Podcasts about motets

durée : 00:05:11 - Épisode 41 : Arnstadt : le quatrième concert « Missae Breves » - Le vendredi 17 mai 2024 à 18 heures, Raphaël Pichon et Pygmalion interprètent dans l'Eglise de Bach à Arnstadt deux Motets et deux Messes Brèves, le répertoire avec lequel ils avaient débuté il y a 18 ans…

Astronaut and photographer Don Pettit took these stunningly beautiful photos of the Caribbean with its incomparable island blues and clouds on October 3, 2024, aboard ISS 72. Also full of incomparable beauty are Bach's Motets. The voices soar with joy and reverence, especially in this recording by Solomon's Knot, a British ensemble. Here we present “Lieber Herr Gott, wecke uns auf” (Dear Lord God, wake us up) by Johann Christoph Bach, the older cousin of Johann Sebastian Bach. The Bach family was indeed full of musical genius. Series: "Arts Channel " [Arts and Music] [Show ID: 40594]

Astronaut and photographer Don Pettit took these stunningly beautiful photos of the Caribbean with its incomparable island blues and clouds on October 3, 2024, aboard ISS 72. Also full of incomparable beauty are Bach's Motets. The voices soar with joy and reverence, especially in this recording by Solomon's Knot, a British ensemble. Here we present “Lieber Herr Gott, wecke uns auf” (Dear Lord God, wake us up) by Johann Christoph Bach, the older cousin of Johann Sebastian Bach. The Bach family was indeed full of musical genius. Series: "Arts Channel " [Arts and Music] [Show ID: 40594]

durée : 00:14:35 - Disques de légende du mardi 28 janvier 2025 - Spécialisé dans la musique baroque, l'ensemble vocal allemand Cantus Cölln a révolutionné l'interprétation du haut baroque allemand. Fondé en 1987, il est dirigé par Konrad Junghänel.

durée : 00:14:35 - Disques de légende du mardi 28 janvier 2025 - Spécialisé dans la musique baroque, l'ensemble vocal allemand Cantus Cölln a révolutionné l'interprétation du haut baroque allemand. Fondé en 1987, il est dirigé par Konrad Junghänel.

Thursday 13th June: Seven Motets for the Church Year by St Martin's Voices

What are 3 great warm-ups you'll be able to fit into your busy parish choir rehearsal schedule? What are 3 motets that most choirs don't do, but that are definitely worth learning? What are 3 polyphonic Mass Ordinaries my choir should learn? Prof. Christopher Berry, an adjunct professor of the Catholic Institute of Sacred Music answers these questions, and we chat about the answers in a preview of the Catholic Institute of Sacred Music's Choral Institute.  To learn more about the July 22–26 graduate-level Choral Institute and the audition requirements, visit http://catholicinstituteofsacredmusic.org/.

Motets polifònics podcast recorded with enacast.com

A Christian service performed on only three days of the year: just before Easter, focussing on the darkness of life without Christ. Insightful chat from Sammy, Robert and (finally) Eamonn with brilliant performances from I Fagiolini (Victoria), Tenebrae (Gesualdo), Les Arts Florissants (Couperin), Trinity Cambridge (Poulenc) and Gesualdo Six (Joanna Ward).TRACKS : (1) Tomás Luis de Victoria - Tenebrae Responsories: Matins Responsories for Holy Saturday, Nocturn III; I Fagiolini / Robert Hollingworth - Listen on Apple Music https://apple.co/3x2X5zW (2) Carlo Gesualdo - Tenebrae Responsories for Maundy Thursday, First Nocturn: Tristis est anima mea; Tenebrae / Nigel Short - Listen on Apple Music https://apple.co/3Tpn3Fb (3) François Couperin - Troisième Leçon de Ténèbres pour le Mercredi Saint; Les Arts Florissants / William Christie - Listen on Apple Music https://apple.co/4a0L4JO (4) Francis Poulenc - 4 Motets pour un temps de pénitence, FP 97; The Choir of Trinity College Cambridge / Stephen Layton - Listen on Apple Music https://apple.co/3Tmf2kh (5) Joanna Ward - Christus factus est; The Gesualdo Six / Owain Park - Listen on Apple Music https://apple.co/494d0Lo For more about the podcast and to Donate head to www.choralchihuahua.comSupport the show on Patreon www.patreon.com/ChoralChihuahuaSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

