has led the complete rehang of the museum's collection, including a vastly expanded presence of women and artists of colour across 500 years of British art. He tells us about the project. And this episode's Work of the Week is The Room, Part 1 (1975) by the late San Francisco-born painter Joan Brown. The painting is part of the touring survey that opens this week at the Carnegie Museum of Art in Pittsburgh, and Liz Park, the curator of the Pittsburgh show, tells us more about it.Keith Haring: Art Is For Everybody, The Broad, Los Angeles, 27 May-8 October; Art Gallery of Ontario, Toronto, 11 November-17 March 2024; Walker Art Center, Minneapolis, 27 April-8 September 2024.The rehang of Tate Britain is open now.Joan Brown, Carnegie Museum of Art, Pittsburgh, 27 May-24 September. Orange County Museum of Art, Costa Mesa, California, 7 February–1 May 2024. Joan Brown: Facts & Fantasies, Matthew Marks Gallery, New York, until 17 June. Hosted on Acast. See acast.com/privacy for more information.
Alexandra Grant is a Los Angeles-based artist who through an exploration of the use of text and language in various media—painting, drawing, sculpture, film, and photography—probes ideas of translation, identity, dis/location, and social responsibility. Grant frequently collaborates with other artists, writers, and philosophers, often going so far as to have specific texts written as the impetus to her intricate paintings and sculptures. She has collaborated with author Michael Joyce, actor Keanu Reeves, artist Channing Hansen, and the philosopher Hélène Cixous, amongst others. Alexandra has exhibited widely at galleries including Lowell Ryan Projects, Los Angeles; Honor Fraser Gallery, Los Angeles; Night Gallery, Los Angeles; Galerie Lelong, New York City; Galerie Gradiva, Paris; and Harris Lieberman Gallery, New York City; and at institutions such as Museum of Contemporary Art (MOCA), Los Angeles, CA; The Broad Museum at Michigan State University, East Lansing, MI; The Contemporary Museum, Baltimore, MD; and Los Angeles County Museum of Art (LACMA), Los Angeles, CA. Her work has been written about in the Los Angeles Times, White Hot Magazine, Frieze, Art in America, and Artforum amongst others. Awards include the COLA Individual Artist Fellowship and The Pollock-Krasner Foundation Grant. Her works are included in museum collections such as the Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles, CA; the Orange County Museum of Art, Costa Mesa, CA; and the Blanton Museum of Art, Austin, TX. She is the creator of the grantLOVE project, which has raised funds for arts-based non-profits including; Heart of Los Angeles (HOLA), Project Angel Food, Art of Elysium, 18th Street Arts Center, and LAXART. In 2017, Grant cofounded X Artists' Books, a publishing house for artist-centered books. Publications have included collaborations with Diane di Prima, George Herms, Eve Wood, Etel Adnan and Lynn Marie Kirby among others, and are available online and in bookstores throughout Los Angeles, New York, and Paris. Sound & Vision is sponsored by Golden Artist Colors, Fulcrum Coffee and the New York Studio School. Why I Make Art: Contemporary Artists' Stories About Life & Work: From the Sound & Vision Podcast by Brian Alfred by Atelier Éditions Available here: https://atelier-editions.com/products/why-i-make-art
On this episode of Michaels' Craftivity Podcast, host Anna White sits down to speak with the CEO and Director of the Orange County Museum of Art (OCMA), Heidi Zuckerman. As a globally recognized leader in contemporary art, Heidi has curated more than two hundred exhibitions, including early, important, and often first museum shows of artists who have now come to define our time. She joins Anna to chat about the role of museum CEO and Director, what her day to day job running a museum entails and how she's working to make art more accessible for everyone. So press that play button and join us for an insightful episode into the mind of an art museum CEO and Director, with Michaels' Craftivity Podcast!Follow UsTwitter @MichaelsStores Facebook @MichaelsInstagram @michaelsstoresPresented by Michaels Storeshttps://www.michaels.com
Living in the Sprawl: Southern California's Most Adventurous Podcast
In this week's episode of Living in the Sprawl: Southern California's Most Adventurous Podcast, host Jon Steinberg shares his list of 10 art museums to visit in the Southern California sprawl. His list includes: the Orange County Museum of Art in Costa Mesa, the Bakersfield Museum of Art in Bakersfield, The Fresno Art Museum in Fresno, the Laguna Beach Art Museum in Laguna Beach, the San Diego Museum of Art in Museum, the Palm Springs Museum of Art in Palm Springs, the Santa Barbara Museum of Art in Santa Barbara, the Museum of Latin Art in Long Beach, LACMA in Mid-Wilshire and the Norton Simon Museum in Pasadena.Instagram: @livinginthesprawlpodcastEmail: livinginthesprawlpodcast@gmail.comWebsite: www.livinginthesprawlpodcast.comCheck out our favorite CBD gummy company...it helps us get better sleep and stay chill. Use code "SPRAWL" for 20% off. https://www.justcbdstore.com?aff=645Check out Goldbelly for all your favorite US foods to satisfy those cravings or bring back some nostalgia. Our favorites include Junior's Chessecakes from New York, Lou Malnati's deep dish pizza from Chicago and a philly cheesesteak from Pat's. Use the link https://goldbelly.pxf.io/c/2974077/1032087/13451 to check out all of the options and let them know we sent you.Use code "SPRAWL" for (2) free meals and free delivery on your first Everytable subscription.Support the podcast and future exploration adventures. We are working on unique perks and will give you a shout out on the podcast to thank you for your contribution!Living in the Sprawl: Southern California's Most Adventurous Podcast is on Podfanhttps://www.buymeacoffee.com/sprawl Support the show
Destination: Newport Beach, California In this episode: Should I check my bag or carry-on? Today's Destination is: Newport Beach Today's Mistake-Time zone mayhem Travel Advice: See the Sherpa travel website. FAQ: This question gets asked a lot: Should I check my luggage or carry-on? Answer: Short flights, no. Long flights, it depends on the time you are willing to wait for baggage, the size of your suitcase, if the plane has space for more bags, and personal preference. Now, personal items are allowed, but you may need to pay for your carry-on bag. Always check with the airline before you head out to the airport. You may be happy you asked. Today's destination: Newport Beach, California Newport Beach, south of Los Angeles, is famous for its boats. The harbor has thousands of them. Balboa Peninsula has two piers, the Newport Beach Pier and Balboa Pier, plus the Balboa Fun Zone. The Orange County Museum of Art exhibits modern and contemporary pieces. The Wedge surfing spot is known and even famous for big waves. I recently saw an RC surfer here. Made by ProBro from South Africa. See show notes for some videos from Radio Controlled surfing here. It's so close to the beach you can really enjoy it. https://www.visitnewportbeach.com/ https://www.youtube.com/watch?v=24te24Rnlgk At the wedge, waves were 8 feet tall on my recent visit, but can be 20 feet. When the waves are very high, there are a lot of visitors, so parking is hard to find. There is no fee to park in the neighborhood. Bring your picnic lunch and hang out. Balboa Peninsula Point has a lot of nice homes and a beautiful quiet beach near the wedge inlet. Streets are named after Alphabet letters, so it's easy to navigate. Today's Mistake: Time zone mayhem I've struggled with the right time zones for meetings and travel. Synching devices and software don't work. If you frequently change time zones, you know how challenging it is. I arrived late for a big meeting. I arrived an hour ahead of time on another day. Remember to adjust for the time difference. Don't be like me and get the right time. Today's Travel Advice- See the Sherpa travel website. Yes, a sherpa is a name for a guide or a porter. It's also a travel website that has been recommended to me by other travel experts. I'm looking forward to doing a more in depth review of the services they offer for eVisas and for ESTA cards. They are a virtual company, based in Canada. https://apply.joinsherpa.com/ Sherpa is a website that gives you detailed government information about travel. Look up what's open. Look up what's required by country. What restrictions would there be? For example, I'll be traveling in 2023, so I will be checking this website to make sure I will be able to visit these countries. Connect with Dr Travelbest Drmarytravelbest.com Dr. Mary Travelbest Twitter Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram email: info@drmarytravelbest.com Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest onYouTube
Horst Architects, Inc. was founded in 1990 by Horst Noppenberger, AIA and is based in Laguna Beach, California. The practice has evolved into a multi-disciplinary group producing work which bridges technology with cultural and environmental awareness. Their approach to design affirms the possibility of fulfilling the rigorous requirements of the client while engaging in a spirited and robust dialogue with the site. Horst's work explores the contrapuntal aspect of human nature through the creation of space which is both sheltering and expansive, communal and intimate, permanent and ephemeral. Each project celebrates the unique aspect of program, client and site to arrive at design solutions which are original and distinctive. Horst and his team adhere to the principal ethos of modernism, to strip away the extraneous and be somewhat reductive. This approach leads to a poetics of space, characterized by the sculptural interplay of light, material and form. The work of Horst Architects, Inc. has been published in World Architecture, Ville Giardini, Vogue, Luxe and Interiors. Recent projects have been featured in the Art and Architecture Home Tour, cosponsored by the Orange County Museum of Art and the American Institute of Architects. BACKGROUND Architecture Degree (B.S. Architecture) California State Polytechnic University, Pomona 1981 Member of City of Laguna Beach Design Review Board 1996-2000 (Chairman 1999-2000) Licensed Architect in the State of California since 1990 Member of the American Institute of Architects since 1998
When we last spoke with Chefs Ross Pangilinan (Terrace by Mix Mix) and Nick Weber they had just debuted Populaire at South Coast Plaza. They are also the official in-house caterers and oversee Verdant, the café at the spectacular new Orange County Museum … Continue reading → The post Show 501, November 26, 2022: Verdant at the Orange County Museum of Art Part One appeared first on SoCal Restaurant Show.
