Podcast appearances and mentions of Stephanie Blythe

Soprano Maggie Finnegan has been hailed by Opera News for her “clear, poised and defiant soprano” and the Washington Post for her “silvery, pitch-perfect voice." Recent career highlights include Maggie's European Operatic debut in L'Enfant et les Sortilèges with the Belgian National Orchestra, her Dutch debut in Louis Andriessien's Odysseus' Women / Anais Nin, the world premiere of PermaDeath: A Video Game Opera, the title role in the West Coast premiere of Lembit Beecher's Sophia's Forest with Opera Parallèle, the performance and GRAMMY nominated recording of Malcolm X: The Life and Times of Malcolm X with Odyssey Opera and Boston Modern Opera Project, her solo debut with Boston Lyric Opera and Opera Philadelphia in the film of Ana Sokolović's Svadba, the world premiere of Experiments in Opera's film Everything For Dawn and a duo recital with mezzo-soprano Stephanie Blythe. This Spring she will make her company debut with Brooklyn Art Song Society and Queen of the Night debut with Mass Opera. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Maggie Finnegan.

Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russian masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. As Music Director of Chicago Opera Theater, Ms. Yankovskaya has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and the world premiere of Dan Shore's Freedom Ride. Her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her 2020 Chicagoan of the Year. In the 2021/22 season, Ms. Yankovskaya makes a trio of Texan debuts, leading performances of Carmen at Houston Grand Opera, a tribute to Ruth Bader Ginsburg at Dallas Symphony Orchestra, and concerts featuring works by Gershwin and Dawson at Fort Worth Symphony. Elsewhere, she debuts with Chicago Symphony Orchestra in Prokofiev's Peter and the Wolf, leads a program of Brahms and Wagner at Elgin Symphony, conducts Boulanger, Debussy, and Ravel at Omaha Symphony, and makes her Pasadena Symphony debut conducting works by Tchaikovsky, Rimsky-Korsakov, and Gabriela Lena Frank. At Chicago Opera Theater, she conducts the Chicago premiere of Mark Adamo's Becoming Santa Claus and a concert version of Carmen, starring Jamie Barton opposite Stephanie Blythe. Ms. Yankovskaya has recently conducted Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera. On the concert stage, she has been recently engaged with Chicago Philharmonic, Rhode Island Philharmonic, and the symphony orchestras of Hawaii and Oviedo, Spain. Ms. Yankovskaya is Founder and Artistic Director of the Refugee Orchestra Project, which proclaims the cultural and societal relevance of refugees through music, and has brought that message to hundreds of thousands of listeners around the world. In addition to a National Sawdust residency in Brooklyn, ROP has performed in London, Boston, Washington, D.C., and the United Nations. She has also served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership. As Music Director of Harvard's Lowell House Opera, Ms. Yankovskaya conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky's The Queen of Spades, Britten's A Midsummer Night's Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov's The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated in performances of Rachmaninoff's Aleko and the American premieres of Donizetti's Pia de' Tolomei, Rubinshteyn's The Demon, and Rimsky-Korsakov's Kashchej The Immortal and Symphony No. 1. An alumna of the Dallas Opera's Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Ms. Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship. Ms. Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones. Ms. Yankovskaya's belief in the importance of mentorship has fueled the establishment of Chicago Opera Theater's Vanguard Initiative, an investment in new opera that includes a two-year residency for emerging opera composers. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders – and in turn, to illuminating the path to a more equitable future in the arts. Recipient of Solti Foundation U.S. Career Assistance Awards in 2018 and 2021, Ms. Yankovskaya has been a featured speaker at the League of American Orchestras and Opera America conferences, and served as U.S. Representative to the 2018 World Opera Forum in Madrid.

