Podcasts about Alabama Shakes

The Marinade is a free-flowing conversation about the creative process with creative people. Each episode we welcome musicians, actors, comedians, authors, visual artists, filmmakers- anyone who creates art to talk about how and why we make stuff. This is Jason's Journal coming at you live from Bonnaroo 2026! Alabama Shakes! Kesha with Margo Price! Freddie Gibbs and The Alchemist! Weird Al! We are having a blast out here on The Farm and we are brining you with us. This is Jason's Journal from Saturday, 6/13/26. Stay tuned for more stories from the rest of the weekend! Support The Marinade on Patreon: http://patreon.com/marinadepodcast

Txetxu Altube aprovecha el año sabático - sin carretera - y creativo de Los Secretos y se arranca con su gira propia en solitario con nuevas canciones que hoy nos presenta. Y también recibimos a Julio Martí para hablar un año más, y van diez, de las Noches del Botánico. ¿Danny Elfman? ¿Silvana Estrada? ¿Love Of lesbian? ¿Pat Metheny? ¿Alabama Shakes? ¿Rubén Blades ¿Chic?  DISCO 1 DANNY ELFMAN Intro (Tittles) (EDWARD SCISSORHANDS 1990) SALUDO A JULIO MARTÍ Y TXETXU ALTUBE DISCO 2 ALABAMA SHAKES Hang Loose (BOYS AND GIRLS 2012) DISCO 3 OMD Enola Gay (ORGANISATION 1980) DISCO 4 SILVANA ESTRADA La Corriente (MARCHITA 2022) DISCO 5 JEFF GOLDBLUM & THE MILDRED SNITZER ORCHESTRA ft. ARIANA GRANDE I Don’t Know Why (I Just Do) (STILL BLOOMING 2025) DISCO 6 TXETXU ALTUBE Final feliz (2021) DISCO 7 TXETXU ALTUBE Dèjâ Vû (2023) DISCO 8 TXETXU ALTUBE Con uno Menos (2025)Escuchar audio

这期是临时的单人节目。 疫情时期一时兴起，企划了系列单人节目，在书架上挑一本书，用书名当做主题，选曲不像平时那样紧扣主题，而是非常松散、非常随性，如果我不跟你讲解，你应该很难想到歌曲与主题的关系。这次选中的书，是卡森・麦卡勒斯的《没有指针的钟》。 这本小说是作者的收官之作，写美国南方小镇，写种族融合前夜普通人的困境、孤独和命运。它应该是没有激烈的戏剧冲突，因为我虽然读过，但已经完全忘记了具体人物和情节。 本次节目与小说的背景和内容毫无关系，我只是在想象“没有指针的钟”可能是什么样子。它可以是错乱的、失效的、混沌的，也可以超越时间的。那么，就让我们来听听这八首歌，是否能激起你有关“没有指针的钟”的想象。 *** 本期歌单 1. P-MODEL – 論理空軍 @ 音楽産業廃棄物 ~P-MODEL (1999) 2. Unknown Mortal Orchestra – Ministry of Alienation @ Sex & Food (2018) 3. Alabama Shakes – Be Mine @ Boys & Girls (2012) 4. sususu – when we fall in love @ 『Flying to Nowhere but Your Dream』 (2015) 5. Ent – Perfect Light @ ELEMENT (2017) 6. 中岛美嘉 – indigo @ Tough (2017) 7. 岳璇 – Faraway (WISEFAKE Remix) @ Entrance & Exports Remix Project (2016) 8. Clock Opera – Belongings @ Ways To Forget (2012)

On this episode of RITY... The Featured Five Theme is Car Trouble: Songs that mention some sort of car-related issue in the lyrics... Also, Norman Greenbaum explains the process of writing his big hit from 1970... What do people from Vermont call the period between Halloween and the winter snow?... We know Tommy was the deaf, dumb, and blind kid, but why was he the pinball wizard?... What Joni Mitchell song was inspired by her first trip to Hawaii?... New music from The Rolling Stones, Goose, Linda Perry, and Kirk Fletcher... Deep cuts from Steely Dan, M. Ward, Jose Gonzalez, Alabama Shakes, The Beatles, and much more! For more information on the show, visit reelinwithryan.com

These episodes of #thePOZcast, live from Transform 2026 in Las Vegas, are proudly brought to you by our friends at Overalls What if your employees had one central hub to handle real life? Meet Overalls. A smarter way to support your team, combining expert human LifeConcierges™ with AI to solve everyday challenges across healthcare, caregiving, benefits, insurance, finances, life admin, and more. From start to finish, Overalls handles the details — using existing benefits where they fit, and filling in the gaps where they don't. So employees save time, reduce stress, and stay focused at work, while employers boost engagement and get more value from their benefits. Overalls is redefining how work supports life, helping employee teams from Reddit, Patreon, BeatBox, and more cross pesky to-dos off their lists every day. Learn more at https://getoveralls.com/?utm_source=podcast&utm_medium=podcast&utm_campaign=pozcast Thanks for listening, and please follow us on Insta @NHPTalent and www.youtube.com/thePOZcast For all episodes, please check out www.thePOZcast.com   CHAPTERS: 00:00 – Introduction & Origin Story Adam and Allie reconnect on camera, sharing how they both landed at Onward Search and what drew them into the world of recruiting. 02:30 – Finding Safety & Belonging at Work Allie opens up about leaving a workplace where she didn't feel safe as a newly out queer person, and how Onward Search welcomed her as she was. 05:00 – Following Your Passion Outside of Work Allie's advice on finding fulfillment outside your day job — and how volunteering for Sofar Sounds led directly to her in-house career at a music company. 07:30 – Agency to In-House: Making the Leap Why going from agency recruiting to in-house felt natural for Allie, and why she believes the agency world is actually the harder direction to go. 10:00 – Output Over Hours: The Remote Work Philosophy A discussion on trust, flexibility, and why giving employees autonomy tends to produce better results — with honest acknowledgment of when it doesn't work. 12:30 – What a VP of People & Culture Actually Does Allie breaks down her remit at SoundCloud: change management, leadership training, org structure, policies, and bridging the gap between managers and the talent team. 15:00 – Building Real Company Values (Not Poster Values) How SoundCloud is approaching values creation from scratch — starting with executive buy-in, pressure-testing with culture keepers, and rolling out with a real adoption plan. 18:30 – Transparency as a Cultural North Star Why Allie believes in a "culture of no surprises" and how leadership transparency — even when imperfect — builds trust across the organization. 21:00 – Personalizing the Candidate & Benefits Experience How great recruiters match candidates to the right benefits by listening carefully during the process — and why benefits like learning stipends, pet insurance, and life concierge services can close competitive offers. 24:00 – SoundCloud's $1,600 L&D Benefit A spotlight on SoundCloud's annual learning and development stipend and why investing in employees' growth pays dividends for the company. 26:30 – Do Recruiters Miss the High of Placing Candidates? Allie and Adam get nostalgic about the rush of closing a deal — and why the feeling of giving someone their dream job never gets old. 29:00 – Navigating Transform 2026 as a First-Timer Allie shares her experience at her first Transform conference and Adam offers tips for making the most of big industry events. 31:00 – What's on Your Playlist? The episode wraps with a music moment — Wet Leg, Alabama Shakes, Chance the Rapper, Fred Again, and a surprise Luke Combs convert. Key Takeaways: 1. Culture of No Surprises Is the Highest Form of Employer Trust The biggest damage to candidate and employee trust comes from being sold a version of a company that doesn't match reality. Allie's north star is radical transparency — leaders sharing hard truths when they can, so employees are never blindsided. 2. Company Values Must Be Built, Not Announced Values that stick don't come from a poster or a company-wide email. They require executive sponsorship, employee pressure-testing, phased rollout, and genuine adoption planning. Anything less is performative — and people know it. 3. Agency Recruiting Is a Training Ground That Makes You Better The discipline of hitting numbers, showing up every day, and working in a high-accountability environment gives agency recruiters a foundation that in-house roles rarely replicate. Allie credits that grind for making her the people leader she is today. 4. Follow Your Passion Outside of Work — It Might Become Your Career Allie's move to SoundCloud started with volunteering for Sofar Sounds on evenings and weekends. Pursuing what you love outside your day job builds relationships, skills, and opportunities you can't manufacture inside an office. 5. Output Over Hours Is the Right Framework — With Guardrails Giving employees trust and flexibility tends to produce exceptional results. But it requires clear expectations, strong manager relationships, and a willingness to coach (or exit) people who aren't built for autonomous work environments. 6. Personalize the Benefits Conversation — Don't Just List the Package The best recruiters listen for what matters to each candidate and connect it to the right benefits. A pet owner lights up when you mention pet insurance. A candidate navigating a same-sex partnership in a complicated state wants to hear about legal concierge support. Benefits close competitive offers when they're presented personally, not generically. 7. L&D Investment Is a Signal of Company Values, Not Just a Perk SoundCloud's $1,600 annual learning and development stipend tells employees: we're invested in your growth, not just your output. For candidates choosing between comparable offers, this kind of benefit signals a culture that takes development seriously. 8. VP of People Is a Bridge Role — Between Managers, Talent, and Leadership Allie's job isn't to recruit or to set policy in a vacuum — it's to sit at the intersection of what managers need, what the talent team is finding, and what leadership is trying to build. The best people leaders are connectors and translators across all three. 9. Feeling Safe at Work Is Non-Negotiable — And Companies That Get It Win Allie's story of leaving a role where she didn't feel safe as a queer person — and finding belonging at Onward Search — is a reminder that psychological safety isn't a soft metric. It's a talent retention and acquisition advantage.    

