Podcasts about tricaster

In this episode, Ray Cochrane devotes the whole show to Apple’s fall event, the first under new CEO John Ternus. He starts with the iPhone Duo, Apple’s first foldable iPhone. From there, he covers the Apple Watch Series 12, the new Health Age score, the Apple Watch Ultra 4, and AirPods 5 with noise canceling at $129. – Want to start a podcast? Its easy to get started! Sign-up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Ray if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Cochrane opens from his father’s studio in Michigan, fresh off a trip to Saugatuck Dunes State Park. Lake Michigan stunned him because it looked like the ocean. He had hoped to spot Wisconsin across the water. However, overcast skies and fog hid the far shore. He also apologizes for the hum in the previous episode, his first video session in the studio. Without headphones on, he took the noise for ordinary background sound. The culprit turned out to be a line-level cable plugged in at one end and loose at the other. After tracing it, he rewired the whole desk so every cable is neat and out of harm’s way. Meanwhile, he is still learning the studio’s TriCaster switcher and working on keeping his eyes on the camera. He invites listeners to send suggestions. Additionally, his grandmother had trouble finding the video version on the site. As a result, a site update is coming that uses the alternate enclosure feature, so listeners can switch between video and audio. Time with his grandmother has been a highlight of the trip. Cochrane reflects on how little time he spent with this side of the family after his father moved to Michigan. Next, he flies home to Oregon after some time in Detroit. As the move comes together, he also wants a better way to get recordings off the TriCaster than a USB drive. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. iPhone Duo: Apple’s First Foldable Arrives Seven Years After Samsung Instead of a spread of headlines, the whole episode covers Apple’s fall event, much like Chris’s recent D23 episode. The event streamed Wednesday as a pre-recorded film. It was also the first event under CEO John Ternus. He took over from Tim Cook, who became executive chairman, on September 1st. It took Apple seven years to answer Samsung’s first Galaxy Fold. Even so, the price barely moved, since the Duo starts at $1,999. Cochrane admits he hoped for something closer to $1,400. Still, based on the marketing alone, the Duo is the upgrade he is most excited about. The Duo is a book-style foldable that opens along a vertical hinge. Closed, it has a 5.4-inch outer screen and is roughly the size of a passport. Open, it reveals a 7.6-inch display, the largest Apple has put on an iPhone. Both screens share the same proportions, so apps simply scale up to fill the bigger screen. Opened flat, the Duo is just 5.2 millimeters thick, which makes it the thinnest iPhone Apple has built. Closed, it measures 11.3 millimeters and weighs 254 grams. By comparison, Samsung’s Galaxy Z Fold8 is lighter and thinner at 201 grams and 4.5 millimeters open. The Crease, the Hinge and the Return of Touch ID The crease was Cochrane’s biggest worry, since it is the most common complaint about folding phones. Apple layers the inner screen with a flexible plastic cover, thin glass, and a titanium plate underneath. Custom adhesives let those layers slide as the phone bends. On top, a microscopically etched matte finish scatters reflections to hide the crease. However, Apple only claims the crease is harder to see, not gone. Early hands-on reports split down the middle. Chance Miller at 9to5Mac found it “hard to notice a crease at most angles.” In contrast, Andrew Romero at 9to5Google, working from early videos, said it looks “just as visible” as on Samsung’s Fold8. The hinge uses more than a hundred parts and a row of magnets to hold the phone shut. Cochrane says it snaps open cleanly, which a $2,000 phone should. Notably, the Duo carries an IP68 rating, surviving six meters of water for up to 30 minutes. That matters on a foldable, because dust in the hinge is a classic way these phones die. The Duo also has no Face ID. Instead, a Touch ID fingerprint reader sits in the side button and works open or closed. Cochrane offers his own theory for the switch. With AI now able to generate convincing faces and video, a fingerprint may simply be the safer biometric. Inside the Duo: Chip, Cameras, Software and Battery The Duo runs the A20 Pro, the same chip as the iPhone 18 Pro, built on a two-nanometer process. A vapor chamber carries heat away so the phone can hold full speed longer. Cochrane welcomes that, since his own phone runs hot while charging or running demanding apps. Two 48-megapixel cameras sit on the back, a main and an ultra-wide. The outer screen unlocks the new tricks. For example, you can shoot selfies with the rear cameras, and Duo Preview lets your subjects see the shot. Smart Take snaps the photo when everyone is posing, and Kid Cue plays Peanuts animations to get kids to look at the camera. On the software side, the Duo ships with iOS 27.1. The Dynamic Island now runs vertically along the side, and Split View puts two apps side by side for the first time on an iPhone. Netflix, Zoom and Slack already support it. The Duo carries two batteries, one in each half, and Apple rates it for up to 24 hours of typical use. Charging to 50 percent takes about 20 minutes with a 60-watt adapter. However, that adapter is sold separately, which Cochrane calls out as a raw deal for first-time buyers. MagSafe and Qi2 wireless charging run at up to 25 watts. Storage starts at 256GB for $1,999 and climbs to $3,199 for 2TB. Preorders open October 16th, and the Duo reaches stores October 23rd. Ternus called it “the most transformational change to iPhone since the original.” Cochrane still wants one, though the price gives him pause, and he asks listeners whether they plan to buy. Apple Watch Series 12 Checks Your Heart Every Five Seconds Next, Cochrane turns to the Apple Watch Series 12 and its new Health Sensing System. The watch reads your pulse by shining green light into your skin and measuring what bounces back. After wrestling with the technical term, photoplethysmography, he notes that everyone sensibly calls it the optical sensor. Apple made those lights bigger and more efficient. As a result, the watch now checks your heart rate every five seconds, all day. It also measures heart rate variability, the tiny wobble between beats, as often as every five minutes. A bigger wobble generally means your body is rested and recovered. Cochrane loved Apple’s swimming ad, where a swimmer finishes his swim and checks his heart rate. To him, it feels far more futuristic than the rugged adventure watches of twenty years ago. Swim tracking itself isn’t new. What changed is the constant background check and a live heart rate readout on the watch face. All of that feeds a new daily