Podcasts about Brockley

I've been viewing houses this past fortnight, so I thought I'd share my anecdotal 2p on the state of the London property market.I'm looking in Brockley, SE4, which, if you don't know it, used to be rough AF, but is now where all the cool kids are. The area has benefited from the various London rail line extensions – you can be in Shoreditch or Canary Wharf in 15 minutes; the Jubilee and Elizabeth lines are a similarly short step away – and that has attracted the slay crew to the area. The road links though are still horrendous though, made worse by 20mph speed limits and bus lane misallocation of essential road space. The drive to west London is interminable.Brockley has a good stock of beautiful detached, semi-detached and terraced Victorian houses. For example: With its proximity to Greenwich and the river docks, it was once a wealthy area, though, like most of south-east London, it got bombed to heck in the war.There are plenty of nice parks too. One of them, Hilly Fields, was modelled on Hampstead Heath, and there are many gorgeous houses in the roads running off it. Not quite Hampstead gorgeous, but getting there.Brockley also has the highest density of cemeteries in London, if you fancy dying any time soon, it's highly convenient. It is, I gather, London's most haunted area.It is only a bit stabby. Nothing like as bad as neighbouring Lewisham. (Maybe “only a bit stabby” will one day become part of estate agents' jargon, perhaps to replace “vibrant”. I can't believe how normalised stabbing now is that I'm talking like that.)The stabbiness is offset, however, by the plethora of nice restaurants, cafés, bars, craft ale breweries, the farmers' market, mini-festivals, pilates studios et al. I understand, in Browns, the area boasts London's best coffee and, in Babur, its best Indian restaurant. (Technically Babur is in Honor Oak, but, like England and many of its foreign sporting greats, we'll claim it as our own.)I shot this vid from the steps up to the station.Brockley feels younger and more up-and-coming than the once-cool areas to the west like Queen's Park, Kensal Rise, Clapham and so on, probably because of its easy access to east London. (A lot of people from Hackney move down here.)I moved here begrudgingly and skint in 2015 and have grown to really like it.But what about the housing market?I've known markets in which estate agents don't give you the time of day, there are so many prospective buyers, but – perhaps because they know I am an unencumbered buyer – the agents are maybe not quite all over me, but certainly on my case: lots of emails, phone calls and the rest of it. That indicates it's more of a buyers' market.But, while I would describe the housing market here as slow, it is not dead. Stuff has been going under offer in the two weeks I've been looking, though rarely at asking.With the costs of moving – Stamp Duty is 10% above £925k, and 12% above £1.5m, plus an extra 5% if you own another property – buyers have got to really want to buy.Sellers, meanwhile, have to really want to sell, which often entails reducing their asking prices. Stuff which is unrealistically priced is staying on the market a long time. Look at this one (actually up the road in Honor Oak):This is a 5,000-square-foot property, not so nice inside, but with access to a 2-acre private garden behind with its own tennis court – quite something in London. From £2.5 million to £1.75 million and they still can't shift it. (It needs a lot of money spending on it.)On the other hand, there don't seem to be many forced sellers – people who can't make their payments – and we won't get any house price crash, long-awaited or not, until that is a reality.I imagine Brockley, as a young, trendy area, is busier than other parts of town, but that is my overall feel: slow, but not dead.I've looked at a few family houses. I can't really comment on flats, but I gather there is an oversupply of 2-bed flats across London, and it is really hard to shift them. I'm not sure if this applies to Brockley or not.It doesn't feel as expensive as it did around 2019–2022 (realised sales prices are a fraction lower, but there is obviously currency debasement to consider too), but nor does it feel super cheap. We're a long way off where we were in, say, 2013, even though grander parts of London – Kensington and Chelsea, for example – are back at those 2013 levels.Where does the housing market go from here? It all depends on two things: interest rates and Stamp Duty.Britain's zombie housing market, brought to you by Stamp Duty.If rates go lower, the market will not collapse. There won't be the forced sellers. We'll continue as we are: stagnant. If rates go higher, the market is in trouble.But get rid of Stamp Duty, and you'd have a flurry of activity across the country tomorrow. People aren't moving because of the amount of dead money involved. Stamp Duty has immobilised the country.If you're buying a two-million-pound house, you will pay £153,750 in stamp duty. Cash. Money you've already paid tax on once. You can't borrow the money. You have to be extremely rich, or extremely desperate for a home, to be willing to pay a £150k one-off tax of this kind. Most would rather avoid paying it, so they don't move.You will pay more if you are not a UK resident.If you happen to own another property – which most people in that wealth bracket will, either their first flat they never sold, a property they inherited, or a home in the country – and the house you are buying is not your main residence, the tax rises to £253,750. A quarter of a million quid.That's why houses in Kensington and Chelsea no longer sell. EDIT: My mate, whose kids have now flown the nest, sent me this: "We live in a 4 floor house, 2 floors we don't use, I haven't been to the top floor for about 5 years (seriously). We would love to move and downsize but makes no sense as the costs of buying a new house would use up all the gain on downsizing . IE We just end up with a smaller house."This happens all the way down the scale. Kirstie Whatsit off the telly was tweeting about it the other day.My mother's friend, who is in her 70s, lives in a 2-bed flat two floors up in Wandsworth worth maybe £700,000. She is worried about climbing the stairs at her age, and wants to move to another 2-bed flat. She will pay £25,000 in Stamp Duty on top of all her other moving costs. She doesn't have 25 grand to throw away.The result is this nearly dead market. Britain's zombie housing market.Stamp Duties were one of the taxes the ignited the American Revolution. If only we had muskets today …The biggest villains in all this are former Chancellor Gordon Brown for first raising Stamp Duty on property transactions (before him it just one per cent on all properties over £60,000), and, worst of all, George Osborne for raising the rates to today's ludicrous levels. Rather than address the root causes of unaffordable housing – fiat money, artificially low interest rates, improper measures of inflation and dumb planning laws – he blamed the market, and attacked it with Stamp Duty. But all of Jeremy Hunt, Rishi Sunak, Sajid Javid, Philip Hammond and Alistair Darling must take their share of the blame for failing to do anything about it, when they had the chance. (We'll give Kwasi Kwarteng and Nadhim Zahawi a pass on the grounds they didn't have the gig for long enough).Osborne, Brown et al have given birth to the zombie situation we have now. They have immobilised the country in the process. Government. Yet again. 0 stars. Would not use again.It's enough to make you a libertarian. Until next time,DominicPS If you enjoyed today's article, please like, share and all that stuff. It really helps.PPS If you missed this week's market commentary, here it is:As always If you are buying gold to protect yourself in these times or relentless currency debasement, the bullion dealer I use and recommend is the Pure Gold Company. Pricing is competitive, quality of service is high. They deliver to the UK, the US, Canada and Europe or you can store your gold with them. Find out more here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