Recognized by Opera News as “one of the finest singers of his generation,” American bass-baritone Ryan McKinny has earned his reputation as an artist with something to say. His relentless curiosity informs riveting character portrayals and beautifully crafted performances, reminding audiences of their shared humanity with characters on stage and screen. This season, McKinny brings his agile stage presence and comedic skill to performances of Mozart's Le nozze di Figaro on both U.S. coasts. He first appears as the titular Figaro in a Richard Eyre production at New York City's Metropolitan Opera, with an all-star cast that includes Golda Schultz, Lucy Crowe, Isabel Leonard, and Adam Plachetka. He then makes his Seattle Opera debut reprising the role in a Peter Kazaras production, under the baton of Alevtina Ioffe. In between productions – and coasts – McKinny joins collaborative pianist Kathleen Kelly for a recital at the Lied Center of Kansas, featuring works by Schumann, Debussy, Mahler, and Kurt Weill. In summer 2022, he joins the Boston Symphony at Tanglewood as the title character in Don Giovanni, with Andris Nelsons on the podium. He concludes the season with the Philadelphia Orchestra at Saratoga Performing Arts Center, appearing as soloist in Beethoven's Ninth Symphony with conductor Yannick Nézet-Séguin. Offstage, McKinny continues to adapt the beauty of his art form to the film screen, collaborating on a documentary with Jamie Barton and Stephanie Blythe. Through his work with Helio Arts, he commissions artists to write, direct, and film original stories, leveraging his personal power to help elevate new voices and visions in the classical performing arts world. During the pandemic, he has partnered with artists like J'Nai Bridges, Russell Thomas, John Holiday, and Julia Bullock to create stunning and innovative performances for streaming audiences at Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, On Site Opera, and the Glimmerglass Festival. McKinny's recent debut as Joseph De Rocher in Jake Heggie and Terrence McNally's Dead Man Walking at Lyric Opera of Chicago was hailed by the Chicago Tribune as an “an indelible performance...an acting tour de force buttressed by a warmly inviting voice.” He has also appeared as the title character in Don Giovanni (Washington National Opera, Lyric Opera of Chicago, Houston Grand Opera), Escamillo in Carmen (Semperoper Dresden, Deutsche Oper Berlin, Staatsoper Hamburg, Houston Grand Opera), and Mozart's Figaro (Washington National Opera, Wolf Trap Opera, Houston Grand Opera). McKinny made a critically acclaimed Bayreuth Festival debut as Amfortas in Parsifal, a role he has performed around the world, including appearances at Argentina's Teatro Cólon, Deutsche Oper am Rhein, and Dutch National Opera. Other Wagnerian roles include Kurwenal in Tristan und Isolde (Deutsche Oper Berlin, Houston Grand Opera, Canadian Opera Company), Biterolf in Tannhäuser and Kothner in Die Meistersinger von Nürnberg, both at the Metropolitan Opera, Wotan in Opéra de Montréal's Das Rheingold, Donner/Gunther in Wagner's Ring cycle (Washington National Opera, Boston Symphony Orchestra, Houston Grand Opera), and the titular Dutchman in Der fliegende Holländer (Staatsoper Hamburg, Milwaukee Symphony, Glimmerglass Festival, Hawaii Opera Theater). McKinny is a frequent guest artist at Los Angeles Opera, where he has sung Count Alamaviva in Le nozze di Figaro, Don Basilio in Il barbiere di Siviglia, and Stanley Kowalski in Previn's A Streetcar Named Desire, opposite Renée Fleming as Blanche DuBois, and at Santa Fe Opera, where he has appeared as Jochanaan in Salome and Oppenheimer in Doctor Atomic. An alumnus of the Houston Grand Opera Studio, Mr. McKinny has made a number of important role debuts on the HGO mainstage, including the iconic title roles of Don Giovanni and Rigoletto. McKinny is a long-time artistic collaborator of composer John Adams and director Peter Sellars, having appeared in Sellars productions of Adams' Girls of the Golden West (San Francisco Opera, Dutch National Opera) and Doctor Atomic (Santa Fe Opera), in addition to Adams' Nixon in China with the Los Angeles Philharmonic. He has also performed under Sellars' direction in Stravinsky's Oedipus Rex (Sydney Festival), Tristan und Isolde (Canadian Opera Company), and Shostakovich's Orango with the London Philharmonia and Los Angeles Philharmonic, the latter comprising Esa-Pekka Salonen's final concerts as music director. Other recent orchestral engagements include Beethoven's Symphony No. 9 and a double bill of Michael Tilson Thomas' Rilke Songs and Mahler's Des Knaben Wunderhorn with San Francisco Symphony, Mahler's Symphony No. 8 and Bernstein's Mass with Gustavo Dudamel and the Los Angeles Philharmonic, Beethoven's Symphony No. 9 with Cleveland Orchestra and National Symphony, Rossini's Stabat Mater at Grant Park Music Festival, Britten's War Requiem with Marin Alsop and Baltimore Symphony Orchestra, and Oedipus Rex with Chicago Symphony. McKinny benefited from early educational opportunities at the Aspen Music Festival, where he sang his first performance of Winterreise accompanied on the piano by Richard Bado, and at the Wolf Trap Opera Company, where he sang Barone di Kelbar in Verdi's Un giorno di regno, Le Gouverneur in Rossini's Le comte Ory and Figaro in Le nozze di Figaro. McKinny made his Carnegie Hall debut in Handel's Messiah with the Musica Sacra Orchestra while still a student at the Juilliard School. The first recipient of Operalia's Birgit Nilsson Prize for singing Wagner, McKinny has also received the prestigious George London-Kirsten Flagstad Award, presented by the George London Foundation to a singer undertaking a significant Wagnerian career. McKinny represented the United States in the 2007 BBC Cardiff Singer of the World Competition, where he was a finalist in the Rosenblatt Recital Song Prize, and he was a Grand Finalist in the 2007 Metropolitan Opera National Council Auditions, captured in the film The Audition.