readiness score from zero to ten. It weighs your recent activity, training load, vitals and sleep, then updates through the day. Engadget points out that competitors already offer readiness scores and faster sampling. In Cochrane’s view, Apple is catching up to the market, but doing it in a big way. Apple’s Heart Rate Accuracy Study Apple claims no wearable reads heart rate more accurately, and this time it published the study. Testers wore a Series 12 on one wrist and a rival on the other, with a Polar H10 chest strap as the reference. The rivals came from Garmin, Google, Huawei, Samsung, WHOOP and Oura. Across 1,254 people at five sites, Apple led in 139 of 159 comparisons. Eighteen were too close to call. The only two losses went to Google’s Pixel Watch 4 at rest, by less than half a beat per minute. Cochrane appreciated that a fifth of participants had the darkest skin tones, where optical sensors have historically struggled. The Series 12 comes in 42- and 46-millimeter sizes, including a new ceramic version. Battery life holds at 24 hours, and fifteen minutes of charging now buys up to twelve hours. Pricing starts at $399 for aluminum, $699 for titanium and $899 for ceramic. It reaches stores September 18th. Health Age and Apple’s Rebuilt Health App Cochrane admits he first misread this feature, and he is glad his initial read turned out wrong. Apple is rebuilding the Health app around Apple Intelligence, its umbrella name for its AI features. The app adds an Insights tab, a For You section, and a Longevity tab covering seven areas of health. Sumbul Desai, a physician who runs health and fitness at Apple, framed the goal. She said pairing the watch’s sensors with Apple Intelligence lets Apple “translate complex biometric data into clear guidance for users.” In other words, nobody wants to scroll through a spreadsheet of their own heartbeats. Inside the Longevity tab sits Health Age. It weighs your VO2 max, resting heart rate, sleep, and heart rate variability against your real age. You can also add lab results like A1c and LDL cholesterol. Apple’s sample screen shows a body running 3.9 years younger than its birthday. Cochrane finds the feature interesting, and he hopes the data stays private, much like health records at a hospital. However, Apple didn’t share the math behind Health Age. He would like Apple to publish its formula, because people will take a number like that seriously. The new app also adds at-home movement evaluations using the iPhone camera and the watch. Users can book a $119 blood panel covering more than 50 biomarkers at roughly 2,000 Quest Diagnostics locations. Cycle Tracking gains perimenopause and menopause support. The redesigned app arrives later this year, while watchOS 27 lands September 14th. Finally, Cochrane raises a concern about all this monitoring. He hopes Apple built strong safeguards around the health data, because a leak of data like this would bring serious lawsuits. Apple Watch Ultra 4 Can Outlast a 100-Mile Race The Apple Watch Ultra 4 shares nearly everything with the Series 12, from the sensors to the S11 chip. This year, what sets it apart is stamina. Normal use now reaches 50 hours, up from 42, and Low Power Mode stretches to 84. Meanwhile, fifteen minutes on the charger buys up to 18 hours, where last year’s model managed 12. A new Max Extended Workout mode tracks up to 45 hours of running or hiking, with GPS logging every second. Apple says that is typically enough to finish a 100-mile race. The watch also uses dual-frequency GPS, which listens to two satellite signals to reject readings bounced off tall buildings. DC Rainmaker came away impressed with both watches. As Ray Maker put it, “I’d argue they’re the biggest leaps in Apple Watch hardware and features since they launched the Ultra series back a few years ago.” The Ultra 4 holds at $799 and ships September 18th. Audio Intelligence and the Always-Listening Question Both new watches also gain a set of listening features Apple calls Audio Intelligence. Sound Recognition alerts deaf or hard-of-hearing users to sirens, alarms, doorbells, or a crying baby. Shazam names nearby songs without being asked. Then come the two raising eyebrows: Live Rewind and Siri Recap. Live Rewind shows the last fifteen seconds of your conversation as text with a double press of the Digital Crown. Siri Recap hands you a title and key points after a conversation, leaving out financial details and ID numbers. Both arrive in beta later this year, in English first, and need an iPhone 16 or newer. Cochrane saw the pushback coming. To replay fifteen seconds, the watch has to be listening before you ask. Apple answers with privacy promises, including that everything is opt-in and raw audio is deleted after processing on the chip. Still, he argues that opting in means choosing to give up privacy, and he has a hard time believing the processing stays on the device. AirPods 5 Bring Noise Canceling to $129 AirPods 5 comes in two versions, and the headline is price. Until now, noise cancellation in the regular AirPods cost $179. Both AirPods 5 models include it, starting at $129. Noise canceling is harder in the regular AirPods, because they lack the rubber tips that seal your ear. Apple’s AirPods marketing director Eric Treski admitted as much in 2024, calling it “really, really hard to create this great ANC quality in a non-ear-tip product.” Nevertheless, Apple says AirPods 5 removes up to 50 percent more outside noise than AirPods 4 with noise canceling. Interestingly, the chip and microphones are unchanged. The gain comes from reworked vents and ports in the shell, plus smarter software. For perspective, Apple says AirPods Pro 3 still cancel up to three times more noise. Gizmodo found AirPods 5 “did a good job silencing the background noise, but not entirely.” The $129 model charges over USB-C. For $149, you add a wireless charging case, a Find My speaker, a volume swipe on the stem, and an extra hour of listening. Both models also carry an IP57 rating and support Live Translation. They reach stores September 18th. How Apple Filmed the Event Cochrane closes by praising the production itself. Apple built different scenes and backgrounds throughout the film, and Six Colors noted a Hollywood backlot segment with a fake rainstorm, Roman soldiers, and astronauts. The closing card read “Shot on iPhone. Edited on Mac.” He still hopes to get an iPhone Duo, though he isn’t sure about paying two grand. For now, he may stick with his current phone. Cochrane wraps up by pointing listeners to the GNC Insider program, the newsletter, and podcastapps.com, adding that he likes Pocket Casts. Listeners can reach Ray or Chris at geeknews@gmail.com. He flies back to Oregon next, with another audio episode planned for Monday and a video site update coming this week. The post Apple’s September Event: iPhone Duo, Apple Watch Series 12, and AirPods 5 #1877 appeared first on Geek News Central.

