Podcast appearances and mentions of ariel rechtshaid

Marko DeSantis makes his PCH return to celebrate 20 years of Palm Trees and Power Lines and so, so much more!MARKOhttps://www.sugarcult.comhttps://linktr.ee/markodesantisInstagram - https://www.instagram.com/markodesantisFacebook - https://www.facebook.com/SugarcultRocknRollPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Digging into “Only God Was Above Us,” an LP that's both catchy and complex. Guest host: Jon Pareles. Guests: The New Yorker's Amanda Petrusich and Pitchfork's Matthew Strauss.

True heights revealed. We can't come to your city. OGWAU out Friday. Hosted on Acast. See acast.com/privacy for more information.

"To Noise Making (Sing)" original lyrics by Andrew Hozier-Byrne. Produced by Ariel Rechtshaid and Andrew Hozier-Byrne for Rubyworks and Islands Records.  Transcript

"Nobody" original lyrics by Andrew Hozier-Bryne. Produced by Ariel Rechtshaid and Andrew Hozier-Byrne for Rubyworks and Island Records. Transcript

Depois do enorme sucesso em torno de "Call Me Maybe", Carly Rae Jepsen encontrou no som empoeirado dos anos 1980 e na colaboração com nomes como Blood Orange, Ariel Rechtshaid e Rostam Batmanglij a passagem para um novo território criativo. O resultado desse processo está na entrega de "Emotion" (2015), registro que revelou canções como "All That", "I Really Like You" e "Run Away with Me", e fez da artista um dos nomes mais cultuados da música pop recente. Aproveitando a vinda da cantora ao Brasil para se apresentar no Primavera Sound São Paulo 2023, Cleber Facchi (@cleberfacchi) e Guilherme Tintel (@GuiTintel) contam a história por trás do disco e refletem sobre o impacto de suas canções.

We had the pleasure of interviewing We Are Scientists Zoom video!American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like 2016's Helter Seltzer, 2018's Megaplex, and 2021's Huffy. Although modestly popular in America, they were a hit in the U.K., where the group's sound -- part post-punk revival and part indie rock with a touch of '80s synth pop -- drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and the Killers. Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after frontman and guitar Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album -- Safety, Fun, and Learning (In That Order) -- the group signed with Virgin Records and released their major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K. In 2008, We Are Scientists -- reduced to a duo comprising Cain and Murray after Tapper parted ways with the group -- put out their second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles "After Hours" and "Chick Lit." As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House, Gang Gang Dance, Blonde Redhead) to record sessions for their fourth record. Burrows relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash). In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry's band). The effort charted in the Top 50 of the U.K. and Scottish charts. Two years later, they delivered their sixth effort, the polished Megaplex, also produced by Hart. The album featured the singles "Heart Is a Weapon," "Not Another Word," and "Your Light Has Changed."Following the 2020 launch of their own Dumpster Dive podcast, the group returned with the full-length Huffy in 2021. Although 2021's Huffy returned to a guitar-driven sound, Lobes, the band's eighth studio album, released early 2023, is their synthiest, electronic beatiest collection yet. So, really, who even is We Are Scientists? Founding We Are Scientists members Keith Murray (guitar) and Chris Cain (bass) have played with guys like Adam, Michael, Andy, Danny, Chris, Matt, and Gary on drums, but for over five years now have had Keith Carne, who looks like he isn't going anywhere.The band's previous singles “After Hours,” “Nobody Move, Nobody Get Hurt,” “The Great Escape,” “It's a Hit” and “Chick Lit” all have charted in the US/UK and the band have appeared on US late night talk shows, The Late Show with David Letterman, Conan and Carson Daly and performed at Coachella, Sasquatch, and All Points West festivals. In the UK, the band played the Reading and Leeds main stage and Glastonbury Festivals among other world-wide touring. The release of Lobes was celebrated with a very special hometown show at Brooklyn Made on January 20, 2023.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #WeAreScientists #Lobes #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Depois de atrair atenções na cena de Los Angeles e excursionar com nomes como Edward Sharpe and the Magnetic Zeros e Kesha, as irmãs Este, Danielle e Alana Haim entraram em estúdio para a produção do primeiro álbum do HAIM, "Days Are Gone" (2013). Marcado pela criativa mistura de estilos, o registro gravado em parceria com Ariel Rechtshaid e James Ford revelou canções como "The Wire" e "If I Could Change Your Mind", apresentou oficialmente o trabalho do trio californiano e deu início a uma série de transformações no pop rock estadunidense. Para celebrar os dez anos de lançamento do disco, Cleber Facchi (@cleberfacchi) e Isadora Almeida (@almeidadora) resgatam a origem da banda e comentam o processo de gravação do álbum. Gostou do programa e quer ter acesso a outros episódios com muita antecedência? Apoie a gente em padrim.com.br/podcastvfsm.

