Podcasts about Matmos

Dělníci kultury #56 dalším díle videopodcastu týdeníku Respekt Dělníci kultury spolu Pavel Turek, Jan H. Vitvar a mimořádně také Silvie Lauder debatují o tom, co je v uplynulém týdnu v kultuře zaujalo a o své aktuální práci. Tentokrát došlo na: výstavy Tělák (Muzeum Prahy) a Gabriela Slaninková: It Must Be the Weather (Platforma 15) rozhovor s hudebním duem Matmos koncert Barbary Hannigan Lidský hlas na Pražském jaru vyvrcholení festivalu Divadelní Flora Olomouc knihy Melissy Auf der Maur Even the Good Girls Will Cry (Atlantic Books), Evana Osnose The Haves and Have-Yachts (Simon & Schuster), Beatriz Serrano Nespokojenost (Vyšehrad) a Ateliér Radostné Tvorby (Kant) Když už člověk jednou je, tak má sledovat kulturu v Respektu.

Host Jordan Miller talks to SilverVox Film and Music Festival judges Martin Scmidt and Drew Daniel from the experimental electronic music duo Matmos – best known for their collaborations with Bjork - about their creative process, finding sounds in unexpected places, and the intersection between music and film.

in which Junior's Mind Palace expands, the Matmos experiences some reintegration, Middy tries to pinpoint her differences, and Ugene Green “wins” the RUin-A-Life Drawing. Do Evil Better.  Industries is ad-free. To help keep it that way, head to KakosIndustries.com/Patreon and consider becoming a member today. Intro: What you are about to hear is going to […]

