Podcasts about Terry Jones

Réécoutez FG Chic mix by Romain Villeroy du lundi 31 mars 2025 Tracklist : Harvey Ross - That's Disco (Original Mix)Rockers Revenge - What About The People (Full Intention Dub)Tommy Glasses - On the Dance Floor (Extended Mix)Timmy Tom - All Night (Original Mix)Mousse T - All I Want Is The Bass (Extended Mix)Serge Funk - Groovy Theme (Extended Mix)Dj Disciple - The Beat, The Scene, The Sound (N.W.N Remix)FlowerSense - In My Soul (DJ Spen Remix)Next Phase, Terry Jones, Helen Bruner & Scott Diaz - My Desire (Scott Diaz Extended Dub)Thompson Project feat. Gary L - Messin' With My Mind (Crackazat Extended Remix)Michael Gray feat. Tatiana Owens - Invincible (Groove P Extended Remix)Flauschig - Somebody (Sebb Junior Extended Remix)G.A.S. - Keep It ComingDJ Jeorenski - Get Back Together (Rubber People Remix)Ludo Lacoste - When You Were Down (Extended Mix)Idris Elba - Fudge (Low Steppa Remix) feat. Eliza LegzdinaLow Steppa - Wanna Show You (Extended Mix)Ron Caroll - Lucky Star (Jay Vegas Classic Disco Mix)

Leading Through Culture, Teams, and AI-driven Change John Helmer discusses organizational culture, collective leadership, and AI's impact on future workplaces with Kevin Oakes (CEO, i4cp), Kim McMurdo (Global Head of OD, Standard Chartered), and Terry Jones (International Head of Talent Development, ex-PaloAlto Networks). Key themes include culture renovation, developing team-centric leadership capabilities, and leveraging AI for enhanced human productivity in rapidly evolving organizations. The McKinsey paper mentioned in Kim's interview:  De Smet, A., D'Auria, G., Meijknecht, L., Albaharna, M., & Fifer, A. (2024, October 31). Go, teams: When teams get healthier, the whole organization benefits. McKinsey & Company. This article is available online at https://www.mckinsey.com/capabilities/people-and-organizational-performance/our-insights/go-teams-when-teams-get-healthier-the-whole-organization-benefits. (Please note that access to the full text may require a subscription or purchase.)   Timestamps: 00:00:00 – Start 00:01:09 – Intro 00:03:31 – Kevin Oakes on culture renovation vs. culture change 00:27:58 – Kim McMurdo on collective leadership and hybrid teams 00:48:41 – Terry Jones on innovation, disruption, and practical AI use 01:14:59 – End Contact: LinkedIn: linkedin.com/in/johnhelmer X: @johnhelmer Bluesky: @johnhelmer.bsky.social Website: learninghackpodcast.com

The Rod and Greg Show Daily Rundown – Friday, March 28, 20254:20 pm: Terry Jones, Editor of Issues and Insights, joins the program for a conversation about the media's treatment of President Donald Trump.4:38 pm: Homeowners in Little Cottonwood Canyon have filed a lawsuit against the Utah Department of Transportation to try to stop UDOT from using land in their neighborhood to build a road for the controversial gondola project, and their attorney, Brent O. Hatch joins the show to discuss the lawsuit.6:05 pm: Nationally syndicated radio host Glenn Beck joins Rod and Greg in studio for a two-segment conversation about his program and other topics at the top of the headlines.6:38 pm: We'll listen back to Rod and Greg's conversations this week with Rep. Jeff Burton about the changes lawmakers have made to Utah's vote-by-mail system, and (at 6:50 pm) with Victoria Manning of Restoration America on the group's Education Freedom Grades for states.

This episode has THREE, THREE FROM … features, curtesy of Abel, Tasha LaRae, and Malkov this is not to be missed!  Seriously amazing music. And more…Artists in the show:Romeo Louisa, Baka G | Next Phase, Helen Bruner & Terry Jones, Scott Diaz | Zetbee | Tony Deledda | Allen Craig | Demarkus Lewis | Yuichi Inoue | Jimpster | TshegoTMM & Pat Lezizmo | Sakhile SK | Summing | N.W.N. | Sebb Junior | T.Markakis | A Fish Called Wanda, Alex Moiss | Vittorio Brena | Dano | Kennedy | Abel | AVG | Mambele | Oliver Lutz | Kerrier Collective, wolf peaches | The Rabbit Hole | Ralph C | Last Nubian & Dougan | Tasha LaRae, Thommy Davis & DJ Spen | Tasha LaRae & John Khan | Christophe Salin | Charles Petersohn | Charles Webster & Muzi | Dj Psyko S.A, Soul K | Nuno Estevez | Malkov | Jon Lee | Trinidadian Deep | Carlo & Emanuele Barilli | 

In Cineversary podcast episode #80, host ⁠Erik Martin⁠ lifts a golden chalice to toast the golden anniversary of Monty Python and the Holy Grail, directed by Terry Gilliam and Terry Jones. Joining him on this quest is Darl Larsen, a film and animation professor at Brigham Young University and author of A Book About the Film Monty Python and the Holy Grail. Together, they collect several nice and inexpensive shrubberies, decipher obscure Swedish subtitles, and try to convince listeners that they're not quite dead as they explore why this film still matters 50 years later.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

"Monty Pythons galna värld" tyckte någon var en bra svensk titel på denna rulle.... I veckans avsnitt har vi grävt fram klassikern Monty Python and the Holy Grail! Med karaktärer som Sir Robin the Not-Quite-So-Brave-as-Sir-Lancelot, Sir Galahead The Pure och så klart "Knights who say "NI" rullar vi in den trojanska hästen. Mycket nöje! Superlänk till alla plattformar: https://linktr.ee/Filmsmakarna    #filmsmakarna #montypython #johncleese #holygrail #Terry Gilliam #knightswhosayni #trojanrabbit 

This week's show is just pure deep grooves with some serious upfront deep house, deep garage, South African deep, soul, jazz, broken and more!Dive in to feel the deepness!Featured this week:True2Life, Post Cap Era | Next Phase, Helen Bruner & Terry Jones, Scott Diaz | Scott Diaz, Miss Yankey | Demarkus Lewis | Jose Vilches, Joselacruz | Summing | A Fish Called Wanda, Alex Moiss | Manuel Kane | Simplex Motive, Justnique | Simplex Motive & Exotic Duo | Eric Kupper | Smegga | Tony Deledda | Kennedy | Franck Roger, Arnold Jarvis | Dano | Vittorio Brena | Sebb Junior | Jack District | Demuja | Lalo Leyy | Don Glori | Mambele | Feiertag | Dr. Sud | Theory Of Movement (aka Dan Piu & Grant) | Last Nubian & Dougan | Sai Galaxy | Max Sinàl & KingCrowney Feat. Liv East | Christophe Salin | Charles Petersohn | Cee ElAssaad & Beatkozina | AVG | TshegoTMM & Pat Lezizmo | Luka, Kali Mija | Charles Webster & Muzi | Sakhile SK | KVSA | Peter Kir |  Tommy Doc | Trinidadian Deep | 

