Podcasts about slasher films

This week the Thrillbillies take a look at two SLASHER FILMS that have the same names as Professional Wrestlers... yeah we're stretching it. However, these two are pretty great...preparing for Summer's Swan Song next week!

Reviewed: Teenage Sex and Death at Camp Miasma, Mutiny Top 5: Slasher Flicks Monthly Theme: Ewan McGregor

Shitty Slasher Week as CK and Uncle Bill re-watch a couple of their least favorite slasher movies at all time. Why didn't The Clowns have a more successful music career? Also included is a clip from the interview we did with director of Terror on Tour, Don Edmonds.

The boz take a glimpse into more modern slashers this week as CK and UB slash into heavily slashed to pieces TV slasher Cherry Falls and Robert Hall's HIGHLY underrated gore filled Laid To Rest!

SOV week on the Cruel Summer Slashback as The Creepy Kentuckian and Uncle Bill do a dive into analog insanity with The Catcher and Phantom Brother...DUDE!

Evil Slasher week on the Slashback as CK and Uncle Bill take a look at some mid-80's goodies: Evil Judgment and Evil Laugh... GITCHEE SOME!

Trying to cleanse the pallet after last week...the boz dive into two genre classics from that classic era. Tourist Trap (1979) and Pieces (1982)... GITCHEE SOME!

In this episode of Lunatics Radio Hour, we explore the history of the Final Girl, one of horror's most recognizable character archetypes. From early examples in horror literature and film to the rise of the slasher genre in the 1970s and 1980s, we examine how the trope developed and why it became so important to horror storytelling.We discuss the academic origins of the term, the characteristics traditionally associated with the Final Girl, and how characters like Laurie Strode, Nancy Thompson, and Sidney Prescott helped define and evolve the role. We also look at how modern horror films have challenged, expanded, and reinterpreted the trope for new audiences.Join us as we trace the history of the Final Girl and her lasting impact on horror cinema.Follow @Sonrisalibrary on Instagram.SourcesMen, Women, and Chain Saws by Carol J Clover (1992)Fandom article: Halloween Flips The Final Girl Trope on Its Head by Kim Taylor-FosterIn Session Film article by Codie Allen: The Scream Queen's Legacy: Janet Leigh and the Evolution of HorrorDread Central article by Mary Beth McAndrews: Jess's Choice: How ‘Black Christmas' (1974) Responsibly Addresses Abortion and Bodily Autonomy Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Watch Voices Carry for free on Tubi now! Consider joining our Patreon for bonus episodes, spooky literature and deep dives into horror and history. Click here to learn more. Follow us on TikTok, X, Instragram and YouTube. Join the conversation on Discord. Support us on Patreon. Support the show

Terrible Twos from Tubi edition featuring two sequels of two 80's slasher films, that nobody really ever asked for. Mutilator 2 and Slaughterhouse 2 - Death Metal....Buh Buh Buh Buh Bad!

CK and Uncle Bill host a special 'Tour Of Italy' edition of Cruel Summer Slashback with Umberto Lenzi's Eyeball (1975) and Joe D'Amato's Absurd (1981)

There's a TON of College slashers to go through but CK and UB picked these two for this episode of Cruel Summer Slashback... Fans of Lovin' Spoonful will enjoy our coverage of Girls Nite Out from 1982, and next it's the ultra low budget Troma-ish style slasher from 1984 in Splatter University!

