Filmmaking in Italy
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20 episodes with italian cinema
6 episodes with italian cinema
6 episodes with italian cinema
4 episodes with italian cinema
4 episodes with italian cinema
4 episodes with italian cinema
3 episodes with italian cinema
4 episodes with italian cinema
3 episodes with italian cinema
Katie of the Night joins Richard to bring about the discussion of the wonderful giallo called Mystère (1983), directed by Carlo Vanzina. This episode is 14 hours long, but you can listen to it in an hour. Now that's a deal.Please check out Katie's excellent YouTube channel:https://www.youtube.com/@KatieoftheNightAnd check out Richard's latest book called Giallo Meltdown 2:https://www.amazon.com/Giallo-Meltdown-Richard-Glenn-Schmidt/dp/B0CRDY18D3/http://doomedmoviethon.comhttp://doomedmoviethon.blogspot.comhttp://legionpodcasts.com
We are joined by the incomparable Stephanie Sack, Gialloholique and Director of Chicago's Horror Film Festival, to talk about the women behind the black gloved killers in Italian cinema. Hear about the incredible lives of three women who gave so much to the world of horror and film in general- Daria Nicolodi, Nora Orlandi, and Marina Cicogna. See the latest info on the Chicago Horror Film Festival and buy tickets at https://www.chicagohorrorfilmfest.com Follow Stephanie on Instagram:https://www.instagram.com/voluptuousrobot?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials Bloody Essentials Logo by: Greg Stark Intro/Outro Music: Sweet Little Nightmare by Darren Curtis Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)
Darren joins Richard is a killer pact while they discuss The Designated Victim (1971), directed by Maurizio Lucidi and starring Tomas Milian and Pierre Clémenti. It's the ultimate Venetian vacation giallo.Check out Darren on Subjective Perspective Collective:https://youtu.be/hwU217XSL2I?si=e-QWBEeKGFvo-Z40http://doomedmoviethon.comhttp://doomedmoviethon.blogspot.comhttp://legionpodcasts.com
Today's poem is Cinema Paradiso by Claire Booker. The Slowdown is your daily poetry ritual. Around what has become known as “awards season,” casual conversations are abuzz with talk of the year's movies. This week's episodes explore how poets take up movies as subjects — how the two art forms intertwine to make us feel more closely this life we share. In this episode, Major writes… “One of my favorite moments in Italian Cinema is the movie Cinema Paradiso. It finds a young boy named Toto as the helper of a film projectionist named Alfredo. To satisfy Church authorities, Alfredo has to cut out all depictions of physical contact between people before showing the films. Young Toto moves away from the town of his youth to become a film director himself. When Alfredo dies, he leaves behind for Toto to view a gorgeous collage of kisses from banned movies over the years. The reel of intimate moments is a beautiful display of personal desires set against a national agenda of religious and moral strictures.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
Maria Callas is Mother. Jason sucks.SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com SHOP THE SHOW: TEE PUBLIC
Don't dig up graves, unless you're ready for the karmic consequences. SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com SHOP THE SHOW: TEE PUBLIC
Welcome to some mid-month madness of the musical variety. Today we chat with Stefan from the German shredding, speeding and thrashing metal heads Vulture all about one of his favourite movies, Dario Argento's The Bird with the Crystal Plumage. VULTURE / INSTAGRAM / SPOTIFY
In this episode of Restaurant Fiction, we sit down with acclaimed baker Adriano Farano of Pane Vivo in Paris, France. Together, we dive deep into the legendary performance of Italian actor Toto in *Misery & Nobility*, exploring his comedic genius and the film's cultural impact. But the conversation doesn't stop there. We also take a profound journey into the art of bread-making, discussing the significance of breaking bread both literally and metaphorically. Join us for a rich discussion on film, food, and the timeless act of sharing a meal.Hungry for more culinary adventures through the lens of your favorite TV shows and movies? You've just savored another episode of Restaurant Fiction, where we dish out the stories behind the most iconic fictional eateries. Don't let the journey end here:
FilmBabble is BACK, and in full force! This week, Charlie and Antonio take a very brief trip to a certain European country, alongside the picturesque Ingrid Bergman and sour co-star George Sanders. "What will they find there?" you may be asking yourself. Perhaps we're asking ourselves the same question.Intro/outro music: 'Bossanova' by Liborio ContiJOURNEY TO ITALY (1954), Italy and France, written by Vitaliano Brancati and Roberto Rossellini, directed by Roberto Rossellini, cinematography by Enzo Serafin, featuring Ingrid Bergman and George Sanders.