Show Track List: The Thompson Project featuring Gary L - Messin' With My Mind (Crackazat Extended Remix) Soulfuric Revival House Project, Kathy Brown, David Penn - Dance To The Music (David Penn Remix [Extended]) Revival Records Ltd Da Fonk Panda, Sebb Junior - Beautiful (Extended Mix) La Vie D'Artiste Music JC Unique - Fornya (JC's Dreamstate Mix) Forth coming U2R 7th March 25 Platform Play: Next Phase feat. Helen Bruner & Terry Jones - My Desire (Scott Diaz Extended Dub) Sub-Urban Records Rory Northall - Got Ya Head Noddin' (Vocal Mix) That's Right Dawg Music The Sexy 3: Romain Villeroy - I'll Be There (Original Mix) Soultrack Records Mild Sauce - Gimme A Clap (Main Mix) Maurice Joshua Digital D.P.V. - Loveline (Original Mix) Disco Down Change, Tanya Michelle Smith, Figo Sound, JL - Sunrise Forever (Figo Sound & JL Remix) JE - Just Entertainment Rob Hayes - Bodies On Fire (Original Mix) Audio Honey White Soul Project Feat. RAN - Nothing To Say. Groove Culture Fourth coming 31 March 25 Soleil Carrillo X Kellari X Ron Carroll - Same Vibration (Kebab & Cream Mix) Carrillo Wattsy D3EP Thursday Night Hot Mix: Martin Wright & Stuart Ojelay - Deep Inside. Word Of Mouth Records Andrea Tomei - Get Down. Groove Culture Deep fourth coming 31 March 25 Danny J Lewis ft. Nicole - I Need U (Extended Version) Just Underground Luccio B - No Matter What You Do (Original Mix) Run To My Beat Oscar Barila, Sebb Junior - Echoes (Sebb Junior Remix) La Vie D'Artiste Music Obskür - Bayside. FFRR 2020 The Rewind Selecta: Next Phase, Helen Bruner, Terry Jones, Grant Nelson - I Ain't Got Time (Grant's Euphoric Club Mix) Sub-Urban 1996 SL2 - DJ's Take Control (Remastered) XL Recordings 1991 Joyce Sims - Come Into My Life. Sleeping Bag Records US London Records UK 1987 Neslo And The Firebirds - Mystery (Original Mix) Lazy Starfish Records

We dare you to say his name five times! This week comedian and rapper Terry Jones join your hosts to talk about his new single "Swerving Like Swayze" and to cover the 1992 classic Candyman! Helen Lyle, a graduate student, delves into the Candyman myth and accidentally summons the spirit, leading to a string of horrifying events. As she uncovers Candyman's tragic history, she becomes increasingly entangled in his deadly legend. Will The Boys succumb to his charm? Find out here! Also this week: Chicago's famous upside-down pizza, this movie's similarities to Ghostbusters, and why is there always a sled in Applebees? All this--and a whole lot more--on this week's episode of NEON BRAINIACS! "Be my victim." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Candyman (1992) Directed by Bernard Rose Written by Bernard Rose Starring Virginia Madsen, Tony Todd, and Xander Berkeley

Johnny Mac discusses , George Lopez's new special and his latest look, and Nate Bargatzei's potential role in 'Christmas in Paradise.' Russell Peters talks about the idea of Canada becoming the 51st state and his perspective on Kendrick vs. Drake, as well as detailing the four elements of hip hop and his influences. Gianarco Soresi  shares insights on balancing dark comedy with cheap laughs, and Felipe Esparza reflects on his evolution as a comedian. Hannibal Buress announces the opening of his new club. A successful campaign to erect a statue of Terry Jones is mentioned. Finally, a critique of Variety's list of the 100 greatest TV performances of the 21st century highlights standout comedy roles from Brett Goldstein to Julia Louis-Dreyfus. 00:18 George Lopez's New Look and Special00:41 Nate Bargatze's Potential Holiday Movie Role01:21 Russell Peters on Canada and Hip Hop03:23 Gianmarco Soresi  on Dark Comedy04:39 Felipe Esparza's Comedy Journey06:30 Hannibal Buress's New Club07:17 Terry Jones Statue Campaign Success07:51 Top TV Performances of the 21st Century12:05 Signature Comedy Performance DebateUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which says UNITERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!    This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! https://linktr.ee/dailycomedynews Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

The tremendous Amy Seeley is back and this time the subject is right in her wheelhouse: COMEDY. We talk the legendary work of the absurdly brilliant Monty Python, whose "Flying Circus" and subsequent movies dominated the 70s. We talk our favorite performers, favorite sketches, favorite lines, and favorite movies. We also get into a discussion of their influence, and talk a bit about comedy in general. It's a most excellent 90 minutes, so strap in for something completely different! TUNE IN!

A skunk was madly in love with a bear. But the bear, barely noticed the skunk … that is until the skunk saved the bear from hunters and the forest's most unlikely friendship blossomed.

The Rod and Greg Show Daily Rundown – Tuesday, February 4, 20254:20 pm: Terry Jones, Editor of Issues and Insights, joins the program for a conversation about his recent piece on poll results that shows Donald Trump's executive orders have the backing of American voters.4:38 pm: Joy Pullman, Managing Editor of The Federalist, joins Rod and Greg to discuss her piece on how, if Presidents are unable to control executive agencies like the FBI or the DOJ, then elections are fake.6:05 pm: Author and historian Victor Davis Hanson joins the show to discuss his piece for American Greatness about the ten problems with Diversity, Equity and Inclusion that frighten the public.6:38 pm: Representative Candice Pierucci joins the show to discuss a bill she's sponsoring that will increase Utah's sentence for Class A misdemeanors by one day, therefore making immigrants charged with some offenses eligible for immediate deportation.

Writers/directors/actors Terry Gilliam and Terry Jones

In the 19th century Reverend Spooner of Oxford became famous for his mis-speaking. A unique butcher of the English language he inspired Terry Jones of Monty Python fame to pen a short poem of Spoonerist delight in homage.

Death is not a very funny subject. Yet, comedian, writer and musician Eric Idle has spent 60 years showing us the funny side of our all-too-fleeting lives. The Monty Python member has toured Australia with his show Always Look on the Bright Side of Life, Live! He's also written a book about the creation of his musical, Spamalot.Also, we visit Australia's Back to Back Theatre, which has been delighting audiences with shows performed and devised by an ensemble of artists who are neurodivergent or living with a disability, and Torres Strait Islander dancer, actor and theatre maker Ghenoa Gela shares the artworks that take pride of place on her Top Shelf.