New York Festival of Song (NYFOS) releases From Rags to Riches: 100 Years of American Song on its new in-house label, NYFOS Records. The label's debut album features the acclaimed voices of mezzo-soprano Stephanie Blythe and tenor William Burden, together with Steven Blier, Artistic Director of the NYFOS who accompanies Blythe and Burden, on the piano in works spanning art song, musical theater, jazz, and opera. The album is taken from a live concert recording at the Kaye Playhouse at Hunter College in New York on March 23, 2000: From Rags to Riches, a compendium of American songs celebrating the last century as the new century began.Purchase the music (without talk) at:From Rags to Riches (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Join us as we head to Upstate New York to talk with legendary mezzo-soprano, Stephanie Blythe, about gender-bending operatic roles, her career path thus far as well as some amazing advice for up-and-coming young singers….don't miss this one! http://www.stephanieblythemezzo.com/ https://twitter.com/BlytheMezzo?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor www.screamingdivas.com  

Celebrated opera singer and recitalist Stephanie Blythe is the Director of Graduate Vocal Arts Program at Bard College. This Saturday, November 6 at 8pm Bard Conservatory Graduate Vocal Arts Program presents “Songs from the Real World: The French Cabaret” with Stephanie Blythe and the Bard Vocal Arts Program.

The low inventory of homes for sale in San Diego is driving prices up again. Plus, a Poway man wants his community to call him if they find a rattlesnake on their property, but relocating live rattlesnakes is not quite as simple, or legal, as some might think. Then, this weekend in the arts: opera singer Stephanie Blythe performs the music of Johnny Mercer, artist Katie Ruiz installs a new ofrenda for the San Diego Botanic Garden's fall festival, the Symphony brings a beloved children's story to life at the Shell, and there's an art auction at the Bread and Salt complex.

