Podcasts about Burnout Paradise

Unisciti alla ribellione su Telegram – Iscriviti alla newsletter – Supportaci su Patreon Nintendo apre quello che non lo sappiamo ma sarà uno dei reveal di una nuova console peggiore da anni a questa parte con Mario Kart World e il durello è inevitabile. Sogni finalmente un Mario Kart moderno, sul modello di Forza Horizon o quantomeno di Burnout Paradise, la grande mappa open world piena di eventi che puoi esplorare con la cumpa di amici (che detto così sembra The Crew spiegato bene). Poi viene fuori che l'Open World in realtà è una modalità a parte rispetto ai soliti Grand Prix e non si capisce bene a che cazzo serva. Ad un certo punto sembra che Nintendo abbia osato lì dove Sony ha ritenuto che 5 milioni di copie non fossero abbastanza, in spregio al fenomeno di culto che s'è radunato attorno all'IP. Quella IP, il Miyazaki che abbraccia il gotico, l'orrore cosmico, i punti intuizione che ti rendono sempre più pazzo. Poi guardi i modelli poligonali che sembrano usciti da Dark Souls Prepare to Die (2012). E l'orrore diventa The Duskbloods, perché non ci vuoi credere che Miyazaki stia facendo quella roba lì. E insomma ne hanno già parlato tutti, ma nessuno ne ha parlato come ne abbiamo parlato noi. Sparati ‘sto checkpoint per fare un po' il punto della situazione su Switch 2.

This week on New Dad Gaming, it's all about the Nintendo Switch 2. Trevor and Jeff dive into Nintendo's massive announcement, breaking down the upgraded hardware, surprising launch titles, and some truly unexpected exclusives—including Dusk Blood, a spiritual successor to Elden Ring that's only coming to Switch 2 (!). Has Nintendo officially won over the dad gamers? The new Mario Kart World gets a lot of love too, with an open-world racing mode that mixes Burnout Paradise vibes with classic kart chaos. From dolphin drivers to the iconic Moo Moo cow, Nintendo's bringing the magic for kids—and the nostalgia for dads. Other highlights include: New features like Game Chat and Game Share that let up to four consoles play the same game without extra downloads. Switch 2's game streaming, 4K docked output, and 120Hz handheld support. The long-awaited return of GameCube games, including Super Mario Sunshine, Luigi's Mansion, Fire Emblem, and more. Launch titles like Elden Ring: Tarnished Edition, Final Fantasy VII Remake, Street Fighter 6, and a Kirby racing game no one asked for. The dads also discuss the new Zelda Notes AI Assistant, a built-in game coach that eerily resembles something they just talked about on a previous episode. Is New Dad Gaming influencing the industry? They'll let you decide. Subscribe to the Podcast!

Buckle up for a ride as we chat about vehicle based games! From the cockpit of Wing Commander to the open roads of Burnout Paradise and the retro thrills of Rad Racer. We're taking a tour of games that put you in the driver (or bicycle?) seat. Press B To Cancel now on YouTube! For updates and more episodes please visit our website www.pressbtocancel.com, or find us on Twitter @pressbtocancel Press B is a member of the SuperPod Network; a gaming collective of fellow podcasters and shows. Special thanks to The Last Ancient on SoundCloud for our podcast theme. Find out more at http://pressbtocancel.comRead transcript

Sometimes time is all we need. Listen, that line works on a lot of things a whole lot better than I'm using it here, but let's discuss it in the terms of video games. I'm a massive fan of the Burnout series and in 2008 Burnout Paradise was released. Played it a ton. Online and […]

Pleasant greetings, listeners! On this episode, the team discusses alllll the hottest security topics that have happened in the last few weeks. We cover the latest from the Kaspersky ban in the US. In the "gift that keeps on giving" category, more MOVEit issues have been exposed, this time at the Centers for Medicare and Medicaid Services, so probably no big deal...right? RIGHT?!? CISA issues some very basic warnings to public utilities, and we talk about a topic near and dear to our hearts: Burnout in the security industry with some tips on how to avoid it! All that, and a little story about a cemetary in this episode of the No More Secrets podcast!  Hosts: Ryan Hamrick & Chris DeBrunner Editor & Producer: Lance Hart Executive Producers: Gabby Scott & Jana Korfhagen Contact email: nmspod@protonmail.com

Rein ja Martin on mänginud Frostpunk 2 ja lisaks on veel mitu olulist teemat, nagu uus Assassin's Creed, mis võib otsustada Ubisofti saatuse. Aga veel... Sony kuulutas välja portsu uusi asju ja Meta tõi välja enda uue Questi peaseadme, mis üllatab hinnaga. Rainer on läbi teinud Astro Boti, mänginud Plucky Squire'it ja leidnud jälle tee Burnout Paradise'i juurde. Soovituseks on Tiny Glade, mis maksab Steamis 12 eurot. Lingid: https://www.eurogamer.net/everything-announced-sonys-playstation-state-of-play https://www.eurogamer.net/ps5-pro-30th-anniversary-bundle-priced-960-sells-out-in-seconds https://www.eurogamer.net/silent-hill-2-remake-will-be-a-ps5-console-exclusive-for-one-year https://www.euronics.ee/meelelahutus/playstation/ps-konsoolid/711719595908/sony-playstation-5-pro-valge-mangukonsool https://gizmodo.com/everything-announced-at-meta-connect-2024-2000503229 https://www.eurogamer.net/batman-arkham-shadows-vr-take-on-the-dark-knight-now-has-a-release-date https://www.eurogamer.net/assassins-creed-shadows-delayed-to-2025-following-learnings-from-star-wars-outlaws https://insider-gaming.com/yves-guillemots-internal-memo-to-staff/ https://insider-gaming.com/ubisoft-investigation/ https://www.eurogamer.net/like-a-dragon-pirate-yakuza-in-hawaii-announced-with-swashbuckling-trailer https://x.com/klobrille/status/1839246601295900869?s=46&t=0i3e-K7ccFGnEB6SqgLFAA

Burnout Paradise is set in an open-world environment. Players have the opportunity to progress at their own pace and level; the game, unlike others, is not actually set to a rigid gameplay framework. According to Alex Ward, creative director of the game at developer Criterion Games, this game is a "complete reinvention" of the Burnout series. He also said that "to create truly next-generation gameplay, they needed to create a truly next-generation game from the ground up". Initially day and night cycles were not included in the game but a software update entitled "Davis" added this element to the game. For the first time in the series, records are now kept on a player's drivers license, including statistics such as fastest time and biggest crash for every street in the game. Completing events raises the driver rank, which unlocks access to new cars.

Claire Bird and Hugo Williams are both members of Ponycam Collective. What is a ponycam collective? Well, that is a good question that Claire and Hugo are probably well equipped to answer, but which, unfortunately, is not on the quiz, so there's not much point in asking them. Although performing seemingly pointless tasks does seem to be very much part of the Ponycam Collective reason for being, so perhaps they'll reveal it anyway. Regardless, they are performing their incredible show Burnout Paradise on the 11th, 12th and 13th of July 6.30pm at the Bondi Pavilion as part of the Bondi Festival. Get tickets here:https://www.bondifestival.com.au/event/burnout-paradise/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Burnout Paradise is a timeless classic that continues to captivate gamers worldwide. Whether you're a seasoned racing enthusiast or a casual gamer looking for some high-octane action, Burnout Paradise has something for everyone. --- Support this podcast: https://podcasters.spotify.com/pod/show/ongamecast/support

Marko DeSantis makes his PCH return to celebrate 20 years of Palm Trees and Power Lines and so, so much more!MARKOhttps://www.sugarcult.comhttps://linktr.ee/markodesantisInstagram - https://www.instagram.com/markodesantisFacebook - https://www.facebook.com/SugarcultRocknRollPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