Art has long been a lever for working class solidarity and social justice. It's also a collaborative form of labor that props up some workers and devalues others. This week, we're taking a long, hard look at two works of art: Rodrigo Valenzuela: New Works for a Post Worker's World, an exhibition on view at BRIC House through December 23rd, and 7 MINUTES, a play produced by Waterwell that premiered at HERE Arts Center last spring. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Justin Bryant, Elizabeth Ferrer, Marc Enette, Waterwell, Lee Sunday Evans, Arian Moayed, Andrew Tilson, and Matthew Munroe aka Superlative Sain. • LINKSBorn in 1982, Santiago, Chile; based in Los Angeles, CA Rodrigo Valenzuela has presented solo exhibitions at the New Museum and Asya Geisberg Gallery, both NY; Light Work, Syracuse, NY; University of South Florida, Tampa, FL; Santa Cruz Museum of Art and History, CA; Orange County Museum of Art, Santa Ana, CA; Museum of Art and History, Lancaster, CA; Luis de Jesus, Los Angeles, CA; Jordan Schnitzer Museum of Art, Eugene, OR; and the Portland Art Museum and UPFOR, both Portland, OR. He has participated in group exhibitions at The Kitchen, The Drawing Center, Wave Hill, and CUE Art Foundation, all NY; Museum of Contemporary Art North Miami, FL; Bemis Center for Contemporary Arts, Omaha, NE; Frye Art Museum, Seattle, WA; and The Museum of Fine Arts, Houston, TX, among others. He has also exhibited his work in solo shows internationally at Arróniz Arte Contemporáneo, Mexico City; Peana Projects, Monterrey, NL, Mexico; Galería Patricia Ready and Museo de Arte Contemporàneo, Universidad de Chile, Santiago, Chile; and Galerie Lisa Kandlhofer, Vienna, Austria. Valenzuela has participated in residencies at Dora Maar, Fountainhead, Light Work, MacDowell, Glassell School of Art, Bemis Center for Contemporary Arts, Kala Art Institute, Vermont Studio Center, Center for Photography at Woodstock, and the Skowhegan School of Painting and Sculpture. He is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship in Photography, the Smithsonian Artist Research Fellowship, and the Joan Mitchell Fellowship. His work is included in numerous public and private collections, including those of the Whitney Museum of American Art, J. Paul Getty Museum, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, The Nelson-Atkins Museum of Art, Frye Art Museum, Tacoma Art Museum, and The Center for Photography at Woodstock. He is an Associate Professor and Head of the Photography Department at UCLA. Valenzuela received his BFA in Art History and Photography from the University of Chile, his BA in Philosophy from Evergreen State College, and his MFA in Photo/Media from the University of Washington.Ebony Marshall-Oliver is an actress, singer, and storyteller. She began singing in church as a little girl. After being cast in her first musical- Bubbling Brown Sugar- in her mid twenties, she decided that acting would be her career. She enrolled in the Integrated Program at AMDA NY. Her first professional job after graduating was Seussical the Musical with TheatreWorksUSA. With this role, she became a member of Actors Equity Association. Broadway credits include Ain't No Mo' and Chicken and Biscuits. Off Broadway theaters she's worked at are Waterwell, Clubbed Thumb, The Public Theater, to name a few. She can be seen on season 2 of The Ms. Pat Show (BET+) and season 3 of Evil (Paramount+).Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. Their critically-acclaimed work has been seen at The Bushwick Starr, Waterwell, The Shed, Shakespeare's Globe, Woolly Mammoth, Theaterworks Hartford, Belgium's Festival de Liege, the Edinburgh Fringe, Beijing Int'l Festival, among others. Awards include LPTW Josephine Abady award and the inaugural Lily Fan Director Lilly Awards. They are an Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.Sarah Hughes has played many roles in her short time in the labor movement, including steward, officer, organizer, and workshop facilitator. She has worked for the National Education Association (NEA), the Professional Staff Congress at the City University of New York (AFT), and university labor studies programs, including CUNY's NY Union Semester. She has also taught a variety of workshops to city workers, electricians, women workers, and others. She holds a masters in labor studies from UMass Amherst. Prior to joining the Labor Notes staff in 2021, Sarah had been a long time fan, subscriber, volunteer trainer and donor. She attended her first Labor Notes conference in 2008, and is excited for many more. She lives in Flatbush with her labor lawyer husband and their toddler, who also loves picket lines. Waterwell is a group of artists, educators and producers dedicated to telling engrossing stories in unexpected ways that deliberately wrestle with complex civic questions. Founded by Andrew Tilson, the Workers Unite Film Festival, now in its 11th season, is a celebration of Global Labor Solidarity. The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice.Superlative, meaning the best of, and Sain meaning to bless, is a multi-talented creative, born in the UK (United Kingdom, England) and raised in Hollis Queens, New York. Born Matthew Munroe, Sain always connected with music by singing with his mother, a vocalist in a church choir who grew up singing. As a child, art was always a passion of Sain's life. Art was always a staple in his life, from drawing full-length comic books to designing logos. Picking up the art of rapping in his early college years, Sain continued with his love of the arts and always wanted to bring his friends with Him wherever he went. Co-creating the creative collective group OGWN with long-time friend Diverze Koncept, he began expanding his ever-growing catalog simply because he loved making music. While pursuing music, he also manages his visual company MMunroeMedia, directing, filming, and editing music videos for other artists, capturing the moment and enhancing the vision with graphics and photography. Superlative Sain takes the term "Artist" to an entirely new level by designing his merch/clothing line, "Be|SUPERLATIVE," Check out this talented artist and be a part of his Rise.• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA
What defines art? What makes one an artist? What does art teach us—and why does it matter?To help us make sense of a world elusive to many, today I convene with the singular Heidi Zuckerman.A woman I've known for over 30 years, Heidi has devoted her entire professional career to understanding art, the people who make art, and why we should care.Heidi currently serves as CEO and Director of the Orange County Museum of Art, where she is overseeing construction of a spectacular new building designed by legendary architect Thom Mayne of Morphosis, scheduled to open in October 2022.In addition, she hosts Conversations About Art (a podcast on which I was privileged to be a guest) and is the author of the Conversations with Artists book series.This is a conversation about art.In addition to tracking Heidi's career arc, we discuss what defines art, what makes for great art, why we should care about art, and why artists matter.We discuss the barriers to accessing art. How art can and should be democratized. And the role of art and artists in this era of offense and content overload.On a personal level, this one is very meaningful given my long history with Heidi.I really enjoyed this conversation—I hope you learn as much as I did.Watch: YouTube.Read: Show notesToday's Sponsors:Outerknown: High-quality, sustainably produced, and great-looking men's and women's clothes. Go to outerknown.com and enter my code ROLL at checkout to get 25% off your full-price order.Squarespace: The easiest way to create a beautiful website, blog, or online store for you and your ideas. Visit Squarespace.com/RichRoll for a FREE trial, and when you're ready to launch, use the offer code RichRoll to save 10% off your first purchase of a website or domain.LMNT: A science-backed electrolyte drink mix with everything you need and nothing you don't. Right now LMNT is offering my listeners a free sample pack with any purchase—that's 8 single serving packets FREE with any LMNT order. Try it out at drinkLMNT.com/RICHROLLLevels: Making continuous glucose monitoring mainstream for the first time ever. Learn more about your metabolic health with personalized insights & biometric data. Learn more at levels.link/RICHROLLAthletic Greens: 75 whole food sourced ingredients designed to optimize 5 key areas of health. Go to: athleticgreens.com/richroll to get a FREE year supply of Vitamin D AND 5 free travel packs of AG1 with your first purchase.Peace + Plants,Rich See acast.com/privacy for privacy and opt-out information.