In our latest episode of The Pop Disciple Podcast, we are joined by Ariel Rechtshaid, the decorated three-time Grammy award-winning producer/songwriter known for his collaborations with HAIM, Vampire Weekend, Usher, Madonna, Adele, Charli XCX, and many others. He serves as the composer for HBO Max's teen drama reboot series, Gossip Girl. Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Ariel Rechtshaid

When Ariel Rechtshaid fronted a ska pop band called The Hippos, I doubt he had any clue where his musical path would take him. They had a big hit in 2000 with “Wasting My Life”, which scored a spot in the Hottest 100. But playing on stage wasn't to be his destiny. After some time in the band Foreign Born, he stepped back and started crafting other people's songs. As a writer and producer, his CV has ballooned from indie artists like Cass McCombs, Blood Orange and Sky Ferreira, to huge names like Usher, Kylie Minogue, U2, and Adele. His collaborations with Vampire Weekend extend back to their last two, for HAIM it's their entire catalogue. When you think back over the past decade in music, Ariel Rechtshaid is responsible for so many of the songs you love. Which is why I asked him to Take 5, and take us into his studio to peel back the layers of five of his biggest songs. Even if you're not a gear head, this is an amazing conversation, and it reflects the grounded nature of Ariel, who works alongside his best mates one day, and some of the world's biggest artists the next. Through it all, his drive to find that sweet spot, to solve that problem, answer that question, guides him always. Cass McCombs - 'County Line' Usher - 'Climax' Adele - 'When We Were Young' Vampire Weekend - 'Ya Hey' HAIM - 'The Wire'

When Ariel Rechtshaid fronted a ska pop band called The Hippos, I doubt he had any clue where his musical path would take him. They had a big hit in 2000 with “Wasting My Life”, which scored a spot in the Hottest 100. But playing on stage wasn’t to be his destiny. After some time in the band Foreign Born, he stepped back and started crafting other people’s songs. As a writer and producer, his CV has ballooned from indie artists like Cass McCombs, Blood Orange and Sky Ferreira, to huge names like Usher, Kylie Minogue, U2, and Adele. His collaborations with Vampire Weekend extend back to their last two, for HAIM it’s their entire catalogue. When you think back over the past decade in music, Ariel Rechtshaid is responsible for so many of the songs you love. Which is why I asked him to Take 5, and take us into his studio to peel back the layers of five of his biggest songs. Even if you’re not a gear head, this is an amazing conversation, and it reflects the grounded nature of Ariel, who works alongside his best mates one day, and some of the world’s biggest artists the next. Through it all, his drive to find that sweet spot, to solve that problem, answer that question, guides him always. Cass McCombs - 'County Line' Usher - 'Climax' Adele - 'When We Were Young' Vampire Weekend - 'Ya Hey' HAIM - 'The Wire'

In this episode we pick out a selection of highlights from Season 6. If you haven't heard every episode from the last season, this is a good way to introduce yourself to some of the other artists and producers we've had on and hear their tips, tricks and stories. Have a listen to see what you've been missing!   You'll hear highlights from: Paul Epworth Disclosure Biffy Clyro and Rich Costey Georgia and Mark Ralph Jacob Collier Nova Twins and Jim Abbiss Nothing But Thieves Sports Team and Burke Reid Glass Animals Haim with Ariel Rechtshaid and Rostam Batmanglij Lianne La Havas with Beni Giles and Sam Crowe   SUBMIT A JINGLE For all of the details on sending in a jingle, email jingles@tapenotes.co.uk   Submit your Tape Notes jingle and we'll play our favourites each week on the podcast. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds).   SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

He is a Grammy Award-winning producer, engineer, multi-instrumentalist, and songwriter who has worked with a diverse roster of artists, including Adele, Haim, Sky Ferreira, Vampire Weekend, Charli XCX, Usher, Brandon Flowers, Madonna, Tobias Jesso Jr., Carly Rae Jepsen, Cass McCombs, and Justin Bieber among many others. He co-wrote and produced Usher’s 2012 single, "Climax", which won the 2013 Grammy Award for Best R&B Performance. In 2014, he was nominated for a "Producer of the Year" Grammy and won for his production on Vampire Weekend's ‘Modern Vampires of the City,’ which was awarded "Best Alternative Music Album." In 2017 he won for his production work on Adele's 25, which was awarded "Album of the Year." In 2020, he won a Grammy for Best Alternative Music Album for his production work on Vampire Weekend’s ‘Father of the Bride.’ And most recently, this year he is a 2021 Grammy nominee for Album of the Year his writing and production on HAIM’s ‘Women in Music Pt. III.’ And The Writer Is… Ariel Rechtshaid!Artwork: Michael Richey White See acast.com/privacy for privacy and opt-out information.