Orfeo Vecchi was held in high regard by his contemporaries for the sacred music he produced towards the end of the 16th century. Raymond Bisha introduces a new recording of the twenty pieces that comprise his third book of Motets for Six Voices. The works form a rich, eclectic programme, and the performances by Cappella Musicale Eusebiana directed by Don Denis Silano elegantly express the pictorial aspects of the texts that Vecchi achieved through subtle dialogue, antiphony and counterpoint.

durée : 00:13:44 - Le disque contemporain de la semaine du dimanche 21 janvier 2024 - Le disque contemporain de la semaine est celui de Bach & James Macmillan "Motets and Sacred Songs" avec à l'interprétation Tenebrae et Nigel Short.

Motets - Bach & Poulenc is a performance featuring sacred music compositions of Johann Sebastian Bach (1685-1750) and Francis Poulenc (1899-1963), two composers from different periods in classical music history, each with distinct styles and influences. In this concert presented by the VerSeS Music Ensembles, we will be treated to two (of only six) of Bach's motets composed in the 1700s, namely, Komm, Jesu, komm (BWV 229) and Jesu, meine Freude (BWV 227), and then jumping ahead two centuries, we will hear Poulenc's Quatre motets le temps pour Noël. We find out more about what's in store by this performance from Scott Woo, the director/ tenor of the performance, and UK-based guest collaborator, Ibrahim Aziz, who specialises in the performance of baroque, renaissance and contemporary music for the viola da gamba.

Interpreten: Solomon's Knot Label: Prospero EAN: 4262353970324 Johann Sebastian Bach hat, wie viele andere Menschen auch, im Alter ein großes Interesse an Ahnenforschung an den Tag gelegt, was bei seinem musikalischen Erbe und seinen Vorfahren besonders interessant gewesen sein muss. Vor allem die Motetten von Johann Christoph Bach, einem Cousin seines Vaters, haben ihn so beeindruckt, dass sie ihn zu eigenen Motettenkompositionen angeregt und inspiriert haben. Nachzuhören ist das nun bei Solomon's Knot auf unserer CD der Woche, die Ihnen Michael Gmasz wieder näher beschreibt. Ein Salomonsknoten ist ein Ornament aus zwei ineinander verschränkten Ovalen, das man auf Bauwerken und in Mosaiken in verschiedenen Kulturkreisen einschließlich des europäischen findet. Solomon's Knot ist aber auch ein englisches Vokal- und Instrumentalensemble mit Sitz in London, dessen Namenswahl wohl auch vor allem auf die Verschränkung von Vokalem mit Instrumentalem zurückgeht. Und darauf, dass hier in absolut kammermusikalischer Manier ohne Dirigentin oder Dirigent gearbeitet wird und die Sängerinnen und Sänger von Solomon's Knot ausschließlich auswendig singen. Auf ihrer aktuellen CD gehen die Musikerinnen und Musiker dem, im Vergleich zum Kantatenwerk, eher unterrepräsentierten Motettenschaffen Johann Sebastan Bachs nach. Kombinieren dieses aber auch gekonnt mit unterschiedlichen Einsprängseln von Johann Christoph Bach. Der kammermusikalische Zugang macht die Aufnahmen von Solomon's Knot absolut lebendig. Hier steht gegenseitige Aufmerksamkeit im Mittelpunkt. So gelingen z.B. Koloraturen wie am Beginn von BWV 226 in absoluter Einheit, wie man sie sonst selten hört. Aber auch in den getragenen Momenten erlaubt das auswendige Singen ein Zusammensein und einen musikalischen Ausdruck, der weit über Dynamisches oder gemeinsame Artikulation hinausgeht. Hin und wieder treten einzelne Stimmen hervor, nur um nach kurzen Akzentuierungen wieder im Klangkollektiv des Ensembles zu verschmelzen. So macht Chorsingen Spaß, aber auch beim Zuhören lässt es sich wunderbar genießen. (mg)

