Podcast appearances and mentions of philip sherburne

Hon är som en Hollywoodstjärna på valium, en siren från skuggornas USA.. Lana Del Rey har förfört en hel generation med sin melankoliska mix av glamour, förfall och gospeldoftande doom-pop. I veckans avsnitt borrar vi i hennes amerikanska dröm: lika mycket Sunset Boulevard som nedlagda bensinstationer och självförakt. Från flaggviftande lolitor till post-Trump-desillusion, vi spårar myten, musiken och mystiken bakom Del Reys säregna universum. En resa genom ett land av krossade hjärtan, cherry cola och evig skymning.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:(För båda avsnitten)Musikjournalistik och kritik:The New Yorker – Emily Nussbaum, “Lana Del Rey's Postmodern Melancholy” (2012)Pitchfork – Jenn Pelly, “Lana Del Rey: Ultraviolence” (2014), samt Philip Sherburne, “Norman Fucking Rockwell! Review” (2019)Rolling Stone – Brittany Spanos, “Lana Del Rey: From Pop Star to Serious Artist” (2021)The Guardian – Laura Snapes, “Lana Del Rey: Chemtrails… Review – All-Americana with a Gothic Heart” (2021)NME – El Hunt, “Every Lana Del Rey Album Ranked” (2023)Vulture – Craig Jenkins, “Lana Del Rey: The Lost Generation's Torch Singer” (2019)Intervjuer och porträtt:The Fader – Duncan Cooper, “Lana Del Rey: The Saddest, Baddest Diva in Rock” (2014)Interview Magazine – Jody Rosen & Lana Del Rey, “Self-Mythology and the American Dream” (2015)Vogue (UK och US editions) – intervju med Del Rey inför Chemtrails Over the Country Club (2021)BBC Radio 1 – Zane Lowe-intervjuer (flera tillfällen mellan 2012–2023)Lyrik och konstnärliga verk:Violet Bent Backwards Over the Grass (Simon & Schuster, 2020) – Lana Del Reys första officiella diktsamlingUtvalda låtar med tydligt amerikanskt tema, analyserade:“National Anthem”“Born to Die”“Ride”“Cola”“God Bless America – And All the Beautiful Women in It”“Venice Bitch”“A&W”“Chemtrails Over the Country Club”“Arcadia”Akademiska och kulturteoretiska referenser:Journal of Popular Music Studies – artiklar om “nostalgic femininity” och postmodern estetik i Del Reys oeuvreKulturkritik om Sylvia Plath, David Lynch, Bruce Springsteen, och The Great Gatsby som relevanta parallellerYasmine Musico: “Tragic Americana: Lana Del Rey's Broken Dream” (PopMatters, 2022)YouTube-essäer och visuella analyser:The Americana Dream in Lana Del Rey – ensaesthetic (YouTube, 2021)Lana Del Rey: The Anti-Pop Star – Mina Le (YouTube, 2023)How Lana Del Rey Reinvented Sadness – Polygon Sound (YouTube, 2022)Sociala medier och offentlig reception:Lana Del Reys Instagram, särskilt inlägget “Question for the Culture” (maj 2020)Fansajter och diskussionsforum som lanaboards.com och Reddit-trådar i r/LanaDelReyMottagandet från samtida artister (t.ex. Lorde, Billie Eilish, Taylor Swift) och kritik mot hennes uttalanden om feminism, ras och autenticitet.Musikvideor och bildanalys:“Ride,” “Born to Die,” “Young and Beautiful,” “Norman Fucking Rockwell,” “Chemtrails Over the Country Club,” “A&W” – analyserade utifrån användning av 8mm-estetik, patriotiska symboler, filmiska referenser och amerikansk nostalgi. Hosted on Acast. See acast.com/privacy for more information.

Music journalist, label owner, DJ and former Line Noise presenter Philip Sherburne makes a return to the programme to review the highlights of the first day of Sónar 2024, including Olof Dreijer & Diva Cruz and Team Rolfes, and to look forward to the rest of the electronic music festival, with recommendations aplenty

Music journalist, label owner, DJ and former Line Noise presenter Philip Sherburne makes a return to the programme to review the highlights of the first day of Sónar 2024, including Olof Dreijer & Diva Cruz and Team Rolfes, and to look forward to the rest of the electronic music festival, with recommendations aplenty

Ben Cardew welcomes his old Line Noise cohort, Pitchfork contributing editor Philip Sherburne, to look back on the first day of Sónar 2023 and look forward to what is to come at the Barcelona festival, including personal recommendations. Philip also talks about the Balmat label he runs with Albert Salinas and his Futurism Restated newsletter.

