Podcasts about DJ Krush

Extraño sus letras misteriosas y su manera de ser tan cool. Extraño a Cerari Un Dilo Camilo con música de Cerati, Melero, Jorge Gonzalez, Chico Buarque, Macario Martinez, Mauro Samaniego, Esclarecidos, Dj Krush y muchos más.Escuchar audio

Solénoïde (14.04.2025) - Préparez vos tympans et vos rêves : Solénoïde vous convie à un périple sans passeport, une odyssée immersive au cœur d'un Japon qui ne figure sur aucune carte – celui des fréquences imaginaires, des pulsations ancestrales et des échos d'avant-demain.

In this episode, sound-designer Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.Chapters00:00 - Introduction01:32 - What Is Harmonic Distortion02:32 - Advances In Music Production Quality04:47 - The Introduction Of CD05:59 - Triodes And Pentodes Vacuum Tubes06:47 - Analysing Harmonic Content07:56 - Example 1: TR-808 Sub Bass10:35 - Example 2: Affecting A Whole Mix*12:39 - Example 3: Adding Saturation15:07 - The Benefits Of Tape17:26 - Example 4: Applying Tape Effects To A Bassline*20:59 - Example 5: Adding Tape To Beats23:47 - Example 6: Enhancing A Piano Track26:56 - Summary* Demonstration track ‘Puppet' (Examples 2 and 4), written, performed and recorded by John Walden. Vocals sung by Yvonne McKeown.#voxengospan #SummitAudio #T-RackS #Kraftur #Aphex #SSLEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Sydney Beat-Maker, Crate Digger, DJ & all-around legend DJ JUZZLIKEDAT doing it live at SOUL OF SYDNEY feat. OYOBI at SYDNEY FESTIVAL MOONSHINE BAR 2025 as the KATMA dance show afterparty. Closing out a dope dancefloor in style with a heavy dose of FUNK, SOUL, DISCO, HIP HOP & a touch of BBOY BREAKS with MC MIRRAH ON the MIC. Massive love to our bro, he was one of the first DJ's to get on board with our jams many years ago when we were just starting out.. helping out & giving us ideas and support and the confidence to do jams very early on. It was dope to see him doing his thing alongside Mirrah & closing out with a dope eclectic dancefloor. Big Love Soul of Sydney Podcast #423 has been streaming out of Redfern NSW since 2009. ABOUT JUZZLIKEDAT: DJ Juzzlikedat AKA JuzzOne was a keen collector of wax at 14 years old. Witnessing the evolution of Hip Hop, his passion for Funk and Jazz as a DJ inspired him to travel through the many era's of black music from the late 60's to more recent digital sounds. As a beat maker/producer he released an EP called “Let's ride” with Mark Del mar, features on Edseven's single released by Inner Tribe Records, and has released music on Spotify..He also plays bass and drums for the Blu Collective (Blu Collective Records). JuzzOne has been spinning records in Sydney for over 20 years. During this time he has supported international artists such as Roy Ayers, Omar, Stro Elliot, John Morales, Natasha Diggs, Sarah Love, Nickodemus, Oddisee, Doris, DJ Krush to name a few. He also had a weekly show mixing an hour of pure afro grooves on Skid Row Radio called "The Warm Up Show. Check out more of his mixes, production and more at https://www.mixcloud.com/juzzlikedat/ https://www.facebook.com/Juzzlikedat/ https://juzzone.bandcamp.com/ https://www.instagram.com/juzz0ne_aka_dj_juzzlikedat/

C'est depuis son quartier de Belleville à Paris que Kid Loco a composé son 7ème album, Concrete Islands, Lies & Vanités. Figure de l'abstract hip hop français - l'autre French Touch comme on l'a appelée - Kid Loco a connu le succès mondial en empruntant la voie ouverte par DJ Shadow ou DJ Krush. Pas mal pour quelqu'un venu du punk-rock qui avait lancé à 15 ans le label Bondage Records, maison de Ludwig von 88, les Washington Dead Cats et les Bérurier Noirs. Poursuivant sa route avec moins de guitares que dans les années 89 et plus de voix que sur son premier album, A Grand Love Story, il invite sur son nouvel album la Franco-Suédoise, Lisa Li-Lund, la chanteuse grecque Olga Kouklaki, mais aussi les légendes Lex Amor, Don Letts ou Horace Andy, voix de nombreux tubes de Massive Attack. Concrete Islands, Lies & Vanités est inspiré par la trilogie de béton, l'œuvre du romancier britannique James Graham Ballard. Kid Loco livre un disque riche des ses inspirations multiples en guise de réflexion sur nos villes et nos modes de vie moderne. Et aujourd'hui Kid Loco et Lisa Li-Lund sont les invités de Place des Fêtes.