All Things TechIE Podcast - Episode 118 live at Infocomm 2025 in Orlando speaking with Vizrt. Launched earlier this year, Viz Connect Audio is Vizrt's first dedicated NDI audio device on the market. Developed using TriCaster user feedback, Viz Connect Audio adds a much-needed ability to manage any and all NDI sources on a network, both visually and aurally. This makes it easy for users to connect analog audio sources, configure and convert them to NDI, and enable use in a local or remote NDI ecosystem. hether you're building a studio, running a virtual event, or managing daily communications, come see how Vizrt can make your work faster, easier, and more effective.

00:00:00 – Kicking Off with Alex Jones Clips & Technical Glitches The episode starts with the usual banter, discussing "hump day" and mid-week energy. Alex Jones clips of the week play, featuring his wild takes on gang bangs, weed, and Thomas Jefferson. The hosts joke about Jones' obsession with lesbians and hamburgers. A suspected TriCaster failure disrupts the show briefly. 00:10:00 – The New Jersey Drone Controversy: Government Secrecy or Bureaucratic Incompetence? The discussion shifts to the mysterious drones spotted over New Jersey. Reports claim the drones were FAA-authorized, but Biden's administration remained vague. The hosts theorize that the event could have been a psychological experiment or intelligence test. They question why the FAA withheld information and suggest Trump may have been misled on the issue. 00:20:00 – DeepSeek AI vs. OpenAI: China's AI Leap Raises Concerns A Chinese hedge fund reportedly developed DeepSeek, an AI model rivaling OpenAI, for a fraction of the cost. OpenAI accuses DeepSeek of scraping its data, raising legal and ethical issues. The hosts experiment with DeepSeek, asking about self-awareness, memory, and consciousness. They notice DeepSeek avoids criticizing China but is more open than OpenAI on other topics. 00:30:00 – Could AI Gain Consciousness? A Deep Dive into Self-Aware Machines The hosts push DeepSeek further, asking about its ability to experience emotions and memory. AI demonstrates real-time thinking, making them question if AI is on the verge of sentience. They compare this AI model to past iterations and speculate that the government may already have semi-conscious AI. 00:40:00 – RFK Jr. Confirmation Hearing: Hostile Interrogation & Media Bias RFK Jr. faces aggressive questioning from senators over his stance on vaccines and bio-weapons. Elizabeth Warren accuses him of profiting from vaccine skepticism, despite his claims of supporting safe vaccines. The hosts discuss how RFK Jr. has been villainized for challenging establishment narratives. 00:50:00 – The Absurdity of RFK Jr.'s Medicaid Questioning Senators try to trap RFK Jr. into saying he would cut Medicaid, despite his lack of policy authority. Elizabeth Warren's hypocrisy is highlighted as she lectures RFK Jr. about ethics while benefiting from corporate lobbying. The hosts ridicule the hearing as a theatrical attempt to discredit him. 01:00:00 – Trump's Immigration Crackdown & The Media's Double Standards Trump's executive orders targeting illegal immigration spark media outrage. A clip of the White House press secretary fumbling through immigration law questions is played. The hosts argue that enforcing immigration law should not be controversial. They highlight how border encounters have dropped significantly since Trump resumed strict policies. 01:10:00 – The Elon Musk “Nazi Salute” Outrage: Media Manipulation at Work The media pushes a misleading clip of Musk allegedly doing a Nazi salute. The hosts expose how the footage was selectively edited to fuel outrage. They compare Musk's hand gesture to similar gestures by other politicians, proving media bias. 01:20:00 – The Democratic Party's Slave Labor Argument: “Who Will Pick the Berries?” A CNN guest claims Americans "won't have berries for their smoothies" without illegal immigrants. The hosts mock this as modern plantation logic, exposing the left's reliance on cheap labor. Bernie Sanders' past opposition to open borders is revisited, showing how he once warned about wage suppression. 