Ben Cardew welcomes his old Line Noise cohort, Pitchfork contributing editor Philip Sherburne, to look back on the first day of Sónar 2023 and look forward to what is to come at the Barcelona festival, including personal recommendations. Philip also talks about the Balmat label he runs with Albert Salinas and his Futurism Restated newsletter.

Ben Cardew welcomes his old Line Noise cohort, Pitchfork contributing editor Philip Sherburne, to look back on the first day of Sónar 2023 and look forward to what is to come at the Barcelona festival, including personal recommendations.

Pow Wow singer Joe Rainey, of the Ojibwe community in Minneapolis. fuses traditional melodies and “vocables” (Philip Sherburne, Pitchfork) with the producer Andrew Broder in something of an avant-hip hop partnership, although in addition to beats, there are field recordings, industrial-sounding processed drums, string arrangements, and vocal processing. He describes his music as being on the same river, but a different boat from other pow wow singers and groups. Rainey's album Niineta—the title means “Just Me” in Ojibwe, and which he further explains is “my contribution to contemporary indigenous music” – was released on Justin Vernon and the Dessner brothers' 37d03d label, to which Rainey is signed. The music is rooted in traditional drum and dance music, where for years Rainey always had a hand-held recorder or voice memo rolling, even recording calls from incarcerated family members singing. These field recordings became part of the whole album's unique woven fabric of voice-as-instrument pieces, combined with samples and sometimes with altered by electronic processing, all layered with Rainey's own singing, which can celebrate or console, and “conveys a clear message: We're still here. We were here before you were, and we never left”, (Bandcamp.) Joe Rainey and Andrew Broder perform remotely. - Caryn Havlik Set list: “Bezhigo”, “Can Key”, “No Chants” Watch "Bezhigo": Watch "Can Key": Watch "No Chants": Niineta by Joe Rainey: Niineta by Joe Rainey

Francesco e Andrea provano il Destroyer drinking game. I dischi della settimana sono quelli di Destroyer, Aldous Harding e C'mon Tigre, e recuperiamo il disco degli Oso Oso di settimana scorsa. Philip Sherburne ha scritto un pezzo notevole sui musicisti elettronici ucraini. Il primo singolo del nuovo album di Soccer Mommy, e un pezzo di James Blake per aiutarvi a dormire. Al concerto con posti a sedere dei Fontaines D.C. la gente è stata in piedi. Il boutique festival di Courtney Barnett e due festival di solidarietà per l'Ucraina. La playlist di Friday: open.spotify.com/playlist/4kwkaAa8pfFCIZJmZMzUYx?si=641ef688a81543db

Utilizamos el 50 cumpleaños de Aphex Twin para disfrutar de una pequeña sesión con su música que nos sirva para apadrinar este inicio de temporada. El nacimiento de Balmat, sello afincado en Barcelona dirigido por Philip Sherburne y Albert Salinas (Wooky) sirve como colofón para un programa en el que comenzamos descubriendo las novedades que ... Leer más

Exploring the legacy of a producer and performer who imagined an approach to music without borders. Guests: Sasha Geffen and Pitchfork's Philip Sherburne.

A few months ago, we launched the Pitchfork Request Line, asking listeners to call in with requests for music to soundtrack whatever is going on in their lives. On this episode, Pitchfork Editor Puja Patel is answering your requests along with Contributing Editors Rawiya Kameir and Philip Sherburne. They take calls from a midwestern transplant who’s nostalgic for her suburban D.C. hometown, a Mancunian looking to recapture the feeling of his city’s famously vibrant live music scene, and a father who’s teaching his kids music history by way of Willie Nelson. They also discuss the music they’ve been turning to for comfort during a difficult year. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is the 50th episode of Line Noise. We started in January 2016: David Bowie had just died, we were all depressed and it took Matmos' washing machine to cheer us up. Over the years we have interviewed everyone from Jlin to to Photek. But for our 50th episode we want to ask: What’s the point of Line Noise? What's the point of music journalism as a whole? Can you talk intelligently about electronic music if you don’t go to night clubs? Can you enjoy music for young people if you are the wrong side of 40? Line Noise co-founder Philip Sherburne guests, alongside Ben Cardew and Braqueberry for this special edition. We also play some of the new artists who are exciting us for 2020 and beyond, with music from Mantra, Park Hye Jin, Beatrice Dillon, Velmondo, Yung Prado and Sharda. Track list Mantra- Embers Baltra and Park Hye Jin - Ahead of Time (edit) Beatrice Dillon - Workaround Two Velmondo - A Trenc D'alba Yung Prado - Gente Triste Sharda - Replay