Blurb: Matt Selman talks about keeping The Simpsons afloat and still funny after all these years, being the rare writer who stayed in one place, Terry Jones being the smart Python, innovating the show each week, what's too silly, looking back with pride, how we are more judgy when we are younger, Ghost, Matt's says he's not a sociopath, and we discuss if Jay regrets leaving The Simpsons after 5 seasons? We also talk about Matt's chance to leave that he left behind and working out on chest day.Bio: Emmy Award-winning writer/producer, Matt Selman, has worked on THE SIMPSONS for 27 seasons and counting. Selman has written or co-written 30 SIMPSONS episodes and was one of the writers on THE SIMPSONS MOVIE.  He has won six Emmys, a Writer's Guild of America Award and a Peabody Award. He currently serves as Show Runner and Executive Producer. Selman grew up in Watertown, Massachusetts, and graduated from the University of Pennsylvania, where he was the Editor-in-chief of 34th Street Magazine. Before starting at THE SIMPSONS, he wrote on SEINFELD, and has written comedy for many animated movies. He currently lives in Los Angeles with his wife and two daughters.12/30/24

Hi All, here is the podcast of my 'In The Groove' show Starpoint Radio on Sunday 1st December 2024, featuring new and recent releases by Mary J. Blige, Wez Whynt Ft Hannah Khemoh, Charles Wigg Walker, Adam Rios, Helen Bruner & Terry Jones, Kayenne and October London, theres vintage grooves by Seawind, B.O.P Ft B.J Crosby, Eramus Hall and Inner Life, and 'A Touch Of Jazz' features a classic from Semuta... all in 2 hours of fantastic tunes, I hope you enjoy the show xPaul Stuart 'In The Groove' - Starpoint Radio - Sunday 1st December 202401. Mary J. Blige - Beautiful People (Gratitude LP - Mary Jane Productions/300 Entertainment 2024)02. Chad Cory Ft Zacardi Cortez - My First Love (My First Love LP - DREAM Gospel 2024)03. Helen Bruner & Terry Jones - You Talk Too Fast (Strung Out LP - Philerzy Entertainment LLC 2024)04. Eramus Hall - Your Love Is My Desire (Your Love Is My Desire LP - Westbound 1980)05. October London - 3rd Shift (A Colors Show) (Ft Colors) (Single - ColorsxStudios 2024)06. Rae Khalil - Carpinteria (Chris Baxter Remix) (Single - Rae Khalil 2024)07. Felece Tillman - I Can't Forget (Soulful Tales LP - FAT Records 2024)08. Al Lindsay - Try (Single - Al Lindsay 2024)09. Semuta - La Fayette (Semuta LP - Lee Lambert Records 1979)10. Charles Wigg Walker - (Feels Like) Things Are Comin' Our Way (Single - Charles "Wigg" Walker 2024)11. Seawind - What Cha Doin' (Seawind LP - A&M Records 1980)12. Mary J. Blige - Never Give Up On Me (Gratitude LP - Mary Jane Productions/300 Entertainment 2024)13. Shaila Prospere and Terri Green - Gonna Get Over You (Frank Blythe Radio Mix) (Single - Terri Bjerre 2024)14. Inner Life - I Like It Like That (Inner Life 2 LP - Salsoul 1982)15. Kayenne - Feeling Some Kinda Way (Jimpster Vocal Remix) (NDATL Muzik 2024)16. Chymamusique, Dustinho Ft Brian Temba - Glory (Chymamusique 2024)17. Adam Rios - What I'd Do (Vocal Mix) (Trax Into The AM EP - RealFlow 2024)18. Franck Roger Ft Rona Ray - You're For Me (Original Mix) (RealTone 2024)19. Soul of Hex - Into The Night (Constellation EP - Delusions of Grandeur 2024)20. B.O.P Ft B.J Crosby - Thinking About You (The Tommy Musto Perspective) (Suburban 12" 1997)21. Marc Cotterell - I Know You (Original Plastik Vocal Mix) (Plastik People Digital 2024)22. Babs Presents - I Wanna Tell You (Original Garage Mix) (4th Set 2024)23. DJ Stan Johnson Starring Cassio Ware - Dancefloor (Franke Estevez FUZION ClubMix Vox) (Fuzion 2024)24. Terry Dexter - Renegade (Frankie Feliciano Vocal Mix) (Ricanstruction Brand 2024)25. Wez Whynt Ft Hannah Khemoh - We Move (Masaki Morii Cosmic Deep Remix) (Househead London 2024)26. Trinidadian Deep - Jump + Move (Main Mix) (Makin Moves 2024)