Fred Eversley's lenses and mirrored forms reflect and refract the world, and our place within it. Eversley hit his stride with his primary mode of working at the same time the Light and Space movement gained momentum in Southern California. Yet unlike his Light and Space and Finish Fetish peers who often collaborated with scientists and outsourced fabrication of their work, Eversley's firsthand technical understanding as a scientist himself (Eversley came to Southern California in the 1960s to work as a consulting engineer for NASA and his early career was spent with United States' largest aerospace company during that period–Wyle Labs in Los Angeles) enabled him to utilize materials in ways that uniquely position his practice. Eversley is the subject of a major show at The Orange County Museum of Art / OCMA when the museum opens on October 8. He and Zuckerman discuss science, how his work is about energy, failure, infinite possibility, climate change, working in New York, the importance of his groundbreaking 1978 exhibition at OCMA (then known as the Newport Harbor Art Museum), black holes, and proximity to other artists and thinkers!
Sanford Biggers creates hybridized forms that transpose, combine and juxtapose classical and historical subjects to create alternative meanings and produce what he calls “future ethnographies.” His work is an interplay of narrative, perspective, and history that speaks to current social, political, and economic happenings while also examining the contexts that bore them. His diverse practice positions him as a collaborator with the past through explorations of often-overlooked cultural and political narratives from American history. Zuckerman curated his first one-person museum exhibition 20 years ago this year and will open the new Orange County Museum of Art with a new site specific commission. He and she discuss where ideas come from, making space, trees, transcendent moments, Buddhists and break dancers, the symphony of silence, new iconographies, where we are from, and power objects!
Annie Lapin is an artist born in Washington, D.C. who received her MFA from the University of California, Los Angeles in 2007, her Post-Baccalaureate Certificate from the School of the Art Institute of Chicago in 2004, and her BA from Yale University in 2001. Annie lives and works in Los Angeles. Her recent solo exhibitions include Shulamit Nazarian, Los Angeles, Miles McEnery Gallery, New York; Honor Fraser, Los Angeles; Josh Lilley, London; Annarumma Gallery, Naples; Weatherspoon Art Museum, Greensboro, NC; Yautepec Gallery, Mexico City; and Museum of Contemporary Art, Santa Barbara. Annie's work is included in the permanent collections of the High Museum of Art, Atlanta; Los Angeles County Museum of Art, Los Angeles; Nerman Museum of Contemporary Art, Overland Park, KS; Orange County Museum of Art, Newport Beach, CA; Rubell Family Collection, Miami; Santa Barbara Museum, Santa Barbara, CA; Weatherspoon Art Museum, Greensboro, NC; and the Zabludowicz Collection, London. https://www.artbook.com/9781733622097.html Preorder the podcast book! Why I Make Art: Contemporary Artists' Stories About Life & Work From the Sound & Vision Podcast by Brian Alfred Introduction and interviews by Brian Alfred. Foreword by Hrishikesh Hirway.
Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.
Stephen Wozniak interviews seasoned New York-based curator, writer and artist Dan Cameron on the April 20, 2022 episode of Art World: The Whitehot Magazine of Contemporary Art podcast. They discuss Dan's critical early New Museum of Contemporary Art exhibition, Extended Sensibilities, about gay and lesbian identity, his senior curatorship at the Orange County Museum of Art and his work as a writer of monographs and catalog essays on such important contemporary artists as Nicole Eiseneman, Peter Saul, David Wojnarowicz, Faith Ringgold, Carolee Schneemann, William Kentridge, Peter Saul and Paul McCarthy. Dan also talks about his upcoming projects, including Leandro Erlich's comprehensive sculpture exhibition at the Pérez Art Museum Miami in December of 2022 and Dan's July 2022 solo collage exhibition at The Dime in Chicago. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support
Lisa Bhathal Merage is a premier example of a polymath in the true sense of the word. With a stunning resume that runs the gambit from the private sector, to altruistic nonprofit work, to active involvement in the arts, she embodies the ideal contemporary woman, effortlessly transcending the notions of power and grace she blends the two seamlessly with her actions, and poise, with her stellar track record being evidence to all that can be accomplished with such clarity of mind. People dream of accomplishing just a portion of what that Lisa has and we are certain that she has just begun leaving her fingerprint on the world. From operating as CEO of a top tier luxury bathing suit line, to part owner of the Sacramento Kings, to sitting on the board of the newly opening Orange County Museum of Art, Lisa is truly a woman who can achieve anything she puts her mind to, and we all look forward to watching on in wonder as she does. Before then enjoy this interview and pick up some of the wisdom she is sprinkling throughout this fantastic episode, with great joy we are proud to present the one the only Lisa Bhathal Merage.Lisa serves as Co-Founder and Managing Partner of RAJ Capital. The Newport Beach based firm is the alternative asset platform of the Bhathal Family Office.RAJ Capital was established after successfully selling the family's 50-year old women's swimwear business, RAJ Swim, to private equity. Lisa was CEO of RAJ Swim from 2006-2016. In 2009, she launched LUXE by Lisa Vogel, an upscale and chic swimwear fit solution for the modern beach sophisticate, sold at luxury retailers such as Neiman Marcus and Saks Fifth Avenue. LUXE by Lisa Vogel was honored as the Mercedes Benz Fashion Week Swim Presents “Designer of the Year” in 2012.Lisa has appeared in numerous fashion and business television segments including appearances on CBS, E! Entertainment Television, NBC Inside Couture, and FOX's Good Day LA. She has participated as a panelist for BUZZ: An Executive Women's Think Tank, and awarded with the inaugural “Rising Leader” Award at Segerstrom Center's Arts and Business Leadership Award Dinner. Lisa was a recipient of the 2015 “Women in Business” Award from the Orange County Business Journal and was the Keynote Speaker at the event in 2016.Along with her family, Lisa is co-owner of Sacramento Basketball Holdings LLC. The firm owns the Sacramento Kings franchise of the National Basketball Association (NBA), Golden 1 Center, the Sawyer Hotel and residences, and is the developer of the Downtown Commons entertainment and sports district in Sacramento.