It is the 50th episode of Line Noise. We started in January 2016: David Bowie had just died, we were all depressed and it took Matmos' washing machine to cheer us up. Over the years we have interviewed everyone from Jlin to to Photek. But for our 50th episode we want to ask: What’s the point of Line Noise? What's the point of music journalism as a whole? Can you talk intelligently about electronic music if you don’t go to night clubs? Can you enjoy music for young people if you are the wrong side of 40? Line Noise co-founder Philip Sherburne guests, alongside Ben Cardew and Braqueberry for this special edition. We also play some of the new artists who are exciting us for 2020 and beyond, with music from Mantra, Park Hye Jin, Beatrice Dillon, Velmondo, Yung Prado and Sharda. Track list Mantra - Embers Baltra and Park Hye Jin - Ahead of Time (edit) Beatrice Dillon - Workaround Two Velmondo - A Trenc D'alba Yung Prado - Gente Triste Sharda - Replay

From just outside of Dallas, Texas to the New England Conservatory of Music, all the way back to Portland, Oregon, Mary Sutton visits to talk about the importance of self care, synthesizers, teaching and connecting with others. Mary has contributed to The Women’s Beat League and even garnered praise from names like Brian Eno. 2018’s Deep End on Kranky was a giant start, with reviews from the likes of Philip Sherburne for Pitchfork. Fans are excited about this timeless, emotional, beautiful sound and her superior playing skills.    Intro: Saloli - Deep End - Umbrellas Outro: Saloli - Deep End - Lullaby   https://saloli.bandcamp.com/  

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 22 we round up the best of 2017, from Jlin to Mount Kimbie, Zora Jones to Nabihah Iqbal, Bad Gyal to DJ Python and Equiknoxx to Roma Zuckerman. Part 2 coming soon.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 21 we discuss the new album from Fever Ray, talk The Knife (who Philip once supported in glamorous New York City), argue about Vikings and review new music from Avalon Emerson and Steven Rutter (B12). Ben’s kids also make a fleeting appearance but don’t worry about them.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 20 we talk the art of the remixer, from Prins Thomas to Armand van Helden, ponder the point of remix albums in the light of the new Funkadelic offering, and review music from Joe and Errorsmith. Warning: also contains Aerosmith.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 19 we talk dad house, dad grime, mum techno and dad drum and bass, including a look at the new LCD Soundsystem release. Plus we review new music from DJ Sports and Jack Peoples (James Stinson).

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 18 we discuss the crossover between electronic music and classical, running the rule over Carl Craig’s Versus, examine the weaponised orchestral bombast of Sinjin Hawke’s First Opus and review new music from Slowdive (as remixed by Avalon Emerson) and Sophia Kennedy.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 17, we discuss the health of IDM in 2017, pondering what the term actually means anyway; we talk the joys - or otherwise - of live electronic music; and wonder whether techno can be an effective political tool. Plus we review new music from Perc, Khotin and Candyblasta.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 16, we revisit Philip’s interview with Brian Eno, talking generative music, ambience and politics; dive into songs that feature ping pong balls; and review new music from SMBD, The Juan Maclean, Luke Abbott and Strategy. Plus, which is better: Norwich or Portland?