Note: this episode contains spoilers for the movie Obsession!This week, we're bringing you an episode you're gonna be absolutely OBSESSED with (wink wink). In this episode, Marcelle and Hannah dig deep into the extremely zeitgeisty horror film Obsession (2026, dir. Curry Barker). Marcelle walks us through the movie's explosive popularity, its complicated ideas of consent, and the complexity of the horror genre's treatment of gender and setting. By examining the movie through the lens of “incel horror,” they examine the film's treatment of masculinity and the anxieties surrounding contemporary romantic relationships.Related listening:Spare x Tender MasculinityGet Out x Horrifying WhitenessBook 6, Ep. 3 | Rape CultureWorks Cited:Barasch, Alex. “The Twenty-Six-Year-Old Behind ‘Obsession,' a Terrifying Tale of a Crush Gone Awry.” The New Yorker. May 11, 2026. https://www.newyorker.com/culture/persons-of-interest/the-twenty-six-year-old-behind-obsession-a-terrifying-tale-of-a-crush-gone-awry. Accessed June 25 2026.Cieslik, Emma. “‘Obsession' and the Rise of Incel Horror: When Men's Entitlement Becomes the Monster.” Ms. Magazine. June 4, 2026. https://msmagazine.com/2026/06/04/obsession-incel-horror/. Accessed June 25 2026.Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” Representations, no. 20 (Autumn 1987): 187–228. https://www.jstor.org/stable/2928507.Eqbal, Amelia. “Are Movie Audiences Smart Enough to Appreciate Obsession's Incel Horror Message?.” CBC. June 5, 2026. https://www.cbc.ca/arts/commotion/are-movie-audiences-smart-enough-to-appreciate-obsessions-incel-horror-message-9.7224800. Accessed June 25 2026Hamedy, Saba, and Greg Rosenstein. “How an Indie Horror Film Became a Box-Office ‘Obsession.'” NBC News. May 25, 2026. https://www.nbcnews.com/pop-culture/pop-culture-news/obsession-curry-barker-box-office-hit-focus-features-rcna346824. Accessed June 25 2026.Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Horror, The Film Reader, edited by Mark Jancovich, Routledge, 2001, pp. 47–55.***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode!Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both.Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Note: this episode contains spoilers for the movie Obsession!This week, we're bringing you an episode you're gonna be absolutely OBSESSED with (wink wink). In this episode, Marcelle and Hannah dig deep into the extremely zeitgeisty horror film Obsession (2026, dir. Curry Barker). Marcelle walks us through the movie's explosive popularity, its complicated ideas of consent, and the complexity of the horror genre's treatment of gender and setting. By examining the movie through the lens of “incel horror,” they examine the film's treatment of masculinity and the anxieties surrounding contemporary romantic relationships.Related listening:Spare x Tender MasculinityGet Out x Horrifying WhitenessBook 6, Ep. 3 | Rape CultureWorks Cited:Barasch, Alex. “The Twenty-Six-Year-Old Behind ‘Obsession,' a Terrifying Tale of a Crush Gone Awry.” The New Yorker. May 11, 2026. https://www.newyorker.com/culture/persons-of-interest/the-twenty-six-year-old-behind-obsession-a-terrifying-tale-of-a-crush-gone-awry. Accessed June 25 2026.Cieslik, Emma. “‘Obsession' and the Rise of Incel Horror: When Men's Entitlement Becomes the Monster.” Ms. Magazine. June 4, 2026. https://msmagazine.com/2026/06/04/obsession-incel-horror/. Accessed June 25 2026.Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” Representations, no. 20 (Autumn 1987): 187–228. https://www.jstor.org/stable/2928507.Eqbal, Amelia. “Are Movie Audiences Smart Enough to Appreciate Obsession's Incel Horror Message?.” CBC. June 5, 2026. https://www.cbc.ca/arts/commotion/are-movie-audiences-smart-enough-to-appreciate-obsessions-incel-horror-message-9.7224800. Accessed June 25 2026Hamedy, Saba, and Greg Rosenstein. “How an Indie Horror Film Became a Box-Office ‘Obsession.'” NBC News. May 25, 2026. https://www.nbcnews.com/pop-culture/pop-culture-news/obsession-curry-barker-box-office-hit-focus-features-rcna346824. Accessed June 25 2026.Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Horror, The Film Reader, edited by Mark Jancovich, Routledge, 2001, pp. 47–55.***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode!Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both.Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Join CK and UB as we begin Cruel Summer Slashback for 2026 with some good ol' 1980's slasher films: Jack Sholder's insanity unleashed from 1982 Alone in the Dark, and a wacky sorority slasher from 1986 Killer Party!