This week: Everything announced at PlayStation's State of Play, PlayStation's two CEOs talk live service and PC games, Sony announces its $60 PlayStation VR2 PC adapter, Embracer wants $90 games, Take-Two might be closing or selling Private Division, and Geoff Keighley needs your expectations to be through the floor for Summer Game Fest. Also: our heroes, James' favourite sex positions, and why he'd also be Duke Nukem's best mate. Games discussed: Lorelei and the Laser Eyes, Trackmania Turbo, Hellblade 2, PowerWash Simulator - Warhammer 40,000 DLC, Sky: Children of the Light, The Rogue Prince of Persia, Astra, Burnout Paradise, It Takes Two. Contact tcgs.co Contact form Discord Twitter Instagram Facebook Follow @davidturners @CaptainToss @matmurray @jcafarley Watch Twitch YouTube Listen Spotify Apple Podcasts Google Podcasts Pocket Casts Overcast acast Stitcher Credits Music by Nick Parton Art by Dave Chong

iO, eat your heart out. Discussed: XStrike Summer, Lorelei and the Laser Eyes, Myst, Animal Well, Brendon solving the final puzzle of The Witness, Brendon's number 16 Game of the Year, Zero Stranger, Void Ranger, Burnout Paradise, the PSP, Soma Bringer, the Xeno series, Diablo, have a good Summer (to our Northern hemisphere pals)!---Find us everywhere: https://intothecast.onlineBuy some merch if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow on Threads: https://threads.net/@intothecastFollow on Tumblr: https://intothecast.tumblr.com---Follow Stephen Hilger: https://stephenhilgerart.com/Follow Brendon Bigley: https://threads.net/@brendonbigleyProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 6 Cover Art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://instagram.com/ghostdownphoto---Timecodes:(00:00) - Intro (00:46) - Announcing some more stuff! (05:47) - The cool theme song for when we talk about games (06:12) - Lorelei and the Laser Eyes | Very clever, Signorina (24:58) - Zero Stranger and Void Ranger | Two Sky Ballets (49:41) - Burnout Paradise | Peeling out to senior prom (01:11:26) - Soma Bringer | Finding the throughline (01:31:56) - Wrapping up ---Thanks to all of our amazing patrons including our Eternal Gratitude members:GrokCorey ZDirectional JoySusan HOlivia KDan SIsaac SWill CJim WEvan BDavid Hmin2Aaron GVErik MBrady HJoshua JTony LDanny KSeth MAdam BJustin KAndy HDemoParker EMaxwell LSpiritofthunderJason WJason TCorey TMinnow Eats WhaleCaleb WfingerbellyJesse WMike TCodesWesleyErik BmebezacSergio LninjadeathdogRory BA42PoundMooseAndrewJustin MPeterStellar.BeesBrendan KScott RwreckxNoah OMichael GArcturusChris RhepaheCory FChase ALoveDiesNick QWes KChris MRBMichaela WAdam FScott HAlexander SPTherese KjgprintersJessica BMurrayDavid PJason KBede RKamrin HKyle SPhilip N ★ Support this podcast on Patreon ★

This week Zack and Rav are talking all about characters! The team spoke about BAFTA's (frankly baffling) list of the 20 most iconic video game characters, quizzed each other on the who's who of gaming, and gave a little retrospective on the characters they've played in Dungeons and Dragons. Games discussed: Mario Kart 8 Deluxe, Burnout Paradise, Prison Architect, 20 Minutes Til Dawn, Deus Ex: Mankind Divided Make sure to share the show around and get in touch with us on Instagram @PlayerOneSYN You can listen to Player One live on SYN Media every Monday from 8pm. Tune in on 90.7FM, DAB+, or via the SYN website, syn.org.au.See omnystudio.com/listener for privacy information.

This week we played the listener requested Burnout Paradise by Criterion Studios. Burnout Paradise is and open world arcade racer where you are trying to complete various races to upgrade your license. The unique things for Burnout though is its crazy crashes. Take down opponents in road rage game mode or just ram them off the road in a race, either way it will fill you with glee to see the crash.

“But you don't know how that user is going to do it. Are they going to somersault through the entire level? Are they going to climb up a wall and jump down? And are they going to just sit in a corner for a while and then walk three steps and then sit in a corner for a while? You don't know if somebody is going to, how somebody is going to play. And that's the beauty. And that's the draw of video games and the interactivity of it.” -- Chris Hegstrom This episode's the second half of my conversation with sound designer, creative director, and Insomniac Games audio manager Chris Hegstrom as we talk about how far video game sound designs have come since Space Invaders, how the pioneering soundscape of Burnout Paradise helped reshape everyday UX design, and what the next breakthrough in gaming audio might bring. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. You can also join regular Clubhouse chats in The Power of Sound House every Wednesday (check the schedule for times). Plus, subscribing to the newsletter will let you know when the new podcasts are available, when new audio rooms are scheduled and what they'll be about, and it'll give you access to a resource called The Studio with lots of interesting sound-related mp3s, videos, educational pdfs, and exclusive discounts from previous guests. If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:01) - Game Design and Sound Integration ComplexityOur discussion continues as we talk about the advantages of video gaming's early one-man operations, and how the industry's grown to rival Hollywood post-production fidelity. “In video games,” he says, “we essentially have that fidelity now, and it's interactive, which means you set up the parameters so that the user can mix it while they're playing.“ He also talks about the trends going forward when it comes to video-game sound, and what he thinks might prove a bigger hit than 3D sound. “I think the next trend is going to be a lot more maybe CPU based,” he explains, “or a lot more based on really kind of amping up the interactivity to the point where you as the audio designer are actually really impacting the interactivity of the user or what the user's experience might be within a game.” (0:20:16) - Audio Design and UX in GamingChris also tells us about his sound work on the classic PS3 game Burnout Paradise, and the science behind the heart-pounding, and groundbreaking, ambient effects. “The response that I got from a user,” he recalls, “was, you know, like, ‘I don't know what you guys did to the music, but man, like every time I was chaining a burnout, my palms were sweaty!' And I said, ‘That's it.'” We also talk about how such dynamic audio techniques are showing up in everyday apps and UX designs, and the pressure for video game consoles to keep pushing the envelope when it comes to sound. “You know,” Chris explains, “every generation of console that you release and every title that you release has to utilize these, you know, these crazy features even more and more vigorously and more...

“I didn't realize it at the time, but that was my first introduction into user experience, right? Like a UX or user experience. It's exactly that. It's like I could put a microphone out in a storm and then all I get is like, you know, wind distortion and then the gain dipping every time there's a thunderclap or something, you know, and it just sounds completely, you know, just different levels of noise and it's not exciting. It's not interesting at all.” -- Chris Hegstrom This episode's guest has had a rewarding and winding journey through the UX sound industry. After a ten-year break to work in product sound, he's returned to video-game audio. Or was the decade of video game audio before that the exception? Only time will tell. Either way, he's been creating and presenting audio communication for brands, experiences, products, intellectual properties, and other forms of media for over twenty-five years. A music synthesis major at Berklee College of Music, he got his start doing live sound for Blue Man Group, transitioned to audio for interactive media during the dot-com bubble, and eventually found his way into Triple-A video games by 2001.For the next eleven years, he designed sound and audio systems for games such as Lord of the Rings: The Two Towers, Star Wars: Episode 3, Burnout Paradise, God of War 3, and Kinect Adventures. In 2012, he found himself at Microsoft on the incubation team for HoloLens, where he worked on audio experiences and systems that would solve perceptual issues as well as immerse and entertain users. He then transitioned onto the UX team and worked on the sound palate for the HoloLens OS.In 2015, he left Microsoft to start his own company, Symmetry Audio, delivering product and experience audio for Google, Unity, HBO, and Technicolor as well as a number of smaller, local Seattle clients. Amazon offered him a job as Senior UX Sound Designer in 2017, and he worked there for the Devices and Services group, creating sounds for Fire TV, Alexa, and numerous product endeavors across the company. In 2020, he worked exclusively on Amazon Glow, creating the sound palate and overall audio vision for the product before it was eventually shelved at the end of 2022.He's currently the Audio Manager at Insomniac Games, overseeing a team of internal and external sound designers on Wolverine. He hopes to inject some of his UX audio knowledge and process into the games industry by helping his team build connections and solve problems with audio.His name is Chris Hegstrom, and he has plenty to share when it comes to solving problems with audio. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. You can also join regular Clubhouse chats in The Power of Sound House every Wednesday (check the schedule for times). Plus, subscribing to the newsletter will let you know when the new podcasts are available, when new audio rooms are scheduled and what they'll be about, and it'll give you access to a resource called The Studio with lots of interesting sound-related mp3s, videos, educational pdfs, and exclusive discounts from previous guests. If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the