Jungle turning up in the darndest places tonight, as is… saxophone? Jazz stretched to its limits, and electronica during wartime… LISTEN AGAIN in the darndest places – stream on demand from fbi.radio, podcast here. Butthole Surfers – Imbuya [Sunset Blvd] Never thought I’d be playing Butthole Surfers on Utility Fog. Not that they weren’t an impeccably experimental punk/noise band in their earlier days. Not that Gibby Haines didn’t do the greatest impromptu guest spot ever on Ministry’s “Jesus Built My Hotrod“. Not that “Pepper” isn’t a classic ’90s alt.rock/trip-hop crossover hit. But still, they haven’t been active for a long while, so it’s altogether a surprise that they’ve decided to release their “long lost” follow-up to Electric Larryland, the album that featured “Pepper”. For various reasons – label shenanigans etc – it wasn’t released in the form they wanted, with some songs reworked on the eventual next album Weird Revolution. Fans have known about The Last Astronaut, and heard leaked copies for decades, but now we’re getting it proper-like, and whaddayaknow, the second song they give us is alt rock/industrial punk with amen breaks, because jungle will never die. The break gets pretty nicely tweaked in the middle 8, while the guitar chugs along like a sped-up track from that Ministry album. Picastro – Fell The Family Tree [We Are Busy Bodies/Bandcamp] Liz Hysen’s band Picastro has been going for a very long time – since 1998 – with a changeable lineup that’s usually left-of-centre, featuring viola or cello (Hysen herself plays violin), with various luminaries of the Toronto scene involved, including Owen Pallett and Nick Storring. Hysen’s songs are often dark & creepy, often uncomfortably intimate, and the strings may be used atonally as often as they’re beautiful. It’s true to say that while every Picastro song sounds like Picastro, every Picastro album is different, and their forthcoming Double On Time may be more electronic, based on this lovely – and yes, creepy – first single “Fell The Family Tree”. Notable for us here at Utility Fog, the album is co-produced by Tim Condon of Fresh Snow, whose debut as Mirrored Silver Sea was a UFog fave in 2008, and who moved from Melbourne to Toronto not long after it was released. It’s great to hear his many contributions here alongside Liz Hysen’s singular vision. Carl Gari – Swim feat. Polygonia [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s to that label that Carl Gari now return for their self-titled album, forthcoming in June. This choppy beats of the second single are joined by multi-tracked vocals from Munich-based Polygonia, herself a producer of bass & other dancefloor music. james K – On God (Roza Terenzi Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Roza Terenzi is Katie Campbell, originally from Perth, then Melbourne, now Europe, also one third of trip-hop band trickpony. She takes the jangly indie song “On God” and dubs it out with vocal delays and chunkier beats – one of the best remixes of the set. Lyra Pramuk – Ending (Djrum Endless Rework) [7K/Bandcamp] The remix has in a sense always been at the heart of the work of operatically & classically-trained composer & producer Lyra Pramuk, whether it’s sampling and processing her own voice, or commissioning huge remix compilations as on 2021’s Delta. Last year she started her own label pop.soil, but simultaneously joined 7K (!K7‘s classical/ambient imprint that they’re back-referencing as 7Klassik), releasing the beautiful Hymnal in June. In June this year comes Hymnal (Resung), in which her voice and the strings of Sonar Quartett are remixed by seven of her colleagues – and who better than the classical-tuned beatmaster Djrum as the first to be released? dgoHn – I Couldn’t Remember So I Made Something Up [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! All signs point to Tessares being vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. I’m certain this will be a joy. SPECIAL REQUEST – Uncanny Valley (gyrofield remix) [Timedance/Bandcamp] When techno/tech house mainstay Paul Woolford unveiled his Special Request alter ego in 2012 with a series of 12″s and remixes, it was revolutionary not just for Woolford but for the nascent jungle revival, representing a new take on the ’90s jungle revolution, and pre-empting the still-current jungle revival by at least a couple of years (well it depends how you count it – Sully’s Blue double EP was 2014, despite the Bandcamp date). As you know, Woolford has used Special Request for all music of the hardcore continuum by now, but for Batu’s Timedance he’s dropped a piece of hardcoreish drum’n’bass. It’s backed by two remixes: Metrist‘s bass heavy slow-fast take and gyrofield‘s more abstracted weird-jungle. Weird dancefloors unite! los pulpitos – ii ii ii [Crammed Discs/Bandcamp] los pulpitos – Archipelago [Crammed Discs/Bandcamp] Since the early ’80s Belgian label Crammed Discs has been the home for postpunk and world music of all sorts as well as quite a lot of electronica. Techno & electronica producer Dirk Leyers here teams up with Felipe Salmon of Peruvian duo Dengue Dengue Dengue under the name los pulpitos (the little octopuses). Their debut EP Octopean Union from last year was a lovely piece of underwater electronica, combining techno & acid vibes with friendly drum’n’bass/jungle and those South & Central American percussive forms that Dengue Dengue Dengue nurtured. The new album Tentacletek is similarly-formed and both are absolutely lovely, just the right combo of dreamy & danceable. Appleblim – Thunderstorm [Sneaker Social Club/Bandcamp] Laurie Osborne as Appleblim was a key figure in the outward dissemination of dubstep with the Skull Disco label he ran with Sam Shackleton, twisting dubstep’s template to include technoid rhythms. Since then both artists’ oeuvres have turned sideways into other realms, but Appleblim’s always cleaved closer to the dancefloor. Here he’s joined with Sneaker Social Club for a third time, with melodic, hardware-driven rave tracks that float somewhere between drum’n’bass, 2-step, dubstep, weightless and some kind of acidic disco. Always brilliant. Rob Smith – Revolve (feat Tony Wrafter) [RSD Bandcamp] Here’s an unusual project for Rob Smith of Bristol trip-hop originals Smith & Mighty and junglists More Rockers. As RSD, Smith has also made forays into dubstep, indeed since early in the genre’s nascence, as well as dub more broadly. The makers of the underground film Urtobēn – Vienna’s illegal Artforms (more about graffiti and parkour activities than music itself) clearly felt RSD’s urban music styles suited the film’s aesthetic, and now he’s released the soundtrack on his Bandcamp, with tracks from many of his projects and a few fellow travellers. The previously-unreleased (I think!) jungle track I played tonight features trumpeter Tony Wrafter, a longtime Smith & Mighty fellow traveller, who’s also worked a lot with the On-U Sound stable. Ital Tek – Kill Switch [Planet µ/Bandcamp] I first played Alan Myson’s music as Ital Tek in 2007, pretty early in the dubstep’s expansion out from East London. He’d made a bit of breakcore/IDM before this, but his dubstep was quickly picked up by Mike Paradinas’ Planet µ, with all four tracks on the Blood Line EP certified bangers. He moved into a more purple phase, and via various other styles – some more ambient, some more industrial – we arrive at Mind Abandon. Here Myson is taking a bit more of a hardware approach, and again is mixing ambient with some more post-industrial expression, not exactly IDM or dubstep but not entirely separate either – especially the track I played tonight goes from punishing industrial bass into cyberpunk ambient synthesis. I’ve found for years now that Ital Tek albums don’t initially grab me, then I come back to them after a bit and I’m like What? This is fucking great. And yeah, this is great. An underrated talent, honestly. Jensen Interceptor – Flux Entrance [Peder Mannerfelt Produktion] Sydney-born producer Jensen Interceptor now finds himself based in Stockholm, so it makes sense that his last couple of EPs have been released by Pedder Mannerfelt‘s Produktion. Synthetic Seduction is definitely “future bass”, aimed squarely at the dancefloor; straightforward enough, but melodic and super bouncy. Rodja – Ajam (Version) [XCPT/Bandcamp] Pietro De Ruggieri is a producer from Mantera in Italy, releasing music as Rodja, which suggests a particularly Aussie pronunciation of “Rodger”, but presumably isn’t. De Ruggieri has spent some time in Tehran, and some of the music on his new album Third Force was produced there. It’s a phenomenal set of dub techno and other dubby bass music, with slippery production but emphatic beats, beautifully textured. Recommended. Paperclip Minimiser – TT A1 [Blank Mind/Bandcamp] Speaking of pitch-perfect updated dub techno, John Howes’ Paperclip Minimiser has the goods. This is far more ascetic than Rodja, a sound that will be familiar if you checked out Howes’ second album on Peak Oil a few weeks ago. Brilliant. Ptastvo – Bowls With Souls [I Shall Sing Until My Land Is Free/Bandcamp] Ukrainian label I Shall Sing Until My Land Is Free (based, with its progenitors, in Berlin since Russia’s war) here brings an album from Volodymyr Ponikarovskyi aka Ptastvo, who uses found sounds along with electronics and musical instruments to evoke the feeling of imbalance and the heightened emotions of living in wartime. It’s impressively varied music, and even at its most electro-acoustic (e.g. the literal metal bowls sampled on “Bowls With Souls”) it retains a connection to dance music, or at least music with beats. Quite an epic journey, one to listen to on a nighttime drive perhaps – or lie back and listen on headphones wherever you are. Bobby Ingham – Easy Mush [Sneaker Social Club/Bandcamp] Bobby Ingham – I Feel So Good I Swear I Could Fly [Sneaker Social Club/Bandcamp] On Angel of the North, released on Low End Activist‘s Sneaker Social Club, Leeds-born interdisciplinary artist Bobby Ingham echoes the label boss’s excavation of his Oxford council estate origins, featuring Ingham’s grandmother and Ingham’s own spoken word, with spookily discordant synths and fragmented rhythms tracing a skeleton of UK bass music, from grime to r’n’b-laced trip-hop. Berndt / Schmidt – Gecko Lazzaro [Thrill Jockey/Bandcamp] Drew Daniel, one half of Matmos, is quite prolific outside of the beloved duo, with a varied solo career as The Soft Pink Truth as well as various collaborations. It’s less common to hear solo or other non-Matmos music from Drew’s partner Martin M.C. Schmidt, so the new album Cloud Machines, which finds Schmidt working with Baltimore experimental mainstay John Berndt, should make us sit up and listen. The humour and weirdness of Matmos is very much present, but its exploratory sound – from the first couple of singles – takes in Krautrock studio experimentation, postpunk out-rock and any other leftfield musical non-traditions. Harrington, Jaffe, Shiroishi – FRACTAL HASH [AKP Recordings/Bandcamp] Via LA label AKP Recordings, Making Colors is the second improvised wonder from three talented musicians who work comfortably across genres. Dave Harrington may be best known for his collaboration with Nicolas Jaar, Darkside, Max Jaffe for the art rock/avant-pop of JOBS and drumming in Amirtha Kidambi’s Elder Ones, and Patrick Shiroishi for his solo saxophone & sound-art as well as hardcore punks The Armed, contemporary music ensemble Wild Up and much more. This spontaneous music can sound like postrock at one time, then free jazz or psychedelic noise, or ambient, all filtered through electronic processing. Rad. Adam Schatz – A Voice Screaming All Aboard (feat. Carmen Quill) [Jealous Butcher Records/Bandcamp] Speaking of jazzers in smudged genres, Adam Schatz is a saxophonist and keyboard player who’s played with prominent indie artists like Japanese Breakfast, This Is The Kit and many others, and his Civil Engineering Vol. 1 is an enjoyable selection of melodic jazz made even better with the double bass of Carmen Quill on most tracks, and Dawn of Midi drummer Qasim Naqvi on a couple too. Purelink & Rainy Miller – Barrons Hotel (I, To, Thee.) [Fixed Abode] Arriving with no fanfare or explanation is this 2-tracker from Manchester producer/singer/iconoclast Rainy Miller, on his Fixed Abode imprint, collaborating with US electronica trio Purelink. Gorgeous smeared electronics with Rainy Miller’s typically morose, yet cutting, work. Listen again — ~222MB

in which Fourest is upgraded once again, the merging of the Matmos is slowed, and Nyssa Woods “wins” the Ruin-A-Life Drawing. Do Evil Better. Kakos Industries is ad-free. To help keep it that way, head to KakosIndustries.com/Patreon and consider becoming a member today. Intro:  What you are about to hear is totes goated. Hello and […]

Luke Meat was the music director at CiTR radio during the 2000s. From 1998-2000 he was the DJ at the Brickyard under the name Audio Where. Luke was a member of the bands Damn Fine Sandwich, Storc, Value Village People, and Zero Percent Interest and currently in Bat Leather. This conversation was recorded on January 15 2026. The Brickyard was at 315 Carroll Street. In the late 1990s and early 2000s it was one of the main venues for local bands and out of town bands looking to play smaller venues. The building still exists and has been renovated into a  bakery, vintage shop and coffee shop. Other venues visited: Selectors Records, Blim. Other venues discussed. Columbia, The Old American, Smilin' Buddha, Hoko's, Web Cafe, Starfish Room, Richards on Richards. Bands discussed: Chixdiggit, Fluff, Sunn O))), Boris, Groovy Ghoulies, Smugglers, Maow, And You Will Know Us by the Trail of Dead, At the Drive-in, Matmos, Modest Mouse, Close Caption Radio, Wide Mouth Mason, Kinski, Industry & Agriculture, Unclean Wiener, Destroyer, Jerk with a Bomb, Jennifer Gentle, Sleater Kinney, The Evaporators, Seam, GOB, d.b.s.   This episode features the following music: Kinski: Point That Thing Somewhere Else from Semaphore EP (2002). d.b.s.: Galleon's Lap from If Life Were A Result We'd All Be Dead (Originally released on Crap records, 2014) Bat Leather: Pageantry (2025)

in which work continues to unify the Matmos, there are some concerning updates about Fourest, you kill a plant, and Kayve Moss “wins” the Ruin-A-Life Drawing. Do Evil Better. Kakos Industries is ad-free. To help keep it that way, head to KakosIndustries.com/Patreon and consider becoming a member today. Intro: What you are about to hear […]