On the Get Reelisms Podcast, filmmakers Madam Chase Rani and Christine Chen interview Austin director Jon Vallet about his new film American Dollhouse, which just premiered at South by Southwest and launched its festival run with an Austin “film family” crew. Vallet says the movie uses a character-driven, proto-slasher approach inspired by films like Psycho and Black Christmas, using modern anxieties about public spaces feeling unsafe and the dissonance of daily life in America as thematic fuel. He shares the logline: a woman inherits her childhood home, hoping to escape debt, but the house is falling apart and a doppelgänger-like neighbor becomes obsessively dangerous, escalating into a Christmas-set slasher. Vallet discusses prioritizing actors' performances, early sound and scoring collaboration, shooting on Sony Venice in 4:3 with natural light and night-for-day, a 15-day December 2024 shoot, a difficult third-act set build, and adapting scripts and schedules to budget and resources.   Hosts: Adam Rani (@adamthechase)  & Christine Chen (@cchenmtf)  About Christine W Chen: Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast. For more information about Christine Chen: christinewchen.com About Adam Rani: Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow. About John Valley John Valley became a prolific music video director in Austin TX before honing in on his debut feature The Pizzagate Massacre, a dark horror comedy that VICE called "A grindhouse Pizzagate satire that perfectly captures a moment in time." His sophomore film, American Dollhouse is a modern take on proto-slasher classics like Psycho and Black Christmas.   WEBISODE version of the Podcast   00:00 Actors First Philosophy 00:22 Podcast Intro And Guest 01:41 Origins Of American Dollhouse 04:57 Logline And Setup 06:34 What Makes A Slasher 11:24 Slasher Structure And Metaphor 15:07 Sound Design And Score 17:34 Lessons From First Film 21:21 Crew And Camera Choices 25:05 On Set Trauma And Third Act Build 29:42 Night for Day Magic 30:43 Scheduling as Storytelling 31:54 Budget as Creative Tool 34:03 Practical Effects and Big Punch 37:14 Script vs Set Reality 39:00 Directing Without Attachment 41:39 Next Projects Monster Movie 44:06 Pivoting and People First 46:58 Christmas Theme and Family Pressure 50:28 Austin Film Scene Farewell 52:41 Housekeeping and Sign Off Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Join hosts Tyler Cavin and Chris Lacks as they resurrect Fright Fights from the dead with this season premiere that tackles one of our favorite sub-genres in horror. The guys catch up on some recent watches before the battle begins, and its one you don't want to miss! Welcome back to Fright Fights! Let the battle begin...

In episode 512, the "survival experts" are going to the Outback! Yay! To be hunted by a mad man! Boo! Chris wants to learn how to rock climb and Jack uses his knowledge of Australia to survive. E-mail your survival suggestions to us at wecouldsurvivethat@gmail.com or Twitter @WeCouldSurvive or find older episode on Youtube at: https://www.youtube.com/channel/UCXAa8-wNqv1G14ts_DHenkg/feed

The boys are back and this time they are starting along journey into the world of the Slasher Film. This time they will be looking at school set slashers with Student Bodies, Graduation Day, and Happy Birthday to Me.

How do you re-invigorate a classic but lagging horror franchise?  Try mixing it with a considerably classier classic horror movie.  Thus, Eric & Serling arrive at the premise for "Friday the 13th: The New Blood".  Maybe the best thing about this film is that you get to see Terry Kiser dead in a movie for the second time in the 80s.  Send us Fan Mail

Are you ready for the summer?  Poor Steve Christie is trying to get there, but he may have a spot of bad luck.  Eric & Serling make their way into the "Friday..." franchise with the one that kicked it all off.Send us Fan Mail

It's time for one of those huge episodes. Well, it's a 4 parter anyways. The 80s were a prime decade for horror. That's what history tells us. Well lets investigate ourselves because, as the old saying goes, history is written by the victors and horror always wins. So, what do I think was the very greatest horror movie that came out during 1983? Well, here we have the top 10. The worst 10. A slew of also rans. Plus some bangin' mates, a few Skeleton Crew gin shots and an 7+ hour running time. This is 1983, A Year In Horror. 0.00 - Intro19.37 - The worst horror films from 198325.36 - Ogroff aka Mad Mutilator (w/ Graham Bywater)1.01.23 - Also Rans (Part 1)109.38 - Sci-Fi Corner1.15.39 - Superman III (w/ Jonathan Snipes)1.38.14 - Return of the Jedi (w/ Paul Chanter)