Mo ist wieder da und holt kurz seine Eindrücke zu den Game Awards nach, wir würdigen sogar den Trailer zu GTA 6 noch angemessen. Erfreuliche Nachrichten von Naughty Dog: Sie stellen The Last of Us Online (endlich) ein und konzentrieren sich in Zukunft wieder ganz auf Singleplayer-Spiele. Sony Playstation legen derweil sechs von den geplanten zwölf Service Games auf Eis. Mo fragt sich bei der Gelegenheit: Was ist eigentlich mit dem Service-Gedöns zu Assassin's Creed? The Day Before ist das erwartete Debakel, Spieler fühlen sich verarscht, Steam stellt den Verkauf ein und gibt Refunds für alle unabhängig von der Spielzeit. Die Leaks zur PS5 Pro werden immer genauer, nur noch in Details gibt es noch Uneinigkeit. Wird wohl eine ganz ordentliche Pro-Version. Intel stellte in der vergangenen Woche die neuen mobile-CPUs vor und dabei die Benennung um: Core Ultra. Die sollen AMD in Effizienz und sogar in GPU-Leistung schlagen. Sehr schön! Mike hat Stealth Blade ausprobiert, ein kleiner Action-Sidescroll-Platformer. Hübsch, leider in der vorliegenden Version ohne offizielle Gamepad-Unterstützung und nur in Chinesisch... er wartet auf den Release und hofft auf Besserung. Außerdem hat er jetzt einen Analogue Pocket und... ist schon ziemlich gut, das Ding. Mo hat viel Burnout Paradise auf dem Steam Deck und GTA Trilogy auf dem Smartphone gespielt und einen Weihnachtsfilm angesehen. Viel Spaß mit Folge 183! Sprecher: Mohammed Ali Dad, Michael KisterProduktion: Michael KisterTitelbild: Mohammed Ali DadBildquellen: Aufnahmedatum: 16.12.2023 Besucht unsim Discord https://discord.gg/SneNarVCBMauf Bluesky https://bsky.app/profile/technikquatsch.bsky.socialauf Youtube https://www.youtube.com/@technikquatsch 00:00:00 Retro-Games, Emulationszeug und FPGAsDigging into the Analogue Pocket, a portable FPGA game system, Software Emulators vs FPGAs (What's Ken Making, Youtube)The Analogue 3D and MARS FPGA Could Be Breakthrough Systems For Retro Gaming In 2024. (Psymage Arcade, Youtube)https://www.retrorgb.com/mars-multi-arcade-retro-system.html 00:17:54 wir haben gespielt: Burnout Paradise auf dem Steam Deck (Mo), God of War Ragnarök NG+ (Mike), Stealth Blade (Mike), GTA Trilogy mobile über Netflix (Mo)https://store.steampowered.com/app/2538160/Stealth_Blade/ 00:25:45 kurz unsere Eindrücke zum Trailer zu GTA 6 (Youtube) 00:30:20 Naughty Dog brechen Entwicklung an The Last of Us Online ab, haben mehr als einen Singleplayer-Titel in Entwicklung; Sony legt sechs der zwölf Service Games auf Eishttps://www.naughtydog.com/blog/an_update_on_the_last_of_us_onlinehttps://kotaku.com/playstation-live-service-delayed-tlou-factions-1851007495 00:37:32 Zukunft von Assassin's Creed (Black Flag Remake, Infinity etc.) 00:45:30 Entlassungen bei Slipgate, beteiligt an Tempest Risinghttps://www.eurogamer.net/embracer-layoff-streak-continues-with-3d-realms-and-slipgate-ironworks-latest-to-be-affected 00:47:42 The Day Before Debakelhttps://www.pcgamesn.com/the-day-before/fntastic-developerhttps://www.gamepro.de/artikel/the-day-before-scam-anzeichen,3405576.html 00:58:11 Mo zu den Game Awards 01:02:10 aktueller Stand der Gerüchte zu Playstation 5 Prohttps://videocardz.com/newz/sony-playstation-5-pro-reportedly-features-amd-rdna3-gpu-with-60-compute-units, PS5 Pro Specs LOOK BEASTLY - But Are They REAL? (RedGamingTech, Youtube) 01:17:29 General Motors möchte kein CarPlay und Android Auto wegen Verkehrssicherheithttps://www.heise.de/news/E-Autos-ohne-CarPlay-und-Android-Auto-GM-verweist-auf-Verkehrssicherheit-9575029.html 01:18:54 Intel Core Ultra vorgestellthttps://www.computerbase.de/2023-12/intel-core-ultra-meteor-lake-details/https://www.computerbase.de/2023-12/intel-meteor-lake-core-ultra-7-155h-test/ 01:24:23 Weihnachten auf der Mistelzweigfarm (Netflix) https://www.netflix.com/de-en/title/81517419

Its WSFS - we burnout - dont buli us hapi thank give

Depending on how you count it, you've either killed hundreds of people in Burnout Paradise, or no one. Because there are no people anywhere.

In this Hot Seat episode, Bhagyashree asks Ashdin how one can avoid Burnout at work & at home. Ashdin explains what Burnout is, signs to look out for and what causes it.He tells us the different kinds of energies that exist within us and how to identify them, deal with their depletion, and protect them. Send your questions to Ashdin Doctor for The Habit Coach Hot Seat/ Know Your Coach on this link: (Habit Coach Hot Seat ) You can watch the full video episodes of The Habit Coach Podcast with Ashdin Doctor on the YouTube channel. You can also check out Ashdin's Linktree Page here: (https://linktr.ee/awesome180) Check out the Awesome180 website: (http://awesome180.com/) You can follow Ashdin Doctor on Twitter | Linkedin | Instagram | Facebook Find the show across audio streaming apps:Spotify | Apple Podcasts | Google Podcasts | JioSaavn |  Amazon Music Do follow IVM Podcasts on social media.We are @ivmpodcasts on Facebook, Twitter, & Instagram.See omnystudio.com/listener for privacy information.

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho conversam sobre os melhores jogos de 2008. Foi um ano de muitos acontecimentos históricos (estreia do navegador Chrome e do sistema Android, Bill Gates saiu da Microsoft etc), muitos filmes foram lançados (Batman - O Cavaleiro das Trevas e Homem de Ferro, por exemplo), muitas músicas… e muitos games marcantes. Comentamos sobre Grand Theft Auto IV, Left 4 Dead, Fallout 3, Dead Space, Metal Gear Solid 4: Guns of the Patriots, Super Smash Bros. Brawl, Persona 4, Gears of War 2, Burnout Paradise e muito mais. 

We've all experienced burnout - that state of exhaustion that so often involves a sense of reduced accomplishment and loss of personal identity. But what causes it? For Austin Buckner and Trebor Holder, it's the abundance of distraction and the scarcity of instant gratification. On this episode of The Ice Cream Sunday Podcast, The Beautiful Boys dive deep into the topic of burnout - in their professional lives, in their personal lives, and even in their love lives. 

Tony heads to Germany for the World Tour Season of Tony's Game Lounge and is joined by Speedrunner Nimputs. The duo talk Sonic Triple Trouble, Sonic R and the memes and legacy the game left, Burnout Paradise Speedruns and your weekly updates on Gaming News and upcoming releases!Follow Tony: https://twitter.com/RadioT0nyTwitch: https://www.twitch.tv/tonysgameloungeFollow Nimputs: https://twitter.com/nimputsTwitch: https://www.twitch.tv/nimputsJoin the Official Tony's Game Lounge Discord: https://discord.gg/xXyvjaCsXp

Burnout Paradise is a 2008 open world racing video game developed by Criterion Games and published by Electronic Arts for PlayStation 3, Xbox 360 and Microsoft Windows. It was also released on the PlayStation Store and via Xbox Live Marketplace's Games on Demand. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tradepaperbacks/message --- Send in a voice message: https://podcasters.spotify.com/pod/show/rangerryan/message

Burnout Paradise is a 2008 open world racing video game developed by Criterion Games and published by Electronic Arts for PlayStation 3, Xbox 360 and Microsoft Windows. It was also released on the PlayStation Store and via Xbox Live Marketplace's Games on Demand.