El regreso de Alabama Shakes es ya una realidad, aunque aún no se haya anunciado su nuevo álbum. Diez años después de su último trabajo, y tras un periodo en el que Brittany Howard ha expandido y consolidado su carrera en solitario, la pregunta es inevitable: ¿qué tienen aún por decir? La respuesta empieza con un diagnóstico contundente de las grietas de Estados Unidos bajo la administración Trump —la violencia, el cambio climático, el aborto o la brecha salarial—. Todo ello toma forma en ‘American Dream’, una de las dos canciones con las que el trío reivindica su relevancia.Además, Eduardo Noriega responde a nuestro cuestionario cultural en FAQ! Y entramos en consulta con Rosana Corbacho para analizar la mente del hater: ¿por qué odiamos y que nos motiva a hacerlo público? Playlist:Mac DeMarco - HolyΣtella - Adagio Hayley Williams - Good Ol’ DaysHAIM - The story of us shego - Aunque duelaSharp Pins - I Don’t Have The HeartDepresión Sonora - La Ley del PobreAlice Wonder - iii. LaDrograMásSuaveDelMundo(!) · enamoramientoMiss Grit - Tourist Mindstivijoes - BurdeosVVV [Trippin’you] - UrusaiBarry B - Monster TruckThe Cure - A Fragile ThingJust Mustard - WE WERE JUST HERESlowdive - Sugar for the PillNation of Language - Inept ApolloRostam - Back of a TruckKurt Vile - Chance to BleedJ Mascis - Wide AwakeJames Blake - Make Something UpParquesvr, Escandaloso Xpósito - Ya no volveránThe Marías - …baby one more timeNot For Radio - AcheGara Durán, Natalia Lacunza - Placer de vivirCarlangas - Familia S.L.Amor Líquido - Ahora lo entiendoMENTA - Lo que me faltaZahara - Nuestro amor (PERARNAU IV & drama remix)Erik Urano - Radioactividadjames K - Play (Objekt Remix)Icona Pop - Dance To ThisGuitarricadelafuente - Calypsopablopablo - Vida NuevaAlabama Shakes - American DreamKim Gordon - Play MeLittle Simz - Mood SwingsAlizzz - CallaitoHayley Williams - GlumOlivia Rodrigo - drop deadJorge Drexler - Ante la duda, bailaAmaia - NanaiFillas de Cassandra - am0rMaria Arnal - QUE ME QUITENRodrigo Cuevas - Una Muerte IdealEscuchar audio

Video interview with American singer, songwriter and Alabama Shakes front woman Brittany Howard. FaceCulture spoke with Brittany about the need to create, the influence of her sister, what drives her, being emotionally drained, waiting to release her solo debut album Jaime, self-imposed pressure, Stay High, putting others before herself, and a lot more! (05/09/2019) Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's that time of the week again, and I'm excited to share that Sean Moran of KC Film Project is my guest for Episode No. 206.Sean is a son, a sibling, a husband, a father, a photographer, and one heck of a fun guy with whom to chat.We sat down a couple of Saturdays ago to chat all about KC Film Project and a few of the things the team are working on. To keep your finger on the pulse, follow them on Instagram at @kcfilmproject. We also talked family, growing up, traveling, business endeavors, leaving technology largely behind in the world of photography, and -- of course -- we talked about a few of Sean's favorite albums, which were these:Jimmy Cliff's Struggling Man (1973)Enema of the State (1999), blink-18250 Cent's Get Rich or Die Trying (2003)Honorable mention to Eric Clapton and his 1977 release, Slowhand. The same goes for both Escape, the 1981 Journey record, as well as Sound and Color, Alabama Shakes' release from 2015.Chatting with Sean was a treat, though, and I can't recommend the Instagram follow enough. Cool KC things are forthcoming via the Film Project, and you'll have to check out our conversation to learn more about it.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Benevento/Russo Duo tune called, "Powder," which is from their 2006 album, Play Pause Stop (which I mistakenly referred to as self-titled), c/o Royal Potato Family.

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (16/04/2026) . Con Ángel H. SopenaEntrevistas:- Ramoncín ha regresado a los escenarios con la gira "Celebración 50/70". En un mundo de corrección política, él sigue siendo un verso suelto, un comunicador incisivo, que nunca ha dejado de estar en el ojo del huracán. - Isaac Vivero, presidente de ACCES, una de las figuras claves para entender lo que ocurre detrás de las salas en nuestro país. Analizamos la interlocución con el ministro de Cultura Ernest Urtasun.- Estela Gris. El dúo murciano de post punk, formado por Sefi y Marta, ha irrumpido en la escena con una propuesta que es pura electricidad emocional.Noticias: - Muere Afrika Bambaataa, pionero del hip-hop, y Moya Brennan, vocalista del grupo de folk irlandés Clannad. Este fin de semana, los Rolling Stones han publicado el single “Rough and twisted” bajo el seudónimo The Cockroaches, que ya han utilizado en otras ocasiones . Oasis, Phil Collins, Wu-Tang Clan, Iron Maiden y Joy Division/New Order, entre los elegidos para entrar en el Rock & Roll Hall of Fame de 2026. La Academia de Música de España ha revelado la lista completa de nominados para la tercera edición de los premios, en la que destacan Rosalía y Amaia. Se anuncia el recopilatorio de Pink Floyd 8-tracks. La desaparecida banda de rock Kiss ha lanzado las primeras informaciones sobre el estreno de su show de avatares. Sting ha publicado un epé con seis remezclas de su canción “Desert rose”. El fondo Pershing Square Capital Management, del multimillonario neoyorquino Bill Ackman, ha hecho una oferta de compra de la discográfica Universal Music Group (UMG) . Adelanto de la reedición de One of these nights, de los Eagles. "Resistencia" es el relato de una artista icónica como Tori Amos, cuyo universo entrelaza la música, la política y la magia . The Chameleons presentarán “Arctic Moon” en seis ciudades españolas. Mercury Rev regresarán a España el próximo mes de octubre con una gira especial bajo el título “Celebrating 25 Years Of ‘All Is Dream'” .Nace Circuito Red de Salas, un programa que incentiva la música en directo en estos espacios esenciales para el desarrollo cultural.Massive Attack regresan con un single junto a Tom Waits. Morrissey reaviva la guerra con Johnny Marr a cuenta de The Smiths. Novedades musicales:Massive Attack & Tom Waits, The Strokes, Lemon Twigs, Temples, Alabama Shakes, Los Enemigos, Lori Meyers, Antonio Arias, Morrissey, Social Distortion, Weird Nightmare, Aldous Harding, Lady Gaga y Doechii, Kuve, Nena Daconte, Royel Otis, Noise Box, Memocracia, Kokoshca, Shinova, Yungblud, Segaz, Comic Sans, Estela Gris, Ramoncín, Foo Fighters, Rata, Parade, Carey & Muerdo.Agenda de conciertos:091, Ramoncín, Quique González, Alejandro Astola, Le Mur, Syd de Palma, Paula Mattheus, Hens, Pablo Und Destruktion, Costera Sur Festival, Manon Mullener Trío,RUSEL , Volavent, Soul Teller....