Rich Roll & Adam Skolnick discuss the global effects of the war in Ukraine & the devastating floods in Australia—plus endurance headlines, listener Q's & more.Topics discussed in today's episode include:The launch of Voicing Change II and the Golden Ticket Sweepstakes—where 6 lucky winners will take home a score of prizes valued over $1,100;the beauty of Heidi Zuckerman's newest art book Conversations With Artists Volume III, available at the Orange County Museum of Art;Jesse Itzler's shotgun attempt of Ultraman Arizona with no formal training, relying only on past endurance experience;Rich & Adam's thoughts on the Russian invasion of Ukraine, the towering bravery of the Ukrainian people, and the war's global impact;The death of American journalist Brent Renaud, who was killed in Ukraine;how Ryan Holiday donated all book sales earnings from Russia and Ukraine to Ukrainian causes—and how Tim Ferriss, Robert Greene, Neil Strauss and others followed suit;the apocalyptic floods devastating Queensland and New South Wales, Australia's relationship with coal & climate change, and how you can help.As always, we close things out by taking a few listener questions. Today we answer:How do you talk about addiction and sobriety with your kids?What advice do you have for someone navigating recovery and treatment?How do you maintain a relationship when one partner drinks and the other doesn't?Today's sponsors:Blinkist: Try Blinkist FREE for 7 days AND get 25% off a Blinkist Premium membership at blinkist.com/richrollDaily Harvest: Go to dailyharvest.com/RICHROLLto get up to $40 off your first box.Indeed: Listeners can get a FREE SEVENTY-FIVE DOLLAR CREDIT to upgrade your job post at indeed.com/RICHROLL. Terms and conditions apply.Olipop: Receive 20% off plus FREE Shipping on your order at drinkolipop.com/richroll.ROKA: Visit roka.com and enter code RichRoll for 20% off.To read more and to peruse the show notes, click here. You can also watch it all go down on YouTube. And as always, the podcast streams wild and free on Apple Podcasts and Spotify.Enjoy!Peace + Plants, See acast.com/privacy for privacy and opt-out information.
"That's what my work is about. Women owning agency. Any kind. And that's what makes you really excited. Having agency. Sexual agency. Owning sexuality not being the object of it."Marilyn Minter lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. · www.marilynminter.net · www.creativeprocess.info
Marilyn Minter lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. · www.marilynminter.net · www.creativeprocess.info
We've been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
We've been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
We've been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
We've been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
We've been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving and LEED building and carbon trading seems to accomplish little to nothing — all while low-income communities continue to suffer the worst consequences. Why aren't we cleaning up the toxic messes and rolling back climate change? And why do so many Americans hate environmentalists? Jenny Price says, enough already! — with this short, fun, fierce manifesto for an environmentalism that is hugely more effective, a whole lot fairer, and infinitely less righteous. In Stop Saving the Planet!: An Environmentalist Manifesto (W. W. Norton, 2021), she challenges you, Exxon, and the EPA alike to think and act completely anew — and to start right now — to ensure a truly habitable future. Jenny Price is a public writer and artist, and a Research Fellow at the Sam Fox School of Design & Visual Arts at Washington University-St. Louis. Author of Flight Maps: Adventures with Nature in Modern America, she is co-founder of the public art collective LA Urban Rangers and a co-creator of the Our Malibu Beaches mobile-phone app. She has been a resident artist at MOCA and the Orange County Museum of Art, and has held visiting professorships at Princeton University. She is currently working on “St. Louis Division,” a hometown collection of projects about environmental justice. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy and a Ph.D. candidate at the University of Wisconsin–Madison. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Victoria Chapman founded VC Projects in 2014, out of a desire to aide artists and curators with both gallery and museum exhibitions. Her services also include art advisory, proposal writing, and social media outreach. Victoria studied at The School of the Museum of Fine Arts Boston, at Tufts University, starting her professional career early, working at the college art gallery and at The Isabella Stewart Gardner Museum. Over the course of the next 30 years she worked with Victoria and Albert Museum, London, Laguna Art Museum and Orange County Museum of Art, Newport Beach. As an Art Director for Daniel Fine Art Services, Laguna Beach she curated art collections domestically and internationally for the hospitality sector. She was then an Associate Director at Art Cube Gallery, Laguna Beach. In 2019 she co-authored a book with Los Angeles based International artist Shane Guffogg, and now divides her time supporting Shane and other artists, assisting Hollywood galleries including The Lodge, and with curatorial support for Italian based, Cultural Institutions; Casa Regis: Center for Culture and Contemporary Art, and Villa Emma artist residency.Last year, she introduced many new initiatives, including the 'Artists in Isolation' series on Instagram TV, which consisted of detailed interviews about each artists state during lockdown.