For musicians and producers that struggle to finish tracks, Eddie Bazil explains the benefits of creating musical snippets and gives us some examples as to how we can tap into different moods, use sound design techniques to create something unique that becomes a useable addition to our musical catalogues and create pieces that stand the test of time.“Snippets and the creating of, serve to strengthen sound ideas, hone mixing and production skills, help to understand timing and flow, act as a testbed for song structuring ideas and are the playground for testing and mastering all manner of plug-ins”.Chapters00:00 - Introduction00:19 - What Is A Snippet?01:53 - The Benefits Of Creating Snippets04:26 - Planning Your Snippets06:07 - Sound Design06:53 - Example 1: Phased Pad17:33 - Example 2: Happy, Mood-Lifting 22:01 - Example 3: Drama And Tension#SoundtoysPhaseMistress #FabFilterTimeless2 #EventideBlackhole #SteinbergGrooveagent #GforceimpOSCar3 #WavesOvoxVocoder #SteinbergHalionTrip #RobPapenAlbino #Kontakt #NIMaschine2 #AirHybrid3Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts Get a print or digital subscription to Sound On Sound magazine.

Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late 80s to early 90s, the development of the Drum & Bass sound and setting up the Full Cycle and Dope Dragon labels with Roni Size.Chapters00:00 - Introduction01:28 - Early Influences And Getting Started07:28 - Getting Immersed In Rave08:45 - Launching A Label10:23 - Learning The Equipment12:12 - Jungle DJ / Producers16:11 - Creating A Sound Palette17:58 - Making Use Of Hardware19:52 - Preparing A Track23:23 - Dealing With Burnout28:20 - Helping Musicians31:06 - Crafting The New Album41:15 - The Current Jungle / DnB Scene48:36 - Current And Future ProjectsInterviewee BiogBristol-born b-boy Kirk Thompson is best known as DJ and producer Krust, an artist whose ideas and frequencies rumble and resonate deep within jungle's DNA. With an indelible legacy as a key figurehead in the Bristol sound, he has never compromised since emerging in 1989 as a member of Fresh 4. As a founding member of Full Cycle, the first non-London label to truly mould and manipulate the jungle schematic, and Reprazents, one of the first D&B acts to infiltrate the popular psyche and win critical Mercury Music Prize acclaim, his designs continue to help shape our understanding of what drum & bass is.He is regarded as one of drum & bass and jungle's founders and pioneers noted for his unique musical style. Epic experimentalism of Krust's  can be heard in his 1997 single ‘Soul In Motion' and similarly ground-breaking ‘98 single ‘True Stories' for Talkin Loud. An in-demand remixer, Krust has reworked tracks for Bjork, Korn, Moloko, Claude VonStroke, DJ Krush, Adam F, Shy FX, Alex Reece, DJ Ron, DJ Rap and many more. His recent album entitled Edge of Everything was released in 2020 on Crosstown Rebels and received critical acclaim. It was nominated for a album of the year with AIM Award and DjMag.In addition to making music Krust has helmed Adapt The Canvas, a lifestyle coaching consultancy that holds workshops and seminars giving advice on time management, overcoming personal challenges, creative thinking, wellness and the development of the working mindsets, which have taken place in music colleges, universities and The Barbican, London. His Weekly podcast Conversation for Creatives reaches a global audience of creatives and can be checked out on his Instagram and Spotify profiles.https://crosstownrebels.bandcamp.com/album/the-edge-of-everythinghttps://www.instagram.com/dj_krust/https://podcasters.spotify.com/pod/show/adaptthecanvasCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Eddie Bazil gives us more pointers on constructing beats, incorporating useful tools such as Drum Replacement Software and pre-constructed Loops, then adding enhancements using timing, pitch and other processing tips.Chapters00:00 - Introduction00:33 - Drum Replacement Software01:41 - Example 1: Using Hit'n'Mix RipX DAW 05:41 - Example 2: Making Loops Your Own11:36 - Example 3: Enhancing A Kick With Pitch And Timing Track credit for example 1: Ice Box featuring Omarion, produced by Timbaland - https://en.wikipedia.org/wiki/Ice_Box_(song)Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/