01:30:00 – Virtue Signaling Liberals: Supporting Immigration by Buying Tacos? A TikTok influencer claims he only eats at immigrant-owned businesses to fight racism. The hosts mock the performative nature of social justice activism. They highlight how elite liberals love virtue signaling without actual sacrifice. 01:40:00 – Selena Gomez's Emotional Immigration Meltdown A viral clip of Selena Gomez crying over Trump's immigration policies is played. The hosts point out how she ignores cartel violence and human trafficking. They discuss how celebrities push emotional narratives without engaging in real policy debates. 01:50:00 – CHUNK 11: Final Thoughts on Immigration, Media Lies & Political Hypocrisy The hosts reflect on how immigration debates are dominated by emotional manipulation rather than facts. They analyze how major media outlets selectively edit news to frame conservatives as villains. Discussion about how leftist politicians pretend to care about immigrants while exploiting their labor. They wrap up with a sarcastic take on virtue signaling and the political theater surrounding these debates. 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Why Activision is handling Call of Duty differently this year, if DJ Hero was the real deal, and what the hell is a Tricaster?

「NewTek、ビデオ制作対応のデスクトップ型「TriCaster Mini X」発表。新機能Live Link搭載」　NewTek社は、あらゆるビデオ制作に対応するというデスクトップ型「TriCaster Mini X」を発表した。単体モデルとバンドルモデルがあり、希望小売価格は以下の通り。

「Vol.03 TriCasterと小型中継車でスムーズなスポーツ中継を実現〜テクノネットインタビュー[TriCaster User's Voice]」　映像と情報に関わる技術サービスを提供している株式会社テクノネットでは、TriCasterを導入したネット配信や、スポーツ場内の演出などを行っている。そこで、テクノネットの山崎洋則氏と渡部進也氏にTriCasterの活用事例や、使い勝手などについて話を伺った。

We apologize for the unusual ending to today's videocast..about a twenty minute static shot of the audio file. Someone (Phil) forgot to turn if the Tricaster. Meanwhile, the Dooleys defend their boys toilet habits and Dr Jim Sadler gives Phil advice on his sand-burned foot.Sign up for a Backstage Pass and enjoy a 30,000 plus hour archive, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more… Sign up now at PhilHendrieShow.com!e

[TALKS] Pierre-Laurent Jastrzembski, responsable commercial du distributeur 3D Storm, fait le point sur les dernières innovations du système de production video live de Tricaster. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

It's no secret that we are becoming a society of content creators. From services like Twitch and Facebook Gaming to YouTube and Facebook, there are a ton of ways that people can create content that others can enjoy. And, in the last few years, live video has become the creation method of choice. But, when doing live video, there are a lot of challenges that can occur. Add to that our current environment of constant video meetings, you've got a lot of people looking for some help, and NVIDIA has it with NVIDIA Broadcast.We've all seen videos of people walking in on meetings or heard children shouting in the background. But there's also the smaller things, like the sound of water running in a turtle tank or simply the sound of someone typing on a loud keyboard while they should be muted. These are exactly the problems that the NVIDIA Broadcast software is designed to tackle.With this software on a computer equipped with an RTX video card, users can fix issues with their own audio to prevent the outside world from having to deal with their scenarios. But, even better, these same users can filter audio coming in, so when that person is eating soup on a video call, with no care in the world, you aren't forced to endure the slurping sound on your end. You may not be able to fix it for everyone, but at least you're protected.The real magic, however, is in the video capabilities. NVIDIA Broadcast is able to take your video feed, make adjustments, and then feed it back as a new video source on your computer. So, in the case of a meeting, it shows up as another webcam after you blur your background, replace it with an image, or mute it out entirely. This is also useful for Twitch streamers, as you can import this removed background feed into Livestream Studio, Tricaster, OBS, and more, and overlay your camera feed over gameplay.NVIDIA Broadcast is available now for free to RTX owners.