This week, prodigious purveyors of the past, multi-instrumentalists, singers and story tellers, Anna & Elizabeth recorded live at the Ozark Folk Center State Park. Also, interviews with these unique performers. The collaboration between Anna & Elizabeth spans worlds — between their homes in Brooklyn and rural Virginia -- between deep study of mountain ballads with old masters and explorations into the avant garde — between music, performance, and visual art. Anna & Elizabeth have performed across the country and in Europe. Highlights include: The Newport Folk Festival; NPR's Tiny Desk Concert; The Chicago Folk Festival; The High Museum of Modern Art (Atlanta); and the Cambridge Folk Festival (UK.)  Their work has been featured on BBC Radio 2 and BBC3's Late Junction, Vice's Noisey, the Huffington Post, and No Depression. They have shared the stage with Alice Gerrard, Mick Moloney, Sam Lee and Riley Baugus, Bruce Greene, Abigail Washburn, Wayne Henderson, and also National Heritage Award winners Sheila Kay Adams and Billy McComiskey. Elizabeth Laprelle lives on a farm in Rural Retreat, Virginia, where she grew up, and  has pursued her interest in mountain ballads for over a decade. Since the release of her debut album at age 16, she's been hailed as one of the most dedicated students of the traditional unaccompanied style of her generation. The student of master singer Ginny Hawker and National Heritage Fellow Sheila Kay Adams, Elizabeth was the first recipient of the Henry Reed Award from the Library of Congress at age 16, and won the 2012 Mike Seeger Award at Folk Alliance International. She has released three solo ballad albums, and was called “the best young Appalachian ballad singer to emerge in recent memory” by UK's fRoots Magazine.  Anna Roberts-Gevalt is a voracious and curious multi-instrumentalist originally from Vermont, described by Meredith Monk as a "radiant being." She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky's traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival.  She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald. In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy's Dream,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.

Episode 771: December 21, 2025 playlist: Velvet, "Catherine" (porcelain and velvet) 2025 [self-released] Matmos, "Great Geometry (live in Australia)" (Great Geometry (live in Australia)) 2025 [self-released] Surya Botofasina, "SharedSunsets" (RentParty77) 2025 [self-released] Lucrecia Dalt, Y La Bamba, Niño de Elche, Victor Herrero, "caes (u suerte)" (caes EP) 2025 RVNG Intl. SPC ECO, "Bleak Mid Winter" (Bleak Mid Winter) 2017 [self-released] Christina Vantzou, John Also Bennett and Oliver Coates, "Death, Reverb and Decay" (Death, Reverb and Decay) 2025 Editions Basilic Buck Curran, "Solstice" (Far Driven Sun) 2025 ESP-Disk The Notwist, "X-Ray" (News from Planet Zombie) 2026 Morr Music David Shea, "Memories Of Sitting In A Painted Cave" (Meditations) 2026 Room40 The Stargazer Lilies, "Listen The Snow Is Falling" (Listen The Snow Is Falling) 2016 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

In onda Gigi Longo. Musiche: Erasmo Carlos, Arvo Part, Dos Santos, Lucrecia Dalt, Sofie Birch & Antonina Nowacka, Matmos, John Zorn, Utsav Lal, Oren Ambarchi Johan Berthling and Andreas Werliin, Marc Johnson Bass Desire.

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora) e Nik Silva (@niksilva) celebram a vida e a obra de Brian Wilson (1942 - 2025), membro fundador dos Beach Boys, um dos nomes mais influentes da história da música e o grande arquiteto do pop moderno.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Haim https://tinyurl.com/b447yzaz➜ Kokoroko https://tinyurl.com/bdff29ba➜ Corto Alto https://tinyurl.com/5dp44tan➜ Alberto Continentino https://tinyurl.com/yff6nd6x➜ Subsonic Eye https://tinyurl.com/yh3rhh9s➜ Hayden Pedigo https://tinyurl.com/yw7shvzx➜ Sofia Kourtesis https://tinyurl.com/2s4dc2f5➜ Caroline Polachek https://tinyurl.com/8sbnsvz3➜ Amaarae https://tinyurl.com/2rtxk57x➜ Wednesday https://tinyurl.com/4eztus24➜ Nourished By Time https://tinyurl.com/2a5jjwcc➜ Four Tet https://tinyurl.com/mrm5yjcy➜ Marrakesh https://tinyurl.com/yxy9atur➜ Yaya Bey https://tinyurl.com/cw8uvhee➜ Matmos https://tinyurl.com/mvwzmd39➜ Alberto Continentino https://tinyurl.com/yff6nd6x➜ Loyle Carner https://tinyurl.com/bdh7buyy➜ Hotline TNT https://tinyurl.com/38h4h5c9Você Precisa Ouvir Isso➜ Fashion Neurosis➜ Pablo e Luisão (Globoplay)➜ The Durutti Column: "The Return of the Durutti Column" (1980)➜ The Durutti Column: "LC" (1981)➜ The Durutti Column "Domo Arigato" (1985)➜ The Durutti Column: "Vini Reilly" (1989) – mais conhecido do projeto➜ The Durutti Column: "Sex and Death" (1994)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Tonight's edition features new music from Marconi Union, Erki Parnoja, Lauri Kallio, Gustavo Cortinas, Matmos, Loscil, Mark Pritchard + Thom Yorke, and much more!

Hazy electronic sounds dominate the first two hours of this week's AM—including new Matmos, new-ish mortality-contemplating Blockhead, and a throwback to a 2010 release from Carbon Based Lifeforms. Then, a more organic, singer-songwritery third hour wraps up a rainy Monday morning.Playlist: Kara-Lis Cloverdale - Flickers in the Air of NightBuildings and Food - Clear SkiesDjrum - A Tune For Uswihtikow - ᐸᐦᑭᓯᒧᑖᕁ (ᐊᐦᒐᕽ remaster)Underworld, featuring Nina Nastasia - Iron BonesMatmos - Changing StatesEzra Feinberg - Pose Beams (Gold Panda Remix)uh - i want my life backMinor Sine Project - Summer LuckErki Pärnoja - AcapulcoBlockhead - They Got Therapy For ThatYetsuby - Where is my...Kogane, Thomas White - time&placeCarbon Based Lifeforms - InterloperCarbon Based Lifeforms - MSanctums - Magnum OpiateCylindricon - Numbers & LettersWechsel Garland, World Standard - OctantCici Arthur - Prior TimesJim O'Rourke - Ghost Ship in a StormSnailhouse - Look What I've DoneBen McElroy - The HowlingSackville - Blue LipsTakènobu - Shizen Ni 自然に (Naturally)Robert Wyatt - Heaps of SheepsLael Neale - All Good Things Will Come To PassThree Quarter Skies - Crows - Drab Majesty RemixGodspeed You! Black Emperor - Grey Rubble – Green Shoots