This week on the Erotic Thriller Club we take a trip to Freak Boys Town and watch Arabella: Black Angel! Castrations, ketchup sandwiches, writers block, hilariously sexy car wrecks! Drop a dollar in the sin bin and join the club!
On this episode of the podcast, host Dr Pasquale Iannone is joined by Professor Catherine O'Rawe. Catherine is Professor of Italian Film and Culture at the University of Bristol. Her books include Stars and Masculinities in Contemporary Italian Cinema (2014).Catherine discusses her latest monograph The Non-Professional Actor: Italian Neorealist Cinema and Beyond (2023) where she provides detailed, engaging analysis of the role and function of the non-professional actor both during and after the neorealist era.
Jackie and Greg take a drive to Naples for Roberto Rossellini's JOURNEY TO ITALY from 1954. Topics of discussion include the film's minimalism, its frank treatment of a marriage on the rocks, Rossellini's scandalous affair with star Ingrid Bergman, and its influence on all of the "break-up films" that came afterwards, #41 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#72 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
Jackie and Greg join the swinging parties of 1960s Rome for Federico Fellini's LA DOLCE VITA. Topics of discussion include the film's decadence, sex and celebrity as the new religion, how it marked a transition for Fellini from the more grounded films of the 1950s into his more bombastic work, and the amount of visual detail he packs into the film to help tell his story.#39 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#60 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
A South County nonprofit is putting on an arts and music festival. Also, author Dave Egger's latest book is written from the perspective of a stray dog. And, the San Diego Italian Film Festival is back.
Jackie and Greg join the search for Antonio's missing bike in Rome for Vittorio De Sica's BICYCLE THIEVES from 1948. Topics of discussion include the film's production, the use of non-actors, its simplicity and clear storytelling, its connection to PEE-WEE'S BIG ADVENTURE, and why it remains the most iconic of the Italian neorealist films.#33 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#41 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeArbelos Films Shop (use promo code SCENEHEARD for 15% off -- good thru October 12, 2023)https://shoparbelosfilms.comCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
Support Night Clerk Radio on Patreon In this episode, we're digging into the music of Eighth Tower Records, a record label that focuses on “dark music and fiction.” We selected albums that were inspired by influential horror artists, Zdzisław Beksiński and Lucio Fulci. While they worked with very different mediums their art shares a similar abstract nightmare aesthetic and pessimistic worldview. Consequently, the albums inspired by their work are equally haunting and evocative. Music DiscussedDecay, Death and Darkness - Aural visions of Beksiński's art by Various ArtistsThe Beyond - Music Inspired By The Lucio Fulci Death Trilogy by Various Artists Additional LinksEighth Tower Records on BandcampZdzisław Beksiński | ArtnetCreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on Twitter
Victoria exposes her inner desires and Chelsea withholds judgement!Shop the Store: http://tee.pub/lic/bvHvK3HNFhkFollow us on Letterboxd!Victoria: https://letterboxd.com/vicrohar/Chelsea: https://letterboxd.com/chelseathepope/Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyShow Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com
In this week's episode of SIDEBOOB CINEMA the gang review the film "City of Women" [1980] as part of their exploration into the films of Federico Fellini.---ARTICLES AND LINKS DISCUSSEDCity of Women [1980] Trailer:https://www.youtube.com/watch?v=6UjQqbNXdDw---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHBuy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"
In this week's episode of SIDEBOOB CINEMA the gang review the film "Juliet Of The Spirits" [1965] as part of their exploration into the films of Federico Fellini.---ARTICLES AND LINKS DISCUSSEDJuliet Of The Spirits [1965] Trailer:https://www.youtube.com/watch?v=SN0eS2LEd_s---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHBuy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"
In this week's episode of SIDEBOOB CINEMA the gang review the film "8 & 1/2" [1963] as part of their exploration into the films of Federico Fellini.---ARTICLES AND LINKS DISCUSSED8 & 1/2 [1963] Trailer:https://www.youtube.com/watch?v=jUc4oHnFBnc&t=33s---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHBuy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"
This week on the #WatchTowerFilmPodcast the boys get together to discuss Wes Anderson's 2004 Adventure Comedy "The Life Aquatic with Steve Zissou". They discuss how unique Wes Anderson's style is as a whole for his filmography, they discuss his approach to executing heavy themes through light and accessible storytelling and talk about how Wes' influences range from Italian Cinema for this film but storytellers from all eras and all over the world sewed into his own narrative style. Let us know which film you want us to review next!