This is the first in a mini-series of episodes where host Tim Cynova in joined by other white male leaders to discuss their personal and professional journeys as their companies engage in the work to become anti-racist organizations. DAVID B. DEVAN (he/him) joined https://www.operaphila.org/ (Opera Philadelphia) in January 2006 and was appointed General Director of the company in 2011. Since his arrival, David has worked closely with board and administration on strategic planning initiatives and building partnerships within the community and the opera world. David guided the company through a transformative period of innovation that led Opera News to describe it as “one of the leading instigators of new work in the country” and the New York Times to describe Opera Philadelphia as "a hotbed of operatic innovation." Under his leadership and artistic vision, Opera Philadelphia has grown to become a company of international stature and a favorite co-producing partner with companies all over the globe, developing fresh productions of classic works as well as premieres written by today's leading composers. The company has engaged and energized both established and emerging artists, providing opportunities for important role debuts for singers like Lawrence Brownlee, Eric Owens, Nathan Gunn, Stephanie Blythe, Christine Goerke, Leah Crocetto, and Lisette Oropesa. As The Daily Beast recently commented, “Opera Philadelphia has been at the forefront of commissioning new operas with contemporary subject matter and an innovative, genre-blending sensibility to snare a younger audience and revitalize opera for the 21st century.” Key achievements include the establishment of the Aurora Series for Chamber Opera at the Perelman Theater, an extremely popular and highly-subscribed opera series at the Kimmel Center's intimate 550-seat Perelman Theater; the establishment of the nation's first ever collaborative Composer in Residence Program with New York partner Music-Theatre Group, a comprehensive program supported by The Andrew W. Mellon Foundation, designed to foster the growth of tomorrow's great operatic composers; the creation of the American Repertoire Program in 2011, solidifying Opera Philadelphia's role as a national leader in the creation of new works; and the creation of the site-specific Opera in the City series. Under David's leadership, the company established the annual Festival O in 2017, launching each season with an immersive, 12-day festival featuring multiple operatic happenings in venues throughout the city. Opera Philadelphia also presents additional productions each spring, making it the first U.S. opera company to open a year-round season with a dynamic festival. Under David's leadership, Opera Philadelphia has commissioned or co-commissioned eight new operas, including Charlie Parker's YARDBIRD by Daniel Schnyder and Bridgette Wimberly, and starring Lawrence Brownlee, which has since been staged at The Apollo Theater in New York and Hackney Empire in London; Cold Mountain, based on the best-selling novel by Charles Frazier and written by Jennifer Higdon and Gene Scheer, and co-commissioned with The Santa Fe Opera; and Breaking the Waves by Missy Mazzoli and Royce Vavrek, based on the film by Lars von Trier, which has since been staged at Beth Morrison Projects' PROTOTYPE Festival and was named Best New Opera of 2016 by the Music Critics Association of North America. As immediate past Chair of the Board of Directors for the Greater Philadelphia Cultural Alliance and a member of the Opera America board, David is privileged to serve in a city with rich and diverse cultural roots. He continues to work tirelessly to make opera as an important part of our community. TIM CYNOVA (he/him) wears a multitude of hats, all in service of creating anti-racist workplaces where people can thrive. He is the Principal of the...

Daniel J. Mertzlufft | Composer, Arranger, Music Director, Songwriterwww.danielmertzlufft.comInstagram/TikTok: @danieljmertzlufftDaniel Mertzlufft is a classically trained composer, arranger, music director, and songwriter based in New York City. He is most known for his viral sensations The Thanksgiving Musical on The Late Late Show with James Corden featuring Audra McDonald, Patti LuPone, Josh Gad, Josh Groban, and Kristin Chenoweth, as well as his arrangement of “Remy The Ratatouille” by Emily Jacobson that launched the TikTok Ratatouille musical movement, and The Grocery Store Musical, featured on ABC’s Good Morning America among other outlets, which is an arrangement of Lousia Melcher’s “New York Summer.” Most recently for Daniel is Ratatouille: The TikTok Musical, a live streamed concert benefiting the Actor’s Fund produced by Tony-winning Seaview Productions, for which he serves as music supervisor, songwriter, and arranger of the 10 song performance.Daniel’s original works include Breathe: Portraits from a Pandemic, Dot and the Kangaroo, commissioned by MTI Australaisa and iTheatrics, House Rules: A New Musical based on the New York Times Best Selling novel by Jodi Picoult, far memory, commissioned by Fall Island Vocal Arts Seminar for Stephanie Blythe and Alan Louis Smith, Construction Site on Christmas Night. He also wrote on a new score for The Lion, The Witch, and the Wardrobe, commissioned by Bay Area Children’s Theatre, The Letter; A New Opera, and a new score for Laura Eason’s The Adventures of Tom Sawyer commissioned by MU Summer Repertory Theatre. He is a member of the advanced class of the BMI Lehman Engel Musical Theatre Workshop.Music Direction credits include; Off-Broadway: Sistas, 54 Below Sings – ABBA, Ariana Grande, Pop Hits of the 2000s, The Jonas Brothers. Readings: Monstersongs (NAMT), The Big One-Oh! TYA, and Hans Christian Anderson TYA (The Kennedy Center’s New Visions, New Voices). iTheatrics Music Direction credits include Off-Broadway: Sistas, 54 Below Sings – ABBA, Ariana Grande, Pop Hits of the 2000s, The Jonas Brothers. Readings: Monstersongs (NAMT), The Big One-Oh! TYA, and Hans Christian Anderson TYA (The Kennedy Center’s New Visions, New Voices). iTheatrics Workshops: Heathers HSE, Chicago HSE, Andrew Lloyd Webber for Young Actors Cats, Mary Poppins JR., G2K… Footloose, Newsies JR., Sister Act JR., The Drowsy Chaperone JR., My Fair Lady School Edition, Finding Nemo JR.Arrangement & Orchestration credits include “Princess” by Matthew Lee Robinson from Witches for the Sydney Symphony Orchestra, Hans Christian Andersen(additional arrangements and underscoring) The Big One Oh! (Off-Broadway – additional arrangements and underscoring), “Children Will Listen” by Stephen Sondheim, commissioned by the Junior Theater Festival for the 20th anniversary of Broadway JR. “Rainbow Connection” by Paul Williams on the occasion of his acceptance of the Junior Theater Festival Legacy Award, and over 50 songs for Oh, What a Night!, The Rhythm of Life, & Fantastical Families, and more, at Transcendence Theatre Company.As an educator, he leads workshops at the international Junior Theater As an educator, he leads workshops at the international Junior Theater Festivals, Junior Theater Celebrations throughout the United States, and specialized music workshops for the Shubert Foundation and the NYC Department of Education. Daniel also graduated valedictorian from The Crane School of Music at SUNY Potsdam. Born in Florida, Daniel has also lived in Germany, Las Vegas, and spent his formative years in Buffalo, New York before moving to New York City.