Reklamen är den kommersiella propagandan som driver handeln i vår värld - den skapar känslor för varumärken och begär för saker vi inte visste att vi ville ha. Hur har dett sett ut när reklamen tagit sig an den stora uppgiften att sälja spel? Och vad är det som driver spelarna till att lägga 600 kronor på några timmars underhållning? Denna vecka djupdyker Speljuntan i reklamkampanjer för spel, reklam inuti spel och spelen som utgör själva reklamen. Kom och köp!Spel som nämns i avsnittet: Zool, Daikatana, The Elder Scrolls V: Skyrim, Burnout 2, Pokémon Go, Kalaspuffsexpressen, Madden NFL, Burnout Paradise, Death Stranding, Final Fantasy XV, Animal Crossing, Fallout, Apex Legends, Dota 2, League of Legends, Minecraft, Merge Mansions, Call of Duty: Black Ops Cold War, Halo 2Och på tal om reklam, glöm inte att du kan stötta Juntan via Patreon på http://www.speljuntan.se

This week on The Download: a YouTube channel dives into podcasting on the video platform, the absence of podcasting's middle class, and what do IAB's measurement standards in video games mean for podcasting. Last Thursday, Creator Insider, a YouTube channel operated by a creator-focused wing of YouTube, uploaded a four minute FAQ video about podcasting on YouTube.  While the video doesn't necessarily contain new groundbreaking information for someone who is deep in the podcasting industry, it's a wonderful sign for the future of small-to-midsize podcasts unsure about perceiving YouTube as a viable podcast platform. Strategic Partner Manager Erica even backs up the size of YouTube's reach with a citation of Edison Research data.  Having good, concise resources to facilitate an easier move towards the mentality that YouTube should be treated like any other podcast aggregator is a promising step. It's also interesting to note how much importance is placed on properly arranging podcast episodes in playlists. The video takes great care to establish best practices for naming and arranging playlists. While “RSS” is never spoken aloud, it feels like YouTube's approach is to use the existing functionality of easily saving video playlists to treat playlists like an RSS feed.  Who knows, in a few months we could be hearing about updates to the platform that bridge the gap between how YouTube is consumed and audio podcasts are consumed.  Speaking of YouTube… Last Monday an exclusive from Reuters reporter Foo Yun Chee shared details on Google's newest bid to negotiate an EU antitrust probe without a substantial fine. Luckily for podcasting, this could have beneficial knock-on effects.  Google parent Alphabet has proposed to open their digital doors for the first time to allow third-party programmatic partners to place ads on YouTube videos.  “The European Commission opened a probe last year to examine whether the world's largest provider of search and video was giving itself an unfair advantage in digital advertising by restricting rivals' and advertisers' access to user data.”  If Google does end up waiving the requirement to use Ad Manager to place YouTube ads, this could both please the European Commission and open up a considerable amount of valuable inventory to podcast ad buyers. Inventory through platforms they're already familiar with and - since YouTube is pushing for more podcasts on their platform - that inventory will still be going to benefit the podcasting industry.  Last Friday, a prominent podcaster under the Spotify umbrella said the quiet part out loud. As detailed in last week's Hot Pod, sports analyst and host of The Ringer Bill Simmons revealed Spotify parts the metric curtain for creatives that sign with them. The following is in reference to a recent episode of Peter Kafka's podcast Recode, in which Simmons appeared.  “One thing he mentioned in the podcast that stood out to me was how he uses data. Although he said that he does not pay too much attention to his own show's performance metrics, he indicated that he takes advantage of Spotify's other data resources to scope out the competition and better position his shows.”  The newsletter goes on to quote Simmons' interview in Recode in which Simmons describes having the ability to see the metrics of competitor's podcasts on Spotify as having access to “an incredible war chest of intelligence on the habits of people who listen to podcasts.” This is one of those rare moments where a known fact being stated out loud makes it sound like new information. It's not particularly breaking news that a content aggregator would have excellent data. Everyone in the business can use access to the data of a podcaster's competitors, it's just not often talked about. The fear behind what Simmons says here is that Spotify owns more than just the aggregator. Big Green owns hosting platforms and one of the largest ad businesses in Megaphone.  There's nothing new under the sun. Retail giants like Walmart and Amazon have done this for retail purchasing competition in the past, but now podcasting is growing up and one-stop-shops like Spotify are becoming more common. Last Thursday Eric Nuzum published an installment of his Substack The Audio Insurgent in which he floats the question “Does Podcasting Lack a Middle Class?” The piece begins with Nuzum speaking at a conference heavily attended by GMs and CEOs of public radio stations. During a talk Nuzum hosted he asked the group of over 200 public radio heads, a demographic famous for embracing podcasting, who had at least one podcast that made 50,000 downloads a month. Fewer than ten attendees met that metric.  “Why are those numbers important? The average CPM ad rate in podcasting is about $23.16 per thousand downloads. To qualify for buys at even that average rate, you generally need to have a podcast that's downloaded 50,000 times per month. Public radio sees podcasting as a critical part of its future, yet today only eight stations in the country are capable of hitting that rate on their own.” Nuzum's piece proposes the predominant narrative for smaller podcasters has created a class divide where the majority are told the only real strategy is to create content without fair compensation long enough that a magic larger company will buy the podcast for a massive windfall. Independent podcasters are expecting to either make it huge or fail out. There is no middle ground.   “Podcasting has been around for more than 18 years, and public radio has been considered leaders in its development and growth. Yet of the 200+ stations in the room, exactly one of them had figured out in all that time how to produce a show that was self-sustaining for a staff of one.”  The gulf between blockbusters and small indie projects is wide. There must be a place in the middle for creators and providers alike to make a good wage producing podcasts. There's adequate amounts of gold in them there hills, if the industry will stake claim to it.  This one's for the gamers in the audience, though as per usual we're looping back around to podcasting by the end. Marketing Brew's Ryan Barwick covered some interesting new updates from the IAB regarding measurement standards in video games.  The standards, which hadn't been updated since 2009, used to consider an impression to have happened once a player had been exposed to an ad for at least ten seconds. Barwick says: "That's been cut down drastically to one continuous second for in-game display ads and two continuous seconds for video ad units, so long as at least half of the advertisement's pixels are in focus. Those are more or less the same guidelines for online display ads.” These are more or less the same metrics applied to online display ads, but with the added consideration of ads existing in 3D space. The IAB's guidelines take into account viewing angle and pixel clarity in an acknowledgment that modern gaming is capable of placing ads inside game worlds. It's about time, too. The Download script writer Gavin Gaddis remembers when the Obama election campaign purchased billboard space from open-world racing game Burnout Paradise in 2008. Fashion brand Diesel bravely bought ad space on the side of vans that drove around the city. Vans that could be destroyed by players ad nauseam.  Quoting Barwick again: “The IAB's new standards should be finalized by the fall. To Francesco Petruzzelli, chief technology officer at the in-game advertising firm Bidstack, the standards feel a bit like a minimum. One second isn't enough time for an impression, he argued, and that it could lead to an oversupply of inventory.” How does this relate to podcasting? In a world where seeing a Pepsi logo on a street sign while playing a multiplayer match of Halo: Infinite counts as an impression, there's no room for arguments about the validity of considering podcast downloads “real” engagement.   This last full story is a Ryan Reynolds tweet, of all things. On Tuesday the actor posted a video in which he professes his love of shooting ads, describing them as mini-movies with the same creative process and crew requirements. And, like movies, ads are shot in places other than Hollywood without many initiatives to ensure diversity and inclusivity in many of the necessary career paths.  “Almost two years ago we started the Group Effort Initiative to increase inclusion in the entertainment industry amongst BIPOC and underrepresented communities and it's just been hugely rewarding. That's why I'm proud to be co-founding the Creative Ladder.”  The new nonprofit will, like Group Effort Initiative, work to make careers in the advertising creative space accessible to everyone. We love to see more diversity in every corner of the industry.  Finally, it's time for our semi-regular roundup of articles that didn't make it into today's episode, but are still worth working into your weekend reading.  A must-read issue of Stratechery: Spotify's Investor Day, Spotify's Music Aggregation, Podcast Anecdata.  My Lifetime Ban from the Podcasting Cool Kids Club by Neil Hedley  And a reminder that the 2022 edition of the Infinite Dial Canada is June 30th and you can register right now at the link provided in the show notes.  The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Evo Terra edited today's episode. Special thanks to our media host, Omny Studio.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