There is also now a video version of this article, if you prefer, here:I've been viewing houses this past fortnight, so I thought I'd share my anecdotal 2p on the state of the London property market.I'm looking in Brockley, SE4, which, if you don't know it, used to be rough AF, but is now where all the cool kids are. The area has benefited from the various London rail line extensions – you can be in Shoreditch or Canary Wharf in 15 minutes; the Jubilee and Elizabeth lines are a similarly short step away – and that has attracted the slay crew to the area. The road links though are still horrendous though, made worse by 20mph speed limits and bus lane misallocation of essential road space. The drive to west London is interminable.Brockley has a good stock of beautiful detached, semi-detached and terraced Victorian houses. For example: With its proximity to Greenwich and the river docks, it was once a wealthy area, though, like most of south-east London, it got bombed to heck in the war.There are plenty of nice parks too. One of them, Hilly Fields, was modelled on Hampstead Heath, and there are many gorgeous houses in the roads running off it. Not quite Hampstead gorgeous, but getting there.Brockley also has the highest density of cemeteries in London, if you fancy dying any time soon, it's highly convenient. It is, I gather, London's most haunted area.It is only a bit stabby. Nothing like as bad as neighbouring Lewisham. (Maybe “only a bit stabby” will one day become part of estate agents' jargon, perhaps to replace “vibrant”. I can't believe how normalised stabbing now is that I'm talking like that.)The stabbiness is offset, however, by the plethora of nice restaurants, cafés, bars, craft ale breweries, the farmers' market, mini-festivals, pilates studios et al. I understand, in Browns, the area boasts London's best coffee and, in Babur, its best Indian restaurant. (Technically Babur is in Honor Oak, but, like England and many of its foreign sporting greats, we'll claim it as our own.)I shot this vid from the steps up to the station.Brockley feels younger and more up-and-coming than the once-cool areas to the west like Queen's Park, Kensal Rise, Clapham and so on, probably because of its easy access to east London. (A lot of people from Hackney move down here.)I moved here begrudgingly and skint in 2015 and have grown to really like it.But what about the housing market?I've known markets in which estate agents don't give you the time of day, there are so many prospective buyers, but – perhaps because they know I am an unencumbered buyer – the agents are maybe not quite all over me, but certainly on my case: lots of emails, phone calls and the rest of it. That indicates it's more of a buyers' market.But, while I would describe the housing market here as slow, it is not dead. Stuff has been going under offer in the two weeks I've been looking, though rarely at asking.With the costs of moving – Stamp Duty is 10% above £925k, and 12% above £1.5m, plus an extra 5% if you own another property – buyers have got to really want to buy.Sellers, meanwhile, have to really want to sell, which often entails reducing their asking prices. Stuff which is unrealistically priced is staying on the market a long time. Look at this one (actually up the road in Honor Oak):This is a 5,000-square-foot property, not so nice inside, but with access to a 2-acre private garden behind with its own tennis court – quite something in London. From £2.5 million to £1.75 million and they still can't shift it. (It needs a lot of money spending on it.)On the other hand, there don't seem to be many forced sellers – people who can't make their payments – and we won't get any house price crash, long-awaited or not, until that is a reality.I imagine Brockley, as a young, trendy area, is busier than other parts of town, but that is my overall feel: slow, but not dead.I've looked at a few family houses. I can't really comment on flats, but I gather there is an oversupply of 2-bed flats across London, and it is really hard to shift them. I'm not sure if this applies to Brockley or not.It doesn't feel as expensive as it did around 2019–2022 (realised sales prices are a fraction lower, but there is obviously currency debasement to consider too), but nor does it feel super cheap. We're a long way off where we were in, say, 2013, even though grander parts of London – Kensington and Chelsea, for example – are back at those 2013 levels.Where does the housing market go from here? It all depends on two things: interest rates and Stamp Duty.Britain's zombie housing market, brought to you by Stamp Duty.If rates go lower, the market will not collapse. There won't be the forced sellers. We'll continue as we are: stagnant. If rates go higher, the market is in trouble.But get rid of Stamp Duty, and you'd have a flurry of activity across the country tomorrow. People aren't moving because of the amount of dead money involved. Stamp Duty has immobilised the country.If you're buying a two-million-pound house, you will pay £153,750 in stamp duty. Cash. Money you've already paid tax on once. You can't borrow the money. You have to be extremely rich, or extremely desperate for a home, to be willing to pay a £150k one-off tax of this kind. Most would rather avoid paying it, so they don't move.You will pay more if you are not a UK resident.If you happen to own another property – which most people in that wealth bracket will, either their first flat they never sold, a property they inherited, or a home in the country – and the house you are buying is not your main residence, the tax rises to £253,750. A quarter of a million quid.That's why houses in Kensington and Chelsea no longer sell. EDIT: My mate, whose kids have now flown the nest, sent me this: "We live in a 4 floor house, 2 floors we don't use, I haven't been to the top floor for about 5 years (seriously). We would love to move and downsize but makes no sense as the costs of buying a new house would use up all the gain on downsizing . IE We just end up with a smaller house."This happens all the way down the scale. Kirstie Whatsit off the telly was tweeting about it the other day.My mother's friend, who is in her 70s, lives in a 2-bed flat two floors up in Wandsworth worth maybe £700,000. She is worried about climbing the stairs at her age, and wants to move to another 2-bed flat. She will pay £25,000 in Stamp Duty on top of all her other moving costs. She doesn't have 25 grand to throw away.The result is this nearly dead market. Britain's zombie housing market.Stamp Duties were one of the taxes the ignited the American Revolution. If only we had muskets today …The biggest villains in all this are former Chancellor Gordon Brown for first raising Stamp Duty on property transactions (before him it just one per cent on all properties over £60,000), and, worst of all, George Osborne for raising the rates to today's ludicrous levels. Rather than address the root causes of unaffordable housing – fiat money, artificially low interest rates, improper measures of inflation and dumb planning laws – he blamed the market, and attacked it with Stamp Duty. But all of Jeremy Hunt, Rishi Sunak, Sajid Javid, Philip Hammond and Alistair Darling must take their share of the blame for failing to do anything about it, when they had the chance. (We'll give Kwasi Kwarteng and Nadhim Zahawi a pass on the grounds they didn't have the gig for long enough).Osborne, Brown et al have given birth to the zombie situation we have now. They have immobilised the country in the process. Government. Yet again. 0 stars. Would not use again.It's enough to make you a libertarian. Until next time,DominicPS If you enjoyed today's article, please like, share and all that stuff. It really helps.PPS If you missed this week's market commentary, here it is:As always If you are buying gold to protect yourself in these times or relentless currency debasement, the bullion dealer I use and recommend is the Pure Gold Company. Pricing is competitive, quality of service is high. They deliver to the UK, the US, Canada and Europe or you can store your gold with them. Find out more here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Whilst out along the Kent side of the Thames Estuary on Saturday, aiming to capture the sound of skylarks and reeds, we met a walker with a very friendly border terrier. She told us there was talk of a nightingale not too far away at RSPB's Northward Hill Nature Reserve. We aren't strictly speaking wildlife recordists, the Lento box is designed like a wide angle camera to capture panoramic landscape sounds, but we thought it might be worth a visit to the reserve to see if we might be able to find it. Unusually for us public transport devotees, we were able to travel on to Northward Hill easily thanks to a magnificent Lento supporter. He'd driven us and the Lento box out from Brockley station in South East London to explore another corner of the Hoo Peninsula, and was keen to visit the reserve. We didn't feel hugely confident about actually hearing a nightingale. They are the kinds of birds you don't expect to find on demand. We rolled into the reserve's car park and quickly headed down into the woodland. We descended a rough flight of bare earth steps under the dark shadows of dense tree canopy, surrounded by glorious birdsong. All the usual suspects of course, familiar if you regularly listen to Lento - chif chaf, blackbirds, black caps, jackdaws, robins, various others plus trusty wood pigeons.  After turning right and proceeding further into the woods over a few hundred yards our ears pricked up. I found myself saying "and there it is" before I had even properly heard it. We continued for a few steps and, fortunately, there it was again, this time much more clearly, and without doubt a nightingale only about thirty yards away! Up on the tripod went the Lento box. I turned it to face the sound of the nightingale, and pressed record, bathed in the rich tapestry of spring woodland birds, coming from all around us.  Here's what the box captured. It's only twenty minutes. The passage of time is from around 5pm on 24th May. There are some people vaguely audible and a horse (louder) somewhere to left of scene. A road must pass the reserve too because some level of vehicle noise is distantly audible, but not so much as to spoil the overall effect. We capture whole landscapes from one fixed position, so what you hear is the nightingale just as we heard it from standing on the path and facing into the reserve. Wildlife recordists find ways to post their microphones very close to their subjects and as such we are all used to hearing nightingales proportionately far louder than anything else. In reality though these are not birds that like being approached, so few people can ever actually hear in-person, the bird singing as loudly as they do in specially focused recordings.  With a pair of headphones though this episode provides a realistic woodland soundscape with a nightingale almost dead centre of scene. You should be able quite easily to hear it between the other birds which are spread out to the left and to the right of scene. Listen out for a wonderfully special coincidence that happens a few times where a distant cuckoo comes into earshot too. It is pretty well dead centre, behind the nightingale.  There must be a farm nearby because several cockerels crow towards the end. The whole scene is in fact very busy, and whether a connection or not, I note how the nightingale seems to become more active when the chif chaf is in full voice. Coincidence, or not? This bonus episode is shared with big thanks to our trusty supporter and to the dog walker we met. 