In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you to achieve more bounce in your drum beats, by adding syncopation, swing and dynamism.Chapters00:00 - Introduction00:20 - A Quick History Of Beat Production01:07 - Early Programmable Drum Machines04:33 - Defining A Good Beat05:15 - Example 1: Shifting The Snare To Drive A Beat07:55 - Example 2: Altering Dynamics And Note Durations10:51 - Example 3: Adding Urgency With A Backbeat 12:37 - Example 4: Creating Swing With The Hi-Hats Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/

春天终于来啦！经过冬天的萧条，终于到了春暖花开、万物复苏的时候，当然就想到户外感受这复返的生机。不管是户外跑、露营、骑行、徒步溯溪……只要去没有天花板的地方，和大自然接触、补充能量，身心状态都可以和春季的到来一起恢复活力。当然，最好是和音乐一起出门 :)今年的春天限定歌单，主题就是分享我在户外活动的时候，喜欢听的一些音乐。希望能通过这期节目，不仅用音乐来陪伴你，共同迎接美好的春天，还能唤醒你多到户外走走或者运动的热情，一起更好地享受生活！*本期节目由【MoveFree 益节】赞助播出

你到目前为止印象最深刻的 live，是哪一场？对于乐迷们来说，音乐现场不仅是和心爱的音乐人的一场相聚，它同时也会酝酿出一些难忘的情绪时刻。比如和爱人一起看过的一次演出、和朋友在音乐节的小型party 、或者是属于独自一人的内心狂欢……经历过的人都明白，我们都在演出的现场，与台上的音乐人、一同看演出的人，一起用音乐去构筑重要的回忆。这次，我征集了一些听众朋友们的记录，想和你分享一些私人的「难忘现场时刻」。我相信每个人都有属于自己的精彩经历和情绪，分享彼此的感动，更能让这样的一期节目有所意义。希望通过这期节目，让我们一起，去找回现场音乐让人们感动的原因还有时刻。

Eddie Bazil dives into some of his favourite plug-ins and gives us a series of examples on how to use these tools creatively for designing unique and interesting beats, sequences and mixes. Chapters00:00 - Introduction00:21 - What Makes A Tool Creative?03:25 - Example 1: A Cinematic Piano Effect07:03 - Example 2: Creating A More Dynamic Beat10:19 - Example 3: Sequencer-Based Multi Effects On A Drum Beat13:26 - Example 4: Reshaping A Musical Sequence 21:21 - Example 5: A Sound Design Exercise Credits‘Puppet' track written, performed and recorded by John WaldenVocals by Yvonne McKeownEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

DJ Krush & Mos Def - Light (Can You See It) Digable Planets - Blowing DownArrested Development - Ease My MindDJ Spinna - Intergalactic Soul feat.Phonte of Little BrotherAsheru & Blue Black - Elevator MusicThe Pharcyde - Otha FishOrganized Konfusion - WhyA Tribe Called Quest - If The Papes ComeThe Roots - Quicksand MillenniumBahamadia - Good Rap MusicBahamadia - UKNOWHOWWEDU (Rob One's Bring It Back To Philly B-Boy Mix)Buscrates - Floating In The WindKarriem Riggins - Double TroubleKassa Overall - Going Up (feat. Lil B, Shabazz Palaces & Francis and the Lights)Reel People & Paula Vibe (Moods Remix)Big Jacks feat. Angela Apigo - You Plus MeThe Sindecut & Ijeoma - Different (Radio Edit)Little Dragon - KennethPOOLS - Penwick PoolEmanative, Liz Elensky - Fall In To Me (Alternate Version)New Sector Movements - These Times (ft Allysha Joy)O'Donel Levy - People Make the World Go RoundCaptain Planet - Music Is MedicineRunning Loving Something - I Love The FeelingKingsley Ibeneche - InfiniteBala Desejo - Muito SóDavid Walters - Don't UQuantic - Run (feat. Andreya Triana)Shades Of Love - Keep In Touch (Body To Body)CHIC - My Forbidden Lover (Dimitri From Paris Remix)Opolopo - Mr Zog's Sex WaxReel People feat. Vanessa Freeman - Butterflies (Emmaculate Remix)Tigerbalm - Nina feat. FarafiSammy Bananas - Enormous Room (Bad Colours Remix)WheelUP - Singularity feat. Abacus & Steelo________________________Special Guest:  SEEPS (all vinyl dj set)Mr. Fingers - On A Corner Called Jazz (Ultra Ambient Mix)D.O.P. - Oh Yeah (Murk Boys Mix)Frankie Knuckles, Feat. Adeva - Too Many Fish (Morales D-Max Mix) Soul II Soul - People (Timmy Regisford 12")Malcolm McLaren And The Bootzilla Orchestra - Deep In Vogue (Banjie Realness) Three Generations - Get It Off (Underground Mix)Ultra Naté - How Long (Mood II Master Mix)Modjo - What I Mean (Mood II Swing Vocal Club Mix)Eli Escobar - Happiness Pt 2Musiq - Love (Shelter Vocal)95 North Production - The Journey (95 North Metro Mix)Rachid - Pride (Mood II Swing's Remix)Voices - Voices In My Mind (Minimum To Maximum Effect Mix) Cannonball Adderley, Rick Holmes, The Nat Adderley Sextet - Cancer