La storia di Pietro e Bruno è raccontata nel film "Le 8 montagne", con protagonisti due giovani e bravi attori italiani: Luca Marinelli e Alessandro Borghi. Ne parliamo nella puntata per affrontare un po' di linguaggio cinematografico, scoprire che cos'è una trama, perché un film "si gira" e altre curiosità sull'italiano del cinema.Segui il nostro podcast sulla lingua italiana "Italiano ON-Air" su: https://podcast.scuolaleonardo.comoppure sulle principali piattaforme di podcast:Apple Podcasts | Spotify | Amazon Music | Google PodcastPer informazioni sui corsi della Scuola Leonardo da Vinci: www.scuolaleonardo.comScopri il corso: la lingua italiana nel cinema----------- ENGLISH ------------In this episode, we talk about the movie "Le 8 montagne", which tells the story of Pietro and Bruno, starring two young and good Italian actors: Luca Marinelli and Alessandro Borghi. We talk about the movie to address a little cinematic language, to find out what a "trama" is, why a film is "girato" (shot), and other curiosities about the Italian language of cinema.Follow our podcast on the Italian language "Italiano ON-Air" by Scuola Leonardo da Vinci: https://podcast.scuolaleonardo.comor on the leading podcast platforms:Apple Podcasts | Spotify | Amazon Music | Google PodcastFor information on the Scuola Leonardo da Vinci courses: www.scuolaleonardo.comDiscover our course: Italian Cinema
Lorenza Mazzetti's work as filmmaker and writer has explored personal traumas and society through the eyes of an outsider. The episode will explore her work with Brighid Lowe and Henry K. Miller, makers of the documentary Together with Lorenza Mazzetti. Guest speakers: Brighid Lowe; Henry K. Miller.Visit theitalianfiles.com for full transcript and episode notes.
Jackie and Greg get into the moodiest film about an affair ever made, Michelangelo Antonioni's L'AVVENTURA from 1960. Topics of discussion include the film's use of negative space, how Monica Vitti is more than just a pretty face, why movies about sad rich people are always compelling, and how Antonioni is responsible for creating a new film grammar.#21 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#72 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.com
This week, guest host Christopher Brown and I discuss Dario Argento's 1977 Italian masterpiece, SUSPIRIA! We also discuss other spaghetti slashers and giallo's, the punk genius of Claudio Simonetti's Goblin, plus everyone's favorite cowardly pup, Scooby Doo! Let's go RICK OR TREATING!CHRISTOPHER (GUEST):christopherbrownfilm.myportfolio.comINSTA: @christopherbrownfilmTHE POD:INSTA: @RickOrTreatPodRICKY (HOST):INSTA: @rickrtreatLETTERBOXD: @RickOrTreat
WICIP è un'iniziativa italiana che ha già toccato diversi Paesi nel mondo, con l'obiettivo di far conoscere la cinematografia italiana firmata da donne in versioni fruibili anche ai disabili sensoriali.
Women. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse. Instagram / Twitter and share your thoughts with us about the movie! Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading! References Saraghina in Otto e Mezzo Cantore, Francesca, and Giulia Muggeo. “Federico Fellini and the Debate in Italian Feminist Magazines (1973–80).” Journal of Italian Cinema & Media Studies, vol. 9, no. 1, 2021, pp. 45–62., https://doi.org/10.1386/jicms_00050_1 Mulvey, L. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6–18., https://doi.org/10.1093/screen/16.3.6 --- Send in a voice message: https://anchor.fm/showgays/message