If you achieved your dream double of becoming Olympic and World Champion in the same year, what would you do? For Alex Yee, the answer was simple. Test himself over running's marquee distance on one of the biggest stages of them all: The London Marathon. We headed to Brockley, south London, just a few miles from that start line, to speak to one of the most understated, unflappable and, quite simply, impressive triathletes of all time and hear about the emotion and exhaustion of the day as he strived for something remarkable. From the training loads to the heat of battle and what lies ahead, Yee is the epitome of relaxation and ambition as he recounts the journey from the backyard of the house he grew up in. FOLLOW HIS RACE ON STRAVA: https://strava.app.link/iZJX5Kxn2Sb[00:00:00] Post-Marathon ReflectionsYee reflects on the surreal experience of finishing 14th in the marathon and the emotional significance of the start line.[00:03:00] Marathon vs. Triathlon PainThe unique physical challenges of marathon running—mental endurance vs. muscular fatigue.[00:05:00] Purpose Beyond Olympic SuccessSeeking purpose and new challenges post-Olympic and World Championship victories.[00:09:00] Training Volume and AdaptationThe training details - up to 600km/month- with triathlon elements still retained.[00:16:00] Philosophical Perspective and GratitudeMaintaining internal motivation, gratitude, and broader perspective after his serious crash in 2017.[00:20:00] Emotional Finish Line at London MarathonThe powerful emotions and pride of his hometown Marathon[00:26:00] Performance Analysis and Heat ImpactThe performance dip in the final 8km and hitting the data, including heat and heart rate drift.[00:29:00] Collaborative Coaching ApproachJust how he and coach Adam Elliot worked with experts across disciplines to prepare for the marathon.[00:39:00] Physiological Learnings from MarathonThe unexpected physical adaptations and how they may influence future triathlon training.[00:45:00] Triathlon culture and his Blue Carpet FutureWhere next for the Marathon Man as he builds towards defending his triathlon title at LA 2028