This week on The Download: a YouTube channel dives into podcasting on the video platform, the absence of podcasting's middle class, and what do IAB's measurement standards in video games mean for podcasting. Last Thursday, Creator Insider, a YouTube channel operated by a creator-focused wing of YouTube, uploaded a four minute FAQ video about podcasting on YouTube.  While the video doesn't necessarily contain new groundbreaking information for someone who is deep in the podcasting industry, it's a wonderful sign for the future of small-to-midsize podcasts unsure about perceiving YouTube as a viable podcast platform. Strategic Partner Manager Erica even backs up the size of YouTube's reach with a citation of Edison Research data.  Having good, concise resources to facilitate an easier move towards the mentality that YouTube should be treated like any other podcast aggregator is a promising step. It's also interesting to note how much importance is placed on properly arranging podcast episodes in playlists. The video takes great care to establish best practices for naming and arranging playlists. While “RSS” is never spoken aloud, it feels like YouTube's approach is to use the existing functionality of easily saving video playlists to treat playlists like an RSS feed.  Who knows, in a few months we could be hearing about updates to the platform that bridge the gap between how YouTube is consumed and audio podcasts are consumed.  Speaking of YouTube… Last Monday an exclusive from Reuters reporter Foo Yun Chee shared details on Google's newest bid to negotiate an EU antitrust probe without a substantial fine. Luckily for podcasting, this could have beneficial knock-on effects.  Google parent Alphabet has proposed to open their digital doors for the first time to allow third-party programmatic partners to place ads on YouTube videos.  “The European Commission opened a probe last year to examine whether the world's largest provider of search and video was giving itself an unfair advantage in digital advertising by restricting rivals' and advertisers' access to user data.”  If Google does end up waiving the requirement to use Ad Manager to place YouTube ads, this could both please the European Commission and open up a considerable amount of valuable inventory to podcast ad buyers. Inventory through platforms they're already familiar with and - since YouTube is pushing for more podcasts on their platform - that inventory will still be going to benefit the podcasting industry.  Last Friday, a prominent podcaster under the Spotify umbrella said the quiet part out loud. As detailed in last week's Hot Pod, sports analyst and host of The Ringer Bill Simmons revealed Spotify parts the metric curtain for creatives that sign with them. The following is in reference to a recent episode of Peter Kafka's podcast Recode, in which Simmons appeared.  “One thing he mentioned in the podcast that stood out to me was how he uses data. Although he said that he does not pay too much attention to his own show's performance metrics, he indicated that he takes advantage of Spotify's other data resources to scope out the competition and better position his shows.”  The newsletter goes on to quote Simmons' interview in Recode in which Simmons describes having the ability to see the metrics of competitor's podcasts on Spotify as having access to “an incredible war chest of intelligence on the habits of people who listen to podcasts.” This is one of those rare moments where a known fact being stated out loud makes it sound like new information. It's not particularly breaking news that a content aggregator would have excellent data. Everyone in the business can use access to the data of a podcaster's competitors, it's just not often talked about. The fear behind what Simmons says here is that Spotify owns more than just the aggregator. Big Green owns hosting platforms and one of the largest ad businesses in Megaphone.  There's nothing new under the sun. Retail giants like Walmart and Amazon have done this for retail purchasing competition in the past, but now podcasting is growing up and one-stop-shops like Spotify are becoming more common. Last Thursday Eric Nuzum published an installment of his Substack The Audio Insurgent in which he floats the question “Does Podcasting Lack a Middle Class?” The piece begins with Nuzum speaking at a conference heavily attended by GMs and CEOs of public radio stations. During a talk Nuzum hosted he asked the group of over 200 public radio heads, a demographic famous for embracing podcasting, who had at least one podcast that made 50,000 downloads a month. Fewer than ten attendees met that metric.  “Why are those numbers important? The average CPM ad rate in podcasting is about $23.16 per thousand downloads. To qualify for buys at even that average rate, you generally need to have a podcast that's downloaded 50,000 times per month. Public radio sees podcasting as a critical part of its future, yet today only eight stations in the country are capable of hitting that rate on their own.” Nuzum's piece proposes the predominant narrative for smaller podcasters has created a class divide where the majority are told the only real strategy is to create content without fair compensation long enough that a magic larger company will buy the podcast for a massive windfall. Independent podcasters are expecting to either make it huge or fail out. There is no middle ground.   “Podcasting has been around for more than 18 years, and public radio has been considered leaders in its development and growth. Yet of the 200+ stations in the room, exactly one of them had figured out in all that time how to produce a show that was self-sustaining for a staff of one.”  The gulf between blockbusters and small indie projects is wide. There must be a place in the middle for creators and providers alike to make a good wage producing podcasts. There's adequate amounts of gold in them there hills, if the industry will stake claim to it.  This one's for the gamers in the audience, though as per usual we're looping back around to podcasting by the end. Marketing Brew's Ryan Barwick covered some interesting new updates from the IAB regarding measurement standards in video games.  The standards, which hadn't been updated since 2009, used to consider an impression to have happened once a player had been exposed to an ad for at least ten seconds. Barwick says: "That's been cut down drastically to one continuous second for in-game display ads and two continuous seconds for video ad units, so long as at least half of the advertisement's pixels are in focus. Those are more or less the same guidelines for online display ads.” These are more or less the same metrics applied to online display ads, but with the added consideration of ads existing in 3D space. The IAB's guidelines take into account viewing angle and pixel clarity in an acknowledgment that modern gaming is capable of placing ads inside game worlds. It's about time, too. The Download script writer Gavin Gaddis remembers when the Obama election campaign purchased billboard space from open-world racing game Burnout Paradise in 2008. Fashion brand Diesel bravely bought ad space on the side of vans that drove around the city. Vans that could be destroyed by players ad nauseam.  Quoting Barwick again: “The IAB's new standards should be finalized by the fall. To Francesco Petruzzelli, chief technology officer at the in-game advertising firm Bidstack, the standards feel a bit like a minimum. One second isn't enough time for an impression, he argued, and that it could lead to an oversupply of inventory.” How does this relate to podcasting? In a world where seeing a Pepsi logo on a street sign while playing a multiplayer match of Halo: Infinite counts as an impression, there's no room for arguments about the validity of considering podcast downloads “real” engagement.   This last full story is a Ryan Reynolds tweet, of all things. On Tuesday the actor posted a video in which he professes his love of shooting ads, describing them as mini-movies with the same creative process and crew requirements. And, like movies, ads are shot in places other than Hollywood without many initiatives to ensure diversity and inclusivity in many of the necessary career paths.  “Almost two years ago we started the Group Effort Initiative to increase inclusion in the entertainment industry amongst BIPOC and underrepresented communities and it's just been hugely rewarding. That's why I'm proud to be co-founding the Creative Ladder.”  The new nonprofit will, like Group Effort Initiative, work to make careers in the advertising creative space accessible to everyone. We love to see more diversity in every corner of the industry.  Finally, it's time for our semi-regular roundup of articles that didn't make it into today's episode, but are still worth working into your weekend reading.  A must-read issue of Stratechery: Spotify's Investor Day, Spotify's Music Aggregation, Podcast Anecdata.  My Lifetime Ban from the Podcasting Cool Kids Club by Neil Hedley  And a reminder that the 2022 edition of the Infinite Dial Canada is June 30th and you can register right now at the link provided in the show notes.  The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Evo Terra edited today's episode. Special thanks to our media host, Omny Studio.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