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre como ficamos reféns das plataformas de streaming e quais são os caminhos para descobrir músicas novas além da lógica dos algoritmos.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Fontaines D.C. https://tinyurl.com/3mvc2m7m➜ Tagua Tagua https://tinyurl.com/52jda5wk➜ Terno Rei https://tinyurl.com/mr2ufa2v➜ Celacanto https://tinyurl.com/yrpth9xu➜ Avenida Paulista https://tinyurl.com/26784xu9➜ Yumi Zouma https://tinyurl.com/3prj96jm➜ Tunde Adebimpe https://tinyurl.com/yz56h276➜ Julien Baker & Torres https://tinyurl.com/2wxtbfmc➜ Beirut https://tinyurl.com/3akmdt9v➜ Quickly Quickly https://tinyurl.com/32aebd9d➜ Rachel Reis https://tinyurl.com/38ba596f➜ Addison Rae https://tinyurl.com/269v9p6y➜ Lana del Rey https://tinyurl.com/58v382v2➜ Matmos https://tinyurl.com/mpuufjw4➜ Gabre https://tinyurl.com/tcmh3e4s➜ Caroline https://tinyurl.com/4ybz7nenVocê Precisa Ouvir Isso➜ Panda Bear no Tiny Desk Concert https://tinyurl.com/bddprwm5➜ Festival de Cinema Europeu Imovision➜ Andor (Disney+)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Il covidcore, spiegato bene. I nostri dischi della settimana sono quelli di Julien Baker & Torres, Tunde Adebimpe e Beirut. Nuovi singoli per caroline, Matmos e Lana Del Rey. Il tour dei cani, i primi nomi del Medimex a Taranto e la line-up del Montreux Jazz Festival.

Episode 742: April 18, 2025 playlist: Matmos, "Changing States" (Metallic Life Review) 2025 Thrill Jockey Stereolab, "Aerial Troubles" (Instant Holograms On Metal Film) 2025 Duophonic Ellen Arkbro, "Nightclouds" (Nightclouds) 2025 Blank Forms Karate, Guns and Tanning, "Glassy" (Krisis Genre) 2025 [self-released] Bill Orcutt Guitar Quartet, "Barely driving" (HausLive 4) 2025 Hausu Mountain Fluxion, "Magenta" (Haze) 2025 Vibrant Music Mark Stewart, "Memory Of You" (The Fateful Symmetry) 2025 Mute Laura Sheeran, "Lavinia" (Lavinia) 2025 [self-released] Lipsticism, "Feeling Why Do You Follow" (Wanted To Show You) 2025 Phantom Limb Drop Nineteens, "White Dress" (White Dress (demo)) 2025 Wharf Cat The Legendary Pink Dots, "Darkest Knight" (So Lonely in Heaven) 2025 Metropolis Grails, "Silver Bells" (Miracle Music) 2025 Temporary Residence Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

In 1968, fans of science fiction movies had two options (please don't fact check this, there's no need): 2001: A Space Odyssey or Roger Vadim's Barbarella. Which movie was superior? Critics are still fiercely divided on the question (again, please don't fact check this), but I can tell you one thing: Stanley Kubrick never thought to shoot an entire film inside a lava lamp, which certainly seemed to be Vadim's ambition.The real question is: what did Adam and Aidan think of this splashy, groovy, junky, barely coherent but extremely entertaining Matmos of a movie? Listen below, or find us on your podspitter of choice.

Science is not some purely rationalist endeavor that exists in an isolated realm of objective observations and hard data that can deliver absolute truths. It is built on and intertwined with the modes of analysis, intellectual history, and ways of knowing in the humanities. 0:00 Intro 2:19 Part 1 –– Metaphors We Live By 5:52 Part 2 –– Metaphors in Science, an Ancient Paradox 10:32 Part 3 –– Embryology 23:10 Part 4 –– The Clockwork Universe 32:04 Part 5 –– The History of a Dead Metaphor: Cell 44:00 Part 6 –– Black Holes 51:10 Part 7 –– The Body 57:50 Part 8 –– Pain, in 78 Adjectives 1:05:29 Part 9 –– Natural Selection 1:09:47 Part 10 –– A New Metaphor for Science 1:20:22 Part 11 –– The Solar System Model of the Atom 1:24:35 Part 12 –– Uniformitarianism 1:31:35 Part 13 –– Glia, the Gendering of a Cell 1:39:15 Part 14 –– Light Bulbs and Seeds 1:46:04 Part 15 –– War and Disease, the Domination of a Metaphor 1:51:26 Part 16 –– Social Darwinism 1:55:05 Part 17 –– The Universe 2:02:08 Part 18 –– Anthropomorphism An Inexact Science is a production of The World According to Sound. It's part of our series, “Ways of Knowing,” audio works dedicated to humanities research and thought. It was made in collaboration with the University of Chicago's Institute on the Formation of Knowledge. Special thanks to Shadi Bartsch-Zimmer, who spearheaded the project at the University of Chicago. Editorial support from Hans Buetow. Academic advising by Andrew Hicks. Voicing work by Tina Antolini. Mathematical consultant, Steven Strogatz. Intro music by our friends, Matmos. And to see a complete list of musicians used in this show, visit our website: www.theworldaccordingtosound.org

IMA is the electro-percussion project of electronic sound artist Amma Ateria and percussionist Nava Dunkelman. The duo has been presented in residency at The Stone, San Francisco Electronic Music Festival, San Francisco Art Institute, and Stanford University and collaborated with Ikue Mori, Fred Frith, John Zorn, Matmos, and many others. IMA will perform The Flowers Die in Burning Fire on the final night of this year's Other Minds Festival on September 28, 2024. In the interview, we talk about the duo's early collaborations, perception of time in music, and the influence of Japanese poetry. Music: “Meshes of the Afternoon” from The Flowers Die in Burning Fire by IMA (Buh Records); “Notion of Time” from The Flowers Die in Burning Fire by IMA (Buh Records); “Ende” from The Flowers Die in Burning Fire by IMA (Buh Records) Follow IMA on Facebook and Instagram. imanoise.me Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Playlist for this show :- 1 Matmos .. Amplifier ( Echo Street 2013 )( Nostalgia ) 2 Your Dead Sea .. The Dark Monarchy ( The Weight Of The World 2024 )( Album Of The Week ) 3 Out Of Time .. Doncryus ( Doncryus 2024 ) 4 The Changes We Made .. The Dark […]

This week Random Randy of the Red Thread Podcast joins Bob and CHUD for an incredibly random and fascinating conversation. Seriously, this is a fire hose of three guys spouting off about anything and everything on their minds. Mostly conspiracy, mostly random and mostly wild stuff. Is Jim Carey actually Joe Biden? Are birds real? Are the cathedrals really power stations for underground cloning facilities run by immortals who are using self reproducing clones for a reality TV show? All this and more in tonight's episode. Enjoy! Special thanks to Negativland, OTE and Matmos for musical programming. Listen to Randy here: https://podcasters.spotify.com/pod/show/red-thread-podcast Reach out to Randy on IG here: @randomfracts Moral Bobcat: @theperpetualskeptic CHUD: @mr_chudxindeed Email: esotericgore@protonmail.com