新歌听什么？听歪波速报！每个月听过大量新歌之后，我都会以主观喜好以及私人品味来从中精选作品分享给你，并将节目分为「华语」与「非华语」两个部分。希望你能从中遇到喜欢的作品 :)以及欢迎你在评论区跟大家分享你最近喜欢的新歌！

这期节目和你一起享受 FKJ 的作品。他来自法国巴黎，是一个多种乐器的演奏家、歌手、和音乐人。曲风融合 Funk、Nu Jazz、Soul 以及 Nu French House。他在舞台上一人包办吉他、键盘、萨克斯风、贝斯的现场演奏，再用电子控制器操控 Loop 和音效，仿佛有三头六臂。他的音乐中带有温柔、迷幻、性感的气质，多种不同的风貌，让他的音乐适合在任何场景中播放。希望你会喜欢这期节目 ;)

DJ Moya drops heavy jewels from underground kings Rome Streetz, Daniel Son, DJ Krush, Dilated Peoples and more. Plus an all-element assault from bboy Wicket, a funk freakout with Jéroboam, and Nawlins hotsauce from Lee Dorsey & Professor Shorthair. View the full playlist for this show at https://www.wefunkradio.com/show/1160 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

她的音乐是华语乐坛中非常独特的存在。在许多作品如同大量添加了工业糖精的罐头，成为速成、易得、企图心很强的油腻消费品的时候，窦靖童的歌，却纯真得就像是新鲜水果。原生、不迎合、不故意挑动听众情绪。这是现在非常少有的，一种真正的松弛感和表达。最近窦靖童发布的新专辑《春游》获得了比以往都要大的关注，我身边几乎所有乐迷们都在讨论这张新专辑。借着这个机会，我想来聊聊窦靖童的音乐。本期节目前半部分将会回顾她的音乐之路，看看她是如何成长的；后半部分，将会是我对窦靖童新专辑《春游》的解析与看法。*本期节目由知名 音频集团 Focusrite 旗下 Vocaster 系列声卡录制

Eddie Bazil demystifies Compression and Expansion with a detailed explanation of their uses and with a range of practical examples using plug-ins. Chapters00:00 - Introduction00:22 - Compressors And Expanders Explained01:33 - Compressor Behavioural Types02:40 - Common Compressor Topologies06:06 - Example 1: Boz Digital Manic Compressor On Drums10:26 - Example 2: FabFilter Pro MB On A Synth Line13:28 - Example 3: PreSonus Studio One Expander On A Drum Beat15:26 - Example 4: A Drum Beat Using Different Topologies20:24 - Example 5: Using Sidechaining On Reverb 23:28 - Example 6: FabFilter Pro MB On A Vocal Line27:16 - Example 7: Sidechain Compression And Expansion To Create Texture And MotionCreditsExample 6 - The song and the poem are both called Everyone Sang. The poem was by Sigfried Sassoon and was set to music and performed by Anne Gregson.www.annegregson.co.ukRecorded at www.mrpunch.infoEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

New album recommendations from show-favorite Quaker City Nighthawks, up and comer metal group Idle Hands, and NYC punk group Show Me the Body.Plus happy songs from James Blake, a duet from country legends Willie Nelson and Merle Haggard, and a hip-hop DJ mix from DJ Krush.Here's the album recommendation list from the show:Idle Hands – Mana (2019)James Blake – Assume Form (2019)Quaker City Nighthawks – QCNH (2019)Show Me the Body – Dog Whistle (2019)Willie Nelson and Merle Haggard- Django and Jimmie (2015)DJ Krush – Code 4109 (2000)Hope you enjoy and thanks for listening!

As broadcast October 9, 2022 with plenty of delay due to unforeseen internet melodramas.  Apologies on the late post for this one, as Danno had a bit of a long-term fix going on with his internet access at home over the weekend.  This Sunday we put the spotlight on one of the true originals in DJ culture, and a guy who has been at it for decades now in DJ Krush.  His style of mixing and scratching is something that is truly unique in the DJ world, bringing a cinematic and ambient-oriented brand of zen to the hip-hop style that is both entrancing and fascinating.  This Sunday we presented two live mixes he did in Japan and at Sonar in Spain to showcase a genius and master of the game behind the decks.#feelthegravityTracklisting (st:rt)Part I & II (00:00)DJ Krush Live at MUSO Cultural Festival Japan, 2021Part III & IV (61:18)DJ Krush Live at Sonar Barcelona, 2019

在《披荆斩棘的哥哥》节目中看到任贤齐唱《伤心太平洋》，全身都起鸡皮疙瘩了。重新去找他的歌来听，越听越激动，还跟着唱了起来——于是决定做这期节目，跟大家分享任贤齐的歌当中我最喜欢的几首。这些歌都是他传唱度极高的作品，也是小时候我听得最多、受影响最深的歌，每每听到都会回到童年，感受到一种别样的亲切感和温暖。这期节目，希望也能带你回到那个青葱岁月。欢迎收听 :)

有人说，这个时代传唱度和热度最高的歌曲正在抖音上诞生，它们被称为「爆款歌曲」，它们出现又消失，每次都能抢占人们的耳朵。我产生了一些好奇，它们是不是可复制的？在抖音上制造一首爆款歌曲，和别的平台有什么不同？更关键的是，那些唱火了爆款歌曲的音乐人，他的故事是怎样的，抖音对他来说又意味着什么呢？为了解开疑惑，这期节目请到了一位音乐人嘉宾，有人说他是「爆款歌曲制造机」，但在认识他之后我发现，其实他是个有点害羞内敛的男生而已。这期节目，就来听听我和他都聊了些什么吧！欢迎收听。

天才和疯子，这两者也许并没有差别。这期节目，聊聊 Kanye West。

夏天总让人想起海岸边的泡泡与热烈的海风——这样的氛围下，我更喜欢听 Stnth-Pop，因为合成器的暧昧声音能够把炎热浓郁的爱和快乐都释放出来！擅长这种风格的乐队有很多，国内有一支「海妖乐队」能够给我更多夏天的舒适感受！这期节目，海妖乐队来我家做客啦！我们聊聊海妖和小老虎合作的新歌《海岸日记》，还聊了他们组乐队以来各种有意思的经历和趣事。让我们一边伴随海妖的音乐，一边聆听这期节目吧 :) ！

Matt Graunke is a brother and a son and an uncle and a cat lover. He's also been one of my best friends for nearly 40 years, and in this installment of Badass Records, we talked about life in Lawrence, KS, relationships with our homeboys, the Kansas City Chiefs, and the Beastie Boys.Although we didn't do Licensed to Ill half of the justice it deserves, it was a fantastic hang, nonetheless.Funny story about Matt: When it came time for my ex-wife and I to tab our wedding-party members, we not only narrowed it down to eight; we also paired which girls would walk with which boys, and the only hubbub that arose from our decision was which of my sisters would traverse the aisle interlocking arms with today's guest; "I wanna walk with Matt" became a line that would live in infamy.So, if you're on a mission to find an awesome human who serves as an example of how one should treat others, look no further than Graunk'. And, yes, he's the original. Tom Brady's partner in crime holds zero candles to my bro' from 1985.Many thanks to those of you who have listened or viewed previous episodes, and to those who're just now jumping in, welcome. We're happy to have you.copyright disclaimer: I do not own the rights to the intro/outro audio tracks. They contain samples from Little People's "Above the Clouds" (from their 2006 album, Mickey Mouse Operation), c/o Illicit Recordings, and DJ Krush's "On the Dub-ble" (from his 1994 album, Krush), c/o Shadow Records.

哥的新歌我听了！你呢？周杰伦最新作品《最伟大的作品》MV 一发布便成为全网热议的话题，也勾起我这个老歌迷的各种回忆。这期节目，简单聊聊这首新歌的听后感，再和你一起回味从第一张专辑开始，周杰伦所带给我的那些感动、美好和思考，希望你会喜欢，甚至也希望你会和我有一些小小的共鸣。更欢迎你评论留言，分享周杰伦对你产生什么样的影响，或者你最喜欢周杰伦的那首歌。欢迎收听 :)

「The Blues is the roots and everything else is the fruits.」蓝调音乐作为几乎最有影响力的及种音乐风格的「母亲」，存在已经有超过 100 年的时间。但鲜少有人知道蓝调的起源究竟是什么样的？它如何出现？为何出现？有什么特点？这期节目，将会从历史的角度来和你聊聊，蓝调音乐的起源是什么，因此，你将会听到一些原始的录音，以及最古老的蓝调。欢迎你的收听 :)

这期节目和大家分享来自日本的乐队 ONE OK ROCK（简称 OOR）。到目前为止，让我成为「追星族」的乐队只有两个：五月天和 OOR。在很长一段时间里，OOR 也是我的精神支柱，当疲惫、失落的时候， 是他们的音乐让我可以接着向前走，往前努力。这期节目，我会从时间脉络来介绍 ONE OK ROCK 的作品，还有他们成团的故事。并且聊一下我为什么喜欢他们，也会聊聊关于他们转型之后引起的一些讨论和争议，我是怎么想的。欢迎你的收听，希望你喜欢他们的作品 :)

现在的流行音乐，正在变得越来越悲伤和愤怒，我们能从很多音乐作品中观察到社会情绪。正因如此，反过来还能够赋予作品独特意义，甚至能此或多或少反映、推动一些社会问题。这期节目，从「愤怒」的角度来切入，分享 6 首我认为有这种特质的歌曲和音乐人。

这期节目为你带来我私藏的 6 张专辑，希望你能从中遇到自己喜欢的音乐。:)

摸鱼，对抗资本主义压榨的绝妙方式！这期节目和你分享几首我在摸鱼时候会听的歌，一起来愉快摸鱼吧 :)

从两年前就开始出现的一个问题：这个世界还会好吗？我觉得至今好像仍没有答案。面对现在这个世界巨大的不确定性和自身的无力感，我想继续分享音乐，来安抚一些不安和绝望的情绪。我相信我们都需要这样的安抚，也相信我们都可以用音乐来自愈。这期节目，我挑选了让我感到疗癒、感到被安抚的几首歌，想要分享给你。生活仍要继续，坏情绪和坏事情我想终究会是暂时的，希望这期节目能让你感到好受一点。

Chapters00:00 - Introduction00:56 - The First Filters02:23 - Modern Filters04:37 - Example 1: Filtering A Triangle Wave Into A Sine Wave06:15 - Example 2: Using Self-Oscillating Filters To Generate Tuned And Tracked Tones07:27 - Example 3: Adding Movement To A Sub Bass11:44 - Example 4: Filtering A Drum Beat 14:45 - Example 5: Using Resonant Filters On Beats 17:34 - Example 6: Creating Texture With Formant Filters Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

久违的华语专辑推荐来喽！分享 6 张最近我觉得不错的专辑，希望你能遇到自己感兴趣的音乐。如果喜欢的话记得找整张专辑来听，欢迎收听 :)

千呼万唤始出来，这期节目和大家分享苏打绿、鱼丁糸的作品。从第一张专辑开始回顾，简述这个我最爱的华语乐团之一的经历，并且分享、赏析一些「相对冷门」的作品（也就是说你肯定不会听到《小情歌》），我也会简单聊聊我为什么这么喜欢他们的原因。希望听完这期节目，你可以认识到一个可能是「你所不认识的苏打绿和鱼丁糸」，或者回想起那个青春年少的时光。:)

3 月 21 日是国际睡眠日，趁着这个节日，我想和你分享我失眠的时候会听的音乐，用音乐与你一起面对失眠。失眠的感觉是绝望无助且孤独的，所以我希望这期节目可以让你在失眠的时候，获得一些陪伴，缓解一些焦虑，获得一些安宁，睡一个好觉。（本期节目由潮汐 App 赞助播出）

这是一期从头抖脚抖到尾的节目。80 年代，一群追求新鲜活力的音乐人，继承了朋克的先锋、自由与反叛，大量使用合成器，将他们的音乐改造得更容易被大众接受，发展出一种更加朗朗上口、十分适合跳舞的音乐，影响了英国、美国甚至是全世界。这期节目，要分享的就是这一波「新浪潮 New Wave」。节目内我会尝试给新浪潮一个简单的定义，然后聊一聊新浪潮的历史脉络，并播放一些有代表性的乐队和歌曲，让你可以更加深入了解新浪潮音乐的样貌。希望你会喜欢 :)

「傻子与白痴」一直是我很喜欢的新生代乐队，他们在 24 岁的本命年谱写出了新专辑《Year Of Fate》，呈现出了与第一张专辑《夜长梦少》完全不同的音乐。听完这张专辑，我惊讶于他们的这种变化——这是我喜闻乐见，但也许是比较危险也更为费力的尝试。为什么有这样的变化？为了解答这个问题，我邀请到了傻白的主唱蔡维泽以及《Year Of Fate》专辑的音乐制作人陆希文，聊了聊这张专辑的创作和制作过程。专辑里面的歌曲，蔡维泽和陆希文会有什么样的解释，有什么样故事？结束不久的巡演，他们又有什么样的心得体会？对于所谓的「音乐」，他们又是怎么去理解的？欢迎收听 :)

你想过吗？猫咪们能为人类带来的不仅仅是「可爱」，甚至还能带来一些反映人与人关系的启示。和猫咪火龙果、陈沙茶的生活，让嘉宾小张看到了猫的独特性格和各种奇异行为，在几年间写出了 10 首好听的「猫歌」。这期节目，我们想让你听听几首好玩有趣又真挚感人的「猫歌」。当然，我们也聊了聊这几首「猫歌」的创作和内容——如果你也是铲屎官，说不定会产生很多共鸣。欢迎收听，希望你会喜欢 :)

祝我们和你们，情人节快乐 :)

现在拿到一张专辑，我们都能看到幕后工作人员的名字。这些人代表了在音乐制作过程中所会涉及到的工种——而当中有一种叫做「音乐企划」。他们默默孕育了一张张精彩唱片，尽管不为人所知，但作为隐身在幕后的推手，却是一张唱片中不可或缺的一部分。正因为他们，我们这些听众才能听到那么多唱片和美妙的音乐。这期节目，邀请到了来自「看看月亮」的两位合伙人，一起聊聊——到底音乐企划都在干些什么？和音乐人、听众之间的关系是什么样的？除此之外，我们也会分享从「企划」角度上来说做的特别好的专辑。欢迎收听。:)

蛋堡的歌陪伴了我的青春岁月，承载了我很多的回忆，更是我认识 Jazz Hiphop 的一个起点，构成了我审美的一部分。对我来说，蛋堡是一个很重要的音乐人。事实上对于整个华语的 Hiphop 历史来说，他同样重要。当蛋堡拿起去年金曲奖的大奖奖杯，华语 Hiphop 也进入了下一个阶段。他有着独树一帜的风格，写词如写诗，是细腻的生活观察者、华语爵士说唱的开拓者。这期节目，我想从时间线来和你分享他的音乐，如果你早就是他的歌迷，我们就一起来回顾他的音乐盒我们的青春回忆；如果你对蛋堡并不熟悉甚至完全不认识，也没关系，我们一起来认识这位我心中最棒的华语 Hiphop 音乐人（没有之一），希望你也会喜欢上他。:)（

有一阵子心情总是起起伏伏，焦虑、心烦、自馁、彷徨……一直以来，我总是以情绪主导生活，于是发生很多迷茫——总觉得，生活是不断下陷的一个过程。虽然这种迷茫也渐渐地随著年纪增长而减少，但还是会有让人心烦意乱的事情和情绪总是发生。我想我们仍需要一些被安抚的时刻。这期节目，挑选了给我治愈感的 6 首歌，分享给你。如果你也有需要，希望这些歌曲可以一定程度上安抚你焦躁不安的心，平复起起落落的情绪，甚至缓解因身体疼痛所带来的心裡负担。接下来，请尝试跟著音乐到达一个空间与时间都完全属于你的世界。

我很少在歪波音室正儿八经地聊关于自己的事情，包括我的生活、经历、故事，我可能比较羞于表达这部分的自己。但在这期节目，你可以认识到我比较不一样的一面。这是一期是我去播客「时差档Jetlagger」串台的节目，感谢时差档的主播 meng 和罗伊的邀请。我们聊了我现在的生活，也聊了以前的职业经历、2022 年的一些规划，当然也有很大一部分内容，是在聊我的音乐启蒙、听音经历还有 Vibration 歪波音室的前世今生。值得一提的是，这期节目并不是只有对话，一样有音乐可以听。我在一些话题当中，也用了一些歌曲来做形容还有分享。感谢时差档愿意做这样的形式，让两档节目真的融合到了一起的感觉，非常有趣。也希望大家可以去订阅时差档这个节目，meng 和罗伊其实都是蛮有意思的人，最重要的是他们也都是很认真在做节目的，希望你也会喜欢他们的节目。本期节目音频剪辑与后期、节目封面，皆由播客节目「时差档」提供，推荐你订阅这档节目！

2022 年的第一期节目，为你带来我私藏的 6 张专辑，希望你能从中遇到自己喜欢的音乐。:)

一年一度的音乐专辑盘点终于来了！历时 3 周的精心整理，从今年我比较喜欢的 271 张专辑当中，极为痛苦地挑选出了最喜欢的 11 张，分享给你。（小提示：此次盘点谢绝客观，绝对主观，排名不分先后。）整理过程虽痛苦，但我也更加清楚地知道，现阶段的我更喜欢听什么样的音乐。这 11 张专辑的风格涵盖流行乐、R&B、灵魂乐、Hiphop、地下摇滚、民谣、世界音乐、实验音乐、爵士乐、前卫摇滚……精彩绝伦。希望你会喜欢 :)2021 年即将过去，感谢你还在和我一起听音乐，感谢你依然聆听 Vibration 歪波音室，希望来年能继续陪伴你。我们来年再见。

来填坑啦！灵魂乐那期节目中提到会聊聊 Neo Soul，这一期节目就和你分享这个充满着激情魅力的音乐风格。Neo Soul 是什么？和传统的 Soul 有什么区别？它「Neo」在哪里？除了简单回答这些问题之外，我还通过时间脉络，从起源、发展、鼎盛这三个时期，挑选了一些经典的专辑和歌曲分享给你。欢迎你的收听 :)

On this episode of DOD45 Tai chats with hip-hop producer Factor Chandelier and draws him a picture of Factor's dog "Pirate". In this episode Factor and Tai discuss Factor's upcoming albums East Lake and First Storm, releasing them as a double due to the time loss via the pandemic. They also discuss the complications of border crossing U.S. & Canada, the reasoning behind going from Factor to Factor Chandelier, how Factor's particular sound has become what it is today, a recent flooding of his studio, resulting in his album Eastlake, preparing for another album with Ceschi & getting pulled over in Utah back in the day causing a tremendous amount of stress. They also discuss things like Eddie Murphy, Roddy Rowdy Piper, the Regina & Saskatoon feud, his song Wisdom Teeth being used in an Oakley commercial with Action Bronson voice-overs, how he ended up with Fake Four, his distaste for onions, interventions, being a good homie & so much more. Sophie's Choice questions from this episode include: Ghost Dog or Ghostbusters? Killer Mike or Open Mike? DJ Krush or Cut Chemist? Hoodie or Bunny Hug? Bowling or Biking? Beastie Boys or Geto Boys? Tai's shirt in this episode: https://store.strangefamousrecords.com/products/sage-francis-escape-artist-t-shirt?_pos=1&_sid=1d576e25a&_ss=r Prints of the Factor Chandelier's dog "Pirate" are available here Pertinent links from the episode: Factor Chandelier bandcamp Sad, Fat Luck Oakley Commercial featuring Factor's song "Wisdom Teeth" Eastlake album First Storm album Become an ArtByTai collector Theme music by Nalei from her debut album "13" --- Send in a voice message: https://podcasters.spotify.com/pod/show/artbytai/message Support this podcast: https://podcasters.spotify.com/pod/show/artbytai/support

日本 80 年代末顶级 Hip-Hop 组合成员；比 Trip-Hop 三巨头之一 Portishead 更早被贴上神游舞曲 (Trip-Hop) 标签的 Trip-Hop 宗师；被称为「与 DJ Shadow 是两位在世界版图一东一西最先锋的实验 Hip-Hop 大师」；将日本电子音乐推向世界的第一人；第一位现场演出使用唱盘与乐队即兴的 DJ……如此多头衔的 DJ Krush，每一次的作品发行都重新定义了亚洲电子音乐，通过音乐将东方美学传递至全球，为日本乃至亚洲的电子音乐世界带来更多的可能性。这期节目，向你分享 DJ Krush 的音乐故事和专辑，希望你会喜欢 :)