Director Jennifer Williams interviews composer Ricky Ian Gordon. A leading writer of vocal music that spans art song, opera and musical theater, the GRAMMY-nominated and OBIE Award-winning composer’s work has been performed and recorded by such internationally renowned singers as Renée Fleming, Dawn Upshaw, Nathan Gunn, Stephanie Blythe, Denyce Graves, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, and the late Lorraine Hunt Lieberson, among many others. We discuss the role art plays in healing a community, composing authentic voices, and the relationship between musical theater and opera. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Seattle Opera Dramaturg Jonathan Dean introduces the mezzo and contralto voices. With their rich, creamy, dark sounds these lower-voiced ladies play opera’s most luscious babes, as well as boys, old women, jealous wives, vengeful goddesses, and loving mothers. Featuring musical examples including Seattle Opera favorites Michelle DeYoung, Helene Schneidermann, Sarah Mattox, Rosemary Alvino, Daniela Sindram, Kate Lindsey, Graciela Araya, Laura Polvarelli, Luretta Bybee, Maria Zifchak, Sarah Larsen, Margaret Gawrysiak, Rosalind Plowright, Marvellee Cariaga, Joyce Castle, Stephanie Blythe, Elena Gabouri, Florence Quivar, Ewa Podles, Sheila Nadler, and Geraldine Decker.

This week's stories:Rene Ritchie reviews the new iPad ProAlex Lindsay explains how the new iPad Pro uses LiDARWill Apple's AR camera be a killer app or a gimmick?Does the iPad Pro keyboard make it a real computer?The MacBook Air is the perfect computer for everyone except Alex LindsayMac Mini is a good faith updateHow to use your iPhone as a webcamNew Apple Watch bandsApple makes Mac Pro Afterburner card available as a standalone purchaseApple sign goes up for auction at $20,0000Picks of the Week:Leo's Pick: Plague Inc fights Covid-19Andy's Pick: Vagner Veek at the Met! Bryn Terfel! Stephanie Blythe!Rene's Pick: NetNewsWireLory's Pick: Mujjo Leather Wallet Case in Slate GreenAlex's Pick: Audio Implements In-Ear Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, Rene Ritchie, and Lory Gil Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Sponsors: Molekule.com promo code MACBREAK10 matias.ca/MacBreak LastPass.com/twit