HAIM is a band from Los Angeles, made up of the sisters Danielle, Este, and Alana Haim. They’ve released three albums, and they’ve been nominated for three Grammys. Over the years, they’ve worked extensively with Grammy-winning producer Ariel Rechtshaid. Danielle and Ariel share the emotional backstory of the song “Summer Girl,” from HAIM’s third album, Women in Music Pt. III. In this episode, they break down their experience creating the song, along with Este Haim and the song’s co-producer and co-writer Rostam. For more, visit songexploder.net/haim.

In this episode, John catches up with Danielle from Haim along with co-producers Ariel Rechtshaid and Rostam Batmanglij to talk about how they wrote, recorded and produced Haim’s latest album ‘Women in Music Pt. III’. With recordings of jams, writing sessions and iPhone Garageband demos, Danielle, Ariel and Rostam pull apart their creative process, exploring the inspiration behind their ideas and what they did to bring them to life. From hearing song ideas through the floor to finding a fix for everyone’s demoitus, the trio treat us to an absolute masterclass in song writing. Listen to find out how they emulated a booty call on the bass, why they auditioned people for a phone call recording, and how Bono almost made it on to the album. Tracks discussed:  Gasoline, 3am, The Steps   SPLICE PROMO CODE Get one month of Sounds 100 free on Splice using the promo code: TAPENOTES100 Visit: https://splice.com/   GEAR MENTIONS UAD Apollos UAD 1176 KORG Gadget 2 App AKG BX10 Spring Reverb  Moog Filter Pedal  CDJ - Pioneer 800 Mixer  Farfisa Roland SP-808 Scully Tape Machine Neve Desk Fender Stratocaster Camco Drum Kit   SUBMIT A JINGLE For all of the details on sending in a jingle email jingles@tapenotes.co.uk   Submit your Tape Notes jingle and we'll play our favourites each week on the podcast. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds).   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk   

For the first time, the Daughters of D.C. made the news... in a good way. Although not everyone saw it like that… -- EINHORN'S EPIC PRODUCTIONS & iHEARTRADIO PRESENT: DAUGHTERS OF DC. Head to DaughtersOfDC.com to get exclusive DODC news, updates, and content before everybody else. This episode features the song "No Other Way" by SHAED. Written by Chelsea Lee, Maxwell Ernst, Spencer Ernst & Ariel Rechtshaid. Produced by SHAED and Ariel Rechtshaid. Published by Sony/ATV Ballad (BMI) Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

“Hey There Delilah” was a turning point for Ariel Rechtshaid. The simple, stripped down pop song was a massive hit, putting the musician on the map as a producer. Since that 2006 breakthrough, Rechtshaid has become one of music’s most in-demand names, worked with some of the industry’s biggest names, including U2, Madonna, Beyonce and Adele. His work has also found him working closely with indie superstars like Vampire Weekend and Haim.In this conversation, we revisit a career that found Rechtshaid producing hip-hop records in high school and getting signed to Interscope as the front man for the Los Angeles ska-punk outfit, The Hippos.

McKay Garner is a producer, engineer, mixer, multi-instrumentalist, and composer, he has worked on records for artists such as J Dilla, Red Hot Chili Peppers, Mike Shinoda/Linkin Park, Michael Buble, Dead & Company/Mickey Hart, made music in films such as the Transformers movie, in video games, and for television shows such as Total Recall, America’s Next Top Model, Grey’s Anatomy, and many more. He has been fortunate to work as an engineer on projects with amazing producers and engineers such as Rick Rubin, Ariel Rechtshaid, Dana Nielsen, and Ryan Hewitt, among others. After studying music at the University of N.C. School of the Arts, McKay Garner’s career has spanned decades performing in front of countless audiences and creating music in recording studios. McKay is an active member of the Bay Area music scene. As an elected leader volunteer, he served two terms as co-chair of the Producers and Engineers Wing and is an active Board member of the Recording Academy SF Chapter (the Grammys and more), McKay now strives to bring attention to experimental, innovative, and traditional music voices within the industry. In this episode, we discuss: Remote Production Residential Rental Recording Spaces Supportive Spouses Curveballs and Lemonade Drummers as Producers/Engineers LA to SF Life In LA Music and Technology Burritos Production Mindset Production Financials Licensing Community Links and Show Notes McKay's Site: http://mckaygarner.com McKay on Instagram: @mckayallday WCA on Instagram: https://www.instagram.com/working_class_audio Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: McKay Garner Host: Matt Boudreau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab

The band Vampire Weekend started in 2006, in New York. Their third album came out in 2013, and was named one of the best albums of the year all over the place, and it won a Grammy. But it took six years for their next album, Father of the Bride, to come out. This album’s also been nominated for a Grammy, for album of the year. And the lead single from it, “Harmony Hall,” was nominated for Best Rock Song. In this episode, Ezra Koenig from Vampire Weekend takes “Harmony Hall” apart. I spoke to him along with producer Ariel Rechtshaid, and the two of them detailed winding path the song went down, over several years, before it finally took shape. songexploder.net/vampire-weekend

47 brings the bonkers talent that is Ariel Rechtshaid!  He's had an incredible run of success with artists like Adele, Usher and of course Vampire Weekend (to name but three from a list of hundreds!) This interview was conduced slightly before Vampire Weekend put out “Father of the Bride” to much critical and chart joy. We got to chatting about that process and how they've become very solid friends over the years. The music they make comes from a deep trust and adventurous spirit which is something of a common thread in the stories you'll hear on this pod. Ariel's got a strong point of view but a humble demeanor. He's a true lover of many genres of music and can wear many hats: Playing, tracking, mixing and producing at a top level.  A seriously hard working chap, he's the real deal and I'm really chuffed to have him on the show. He gave up a couple of hours to me to have me ramble with him at his spot in silver lake and it was a trip to hear it all from the horse's mouth! Cheers Ariel! ______________________________________   Nitty this time sees me dipping a toe into the poly rhythmic bath thanks to the max4live handiwork of  benniy c bascom and his excellent POLYRHYTHMUS patch!   I explore 3 very simple examples. 2:3:6 with a CR78 3:4:12 with the 707 and 3:5:15 with a marimba    Find the max for live patch here: http://www.maxforlive.com/library/device/2431/polyrhythmus-a-modular-euclidean-rhythm-builder   How to here: (benniy is AWESOME!)   https://www.youtube.com/watch?v=xTgSgTGoBLc ______________________________________   Music for the show comes once again courtesy of good glued barometer aka Lee Beaumont!   Find his music here at his bandcamp page:   https://goodgluedbarometer.bandcamp.com   ______________________________________   This episode's sponsor is winter-modular  http://winter-modular.com   Makers of the very fine sequencing machine called the “Eloquencer” A powerful and intuitive machine for use with in the eurorack domain and NOW  In the wide word of MIDI thanks to the EME expansion unit. Seriously badass machine and a great choice for anyone wanting to step away from the computer to make music. I love mine. It's really a choice box!

MB does a quick Roundup of the 2 hot on top of the AL versus the overall pop of the NL which launches Eric into a question of what's causing his lack of overall league fandom. The two share in the beautiful art of haiku poetry to summarize hot weeks from their home teams before laying claim to some other currently popular properties they've been fans of since before they were cool. High Sponsor: Purple Punch Inside Scoop: AMC's Preacher Recorded: 5/20/19 Notes: Here's that totally blown bases loaded play from the Orioles. (h/t Ryan Ben) Judge vs. Altuve

Vampire Weekend returned this month with their first record in six years, "Father of the Bride". And long before it sat on top of the Billboard album chart, the band's leader, Ezra Koenig and producer Ariel Rechtshaid stopped by Shangri La Studios in Malibu to talk with Malcolm and Rick. Ezra explained how he and Ariel have been laboring over the new album, re-working some songs hundreds of times before finally feeling like they got it right. To listen to the full album, go to https://brokenrecordpodcast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Pensado's Place - Audio info@pensadosplace.tv (Pensado's Place)noPensado's Place Audio PodcastGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual propert

Pensado's Place - Video info@pensadosplace.tv (Pensado's Place)noPensado's Place - VideoGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectua

Dan Nigro is an LA based songwriter and producer who has worked with A-Trak, Ariel Rechtshaid, Sky Ferreira, Kylie Minogue, JR JR and Billy Idol just to name a few. He was also the lead singer in the pop-rock band As Tall As Lions who released 3 albums in the 00's. We discussed the transition from touring musician to becoming a homebound songwriter/producer, the 'Blurred Lines' lawsuit and much more.

Carly Rae Jepsen released her third album, Emotion, in 2015. The closing track on the record is When I Needed You. In this episode, Carly tells the story of how the song was made. You'll hear the first demo for the song, a version she co-wrote with her longtime collaborator Tavish Crowe. And you'll hear how that led to the album version. Plus, producer Ariel Rechtshaid breaks down some of the parts that he created for the recording.

Mike and Shane discuss underage drinking at Taylor Swift's concert, Keith Urban's guest appearance and Miley Cyrus. Carly Rae Jepsen ("Call Me Maybe," "Curiosity") tells Mike about working with Max Martin, Dev Hynes and Ariel Rechtshaid, writing '80s-influenced pop, collaboration, the pressure of success, her early days in Vancouver and playing "Saturday Night Live." For dessert, Shane reviews the Ridley Scott/Matt Damon film “The Martian.”