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Greg Proops at 31:20 minutes News and Clips at 12:39 I open with the Good Stuff! Here is Greg Proops Bio "Sharp dressed and even sharper witted." -LA Times "Proops has a fun, ranty, self-deprecating, flamboyant, quick comedy style with depth, range, and most importantly, great jokes." -SF Weekly Greg Proops is a stand up comic from San Francisco. He lives in Hollywood. And likes it. Mr. P has a spanking new stand up comedy CD called Proops Digs In. Available on iTunes and at http://www.aspecialthing.com Greg is shooting his second season on the hit Nickelodeon comedy series True Jackson VP. Starring Keke Palmer, NAACP Image Award winner, as True. Weekly on Nickelodeon. Mr. Proops is a frequent guest on The Late, Late Show with Craig Ferguson, Chelsea Lately on E! and on Red Eye with Greg Gutfeld on Fox News. Greg joins long time cohorts Ryan Stiles, Jeff Davis and Chip Esten in the live improv show Whose Live Anyway? They are constantly touring the US and Canada. Proop pod has appeared on such notable comedy podcasts as WTF with Marc Maron, Doug Benson's I Love Movies and Kevin Pollak's Chat Show. Gregela is happy to be in the Streamy-winning of Easy to Assemble starring Illeana Douglass, as the shallow agent Ben. Seen on easytoassemble.tv. The Proopdog is best known for his unpredictable appearances on Whose Line is it Anyway? The hit, improvised comedy show on ABC hosted by Drew Carey. Greg is also a regular on the long running British version of WLIIA? Whose Line is currently seen on ABC Family Channel. Proops has been a guest on Late Night with Jimmy Fallon,The View and The Bonnie Hunt Show. Proopworld provides the announcer voice Hank "Buckshot" Holmes for the forthcoming game Mad World for SEGA. Darth Greg is heard as the bad guy Tal Merrick in the animated TV series Clone Wars on Cartoon Network. Greg can also be heard as the voice of Bob the Builder on the popular children's series seen on PBS. The HBO series Flight of Conchords features Greg as Martin Clarke an advertising executive and weasel. Greg joined long time cohort Ryan Stiles in a two-man improvised show, Unplanned. They performed for sell out crowds at the Just For laughs Festival in Montreal and taped a gala for the CBC. Mr. Proops cares like Bono and has performed and hosted at many events for the ACLU including the 2008 membership conference and a rally to stop torture with Rep. Dennis Kucinich, Senator Patrick Leahy and Larry Cox, Director of Amnesty International USA. Mr. Proopwell aided and abetted Joan and Melissa Rivers on the red carpet at the 2007 Oscars, Emmys, SAG and Grammy awards as a wag and celebrity traffic cop on TV Guide Channel. Mr. Prooples regularly hosts his own live comedy chat show at the ridiculously hip Hollywood rock joint Largo. Guests have included Flight of the Conchords, Jason Schwartzman, Russell Brand, Jack Black, Dave Grohl, Patton Oswalt, Sarah Silverman, Joe Walsh, Janeane Garofalo, David Cross, Margaret Cho, Dave Eggers, Joan Rivers, Aidan Quinn, Jeff Goldblum, Kathy Griffin, Lewis Black, Eddie Izzard and John C. Reilly. Providing musical magic is genius and imp Jon Brion. Mr. Proops has also performed his chat show in Aspen at the HBO Comedy Arts Festival, The Edinburgh Fringe Festival and Montreal at the Just For Laughs Festival. He also accompanied Drew Carey to the 2006 World Cup and produced and starred in Drew Carey's Sporting Adventures on the Travel Channel. Mr. Proops other television sightings include, Last Comic Standing, Ugly Betty, The Bigger Picture with Graham Norton on BBC, Mock the Week on BBC2 and The Drew Carey Show. Mr. P is very pleased to improvise with Drew Carey, Ryan Styles, Kathy Kinney, Colin Mochrie and many talented others as part of the Improv All Stars. They had the honor of performing for the troops in Bosnia, Kosovo and the Persian Gulf as part of the USO. The All-Stars can be seen on a fabulous Showtime comedy special. When over the pond in London, Greg sits in with the renowned Comedy Store Players. Darth Proops was so excited to portray Fode, one half of the pod race announcer in the hit motion picture Star Wars: The Phantom Menace and all the subsequent video games. As well as many voices in Tim Burton's The Nightmare Before Christmas. Greg went medieval as Cryptograf in the animated feature Asterix and the Vikings based on the popular French comic book. Greg may be heard as Gommi, the Articulate Worm in Kaena: The Prophecy a full length animated feature starring Kirsten Dunst. He was also Bernard, a mad scientist on Pam Anderson's animated series Stripperella. Mr. Greg was spotted hosting his own syndicated, national dating show Rendez View. He also hosted the now cult classic game show Comedy Central's VS. Senor Proops threw down an original half-hour of stand up on Comedy Central Presents. Which is repeated ad infinitum. Across the wide Atlantic in the United Kingdom Greg had his own chat show at the Edinburgh Fringe Festival broadcast live on BBC Radio Scotland. Groovy guests like Candace Bushnell, Rich Hall, Geraldine Chaplin, Steven Berkoff and Garrison Keillor have snuggled his sofa. Mr. Proops performed stand up at How to Cook a benefit with Michael Palin and Terry Jones for the Peter Cook Foundation a BBC Christmas special. Greg was honored to be invited to rock the mike at Prince Charles' 50th Royal Birthday Gala seen on ITV in Britain. He performed a stand up half-hour on Comedy Store Five for Channel Five and has bantered on All Talk with Clive Anderson. The Proopkitty is a total smartyboots: he won The Weakest Link, Ben Stein's Money and Rock n' Roll Jeopardy. He also asked Dick Clark what his plans were for New Years Eve while guest hosting The Other Half. Proopmonkey rocks his stand up comedy all over the world and can be found most frequently performing in his beloved hometown of San Francisco. Mr. P. has toured the UK four times, sold out the Edinburgh Fringe Festival 28 years running and has kicked it live in Paris, Turkey, Milan, Aspen, Montreal, Scotland, Ireland, Norway, New Zealand and the United Arab Emirates. Below the Equator in New Zealand the Proopshobbit hosted the Oddfellows Comedy Gala for TVNZ and headlined the New Zealand International Comedy Festival. In Australia Speccy Spice jammed at the Melbourne International Comedy Festival and hosted, Hey, Hey it's Saturday! A national TV institution. Mr. Proops is married to a woman, Jennifer. He doesn't deserve her. They reside in Lower California with their pet ocelot, Lady Gaga. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Send us a textInside "Buy Now": Crafting a Visual Consumerism Critique with Brendan McGitneyKingdom of Dreams podcast explores the cinematography behind Netflix's "Buy Now: The Shopping Conspiracy" with Director of Photography Brendan McGinty who shares insights on camera choices, lighting design, and the creative process behind the film's distinctive look.Brendan McGinty is an award-winning cinematographer whose work encompasses dramas, commercials and landmark documentaries. The dynamic blending of these distinct photographic approaches has created a series of groundbreaking and award-winning films. Along the way he has worked with a wide range of A-list talent including, David Attenborough, Will Smith, Barack Obama, Darren Aronofsky, Terry Jones, Jeremy Wade and Steven Hawking among many others. Whether filming Lily Cole or Olivia Cooke in a period drama, or Will Smith on a volcano, jungle or glacier, Brendan brings a unique photographic alchemy to his work and is known for capturing both the personality of these artists together with the light, scale and beauty of even the most extreme of environments.   http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

Rod and Greg Show Daily Rundown – Friday, October 25, 20244:20 pm: Frank Miele, a columnist with Real Clear Politics, joins the show for a conversation about his prediction of a landslide victory for Donald Trump and a meltdown amongst the progressive left.5:05 pm: Scott Pinsker, a contributor to PJ Media, joins Rod and Greg to discuss why he says there are rumblings of a revolution brewing within the walls of the Democratic Party.6:05 pm: Terry Jones, Editor of Issues and Insights, joins the program to discuss how the Democratic Party is showing much buyer's remorse when it comes to the choice of Kamala Harris as the party's presidential nominee.6:20 pm: Francis Menton, blogger for the Manhattan Contrarian, joins Rod and Greg for a conversation about his recent piece in which he says Kamala Harris is the most unserious presidential candidate of all time.6:38: pm: We'll listen back to this week's conversations with Theo Wold, a former Deputy Assistant to President Trump, who set the record straight on disparaging allegations made against Donald Trump in The Atlantic for the way he treated the family of murdered soldier Vanessa Guillen, and (at 6:50 pm) with political columnist Jared Whitley on why some “progressive Mormons” are lending their support to Kamala Harris.

Trivial Theater is back for the wildest version of the Wind in the Willows yet! This time we are talking about the 1996 live action version, released by Disney in the US as Mr. Toad's Wild Ride, this version was made by Terry Jones and the Monty Python gang, and it is potentially even more crazy than you might expect! Follow Nicki online! YouTube: ⁠https://www.youtube.com/trivialtheater⁠ Twitter: ⁠https://twitter.com/trivia_chic⁠ For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠

One of Dave's childhood favorites, despite a fair sledding from mates, is up for scrutiny this week! And with a 16 year old Jennifer Connely heading up against a middle aged pop star, what could possibly go wrong? directed by Jim Henson, was an ambitious blend of puppetry, live-action, and cutting-edge visual effects for its time. The film was a collaboration between Henson and executive producer George Lucas, with a screenplay by Monty Python's Terry Jones. Conceptual artist Brian Froud, known for his work on The Dark Crystal, played a significant role in designing the fantastical creatures and the world of the labyrinth itself. The movie's central character, Jareth the Goblin King, was brought to life by David Bowie, who also contributed original songs to the soundtrack, adding a surreal, musical dimension to the film. With a cast that included young Jennifer Connelly and over 100 puppets, the production involved complex puppetry, animatronics, and special effects to bring the magical world to life. The film was shot primarily at Elstree Studios in the UK, where elaborate sets were built to depict the vast, dreamlike maze. Henson's Creature Shop faced technical challenges, especially with creating characters like Hoggle, a puppet requiring multiple operators to control its facial expressions and movements. Though the film was not a box office success upon release, Labyrinth gained a devoted cult following over the years, praised for its imaginative design, memorable characters, and Bowie's iconic performance. The film's mix of fantasy, music, and pioneering practical effects has since solidified its place as a beloved classic in fantasy cinema. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Sarah's a 16-year-old girl who is frustrated by her babysitting duties and wishes her infant brother Toby would be taken away by the Goblin King. When her wish is granted and Jareth kidnaps Toby, Sarah has 13 hours to navigate a vast, magical labyrinth to save him before he is turned into a goblin. Along the way, she encounters a host of strange creatures and overcomes various challenges, learning about bravery and friendship. As she gets closer to Jareth's castle, Sarah must confront her own fears and insecurities to rescue Toby and return home. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

La estrella de Monty Python, Terry Jones, nos guía en este viaje a la historia y las vidas de los antiguos egipcios. Al acercarnos a los detalles más cotidianos (extraños, hilarantes o impactantes) en las vidas de los antiguos egipcios, este documental entretenido y revelador está lleno de sorpresas. Con Jones arrojando luz informada pero a veces loca sobre el tema, el mundo desconocido y las vidas previamente ocultas de los antiguos egipcios cobran vida maravillosamente.