Felix Mendelssohn - Three Motets: Nunc dimittisTom Winpenny, organSt. Albans Cathedral ChoirsPeter Holder, conductorMore info about today's track: Naxos 8.572836Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Nieuwe CD van Ana de la Vega (te winnen met een prijsvraag!), van Music Amphion olv Pieter-Jan Belder (Hollandse Nieuwe van deze week), van Michel Banabila (met cellist Maarten Vos), van gitarist Bram Stadhouders (met het Vlaamse Baroque Orchestration X) en van celliste Maya Fridman (met louter eigen composities). Saaie regendag in één keer goedgemaakt. 23.04 CD My Paris (Petatone PTC 5186873) Gabriel Fauré: Après un rêve Ana de la Vega [fluit]; Paul Rivinius [piano] 3'35” 23.10 CD J.S. Bach: Cantatas, Motets & Organ Music (Brilliant Classics 96434) Johann Sebastian Bach: Cantate Ich geh und suche mit Verlangen - Sinfonia Musica Amphion olv Pieter-Jan Belder 6'41” 23.20 CD Tightrope (Tapu Records TR170323A) Michel Banabila: Crépuscule Michel Banabila [elektronica]; Maarten Vos [cello]; Oene van Geel [viool] 10'05” 23.35 CD Suite X (Challenge Records ZZ 76138) Bram Stadhouders: Suite X - I Dyx - II Ax - IV Trix Bram Stadhouders [gitaar]; Onno Govaert [drums]; B.O.X. 13'53” 23.50 CD The Power of Indifference (TRPTK TTX 0001) Maya Fridman: Balance of Scales Maya Fridman [cello, stem] 4'41” CD The Power of Indifference (TRPTK TTX 0001) Maya Fridman: The Power of Indifference Maya Fridman [cello, stem]; Konstantyn Napolov [slagwerk] 6'34”

Motets betydning for å bli bedre. Jeg tok en samtale med MOT grunder Atle Vårvik om utvikling, eierskap, drømmer og mål, samt motets betydning i å kunne få til. Denne praten inspirerte meg. Om du har spørsmål eller refleksjoner setter jeg alltid pris på meldinger. Du finner meg enklest på Instagram, @oeysteinpettersen, eller på Linkedin. Hosted on Acast. See acast.com/privacy for more information.

Stephen Rice dirigeerib The Brabant Ensemble'it.

On this episode of The Arts Effect Podcast, we will be speaking with Dylan Fornshell, Head Choir Director at Ross S. Sterling High School. We talk about his background and interesting journey to education. Check it out!

DescriptionThe majority of modern music we hear today would not have been possible without the development of Polyphony in the 12th and 13th centuries. Much of this was accomplished through the innovation of The Notre Dame School in Paris. Take a minute to get the scoop! Listen to a great example of Pérotin's organum quadruplum—four-voice polyphony ℅ YouTubeFun FactThe earliest motets are the Notre-Dame motets, written by composers such as Leonin and Perotin during the 13th century. These motets were polyphonic, with a different text in each voice, and employed the rhythmic modes. An example of a Notre-Dame motet is Salve, salus hominum/O radians stella/nostrum by Perotin, composed between 1180 and 1238.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

durée : 00:10:52 - Le Disque classique du jour du lundi 14 novembre 2022 - Après avoir fait ses débuts chez Linn avec un triptyque d'œuvres de Josquin des Prez, Vicente Lusitano et Roderick Williams, The Marian Consort concentre aujourd'hui son attention sur la figure centrale de ce trio, le "Portugais".