This week on The Download: a YouTube channel dives into podcasting on the video platform, the absence of podcasting's middle class, and what do IAB's measurement standards in video games mean for podcasting. Last Thursday, Creator Insider, a YouTube channel operated by a creator-focused wing of YouTube, uploaded a four minute FAQ video about podcasting on YouTube.  While the video doesn't necessarily contain new groundbreaking information for someone who is deep in the podcasting industry, it's a wonderful sign for the future of small-to-midsize podcasts unsure about perceiving YouTube as a viable podcast platform. Strategic Partner Manager Erica even backs up the size of YouTube's reach with a citation of Edison Research data.  Having good, concise resources to facilitate an easier move towards the mentality that YouTube should be treated like any other podcast aggregator is a promising step. It's also interesting to note how much importance is placed on properly arranging podcast episodes in playlists. The video takes great care to establish best practices for naming and arranging playlists. While “RSS” is never spoken aloud, it feels like YouTube's approach is to use the existing functionality of easily saving video playlists to treat playlists like an RSS feed.  Who knows, in a few months we could be hearing about updates to the platform that bridge the gap between how YouTube is consumed and audio podcasts are consumed.  Speaking of YouTube… Last Monday an exclusive from Reuters reporter Foo Yun Chee shared details on Google's newest bid to negotiate an EU antitrust probe without a substantial fine. Luckily for podcasting, this could have beneficial knock-on effects.  Google parent Alphabet has proposed to open their digital doors for the first time to allow third-party programmatic partners to place ads on YouTube videos.  “The European Commission opened a probe last year to examine whether the world's largest provider of search and video was giving itself an unfair advantage in digital advertising by restricting rivals' and advertisers' access to user data.”  If Google does end up waiving the requirement to use Ad Manager to place YouTube ads, this could both please the European Commission and open up a considerable amount of valuable inventory to podcast ad buyers. Inventory through platforms they're already familiar with and - since YouTube is pushing for more podcasts on their platform - that inventory will still be going to benefit the podcasting industry.  Last Friday, a prominent podcaster under the Spotify umbrella said the quiet part out loud. As detailed in last week's Hot Pod, sports analyst and host of The Ringer Bill Simmons revealed Spotify parts the metric curtain for creatives that sign with them. The following is in reference to a recent episode of Peter Kafka's podcast Recode, in which Simmons appeared.  “One thing he mentioned in the podcast that stood out to me was how he uses data. Although he said that he does not pay too much attention to his own show's performance metrics, he indicated that he takes advantage of Spotify's other data resources to scope out the competition and better position his shows.”  The newsletter goes on to quote Simmons' interview in Recode in which Simmons describes having the ability to see the metrics of competitor's podcasts on Spotify as having access to “an incredible war chest of intelligence on the habits of people who listen to podcasts.” This is one of those rare moments where a known fact being stated out loud makes it sound like new information. It's not particularly breaking news that a content aggregator would have excellent data. Everyone in the business can use access to the data of a podcaster's competitors, it's just not often talked about. The fear behind what Simmons says here is that Spotify owns more than just the aggregator. Big Green owns hosting platforms and one of the largest ad businesses in Megaphone.  There's nothing new under the sun. Retail giants like Walmart and Amazon have done this for retail purchasing competition in the past, but now podcasting is growing up and one-stop-shops like Spotify are becoming more common. Last Thursday Eric Nuzum published an installment of his Substack The Audio Insurgent in which he floats the question “Does Podcasting Lack a Middle Class?” The piece begins with Nuzum speaking at a conference heavily attended by GMs and CEOs of public radio stations. During a talk Nuzum hosted he asked the group of over 200 public radio heads, a demographic famous for embracing podcasting, who had at least one podcast that made 50,000 downloads a month. Fewer than ten attendees met that metric.  “Why are those numbers important? The average CPM ad rate in podcasting is about $23.16 per thousand downloads. To qualify for buys at even that average rate, you generally need to have a podcast that's downloaded 50,000 times per month. Public radio sees podcasting as a critical part of its future, yet today only eight stations in the country are capable of hitting that rate on their own.” Nuzum's piece proposes the predominant narrative for smaller podcasters has created a class divide where the majority are told the only real strategy is to create content without fair compensation long enough that a magic larger company will buy the podcast for a massive windfall. Independent podcasters are expecting to either make it huge or fail out. There is no middle ground.   “Podcasting has been around for more than 18 years, and public radio has been considered leaders in its development and growth. Yet of the 200+ stations in the room, exactly one of them had figured out in all that time how to produce a show that was self-sustaining for a staff of one.”  The gulf between blockbusters and small indie projects is wide. There must be a place in the middle for creators and providers alike to make a good wage producing podcasts. There's adequate amounts of gold in them there hills, if the industry will stake claim to it.  This one's for the gamers in the audience, though as per usual we're looping back around to podcasting by the end. Marketing Brew's Ryan Barwick covered some interesting new updates from the IAB regarding measurement standards in video games.  The standards, which hadn't been updated since 2009, used to consider an impression to have happened once a player had been exposed to an ad for at least ten seconds. Barwick says: "That's been cut down drastically to one continuous second for in-game display ads and two continuous seconds for video ad units, so long as at least half of the advertisement's pixels are in focus. Those are more or less the same guidelines for online display ads.” These are more or less the same metrics applied to online display ads, but with the added consideration of ads existing in 3D space. The IAB's guidelines take into account viewing angle and pixel clarity in an acknowledgment that modern gaming is capable of placing ads inside game worlds. It's about time, too. The Download script writer Gavin Gaddis remembers when the Obama election campaign purchased billboard space from open-world racing game Burnout Paradise in 2008. Fashion brand Diesel bravely bought ad space on the side of vans that drove around the city. Vans that could be destroyed by players ad nauseam.  Quoting Barwick again: “The IAB's new standards should be finalized by the fall. To Francesco Petruzzelli, chief technology officer at the in-game advertising firm Bidstack, the standards feel a bit like a minimum. One second isn't enough time for an impression, he argued, and that it could lead to an oversupply of inventory.” How does this relate to podcasting? In a world where seeing a Pepsi logo on a street sign while playing a multiplayer match of Halo: Infinite counts as an impression, there's no room for arguments about the validity of considering podcast downloads “real” engagement.   This last full story is a Ryan Reynolds tweet, of all things. On Tuesday the actor posted a video in which he professes his love of shooting ads, describing them as mini-movies with the same creative process and crew requirements. And, like movies, ads are shot in places other than Hollywood without many initiatives to ensure diversity and inclusivity in many of the necessary career paths.  “Almost two years ago we started the Group Effort Initiative to increase inclusion in the entertainment industry amongst BIPOC and underrepresented communities and it's just been hugely rewarding. That's why I'm proud to be co-founding the Creative Ladder.”  The new nonprofit will, like Group Effort Initiative, work to make careers in the advertising creative space accessible to everyone. We love to see more diversity in every corner of the industry.  Finally, it's time for our semi-regular roundup of articles that didn't make it into today's episode, but are still worth working into your weekend reading.  A must-read issue of Stratechery: Spotify's Investor Day, Spotify's Music Aggregation, Podcast Anecdata.  My Lifetime Ban from the Podcasting Cool Kids Club by Neil Hedley  And a reminder that the 2022 edition of the Infinite Dial Canada is June 30th and you can register right now at the link provided in the show notes.  The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Evo Terra edited today's episode. Special thanks to our media host, Omny Studio. See omnystudio.com/listener for privacy information.

Androgynous convergence, conversation topic burnout, algorithmic support, differing positions, knowledge codification, interrupting wives, community violations, metagame theory, selective morality, vapid religious advice, advice-comfort conflation, and permissible desire fulfillment.