Marcos Ramírez ERRE in Conversation with Bread & Salt Curator Thomas DeMello About the Artist (from the MASS MoCA Website) Marcos Ramírez, known as ERRE (a nod to the rolled ‘r’ of Spanish), was born in Tijuana in 1961. He studied at the Universidad Autónoma de Baja California, graduating with a law degree, and later worked in the construction industry for many years to support his visual art practice. He has been the subject of a number of solo exhibitions at institutions including the Museum of Contemporary Art San Diego, CA (2016), Museum of Latin American Art, Long Beach, CA (2014), MACLA/Movimiento de Arte y Cultura Latino Americana, San Jose, CA (2012), Museo de Arte Carrillo Gil, Mexico City (2010), and Centro Cultural Tijuana, Mexico (1996); he has also participated in group exhibitions at the Oceanside Museum of Art, Oceanside, CA (2017-18); Today Art Museum, Beijing (2016-17); SITE Santa Fe Biennial (2014); the California Biennial, Orange County Museum of Art, Newport Beach, CA (2008); Moscow Biennale (2007); The São Paulo/Valencia Bienal Valencia, Spain ( 2007); Museo Nacional Centro de Arte Reina Sofía, Madrid (2005); Havana Biennial, Havana, Cuba (2000); the Whitney Biennial, New York, NY (2000); and the InSite 1997 and 2000 editions in the San Diego / Tijuana border region. you can View his Current Exhibition through June 2021 At MASS MoCA For Episodes in Spanish Hosted by Griselda Rosas Subscribe to the Pan y Sal Podcast
VOICES ON ART - The VAN HORN Gallery Podcast, hosted by Daniela Steinfeld
There are as many ways to become a gallery owner as there are galleries. A perfect example of somebody who treaded a completely individual path is my current guest Grant Wahlquist, owner of the eponymous gallery for contemporary art in Portland, Maine since 2017. Grant has a broad education and studied a variety of topics. He seriously learned to play classical piano for 15 years, holds degrees in Philosophy, Art and Religion and even attended the fuller theological seminary. Grant is a doctor of law, he was an associate at a law firm and worked as a freelance attorney before he became an art critic and a curatorial assistant at the Orange County Museum of Art, where he worked on exhibitions by artists like i.e. Peter Saul and Mary Heilman. Grant talks about his studies and inclinations as a young man, the opportunities and challenges of opening a gallery outside of the big commercial hubs, his fascination with mid-career artists and how to combine business with cultural and philosophical integrity. It's a pleasure to listen to his reflections and insights about art, the gallery business and living a good life. Language: english, 36 min., recorded March 22, 2021
L.A. based artists Amanda Ross-Ho and Erik Frydenborg talk about shifting focus and priorities after a year of the pandemic. As teachers, the two discuss what it's been like to work with students over the last year, and they also find common threads across their art practices: attention to detail, engaging with time and archival material, and inviting the viewer into an open-ended dialogue. "The craft element was not just about a well-made object, but a way to see other objects with precision and close attention to form. Like reading the contexts in which objects come into the world, and where they've been—I think of craft as being not just a tool, but a way to respect materiality. It's a respectful ceremony for objecthood, so thereby it entends to other things in the world that you have not made... For us it's also like a church of—it's devotional. It's totally ritual, devotional, it's reverence, it's a world view." –Amanda Ross-Ho and Erik FrydenborgAmanda Ross-Ho holds a BFA from the School of the Art institute of Chicago and an MFA from the University of Southern California. She has exhibited widely, both nationally and internationally. Solo exhibitions include Cherry and Martin, Los Angeles, Hoet Bekaert, Belgium,The Pomona Museum of Art, Mitchell-Innes and Nash New York, The Visual Arts Center, Austin, TX, Shane Campbell Gallery, Chicago, The Museum of Contemporary Art Los Angeles, Vleeshal Center for Contemporary Art, Middelburg, Netherlands, the Bonner Kunstverein, Bonn, Germany, Tramway, Glasgow, Scotland, The Approach, London, Praz-Delavallade, Paris, and Mary Mary, Glasgow, and Kunsthall Stavanger, Norway. Group exhibitions include Artists Space, New York, The Henry Art Gallery, Seattle, The Orange County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Yerba Buena Center for the Arts, San Francisco, The Museum of Contemporary Art, Chicago, The Walker Art Center, Minneapolis, The New Museum, New York, and The Museum of Modern Art, New York. She was included in the 2008 Whitney Biennial, and the 33rd Ljubljana Biennial of Graphic Arts, curated by Slavs and Tatars. She has presented commissioned public works at The Museum of Contemporary Art, Chicago, City Hall Park, New York City, the Parcours Sector of Art Basel Switzerland, and the Crystal Bridges Museum of American Art. Ross-Ho's work has been featured in Artforum, The New York Times, ArtReview, Modern Painters, Art in America, Flash Art, Art + Auction, and Frieze among others. She is Professor of Sculpture at the University of California, Irvine and lives and works in Los Angeles.Erik Frydenborg was born in 1977 in Miami, Florida. He holds a BFA from MICA in Baltimore, MD, and an MFA from the University of Southern California. Frydenborg has held solo exhibitions at The Pit, Glendale, CA, Andrew Rafacz Gallery, Chicago, IL, Albert Baronian, Brussels, BE, The Suburban, Oak Park, IL, and Cherry and Martin, Los Angeles, CA. Previous group exhibitions include NADA House, New Art Dealers Alliance, Governor's Island, New York, NY, 100 Sculptures, Anonymous Gallery, Paris, FR, Divided Brain, LAVA Projects, Alhambra, CA, Real Shapes, Dateline, Denver, CO, Skip Tracer, M. LeBlanc, Chicago, IL, Knowledges, Mount Wilson Observatory, Los Angeles, CA, Re-Planetizer, Regina Rex, New York, NY, TRAUMA SAUNA, ASHES/ASHES, Los Angeles, CA, Full House, Shanaynay, Paris, FR, BAD BOYS BAIL BONDS ADOPT A HIGHWAY, Team Gallery, New York, NY, Trains, Night Gallery, Los Angeles, CA, Set Pieces, Cardi Black Box, Milan, IT, and The Stand In (Or A Glass of Milk), Public Fiction, Los Angeles, CA. Frydenborg's work has been reviewed in Artforum, FlashArt, and The Los Angeles Times, among other publications. From 2017 through 2019, Frydenborg was a partner in the cooperative artist-run Los Angeles gallery AWHRHWAR. Erik Frydenborg lives and works in Los Angeles.
Farrah Karapetian is an artist based in California. Known for her large-scale photograms, Farrah’s wide-ranging practice incorporates sculpture, performance, and different forms of mark-making to stretch the photographic medium as she is driven by her intense and rigorous curiosity. In our conversation, Farrah and I talked about the appeal of the photographic medium, the tension between constructing an image and the happy accident, and the ethics of artistic beauty. Then in the second segment, we discussed the Nardal sisters and how we develop a language around issues like exoticization. (Conversation recorded March 24, 2021.) Subscribe: Apple Podcasts | Google Podcasts | RadioPublic | Stitcher | Spotify | TuneIn | RSS Support: Support our Patreon | Review on Apple Podcasts | Review on Podchaser Share: Tweet this episode | Share to Facebook Connect: Newsletter | Email | Facebook | Twitter | Instagram | YouTube Show Notes: Farrah Karapetian Farrah Karapetian - Muscle Memory Farrah Karapetian - Stagecraft Farrah Karapetian - Slips & Pushes HereIn Journal - “Chantel Paul on Farrah Karapetian” AnomolousCo - Beckett & The Virtual tickets Diane Rosenstein Gallery - Expo Chicago Online 2021 Farrah Karapetian in Conversation with Tracy Sharpley-Whiting Venice Family Clinic Art Walk + Auction 2021 Orange County Museum of Art - 2013 California-Pacific Triennial Erving Goffman - The Presentation of Self in Everyday Life Claire A. Warden Paula Riff Thomas Demand Vik Muniz Farrah Karapetian - “The Kitchen” Farrah Karapetian - “Its Negative” Vanessa Beecroft Tino Sehgal James Van Der Zee Rineke Dijkstra Bertholt Brecht Augusto Boal Farrah Karapetian - Relief Farrah Karapetian - Flags & Teleprompters Ingrid Sischy - “Good Intentions” David Levi Strauss - Between the Eyes: Essays on Photography and Politics André Breton - Nadja Anahid Nersessian - Keats’s Odes: A Lover’s Discourse Jeanne Nardal Paulette Nardal Alain Locke W. E. B. Du Bois Steven Y. Wong - Circles and Circuits: Chinese Caribbean Art Mark Sealy - Decolonising the Camera: Photography in Racial Time Robert Rauschenberg - Borealis 1988-92 Marie-Magdaleine Carbet - “Obeah” and Other Martinican Stories Langston Hughes - I Wonder as I Wander: An Autobiographical Journey Lola Álvarez Bravo Setting Sun: Writings by Japanese Photographers Transcript Episode Credits Editing/Mixing: Mike Sakasegawa Music: Podington Bear Transcription: Shea Aguinaldo