durée : 01:58:20 - Le Bach du dimanche du dimanche 04 septembre 2022 - par : Corinne Schneider - On ouvre la saison 6 avec la nouveauté discographique de la rentrée : les Motets par Valentin Tournet et La Chambre Harmonique (Château de Versailles, 1er juillet) ; le lancement du 1er cycle de cantates de Leipzig et une 1ère heure vitaminée avec du piano, de l'orgue et quelques rythmes brésiliens. - réalisé par : Anne-Lise Assada

Die Dramatik dieser Motetten von Jean-Joseph Cassanéa de Mondonville fängt das Ensemble Marguerite perfekt ein.

durée : 00:12:53 - Grands Motets de Mondonville - Gaétan Jarry - Chour & orchestre Marguerite Louise - Mondonville composa l'apothéose du Grand Motet à la française : fruit de l'héritage rhétorique de Lalande, et du style opératique de Rameau. Gaétan Jarry et son Ensemble Marguerite Louise apportent une lecture enthousiaste à ces oeuvres. On écoute !

Looking for some great new repertoire for your parish choir? Join Dr. Aaron James from the Toronto Oratory as we discuss resources and tips for building up a body of pieces that your choir can sing well, and his suggestions for a few lesser-known motets that work well with amateur choirs.  Check out the YouTube page of the Toronto Oratory here: https://www.youtube.com/c/TheTorontoOratory  Learn more about Dr. James' music program here: https://oratory-toronto.org/holy-family-parish/choirs/ Find out more about summer sacred music courses at St. Joseph's Seminary here: https://www.dunwoodie.edu/dunwoodie-music-classes

Lully komponierte sein Dies irae 1683 anlässlich der Bestattung von Königin Marie-Thérèse, der Frau von Ludwig XIV. Einer 30-tägigen Trauerzeit folgte der Höhepunkt des Totenrituals in der Capelle Royale von Saint-Denis bei Paris mit dieser Musik im Rahmen eines imposanten Rituals. Entsprechend pompös könnte man die Musik erwarten und wird sie teilweise auch interpretiert, aber nicht immer. Die Auswahl der Aufnahmen aus einem Zeitrahmen von 40 Jahren zeigen, an welcher Stelle heute die Interpretation solcher französischer Motets stehen kann. Gäste sind die Musikwissenschaftlerin Martina Wohlthat und der Cembalist Jörg-Andreas Bötticher.

SAINT-SAËNS: Sonata para violoncello y piano nº 2 en Fa mayor, Op. 123 (30.15). E. Bertrand (vc.), P. Amoyel (p.). Motets au Saint Sacrement (Ave Verum en Re mayor, Tantum ergo en Mi bemol mayor) (7.53). Coro y solistas de la Orq. de la Radio Flamenca. Dir.: H. Niquet. Escuchar audio

durée : 01:58:56 - Les Motets par Raphaël Pichon - par : Corinne Schneider - Une programmation toute nouvelle avec François Lazarevitch, René Jacobs, Bart Jacobs et Les Muffatti ; la Brockes-Passion de Georg Philipp Telemann et les Motets par Raphaël Pichon (émission n° 131 première diffusion le 20 septembre 2020). - réalisé par : Céline Parfenoff

Baroque music specialist Dr Simon Heighes chooses his favourite version of Bach's Motets. These technically challenging works contain some of Bach's very best music and can be thrilling in performance by a top-notch group of singers. They're also the only of Bach's vocal works that stayed in the repertoire without interruption between his death in 1750 and the 19th-century Bach Revival. Recordings reviewed include performances by The Sixteen and Voces8 & The Senesino Players. Presented by Andrew McGregor.