Trivial Theater is back for the wildest version of the Wind in the Willows yet! This time we are talking about the 1996 live action version, released by Disney in the US as Mr. Toad's Wild Ride, this version was made by Terry Jones and the Monty Python gang, and it is potentially even more crazy than you might expect! Follow Nicki online!YouTube: ⁠https://www.youtube.com/trivialtheater⁠Twitter: ⁠https://twitter.com/trivia_chic⁠ Every Version Ever - Episode 159 For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/everyversionever/support

Today's guest has interviewed over 1,000 top CEOs, unveiling timeless leadership principles and transforming them into actionable insights. As the Founder and CEO of The CEO Forum Group, he's not just a host but a visionary who pioneered the term "The Transformative CEO." His nationally syndicated radio show, The CEO Show, reaches over 600,000 listeners weekly across 62 stations, earning its place as the #1 podcast for CEOs in America. He's a Forbes, Fortune, and CNBC writer, with over 350 articles dedicated to transformative CEOs, women leadership, customer experience, culture, and digital transformation. Co-author of "The Transformative CEO," which inspired a documentary series, his work has been featured on Squawk Box and acknowledged by Harvard Business Review for his expertise in executive communications. I have the pleasure of producing The Transformative CEO virtual summits four times a year and have enjoyed sharing his events with my network. I love his philosophy that everyone should have access to success. Please join me in welcoming Robert Reiss.  Join us as we delve into Robert Reiss's remarkable journey from overcoming dyslexia to founding the CEO Forum Group, and explore his unique insights on leadership, diversity, and the power of authentic connections. In this episode, we discuss:

Send us a Text Message.This week Amber, Liam, and JP join Dayton in the studio and try to not laugh all the way through the episode while discussing these two classics!Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

Dana and Tom with new guests Heather Stewart (@heatherjstewart) and Ryan Luis Rodriguez (One Track Mind podcast, Reels of Justice podcast) discuss the religious comedy, Life of Brian (1979): directed by Terry Jones, written by Monty Python, starring Graham Chapman, John Cleese, Michael Palin, Terry Gilliam, and Eric Idle.Plot Summary: Ah, splendid! Picture this, if you will: the bustling streets of ancient Judea, a land rife with political turmoil, religious fervor, and the occasional stoning. Into this chaos, on the very same night as a certain well-known savior, is born a rather unremarkable chap named Brian Cohen.Now, Brian, through no fault of his own, is continuously mistaken for the Messiah. This hapless fellow bumbles his way through a series of increasingly ludicrous adventures. From joining the People's Front of Judea (not to be confused with the Judean People's Front—splitters!) to unintentionally starting his own religious movement, Brian's life is a whirlwind of mistaken identity, misunderstandings, and the utterly absurd.As if that weren't enough, he's pursued by Roman centurions, swooned over by fanatical followers, and lectured by his domineering mother ("He's not the Messiah, he's a very naughty boy!"). All this, while Brian desperately tries to carve out a normal life in a world that seems determined to turn him into something he most definitely is not.So, in essence, dear friends, "Life of Brian" is a satirical romp through history, skewering sacred cows and poking fun at the foibles of humanity with the kind of irreverent wit and cheekiness that only Monty Python can deliver. Quite a lark, wouldn't you say?Guests:Heather Stewart@heatherjstewart on IG, X, LetterboxdRyan Luis RodriguezHost of One Track Mind Podcast (IG, X, Letterboxd)Co-Host of Reels of Justice Podcast (IG, X)Chapters:0:00 Intro1:47 Getting to Know Our Guests13:42 Relationship(s) to Life of Brian19:49 What is Life of Brian About?22:49 Is Satire Healthy for Democracies?25:28 What is the Legacy of the Pythons?30:02 Plot Summary31:50 Did You Know?33:44 First Break34:25 Where You Can Find Our Guests37:01 Ask Dana Anything51:09 Best Performance(s)01:06:05 Best/Favorite/Indelible Scene(s)01:18:04 Second Break01:18:49 In Memoriam01:19:54 Best/Funniest Lines01:25:38 The Stanley Rubric: Legacy01:32:37 The Stanley Rubric: Impact/Significance01:39:04 The Stanley Rubric: Novelty01:44:48 The Stanley Rubric: Classicness01:54:01 The Stanley Rubric: Rewatchability01:58:24 The Stanley Rubric: Audience Score and Total...

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“The Wild Bunch” (Sam Peckinpah, 1969)“Jules and Jim” (Francois Truffaut, 1962)“Brokeback Mountain” (Ang Lee, 2005)“Red Dead Redemption” (Steve Martin, Josh Needleman, and David Kunkler, 2010)“A Fistful of Dollars” (Sergio Leone, 1964)“For a Few Dollars More” (Sergio Leone, 1965)“The Good, the Bad, and the Ugly” (Sergio Leone, 1966)“Once Upon a Time in the West” (Sergio Leone, 1968)“Once Upon a Time in America” (Sergio Leone, 1984)“Dirty Harry” (Don Siegel, 1971)“Taxi Driver” (Martin Scorsese, 1976)“Billy Jack” (Tom Laughlin, 1971)“Monty Python and the Holy Grail” (Terry Giliam and Terry Jones, 1975)“The Great Northfield Minnesota Raid” (Philip Kaufman, 1972)“Chato's Land” (Michael Winner, 1972)“Deep Throat” (Gerard Damiano, 1972)“Frenzy” (Alfred Hitchcock, 1972)“Conquest of the Planet of the Apes” (J. Lee Thompson, 1972)“Joe Kidd” (John Sturges, 1972)“Deliverance” (John Boorman, 1972)“Junior Bonner” (Sam Peckinpah, 1972)“Sounder” (Martin Ritt, 1972)“Aliens” (James Cameron, 1986)“Rio Bravo” (Howard Hawks, 1959)“Being There” (Hal Ashby, 1979)Audio quotation:“Duck, You Sucker!” (Sergio Leone, 1971)