Welcome to Crawlspace. In this new episode, Tim Pilleri & Lance Reenstierna are joined by new friend of the show, Dr. Adam Jortner. Adam is the Goodwin-Philpott Professor of History at Auburn University and has contributed his expertise in a series for Audible called The Great Courses. Dr. Jortner speaks about the rise of 80s slasher movies and their cultural impact and inspiration in the lecture, Slash and Grab: Horror of the 1980s. Check out Dr. Jortner's Great Courses work here: https://www.audible.com/author/Adam-Joseph-Jortner/B0050PVMFM?ref_pageloadid=not_applicable&pf_rd_p=f6da0b63-439d-48a7-a859-b187b7c50705&pf_rd_r=YABFKA072XAW3SAKVH4S&plink=eNUJ8il2sogjZ0ne&pageLoadId=xlfwG6To7pPs6ZZ9&creativeId=16015ba4-2e2d-4ae3-93c5-e937781a25cd&ref=a_pd_Slash-_pin_author_1 Visit Dr. Jortner's website: https://www.adamjortner.com/ Follow Dr. Jortner: https://instagram.com/squarespace This episode is brought to you by Ask for Andrea, a novel by Noelle W. Ihli and released by Kensington Publishing. You can find the deluxe special edition trade paperback of Ask for Andrea wherever books are sold—for a limited time! Follow Crawlspace: IG:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/Crawlspacepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ TT:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@crawlspacepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ FB:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/Crawlspacepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/crawlspacepod.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7iSnqnCf27NODdz0pJ1GvJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/crawlspace⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Apple:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/crawlspace-true-crime-mysteries/id1187326340⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Follow Missing: IG:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/MissingCSM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ TT:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@missingcsm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ FB:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/MissingCSM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/MissingCSM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Spotify:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/0yRXkJrZC85otfT7oXMcri⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/missingcsm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Apple:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/missing/id1006974447⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Follow Private Investigations For the Missing Please donate if you can: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://investigationsforthemissing.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://piftm.org/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/PIFortheMissing⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/PIFortheMissing/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/investigationsforthemissing/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Check out our entire network at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://crawlspace-media.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

A bonus exclusive interview with Julia Ducournau (Palme D'Or winning writer/director of Raw, Titane) about her new film Alpha, out in UK cinemas now.Produced and presented by Anna Bogutskaya***Music: "Slasher" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

In episode 503, the "survival experts" are continuing the yearly Halloween tradition of harassing poor old Michael Myers. Chris is forced to watch the film he likes least in the franchise once more and Jack learns how to do a round house kick from Busta Rhymes. E-mail your survival suggestions to us at wecouldsurvivethat@gmail.com or Twitter @WeCouldSurvive or find older episode on Youtube at: https://www.youtube.com/channel/UCXAa8-wNqv1G14ts_DHenkg/feed

Happy Halloween you creeps! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello everyone and welcome back to another episode of Trudge Report. We welcome our good friend and long time listener officially and indefinitely to the podcast, Danny P. We are pumped to have him as part of the Trudge Crew. We go around the horn with a few quick takes on a variety of things before heading into an Emmet Fox reading, titled “Stake Your Claim." This is easily one of his more famous and well known readings and philosophies. After that we transition into our last and final spooky topic for the Halloween season. Corey brings a brilliant idea of the origins of the slasher film and horror movies in general. We all get a quick history lesson on how the slasher film came to be and early pioneers in terms of creators and characters. Corey goes through the different styles of the horror movie throughout the decades up to what we have in the present day. We conclude this topic and spooky season with each of our top five power rankings on best horror villains. We hope you enjoy and happy Halloween to everyone. Be safe. Some people are born for Halloween, and some are just counting the days until Christmas.         -Stephen Graham Jones-Don't forget to like, share, rate, and download the podcast on all of your listening platforms. Check out and subscribe to our YouTube channel, @trudgrereportpod, for other content surrounding sports and trending topics. Trudge on good people. Contact the Guys:Instagram: @trudgereportpodFacebook: Trudge ReportTikTok: trudgereportpodYouTube: @trudgereportpod 

On this episode, Jamie runs down a few of her fave (and not so fave) scary movies and Mr. Ug breezes through online traffic school. If that's not enough for ya' they also discuss movie sequels, kitty carpets and math teachers. So come on in and enjoy some Uglee Truth! 