Motets polifònics podcast recorded with enacast.com

In this episode, Scott Allen Jarrett, Resident Conductor of the Chorus, continues the conversation with host Guy Fishman to discuss one of his greatest inspirations in his musical career: Johann Sebastian Bach. Written and produced by Guy Fishman

durée : 00:15:21 - Disques de légende du mercredi 03 février 2021 - En 1996, à l'occasion des Journées Mondonville organisées à Versailles, Les Arts Florissants et leur chef William Christie avaient gravé trois Grands Motets du compositeur français. Un disque dans lequel on peut entendre l'une des tempêtes avec chœur les plus impressionnantes de l'âge classique !

durée : 00:05:02 - M comme Motet - Les Motets composés par J.S Bach s’inscrivent dans la tradition des Motets polyphoniques de la Renaissance. On en compte moins d’une dizaine, pour l’essentiel écrit à l’époque de Leipzig. Il reste difficile de déterminer la fonction exacte de ces œuvres dans la liturgie.

In this episode, Scott Allen Jarrett, Resident Conductor of the Chorus, joins host Guy Fishman to discuss one of his greatest inspirations in his musical career: Johann Sebastian Bach. Jarrett's passion and incredible knowledge of Bach's works shine as he and Guy discuss Bach's incredible motets, including Singet dem Herrn. Written and produced by Guy Fishman

Choral music formed an important part of Anton Bruckner’s output throughout his career, even though the genre was widely underappreciated by a public more inclined to large-scale symphonic and operatic works. Although the big-boned structure of such music also made its presence felt in Church masses and oratorios, there was always a need for smaller sacred choral works, not only because of listeners’ preferences but also because of pragmatic performance considerations. Raymond Bisha introduces a programme of Bruckner’s Latin motets that were composed to meet these demands, performed by the renowned Latvian Radio Choir conducted by Sigvards Kļava.

We’re going to focus on Singet dem Herrn ein neues Lied (“Sing onto the Lord a New Song”), BWV 225; Lobet den Herrn (“Praise the Lord”), BWV 230; and Jesu meine Freund  (“Jesus, my Joy”), BWV 227. 

What is a motet? Where did this musical genre come from? What has the word "motet" meant throughout history? What can motets of the past teach us about incorporating non-obligatory texts into the sacred liturgy? How can the music and texts of motets make the other texts of the Mass, especially those of the lectionary, come to life? We explore these questions with Dr. Aaron James, the Director of Music for the Toronto Oratory of St Philip Neri, serving the music program at Holy Family Church in Toronto. He’s a graduate of the Eastman school of music, earning there both the PhD in musicology and a DMA in organ performance. He shares helpful scholarly insights which help illuminate the path for music directors as they make repertory choices. Too, we hear some recordings produced by the singers in his excellent parish music program.  The Oratory's YouTube channel is available at: https://www.youtube.com/channel/UCRRUmJAW2o_nh74VB3ijYxQ The website for the music program of the oratory is: https://oratory-toronto.org/holy-family-parish/choirs/

durée : 01:58:35 - Relax ! du mardi 10 novembre 2020 - par : Lionel Esparza - On passe en revue les coups de cœur discographiques du mensuel Classica en 2020 : le dernier disque d'Alexandre Kantorow chez B.I.S., le coffret John Barbirolli, le disque-récital de Benjamin Bernheim, la pianiste Beatrice Rana dans Ravel, ou encore les Motets de Bach par Raphaël Pichon... - réalisé par : Emmanuel Benito

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

Le Prix Summer de la Fête du Livre, la rentrée de l'Opéra de Lyon, Gabriel Yared au Festival Lumière et le nouveau disque de l'ensemble Les Surprises à gagner.