Troisième émission de la saison 2021-2022, en compagnie de Marine Macq, chroniqueuse de l'émission Jour de Play, directrice et commissaire d'expositions de la galerie Pixel Life Stories, et autrice du livre Imaginaire du jeu vidéo : les concept artistes français qui vient de paraître.Émission diffusée le 28 novembre 2021 sur Radio Campus Paris. Au programme :– la chronique de Lys sur The Shore et l'adaptation du point de vue interne dans l'Oeuvre de Lovecraft– la chronique de Thaïs qui confronte la vision des développeur·euses et la réception par les joueur·euses de cet élément de game design qu'est le point de sauvegarde– la chronique d'Alexandre dans laquelle il nous parle avec nostalgie du meilleur jeu de course de tous les temps : Burnout Paradise– 1ère pause musicale : Planet Lavatron: Sand and Slopes composée par Yusuke Takahama et tirée de l'OST de Ribbit King– l'entretien avec Marine Macq par Jean– 2ème pause musicale proposée par Marine : Tomb Raider Theme composée par Nathan McCree et tirée de l'OST de Tomb Raider– la chronique de H qui se demande s'il ne faut pas abandonner le representation matters– le blind test sur le thème "OST qui chante" par H– pause musicale de conclusion : World Map composée par Joe Hisaichi et tirée de l'OST de Ni no kuni : La Vengeance de la sorcière céleste L'article "Faut-il "cancel" Lovecraft" d'Antoine St. EpondyleLe jeu Blaseball du studio The Game Band Casting :– Thaïs Arias, chroniqueuse– Vincent Boutin, programmateur musical– Alexandre Hanquier, chroniqueur– H, chroniqueuse– Jean Jouberton, intervieweur– Lazare Jolly, réalisateur, monteur et responsable technique– Lys Sombreciel, chroniqueuse Production : Pixel Up! grâce au financement de l'université Sorbonne Nouvelle et en partenariat avec Radio Campus Paris

GameEnthus Podcast ep445: Time, Wounds & Growth or Obligatory Viewings   This week Scar (@Scarfinger) from PTCAC (Peace Thru Colors, Arts & Crafts) and Geeks Gone Raw joins Mike (@AssualtSuit), Tiny (@Tiny415) and Aaron (@Ind1fference) to talk about:  wine coolers, Cobra Kai, The Book of Boba Fett, Peacemaker, The Expanse, Mass Effect, Queens, Blade, MoonKnight, Peacemaker, Doom Patrol, Abbott Elementary, The Division, Halo Infinite, Two Point Hospital, Pokemon Brilliant Diamond, Pokemon Arceus, It Takes Two, Mario Kart 8, Ghost Recon, Burnout Paradise, Burnout Revenge, Orange is the New Black, Stellar Leap, Lost Ruins of Arnak, Way Too Many Cats, Blank Slate, Metro X, Castles of Burgundy Dice Game, That Time You Killed Me, Steamed Hams, The Boondocks, Mass Effect, Wordle, Nerdle, Uncharted movie, Halo TV show, Bungie, Sony, Scarcasm, Return to Oswald Podcast, and more.            If you like the show please leave us an itunes, Google, Youtube, Stitcher or Spotify review, a tweet, an email or a voicemail (202-573-7686).   Show Length:  154 minutes Direct Download (click on 3 dots to download) ep445 on Youtube   Show Links Follow Scar on Twitter Support Scar's creations at PTCAC Geeks Gone Raw Team GameEnthus' Extra Life Page   New videos GameEnthus.com   Youtube.com/user/GameEnthus      Community Info Consistently Good Catering Gary Leavor's Memorial Extra Life Page Major Linux and Crew's Notcho Podcast Kiaun's Show The Analog Circle Podcast SingleSimulcast  Rap Godz theblacktop.tv Knoxville by Night - A World of Darkness Play Cast | RSS.com Podcasting Should I Be Mad About This? | Podcast on Spotify   Audio                                                                                                                                                                                                                                                                                                                                                                                                                         00:00 The beginning 01:27 Intro 00:59 Scar's Intro and anecdotes 29:25 Mike and Aaron's anecdotes 01:07:10 Tiny's anecdotes and Games Scar played 01:27:36 Games Mike Played 01:39:51 Games Aaron Played 01:59:18 Games Tiny Played 02:20:01 News & Stuff an Outro Music from Uppbeat (free for Creators!): https://uppbeat.io/t/bosnow/street-knowledge License code: TTJZR01VFWDTEEKZ            

This week there's a big news story that needs to be tackled before discussing anything on the episode. On the gaming front Trees is enjoying more gaming with his son while in a bit of a gaming rut, but he managed to play Splatoon 2, Super Smash Bros Ultimate, and Burnout Paradise. Fred wrapped up Guardians of the Galaxy, continued with Spyro 2, struggled through the opening of Danganronpa, and stayed up too late with Bugsnax.

This week there's a big news story that needs to be tackled before discussing anything on the episode. On the gaming front Trees is enjoying more gaming with his son while in a bit of a gaming rut, but he managed to play Splatoon 2, Super Smash Bros Ultimate, and Burnout Paradise. Fred wrapped up Guardians of the Galaxy, continued with Spyro 2, struggled through the opening of Danganronpa, and stayed up too late with Bugsnax.

Josh and Ryan share a lot of extras and discuss the finer things in life. Ryan reviews Pokemon Sword & Shield. Josh reviews Burnout: Paradise.

Happy Canada Day! To celebrate, Brandon and Frank (American) along with writer, designer and Insert Credit regular Mathew Kumar (Scottish) and legendary game designer Bennett Foddy (Australian) determine the greatest British video games of all time. Original music by Kurt Feldman. The List, in order of discussion: Sonic R (05:51) Lemmings (09:02) Pipe Mania!! (12:03) Burnout Paradise (15:20) Alien Resurrection (17:29) Elite (21:27) Damocles (25:34) Where Time Stood Still (29:46) TxK (33:40) Skool Daze (37:56) Wizkid (42:20) Batman: Arkham Knight (45:52) The Chaos Engine (50:11) Head Over Heels (54:12) Populus (58:35) Grand Theft Auto IV (01:02:35) WipEout 2097 (01:06:55) Sensible World of Soccer (01:10:32) Deus Ex Machina (01:16:27) Dizzy: Prince of the Yolkfolk (01:20:11) See the final rankings in the forums! A SMALL SELECTION OF THINGS REFERENCED: Charity shops Sonic R Lemmings Benefactor Troddlers GameCenter CX Pipe Mania!! Frisky Tom Burnout Paradise Alien: Resurrection Alien: Resurrection (1997) Alien: Isolation The making of Alien Resurrection PSOne Elite Elite: Dangerous Frontier: Elite II Zarch Damocles Outer Wilds Midwinter Lords of Midnight Where Time Stood Still Hardcore Gaming 101 on Where Time Stood Still Frankie Goes to Hollywood The Great Escape TxK Jeff Minter Skool Daze Bully Grange Hill Wizkid: The Story of Wizball II Batman: Arkham Knight Renegade Batman: Arkham Asylum The Chaos Engine Speedball 2: Brutal Deluxe Gods Magic Pockets Head Over Heels Knight Lore Light Crusader Syndicate Populous Magic Carpet WipEout 2097 Sensible World of Soccer Kick Off Deus Ex Machina The Graveyard Dizzy: Prince of the Yolkfolk Wonderland Dizzy Fantasy World Dizzy Treasure Island Dizzy Edited by Esper Quinn. Original Music by Kurt Feldman.

Just Porn. Comedy Talks. Video Games. 

We've broken out the console again to discuss even more video game music! Anthony, Jason, and Don talk about more of their favourites: Zelda 2, Earthbound, Burnout Paradise, Minecraft, Metroid Prime, and Athena are all discussed in-depth and with an eye for the nostalgia! Got some favourites of your own? Relate to some of the games we discussed?? Find us on Twitter and Instagram and let us know! Our Podern Family plug is That Song From That Movie Podcast! Go and listen to their show, rate/review their episodes, and tell them Even the Score sent ya!