Yeah Nah Pasaran is back in 2025 but we're still writing 2005 on all our cheques. This week we talk to anti-fascist blogger Bob From Brockley about 20 years of blogging, the state of the far-Right in Old Britannia, and campism.

This week we're excited to have Andrew Twesigye visit us from our friends at St Peter's Brockley. Andrew talks about seeking God's kingdom and how we can make sure that we don't loose site of this being a place for all people as God created them.

In episode 252 of The Just Checking In Podcast we checked in with Jide Ehizele. Jide was born and raised in Lewisham in south-east London and acts a leader and mentor at his church, St Peter's Church in his local community of Brockley, where he still resides today. He also has a Substack where he writes about issues related to class, race, countering identity politics and faith. In this episode we focus on three events which shaped Jide's life. The first was a dream he had when he was just four years old which gave him a fear and perception of death and his mortality. The second was a feeling that he was not ‘good enough' as a man compared to a lot of his peers in school. This came from comparing himself to them, whom were much more confident, had success with the opposite sex and exhibited a level of braggadocchio and confidence which he felt he could not reach. The third was the rampant gang culture which was present in many parts of his peer network growing up, the fear he had getting to and from school and having to navigate all of this danger. We then discuss the role that his Nigerian parents had on him growing up and the importance of a stable, happy two-parent household in being a bulwark against the problems that many of his peers fell into who didn't have that. We dive into his Christian faith and how that has shaped his attitude towards many issues, as well as the community role he plays in his local church and the impact he wants to have on the young men in his congregation. We finish by discussing an article he wrote entitled ‘Does black culture exist?' and all of the themes it explores. As always, #itsokaytovent You can follow Jide on Twitter here: https://x.com/OBEhizele You can subscribe to his Substack here: https://substack.com/@zelex You can read Jide's article we discussed in full here: https://www.wrongspeakpublishing.com/p/does-black-culture-exist-a-uk-perspective Support Us: Patreon: www.patreon.com/venthelpuk GoFundMe: www.gofundme.com/f/help-vent-supp…ir-mental-health Merchandise: www.redbubble.com/people/VentUK/shop Music: @patawawa - Strange: www.youtube.com/watch?v=d70wfeJSEvk