Jennifer Walshe is one of the coolest people we know. Her artistic work and thought has broken our brains for years, leaving us shipwrecked in its torrential waves of reference and irony and joy and conceptual viscera.We talk about her recent piece for the Unsound Dispatch, 13 Ways of Looking at AI, Art & Music — a series of vignettes that in their totality assemble into one of the most coherent accountings of what it is we're all experiencing.Some references from the ep:Listen to Things Know Things on RTÉ Lyric FM. Hopefully you're aware of the music duo Matmos — Jennifer references this record in the context of discussing conceptual work. Jennifer also speaks often of her close collaborator Jon Leidecker (Wobbly), who has a few absolutely killer sets with Matmos, including this one.You can interact with Walshe's Text Score Dataset here.We continue to enjoy references to Holly Herndon and Mat Dryhurst's Have I Been Trained (https://haveibeentrained.com/), a way to search for your (or anyone's) work in large, public, AI training datasets.Two movies everyone should see: Catfish the Movie and HER. (We'd also recommend Catfish the TV show, of course).Jennifer mentions the computer scientist Kate Devlin's work, especially “Turned On: Science, Sex and Robots.”If you haven't googled a picture of Paro the Therapy Seal, do it.Jennifer's record “A Late Anthology of Early Music Vol. 1: Ancient to Renaissance” is a top lifetime record as far as we both are concerned. Check out track 16 for that Palestrina. It's CRAZY. To wrap it up, check out Ted Gioia's Substack and Bruce Sterling's writing (the concept Walshe references is "Dark Euphoria").

From the newest Mythological Horses to the oldest from Matmos and relics from Bugskull and Blowhole and Year of the Lips… …and More. Always More. PLAYLIST:

In "The Music Episode:" "Let's Paint TV," Ludacris color story meme, and keeping the kids in their rooms by tuning in to Day Of Noise on KZSU. When life gives you shoes.. make shoeanade The new shoes that I got in the last episode are working out. They're made by a company called Drew I swear it's true Semi-transparent guitarist playing a record store "in store" gig with red paint scrawled all over its face This is the music episode Spicy Roasted Pistachio Nuts The Spicy Roasted Pistachios with Hoppin Hot Sauce Extra Hot came out but there was one problem - i couldn't stop eating them - we'll eat them at the Super Bowl, if they last that long I'm writing an email blast about them, and I made some cool collages, like this one, of the guy who coined the term 'umami' Umami means "delicious taste." in Japanese. The Struggle Is Real If Sisyphus was alive today, he could have a podcast about going up the hill and rolling the boulder over and AI would say it was a multi-faceted discourse. Chairpiphany It helps when I search for stuff using my wheelchair not walking around. BC then I actually look around, instead of focusing on walking, trying not to fall, as usual. Berkeley Rock Stars https://www.youtube.com/watch?v=CnQ8N1KacJc I got a fragment of The time of your life Green Day song stuck in my head, but only the title, and even that I got wrong. Not Like The Others If you're like, "This certainly isn't like another podcast," make sure to subscribe to get the selfie. Here Be The River Of Pain Changes in the weather: the atmospheric river pointed at California is screwing with my face a bit. Stinging me, stabbing me - out of nowhere. Ultimately Very Listenable https://www.youtube.com/watch?v=CFEY7Aw7S7s&t=1848s Thiis is from "Let's Paint TV," hosted by the Los Angeles artist John Kilduff. Once the novelty of his multidisciplinary multitasking wore off, which, I admit, took a while, I found it soothing and ultimately very listenable. He has an etsy store, with lots of items for sale at a very reasonable prices considering the obvious talent involved. For real - I mean, could you do this? I couldn't, and I appreciate him for what he has done. Appealing Color Story Hip Hop Rap Ludacris Meme I created the Ludacris meme "Mauve birch" My Children Were On Lockdown It was the day of noise on KZSU. The 24-hour live marathon of noise and experimental sounds kept the kids out of the main room of the house, in their rooms with the doors firmly shut, pretty much all day. Keeping It Going On the day after Day Of Noise, my daughter had a playdate. While it was going on, I put on Escalo Frio by Otto Von Shirach which was more of the same. Escalo frio means shiver in Spanish. The record features an appearance by Matmos. Before putting it on I told my wife it was dance music and I admit, that was misleading. No Test Drive Abilities expo isn't happening in the bay area this year but it is happening in Los Angeles in mid March. I can get another of the same wheelchair that I already have, however I would like to have a chance to look at the options in a hands-on way. The Music Episode Selfie The Music Episode Selfie One More Time This is the music episode. Semi-transparent guitarist playing a record store "in store" gig with red paint scrawled all over its face Chapter List 00:00:00 - Funeral song 00:00:52 - ATMOSPhERIC RIVER TRIGEMINAL NEURALGIA 00:01:13 - New Drew Shoes 00:03:05 - This is the music episode 00:03:59 - Ikeda who coined the term 'umami' 00:05:13 - HOPPIN HOT SAUCE jingle 00:05:14 - If Sisyphus was alive today 00:05:44 - Search by wheelchair 00:06:54 - "Good Riddance" Green Day 00:08:05 - Get the selfie 00:10:10 - John Kilduff / Let's Paint TV 00:13:44 - Ludacris meme "Mauve birch" 00:14:44 - KZSU Day Of Noise 2024

We're back after a four month hiatus to bring you our list of the top 100 albums of 2023. Is it, at bare minimum, a month and a half late? Yes. By "we" do we mean "just Brad because Sean wouldn't want any part of this nonsense"? Yes again. But whatever, we're doing it anyway. It has been another great year for music, which at this point should not be shocking. We've got incredible team-ups galore, big names from the past making a mark in the present, new names bursting on to the scene, everything and the kitchen sink albums, spoken word weirdness, hip-hop standard bearers still innovating, gloopy synths, the sounds of a haunted house, and above all else, a lot of very aggressive, noisy music. It was a hell of a year. So... enjoy? (We'll be back to our regularly scheduled programming... eventually. Probably soon. We are still reeling from the Detroit Lions losing the NFC Championship game, so it might be a while) Artists Discussed (In Alphabetical Order): 2FAC, Aaron Dilloway, Aho Ssan, Altin Gun, Ana Frango Elétrico, Armand Hammer, Bandler Ching, BBBBBBB, Bill Orcutt, Billy Woods & Kenny Segal, Bounaly, Brass Riot, Bully, Caterina Barbieri, Charif Megarbane, Colin Stetson, Dead Times, Deena Abdelwahed, Disclosure, Divide and Dissolve, DJ Finale, DJ Girl, DJ Smiley Bobby, EABS & Jaubi, El Michels Affair & Black Thought, Ellen Arkbro, Embarker, Emergency Group, Euglossine, Fever Ray, Fire Toolz, Forest Swords, Gazelle Twin, Gezan & Million Wish Collective, Great Falls, Guilty Simpson & Uncommon NASA, Hitech, Hourloupe, Hyphyskazerbox, ICECOLDBISHOP, Jana Winderen, Janelle Monáe, Jlin, JPEGmafia & Danny Brown, Judgitzu, Karen y los Remedios, Katarsi, KEN Mode, Kool Keith & Real Bad Man, Kouns and Weaver, Larry Wish, Lauren Bousfield, Loraine James, Lost Girls, Lunch Money Life, Madlib, Meyhem Lauren, & DJ Muggs, Mallwalker, Marina Herlop, Matmos, MC Yallah, Mendoza Hoff Revels, MIKE, Mike Nigro, Model/Actriz, Mukqs, M-Ziq, Natalia Beylis & Eimear Reidy, Neupink, Novatron, Nuovo Testamento, Oozing Wound, OrangeTone, Organized Cream, Ortopedia Tecnica, Osees, Paavoharju, Physique, PoiL/Ueda, Private Lives, RP Boo, Screaming Females, Shit And Shine, Sightless Pit, Silver Apples & Makoto Kawabata, Sunik Kim, Sweeping Promises, TALSounds, Tee Vee Repairman, Teeth of the Sea, That Mexican OT, The Gate, The HIRS Collective, Tim Hecker, Tinashe, Tzusing, Victoria Monet, Vorsicht Kinder, Wound Man, Zoh Amba/Chris Corsano/Bill Orcutt --- Website: www.queenvenerator.com Instagram: https://www.instagram.com/queenvenerator/ Bluesky: https://bsky.app/profile/queenvenerator.bsky.social