Gagnez un disque de l'ensemble Les Surprises en envoyant un mail à enmodeavion@rcf.fr

durée : 00:12:09 - Jean-Sébastien Bach : Motets - Ensemble Pygmalion, Raphaël Pichon - Ces motets, Raphaël Pichon les a découverts quand il avait 10 ans puisqu'il les a chantés. C'est le 5ème enregistrement que le chef et son ensemble consacrent au compositeur et tout y est : la ferveur, le souffle, la précision.

A podcast from Westminster Abbey on Ascension Day for worshippers everywhere. A service recorded this week in the glorious Lady Chapel, Westminster Abbey. Introduced by the Dean of Westminster, The Very Reverend Dr David Hoyle Address by the Reverend Canon Dr James Hawkey, Canon Theologian Reader: HRH The Countess of Wessex Introduction: The Dean Reading: Luke 24: 44–53 (The Countess of Wessex) Address: Canon Hawkey Anthem: Charles Villiers Stanford, ‘Caelos Ascendit Hodie’, from 3 Motets, Op. 38 Prayers and blessing: The Dean Music: Performed by the Choir of Westminster Abbey conducted by James O’Donnell (with kind permission of Hyperion Records). This podcast was recorded with all contributors observing social distancing.

Music recommendations for a simple order of service for Maundy Thursday 2020 to worship at home. O for a closer walk with God St Paul's Cathedral Choir, Christopher Dearnley (organ), John Scott (director) From Praise to the Lord Hyperion Records CDH55036 Ubi caritas et amor - Maurice Duruflé St Paul's Cathedral Choir, John Scott (director) From Remembrance Hyperion Records CDA67398 St Paul's Cathedral would like to thank Hyperion Records for their permission and support in using these tracks For more information please visit www.hyperion-records.co.uk

durée : 00:17:11 - Disques de légende du lundi 24 février 2020 - C'est en 1980 que le chef John Eliot Gardiner enregistre les Motets de Bach. A ses côtés, le Choeur Monteverdi et The English Baroque Soloists.

durée : 00:11:03 - Disques de légende du jeudi 30 janvier 2020 - L'ensemble Huelgas et son chef le belge Paul van Nevel enregistrent l'intégrale des Motets isorythmiques de Guillaume Dufay à l'Abbaye aux Dames de Saintes en 1999, un disque paru sur le label Harmonia Mundi l'année suivante.

“he returned refreshed to his monograph upon the Polyphonic Motets of Lassus” [BRUC]  Perhaps you recall Watson mentioning in the midst of "The Bruce-Partington Plans" that Sherlock Holmes took his mind off of things while waiting for crucial information by losing himself "in a monograph which he had undertaken upon the Polyphonic Motets of Lassus." Perhaps you've wondered who Lassus was. That would be Orlande de Lassus (or Orlando di Lasso), a Renaissance composer, who along with Palestrina, was one of the most influential musicians of the late 16th century. But what did a "polyphonic motet" sound like? And what were these motets composed for? And why should Sherlock Holmes have an interest in them? We have the answer to all of these questions and more from Ann Margaret Lewis, herself a Sherlockian and a soprano who performs liturgical music. Ann joins us to get us hooked on phonics, to explain the relevance of this beautiful music, and to identify a clip from the Jeremy Brett Granada series. Also, tune in for the latest Canonical Couplet. We have another opportunity for you to win a prize in this episode.   Information on sponsors, links, and notes available below. Please do consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services.   Sponsors  is our lead sponsor. They've been with us for nearly the entire run. Please visit their site and let them know you found them via I Hear of Sherlock Everywhere. We have room for more than one sponsor. If you're interested in advertising with us, you can find . Let's chat!   Links This episode:   (Hyperion)  (Wikipedia) Ann's other books:   Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , and .   Please subscribe on the podcast provider of your choosing: , , , , ,  or  — or perhaps another we haven't listed here — and be kind enough to leave a rating and review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).   Transcript We've slipped a bit: we're just shy of . Please consider contributing a dollar or two a month to help us bring transcripts to the hearing-impaired.   Transcript will be here soon. But you need to help.   --    