In today's episode, we are extremely honored to be joined by Gavin Scott, who is an exceptional British screenwriter, novelist, and broadcaster. Most notably, he was one of the extraordinary writers that worked with George Lucas to create several episodes of Young Indiana Jones. During this casual and compelling conversation, he discusses the importance of brainstorming during the early stages of screenwriting, his incredible collaboration with Terry Jones to create comedic espionage in Barcelona, and how he got inspired to create an iconic moment of incandescent rage during Indy's outrageous adventure to install a telephone. Opening music excerpt was composed by Laurence Rosenthal and is unofficially titled "Barber Shop"

Rod Arquette Show Daily Rundown – Wednesday, July 24, 20244:20 pm: Ned Ryun, Founder and CEO of American Majority joins Rod for a conversation about his piece in American Greatness about how it would help Donald Trump if those voting for him took advantage of early voting opportunities.:38 pm: Ingrid Jacques, a Columnist with USA Today joins the show for a conversation about her piece on how those closest to Joe Biden hid his condition, which did no favors for the Democratic Party.6:05 pm: We will listen in on Joe Biden's address to the nation, his first since he announced he was dropping out of the presidential race, where he is expected to discuss his plans for his remaining time in office.6:20 pm: Jennie Taer, Texas Reporter for the New York Post joins Rod to discuss her recent piece about the legacy of Kamala Harris as the nation's “border czar.”6:38 pm: Ron Mortenson, a Fellow with the Center for Immigration Studies, joins the show to discuss his piece on how Utah is a “stealthy” sanctuary state and is taking in illegal immigrants while denying “sanctuary” status.6:50: pm: Terry Jones, Editor of Issues and Insights, joins Rod for a conversation about a recent piece in the publication questioning whether recent events will mark the end of the road for the Democratic party.

Situational Football Series. 100 different guests talking about situational football.  Today's Guest: Terry Jones, Jr. OC, Wheeler (GA)Topic: 3rd & Long Offense

It's killer rabbits and k-nig-hts and coconuts as NostalgiaCast journeys back to medieval times for what is arguably the most quotable movie of all time, MONTY PYTHON AND THE HOLY GRAIL. Jonny and Darin try to keep their hysterics in check as they recount their favorite lines and sketches from the film, as well as the history of Monty Python and how Chapman-Cleese-Gilliam-Idle-Jones-Palin & Co.'s subversive meta-commentary comedy lives in the SOUTH PARKs, RICK & MORTYs, and DEADPOOLs of today.

A dragon, fearing that he doesn't exist, shares his concern with his friends the griffin, the unicorn and the sphinx. They can offer little to ease his worries but in the end, like Rousseau, he decides, someone imagines, therefore, I am.

Michael French of RetroBlasting joins us on a quest to Valhalla with Erik the Viking (1989) – Monty Python alumni Terry Jones' fantasy film starring Tim Robbins, Samantha Bond, Imogen Stubbs, Eartha Kitt, Mickey Rooney and John Cleese. This is the second historical adventure film from ex-Pythons we've covered this year that attempts to avoid treading on the comedy troupe's large coat-tails and trips rather spectacularly, stumbling out of the box office top 20 in under a week with less than $2 million on a $15 million budget. But is Erik's earnest quest to end the violent days of Ragnorok an overlooked rib-tickling masterwork or a tedious misfire? Find out! Follow us on Tiktok, Facebook, Instagram and maybe what's left of Twitter, if it's still functioning. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

Welcome back to A DREAM GIVEN FORM: A BABYLON 5 PODCAST... Hosts Luke and Baz welcome back guest Terry Jones to talk about the controversial 'The Long Dark'. Listen to the horrors of the solider of darkness, the trauma of past wars, and the even greater horrors of Franklin's Hippocratic oath as a Doctor - as they explore the good, the bad and the ugly of this season 2 installment... Host / Editor Baz Greenland Co-Host Luke Winch Guest Terry Jones Executive Producer Tony Black A Dream Given Form: Find us on Twitter: @ADreamGivenForm Find us on Instagram & Threads: @Adreamgivenformpod Find us on Mastodon: @ADreamGivenForm@toot.community Find us on Bluesky: @Adreamgivenform.bsky.social Buy The Triumph of Babylon 5: The Science Fiction Classic and its Long Twilight Struggles HERE Film Stories: Twitter: @FilmStories Instagram: @Filstoriesmagazineuk Website: www.Filmstories.co.uk Title music: Galactic Battles (c) Bonnie Grace via Epidemic Sound Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part of a series about movies from 1971. ***Referenced media:“The Muppet Show” (Jim Henson, 1976-1981)“The Benny Hill Show” (Benny Hill, 1955-1989)“Saturday Night Live” (Lorne Michaels, 1975-now)“The Critic” (Al Jean and Mike Reiss, 1994-1995)“The Simpsons” (Matt Groening, 1989-now)“Manhattan” (Woody Allen, 1979)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“The Wild Bunch” (Sam Peckinpah, 1969)“Straw Dogs” (Sam Peckinpah, 1971)“A Clockwork Orange” (Stanley Kubrick, 1971)“Wide World of Sports” (Edgar Scherick, 1961-1997)“Battleship Potemkin” (Sergei Eisenstein, 1925)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“The Big Doll House” (Jack Hill, 1971)“Jaws” (Steven Spielberg, 1975)“The Andromeda Strain” (Robert Wise, 1971)“Billy Jack” (T.C. Frank, 1971)“Plaza Suite” (Arthur Hiller, 1971)“Johnny Got His Gun” (Dalton Trumbo, 1971)“Escape from the Planet of the Apes” (Don Taylor, 1971)“Pink Narcissus” (James Bidgood, 1971)“The Beguiled” (Don Siegel, 1971)“McCabe & Mrs. Miller” (Robert Altman, 1971)Audio quotation:“Bananas” (Woody Allen, 1971)“Fog Horn SOUND EFFECT - Nebelhorn SOUNDS”, https://www.youtube.com/watch?v=1z1xvXDdjMU“The Stranger Song” by Leonard Cohen from McCabe & Mrs. Miller (Robert Altman, 1971), https://www.youtube.com/watch?v=VzcNu016Cbo 

Rod Arquette Show Daily Rundown – Tuesday, April 30, 20244:20 pm: Scott Hogenson, a contributor to Townhall joins Rod to discuss his piece about Joe Biden has already gone against his “Never Again” promise to fight antisemitism.4:38 pm: Terry Jones, Editor of Issues and Insights joins the program for a conversation about the Democrats' plan to steal the presidency for good.6:05 pm: Benji Backer, President of the American Conservative Coalition on his piece for The New York Times about how the Republican Party should be the one leading the fight against climate change.6:20 pm: USA Today columnist Ingrid Jacques joins Rod for a conversation about her piece on how Joe Biden's changes to Title IX will have devastating effects on women, the opposite of what the original law intended.6:38 pm: Madeline Osburn, Managing Editor of The Federalist, joins the program for a conversation about her piece on the cost-benefits of having a baby.