It's no secret that we are becoming a society of content creators. From services like Twitch and Facebook Gaming to YouTube and Facebook, there are a ton of ways that people can create content that others can enjoy. And, in the last few years, live video has become the creation method of choice. But, when doing live video, there are a lot of challenges that can occur. Add to that our current environment of constant video meetings, you've got a lot of people looking for some help, and NVIDIA has it with NVIDIA Broadcast.We've all seen videos of people walking in on meetings or heard children shouting in the background. But there's also the smaller things, like the sound of water running in a turtle tank or simply the sound of someone typing on a loud keyboard while they should be muted. These are exactly the problems that the NVIDIA Broadcast software is designed to tackle.With this software on a computer equipped with an RTX video card, users can fix issues with their own audio to prevent the outside world from having to deal with their scenarios. But, even better, these same users can filter audio coming in, so when that person is eating soup on a video call, with no care in the world, you aren't forced to endure the slurping sound on your end. You may not be able to fix it for everyone, but at least you're protected.The real magic, however, is in the video capabilities. NVIDIA Broadcast is able to take your video feed, make adjustments, and then feed it back as a new video source on your computer. So, in the case of a meeting, it shows up as another webcam after you blur your background, replace it with an image, or mute it out entirely. This is also useful for Twitch streamers, as you can import this removed background feed into Livestream Studio, Tricaster, OBS, and more, and overlay your camera feed over gameplay.NVIDIA Broadcast is available now for free to RTX owners.

Deze eerste Zoldersession na de vakantiebreak staat gelijk in het teken van nieuwigheid. Want is de eerste versie die opgenomen met onze studioapparatuur (zie voor de setup het blog op zolder.io). Dat was nog even wennen maar het resultaat mag er zijn. Hogere kwaliteit audio en video. Hopelijk valt het op :)We praten nog eens bij over het onderzoek van Rik en Wesley naar beveiliging van verkeerslichten waarmee ze op Defcon stonden eerder deze maand. En over het datalek bij SANS naar aanleiding van een phishing aanval met een malicious Azure app. Wat weer een mooi bruggetje vormt naar het slotstuk over de voortgang van de Zolder.App ontwikkeling. Met Rik en Wesley via Skype en Theo achter de TriCaster knoppen.

Todd Cochrane CEO of Blubrry Podcasting and Rob Greenlee of Libsyn talk extensively about Joe Rogan and his move to Spotify. Major congratulations to Joe on the big payday. At about 45 minutes in the show, your lovely Tricaster operator Todd left a screen up that should have not been up resulting in Todd having … Continue reading Joe Rogan moves to Spotify #373 → The post Joe Rogan moves to Spotify #373 appeared first on New Media Show.

Todd Cochrane CEO of Blubrry Podcasting and Rob Greenlee of Libsyn talk extensively about Joe Rogan and his move to Spotify. Major congratulations to Joe on the big payday. At about 45 minutes in the show, your lovely Tricaster operator Todd left a screen up that should have not been up resulting in Todd having … Continue reading Joe Rogan moves to Spotify #373 → The post Joe Rogan moves to Spotify #373 appeared first on New Media Show.

Tom talks with Chris Williams, Chief Product Officer at iHeart Media about his role in iHeart and how he got started in radio. Thanks to our sponsor, Amitrace, for making the podcast possible. Check them out at Amitrace.com

Gillmor Gang X - Frank Radice, Michael Markman, Keith Teare, Denis Pombriant, and Steve Gillmor. Recorded live December 22, 2019. Produced on TriCaster, Final Cut Pro, and Anchor December 25-26, 2019, directed by Tina Chase Gillmor.

TriCaster Book Bento Reflection

It's Monday and we've decided to do a late celebration of International Donut Day. Josh shares one of the most embarrassing moments he has experienced. Tommy tells us about his big weekend plans, and we discuss a little bit about our plans for the show. On today's episode of The Daily Talk Show we discuss: Being able to listen to our show every day of the year Last Friday's International Donut Day Coles radio Josh's most embarrassing moment Tommy's weekend plans Our big plans for July Stretching yourself Our security system and recording rules Watch today's episode of The Daily Talk Show podcast at https://www.youtube.com/watch?v=CHGFAFTjLQo Subscribe and listen to The Daily Talk Show podcast at https://www.thedailytalkshow.com/ Email us: hi@thedailytalkshow.com Send us mail: PO BOX 400, Abbotsford VIC 3067 A conversation sometimes worth recording with mates Tommy Jackett & Josh Janssen. Each weekday, Tommy & Josh chat about life, creativity, business and relationships — big questions and banter. Regularly visited by guests and friends of the show! This is The Daily Talk Show. This podcast is produced by BIG MEDIA COMPANY. Find out more at https://bigmediacompany.com/