Born in Tijuana in 1971, Hugo Crosthwaite grew up in the coastal town of Rosarito, Baja California, 10 miles south of the international border. A graduate of San Diego State University in 1997 with a BA in Applied Arts and Sciences, Crosthwaite is a draftsman, often using pencil or charcoal, who focuses on the figure. He works in a linear fashion, allowing drawings to develop with great detail. All the work is created with improvisation; narratives developing as works are created. Crosthwaite combines portraiture, comic book references, urban signage, commercial facades, and mythology in dense, layered compositions. Working primarily in black and white Crosthwaite brings characters from allegory and popular media to the stage of the human condition, interacting with the architecture of Tijuana and dreams of the border. The work reflects the character of frenetic urban settings, a border in flux. Fear, hope, pain and celebration are represented together as Crosthwaite elevates the ordinary person to heroic levels showing the trials they endure while surviving in contemporary society. In 2019 Crosthwaite was awarded First Prize at the National Portrait Gallery in Washington DC for the fifth triennial Outwin Boochever Portrait Competition, American Portraiture Today. Crosthwaite's prize-winning stop-motion drawing animation, A Portrait of Berenice Sarmiento Chávez (2018), recounts a woman's journey from Tijuana, Mexico, to the United States in pursuit of the American dream. Whereas stop-motion animations and public mural-making capture Crosthwaite's creation process, the artist's IN MEMORIAM series and other temporary, monumental murals highlight the deconstruction of his work. These are murals that have short lifespans—narratives, that once complete, are deconstructed slowly, piece by piece. Temporary, monumental, site-specific works include: Column A and Column B: A Continual Narrative Performance (2018 on view through 2020) at Liberty Station, San Diego, California; IN MEMORIAM: Los Angeles (2017) at the Museum of Social Justice, Los Angeles; IN MEMORIAM: Cuenca (2016) at the Cuenca Bienal, Ecuador; Child's Tale (2015) at the San Diego State University Downtown Art Gallery; and Las Carpas (2013) at the Orange County Museum of Art. rosthwaite's work has been included in numerous collective exhibitions throughout the United States and Mexico. Most recently: American Portraiture Today (2019) National Portrait Gallery, 20 Diálogos de Pintores Contemporáneos (2018) El Museo de Arte de Querétaro, IN MEMORIAM: Cuenca (2016) Cuenca Bienal de Ecuador, The House on Mango Street (2015) National Museum of Mexican Art in Chicago, 2013 California-Pacific Triennial at the Orange County Museum of Art, and Morbid Curiosity - The Richard Harris Collection (2012) at the Chicago Cultural Center. please follow Hugo on Instagram check your his website listen to his episode in Spanish with Griselda Rosas on the Pan y Sal Podcast
"That's what my work is about. Women owning agency. Any kind. And that's what makes you really excited. Having agency. Sexual agency. Owning sexuality not being the object of it."Marilyn Minter lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. · www.marilynminter.net · www.creativeprocess.info
Marilyn Minter lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. · www.marilynminter.net · www.creativeprocess.info
Marilyn Minter (b. 1948, USA) lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. www.marilynminter.net · www.creativeprocess.info
Marilyn Minter (b. 1948, USA) lives and works in New York. In 2006, Minter was in the Whitney Biennial and collaborated with Creative Time to install billboards throughout Chelsea in NYC. Her video Green Pink Caviar was shown in the lobby of the MoMA from 2010-11 and on digital billboards in Los Angeles and New York. In 2013, Minter was featured in the exhibition Riotous Baroque, which traveled from Kunsthaus Zürich to the Guggenheim Bilbao. In 2015, Minter's retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX and traveled to the Museum of Contemporary Art, Denver, Orange County Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. www.marilynminter.net · www.creativeprocess.info
I Like Your Work: Conversations with Artists, Curators & Collectors
I had such a great time talking to the LA-based painter, Tomory Dodge. Tomory is a painter's painter and I felt like I was hanging out in his studio talking about his painting process, life, and where the two overlap. From talking about how he works in his studio, to how time constraints from having kids can push your work into weird unknown places, it was a pleasure to hear about his process. Tomory recently had a show at Phillip Martin in L.A. You can read a review of the show in the Los Angeles Times here. Tomory Dodge (b. 1974, Denver, CO) received his BFA from the Rhode Island School of Design in 1998 and his MFA from the California Institute of the Arts in 2004. His work is in the collections of such museums as Berkeley Art Museum (Berkeley, CA); Henry Art Gallery (Seattle, WA); Dallas Museum of Art (Dallas, TX); Knoxville Museum of Art (Knoxville, TN); Los Angeles County Museum of Art (Los Angeles, CA); Nerman Museum of Contemporary Art (Overland Park, KS); Orange County Museum of Art (Newport Beach, CA); Orlando Museum of Art (Orlando, FL); RISD Museum, Rhode Island School of Design (Providence, RI); San Francisco Museum of Modern Art, (San Francisco, CA); Smithsonian American Art Museum (Washington, DC); Whitney Museum of American Art (New York, NY); Weatherspoon Art Museum (Greensboro, NC); Yale University Art Gallery (New Haven, CT). In 2018, Dodge’s work was the subject of a solo exhibition at LUX Art Institute (Encinitas, CA). His work has been included in recent solo and group exhibitions at Rhode Island School of Design Museum (Providence, RI); Pizzuti Collection (Columbus, OH); National Museum (Oslo, Norway); Neuberger Museum of Art (Purchase, NY); Nerman Museum of Contemporary Art (Overland Park, KS); Sheldon Memorial Gallery, University of Nebraska (Lincoln, NE). Dodge’s work is the subject of several monographic catalogs and has been discussed in such publications as Art Forum, Flash Art, Modern Painters, Art Review, Los Angeles Times and New York Times. Dodge lives and works in Los Angeles, CA.
On this week's episode of the podcast, we interview Gina Oddo, Club Manager for Center Club Orange County. Center Club - based here in Costa Mesa - is a posh, private club started in 1985 by Henry T. Segerstrom. It began as a place where executive leaders could share interests, unwind, enjoy a drink, and network. These days, it's grown to become so much more! Oddo gives us a floor-to-ceiling sneak peak into this social / business hub at the heart of South Coast Metro. Enjoy the view... and enjoy your weekend, Costa Mesans! Connect With Center Club Orange County: Online: http://center-club.com Instagram: @centerclub Facebook: https://www.facebook.com/CenterClub/ On This Episode We Discuss: Henry Segerstrom: https://www.latimes.com/socal/daily-pilot/news/tn-wknd-et-center-club-20170914-story.html Weddings at Center Club: https://www.clubcorp.com/Clubs/Center-Club-Orange-County/Host-an-Event/Weddings Segerstrom Concert Hall: https://www.pacificsymphony.org/enhance_your_experience/venue_information/rene_and_henry_segerstrom_concert_hall Katherine Haga: https://www.clubcorp.com/Clubs/Center-Club-Orange-County/Reusable-Content-Items/People/Staff-Members/Katherine-Haga Thomas House Family Shelter: https://www.thomashouseshelter.org/ Orange County Museum of Art: https://www.ocmaexpand.org/ Thank You To Our Wonderful Podcast Sponsors: Music Factory School of Music Orange Coast College Triangle Square Please tell your friends about the podcast – and don't forget to leave your rating and review wherever you listen! Find Us On… Facebook: www.facebook.com/iheartcostamesa/ Join the Facebook Group: https://www.facebook.com/groups/iheartcostamesa/ Instagram: @iheartcostamesa Twitter: @iheartcostamesa Shop the store! https://www.iheartcostamesa.com/shop/ Big thanks to everyone who helped make this podcast possible! Producer: Danny Thompson (danny@themusicfactoryoc.com) Intro / Outro Voiceover: Brian Kazarian Music: Eddie “DJ Kaboom” Iniestra
We begin with a conversation with Olympic Gold Medalist Jonny Moseley and his new video series Wildest Dreams. The always-engaging Moseley shares insights about a few of the locations he discovered while filming, including the beautiful scenery in Siskiyou County and the raw wilderness of Catalina Island.Then, Mission San Juan Capistrano Executive Director Mechelle Lawrence Adams takes us on a jam-packed tour around Orange County. And, the episode closes with Tasia Duske, CEO of Museum Hack, who brings tons of energy and a healthy dose of irreverence, to two of California’s best museums.