Dr. Rick Hoffenberg, Co-Chair of the Dept of Music, Theatre & Dance at Marywood University in Scranton, speaking about the Fall Concerts of the Marywood Concert Choir featuring the Durufle' Requiem and 4 Motets by Dupre. Saturday, November 23, 2019 at Covenant Presbyterian Church, 550 Madison Ave in Scranton at 7:30 pm. Also Sunday, November 24 at 4:00 pm at St. Stephen's Pro Cathedral, 35 S. Franklin Street in downtown Wilkes-Barre. The organist will be Mark Laubach. For information: www.marywood.edu

full moon in libra// clips:interview with sadrave2 Motets, Op. 74: Lasset uns unser Herz samt den Handen / composer: Johannes Brahms / choir: Audi Jugendchorakademie"star fairies" (1985)teddy ruxpin commercial (1980s)satanic toaster segment, "the today show" (may 4, 1988)// music:01:30 : quartz vessel (song) / blithe field (artist) / quartz vessel (album) / mellotron (label)09:30 : cider palace (song) / miserable chillers (artist) / schoënblintsjia (album) / baby blue (label)12:25 : bright lights (song) / warmduscher (artist) / whale city (album) / the leaf label (label)14:25 : half-light ft. kelly zutrau (instupendo remix) (song) / rostam (artist) / half-light remixes (album) / mastor/nonesuch (label)17:55 : wallpaint (song) / honey oat (artist) / honey oat (album) / astro nautico (label)20:55 : stratum (song) / visible cloaks, yoshio ojima & satsuki shibano (artists) / FRKWYS vol. 15: serenitatem (album) / RVNG intl (label)27:55 : monotonous beat (song) / mejiwahn (artist) / Lúil Ó Fadó (album) / hot record societe (label)28:10 : president pullman's elephanthead patriarchy (song) / time wharp and CH rom (artists) / radical american hippy kraut (album) / astro nautico (label)33:35 : a dos leguas (song) / santiago córdoba (artist) / en otros lugares (album) / sounds and colours (label)38:50 : the way to the forest (ibibio sound machine remix) (song) / frànçois & the atlas mountains (artist) / piano ombre (album) / domino (label)44:00 : bug (song) / kate nv (artist) / для FOR (album) / rvng intl (label)47:45 : glass (song) / hania rani (artist) / esja (album) / gondwana records (label)52:15 : the new revelations of being (song) / soundwalk collective and patti smith (artists) / peyote dance (album) / bella union (label)// cover art by shayna yasuhara

The Bach Society Houston presents a concert featuring all of the motets by J.S. Bach.

Bruckner wrote about 40 motets: Jonathan Freeman-Attwood reviews recordings.

durée : 01:59:06 - Zig Zag du samedi 04 novembre 2017 - par : Renaud Machart - **Programme musical** **Liszt**: Psaume 137 Katja Pieweck (soprano) Florin Paul (violon) Birgit Bachhuber (harpe) Sebastian Borleis (orgue) Kammerchor I Vocalisti Hans-Joachim Lustig (direction) Carus CARUS83465 **Alkan**: _Super flumina Babylonis_ "Paraphrase du psaume 137", Op. 52 Yury Favorin (piano) Muso (parution le 24 novembre 2017) **Henry Dumon**t: _Motets pour la Chapelle du Roy_: "Super flumina Babylonis" Ensemble Correspondances Sébastien Daucé (direction) Harmonia Mundi HMC902241 **Respighi:** Trois préludes sur des thèmes grégoriens Konstantin Scherbakov (piano) Naxos 8553704 **Léonce de Saint Martin**: _Tristesse des Hëbreux captifs de Babylone_ Anthony Hammond (orgue de l'église de la Madeleine, Paris) IFO ORG7258-2 **Ernest Bloch:** Deux psaumes – Psaume 22 Mireille Delunsch (soprano) Vincent le Texier (baryton) Orchestre philharmonique du Luxembourg David Shallon (direction) Timpani 1C1052 **Respighi**: _Vetrate di chiesa_ Cincinnati Symphony Orchestra Jesus Lopez-Cobos (direction) Telarc CD80356 - réalisé par : Pierre Willer