Rod Arquette Show Daily Rundown – Monday, April 29, 20244:20 pm: Jason Snead, Executive Director of the Honest Elections Project and Co-Chair of the Stop Ranked Choice Voting Coalition on his piece in The Hill about the ranked choice voting fad coming to an end.4:38 pm: Terry Jones, Editor of Insights and Issues joins the program for a conversation about a plan the Democrats have hatched to permanently steal the presidency.5:05 pm: Trent Staggs, Riverton Mayor and a candidate for U.S. Senate, won the delegate vote as the Utah GOP candidate at convention over the weekend and he joins Rod to discuss what comes next in his campaign.6:05 pm: Colby Jenkins nearly missed knocking out incumbent Congresswoman Celeste Maloy in the delegate vote but will be on the primary ballot for Utah's 2nd Congressional district and he joins Rod to discuss his performance at the convention.6:20 pm: Frank Mylar was the delegate favorite among the candidates for Utah Attorney General at convention, and he joins the show to discuss his campaign platform.6:38 pm: State Senator Mike Kennedy, a candidate for Utah's 3rd Congressional district seat, won the delegate vote at Saturday's convention and he joins Rod to discuss the victory and his campaign path moving forward.

Sam Horn is the CEO of the Intrigue Agency, a positioning/messaging consultancy, which helps people design and deliver TEDx talks, keynotes, funding pitches and one-of-a-kind brands.She is also the CEO of the Tongue Fu! Training Institute, a trade-marked communication skills approach, that teaches how to give and get respect at work, at home, online and in public.Sam is the author of 10 books including Tongue Fu!®, POP!, SOMEDAY is Not a Day in the Week, IDEApreneur, and Wash Post bestseller Got Your Attention?Her newest book Talking on Eggshells received a glowing Publishers Weekly review and endorsements from Marie Forleo, Jack Canfield, Lynn Twist, JJ Virgin, Dr. Ivan Misner (founder of BNI) and Whole Foods founder John Mackey who calls it “The course-correct for today's cancel culture.” Sam's work has been featured in dozens of publications including NY Times, Forbes, Fast Company and, Harvard Business Review. She has been interviewed on every major network including NBC, CBS, ABC, Fox, NPR and MSNBC.Fun Fact: Sam Horn and her Tongue Fu! team stumped the panel on the TV Show To Tell the Truth.Sam has had the privilege of speaking to more than half a million people worldwide from China to Chicago, Ireland to England, and for clients like Intel, Oracle, Accenture, American Bankers Assn.Sam co-founded the Business Book Festival (held at USA Today headquarters) and served as the Emcee and Executive Director of the world-renowned Maui Writers Conference for 17 years.She also served as the Pitch Coach for Springboard Enterprises which has helped entrepreneurs generate $27.8 billion (yes, that's a B) in funding – and has been brought in by NASA, TED FELLOWS and Richard Branson's NEW NOW LEADERS to teach public speaking/media training. Sam's LinkedIn Learning course has been translated into 6 languages and is used by organizations around the world, (e.g., Amazon, KPMG, Walmart,) as part of their communication – customer service – leadership training.As a consultant, Sam helps clients - including Terry Jones, Founder of Travelocity and Charlie Pellerin, Project Manager of the Hubble Telescope - get their books out of their head and into the world. Sheri Salata (Former Executive Producer of The Oprah Winfrey Show, Pres. of Harpo Productions and OWN) calls Sam “one of the bright lights and most accessible wisdom-sharers in our culture today.”Website: https://samhorn.com/LinkedIn: Sam Horn FB: Sam Horn's Intrigue Agency Insta: Sam Horn @samhornintrigueYoutube: Sam Horn Enjoy the visual here on Youtube

John Wilson talks to actor, comedian, broadcaster and writer Sir Michael Palin. A founding member of the hugely influential comedy troupe Monty Python's Flying Circus, he wrote and performed in its five television series and three feature films including The Life Of Brian. Other big screen credits include A Fish Called Wanda, Brazil, The Missionary and The Death of Stalin. Michael is also a globetrotting documentary presenter and bestselling author.Michael recalls the early influence of listening to radio comedy as a child, especially the absurdist humour of The Goon Show devised by Spike Milligan. Meeting Terry Jones at Oxford University in 1962 proved to be a life-changing event as the two soon started working on sketches together and after graduating were hired for David Frost's satirical television show The Frost Report. It was on this programme that the duo first worked with future Python members John Cleese, Graham Chapman and Eric Idle. Starring in Alan Bleasdale's 1991 ground breaking television drama GBH allowed Michael a departure from comedy but also set the bar high for future acting roles which he increasingly forwent in favour of writing and presenting documentaries, including a particular favourite about the Danish Painter Vilhelm Hammershøi.Producer: Edwina PitmanArchive :A Fish Called Wanda, Charles Crichton, 1988 Take It From Here, BBC Light Programme, 1954 The Goon Show, The Man Who Never Was, BBC Light Programme, 1958 Comic Roots, BBC1, 1983 That Was The Week That Was, BBC, 1963 The Frost Report, BBC1, 1966 Do Not Adjust Your Set, ITV, 1967 Monty Python's Flying Circus, BBC1, 1969-1970 The Meaning of Life, Terry Jones, 1983 Friday Night, Saturday Morning, BBC2, 1979 The Life of Brian, Terry Jones, 1979 GBH, Alan Bleasdale, Channel 4, 1991 The Death of Stalin, Armando Iannucci, 2017 Michael Palin and the Mystery of Hammershøi, BBC4, 2008

Episode 100 - Join host Troy Saunders as he celebrates the BAAS Entertainment Podcast's 100th Episode and 3rd Anniversary. Hanging out for the celebration is singer, songwriter, producer, actress, professor, entrepreneur, Grammy Award winner Ledisi!Ledisi has been a constant on the R&B and Jazz charts since 2001. Collecting several Billboard Top 10 albums and singles, 14 Grammy nominations (finally winning in 2021) and winning two Soul Train Music Awards.In this episode Ledisi and Troy  converse about how they first met over 20 years ago and how their friendship has lasted over the years. They openly discuss topics like Ledisi's humble beginnings, working with her long-time producer Rex Rideout, her current tour and new album, and the state of R&B today. Throughout the conversation, Troy selectively plays snippet of songs off of Ledisi's new album, "Good Life".Their love and mutual admiration for one another shines through. Troy tells the audience that "this is no casual relationship," and it is evident. Ledisi was at home as they laughed about past experiences and mutual friends. You feel like you are in the middle of something real, special and sincere.Several artists and industry insiders give congratulatory messages to Troy and BAAS Entertainment Podcast for three years and 100 episodes in support of independent artists. Heartfelt  messages from Helen Bruner and Terry Jones, Meli'sa Morgan, Gordon Chambers, Christian De Mesones, David Sosa,  Jay Ross the Boss,  Kevin Owens, and Grenique are all included.This is one celebration you don't want to miss. Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Luke Dunne, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT. This week, Terry Jones and Terry Gilliam's Monty Python and the Holy Grail. The legendary King Arthur sets about assembling a cadre of knights, and embarks on an epic quest to claim the Holy Grail. Hilarity ensues. At time of recording, it was ranked 154th on the list of the best movies of all time on the Internet Movie Database.