This week's stories:Rene Ritchie reviews the new iPad ProAlex Lindsay explains how the new iPad Pro uses LiDARWill Apple's AR camera be a killer app or a gimmick?Does the iPad Pro keyboard make it a real computer?The MacBook Air is the perfect computer for everyone except Alex LindsayMac Mini is a good faith updateHow to use your iPhone as a webcamNew Apple Watch bandsApple makes Mac Pro Afterburner card available as a standalone purchaseApple sign goes up for auction at $20,0000Picks of the Week:Leo's Pick: Plague Inc fights Covid-19Andy's Pick: Vagner Veek at the Met! Bryn Terfel! Stephanie Blythe!Rene's Pick: NetNewsWireLory's Pick: Mujjo Leather Wallet Case in Slate GreenAlex's Pick: Audio Implements In-Ear Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, Rene Ritchie, and Lory Gil Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Sponsors: Molekule.com promo code MACBREAK10 matias.ca/MacBreak LastPass.com/twit

This week's stories:Rene Ritchie reviews the new iPad ProAlex Lindsay explains how the new iPad Pro uses LiDARWill Apple's AR camera be a killer app or a gimmick?Does the iPad Pro keyboard make it a real computer?The MacBook Air is the perfect computer for everyone except Alex LindsayMac Mini is a good faith updateHow to use your iPhone as a webcamNew Apple Watch bandsApple makes Mac Pro Afterburner card available as a standalone purchaseApple sign goes up for auction at $20,0000Picks of the Week:Leo's Pick: Plague Inc fights Covid-19Andy's Pick: Vagner Veek at the Met! Bryn Terfel! Stephanie Blythe!Rene's Pick: NetNewsWireLory's Pick: Mujjo Leather Wallet Case in Slate GreenAlex's Pick: Audio Implements In-Ear Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, Rene Ritchie, and Lory Gil Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Sponsors: Molekule.com promo code MACBREAK10 matias.ca/MacBreak LastPass.com/twit

This week's stories:Rene Ritchie reviews the new iPad ProAlex Lindsay explains how the new iPad Pro uses LiDARWill Apple's AR camera be a killer app or a gimmick?Does the iPad Pro keyboard make it a real computer?The MacBook Air is the perfect computer for everyone except Alex LindsayMac Mini is a good faith updateHow to use your iPhone as a webcamNew Apple Watch bandsApple makes Mac Pro Afterburner card available as a standalone purchaseApple sign goes up for auction at $20,0000Picks of the Week:Leo's Pick: Plague Inc fights Covid-19Andy's Pick: Vagner Veek at the Met! Bryn Terfel! Stephanie Blythe!Rene's Pick: NetNewsWireLory's Pick: Mujjo Leather Wallet Case in Slate GreenAlex's Pick: Audio Implements In-Ear Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, Rene Ritchie, and Lory Gil Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Sponsors: Molekule.com promo code MACBREAK10 matias.ca/MacBreak LastPass.com/twit

Stephanie Blythe, Penderecki Quartet.

Soprano Lisette Oropesa was recently named as the winner of the 2019 Richard Tucker Award. She stars in  major productions around the world and has garnered acclaim in several prestigious debuts including in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House.  Past winners include such luminaries as Stephanie Blythe, Lawrence Brownlee, Joyce DiDonato, Renée Fleming, Christine Goerke, Matthew Polenzani, and Deborah Voigt. Oropesa was inducted into this who’s who of American opera at the foundation’s annual gala on Sunday, October 27, at Carnegie Hall.  She chats with host Patrick D. McCoy about her career, winning the award and her upcoming appearance in DC with Washington Concert Opera in their performance of "Hamlet" by Ambroise Thomas on Sunday, November 24 at George Washington University's Lisner Auditorium.

All summer long, WMHT Listeners have a front row seat for concert performances and interviews recorded at Tanglewood, on Tuesday’s with the TMC. Hosted by Michael Nock of the Famed Tanglewood Music Center, this podcast features some archival performances as well as some of the current season’s finest concert recordings. On this episode, a Wagner Extravaganza, including a conversation with Stephanie Blythe.

resonantbodiesfestival.org/podcastresonantbodiesfestival.org/2019

Seattle Opera Dramaturg Jonathan Dean introduces the mezzo and contralto voices. With their rich, creamy, dark sounds these lower-voiced ladies play opera’s most luscious babes, as well as boys, old women, jealous wives, vengeful goddesses, and loving mothers. Featuring musical examples including Seattle Opera favorites Michelle DeYoung, Helene Schneidermann, Sarah Mattox, Rosemary Alvino, Daniela Sindram, Kate Lindsey, Graciela Araya, Laura Polvarelli, Luretta Bybee, Maria Zifchak, Sarah Larsen, Margaret Gawrysiak, Rosalind Plowright, Marvellee Cariaga, Joyce Castle, Stephanie Blythe, Elena Gabouri, Florence Quivar, Ewa Podles, Sheila Nadler, and Geraldine Decker.