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 15, we round up the musical highs and lows of 2016, including why the election put us off drones; adventures in US hardcore (25 years later); the point (or otherwise) of year-end lists; Spanish supermarkets and the enduring appeal of Craig David; the Unsound, Primavera and Sónar festivals; our albums of the year (Anohni, David Bowie, Aleksi Perälä, Shy Layers, Floorplan, Suzanne Kraft, Studio OST etc) and our tracks of 2016 (Roman Flügel and Mr. Fingers). Plus, looking forward to 2017.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 14 we talk to Rabit about art, beats and life in Texas post-Trump; we review the Mira festival of music and digital art; preview Primavera Sound and Sónar 2017, and we ponder new music from Nina Kraviz, Georgia, Nathan Fake and Demdike Stare. Plus, discover what music to avoid if Philip is cooking.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 13 we talk to Don’t DJ about exoticism, authenticity, playing empty turntables and the power of clatter. We also review new music from Blotter Trax, Visible Cloaks and Todd Edwards, discuss anonymity in music and reminisce about Fabric.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode 12 features an interview with electronic music legends Mouse on Mars in which we discuss robotics, Lichter, their iPad instruments, Bon Iver and why The Girl from Ipanema sounds like My Bloody Valentine. We also review new music from Pepe Bradock and Powell. Plus we talk about cheese.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode 11 sees us interview UK techno don Luke Slater on fatherhood, four to the floor, the power of abstract melody and keeping the techno flag flying for 30 years. We also discuss Zomby’s enigmatic but brilliant new album and Powell’s promotional tactics, weigh up the chances of an electroclash revival and review new music from Daniel Lanois and Pedro Vian. Plus, guaranteed: more pedal steel discussion than in any other podcast.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode 10 features an interview with Chicago producer / composer / sound artist Hieroglyphic Being, which touches on Binaural Beats, anxiety, Ancient Egypt and DJing as problem solving. We also discuss the knotty issue of vinyl-only labels and chew over new releases from Mouse on Mars, Bicep, Audion and Cristian Vogel. Plus, an embarrassment of praise for Blaze’s Lovelee Dae.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode nine includes an interview with rising Catalan producer Lloret Salvatge in which we cover everything from megalithic culture to British stag parties. Plus we discuss the new Aphex Twin EP, Cheetah, Philip tells us about his interview with Aphex video director Ryan Wyer; we reveal the music that gives us goosebumps; reminisce over Fridge and review new releases from Hieroglyphic Being, Robyn, The Orb and Tangents.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode eight sees us visit the Sónar Barcelona offices to talk to festival co-director Enric Palau about the past, present and future of the “advanced music festival”, including the most techno dinner ever, PXXR GVNG and the decision to book Skrillex. We also ask: has Joakim made actual Tropical House? And chew over new releases from Anohni, Harald Björk, LMYE and Clatterbox.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode seven is something of an Olga Bell special: she joins us to talk about her new album, late-stage capitalism, Scatman John, Todd Edwards and transcribing 2 Bad Mice by hand, as well as revealing some of her favourite new music. We discuss new releases from Aleksi Perälä (and his Colundi Sequence), Desiigner, Lone and Christian Naujoks. Plus we trawl the mental archives to reveal how we got into electronic music in the first place.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode six includes an interview with Ash Koosha about VR and music, we discuss the influence of Prince on electronic music, rounding up some of the best remixes and re-edits of his work (including what may well be a Daft Punk remix of Raspberry Beret), and chew over new releases from Kilchhofer, Floorplan, Beatrice Dillon, DVA and Max Graef & Glenn Astro. Plus, discover why Philip liked to sniff cassette cases back in eight grade. Photo credit: Ozge Cone

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode five features two very special guests in the form of JLin and Zora Jones. JLin tells us about her relationship with footwork, playing live and her forthcoming second album, while Zora Jones talks about Fractal Fantasy, her love for Rashad and working with JLin (we have an exclusive play of their Dark Matter collaboration). We discuss Barcelona’s Lapsus festival, which hosted Lotic, Powell, Donnacha Costello and more, and there’s new music from Gnork, Midland, Shinichiro Yokota and Forest Drive West.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. Episode four comes to you live from the first Barcelona independent label market, as we examine some of our favourite Barcelona labels, including interviews with Hivern’s John Talabot, Pau Roca from Black Money Records, bRUNA from Lapsus, Pedro Vian from Modern Obscure Music and Luca Lozano from Berlin’s Klasse Recordings. We also discuss new releases from Hessle Audio’s Ploy, Dean Blunt (as Babyfather), Ex-Terrestrial and Mark Pritchard, plus you can find out why Kevin Shields is “the shoegaze Pitbull”.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode three we consider the influence of electronic music on Kanye West’s production, ponder the enigma that is Jean-Michel Jarre ahead of the release of Electronica Volume 2 and his Sónar festival appearance, look ahead to Mutek Barcelona and talk about new music from Dorisburg, Karl Bartos, Dura and Darq E Freaker. Plus a laser harp.

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode two, we talk to Grey Filastine about DJing in the Calais Jungle and his sonic activism, we discuss the crossover between shoegazing and IDM, we chew over the new mix CD from Moodymann - and mix CDs in general - and we talk about our favourite new music, including tracks from Grammy nominee CFCF, an exclusive from Zora Jones, Cavern Of Anti-Matter and Throwing Shade.

Line Noise, a podcast about electronic music, with Philip Sherburne and Ben Cardew. In episode one we discuss Matmos, David Bowie, Mr Fingers, Fatima Al Qadiri, Max D, Surgeon, Tarquin and Prins Thomas. Plus laundry with Björk.

Jim and Greg explore the growing genre of Electronic Dance Music and the new rave generation with writer Philip Sherburne. Then they review "Not Your Kind of People," the first new album from Garbage in seven years.

Welcome to the Coconut show 2006... Senor Coconut and his Orchestra release a new album called Yellow Fever! This is an interview with Senor Coconut by Philip Sherburne, Santiago (Chile), April 1st 2006, http://www.philipsherburne.com

Welcome to the Coconut show 2006... Senor Coconut and his Orchestra release a new album called Yellow Fever! This is an interview with Senor Coconut by Philip Sherburne, Santiago (Chile), April 1st 2006, http://www.philipsherburne.com