Terry Jones, John Cleese, Eric Idle, Michael Palin, Terry Gilliam y Graham Chapman. A algunos de vosotros estos nombres no os dirán nada, pero otros los habrán identificado en el acto como los componentes de Monty Python, uno de los conjuntos humorísticos más famosos del mundo. No todos están ya con nosotros, Graham Chapman murió hace más de treinta años y Terry Jones nos dejó hace poco, en 2020. Comenzaron su carrera a finales de los años sesenta en un programa cómico llamado Flying Circus que se emitió por la BBC durante varios años. De ahí pasaron al cine y entre finales de la década de los setenta y principios de la de los ochenta hicieron una serie de películas que se han convertido en verdaderos clásicos del humor. Títulos como “Los caballeros de la mesa cuadrada”, “La vida de Brian” o “El sentido de la vida” constituyeron éxitos de taquilla, fueron doblados a muchos idiomas y se convirtieron en películas de culto. Tras “El sentido de la vida” estrenada en 1983 dejaron de hacer cine y se separaron. Años más tarde volverían a reunirse para giras puntuales, pero siempre era durante poco tiempo. La última vez que actuaron juntos fue en el año 2014. Pero bastó con esas pocas películas para transformarse en un fenómeno mundial e ingresar al olimpo de los grandes humoristas como El Gordo y el Flaco, los Hermanos Marx o Abbott y Costello. Sus tres películas principales son tres obras maestras de la comedia y eso mismo es de lo que vamos a hablar hoy con Mónica, una de las contraescuchas más cinéfilas de El ContraPlano que no es la primera vez que se deja caer por aquí. Hace cosa de un año se pasó por el programa para hablar sobre otra comedia, “Con faldas y a lo loco” de Billy Wilder, esta vez el desafío es aún mayor porque no es una, sino tres películas las que vamos a ver. - "Los caballeros de la mesa cuadrada" de Terry Gilliam y Terry Jones - https://amzn.to/3SLmvdP - "La vida de Brian" de Terry Jones - https://amzn.to/3UoWiCQ - "El sentido de la vida" de Terry Jones - https://amzn.to/49l5e0s · Canal de Telegram: https://t.me/lacontracronica · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #montypython #vidadebrian Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

En este episodio de Back to the Movies! Luna Muscaria, Poppy_Dumpling y El Watcher conversan sobre "Labyrinth" (1986), película protagonizada por Jennifer Connelly y David Bowie, escrita por Jim Henson, Dennis Lee y Terry Jones y dirigida por Jim Henson. ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Apoya a William mientras le gana al cancer con tu donativo aquí: tinyurl.com/GoWillyGo ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/culturasecuencial/message Support this podcast: https://podcasters.spotify.com/pod/show/culturasecuencial/support

Nick Chrastil on the federal consent decree guiding the jail's construction of a facility called Phase III. Terry Jones from Floodlight on carbon capture and sequestration in the state. The post Behind The Lens episode 226: ‘The means to fight this' appeared first on The Lens.

Terry Jones, Founder of Travelocity and Co-Founder of Kayak, joins KRLD's David Johnson on this episode of CEO Spotlight.

Ryan shares a previous fun episode where he interviewed over 100 CEOs to learn how to grow a business like a VC-backed company without needing investors. In this episode, Ryan interviews Terry Jones, founder of Travelocity and Kayak, about innovation and disruption. Terry provides an origin story going from a travel agent start-up to American Airlines executive, then launching Travelocity and taking it public in the dotcom boom. He shares lessons on innovating within big companies, creating culture, celebrating failure, and more. Join 2,500+ readers getting weekly practical guidance to scale themselves and their companies using Artificial Intelligence and Revenue Cheat Codes.   Explore becoming Superhuman here: https://superhumanrevenue.beehiiv.com/ KEY TAKEAWAYS Culture allowing failure and having curious team members who take risks are critical for innovation Circulate ideas widely to get around negativity and old ways of thinking Deliver small product upgrades frequently to engage customers Use both old sales methods like dinner meetings and new video tools AI and new business models are revolutionizing industries today Top leaders must drive change by reaching down to celebrate innovation successes and failures BEST MOMENTS "At Kayak.com all the customer complaints went directly to the engineers. Give the pain to the people who cause the pain." “The company doesn't care how much effort you put into it. They only care what they get.” “Don't forget the old methods work too... Did you like call him? Did you go take him to dinner?" "If you fail, you get driven out. Well, kill projects, not people." Ryan Staley Founder and CEO Whale Boss ryan@whalesellingsystem.com www.ryanstaley.io Saas, Saas growth, Scale, Business Growth, B2b Saas, Saas Sales, Enterprise Saas, Business growth strategy, founder, ceo: https://www.whalesellingsystem.com/closingsecrets

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network continues its 133 college football team preview series with the Old Dominion Monarchs 2023 Season Preview. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down each and every game on the ODU Monarchs 2023 Schedule and key in on what games they need to win to get Old Dominion back to a bowl. The guys also break down the offense, defense, special teams and evaluate just how Old Dominion did in the transfer portal. Is this the year that Ricky Rahne turns ODU around and they compete for a Sun Belt Championship? Plus, Michael Barker aka (@CFBcampustour) hops on the show to talk about his experiences to Norfolk, Virginia and S.B. Ballard Stadium.Will it be Grant Wilson who gets the start for Old Dominion when they head to Blacksburg, Virginia to take on the Virginia Tech Hokies for Week 1? Can the running game improve with the likes of Ladarius Calloway, Obie Sanni and Tariq Sims? Should the passing game be elite with the return of Jordan Bly, Isiah Paige, Javon Harvey and Ahmarian Granger? Is tight end Isaiah Spencer a name to look out for on the ODU offense? Does returning only two starters on the defensive line stick out as a big red flag regarding ODU's 2023 season hopes?How will Blake Seiler have the ODU defense looking in 2023? Is Devin Brandt-Epps a name to watch out for on the defensive line? Is Jason Henderson ready to lead ODU at the linebacker spot? Can the secondary rise up with the likes of LaMareon James, Terry Jones, Shawn Asbury, JeCareon Lathan and Rasheed Reason? Will the kicking game be fine in 2023 with Ethan Sanchez and Ethan Duane both returning to the Monarchs? We talk it all and more on this 2023 Old Dominion Monarchs Season Preview edition of The College Football Experience.=====================================================Discuss with fellow degens on Discord - https://sg.pn/discordSGPN Merch Store - https://sg.pn/storeDownload The Free SGPN App - https://sgpn.appCheck out SGPN.TVSupport us by supporting our partnersCirca Sports - Enter their contests for a chance to win your share of $14 Million - https://www.circasports.com/Underdog Fantasy code SGPN - 100% Deposit Match up to $100 - https://sg.pn/underdogFollow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNTwitter - http://www.twitter.com/gamblingpodcastInstagram - http://www.instagram.com/sportsgamblingpodcastTikTok - https://www.tiktok.com/@gamblingpodcastFacebook - http://www.facebook.com/sportsgamblingpodcastYoutube - https://www.youtube.com/@TheCollegeExperienceFollow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicKWatch the Sports Gambling PodcastYouTube - https://www.sg.pn/YouTubeTwitch - https://www.sg.pn/TwitchRead & Discuss - Join the conversationWebsite - https://www.sportsgamblingpodcast.comSlack - https://sg.pn/slackReddit - https://www.sg.pn/reddit Learn more about your ad choices. Visit podcastchoices.com/adchoices