Movie nights and BAFTA nominees. Much love and gratitude, Belle x #stopmotionanimation #bykergrove #youngwomenandthesea

Shannon Kurlander is a writer, actor and creates performances which incorporate theatrical elements and mixed media. She recently premiered her latest show The Project at Jack Studio Theatre in Brockley, South London. The second play of hers to take on a format of storytelling which positions Shannon as both writer and performer, The Project follows Shannon's 2022 piece Visiting Hours. Recently Anthony and Shannon met to discuss her unique process, catch up on the ins and outs of raising a dog called Pistachio, and trade notes on film and TV produced in the style of social realism. Both find themselves reminiscing about people they've encountered within creative lives, maintaining creative practices along with professional work and ponder the imminent return of Indie Sleaze, a style which for better or for worse, both may have had a hand in creating in its first inception.More about ShannonIG: @greatesthits_productions@ShannonKurlanderThe Project at Jack Studio TheatreSupport Into the Paint on PatreonInto the Paint LinktreeIG: @intothepaint_podcastTheme Music by Harry Bix Support Into the Paint on Acast+ https://plus.acast.com/s/in-the-paint-1. Hosted on Acast. See acast.com/privacy for more information.

Pagan Altar wurde 1978 von Sänger Terry Jones und seinem Sohn Alan ins Leben gerufen (wobei die familiäre Verbindung zunächst nur vage gehalten wurde). Die beiden verbrachten fünf Jahre damit, ihre musikalische Vision zu verfeinern und sammelten eine Fülle von unveröffentlichtem Demomaterial in ihren eigenen Pagan Studios in Brockley, Südlondon. Songs: Pagan Altar - Reincarnation (Auszug) Pagan Altar - Cry of the Banshee (Auszug) Pagan Altar - Black Mass Folge direkt herunterladen

HAPPY NEW YEAR!! This week we are joined by Sabrina co host of Hair Me Out UK, a podcast which specialises in amplifying the voices of influential black and mixed-raced women straight from the salon - Morells of Brockley. Hair Me Out UK (Season 1) is now available on Youtube and podcast platforms. We discuss braiding, styling the natural hair, wearing wigs as protective styles, having regular trims and all the in between. It's a new year and new season, so no better way to begin by re-learning how to care 4 your hair with a reputable salon/business owner. To book a hair consultation please visit: https://morells.co.uk/ Follow Sabrina on Instagram: @morellsofbrockley and watch all episodes featuring familiar faces on YouTube:  @HairMeOutUk  Host/s: Shells @IAMSHELLS Alisha @redmoments Stay connected: Instagram: https://www.instagram.com/mamadramapod Twitter: https://twitter.com/mamadramapod?lang=en TikTok: https://vm.tiktok.com/ZM8Bmt5Sj --- Send in a voice message: https://podcasters.spotify.com/pod/show/mamadramapod/message

This batch contains recordings made at a range of meetings and events in the UK (London, Bournemouth, and Plymouth) in 2019. More materials here: https://first164.blogspot.com/

Join us for a captivating episode on the Manufacturing Leaders Podcast as we dive into the world of leadership with the incredible Vicky Brockley.

Welcome to HOOVERING, the podcast about eating. This episode is with Taiwanese comedian KUAN-WEN HUANG and you should go and see his beautiful debut EDINBURGH FRINGE SHOW, ILHA FORMOSAWe ate ice-creams from fancy pants SUNDAE in Brockley. This podcast is largely funded on PATREON where if you join up you'll have access to masses to exclusive and advance content from guest recipes to personal mentions and one-to-one virtual meet ups with me.Can't wait to have you join us for HOOVERING LIVE AT THE ROUNDHOUSE COMEDY FEST on August 10th - our guest is Joe Lycett!My BBC radio comedy series STURDY GIRLS CLUB is all available now on BBC Sounds. Support this show http://supporter.acast.com/hoovering. Hosted on Acast. See acast.com/privacy for more information.