This week's Footage Not Found features filmmaker Fred Kuwornu, the director behind the documentary film Blaxploitalian, which explores the little-known world of Italian-born and American Black performers and their roles in the Italian film industry. Fred also talks about his work with Spike Lee on the film The Miracle at Santa Anna and his role in the 2016 “Oscars So White” campaign. Footage Not Found is a co-production of the Indiana University Cinema and WFIU Studios. Our theme song is “Only Ones” from the band Busman's Holiday off of their recently released album Good Songs. You can currently stream Good Songs on Bandcamp and you can find out more about the band on busmansholidayband.com as well as by following them on Instagram @busmansholiday. You can follow IU Cinema on Instagram, Twitter, Letterboxd, and Facebook @IUCinema. You can follow Aja on Twitter @Samuraiflicks, on Letterboxd @AjaEssex and on Instagram @Aja.Essex. Blaxploitalian:100 Years Of Blackness In Italian Cinema screening page: https://cinema.indiana.edu/upcoming-films/screening/2022-fall-program-thursday-november-3-700pm IU Cinema's bi-monthly calendar: https://cinema.indiana.edu/doc/fourthwall-vol1-for-website.pdf IU Cinema's website: https://cinema.indiana.edu/ IU Cinema's blog, Establishing Shot: https://blogs.iu.edu/establishingshot/
Synopsis: This week on The Tinsel Factory, the very genre-d history of Italian Cinema from its infancy to the modern day. Movies: Orphan: First Kill. Support This Podcast: https://anchor.fm/tinselfactorypod Merch: https://shop.spreadshirt.com/the-tinsel-factory/all Venmo: @tinselfactorypod Buy Me a Coffee: buymeacoffee.com/tinselpod Sources: Ezra, Elizabeth. European Cinema. Oxford University Press, USA, 2004. --- Support this podcast: https://anchor.fm/tinselfactorypod/support
BARRY FORSHAW chats to Paul Burke about SIMENON: THE MAN, THE BOOKS, THE FILMS. A 21st Century re-examination of SIMENON, Maigret and the Romans Durs novels, a wide ranging discussion of everything from Simenon's place in French literature to Robert Newton and Spartacus. SIMENON: THE MAN, THE BOOKS, THE FILMS The legendary Georges Simenon was the most successful and influential writer of crime fiction in a language other than English; Andre Gide called him 'the greatest French novelist of our times'. Celebrated crime fiction expert Barry Forshaw's informed and lively study draws together Simenon's extraordinary life and his work on both page and screen. By the time of Simenon's death in 1989, his French detective Maigret had become an institution, rivalled only by Sherlock Holmes. The pipe-smoking Inspector of Police is a quietly spoken observer of human nature who uses the techniques of psychology on those he encounters (both the guilty and the innocent) - with no rush to moral condemnation. Simenon's non-Maigret standalone books are among the most commanding in the genre, and, as a trenchant picture of French society, his concise novels collectively offer up a fascinating analysis. And his influence on an army of later crime writers is incalculable. Alongside his own considerable insights, Barry Forshaw has interviewed people who worked either with Simenon or on his books: publishers, editors, translators, and other specialist writers. He has created a literary prism through which to appreciate one of the most distinctive achievements in the whole of crime fiction.Barry Forshaw is one of the UK's leading experts on crime fiction and film. Books include Crime Fiction: A Reader's Guide, Nordic Noir, Italian Cinema, American Noir and British Crime Film. Other work: Sex and Film, British Gothic Cinema, Euro Noir, Historical Noir, BFI War of the Worlds and the Keating Award-winners British Crime Writing Encyclopedia and Brit Noir. He writes for various newspapers, is the Financial Time crime fiction critic, contributes Blu-ray extras, broadcasts, chairs events and edits Crime Time. crimetime.co.ukBook RecommendationsMaigret:The Saint-Fiacre Affair (L'Affaire Saint-Fiacre)Maigret's Doubts (Les Scrupules de Maigret)Pietr the Latvian (Pietr-le-Letton)Maigret Defends Himself (Maigret Se Défend)My Friend Maigret (Mon Ami Maigret)Maigret and the Hotel Majestic (The Cellars of the Majestic, Fr. Les Caves du Majestic)Romans Durs discussed:The Man Who Watched the Trains Go By (L'Homme qui Regardait Passer les Trains)The Strangers in the House (Les Inconnus dans la Maison)The Mahé Circle (Le Cercle des Mahé)Pedigree (Pedigree)The Snow was Dirty (La Neige Était Sale)Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA HISTORICAL DAGGER Judge 2022.