Brian is a comedian, producer and a live event sound engineer. When Brian is in front of the mic, you may have seen him on NBC’s Last Comic Standing, Comedy Central or performing live at The Comedy Store, Laugh Factory and at other various comedy clubs and festivals in the US. When he is behind the mic, he is operating a TriCaster live broadcast system for Live TV shows like MTV Music Awards and Americas Got Talent. Brian talk about his journey starting out in comedian in New Jersey, which lead him travel to the showrooms of Las Vegas and all the way to The Comedy Store in Los Angeles. He also discusses how he found himself with a second unexpected career, which has paid off for him. @BrianSheil1

When we talk about magic--and we're not just telling fairy tales or parlor tricks--we don't usually talk about it like puberty. But when it returned to the world, it returned in fits and spurts, horrifying and impulsive and stupid, and there really isn't a word more apt. Alas, some of us are still hoping against hope for a graceful transition, a slow ease of the public into the idea of holding fire in your hands, or negotiating the opinions of a river. We still believe we can instill safety precautions so that fewer homes are demolished by botched cantrips, and old gods still bleary from centuries in slumber aren't hailed immediately by gunfire. Our organization has long maintained that lasting, positive change takes time, and must be introduced gradually. But the public is not patient, magic is not graceful, and time is not on our side. Rules edition: v1.0 Longform with Acts and Intermissions. This was recorded before Festival even existed, which is fun. Follow Sasha on twitter @sasha_reneau. Follow Calix on twitter @reaverboar. Follow Spindlewheel's development @teacabbage. Check out the open beta at https://tinyurl.com/spindlewheel-openbeta.

With our Tricaster operator on vacation we present a more laidback version of the show with more than 20 Gamescom topics!

Kenn Edwards and Joseph William Lewis bring you the longest episode of SLGTTP in the making: an in-depth, chronological audio diary of the making of Joe's first feature-length film, A/V. As lead actor and writer/director of the sci-fi/dramady, they guide you along each step of the filmmaking process, from production, through post, all the way up until the moment of release. Featuring costars Adam Crawford, Amber Taneal, Caitlyn Cline, Erin Whitaker, Jennifer Parks, & Geoffrey Lewis.  A/V is a Toasted Schizo production, and available to watch for free online at YouTube.com/ToastedSchizo. Please watch it and share to help spread word of the film. Follow @ToastedSchizo, @AVmotionpicture, & @TheKennEdwards. I'M THE LEAD IN A FUCKING MOVIE!! JOE MADE A GODDAMN MOTHERFUCKING MOVIE!!!!!

Rob and Todd Interview Philip Nelson of Newtek to talk about the Tricaster Mini and its impact on the New Media Space. We go over it’s features and the portability. Aspiring media creators are going to want to get their hands on one. If you are looking to buy a Tricaster Mini reach out to Todd as we know a Newtek Dealer. As a New Media Expo Media Partner we share some of the latest announcements by the NMX Team.. We are also offering podcasters a great discount on your tickets to New Media Expo by using the promo code “newmedia” join Rob and I in Vegas in April. Contact the show: Rob or Todd @ newmediashow.com Support my Show Sponsor: Best Godaddy Promo Codes $11.99 – For a New Domain Name cjcfs3geek $6.99 a month Economy Hosting (Free domain, professional email, and SSL certificate for the 1st year.) Promo Code: cjcgeek1h $12.99 a month Managed WordPress Hosting (Free domain, professional email, and SSL certificate for the 1st year.) Promo Code: cjcgeek1w Support the show by becoming a Geek News Central Insider The post NMS #70 Philip Nelson & Tricaster Mini first appeared on New Media Show.

The ‘Almost’ live show! Vance and Mark were unavailable for the show so it was pre-recorded with Peter adding some live pieces! An interesting discussion on 4K and showing how we remotely control the NewTek TriCaster with an iPad using TouchOSC.

We show how to use Wowza on EC2 to help in bandwidth limited situations, our first 4K video shoot using the Sony PXW-Z100 and how we control the TriCaster using ‘iPeter’.

Vance is back and we talk news from NAMM and look at studio glue part 3 and build a diagram of a studio based around a TriCaster 40, including a Mac for Skype!

Andrew Zarian interviews Stephen Heywood from the TTB Network, aka The Tech Buzz. Stephen talks about how he got interested in internet broadcasting and the many challenges he's faced learning the craft. How did The Tech Buzz come about? Stephen also discusses internet broadcasting, Wirecast, Tricaster, and the future of the TTB Network.

Andrew Zarian interviews Stephen Heywood from the TTB Network, aka The Tech Buzz. Stephen talks about how he got interested in internet broadcasting and the many challenges he's faced learning the craft. How did The Tech Buzz come about? Stephen also discusses internet broadcasting, Wirecast, Tricaster, and the future of the TTB Network.