British illustrator and cartographer Mike Hall talks early mapping projects of his native Harlow, his favorite map aesthetic, the relaxing practice of coastline-tracing and how he will place 1,500 labels but will not make a “Where's Wally?” map. See his work at thisismikehall.com An early hit: his walking map of Brockley, London Kew Gardens and Wakehurst maps Map of Europe (with a hand-traced coastline!) Rail map of England Eduard: give it a DEM, get a swiss-style "manual" shaded relief Need maps for your org's reports, decks, walls and events? ⁠The Map Consultancy makes real nice maps, real fast.⁠ See what good maps can do for you at themapconsultancy.com I have three words for you: Big. Glowing. Maps. Depending on how that makes you feel, you might like two more words: ⁠Radiant Maps⁠. See the most beautiful backlit maps at radiantmaps.co Time for some map gifts: get 15% off woven map blankets and backlit map decor with code 15OFF, everything ships free – ⁠https://www.etsy.com/shop/RadiantMaps?coupon=15OFF⁠

Paul deeply cared for the church. In fact, he cared so much that he makes known his separation anxiety. But he does not allow his anxiety to cripple him from supporting the church. As we continue our series on 1 Thessalonians, Tobias opens up 2:17-3:13 where we see what the marks are of a caring church both in Thessalonica then, and also in Brockley today.

In this IHS we kick it with the multi-faceted artist and creator Koder, CEO of Undeniable. A certified legend in his ends (Brockley, South London) and respected internationally, Koder's journey is one of patience, persistence and undeniable self-belief. Koder is living testimony of manifesting your desires and dreams and in this rare conversation we dive into some of his experiences from his early come-up, such as the first time going viral on MSN to quitting his job and pursuing music whilst running a business. - Weekly What Made You Smile segment - sharing positive vibes of the week just gone (15:36)- Koder gives Kontext to his early beginnings including the loss of his sister (25:29)- Influenced by So Solid, Koder shares what drew him to music initially (40:48)- Sharpening his skills on Grime instrumentals, Koder walks us through his artistic foundation (54:19)- We learn how Koder started to explore different avenue's with his creativity (76:36)- The birth of Undeniable (81:03)- Koder gives his experiences living OOH and how it changed his perspective (85:28) Hosted on Acast. See acast.com/privacy for more information.

In this episode of Dear Gardener we journey to California, East Anglia and South East London to hear about mothers and friendship, Sissinghurst and slugs, and roses and rills.Support the show: https://linktr.ee/deargardenerhttps://ko-fi.com/bendarkThe Dear Gardeners on Instagram:Gavin: https://www.instagram.com/gardeninggavin/ Melanie: https://www.instagram.com/saari.farms/Vanina: https://www.instagram.com/thebonbongirl/Episode links:The Butchart Gardens, British Columbia: https://www.butchartgardens.com/Euphorbia stygiana subsp. santamariae https://www.cotswoldgardenflowers.co.uk/product/euphorbia-stygiana-subsp-santamariae/Rosa 'Perle d'Or': https://en.wikipedia.org/wiki/Rosa_%27Perle_d%27Or%27 Rosa 'Munstead Wood': https://www.davidaustinroses.co.uk/products/munstead-wood?_ga=2.141225842.1185186591.1668450625-963987581.1668450625Rosa 'Cécile Brünner': https://en.wikipedia.org/wiki/Rosa_'C%C3%A9cile_Br%C3%BCnner'Rosa ''Madame Alfred Carrière': https://www.davidaustinroses.co.uk/products/mme-alfred-carriereThe NGS (National Gardens Scheme): https://ngs.org.uk/Thank you for listening

Do artists need to define themselves in a particular way? What opportunities are available for textile artists? What is it like to work across craft and fine art? What makes a successful residency programme? How can leading interactive workshops be a useful tool for textile artists? Why are competitions so valuable for artists wishing to experiment and evolve? What does a positive gallery relationship look like?I first came across the work of Cecilia Charlton at Collect Art Fair and loved her ambitious textile works. Her instagram account is a wonderful door into the world of textiles - Cecilia shares process videos, images of historical weaving drafts and details of different techniques.Cecilia describes her work as ‘fibre-based investigations into abstraction, form and colour with a grounding in personal experience'. I had so many questions about her journey as a textile artist - and absolutely loved spending a morning in her home studio in Brockley. Cecilia has carved an impressive path in the world of craft, fine art and design. She has exhibited in the UK and internationally; her recent exhibitions include: Mammoth Loop, SPACE Ilford, 2021 (solo); Aurora, Candida Stevens Gallery, 2020 (solo); Parade, curated by Kris Day, Broadway Gallery, UK, 2019; SURGE: The Eastwing Biennial, Courtauld Institute, London, 2018; Rogue Objects, curated by spaceship, University College London, London, 2018. Some awards include the Jerwood Makers Open Award in 2021; Fulbright UK Scholarship in 2015 (shortlisted), and the Ellen Battel Stockel Fellowship as part of the Yale University Norfolk Residency in 2014. ceciliacharlton.com@ceciliacharlton____________________________________________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today's art world.Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucaswww.thevisibleartistpodcast.comPodcast cover by AmyIsla Mccombie Hosted on Acast. See acast.com/privacy for more information.