Sí: Lori Meyers han vuelto. Y lo hacen con "En Lo total", carta de presentación de su próximo y esperadísimo álbum y canción que publican mañana. Lori Meyers presentan una significativa evolución sonora pero con esas melodías pop que tan increíblemente bien manejan, ahora para hablarnos de una ruptura amorosa. Aparte, escuchamos, en exclusiva, "Todo mi Potencial", nuevo artefacto de Niños Bravos"; "Treinta", el adelanto del cuarto disco de The Crab Apples, que aborda la famosa crisis de los treinta; "Vendetta" el punto de encuentro entre Justice y Daft Punk, de Temples y a Nation Of Language con su sorprendente versión de "Tougher Than the Rest", de Bruce Springsteen.  ONA MAFALDA - NadaNIÑOS BRAVOS -Todo mi potencialCONSTRUIMOS ESCALETAS - FuerteMALA GESTIÓN - Noche de Casino (This Gambling Man)LES IMPRIMÉS - Close My EyesGHINZU - Snow WhiteTEMLES - VendettaLORI MEYERS - En Lo TotalALIZZZ, C TANGANA - Ya No ValesTHE CRAB APPLES - TreintaCARMESÍ - Tiro Al PlatoLADY GAGA ft DOECHII - RunawayALABAMA SHAKES - American DreamPOND - Two Hands2NATION OF LANGUAGE - Tougher Than the RestEscuchar audio

Laufey celebra la publicación de la edición expandida de "A Matter Of Time: The Final Hour", su último disco, con el estreno del vídeo clip de "Madwoman", repleto de actrices y actores de las series más exitosas del momento. Es una de las canciones que protagonizan este podcast junto a "Nada", de Ona Mafalda, "Runaway", de Lady Gaga junto a Doechii para la banda sonora de "El Diablo Se Viste De Prada II" y la versión de "Volando voy", de Amaia. XOEL LÓPEZ - Campos de Castilla Para SiempreLA M.O.D.A., LEIVA - Subiendo Como El Chava JimenezREPION - Tus FotosGINEBRAS - IntervenciónTHE STROKES - Going ShoppingDAFT PUNK ft JULIAN CASABLANCAS - Instant CrushLADY GAGA, ft DOECHII - RunawayMELANIE BAKER - Real LifeONA MAFALDA - NadaLAUFEY - MadwomanRAYE - I Hate The Way I Look TodayAMAIA - Volando VoyALABAMA SHAKES - American DreamANNA CALVI ft IGGY POP - Gods Lonely ManFAI LACI - SarasotaFOO FIGHTERS - Of All PeopleEscuchar audio

durée : 00:54:44 - Very Good Trip - par : Michka Assayas - Angélique Kidjo qui réinvente son Afrique, Modern Woman qui secoue le funk par les épaules ou encore Alabama Shakes qui électrise le blues. Michka Assayas a sélectionné pour vous les sons qui brûlent et qui font du bien. - réalisation : Vincent Godard Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Alabama Shakes comparten "American Dream", segundo avance de su próximo álbum y una radiografía del panorama político y social en Estados Unidos con una interpretación sublime por parte de Brittany Howard. Escuchamos también "Of All People", nuevo adelanto del próximo disco de Foo Fighters, "Your Favorite Toy", a cuya escucha privada te invita Radio 3 el 23 de abril, "Sarasota", de la Fai Laci, desde Bostón y a los belgas Ghinzy con Snow White.  THE LEMON TWIGS - 2 or 3POND - Two HandsFAI LACI - SarasotaARLO PARKS ft SAMPHA - SensesTHUNDERCAT - No More Lies (feat. Tame Impala)FCUKERS - ButterfliesNIÑA POLACA - La Plateríalevitants - Las Cosas ImportantesÁNGEL STANICH - Carretera o TruenoANNI B SWEET - Buen ViajeALABAMA SHAKES - American DreamGHINZU - Snow WhiteFOO FIGHTERS - Of All PeopleSOCIAL DISTORTION - Partners In CrimeEscuchar audio

Arrancamos la semana con una gran noticia que conecta a Radio 3 con Foo Fighters; te lo contamos todos en la portada de esta sesión de lunes en la que escuchamos las últimas novedades de Royel Otis, American Football, Peter Frampton junto a Tom Morello, Kurt Vile, Marmozets, Alabama Shakes y Cervatana. Como Disco Gourmet de la semana elegimos el exhuberante nuevo álbum de RAYE, 'This Music May Content Hope'.Playlist:FOO FIGHTERS - Of All PeopleTHE WARNING - KeroseneJACK WHITE - G.O.D. And The Broken Ribs- - - - - - - - - - - - - - - - - - - - - - - - - - - -[Diez canciones que tienes que escuchar esta semana]THE STROKES - Going ShoppingTHE LEMON TWIGS - 2 or 3ROYEL OTIS - Sweet HallelujahAMERICAN FOOTBALL - No Feeling (feat. Brendan Yates)KURT VILE - Chance to BleedALABAMA SHAKES - American DreamSOCIAL DISTORTION - Partners In CrimePETER FRAMPTON - Lions At The Gate (feat. Tom Morello)MARMOZETS - Cut BackCERVATANA - 0:2- Despertar- - - - - - - - - - - - - - - - - - - - - - - - - - - -ENTER SHIKARI - Lose YourselfHOUSE OF PROTECTION - I Need More Than ThisCORROSION OF CONFORMITY - Lose YourselfTHE DAMN TRUTH - Love Outta LuckKING SAPO - PoluciónBALONCESTO - EVA-03SLOW PULP - CrampsKAREN DIÓ - Cut Your HairPAVEMENT - Cut Your HairTEENAGE FANCLUB - What You Do To MeFINN WOLFHARD - Choose the latterRAYE - Goodbye Heny. (feat. Al Green) [Disco Gourmet de la semana]VULFPECK - Matter of Time (Live At MSG II)CORY WONG - Blame It On The Moon (feat. Magic City Hippies)Escuchar audio