In the season one finale, Genre Fans Joe and Katie wrap up their giallo run with a discussion of whether Mario Bava's A Bay of Blood (1971) is "Definitely," "Kinda," or "Not Really" a giallo. During our absence, please explore our back catalogue (if you haven't already), and check out our visual essays on YouTube linked below.YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)
Hercules is forced to search for the lost Thunderbolts of Zeus- in an effort to stop renegade gods and the return of his nemesis, King Minos. Tune in as Chris talks Lou Ferrigno, Cannon bait & switch, & rotoscoped thievery as the LSCE screens the 1985 cult classic Hercules II: The Adventures of Hercules. Join Us! Works Cited: Hartley, Mark. Electric Boogaloo: The Wild, Untold Story of Cannon Films! 2014. Warner Bros. Pictures, 2014. 106 Mins. Leotta, Alfio. From Conana the Barbarian to Gunan il Guerriero: Re-Contextualizing spaghetti sword and sorcery. Journal of Italian Cinema & Media Studies. Vol 9, no. 2. (2021) 225-243. Article Link. Accessed 7/13/22. Medalia, Hilla. The Go-Go Boys: The Inside Story of Cannon Films. 2014. MVD Visual, 2021. Blu Ray. “Reel News: MGM/Cannon Firm New Distrib Deal.” The Film Journal (New York) 86, no 6 (1983): 7. Sege. “Review: Hercules II.” Variety. Vol 320, Iss 12. Oct 16, 1985. Article Link. Accessed 7/12/22 Trunick, Austin. Cannon Film Guide Volume 1: 1980-1984. Orlando, FL: Bear Manor Media, 2020. --- Send in a voice message: https://anchor.fm/lsce/message
We return to the world of cinema to review the 1954 film "Ulysses." Starring Golden Age icons Kirk Douglas and Anthony Quinn, "Ulysses" is a product of 1950s Italian cinema. Does the film do the epic justice? Does it hold up to today's film standards? Tune in and find out.Sean Marlon Newcombe and Dr. Gary Stickel discuss.
Genre Fans Joe and Katie discuss whether Dario Argento's Lucio Fulci's Don't Torture a Duckling (1972) is "Definitely," "Kinda," or "Not Really" a giallo. YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)
Genre Fans Joe and Katie discuss whether Dario Argento's The Bird with the Crystal Plumage (1970) is "Definitely," "Kinda," or "Not Really" a giallo. YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)
Genre Fans Joe and Katie discuss whether Luciano Ercoli's Death Walks at Midnight (1972) is "Definitely," "Kinda," or "Not Really" a giallo. YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)
Genre Fans Joe and Katie discuss whether Aldo Lado's Short Night of Glass Dolls (1971) is "Definitely," "Kinda," or "Not Really" a giallo. YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)
Divorce was illegal in Italy until 1974. In DIVORCE ITALIAN STYLE when a Sicilian aristocrat becomes unhappy with his wife, he tries to trick her into having an affair so he can catch her in the act, then kill her. Because obviously murdering your wife is far less immoral than allowing women to leave their marriages. Theme Music "A Movie I'd Like to See" by Al Harley. Follow the Show @freshmoviepod YouTube Channel Email abreathoffreshmovie@gmail.com
Giallo horror, starburst versus now and laters, and Edgar Allan Poe. Twitter: @freshmoviepod || Instagram: @abreathoffreshmovieEmail: abreathoffreshmovie@gmail.comTheme Music, "A Movie I'd Like to See" by Al Harley.
Can Italian Excellence dominate Hollywood?The Italian Television Festival (ITTV) in its second LIVE year, after the Pandemic Hiatus, is about to kick off in style in Los Angeles and it's bringing all the Italian movers and shakers in film, music, brands, and food.My guest today is beautiful, smart, and purpose-driven Valentina Martelli. She has a lot to say about the uniqueness of this yearly event, that not only is 100 percent free, but it aims to break boundaries between US television and the World.Valentina Is an Italian American television journalist and also an investigative reporter and anchorwoman for RAI Italian television. She's also the founder and creative director of ITTV Festival, through her GOOD GIRLS PLANET, a triage of trailblazing women in Media.I happen to be a proud board member of ITTV. If you love Italy and Italian Cinema, you must hear this conversation. It will leave you energized with positivity and inspired by the Italian people's humanity, values, and cultural contributions.Come with me on this journey of the HEART of all things Italian.Connect with Valentina Martelli:ITTV officialValentina's Instagram ITTV InstagramLet's Connect!Alexia Melocchi - WebsiteLittle Studio Films - WebsiteTwitterInstagramFacebookLinkedInMERCHANDISE GIVEAWAY
“For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it's still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.”Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
“For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it's still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.”Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
“For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it's still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.”Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
“For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it's still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.”Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
“For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it's still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.”Karen Pinkus is Professor of Italian and Comparative Literature at Cornell University. She is a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.For more than a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. She is Editor of Diacritics. Her books include Fuel: A Speculative Dictionary, Clocking Out: The Machinery of Life in 60s Italian Cinema, exploring issues around labor, automation and repetition in Italian art, literature, design and film of the 60s, and the forthcoming Subsurface, Narrative, Climate Change.· romancestudies.cornell.edu/karen-pinkus · www.creativeprocess.info· www.oneplanetpodcast.org
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