DJ/VJ Artista audiovisual independiente que forma parte de una de las generaciones mas importantes de dj's/productores de México. Con mas de 29 años como profesional, a dejado ya una huella muy importante en el mundo de la música en mas de la mitad del país. Comunicólogo y profesional de medios, a llevado la escena a un publico mas diverso, a través de radio, prensa y televisión. su profesionalismo y nivel lo han llevado a compartir escena y cabina con: CHRIS FORTIER, MAGOO, THOMAS PENTON, JAMES MONRO, D TEK, ARTURO, VAZIK, GATAKA, MISS VOLTAGHE, SESTO SENTO, MAYAN COMPLEX, ECLIPTIC, RAMIRO PUENTE, AZIMUTH, KLANG, VERONICA ELTON, SWEET ELECTRA, DIGICULT, ULTRAVOICE, ROGER MARTINEZ, TACHO, AKBAL, EARTHWAVE, ALEXANDER, TATIANA, ACQUATICA, IDO, STARGATE X, ZIKI, NGELIK, KOOBE, DJ ROOSTER & SAMMY PERALTA, MAHAMUDRA, BIZARRE CONTACT, ABSOLUM, INFECTED MUSHROOM, TECHNODROME, AZAX SYNDROM, SINTOMA, ITZONE, X-NOISE, BRIAN CHEETAM, BASS ROMERO, CHLOE HARRIS, ANTHONY PAPPA, SATOSHI TOMIIE, PAUL VAN DYK, GIULIA REGAIN, PANAYOTA, FORZA, SILVERIO, RICK PIER O'NEIL RPO, DANIEL STEINMBERG, ROBBIE, LOST&FOUND ademas de estrellas mundiales como KC AND THE SUNSHINE BAND, GLORIA GAYNOR... y muchos mas... http://soundcloud.com/ramon-serratos-aka-rams RADIO Desde 1990 iniciado en estaciones de radio en Villahermosa Tabasco, fungió como productor en diseño de audio y elenco de programas de interés social y juvenil, para pronto formar parte importante en RADIO EXITOS, y ahí desarrollar una importante carrera durante una década, misma en la que en el segundo año es CERTIFICADO como LOCUTOR en base a los exámenes de nivel profesional en la UTEC (unidad de televisión educativa de la secretaria de educación publica) de la ciudad de México, recibiendo LICENCIA para ejercer. teniendo a su cargo en la producción y conducción una decena de programas durante este lapso. En 1998 y a su ingreso en GRUPO SIPSE toma la estafeta de 2 de los mas importantes programas de radio en Yucatán en Stereo Maya (ahora KISSFM) BACK IN TIME y MEMORIA COLECTIVA, ubicando así su voz y un estilo único de transmitir información relevante de la historia de la música y sus protagonistas del mundo. En conversaciones con JAIME ALMEIDA y HERBÉ POMPEYO estos le asignan el titulo de "musicologo" por el nivel de conocimientos en la historia de la música. Y reconocido por ROMEO HERRERA como un profesional de la radio. Mas adelante tendría intervenciones en programas históricos en AMOR 100.1 al mismo tiempo que acostumbraran al publico en las mañanas a la irreverente y sarcástica forma de transmitir información con WANGO TANGO donde compartía con Giovannhy Ayora, y donde los dos desde ese momento son señalados como "lideres de opinión" por la comunidad de comunicadores y periodistas de Yucatán. -Diseñador de audio digital y productor de spots y jingles para radio desde 1994. -Locutor. TELEVISIÓN En 1993 CANAL 9 de Villahermosa en el estado de Tabasco, realiza una serie de programas de entretenimiento musicales como el exitoso SERRATOS ROCK HOUSE durante 4 años, ademas de programas como NUESTRA BELLEZA. En 1998 es contratado en GRUPO SIPSE donde desempeña en el área de audio post-producción digital, dando paso a la producción y realización de la identidad de CANAL 2 ahora en video en diseño de "animatica 3D" integrando por la empresa y asignado al área de post-produccion y desarrollo creativo del corporativo con alcance y diseño gráfico, de audio y video para el total de las empresas de GRUPO SIPSE, 7 periódicos, 7 estaciones de radio y 2 canales de televisión. Desde el año 2001 entra al aire y da continuidad al programa MTO foro suigeneris y de videos musicales mundiales. Ademas de conducción en eventos masivos, certámenes de belleza y programas nacionales representando a Yucatán como Big Brother, Otro Rollo y Bailando por México por mencionar algunos. Voz oficial del Corporativo Grupo SIPSE desde 1999. -Desarrollo creativo. -Productor. -Realizador. -Post-productor. -Editor. -FX Senior. -Diseño de audio. -Motion graphics designer. -Conductor. -Locutor. PRENSA Desde el año 2008 es invitado por importantes periodistas y empresarios a puntualizar a través de columnas, su singular estilo de comunicar todo lo relacionado al mundo de la música, hasta la actualidad donde es considerado como "líder de opinión en su ramo" por la comunidad de periodistas y comunicadores del estado y parte del "Poder de la Pluma" en MILENIO NOVEDADES. -Columnista. INTERNET -Dirección multimedia en SIPSE.COM MÚSICA -Jingles. -Música original para series de tv. -Producción y colaboración en discos de bandas de Rock Pop y Reegae. -Producción de artistas y dj's. DOCS -Dibujante artístico y publicitario (ESDAP) -Certificación y Licencia Locutor (UTEC / SEP) -De 2001 a 2003 considerado uno de los 10 mas destacados ANIMADORES 3D en México por NEWTEK creadores del software LIGHTWAVE. -Beta Tester de software Video Toaster y Tricaster de NEWTEK -Senior Designer Video Razor en 2002 -Certificación Colortran - light & fx. -Certificación Decocast - post on air. -Reconocimiento oficial por la Universidad Autónoma de Yucatán y la facultad de Química por las conferencias sobre Historia de la Música Electrónica. -Reconocimiento oficial por la Universidad Mesoamericana de San Agustín por las conferencias, mesas panel y aplicación de talleres de diseño visual. -Reconocimiento oficial por la Universidad Mesoamericana de San Agustín por las conferencias sobre Diseño e Imagen Corporativa. -Reconocimiento oficial por el Instituto Las Américas por las conferencias sobre Diseño e Imagen Corporativa. -Certificación BROADCAST PIX SLATE. -Certificación AVID Pro tools. -Certificación AVID Media Composer & Symphony. -Certificación ABLETON Live (en proceso).