After a short-ish break we return with author Lucy Rose to talk about two screenlife horrors: Unfriend (2014) and Searching (2018), starring everyone's favourite John Cho. New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Send us a textDo you remember A Nightmare on Elm Street 3, released in 1987? Bigger budget, bigger cast, bigger effects mean bigger and better movie, right? We remember awesome one-liners, awesome effects, and a totally awesome theme song, "Dream Warriors" by Dokken. It may have been a while, but this movie still has to be awesome. Right?Do You Remember Liking This Movie?

In this episode of Outside the Cinema, hosts Bill and Chris dive into the world of cult movies, discussing two films: 'He Never Died' and 'Iced.' They explore the themes of immortality, dark comedy, and the unique storytelling styles that define these films. The conversation highlights the performances of Henry Rollins and the comedic elements of slasher films, while also reflecting on the pacing and character development. The hosts encourage listeners to engage with cult cinema and share their thoughts on the films discussed.

Two films DEADPIT has talked about for decades but never reviewed … until now! The season finale of Cruel Summer Slashback 2025 is here!

The Slashing continues this week as CK and Uncle Bill take a look at Supernatural Slashers, also stay tuned for an announcement on the 2025 finale next week!

Join CK and Uncle Bill as the Cruel Summer Slashback continues on, this week we are taking a look at the very brief (but memorable) phenomena of Workout Slashers! Killer Workout (1987) and the criminally underrated Death Space (1988)!

Film critic and host of The Losers' Club and The Lady Killers podcast, Jenn Adams, returns to talk about the Frankenstein movie of the 2010s: Alex Garland's Ex Machina (2014). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

The story so far: Trapped in an underground video store for more than a year has brought the boys closer through movies and adventure, but they still need their beauty sleep.Sleepy time is ruined with Dan's night terrors, and the only thing we know how to do is watch movies to figure out how to fix problems, so we pop in Night Screams from 1987 to hopefully solve Dan's screaming issue! How is this 80s cheapo slasher? What's the connection between the tip of a man's nose and the the tip of his...um...you know...? Should you squash your meat on the grill or keep your hands off it? And would you buy a podcast on vinyl? So wake up, chill out, and join us for this quintessential slasher film that I had never heard of before.If you dig us, why not check out our other podcast Greg's Cryptid Corner? It's fun, has the same hosts, and we talk about spooky monsters that Greg believes are real and Eric and Dan are still skeptical of. It's fun. You'll like it. Go subscribe.Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Website: https://www.stabbypod.comLinktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACSend us a text

It's Rock 'n Roll slashing in the mid 1980's episode, What on Earth could possibly go wrong? The Boz cover Rocktober Blood and Blood Tracks for the very first time on this episode!

The Independent's Chief Film Critic Clarisse Loughrey comes onboard the Alien space ship to mount a passionate defense of the Alien prequels Prometheus (2012) and Alien: Covenant (2017), and argue that it's the best adaptation of the Frankenstein myth.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

The boz get into the Shot On Video Slashers this week and boy is this one gonna be fun! Including Demon Dave's origin saga Heavy Metal Massacre, and a trip to Blood Lake with Lil' Tony.

Horror scholar, writer and co-host of This Ends at Prom joins Anna to look at ourselves in Charlie Brooker's Black Mirror, covering the series themes and deep-diving into some iconic episodes like "San Junipero", "The National Anthem" and "USS Callister".  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

It's UNCONVENTIONAL slasher week this week on the Cruel Summer Slashback, the boz are taking a look at James Cameron's The Terminator (1984) and the very underrated The First Power (1990)!