Hoy en La Gran Travesía tenemos un programa plagado de grandes voces femeninas. Grace Potter, Alabama Shakes, Samantha Fish, Purson, Fiona Apple, Heart, Orianthi, Hurray for the Riff Raff, Nikki Hill... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Seguimos recopilando guitarrazos del siglo XXI; hoy nos detenemos en 2015, año en que se publicaron álbumes memorables de Courtney Barnett, Tame Impala, Muse, Wolf Alice, Foals, Alabama Shakes, Florence + The Machine o JD McPherson, entre otros.Playlist:CLUTCH - X-Ray VisionsCAGE THE ELEPHANT - Mess AroundVINTAGE TROUBLE - Run Like The RiverJD MCPHERSON - Head Over HeelsBECK - DreamsBLUR - I BroadcastNOEL GALLAGHER'S HIGH FLYING BIRDS - In The Heat Of The MomentTHE REVIVALISTS - Wish I Knew YouFLORENCE + THE MACHINE - What Kind Of ManCHRIS CORNELL - Nearly Forgot My Broken HeartCOURTNEY BARNETT - Pedestrian At BestSLEATER-KINNEY - No Cities To LoveEAGLES OF DEATH METAL - ComplexityFOALS - What Went DownWOLF ALICE - Giant PeachMUSE - PsychoNOTHING BUT THIEVES - Trip SwitchALABAMA SHAKES - Don't Wanna FightTWENTY ONE PILOTS - HeavydirtysoulAWOLNATION - RunIMAGINE DRAGONS - FrictionKING GIZZARD & THE LIZARD WIZARD - TrapdoorTAME IMPALA - Let It HappenDEATH CAB FOR CUTIE - Good Help (Is So Hard to Find)BRING ME THE HORIZON - Oh NoEVERYTHING EVERYTHING - Distant PastEscuchar audio

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠The latest Notorious Mass Effect segment examines Zach Bryan's bold sixth studio album, With Heaven on Top, released January 9, 2026, via Belting Bronco/Warner Records. Hosted by Analytic Dreamz, this in-depth review covers the 25-track project (runtime ~78 minutes), entirely written and produced by Bryan in Tulsa-area Oklahoma homes, blending raw Americana, folk, and outlaw country with themes of sobriety, recovery, marriage, past relationships, loss, addiction, fatherhood doubts, and American identity tensions.Just three days later, on January 12, Bryan dropped a 24-track acoustic version—raw, one-take recordings with intentional imperfections—to counter overproduction critiques, preserving his authentic roots. Standout tracks include "Skin" (addressing his 2023–2024 breakup with Brianna “Chickenfry” LaPaglia, tattoos, and sobriety), "Plastic Cigarettes" (emotional depth), "Runny Eggs" and "Camper" (softer nods to his New Year's Eve 2025 marriage to Samantha Leonard in Spain), and the controversial "Bad News" (politically charged ICE references and fading American dream).Critical reception praises Bryan's vulnerability and storytelling—Rolling Stone calls it his "most considered and accomplished," Pitchfork notes his growth on a "larger canvas" (7.0 rating), while others highlight emotional power amid excessive length causing fatigue. The album reinforces Bryan's status as a generation-defining force in Americana, post-Navy service (honorably discharged 2021), with massive catalog success (~$350M sale in 2025), billions in streams, and a 2026 stadium tour featuring MJ Lenderman, Dijon, and Alabama Shakes.Analytic Dreamz breaks down personal reflections, buzz tracks, controversies, and why With Heaven on Top delivers an unflinching portrait of flux in modern life, solidifying Bryan's raw honesty despite debates over sprawl.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Oscar, Victor, Hector, and (Rod)rigo discuss their favorite live performances of 2025, from Turnstile to Green Day to Alabama Shakes.The 4x4 segment includes the hosts' favorite songs of 2025, which tracks by Kali Uchis, Bad Bunny, Clipse, St. Vincent, Future Nobodies and more. Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://open.spotify.com/playlist/5jnLdjJ3HBzETWPdHKWHpqYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaCCheck out our weekly Spotify playlist, I Made This For You, updated on Fridays and featuring our favorite songs released during the current week.IMTFY playlist:- Apple Music: https://music.apple.com/us/playlist/i-made-this-for-you/pl.u-2aoqL3qCDvDB1- Spotify: https://open.spotify.com/playlist/47zdwKFNfoYpJfQxRtXWIS?si=8654e038a0314143

A drummer with a deep love for Ringo Starr and a restraint score above 7...what more can you ask for? We're talking of course about our guest, Noah Bond. This major player keeps time for Cut Worms and Alabama Shakes but, on his off days, he comes here to talk Beatles with us. What a guy. 

Text the showLewis is a drummer based in Nashville. His credits include artists like Alabama Shakes, Keith Urban, and Michael Kiwanuka.Amongst many other things we discussed finding jazz early on, moving to Nashville, and reducing the gap between what you think you sound like, and what you actually sound like.I hope you enjoy our conversation as much as I did.(Recorded 26th November 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com