This week I got a few things that I been playing starting with WandaVision Starring:Elizabeth Olsen, Paul Bettany, Kathryn Hahn Biggie: I Got a Story to Tell and for games Burnout Paradise Minecraft Twitter @ThatGuyJorgeL Email: jlplayspodcast@gmail.com My Podcast page Music by Audio Library --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jlplays/message Support this podcast: https://anchor.fm/jlplays/support

From new Xbox Series X details to coronavirus fears, Steam indies like Taur and Quantum League, our latest fighting game roundup, the second coming of Burnout Paradise, a nunchaku clinic, and the dystopian sound of NookLink, this week there's a lot to talThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5928697/advertisement

#Gamefemerides (Lado b ) [19s] •Burnout Paradise •Ni no Kuni: Wrath of the White Witch •Crazy Taxi •Dead Space 2 •Mass Effect 2 •Tatsunoko vs Capcom •Skies of Arcadia: Legends •Phantasy Star Online •Oni •Rogue Galaxy •Silent Hill 2 •Mega Man Maverick Hunter X #TemadelaSemana : Tema de la semana: Portadas de videojuegos II (lado b ) [1h15m57s] Recuerden dejar "me gusta" y comentarios en iVoox, y demás lugares donde nos escuchen. ¡Ahora también estamos disponibles Spotify y en Google Podcast! Facebook: https://web.facebook.com/LegionGamerRD/ Instagram: https://www.instagram.com/legiongamerrd/ Twitter: https://twitter.com/LegionGamerRD YouTube: https://www.youtube.com/channel/UCUGwN2UoGVO7mOysJUQwATQ En Spotify: https://open.spotify.com/episode/5cdKF0zyUZMtO3JC8CQIQb?si=BI0ru0lMR9CsuLYSH7JAhw Nuestro blog: https://legiongamerrd.blogspot.com/ Estamos en Apple iTunes: https:/itunes.apple.com/do/podcast/legión-gamer-podcast/id1370438088 En TuneIn: https://tunein.com/podcasts/Podcasts/Legion-Gamer-Podcast-p1121452/ Radiocasters: https://radiocasters.com/podcast/16 Google Podcast: https://www.google.com/podcasts?feed=aHR0cHM6Ly9yc3Mud2hvb3Noa2FhLmNvbS9yc3MvcG9kY2FzdC9pZC8zOTIy En Twitch: https://twitch.tv/apa_zarozo También pendientes de nuestros amigos: Twitch de Darkjuste: http://twitch.com/darkjuste Twitch de Ryuxo: https://www.twitch.tv/noobhubdeluxe Twitch de Chailozero: https://www.twitch.tv/chailozero Retrogamers Martinez: https://www.instagram.com/retrogamers1412/ Modo 7 Podcast : https://www.facebook.com/Modo7Podcast/ Quien Pierde Entrega: https://www.facebook.com/quienpierdeentrega/ Cultura Cómic RD: https://www.facebook.com/groups/culturacomicrd/ GOXP Gamers : http://www.gameoverxp.com/ VeSh Gaming: https://veshgaming.com/ Kioshop: https://www.facebook.com/kioshops/ Spinelbreaker:

Welcome to the Mancave Podcast. A series which is going to explore if games, movies and sports from the past are better than today, or is it just in our imaginations? In this episode, we discuss the EA Access catalog and jump into the world of Burnout Paradise, one of the true great PS3 - Xbox 360 games. Come with us on a journey through time and space, to discover your love of a world, in a time before Fortnite. Hosted by Ben Salt and Sam BK Find us on YouTube, Instagram and Twitter under 'The Mancave Podcast'

You better believe we are talking about Burnout Paradise, Yakuza 6, Ni No Kuni II, God of War, and, of course, pinball with your favorite Beastcast crew! Also, stay tuned for Drake, Jeff Goldblum, and everyone's favorite, Geoffrey the Giraffe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5929733/advertisement

Welcome to the last episode of February! We have some exciting games to share with you, both technically indie titles and both intense 4 player co-op games. Vicious Attack Llama Apocalypse is just like it sounds...wait. How does that even sound? This may be the first ever mass-slaughter llama game ever. It's a rogue-like top-down twin-stick shooter where you and up to 4 friends can fight off the zombie horde of llama's. It's insane but a blast to play. We also try out the Warhammer: Vermintide 2 beta which comes out March 8th. This game is everything you loved from the first one but improved in every way. In our gaming news, President Trump talks about how video games have an effect on people's mental health, we disagree but so do a lot of other people. What's new? We also have Burnout Paradise coming back in a remastered form, Nintendo stole the show at the DICE awards and somehow played 200+ hours of Kingdom Hearts in the first island. For our discussion, one of our listeners submitted a question that we all often ask: are video games art? We dive into the question itself and explain why they are indeed art and provide a huge collection of examples. The other question is whether or not it's gone mainstream and although it's getting that way, we're not there yet. All of this and more can be garnered from this fun and far reaching discussion. Don't forget to check our video segment on this talk Thursday at youtube.com/theinnergamer. Show Notes: 1:16 - Vicious Attack Llama Apocalypse 10:24 - Warhammer Vermintide 2 20:30 - Gaming News 43:17 - Are video games art? 1:13:27 - Upcoming Video Game Releases The Inner Gamer is a podcast built for the casual gamer. Your weekly dose of video game news, reviews, opinions and discussions every Tuesday. Like what you hear? Share our podcast with your friends! Also be sure and subscribe to our podcast on iTunes and leave us a review! You can find all of our social channels at theinnergamer.net. If you have any questions or suggestions please reach out to us at hello@theinnergamer.net. Credits: "Blue Groove Deluxe" by BlueFoxMusic on audiojungle.net Woman Announcer - Arie Guerra; Actress

Sex is natural, sex is fun, sex is best when it's covered up with seashells? We talk about Assassin's Creed's new Discovery Tour, big TVs, Burnout Paradise, Chess, nightmare clown trash cans, and glorious food.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5929733/advertisement

I ukens episode av podcasten vår har Karl spilt gjennom Fe, Rune har spilt det nydelige mobilspillet Florence og Frida er lettere ekstatisk etter å ha nedkjempet Celeste. Vi er også innom Forbrukerrådets hissige brev til Nintendo, sensur av kjønnsorganer i Assassin's Creed og relansering av Burnout Paradise. Blant mye annet! God helg!

This week the boys talk new gaming gear , Burnout Paradise, 30 years of Mario and much much more!

It's the Christmas episode!! We recorded this one live so you can also watch it on our YouTube channel ( !! We talk Burnout Paradise maybe finding new life, unfinished games, a generous 9 year old and much much more!

Ryan and Matty Christmas are back and boxy about Thief, Ocean's 11, Pacific Rim, and 10 seconds of Rogue One before it's on to time spent with Burnout Paradise, Overwatch, ReCore, and Super Mario Run. Then they review the week in review by reviewing Crytek's closures, Street Fighter 5's fall guys, Resident Evil 7's Stalloneyness, and WB Montreal's multiple mills. Rumor mills! It all makes sense!

Ryan and Matt Scratch Fever talk about Good Will Hunting, Brooklyn Nine-Nine and/or Rick and Morty, The Hills Have Eyes Part 2, Jurassic World again, Whiplash, and then it's no-holds-barred Real Talk™ about Metal Gear Solid V The Phantom Pain of Typing the Entire Title, Halo 5, Watch Dogs, Downwell, LEGO Dimensions, and Rock Band 4 with a dash of The New NEW Xbox One Experience and its release date. Then ==> Harmonix shenanigans, Payday 2 hubbubs, Doom's alpha gameplay, Fallout Shelter's wiener update, Just Cause 3's new videos, Telltale's Game of Thrones finale and freeness, Burnout Paradise comes to Xbox One, Cobalt is delayed, Shenmue 3 exists and is explained better somewhere else, and Sony shows up a Paris Games Week with Quantic Dream's "Detroit", Gran Turismo Sport, Media Molecule's "Explore Dreams", Horizon: Zero Dawn, No Man's Sky, Star Wars Battlefront, Street Fighter 5 and Dhalsim, and Playstation VR news for Tekken 7, Crytek's "Robinson: The Journey", and "Until Dawn: Rush of Blood."