Fred Tomaselli is an artist born in Santa Monica who is based out of New York City. He’s had solo shows at the Metropolitan Museum, the Orange County Museum, James Cohan, the Brooklyn Museum, White Cube, The Rose Museum, the Albright-Knox, Site Santa Fe, the Whitney Museum and many others. He’s been included in group shows at the Aspen Art Museum, LAMOCA, the Whitney Biennial, the Berlin Biennale, and at MoMA just to name a few. His work is in the collection of the Addison Gallery of American Art, the Albright-Knox Art Gallery, the Art Institute of Chicago, the Brooklyn Museum of Art, the Carnegie Museum of Art, the Cornell Fine Arts Museum, the Guggenheim Museum, the Hirshhorn Museum, the The Metropolitan Museum of Art, the Museum of Modern Art, The Whitney Museum of American Art, New York, NY, and many others. Brian stopped by Fred’s East Village studio to talk about perceptual portals, the James Turrell moment, escapist art and the seeing the Germs live and more. Sound & Vision is supported by Topo Designs. Based in Denver Colorado, Topo is committed to creating quality bags and clothing that stand the test of time. Check out their products at topodesigns.com Sound & Vision is also brought to you by Charter Coffeehouse. Charter is on Graham Avenue in East Williamsburg, just one block from the Graham L Stop. Find out more at www.chartercoffee.com, follow them on Instagram at @charter_bk
KEVIN APPEL was born, lives and works in Los Angeles. He received his BFA from Parsons School of Design in New York in 1990 and his MFA from the University of California, Los Angeles in 1995. Kevin has had numerous solo exhibitions both nationally and internationally, which include Miles McEnery Gallery in NYC, Christopher Grimes Gallery in Santa Monica, ACME., Los Angeles, Marianne Boesky Gallery, New York, Wilkinson Gallery, London, England, Angles Gallery, Santa Monica, and The Museum of Contemporary Art, Los Angeles, CA, among others. His group exhibitions include “Endless House: Intersections of Art and Architecture,” Museum of Modern Art, New York, NY; “XL: Large-Scale Paintings from the Permanent Collection,” The Frances Lehman Loeb Art Center, Vassar, Poughkeepsie, NY; “Black/White,” LaMontagne Gallery, Boston, MA; “Los Angeles Nomadic Division ‘Painting in Place,’” Farmers and Merchants Bank, Los Angeles, CA; “Painting Two,” Two Rooms Gallery, Auckland, New Zealand; “Kevin Appel, Canon Hudson, Betsy Lin Seder,” Samuel Freeman Gallery, Los Angeles, CA; “LANY,” Peter Blum Gallery, New York, NY; “Beta Space: Kevin Appel and Ruben Ochoa,” San Jose Museum of Art, San Jose, CA; “L.A. NOW,” Galerie Fiat, Paris, France; “California Modern,” Orange County Museum of Art, Newport, CA; and “Drawing Now: Eight Propositions,” The Museum of Modern Art, New York, NY, among others. Appel’s work may be found in the permanent collections of The Museum of Modern Art, New York, NY; the Los Angeles County Museum of Art, Los Angeles, CA; the Museum of Contemporary Art, Los Angeles, CA; the Portland Art Museum, Portland, OR; Minneapolis Institute of Art, Minneapolis, MN; The New York Public Library, New York, NY; the Walker Art Center, Minneapolis, MN; the Rhode Island School of Design, Providence, RI; the Misumi Corporation, Tokyo, Japan; the Fogg Museum, Harvard University, Cambridge, MA; the Logan Collection, Vail, CO; and the Saatchi Collection, London, England. Kevin was in town for his installation of works at the ADAA ART SHOW up through March 3rd with Miles McEnery Gallery and he stopped by Brian’s apartment in Brooklyn and they chatted about painting, jazz, architecture and more.
Returning to the show after a long absence, I'm happy to back, Dr. Miriam Robbins Dexter, discussing The Frightful Goddess: Birds, Snakes and Witches, a talk she gave recently at a Southern California eco-feminist conference at the Goddess Temple of Orange County/Museum of Woman. Miriam will touch on the relationship of birds and snakes to ancient goddesses and heroines or the beneficent avatar of the prehistoric goddess, and to witches and monsters; the maleificent or, more correctly, the fearsome aspect of the same goddess. We'll compare archaeological data on prehistoric European bird and snake iconography, and historic mythological data to deomonstrate the broad geographic basis of this iconography and myth, to determine the meaning of the bird and snake and to demonstrate that these female figures inherited the mantle of the Neolithic and Bronze Age European bird and snake goddess. Miriam will establish the existence of and meaning of the UNITY of the goddess, for she was unity as well asmultiplicity, multifunctional and an integral whole. We'll see the degeneration of ancient bird and snake goddesses into historic age witches and monsters!
Ep 28 Richard Jackson & Sinead Finnerty-Pyne: The People Richard Jackson was born in Sacramento, California in 1939. He was one of the artists included in the 1992 exhibition, Helter Skelter at the Los Angeles Museum of Contemporary Art. His work has featured in numerous group exhibitions including the 48th Venice Biennale. Jackson's work was the subject of a retrospective exhibition entitled Ain't Painting a Pain at Orange County Museum of Art. Recent solo shows include Richard Jackson – CAR WASH, CAB Art Center, Brussels, Belgium (2014), New Paintings, Hauser & Wirth, London, England (2014), and Accidents in Abstract Painting, the Armory, Armory Center for the Arts, Pasadena, CA (2012). Sinéad Finnerty-Pyne has been the Assistant Curator/Gallery Manager at Armory Center for the Arts in Pasadena since 2007, and is currently an MA candidate in the Museum and Curatorial Studies Program at Cal State Long Beach. She has produced a number of exhibitions and projects with artists such as Richard Jackson, Bruce Nauman, Barbara T. Smith, Yoko Ono, and Chris Burden. Curatorial projects include Richard Jackson, Accidents in Abstract Painting, The Armory (2012). She is currently organizing a nine-part series about the cross disciplinary nature of painting entitled Expanding on an expansive subject.
Dan Cameron, chief curator of the Orange County Museum of Art, discusses the exhibit California landscape into abstraction. Works from the Orange County Museum of Art.