Bruce. Songs written by Shane McGowan and Tom Waits. New releases by Elisapie, Matmos, Ian Davies and others.Playlist: Elisapie - Taimaa Qimatsiniugimat (That's No Way To Say Goodbye)Ian Davies - Sad SongsElliott BROOD - Dried UpThe Cottars - Georgia LeePatty Griffin - Ruby's ArmsMadison Cunningham - Hold OnSt. Jerome School - Dirty Old TownThe Pogues - Pont MirabeauThe Peelers - Rise AgainThe Pogues, featuring The Dubliners - The Irish RoverLe Vent du Nord - RossignoletGenticorum - Le PersuaderJolene Marie - HoneyNico Paulo - Read My MindVieux Farka Toure & Julia Easterlin - Masters of WarMatmos - Going To SleepRubim de Toledo, featuring Karimah - Rhythme Chante

Beginning with a reading by Edgar Garcia, this episode includes music from the experimental electronic band Matmos and the actual voices of poets, fiction writers, and other artists working with words to render new waves of thought through eye, ear, and air. Come in and hang out with us on the top edge of the Fence where you are welcome to get swirled up in the speaking spells still fresh now as they were when active breath and vibrating vocal cords. Support the show

Episode 663: October 29, 2023 playlist: JK Flesh, "No Exits" (No Exits) 2023 Avalanche Matmos, "Why" (Return To Archive) 2023 Smithsonian Folkways Kate Carr, "Usually Concealed In Dense Foliage" (A Field Guide To Phantasmic Birds) 2023 Room40 Large Plants, "White Horse" (The Thorn) 2023 Ghost Box Andreas Gerth and Carl Oesterhelt, "Abdication" (Music for Unknown Rituals) 2023 Umor Rex General Magic, "Input : Reason" (Nein Aber Ja) 2023 GOTO Eugene Carchesio + Adam Betts, "L" (Circle Drum Music) 2023 Room40 Microstoria, "Sleepy People / Network Down" (SND) 1996 / 2023 Thrill Jockey Cloud Management, "PST Version" (V.A.) 2023 Altin Village and Mine Beatriz Ferreyra, "UFO Forest" (UFO Forest +) 2023 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Bob Holmes of SUSS is joined by his co-hosts Pat Irwin and Jonathan Gregg of SUSS, along with Andrew Tuttle to discuss their musical influences, particularly as they apply to their recent Longform Editions release of "Rising." They discuss the music of Aaron Copland, Oneohtrix Point Never, Ry Cooder, Matmos and many more.

"Hello! This is Conrad Miszuk, the creator of Kakos Industries, many of the voices including Corin Deeth III, the composer, editor, producer, and many other roles. Kakos Industries is a dark comedy about a company that specializes in helping its clients to Do Evil Better. It is a sex-positive satire with its heart in the right place. Episodes follow Corin Deeth III, the CEO of Kakos Industries as he attempts to make it through the monthly announcements keeping shareholders of Kakos Industries up to date without any sort of crisis emerging or other serious interruption. The show has been running just shy of ten years now, with a back catalog of over 72 hours of episodes if you like what you hear. This is episode 138 - A Matmos Halloween, which was last year's Halloween special. The Matmos is an inky black ooze-like organism that is ever present in Kakos Industries, and recently the staff have discovered that it has a mind of its own, or minds plural to be more accurate, and it has quite suddenly taken an interest in the politics around the building. We also hear from some of the long-time cast members of the show as they join Corin in celebration, or attempt to derail his broadcast. I hope that you enjoy the show. Thank you for listening, new shareholder." cw: sexual content, violence Transcript can be found at: https://kakosindustries.com/episodes/138-a-matmos-halloween/ https://kakosindustries.com Socials: kakosindustries.tumblr.com

Phoar, what a scorcher! It's a hot box in the studio and hot on the sounds as well. Kicking off with a remarkable track from Matmos, who use the sounds of the Mud-Dauber Wasp to create a thumping electronic banger. We move through various degrees of ferociousness, with Nihiloxica, Gazelle Twin, and Lila Tirando a Violeta and Sin Maldita bringing hefty fire. Elsewhere we're treated to a new percussive experiment from Hihats in Trees, there's an opus from Tenerife's Gaf y la Estrella de la Muerte, multiple tastes of Polish experimentalism and more. You can listen to the first six tracks for free. To listen to the full episode, get a huge back catalogue of music, and access to our live shows and Discord group, please join our Patreon: patreon.com/independentmusicpodcast. The podcast only survives with Patron support TracklistingMatmos – Mud-Dauber Wasp (Smithsonian Folkways Recordings, USA)Nihiloxica – Kudistro (Crammed Discs, Belgium)Gazelle Twin – Black Dog (Invada, UK)Hihats in Trees – Steppestep (Maloca, Belgium)Raphael Rogiński – Cliffs And The Seas (Instant Classic, Poland)Lila Tirando a Violeta & Sin Maldita – Accela (Hyperdub, UK)Gabe 'Nandez – Long Reach (POW Recordings, USA)Zajwert – MET (Point Source Electronic Arts, USA / Zoj, Poland)Gil Dionísio – Já Não Consigo Mais, Mas Vou Continuar (self-release, Portugal)Gaf y la Estrella de la Muerte – Wormhole 74 (Keroxen, Spain) This week's episode is sponsored by the state51 Conspiracy, an independent music house. Go to state51.com to find out more about everything they do: state51 Factory sessions and events; hand-made Atelier products; a diverse roster of Label releases; Greedbag stores, pop-up and fanzine, and the Collective of distribution partner labels and artists