Welcome to HOOVERING, the podcast about eating. Host, Jessica Fostekew (Guilty Feminist, Motherland) has a frank conversation with an interesting person about gobbling; guzzling; nibbling; scoffing; devouring and wolfing all up… or if you will, hoovering.I'm out and about having dim sum of the gods in Covent Gardens Din Tai Fung with Bake Off star and subsequent smash hit cleb' chef, Chetna Makan. We had such a swanky time. Chetna has got strong grown-up vibes so we were quite a comical pairing. Also in a hoovering first, she kept getting fan-bombed, which I kept in, why not?! Everything written below in CAPITALS is a link to the relevant webpage. Honourable Mentions/ LinksFollow CHETNA ON INSTAGRAM which is were you'll find out how to pre-order her NEW BOOKAnd her super-successful YOUTUBE CHANNEL is the stuff of dreams. Love this podcast generally? Thank you. FOLLOW US ON INSTAGRAMGo to PATREON to see what I swap your money for ace podcast related stuff like totally exclusive content and guest recipes and most recently the Hoovering Fourth Birthday party whole special episode! Coming to see HOOVERING LIVE at MACH FEST? Great! Coming to see WENCH at EDINBURGH or ON TOUR? Also great! We ate at DIN TAI FUNGWe also mentioned Brockley's amazing Indian restaurant BABURSupport this show http://supporter.acast.com/hoovering. See acast.com/privacy for privacy and opt-out information.

London Epitaphs 12 Lieutenant Gilbert Price The date and place of Lieutenant Gilbert Price's death - Dublin 1920 - leads local historian, Mike Guilfoyle, to discover a remarkable story hidden away in Brockley and Ladywell Cemeteries in South East London. The young Londoner had a pivotal role in one of the most memorable and bloody events of the Anglo-Irish War of Independence - the notorious Talbot Street gunfight. This bonus episode of London Epitaphs traces the run-up to the incident and explores how it was reported at the time. Brought to you by Tempest Productions and the Friends of Brockley and Ladywell Cemeteries www.tempestproductions.net www.foblc.org.uk You can find the whole series here: https://soundcloud.com/user-986948053/sets/london-epitaphs

EP 75 - “Is this what you think of me?!”   Jonny Abbs, Kofi Jordan and Nicholas D Harvey   After a very successful first year we are back to bring you more insightful and thought provoking topics that continues to concern and resonate with our communities.   In this Episode, we discuss:

London Epitaphs 11 Laura Mordaunt-Chapman An unremarkable gravestone in Brockley and Ladywell Cemeteries yields a shocking story of murder. Local historian Mike Guilfoyle hosts this bonus edition of London Epitaphs, recounting the story of Laura Mordaunt-Chapman, a reclusive widow whose violent death was investigated by some of the biggest names in British criminal justice in the 1930s. Brought to you by Tempest Productions and the Friends of Brockley and Ladywell Cemeteries. www.tempestproductions.net www.foblc.org.uk You can listen to the whole series here: https://soundcloud.com/user-986948053/sets/london-epitaphs

Welcome to HOOVERING, the podcast about eating. Host, Jessica Fostekew (Guilty Feminist, Motherland) has a frank conversation with an interesting person about gobbling; guzzling; nibbling; scoffing; devouring and wolfing all up… or if you will, hoovering.This week I'm hoovering a really beautiful lunch that I'm confident will have made me live forever with my old friend, the very talented actor, writer and farter, Jo Bowis. She's written a stunning Mamoir about her road to motherhood which I've read now and is funnier than it is brutal- absolutely joyful I found it and deeply refreshing. Much like the lunch we walloped at Brockley's trendy pants newish place by the station, Parlez. Everything written below in CAPITALS is a link to the relevant webpage. Honourable Mentions/ LinksGet over to instagram now and FOLLOW JO immediately And then click on this to buy her amazingly funny book ‘EXPRESS YOURSELF: A MAMOIR'And I found a video here of JO DOING HER FLAT FOOT AMERICAN DANCINGLove this podcast generally? Thank you. FOLLOW US ON INSTAGRAMGo to PATREON to see what I swap your money for ace podcast related stuff like totally exclusive content and guest recipes. It'll help me keep the podcast not just alive, but also thriving. Thanks so so so much if you've become a patron recently and/ or stuck with me since the beginning of this. Also - if you'd wanted to donate something as a one-off you can DO THAT HERE on the Acast Supporter page thing. You can BOOK TICKETS TO MY STAND UP HEREOther maybe interesting things we mentioned this week were….Where we ate those amazing lunches, it was PARLEZ in BrockleyWe gave a mild ribbing to LA LECHE LEAGUEThe classic book GREEN EGGS AND HAMJo did the best fart I've ever heard next to, fittingly, THE GOLDEN HINDEThe actor we were zombies with PAUL O'SHEASupport this show http://supporter.acast.com/hoovering. See acast.com/privacy for privacy and opt-out information.

Recounts the story of Dr Alexander Stewart Brown from Brockley who lost his life following a series of unfortunate events.