Episode 13 features an incredible interview with Glen Soderholm. Glen is the pastor of Two Rivers Church in Guelph, Ontario. Two Rivers began as a single house church of what he calls “a collection of strays, orphans, and exiles,”  born from the idea of actually being neighbours with the people you live close to. He had so much to share about the Spiritual life, including his theology of Spirituality and the very practical things he does.As an accomplished musician, Glen spoke about the role of music in the Spiritual life and shared his love for some musicians that you may not have heard of. There are some links below to some of them. Check them out!There is a discussion of icons, which is fascinating, and I've included in these notes images of two mentioned in the episode.Glen has an amazing way of remembering quotes. Check out the quotes section below to read some of what Glen said.Some of what we talked about:Spirituality is being included in the Triune communion of God.What it means to listen to God? How do we listen in our inner life.Being limited by a cognitive approach to spirituality.Healthy spirituality begins to integrate all the senses.Icons - what are they and how are they helpful?How prayer life and spirituality changes over time.Having a prayer binderJournalingThe power of habit regardless of how we feel, but not driven by guilt.The idea of Jesus being our great high priest. That Jesus prays for us! The Spirit intercedes for us. Two thirds of the Trinity are already praying for us!It is not about persuading God. God is pursuing us and longs for a connection with us.Memorizing Scripture, in particular PsalmsThe role of music in Spirituality (see links below!)Quotes from Glen Soderholm in the Podcast“In this day and age, the last person we expect to be our neighbour, might be our actual next door neighbour.”“Spirituality is a gift that comes to us from God. God is the initiator in the spiritual life.”"Creation is the result of the overflow of God's life of love.”"Spirituality means talking to ourselves in healthy ways."A Prayer that he uses every day...I am the beloved child of God the Father. I am the beloved friend of God the Son. I am the beloved Temple of God the Holy Spirit. I am enfolded in the Three in One.Quotes from Others"Prayer is the gift of participating through the Spirit in the Son's communion with the Father.” - James Torrence"Prayer is listening to God tell you that you are the beloved child.” - Henri Nouwen“It is you that lights my lamp, the Lord, my God, lights my darkness.” - Psalm 18:28“Prayer is not overcoming God's reluctance. It is laying hold of God's willingness.” - Julian of Norwich“The energy of reconciliation is the dynamo at the center of the universe “ - Eugene PetersonMusic RecommendationsPalestrina (listen to Palestrina's Motets for 5 voices on YouTube)Bach  (listen to Bach's Magnificat on Youtube)John Tavener (listen to Tavener's Fragments of a Prayer on YouTube)Henryk Gorecki (listen to Gorecki's Totus Tuus on Youtube)Arvo Part (listen to Arvo Part's Magnificat on Youtube)Bifrost Arts - https://bifrostartsmusic.bandcamp.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattbrough.substack.com

Two musical giants of the Romantic era, Brahms and Bruckner were often seen as being aesthetically and ideologically opposed. So it's fascinating to compare their choral works on a beautifully sung new disc from Tenebrae and its conductor Nigel Short. Hear clips from the recording and find out more about the music with editor Oliver Condy and reviews editor Rebecca Franks in this podcast. See acast.com/privacy for privacy and opt-out information.

Gramophone editor Martin Cullingford talks to Decca's new soprano Julia Lezhneva about her disc of Motets by Vivaldi, Porpora, Handel and Mozart

Gramophone editor Martin Cullingford talks to Decca's new soprano Julia Lezhneva about her disc of Motets by Vivaldi, Porpora, Handel and Mozart