MUSICRoger Daltrey of The Who is now SIR Roger Daltrey. He was knighted by Prince William at Windsor Castle on Wednesday. It's in recognition of not only his musical achievements, but also his charity work. Here he is on the award, and what his younger self and band would've thought back in the day. https://consequence.net/2025/12/sir-roger-daltrey-knighted/ Sharon Osbourne has given her first interview since the death of her husband Ozzy this past July.Appearing Wednesday on the British TV show Piers Morgan Uncensored, hosted by her longtime friend, she opened up about his health struggles, doing his final show this past July 5th in Birmingham, England, their last conversations and much more. You can watch the show on YouTube, and here are a few excerpts:Sharon Osbourne on the last two weeks of Ozzy's life. OC:...in seven years. :27 [Courtesy of Piers Morgan Uncensored]"He was so happy Piers afterwards. And he kept looking at the papers and he goes to me, 'I never knew so many people like me.' But that was the way he was. I mean, he knew he was famous, but not to the amount that people loved him. It's a whole different thing. And he was just so happy. Happier than we'd seen him in seven years."Sharon Osbourne on dreams Ozzy was having the last week of his life. OC:...he was ready. :26 [Courtesy of Piers Morgan Uncensored]"He was having dreams the last week of his life. He was seeing people that he never knew. I said, 'Well, what kind of people?' He goes, 'All different people. And I just keep walking and walking and I'm seeing all these different people every night. And I go back there and I'm looking at these people and they're looking at me and nobody's talking.' And he he knew. He was ready." Sharon also talked about the first time she and Ozzy met, when they fell in love, how she will never want to get married again, how if she didn't have kids she would have killed herself when he died, and the thing she misses most is holding his hand.On a lighter note, she also talked about how she wanted to get back at Roger Waters for the negative things he said about Ozzy after he died. And that was by sending him a Tiffany box filled with feces, which she used to do to critics who wrote negative reviews about Ozzy's shows without being there. When she did, it was her infant son Jack's poop that would be used.She ultimately decided against it, saying, “Even that is a waste, to send [crap] to him. It's a waste because he's really insignificant. But I just thought, anybody that passes has a family… you don't do that.” (Sharon's not the first musician's wife to do that. Paul and Linda McCartney sent some of their daughter Stella's poop to a journalist who earned their trust, then betrayed them.)Going forward, Sharon says she's continuing to work on an Ozzy bio-pic and that she knows who she wants to play him. When asked if it was Yunglbud she didn't confirm nor deny.https://youtu.be/aaLMsEJKZEQ Kurt Cobain's MTV Unplugged Martin D-18E has been donated to the Royal College of Music London by Peter Freedman, who paid $6,010,000 for it at an auction in 2020. Megadeth have released a trailer for Behind the Mask, the documentary and listening event for their self-titled album that will be in theaters on January 22nd. Watch it on YouTube.Blumhouse Games has released a mini-documentary about Robin Finck of Nine Inch Nails scoring the new horror video game Sleep Awake. Watch it on YouTube.Trailer for new U.K. documentary on David Bowie's final years titled "David Bowie - The Final Act" has been released https://ruralradio.com/rrn/abc_news/trailer-for-new-uk-david-bowie-documentary-released-abcid0409636a/ Guns N' Roses have announced the openers for their summer tour -- rappers Public Enemy will open for them when they are here at Busch Stadium in August. The Eagles, Stevie Nicks, Kings of Leon, Lorde and The Black Keys are among the headliners at the 2026 New Orleans Jazz & Heritage Festival, commonly known as Jazzfest.The first weekend, April 23rd to the 26th, will feature Stevie Nicks, Rod Stewart, Kings of Leon, Lorde, Jon Batiste, Tyler Childers, David Byrne, Jason Isbell and the 400 Unit, St. Vincent, Irma Thomas, The Isley Brothers and The Revivalists.The second weekend, April 30th through May 3rd, features will feature the Eagles, Teddy Swims, The Black Keys, Widespread Panic, Earth, Wind & Fire, Tedeschi Trucks Band, Alabama Shakes, Ziggy Marley, Lake Street Dive, Mavis Staples, Little Feat and Rickie Lee Jones.Passes go on sale tomorrow (Friday) at nojazzfest.com. TVJohn Stamos is joining the next season of Netflix's "Hunting Wives" show. https://www.foxnews.com/entertainment/john-stamos-cast-hunting-wives-drama-wife-questions-potential-nude-scenes Sigourney Weaver will appear in Amazon Prime's live-action series of Tomb Raider https://www.the-independent.com/tv/culture/sigourney-weaver-tomb-raider-phoebe-waller-bridge-b2883033.html MOVING ON INTO MOVIE NEWS:"Ella McCay" (PG-13) Trailer - A comedy starring (British actress) Emma Mackey as an idealistic young woman trying to juggle family problems while taking over her mentor's job as governor once he accepts a cabinet position in Washington. Woody Harrelson is her sexually irresponsible father, Jamie Lee Curtis is her supportive aunt, and Albert Brooks plays her political mentor. (20%)"Silent Night, Deadly Night" (R) Trailer This is the second remake of a 1984 slasher about a kid who witnesses his parents being murdered by a guy in a Santa suit . . . then grows up, puts on a Santa suit himself, and goes on his own killing spree. It stars Rohan Campbell from "The Monkey" as your killer Santa, and Ruby Modine from "Happy Death Day" as a true crime junkie (slash) his love interest. (84%)"How the Grinch Stole Christmas" (PG) Trailer The 25th anniversary re-release of the live action movie starring Jim Carrey as the Grinch, Taylor Momsen (from The Pretty Reckless) as Cindy Lou Who, and Christine Baranski as the woman who secretly has feelings for the Grinch. (50%)Will Smith hit with another major scandal—longtime friend turns on him in $3 million lawsuit Everybody's getting into the year-end roundup business. Even the deliciously gay hookup app Grindr!!! Here's a sample of their 2025 wrap-up:Mother of the Year: Lady GagaDaddy of the Year: Pedro PascalMother-In-Training: Sabrina CarpenterShow of the Year: "Overcompensating", Prime VideoAlbum of the Year: "Mayhem", Lady GagaSong of the Year: "Abracadabra", Lady GagaGay Dictionary . . . The Phrase on Everyone's Lips: Delulu. (Short for "delusional".)Hottest Man of the Year: Jonathan Bailey (Fiyero in the "Wicked" movies)Movie of the Year: "Kpop Demon Hunters"Bulge of the Year (!!!): Bad BunnyGayest Fashion Trend: Slutty little glassesBest Beef: Cardi B vs. Nicki MinajMost Bears: IrelandHighest Percentage of Twinks: Switzerland AND FINALLYWe all know the debate about "Die Hard". But there are plenty of other films that spark the same argument, "Is this actually a Christmas movie?" Here are 13 more:1. Every "Harry Potter" movie (2001 - 2011). All the "Potter" flicks . . . with the possible exception of the last one . . . have some kind of yuletide vibe . . . or at least a wintry one.2. "Batman Returns" (1992). One of the big set pieces is the lighting of the Gotham Christmas tree.3. "Eyes Wide Shut" (1999). Even though it was released in July, it takes place over Christmas.4. "Gremlins" (1984). This one has Christmas written all over it. And also little green, murderous demons.5. "First Blood" (1982). The first of the "Rambo" films has a Christmas tree in the background of one scene. So . . . Christmas movie!!!6. "Trading Places" (1983). There's a Christmas party, and Dan Aykroyd as a drunken Santa waving a handgun. But it doesn't end on December 25th. If it's a Christmas movie, then it also qualifies as a New Year's movie.7. "Kiss Kiss Bang Bang" (2005). This one takes place during the Christmas season in L.A. And it was released in November.8. "Edward Scissorhands" (1990). Kind of a no-brainer.9. "Lethal Weapon" (1987). Another one of those action movies that HAPPENS to take place around Christmas.10. "Rocky" (1976). This might be the greatest American holiday film of all time, because it includes Thanksgiving, Christmas, and New Year's. And also punching.11. "Hook" (1991). The scenes in the real world, outside Neverland, are set at Christmas. 12. "Iron Man 3" (2013). The whole movie plays out around Christmas.13. "The Nightmare Before Christmas" (1993). Is it a Christmas movie or a Halloween movie? Why not both?AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

New York City Comptroller Brad Lander says he's running for Congress. WFUV's Sienna Reinders reports on how his campaign is taking shape. To mark International Human Rights Day, WFUV's Frank Spicuzza looks at the New York City Department of Records' effort to digitize decades of civil rights documents. The New York Yankees are bringing the holiday spirit to the Bronx. WFUV's Xenia Gonikberg explains what's new with the MLB team's annual food drive. And in Music News, WFUV's Livia Regina shares part of Alabama Shakes' interview with the station, plus we have a new FUV Live Session with Obongjayar and details on Matt Berninger's upcoming tour. Host/Producer: Andrew McDonald Editor: Tess Novotny Reporter: Sienna Reinders Reporter: Frank Spicuzza Reporter: Xenia Gonikberg Theme Music: Livia Regina

You Belong Here—as the artwork over the Momentary Green says, to hear Jill Wagar unpack how a former cheese plant evolved into a living room where music, contemporary art, and food collide. Jill shares the backstory of the Momentary's rise alongside Crystal Bridges, why the campus now leads with concerts, and how each venue—from the large outdoor Green to a more intimate experience indoors at the RØDE House—creates a distinct listening experience that artists love and fans remember.We dive into the most dynamic season yet: sellout shows from Megan Moroney, GloRilla, and Alabama Shakes; big draws like Ziggy Marley and a programming model that blends national names with emerging talent and local openers. Beyond the headliners, the campus pulses with family-friendly rituals: House Party exhibition openings, Saturday Morning Cartoons with a cereal bar and classics on the big screen, and more.Love live music, culinary adventures, and inventive art? Follow the Momentary on TikTok, Instagram, and Facebook, subscribe to the newsletter at themomentary.org, and consider becoming a member. A New American Town is here to help you plan your trip to Bentonville, Arkansas. From guides, events, and restaurant highlights. Find all this and more at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn. You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Yooo shouts to Alabama Shakes