The boy from Brockley becomes the man in Malibu. Alex Yee's story to delivering the 2021 of his Olympic dreams has taken a long and winding road, but from the moment he took the Series tape for the first time at June's WTCS Leeds, the stage was set for more magic. From Olympic gold and silver to the World Triathlon Championship Series overall podium and wrapped up with some Super League brilliance, that is precisely what he delivered.

Listen to Episode 76 of the ACA Podcast: Celebrating Norm Brockley and Chiropractic History in Victoria

Emma Cousin was born in Yorkshire in the UK, in 1986 and is currently based in London. Recent solo exhibitions include ‘Introductions', White Cube (2021); Goldsmiths CCA, London (2020); Milton Keynes Art Centre, UK (2019); Lewisham Arthouse, London (2018); Edel Assanti, UK (2018); and Dolph Projects, London (2017). Recent group exhibitions include ‘She came to stay' Andrea Festa Fine Art, Italy; ‘Female Objectivity', Palazzo Te Matova, Italy; ‘Soft Bodies', Castlefield Gallery, Manchester, (2020); ‘Ridiculous' Elephant West, London (2020); Jerwood Arts exhibition ‘Survey' at Baltic Centre for Contemporary Art, Gateshead, The Bluecoat, Liverpool, and G39, Cardiff, UK (2019); and ‘Ultra', J Hammond Projects, London (2019). Her work is in the Zuzeum Museum Riga, The Samandi Art Foundation, Bangladesh, Aishti Foundation, Lebanon and Azman Museum, Malaysia. In Sept 2021 Emma will have a solo show with Niru Ratnam Gallery London across three spaces showing new drawings, paintings and video. Emma graduated from Ruskin School of Drawing and Fine Art, University of Oxford in 2007. She started her own project space, Bread and Jam in 2015-17, which she ran for 2 years in her home in Brockley. She was a participant at Skowhegan in 2018. She recently co-curated Un-stilled Life, an exhibition focusing on animations, across three galleries, Ron Mandos Gallery Amsterdam, Tintype Gallery London and the online platform Blinkvideo. In 2020 she established the podcast ‘Chats with artists in lockdown' which is now on its second series.

Tonight's edition features new music from The Green Kingdom and Federico Duran, as well as long-form greatness from Shy Layers and some fabulous sounds from Anne Muller, Forest Swords, Totally Enormous Extinct Dinosaurs, Bambles and much more. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Sleeper by Neil Cowley on Sleeper (Mote)Cowley's one-off release for Piano Day (March 29th) 5′53″ Another Sky by The Green Kingdom on Empyrean (Dronarivm)

This Pentecost Sunday, we hear a powerful message from Ben Jones, vicar of St. Peter’s Brockley. Also included in this recording is Ben’s leading in a practice of waiting on the Holy Spirit, which you can do from wherever you are listening. We want to continue to ask the Spirit to fill us, individually and […] The post Pentecost Message from Ben Jones appeared first on All Saints Peckham.

Infinite guitar with random note selections and drone synth descending. Ethereal, at times dissonant but chance occasionally delivers a degree of glory. Dismissed by Stevie J at the end.

Sympathetic rasping drone strings and acoustic guitar

Jules starts on the baglama, changing to organ halfway through. Stevie J on spacey guitars.

Driven electric piano and guitar blues workout. Stevie's amp explodes bringing things to a short and not-so-sweet conclusion.

One of our favourites yet. Epic. SH-101, distorted keyboard solo and huge texture guitar. 4 unexpectedly amazing chords at the end.

Accordion and space guitar. Sunset on the Adriatic.

For Brendan. Droning synth tambura, electric piano and crystals guitar.

One for Big Ken. Stevie J opts for a clean guitar sound with no effects for once, and Jules stays chilled with the electric piano.

On the day that our "Fragments from The Cross, Vol. 1" NFT sells out, we settle into an ambient piece of harmonizer electric guitar, Rhodes piano and synth.

After a stressful day getting our release announcement for "Fragments from The Cross, Vol. 2" out, we relax into a chilled, simple jam featuring Mani Maxwell on harmonium, Jules on electric piano and Stevie J on spacey guitar.

An oriental scent drifts into this spacey arpeggiated piece. Stevie J Jones on Jupiter 8, Jules Maxwell on electric piano and talky growly synth. Shimmering.

As Jules says at the end, "a stallion". 9/8 thing. Hard to hang on to but some great moments. Rolling, kicking, SH-101, guitar, synth and amped electric piano.

We are delighted to welcome Foy Vance as our special guest on drums and organ. We just agreed F#m, 175bpm, 5 minutes. We did ours. He did his. And we put them together to make this...

Jules and Stevie J explore their 80s side... Juno 60, SH-101, piano and organ, and of course, masses of Blade Runner type reverb.

A chilled bluesy number with spacey guitar and moody organ

"Raw and unedited..." as proved by the ending. Guitar, organ and electric piano.

Lighting things up a bit with a driving groove inspired by Bitches Brew... Jules on fire on the Rhodes, SH-101 bass and delay guitar.

A minimal circular chord progression. Spacey guitar, electric piano and organ.

Start on Eb and see what happens.