Friend of the show, podcaster Steph McKenna joins Anna to discuss two cornerstone J-horrors: the internet ghosts of Pulse (2001) and the cursed voicemail of One Missed Call (2003). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

The boys had to have at least one week of wilderness slashing goodness this year...and THIS IS THAT WEEK! CK and Uncle Bill take a look at the underseen (maybe under appreciated) Savage Weekend from 1979 and The Final Terror from 1983!

Friend of the show Isaura Barbé-Brown and Anna clock in at the Umbrella Corporation to discuss the first Resident Evil (2002) and how it kickstarted the billion-dollar franchise starring Milla Jovovich.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

This week, we're stripping it all back (literally) with a look at two very different takes on invisibility, male ego, and coercion: Paul Verhoeven's Hollow Man and Leigh Whannell's The Invisible Man, both reimagining H.G.Wells' classic tale of a mad scientist who discovers invisibility and then comes to regret it. Joining a very sick Anna is friend of the show Ruby McGuigan.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

 The early 2000s were many things: 9/11, camera phones, government surveillance, MSN Messenger, low-rise jeans, Big Brother and the most extra horror films you can think of. Author Kirsty Logan joins the podcast to go over what makes this moment in horror history so unique, by looking at a wave of horror films from the early 2000s that channelled the paranoia and confusion of the emerging digital age: My Little Eye (2002), The Collingswood Story (2002), Feardotcom (2002).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

In this episode, the hosts celebrate the 900th milestone of their podcast, reflecting on personal growth, family, and the evolution of streaming services. They delve into the giallo film 'Strip Nude for Your Killer,' discussing its character dynamics, cultural significance, and the absurdity present in its narrative. The conversation highlights the changing perceptions of films over time and concludes with recommendations for exploring various giallo films. In this episode, the hosts delve into the world of cult films, particularly focusing on Italian cinema and the slasher genre. They review 'Final Terror,' discussing its quality, cast, and the typical tropes of horror films. The conversation transitions to a critique of 'The Conjuring: The Devil Made Me Do It,' where they express their disappointment with the film's execution and narrative. The episode wraps up with reflections on the horror genre and what to expect in future discussions.

DEADPIT kicks off the equivalant of their summer book club for 2025... the Cruel Summer Slashback...is back! This episode featuring Jim Sotos' Sweet Sixteen and Skip Schoolnik's Hide and Go Shriek!

In this episode of the RIP Tour Podcast, the hosts celebrate the announcement of the Jason Universe house at Halloween Horror Nights 2025 coinciding with Friday the 13th. They discuss the video announcement, their reactions, and the expectations for the mashup house featuring iconic moments from Jason's history. The conversation also touches on the history of Jason at Halloween Horror Nights, the release of new merchandise, and the upcoming Spooky Empire event. The hosts express their excitement for future announcements and the potential for a thrilling Halloween season!Chapters00:00 Introduction and Friday the 13th Announcement02:42 Video Announcement and Reactions05:27 Discussion on the Jason Universe House09:49 History of Jason in Halloween Horror Nights11:51 Mashup House Expectations15:16 Merchandise Release and Spooky Empire Preview20:39 Final Thoughts and Future AnnouncementsThe RIP Tour Podcast is an Orlando-based year-round podcast with 70+ years combined experience of #HHN. Join your tour guides Gary, Tim, Ash, Lizz, & Jason for News, Speculation, & History!Follow Us On Social Media:Twitter:   / riptourpodcast  Instagram:   / riptourpodcast  Help Support the Channel!https://riptourpodcast.myspreadshop.com/KeywordsFriday the 13th, Jason Voorhees, Halloween Horror Nights, Horror Podcast, Jason Universe, Merch Release, Spooky Empire, Horror Fans, Slasher Films, Theme Park

Before Eli Roth's “Thanksgiving,” one of the only slasher films that took place on this holiday was 1987's “Blood Rage” starring Mark Soper as twin brothers, Terry and Todd. Tune in to hear all about how he approached playing these two characters, what it was like working with Louise Lasser (who played the very eccentric mother), whether his iconic line, “It's not cranberry sauce!” was scripted or improvised, and his interpretation of the film's wild ending.