Ce jeudi 2 octobre, Marjorie Hache anime RTL2 Pop-Rock Station pour deux heures de rock et de pop. L'émission débute avec les Doors et "Alabama Song", suivi par Alabama Shakes et "Another Life", marquant leur retour après dix ans d'absence. On célèbre les 70 ans de Phil Oakey avec "Empire State Human" de The Human League. L'album de la semaine est "Caramel" de Coach Party avec en extrait dans l'émission de ce soir "Medicate Yourself", et Biffy Clyro est à l'honneur avec "The Hunting Season" extrait de "Futique", en concert début février 2026 à l'Olympia. La reprise du soir revisite "Money Money Money" d'Abba par At Vance. "House Of Glass" des Cage The Elephant et Björk avec "Bachelorette" rythment la deuxième heure, accompagnés de Rise Against, Green Day, The Seeds et un détour dans les années 60 avec Nancy Sinatra et le mythique "These Boots Are Made For Walking". The Doors - Alabama Song (Whisky Bar) Alabama Shakes - Another Life The Human League - Empire State Human The Chemical Brothers - Hey Boy Hey Girl Nothing But Thieves - Forever And Ever More Dr Feelgood - (Get Your Kicks On) Route 66 The Rapture - Echoes Coach Party - Medicate Yourself The Police - King Of Pain The Afghan Whigs - Algiers Elton John - Saturday Night's Allright For Fighting Biffy Clyro - Hunting Season At Vance - Money, Money Cage The Elephant - House Of Glass Björk - Bachelorette Rise Against - Ricochet Nancy Sinatra - These Boots Are Made For Walkin' Green Day - Still Breathing Kasabian - Hippie Sunshine Alanis Morissette - Reasons I Drink Badly Drawn Boy - Silent Sigh The Wytches - Talking Machine The Seeds - Can't Seem To Make You Mine Pink Floyd - If Stuck In The Sound - Brother Wet Leg - Mangetout Black Sabbath - War PigsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce jeudi 25 septembre, Marjorie Hache nous régale sur RTL2 Pop-Rock Station avec deux heures de rock et de pop de qualité. Parmi les classiques, Deep Purple avec "Smoke on the Water", The Rolling Stones, AC/DC et Supertramp sont au rendez-vous. L'album de la semaine est signé Biffy Clyro, avec leur nouveau disque Futique, un mélange de passé et d'avenir, célébrant l'acceptation du deuil. Côté nouveautés, Alabama Shakes revient avec "Another Life", Bad Omens avec "Specter", et Jehnny Beth nous présente son dernier album "You Heartbreaker You". À noter aussi la reprise rock du titre "Ghostbusters" par The Rasmus. La soirée se termine sur The Heavy et Architects, avec un clin d'œil aux 90s et Smash Mouth. Deep Purple - Smoke On The Water The Hives - Legalize Living Tom Petty & The Heartbreakers - American Girl La Femme - Sur La Planche Muse - Muscle Museum Supertramp - Cannonball The Cardigans - Erase And Rewind Biffy Clyro - Goodbye Queens Of The Stone Age - The Way You Used To Do The Rolling Stones - Under My Thumb AC/DC - Hells Bells Franz Ferdinand - Hooked (Ft. Master Peace) The Rasmus - Ghostbusters Soul Asylum - Runaway Train Rikki Lee - 21St Century Rockstar T.Rex - 20Th Century Boy Ghinzu - Do You Read Me Jehnny Beth - No Good For People Cream - Sunshine Of Your Love The Heavy - Heavy For You Bad Omens - Specter Fatboy Slim - The Rockafeller Skank Architects - Deep Fake Sky Ferreira - You're Not The One Smash Mouth - Walkin' On The Sun Peter Gabriel - The Barry Williams ShowHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce mercredi 24 septembre, Marjorie Hache nous accompagne sur RTL2 Pop-Rock Station avec un programme mêlant rock et pop, des classiques et des nouveautés. Parmi les incontournables, Jimi Hendrix, Aretha Franklin, The Strokes et Led Zeppelin sont présents. L'album de la semaine est "Futique" de Biffy Clyro, qui explore l'acceptation du passé et la joie du présent, avec un titre comme "True Believer". Après dix ans d'absence, Alabama Shakes nous dévoile "Another Life", tandis que Miles Kane présente "I Pray". Le groupe Suede est également mis à l'honneur avec "Dancing With Europeans" extrait de leur dernier album "Antidepressants". Suede - Dancing With The Europeans Billy Idol - Dancing With Myself Gerry & The Pacemakers - Ferry Cross The Mersey Aretha Franklin - Rolling In The Deep (The Aretha Version) Royal Blood - Trouble's Coming Led Zeppelin - Babe I'm Gonna Leave You Alanis Morissette - Thank U Biffy Clyro - True Believer Zz Top - Rough Boy The Mamas And The Papas - California Dreaming Alabama Shakes - Another Life Serj Tankian - I'm Counting On You The Strokes - The End Has No End Moving Mountains - Everyone Is Happy, And Nothing Is Good The Velvet Underground - Sweet Jane Weezer - My Name Is Jonas Cmat - Euro-Country (Short Radio Edit) The Fall - Cruisers Creek Liam Gallagher - Greedy Soul Miles Kane - I Pray Dusty Springfield - Son Of A Preacher Man The Smashing Pumpkins - Mayonaise The White Stripes - The Hardest Button To Button Jimi Hendrix - Who Knows (Live At Filmore EastHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week Adam and Dan catch up on gigs, gear, and the weird life of being a musician. Check out the highlights below and jump to what interests you!

John Strohm is a musician, songwriter, lawyer, and music industry executive originally from Bloomington, Indiana. He began his career as a drummer in Indiana's punk scene before co-founding the indie rock band Blake Babies. He also played guitar and drums in The Lemonheads and has released several solo records, including his most recent in 2023.Strohm became a prominent entertainment attorney in Nashville, representing artists like Bon Iver, The Civil Wars, and Alabama Shakes. He later served as President of Rounder Records from 2017 to 2022. Currently, he is a partner at the law firm Frost Brown Todd. He also has a Substack called Ready For Nothing. In this episode, we talk about John's journey from musician to attorney, how he found his first big client, his thoughts on AI, what he's looking for in an artist, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

On this week's show, we spend quality time with superlative new records from The Beths and Margo Price, spin fresh tracks from Alabama Shakes, Amanda Shires and David Byrne, and get our first taste of Bruce Springsteen's Electric Nebraska. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Wenn zwei Welten aufeinanderprallen, kann das Resultat auch mal freudig sein. Grime-Godfather Skepta und Electronica-Darling Fred again.. veröffentlichen die gemeinsame EP «Skepta .. Fred». Mag auf Papier ungewöhnlich aussehen, klingt aber hervorragend. +++ PLAYLIST +++ · 20:04 – NOTHING MATTERS von THE LAST DINNER PARTY · 20:07 – GLAD von SAINT ETIENNE · 20:12 – BRAND NEW ME von SAINT ETIENNE FEAT. CONFIDENCE MAN · 20:14 – BLUE JEAN von DAVID BOWIE · 20:18 – FEELS LIKE WE ONLY GO BACKWARDS von TAME IMPALA · 20:22 – LOSER von TAME IMPALA · 20:25 – 15 STEP von RADIOHEAD · 20:30 – FREEFALL von JANE INC. · 20:35 – WHEN A GOOD MAN CRIES von CMAT · 20:40 – CORONATION ST. von CMAT · 20:45 – CHIP von DIVORCE · 20:48 – YOUR SILENT FACE von NEW ORDER · 20:54 – OCEAN von JON HOOD · 21:04 – MAREA (WE'VE LOST DANCING) von FRED AGAIN.. & THE BLESSED MADONNA · 21:08 – SHUTDOWN von SKEPTA · 21:13 – BACK 2 BACK von SKEPTA x FRED AGAIN.. · 21:17 – LONDON von SKEPTA x FRED AGAIN.. · 21:19 – SWANK WHITE von JOEY BADA$$ & WESTSIDE GUNN · 21:26 – STILL von JOEY BADA$$ FEAT. AB-SOUL & RHAPSODY · 21:30 – wASH U AWAY von DESTIN CONRAD & TERRACE MARTIN · 21:37 – TEC von SCORCHER · 21:39 – TRUNKS von A$AP ROCKY · 21:44 – THE BOSS von JAMES BROWN · 21:47 – BLUE VELVET von PRINCESS NOKIA · 21:51 – ANOTHER LIFE von ALABAMA SHAKES · 21:55 – BELONG TO YOU von CUT COPY & KATE BOLLINGER · 22:09 – DEVOTION von HOT CHIP · 22:13 – ABOUT TIME von CATE LE BON · 22:17 – ARE YOU WITH ME NOW? von CATE LE BON · 22:21 – STRAIGHT LINE WAS A LIE von THE BETHS · 22:26 – DAWN von SEAHOARSE · 22:29 – BETTER von SPRINTS · 22:33 – 505 von ARCTIC MONKEYS · 22:37 – BLOWTORCH THIMBLE von CLARK · 22:40 – ECHO IN THE FIELD von KELLY MORAN · 22:45 – WATERTREES von SUPERNOVA EASY · 22:48 – LOS ANGELES von BIG THIEF · 22:53 – NEARLY THERE von STEVE GUNN