This week: BAS on the west coast! We talk to Adriana Salazar and John Spiak, director and chief curator of the Grand Central Art Center, which has an exhibition of Adriana's work up currently. Also, we talk to Sabina Ott about The Terrain Exhibitions Biennial which is this coming weekend! Plan your life around seeing us at EXPO!!! You know you want to. ADRIANA SALAZAR: NOTHING ELSE LEFT 2013 California-Pacific Triennial Partnership with Orange County Museum of Art July 6 through September 22, 2013 Is there an end to our existence? Can we be separated from our bodies and be transformed into something else? Adriana Salazar's work has continued to revolve around these questions in different ways. This is why the realm of mortuary customs appeals to her: it presents numerous ways to approach the ultimate unknown. Her past series of works have attempted to bring inanimate objects to life; crystalize human actions into mechanical devices; worked to blur the line that separates the natural and the artificial. Death has been an ever-present part of her work, understood in a broader sense, in her own words, "I want to address death as a dare to the certainties of knowledge, and as a challenge to deeply rooted traditions. Thus, my work has taken its course transforming mechanical actions, obsolete objects, fading plants and passing life into installations and objects that could become questioning situations themselves." For this current series, created during a two-month residency at Grand Central Art Center, the artist desired to go deeper into that moment of transition between life and death, finding out as much as she could about what happens with our bodies, with our consciousness and with everything we build around the death of others. In her words, "I found, amongst other things, that there is an aesthetics of transition, that there are rituals trying to maintain life after death, and laws which govern our bodies, even when we are not fully present. I also found out that there are transitional techniques and an intricate industry around them." Some of these techniques of transition have the purpose of dematerializing the body - its physical presence, associated to life and its impermanence - replacing it with a different kind of immaterial presence. In the crematory, a compartment ignites at a very high temperature until the body is almost entirely dissolved. In order to secure the transparency of this transition, all particles of bone are carefully separated from any other solid object that might exist in our remains. These foreign bodies - implants, replacements, metal bodily parts, and every sign of our artificial self - must be removed. All that is left are bones, which are then reduced to the size of grains of sand. These remains are kept in homes, spread at symbolic locations, interned at traditional burials site, or used in other creative manners. The artificial parts, on the other hand, are usually recycled for their metals or tossed away. Salazar has decided to rescue as many cremated artificial body parts possible. These parts remain as solid as they were inside their bodies and are nevertheless considered residue. She found their value in this very ambiguity. They embody the question of the status of our own existence on a physical level: their materiality creates confusion between those objects as parts of a physical body and our own body, thus opening the gap between our certainties and uncertainties, beyond the matter of human death itself. The simple presence of these objects puts the status of life into question, allowing us to see, on one hand, the death of usage and value as something applicable to our own bodies. They allow us to see, on the other hand, the possibility of our existence as purely impermanent, earthly and physical. They allow us to see our possible becoming. Terrain Exhibitions BiennialSeptember 15 - October 19, 2013Opening Block Party: September 15, 1 -10 PMUtilizing multiple homes on the 700 Highland Avenue block, nine artists have created site-specific interventions for this month long event. Exhibiting Artists: Alberto AguilarStephanie BarberTom BurtonwoodRobert GeroGunnatowskiAmes HawkinsAlexandra NoeMegan Taylor NoeJudy Rushin Opening Block Party: Terrain artist Claire Ashley will produce an event featuring her inflatable sculptures. Ellen Butler, neighbor, will exhibit her paintings and Elizabeth Rexford’s The Harmonia Quartet will play on the Longfellow Elementary school steps. A reading from Ames Hawkins' Paper Violets will be performed in addition to Paul Hertz conducting the interactive “Ignotus the Mage” at intervals throughout the afternoon. There will be a plethora of activities and constructive projects for the whole family, such as bookbinding, fluxkit exchanges, Exquisite Corpse drawing games, and a chance for all to participate in creating a surrealist poem imagined by Stephanie Barber. The Taco Bernardo Food Truck will be in Oak Park serving dinner from 5:30 – 8:00PM, an assortment of treats will be provided by neighbors and all are welcome to add to the potluck! The day’s activities will be accompanied by the DJ styles of Rae Chardonnay then followed by neighbor Ryan Todd's band Officer Friendly. Terrain artist and Director of Aspect Ratio Gallery, Jefferson Godard, will wrap up the event with a curated video program that will be shown from dusk until 10PM.
Bullet-Proof Vests For Dogs As our canine friends have become integral members of many police forces, it is becoming more apparent for the need to suit them properly for the dangerous job. That's where Sandy Marcal comes in. She's raising funds to help afford the $1000 a piece vests that protect our working dogs. Pet Food Stamps In these rough economic times, many pet owners are forced to abandon their beloved pets due to the inability to pay for their basic food supply and care. That's why Marc Okon formed a program to ship pet food to those that cannot afford it. He has all the details and how to apply for help. "Bad Dog" Statute Leaves Yellow Stain on Building A giant statue known as "Bad Dog" is turning out to be good publicity for the Orange County Museum of Art. The 28-foot-tall piece of art from Richard Jackson depicts a dog lifting one leg and leaving a yellow paint stain on the side of the building. Museum spokeswoman Kirsten Schmidt tells the Orange County Register almost all of the reaction to the dog has been positive, although some people do wish the pooch wasn't quite so anatomically correct. The Cat's Peeing In The Dog Bed What happens when your pet relieves themselves in the wrong place. This is the most common behavioral problem we hear about. There is not always one standard solution. Dr. Debbie examines the different reasons cats and dogs do this. She'll help with a tough case of kitty revenge on the dog. More this week
Constance Lewallen, adjunct curator Berkeley Art Museum and Pacific Film Archive discusses the exhibition "State of Mind: New California Art Circa 1970", part of the Getty initiative Pacific Standard Time, which she co-curated with Karen Moss, adjunct curator of the Orange County Museum of Art. The catalogue is published by University of California Press. This exhibition is an investigation of the first generation of Conceptual artists in California.
This week: As part of the Art Los Angeles Contemporary art fair, which took place January 27-30 at the Barker Hanger of the Santa Monica Airport, the crew from Art Practical produced “In and Out of Context: Artists Define the Space between San Francisco and Los Angeles,” a series of conversation that imagined the two cities as “a continuously evolving constellation of dialogues, shared interests, and overlapping approaches. In this episode Patricia Maloney andArt Practical editor Victoria Gannonchatwith San Francisco-based artistLuke Butler, again in the parking lot of the Santa Monica Airport, as part of their ongoing quest to find a quiet spot away from the bustle of the fair. Butler reflects on his longstanding admiration for Captain Kirk while Patricia and Victoria wonder if he’ll suddenly start speaking in Klingon. Later, Patricia and AP editor Tess Thackara speak with artist Sarah Cain about her years living and working in the Bay Area before relocating to Los Angeles, her working process, and the oases she finds in LA. Luke Butler received his MFA from California College of the Arts in 2008. Heworks in paintings and collage; much of his imagery comes from pop culture, most often from television and movies of his childhood includingStarsky and Hutch and Star Trek, along with other iconic images, such as that of former U.S. presidents. Butler’s work was included in the 2010 California Biennial at the Orange County Museum, Newport Beach, CA. He is represented by Silverman Gallery in San Francisco, CA. Sarah Cain received her BFA from the San Francisco Art Institute in 2001 and her MFA from the University of California Berkeley in 2006; she attended Skowhegan in 2006. Her work has been exhibited at the San Francisco Museum of Modern Art; the Santa Barbara Contemporary Arts Forum; the Orange County Museum of Art, Newport Beach, CA; KN Gallery, Chicago; and the Seiler + Mosseri-Marlio Gallery, Zurich. Cain received a Pollock-Krasner Foundation Grant in 2007 and a SECA Art Award in 2006. She is represented by Anthony Meier Fine Arts, San Francisco and Honor Fraser Gallery, Los Angeles.
A strategic provocateur, Daniel J. Martinez deploys the full range of available media in his practice, having used at various times text, image, sculpture, video, and performance to construct his uniquely tough-minded brand of aesthetic inquiry. Using forms of strategic engagement and illusion, Martinez employs mutation and schizophrenia as a form of confusion directed toward the precondition of the coexistence of politics as radical beauty. Ongoing themes in the work are contamination, history, nomadic power, cultural resistance, dissentience and systems of symbolic exchange. Martinez is currently exhibiting work in the Orange County Museum of Art, Disorderly Conduct, and El Museo Del Barrio. His latest piece, Divine Violence, was recently installed in the 2008 Whitney Biennial. And he was awarded the United States Artists fellowship in 2008. He is a Professor of Theory, Practice, and Mediation of Contemporary Art at the University of California Irvine, where he teaches in the Graduate Studies Program and New Genres Department. An ongoing project is the building of a doomsday machine, a transporter and a time machine to change the past in order to affect the future. February 12, 2009
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