Episode 655: September 10, 2023 playlist: Matmos, "Mud-Dauber Wasp" (Return to Archive) 2023 Smithsonian Folkways Endless Melancholy, "Silent Dawn, Grey Twilight - 2023 Version" (Silent Dawn, Grey Twilight - 2023 Version) 2023 self-released Ty Segall, "Void" (Void) 2023 Drag City Caterina Barbieri, "Perennial Fantas" (Perennial Fantas (single)) 2023 Light-Years Babytooth, "Heaven in a Jar" (Babytooth) 2023 Antiquated Future / Bud Tapes Grails, "Black Rain" (Anches En Maat) 2023 Temporary Residence Tirzah, "u all the time" (trip9love...???) 2023 Domino Lewsberg, "An Ear To The Chest" (Out And About) 2023 12XU Forever Sound, "Eight Breaths" (Tanzers Eins) 2023 Malka Tuti Jonathan Canady, "The Latest Disturbing Symptom" (Suffering and Defiance) 2023 Old Europa Cafe Film School, "All I'll Ever Be" (Field) 2023 Felte Colleen, "Night looping - Movement II" (Le jour et la nuit du reel) 2023 Thrill Jockey Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

In which Corin makes some drastic decisions, the Little Ones are about to ascend, Kimmie struggles to explain what the Matmos is after, and Briggs Kennedy “wins” the Ruin-A-Life Drawing.  Kakos Industries is ad free. To help keep it that way, consider heading to Kakos Industries.com/patreon and pledging a dollar or more a month. Ryan:  […]

in which the effort to contact the Matmos has grown more urgent, someone important has disappeared, and the Smartest Ass has “won” The Ruin-A-Life Drawing. Do Evil Better. Kakos Industries is ad free. To help keep it that way, consider heading to Kakos Industries.com/patreon and pledging a dollar or more a month. Ryan:  What you […]

A conversation with Matmos on their recent album "Regards/Ukłony dla Bogusław Schaeffer." A reimagination of the work of Polish composer Boguslaw Schaeffer. Great to speak with M. C. (Martin) Schmidt and Drew Daniel about their awesome creative work ! Music on this edition is from the album. Thank you to David Mitchell from Blue Skies Turn Black for helping to facilitate the interview.

in which you are apparently seeing things, the staff make conversation with the Matmos, Kimmie gets elevated with the Matmos Twins, and Señor Franco “wins” the Ruin-A-Life Drawing. Do Evil Better. Kakos Industries is ad free. To help keep it that way, consider heading to Kakos Industries.com/patreon and pledging a dollar or more a month. […]

in which the Kakos Industries staff work tirelessly to make progress with the Matmos, Corin gets excited about Dragon Week, Kimmie gets Clarissa and Hedera drunk (again), and Chiara Benlontani “wins” the Ruin-A-Life Drawing. Do Evil Better. Kakos Industries is ad free. To help keep it that way, consider heading to Kakos Industries.com/patreon and pledging […]

It's our yearly tradition here at Queen Venerator as we're counting down our Top 100 Albums of 2022. To say that this was a good year in music would be a massive understatement. This was one of the best years in music in recent memory. A lot of great albums didn't make the cut, which is kind of insane considering there are 100 albums listed here. And what a 100 they are. Dance bangers from across Africa, ambient bedroom projects, a ton of hip-hop, wild free jazz, midi-infused pipe organs, fiery hardcore punk, modular synths for days, ear-shattering electronics, the smoothest desert blues, a guy rummaging around in a box for an hour, and so much more. Enjoy! Website: www.queenvenerator.com Instagram: https://www.instagram.com/queenvenerator/ Twitter: https://twitter.com/queenvenerator Facebook: https://www.facebook.com/queenvenerator/ Artists Discussed: 700 Bliss, Afrorack, Ani Klang, Bad Bunny, Battle Trance, Beyonce, Bill Orcutt, Billy Woods x Messiah Musik, Binker and Moses, Bitchin Bajas, Bjork, Black Flower, Blind Eye, Bob Vylan, Burning Plastic Blues Band, Caterina Barbieri, Cheb Terro Vs DJ Die Soon, Cheba Wahida, Claire Rousay, Compro Oro, Condor Gruppe, Crime of Passing, Croatian Amor, Danger Mouse and Black Thought, Dawn Richard and Spencer Zahn, Deathsdynamicshroud.wmv, Denzel Curry, DJ Travella, Earthlogoff, Ensemble Nist-Nah, Etran de L'Air, Flower-Corsano Duo, Freak Genes, Gwenno, Hi Tech, Horse Lords, Hudson Glover, Imarhan, Immanuel Wilkins, Jenny Hval, Jupiter Jax, Kali Malone, Kendrick Lamar, Konjur Collective, La Milagrosa, La Roche, Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa, Latto, Laura Cannell, Little Simz, Lucrecia Dalt, Macross 82-99, Makaya McCraven, Marina Herlop, Matmos, Maxime Denuc, Moor Mother, Municipal Waste, Natural Dice, New Mexican Stargazers, Nik Colk Void, Novatron, Omertà, Open Mike Eagle, Oren Ambarchi, Osees, Otoboke Beaver, Patrick Shiroishi, Persher, Petrol Girls, Phelimuncasi, Point No Point, Problems, Pulse Emitter, Pusha T, Rachika Nayar, Ribbon Stage, Robin Foster, Rosalia, Sarah Davachi, Sarahsson, Silica Gel, Sote, Strugglin', Sudan Archives, Superchunk, Tanya Tagaq, Torrello, V/A - Doom Mix Vol. VI, V/A - Future Nuggets: Sounds of the Unheard from Romania Vol. 4, V/A – Music from Saharan WhatsApp, Varsovia, Viagra Boys, Weston Olencki, Weyes Blood, Whatever The Weather, Wormrot, Worst Spills, Zola Jesus

Episode 608: December 18, 2022 playlist: Noveller, "Twin Peaks (Main Theme)" (Red Room) 2021 self-released Nik Colk Void, "Big Breather" (Bucked Up Space) 2022 Editions Mego A Place To Bury Strangers, "My Head Is Bleeding" (See Through You) 2022 Dedstrange Edward Ka-Spel, "Harbour Lights" (Conspiracy Of Pylons) 2022 self-released Loop, "Axion" (Sonancy) 2022 Cooking Vinyl Joy Guidry, "Voices of the Ancestors (Live)" (Radical Acceptance) 2022 Whited Sepulchre Rude Skoott Osborn Trio, "Whirlpool Sequence" (The Virtue of Temperance) 2022 El Paraiso Matmos, "Resemblage / Parasamblaz" (Regards/Uklony dla Boguslaw Schaeffer) 2022 Thrill Jockey Letting Up Despite Great Faults, "Corners Pressed" (IV) 2021 self-released Galcher Lustwerk, "Parlay" (100% Galcher) 2013 Blowing Up the Workshop / 2022 Ghostly Surface of the Earth, "Voyager (excerpt)" (Surface of the Earth) 1995 World Resources / 2022 Thin Wrist Glenn Jones, "A Handful of Snow" (Vade Mecum) 2022 Thrill Jockey Ida, "When U Were Mine" (Poor Dumb Bird) 1997 Simple Machines Susanna And The Magical Orchestra, "Condition Of The Heart" (Melody Mountain) 2006 Rune Grammofon Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

in which things begin to ooze, Corin does his best to appreciate the party, a number of interruptions take place, and Cris with no H “wins” the Ruin-A-Life Drawing. Do Evil Better.Featuring Anwar Newton as Dirk Sexplosion, Kitt Keller as Violet Trudge, Adam Miszuk as Angus Lachlan, and Rebecca Ryan as Melantha Murther. Kakos Industries […]