Stephanie Blythe (aka Blythely Oratonio), Dito van Reigersberg (aka Martha Graham Cracker), and director and performer John Jarboe sit down with Opera Philadelphia's Michael Bolton to talk about Queens of the Night, drag, and opera.

Stephanie Blythe (aka Blythely Oratonio), Dito van Reigersberg (aka Martha Graham Cracker), and director and performer John Jarboe sit down with Opera Philadelphia's Michael Bolton to talk about Queens of the Night, drag, and opera.

Travel back in time to the inspired gatherings at 27 rue de Fleurus in Paris, where American expatriates Gertrude Stein and Alice B. Toklas hosted luminaries of art and literature such as Pablo Picasso, F. Scott Fitzgerald, Henri Matisse and Ernest Hemingway. In 27, composer Ricky Ian Gordon and librettist Royce Vavrek explore themes of love, loss, change and art set throughout two world wars. March 2-3 at Arthur Miller Theatre, Ann Arbor March 10-11 at the Macomb Center for the Performing Arts For more info: http://www.michiganopera.org/opera/ricky-gordons-27/ Music from "27: An Opera In Five Acts", recorded in performance at Opera Theatre of Saint Louis in June 2014. Performed by Stephanie Blythe, Elizabeth Futral, Theo Lebow, Tobias Greenhalgh, Daniel Brevik, members of the St. Louis Symphony, conducted by Michael Christie. Michigan Opera Theatre’s OperaHERE Podcast is your introduction to the performances seen onstage at the Detroit Opera House. Dive into the tragedy, comedy, and beautiful music of opera with host Austin Stewart and special guests, and prepare yourself for a dazzling night at the opera. The OperaHERE Podcast is produced by Jake Neher in the studios of WDET, and is supported by OPERA America’s Building Opera Audiences grant program, made possible through the generosity of the Ann and Gordon Getty Foundation.

In a continuation of her conversation with San Diego Opera Education Director Nicolas Reveles, mezzo-soprano Stephanie Blythe turns her attention to the growth of the young singer, focusing on her work with the Fall Island Vocal Arts Seminar. Working with young artists energizes Ms. Blythe and she has strong opinions about what singers need when they are beginning their careers. This podcast is a must see for voice students looking to connect totally with their art!

Mezzo-soprano Stephanie Blythe is well known to opera audiences, especially through the Metropolitan Opera's HD broadcasts. She is making her debut with San Diego Opera in the critical role of Ulrika Arvidson in Verdi's A Masked Ball, one of her favorite roles. In this two-part conversation with Education Director Nicolas Reveles, she discusses the role itself and her connection with the great mezzo/contralto roles of Verdi. Enjoy!

Not many opera stars can do "crossover," but the great Stephanie Blythe's new album entitled, "As Long as there are songs" shows us how a great opera star can sing pop music so beautifully, I include "Bei Mir Bist Du Schon" and "The Man that got away" and I know you will enjoy Mme.Blythe's remarkable endeavor.

This podcast features three of the finest mezzos in opera history:     Kathleen Ferrier       Janet Baker         Stephanie Blythe                                  (88 minutes)

Part One of two in which we honor the wonderful divas ofthe present generation. Included here are selections by: Vivica Genaux, Stephanie Blythe, Elina Garanca, Dolora Zajick,Maddalena Kozena, Susan Graham, Joyce di Donato, Judith Forst,Olga Borodina, Vesselina Kasarova, Ewa Podlés (in photo),Lisa Gasteen, Ruth Ann Swenson, Christina Gallardo-Domas,and Barbara Bonney (62 minutes)