Wednesday, September 03, 2025 The Dominant Duo – Total Dominance Hour -NCAAM basketball teams, Alabama shakes, OU vs Michigan, Dean's thoughts about Quarterbacks, keys to winning and more. Follow the Sports Animal on Facebook, Instagram and X PLUS Jim Traber on Instagram, Berry Tramel on X and Dean Blevins on X Follow Tony Z on Instagram and Facebook Listen to past episodes HERE! Follow Total Dominance Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.

SPOON - “Guess I'm Fallin In Love” BAR ITALIA - “Fundraiser”  SPIRITUAL CRAMP - “Young Offenders” CASS MCCOMBS - “Peace” THE CORDS - “I'm Sad” ROYEL OTIS - “I Hate This Tune” WEDNESDAY - “Bitter Everyday” ALABAMA SHAKES - “Another Life” WATER FROM YOUR EYES - “Nights In Armor” YAWN MOWER -  "New Year's At The Airport" OCTOBERMAN - “We Used To Talk Of Death” FIELD MEDIC - “Melancholy” POOL KIDS - “Leona Street” MIDLAKE - “The Ghouls” THE REPLACEMENTS - “Androgynous” Alternate Version THE BETHS - “Straight Line Was Lie” GREG FREEMAN - “Point And Shoot” SHARP PINS - “(I Wanna) Be Your Girl” BLOOD ORANGE - “Vivid Light” DEAN JOHNSON - “Before You Hit The Ground” CASE OATS - “Seventeen” E.R. VISIT - “Bees In The Couch”HOA - “My Romance Is Not Over” MAVIS STAPLES - "Beautiful Strangers”  

Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre o Line-Up do Lollapalooza Brasil 2026, evento que contará com Sabrina Carpenter, Tyler The Creator, Lorde, Doechii, Deftones, Chappell Roan, Skrillex e outros artistas.  Garanta já o seu ingresso: https://eventim.com.br/indigo/Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Gaby Amarantos https://tinyurl.com/msxdshnt➜ Filarmônica de Pasárgada https://tinyurl.com/mj4brcu8➜ Spoon https://tinyurl.com/43t8epmp➜ Alabama Shakes https://tinyurl.com/3z4vunkp➜ Geese https://tinyurl.com/yc6p76m7➜ New Grass https://tinyurl.com/cyc33xhf➜ Papôla https://tinyurl.com/4btx7wcp➜ Urias https://tinyurl.com/nn373zdp➜ Bike https://tinyurl.com/mr43kzuu➜ Sharp Pins https://tinyurl.com/mrykk2rc➜ Valentim Frateschi https://tinyurl.com/39r8hkrz➜ Jonas Sá https://tinyurl.com/43rm3bk6➜ Bonifrate https://tinyurl.com/ksymwhnt➜ Blood Orange https://tinyurl.com/47tm6ze5➜ Hayley Williams https://tinyurl.com/4cx6cahb Você Precisa Ouvir Isso➜ Hip-Hop 80'SP – São Paulo na Onda do Break (Sesc 24 de maio) ➜ O Último Azul (Cinemas)➜ “Sexo na cabeça” e “A mesa voadora”, de Luis Fernando VerissimoPlaylist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Comienza la nueva temporada de Radio 3 y en 180 Grados la estrenamos con nueva sintonía, "Gossip", de Confidence Man con Jade, y con un montón de novedades: Alabama Shakes, Oliver Sim, Doja Cat, Richard Ashcroft, Spoon, Austra, Overmono, Royel Otis y todo esto. ¡Qué gusto estar de vuelta!FLORENCE + THE MACHINE - Everybody ScreamFLORENCE + THE MACHINE - What King Of ManALABAMA SHAKES - Another LifeSPOON - Chateau BluesTHE SOPHS - First TimeOLIVER SIM - ObsessionAUSTRA - Math EquationDOJA CAT - Jealoys TypePATRICK WATSON & MARTHA WAINWRIGHT - House on FireROYEL OTIS - MoodyRICHARD ASHCROFT - Lovin' YouOASIS - HelloAMBER MARK - Let Me Love YouOVERMONO - High Contrast If We EverIDLES, ROB SIMONSEN - CheerleaderEscuchar audio

What happens when you pair a great guitar player with a badass bassist? You get mind-bending sounds from gifted producer and multi-instrumentalist Blake Mills — known for his work with Alabama Shakes and Bob Dylan — and Grammy-winner Pino Palladino who has reshaped how we hear the bass. See: Palladino’s collaborations with everyone from Erykah Badu to Nine Inch Nails. “Taka” is hard to pin down, but easy to take in. And you can take it in IRL, because Pino Palladino & Blake Mills are hitting The Ford on Friday, Sept. 26.

SOSS opens up this week with a traumatic dog story and a tribute to Chuck Mangione. Gen X lost a lot of big names this week…Ozzy Osbourne, Malcolm-Jamal Warner, Hulk Hogan. Amy and Maya relive The Osbournes TV show. Amy rescues a kid from drowning in a pool. She's always ready to jump into action to save a life. The ladies give you the inside scoop on the MN Yacht Club Festival with some “live” on-the-scene reporting. They take you on a tour through the music, fashion, and food at Minnesota's newest music festival. Pro Tip: Just get the corndog. Always get the corndog. Never get the egg roll. The ladies recap performances by Sheryl Crow, Father John Misty, Alabama Shakes, Train, and Hozier. One performer is unexpectedly a big snooze, and one is a walking streak of sex, converting throngs of followers in real time. The ladies ask the question, why don't the kids dance anymore? The gals encounter a strange phenomenon that Amy classifies as “Meet Up” behavior. Maya doesn't know the difference between Skol and Skoal. IYKYK. FOMO for the Sunday lineup is real. Learn about the best festival exit strategy ever.

Oscar, Victor, Hector, and (Rod)rigo chat about more summertime Chi shows including the return of Alabama Shakes at the Salt Shed and dancing to 3BallMTY at the Ramova Theatre. We also discuss our most-anticipated performances of Lollapalooza 2025, especially after the surprise release of Tyler, the Creator's DON'T TAP THE GLASS.The 4x4 segment includes songs by Tyler, Water From Your Eyes, Clipse, Pixel Grip, Loaded Honey, & more.Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://spoti.fi/3rTsZ9TYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaCCheck out our weekly Spotify playlist, I Made This For You, updated on Fridays and featuring our favorite songs released during the current week.