On this episode, we continue to explore new album releases from 2022. Like, a lot of them. - Albums Discussed: Matmos – Regards/Uklony dla Boguslaw Schaeffer Macross 82-99 – Sailorwave III Kikagaku Moyo – Kumoyo Island Point No Point – Bad Vibes in Mushroom Forest S*** and Shine – Phase Corrected Jeremiah Chiu and Marta Sofia Honer – Recordings from the Aland Islands Billy Woods – Aethiopes Ensemble Nist-Nah – Elders Otoboke Beaver – Super Champon Cola – Deep in View Black Flower – Magma - Website: queenvenerator.com Twitter: @queenvenerator Instagram: @queenvenerator

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Ballad in 9" by Joyfultalk from Familiar Science; "Few, Far Chaos Bugles Uff... Bosch gra Walese" by Matmos from Regards, Uklony dla Boguslaw Schaeffer; "It's a Passage" by Daniel Rossen from You Belong There; The title track from Time Goes by Weval; The title track from Scarlet Holliday by Mono; "D2" by Divus from II; "An-an-an-d-d-d" by Dome from 3; "Starstuff" by Blanck Mass from In Ferneaux; "Sozial" by Voigt and Voigt from Die Zauberhafte Welt der Anderen; "Stjarnor" by Centrum from For Meditation; "Kifisos Gift" by Andra Ljos from Fountain of Inspiration; "Two Drones in Ghost Dub" by Zane Trow from Traces.

The long-running electronic duo Matmos have just released a gorgeous new LP, Regards / Ukłony dla Bogusław Schaeffer. Whereas their previous album, 2020's The Consuming Flame: Open Exercises in Group Form, saw the couple collaging contributions from 99 friends recorded at 99 bpm, their latest is dedicated to the work of just one person: Polish polymath Bogusław Schaeffer (1929-2019). In this episode, we discuss how their reputation for conceptualism has often served to obscure the formal characteristics of their work. Can an object be a concept? Is “washing machine” or “plastic” a concept? With their signature blend of serious humor, the pair reflect on touring with a washing machine, the practicalities of licensing music, and the complexities of working with Schaeffer's archive. Interview recorded between Baltimore and Montreal, April 2022 Produced and mixed in New York, May 2022 TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Matmos - “Anti-Antiphon(Absolute Decomposition) / Anty-Antyfona (Dekonstrukcja_na_całego)” [excerpt] (Regards / Ukłony dla Bogusław Schaeffer, Thrill Jockey, 2022) Matmos intro collage + Barbarella Matmos clip (1968) Matmos - “Anti-Antiphon” [excerpt] (Regards, Thrill Jockey, 2022) Matmos - “A DOUGHNUT IN THE SKY” (The Consuming Flame: Open Exercises in Group Form, Thrill Jockey, 2020) Matmos - “Flight to Sodom / Lot do Salo” (Regards Thrill Jockey, 2022) Song that my Whirlpool stackable washing machine plays Matmos - [opening excerpt] (Ultimate Care II, Thrill Jockey, 2016) Matmos – “Always Three Words” (quasi-objects, vague terrain, 1998) Matmos - “Memento Mori” (A Chance to Cut Is a Chance to Cure, Matador, 2001) Matmos clip from Top Gear: Series 5, Episode 9, Ariel Atom 46:09 – 46:40 (2004) Matmos – “Plastic Minor” (Matmos, Vague Terrain, 1997) Matmos ‎– “You (Rrose Mix)” (The Ganzfeld EP, Thrill Jockey, 2012) Matmos - “Cobra Wages Shuffle / Off! Schable w gurę!” (Regards, Thrill Jockey, 2022) Matmos - “In Search Of A Lost Faculty” (The Marriage Of True Minds, Thrill Jockey, 2013) Joseph Sannicandro - Improv with Matmos' Bogusław Schaeffer Ableton sample kit Bogusław Schaeffer - “Berlin 80 II” (Inventionen: Berlin 80 II / Fabulas II / Inventio, Edition RZ, 1985) Matmos - [late excerpt] (Ultimate Care II, Thrill Jockey, 2016) Matthew Herbert - “August 2010” (ONE PIG, Accidental, 2011) Matmos - “Extending The Plastisphere To GJ237b (Plastic Anniversary, Thrill Jockey, 2019) Jennifer Veillerobe – “B3” (Luftlöcher, Senufo, 2013) Run The Jewels - “Creown (Alchemist Remix)” (Meow The Jewels, Mass Appeal, 2015) Terry Fox - “The Labyrinth Scored for the Purrs of 11 Different Cats” [excerpt] (Tellus #21, Tellus, 1988) Alvin Curran - [Side A, opening excerpt] (Fiori Chiari, Fiori Oscuri, Ananda, 1978) Count Dooku clips from Star Wars: Episode III - Revenge of the Sith (2005) Matmos - “Part VII. The Backyard” (ROBERT ASHLEY's Perfect Lives: Baltimore, 3/28/17) Pierluigi Billone - “excerpt” (1 + 1 = 1, Kairos, 2006) Ivan Catteneo - "Kiss me I'm italian" (Urlo, CGD, 1980) Matmos - “The Little People ..." (Matmos and Michael Brown)” (Work Work Work, Vague Terrain, 2006) M.C. Schmidt - “Lowland Side” (Batu Malablab, Megaphone / Knock'em Dead, 2015) The Soft Pink Truth - “Space Formerly Occupied ...” (Am I Free To Go?, self-released, 2020) Joseph Sannicandro - Sample kit Improv (2022) - Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support

Episode 570: April 10, 2022 playlist: ESG, "Not My First (Rodeo)" (Are You Serious?) 2022 self-released Edward Ka-Spel, "Can o'Bees" (The Concrete Diaries) 2022 self-released Papercuts, "Palm Sunday" (Past Life Regression) 2022 Slumberland Sote, "Life" (Majestic Noise Made in Beautiful Rotten Iran) 2022 Sub Rosa Nina Nastasia, "Just Stay in Bed" (Riderless Horse) 2022 Temporary Residence Kit Parker, "Refractions" (In Spite of Darkness) 2022 Drut Pneumatic Tubes, "Witch Water" (A Letter from TreeTops) 2022 Ghost Box Anthony Moore, "Judy Get Down" (Flying Doesn't Help) 2022 Drag City Dean Spunt and John Wiese, "Fruit From Color Vapor - Single Edit" (The Echoing Shell) 2022 Drag City Matmos, "Cobra Wages Shuffle / Off! Schable w gure!" (Regards/Uktony dla Bogustaw Schaeffer) 2022 Thrill Jockey In The Nursery, "Emigre (The Dressmaker)" (Humberstone) 2022 ITN Corp Vladislav Delay, "Anima (version)" (Anima) 2022 Keplar Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Pulitzer Prize-nominated composer, performer, and writer Kate Soper releases The Understanding of All Things, a portrait album featuring frequent Wet Ink Ensemble collaborator Sam Pluta, on New Focus Recordings. The Understanding of All Things features Soper performing as vocalist, pianist, and electronics composer in three of her works: the title track for voice and fixed media; The Fragments of Parmenides for voice, piano, and fixed media; and So Dawn Chromatically Descends to Day for voice and piano. These works are interleaved with two improvisations with Sam Pluta on live electronics: Dialogue I for voice and live electronics and Dialogue II for voice, piano, and live electronics. Drew Daniel of experimental electronic music duo Matmos contributes an introductory essay in the booklet, and the cover features a work by Providence-based artist Toby Sisson.Purchase the music (without talk) at:Kate Soper - The Understanding of All Things (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.