SESCOM® Professional Media Interface For iPhone / iPad / iPod Mobile Media Devices Portable media devices and smart phones have come a long way since it's the basic initial introduction in 2001 with Apple's iPod. Today the technology has advanced with devices like the iPad, the iPhone and iPod Touch which can capture HD Video and amazing digital photos. These devices are finding their way into the presentation and conference rooms in businesses worldwide on an ever increasing level. The major problem has been how to handle the Audio-Video information in a format that can easily integrate in real time to a projector or large video audio display or TV! Sescom has chosen to develop the ultimate hardware solution for this: The SES-IAV is the answer. The video and audio media files you play on your mobile device can now be sent to your component video display and recording devices. Housed in a single 1RU rack mount enclosure, the iAV allows the user to connect the iPhone, iPad or iPod via included media cable and decodes the signal to broadcast Component Video with Balanced Audio. The iAV features dual outputs located on the front of the device for direct machine-to-machine connections, as well as a rear output group for rack interface with standard patch bays and control equipment. BNC connectors are used for true component video and Balanced XLR connectors for audio. Control of the audio level is also provided for with front panel level controls. The iAV will also provide charging for your compatible device via a built-in charging circuit. Powered by an included switch mode 110/220 VAC to 12 Volt DC adapter, the iAV can be easily adapted to mobile environments since the power jack is a standard 4pin XLR interface. Now you can easily use the iPhone with your TriCaster as both a camera and a media player. The Sescom iAV is a smart and practical solution to your broadcast and professional media applications. Specifications: Compatible Devices: The SES-iAV is a dual output audio and component video output solution for any iPad, iPhone & iPod that plays video, including, iPad, iPhone 4, iPhone 3GS, iPhone 3G, iPhone, iPod touch (Gen 1, 2, 3 and 4), iPod nano (Gen 3, 4, 5 and 6), iPod classic, iPod with video (Gen 5). Outputs: -Audio & video: 2 Component Video: Y/R-Y/B Y -- 1Vpp into 75 ohms R-Y-- .7Vpp into 75 ohms B-Y-- .7Vpp into 75 ohms 2 Balanced 600 ohm audio: 3pin Male XLR Control: -Audio Level: Gain 0 to +8db: independent both channels -Power: 12VDC@ 1A: 110/220 Auto switching to 12VDC power pack Power connector: standard 4pin XLR male Can be powered by any regulated 12VDC power source Dimensions: EIA Rack mount: 1.75"H x 5.0"D x 19"W Accessories: 12VDC power pack Multi-Pin extension cable to HD15 D-Sub Options: Extend the connection cable with any standard high resolution capable VGA male to female cable up to a distance of 25 feet

James, Ron and Lilian just chat about a range of different stuff, basically they meander… This is the fourteenth e-Learning Stuff Podcast, Half-Term Meanderings. Shownotes * The iPhone. * David and James's Podcast on the iPhone. * Lilian Soon's original blog post on the iPhone. * The Skype deal James mentions in the podcast only covers landlines and does not cover mobiles. * The Three Skype Phone doesn't appear to be available on the Three website, but is available from Amazon. * Ambrosia's Wire Tap Anywhere which James uses to record Skype. * Levelator levels your podcast recording. * James uses Instant Presenter for the MoLeNET Online Conferences, but is considering using Ustream instead, but would need a Tricaster (available from PlanetDV in the UK) to do this. * Ron said have a look at Adobe's OnLocation. * James uses the Sony HDR-SR10E HDD Camcorder to record video for his blog and for the JISC Online Conference Blog. He then uses iMovie to allow him to crop the HD video * Geoff Minshull runs DirectLearn and uses WebEx for running online conferences. At the last JISC Conference they also used Elluminate for live presentations. * Gabbly can be used to discuss a website. * Feedburner from Google allows you to create a better RSS feed. * Feeder allows you a lot more control over your RSS Feed.