Producer/bassist Jim Reilley will most likely be remembered as a founding member (along with musical partner Reese Campbell) of seminal folk rock band The New Dylans. Founded in 1986,the band barnstormed the US throughout the 90's and won critical praise from Rolling Stone (who called their songs “offbeat classics”) and virtually every other major music publication and major newspaper. The Village Voice placed the band in the top 5 Ep's of 1986 in their prestigious Pazz and Jop Poll. The band won the hearts and minds of many fans in the then burgeoning AAA American radio format and had several feature spots on important tastemaking radio shows including NPR's All Things Considered, Idiot's Delight with Vin Scelsa, Partridge Family Imp Danny Bonaduce's WLUP show, Mountain Stage, WXPN's World Café and Acoustic Café. Michael Stipe of R.E.M. proclaimed The New Dylans his favorite band of 1986 and Natalie Merchant (of 10,000 Maniacs) would often jump onstage and sing with the band.After 10 years of solid touring often over 175 dates a year sharing stages with many luminaries including (R&R Hall Of Famers) The Band, Reilley moved to Nashville to sign a writing and production deal with Curb Records. As a songwriter, Reilley had over 60 songs recorded by such artists as Hal Ketchum, Sam Bush, Vince Gill, Lauren Daigle, Hillary Scott, Claudia Church, Leann Rimes, Cowboy Crush, Jana Kramer, Jack Ingram, Lila McCann, Carly Pearce, John Cowsill, Vicki Peterson (The Bangles), Tim O'Brien and had a European hit with Danish Rock legend Peter Belli. In his career, Reilley has produced or made music with Sheryl Crow, Pam Tillis, Lee Brice, Levon Helm, Ethan Hawke, John Osborne, Brothers Osborne, The Fleshtones, Pure Prairie League, Leann Rimes, Rodney Crowell, Shawn Colvin, Rodney Atkins, Cowboy Jack Clement, Lucinda Williams, Ryan Adams & The Cardinals, Uncle Tupelo, Kathleen Edwards, Mary Gauthier, Superdrag, Gillian Welch, Prince's  New Power Generation, Linda Hargrove, Harlan Howard, Jim Lauderdale, Hillary Scott, Jenna Von Oy, Tommy Womack, Carly Pearce, Jana Kramer, Linda Davis, Vince Gill, Cheetah Chrome of The Dead Boys, Vicki Peterson (The Bangles), The Mavericks, Jack Ingram, Tiffany, NRBQ, Patty Larkin, Dave Van Ronk, Leah Andreone, Diamond Rio, Hank Williams Jr, Jett Williams, Shel Silverstein, Townes Van Zandt, Richie Havens, Al Perkins, The Story, Kasey Chambers, Del McCoury Band, Minton Sparks, Joy Lynn White, Sam Bush, David Mead, Daniel Tashian, members of The Jayhawks, Wilco, Genesis, Cheap Trick, Buckcherry, The Milk Carton Kids, Lake Street Dive, Blondie, John Mellencamp, Foo Fighters, Tom Petty & The Heartbreakers, The Doobie Brothers, Counting Crows, The Wallflowers, Joe Perry Band, The Black Crowes, Old Crow Medicine Show, The Bangles, Ben Folds, Alabama Shakes, Jack White band, Ten Years After, The Black Keys, The Band, The Beach Boys, 10,000 Maniacs, R.E.M. and more.www.producerjimreilley.com"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

So many of Jesus' stories are centered around agriculture. Maybe He is trying to tell us something about life, and how it comes to us and through us. At this past Sunday's Storyline's Gathering, another of Jesus' parables about growing, changing, and flourishing was considered. The band performed songs by Kacey Musgraves, Fleetwood Mac, Alabama Shakes and more.

So many of Jesus' stories are centered around agriculture. Maybe He is trying to tell us something about life, and how it comes to us and through us. At this past Sunday's Storyline's Gathering, another of Jesus' parables about growing, changing, and flourishing was considered.The band performed songs by Kacey Musgraves, Fleetwood Mac, Alabama Shakes and more.

Send us a textAfter Daniel adjusts his mic stand for 20 fiscal minutes, he talks about the inhuman Swedish trio Dirty Loops, Jaden talks about the psychedelic sophmore album by The Alabama Shakes, Sound and Color, and Zac talks about the classic track Vapors by the diabolical Biz Markie.Follow us on Instagram if that's your thing: https://www.instagram.com/theplaylisterspod/

Jason Fraley salutes Little Big Town on the 20th anniversary of their hit country song "Boondocks," which was released on May 2, 2005. He covered the band when it was honored at the 2018 Grammys on the Hill event at The Hamilton in Washington D.C. You'll also hear red-carpet interviews with guests like Danny Gokey, Ben Tanner of Alabama Shakes and "Despacito" co-writer Erika Ender. (Theme Music: Scott Buckley's "Clarion")

The Music That Made WE volume 5 continues with Xochii de la Noche of Los Angeles. She's chosen 10 songs that make up her story, with a soundtrack that includes Alabama Shakes, Seven Lions, Metric, and more. + Stick around for Viktor's hidden bonus track. Xochii's links: https://www.instagram.com/xochii_noche/ & https://xochii.com The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque   [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

The Music That Made WE volume 5 continues with Xochii de la Noche of Los Angeles. She's chosen 10 songs that make up her story, with a soundtrack that includes Metric, Selena, Trans-X, and more. + Stick around for Viktor's hidden bonus track. Xochii's links: https://www.instagram.com/xochii_noche/ & https://xochii.com The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque   [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

"Mix how you hear it!" Jeremy talked about recording Greg Allman, why no click track needed, when to use ribbon mics, thumb vs pick bass, how to mic drums, why you should get a console and tape machine, Hammond organs, and comping vocals in Logic. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jeremy Stephens, a music producer, mixer based in north Alabama, about an hour and a half south of Nashville. Jeremy has had the honor of collaborating with some of the greatest musicians on earth, from the Alabama Shakes to Jason Isbell, Gregg Allman to Chuck Leavell. “I learned the art of producing and recording from legendary rock producer Johnny Sandlin. He served as Johnny's right-hand man for many years, learning everything there is to know about making a goddamn good record.” In 2001, Jeremy started Clearwave Recording Studio as a cost effective place to craft records on his own terms. It quickly became a sonic sanctuary for indie rock, americana, and a fresh alternative to the cookie cutter Nashville thing. “This is a place where creative souls thrive, where the ideas come to life, and where being different ain't just okay – it's downright expected.” The goal here is to make hit records and win Grammys, and to do it the right way. Jeremy remains convinced that with the right approach, anything is possible. That's why he focuses on capturing the very best performances of great songs, and gives his musicians the freedom to explore and create. Thank you to Craig Alvin for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins! https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels! https://www.soundporter.com/ Get a free mix review and mastering demo! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6Bk7lSjaDCKk1gmUSd2KuZ?si=d0916b42a1d048f0 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/480

In 1982, eight science fiction films were released within eight weeks of each other. Chris Nashawaty, author of The Future Was Now, tells Tonya Mosley how those movies shaped the genre and the movie industry. Plus, Brittany Howard, the former Alabama Shakes singer/guitarist, tells Terry Gross that growing up, she was told repeatedly she didn't look like a lead singer. "It made me sing ... louder and perform just as hard as I could," Howard says. Her new album is What Now.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Grammy-winning singer, guitarist and producer Brittany Howard fronted the band Alabama Shakes before going solo. She talks with Terry Gross about growing up biracial in a small Alabama town, living in a haunted house, and writing break-up songs for her new album, What Now.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy