Podcasts about Jason Molina

Oliver looks at the new album and other favourite tracks from grungy indie rock band Momma. Plus, Jason Molina's Magnolia Electric Co and their Americana rock record 'What Comes After The Blues' 20 years after its release. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The great peaks and valleys of the creative experience, inhabiting similar world views, and moving into a garage apartment. John Calvin Abney "Shortwave radio is a nearly-defunct technology that now exists only on the edge of memory, a tool of niche hobbyists. It is a fitting metaphor, then, for those continuing down a highway without travelers, a dusty trail without service to make a call. On his new EP, Shortwaving, alternative Americana singer-songwriter and in-demand sideman (you might have seen him on stage with artists like John Moreland, Ben Kweller, Wild Child, Hanson, and countless others), John Calvin Abney explores the unease - the fear, even - that comes from repeatedly sending signals into the atmosphere and hearing little but static and silence in response. As Abney puts it in the title track: “Swim the shortwave / Cutting in and out / I'm losing strength in these hills / Between the stations / Is the dark you heard about / Can you hear it now? / Shortwaving still.” The central question of this project is this - what do you do when communication seems to be losing its ability to reach people? For Abney, the answer is to beam your message into the void regardless, almost as an act of faith. The result is a haunting set of country-rock laments, descended from classic end-of-the-party albums like Neil Young's On The Beach and Jason Molina's The Magnolia Electric Co. Chunky minor chords loop on repeat while ghostly slide guitar figures glide in and out of earshot. When Abney sings “There's a devil in the dialtone,” we can hear exactly what he means. Recorded at Columbus, Ohio's Secret Studio in a single day with a small group of friends, including co-producer Lydia Loveless on background vocals and engineering duties, one gets the feeling of accidentally stumbling upon the lost tapes of an obscure Midwestern band, amplifying incantations away in a hidden corner somewhere. These are songs about not being heard that sound almost private, as if they're perhaps not meant to be heard. This intimate quality gives Shortwaving a refreshing lack of self-consciousness. Abney gives the impression of singing these songs primarily to himself, almost as a kind of prayer. While coming to terms with the reality of communicating and creating in an age of noise and glamor, he is attempting to “whisper in a hurricane”. The theme of soldiering on through the cacophony permeates the 5-song set - whether in “Arkansas River Bridge”, where Abney challenges both heaven and the devil to “See me get back up and try,” or in the chorus of “Truckee River Blues”, where Abney sings to both the moon and himself, “Shine on, sickle blade moon / It's too late to go too soon.” Shortwaving's glimmers of hope, the “silver lining on a shadow”, as Abney puts it in the title track, come in a few buoyant musical moments later on in the EP - the chiming sparks of a faraway guitar on the instrumental track “Supporting Actor”, which sounds like it could be lifted straight from the session tapes of Led Zeppelin III, and the triumphant, crashing chords that announce the chorus of final track “Truckee River Blues”. After a dark night of the soul spent swimming in the airwaves, it feels as if John Calvin Abney finally receives his response amidst the droning static and spectral frequencies. It is a reminder of the joy and humanity contained in the very act of moving forward and sending out transmissions on these lost highways. And even though it may be harder to hear than it once was - on certain wavelengths at least, Shortwaving is a lighthouse, helping to navigate memories of what used to be." Excerpt from https://www.johncalvinabney.com/bio John Calvin Abney: Bandcamp: https://mrossperkins.bandcamp.com Instagram: @johncalvinabney Website: https://www.johncalvinabney.com Records: https://www.johncalvinabney.com/store Merch: https://johncalvinabney.bandcamp.com/merch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

This episode of Across The Margin : The Podcast features an interview with Erin Osmon, an award-winning, Los Angeles-based music journalist, critic, and author. She's written long-form album notes for archival releases on Blondie, Hüsker Dü, Townes Van Zandt, Sparklehorse, and many others. A veteran of Chicago newsrooms, her work appears in Rolling Stone, LA Times, New York Times, Washington Post, and other publications of record. She is part-time faculty at USC's Annenberg School of journalism. Her new book, about heartland rock in the 1980s, will be published by W.W. Norton in 2026. Her first book, Jason Molina: Riding with the Ghost — the focus of this episode — was published in 2017 and named a Best Music Book of the year by Pitchfork. Her book about John Prine's landmark debut album was published by Bloomsbury's 33 1/3 series. In Jason Molina: Riding with the Ghost, Erin presents a detailed, human account of the Rust Belt–born musician Jason Molina — a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. It details Molina's personal trials and triumphs and reveals for the first time the true story of his last months and works. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana–based label Secretly Canadian. As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Riding with the Ghost provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. In this episode host Michael Shields and Erin Osmon discuss how Molina's deep ties and affinity to the state that birthed him (Ohio) shaped his life and influenced his career. They explore Molina's surprising and varied musical influences, the comparison to singer-songwriter Will Oldham which shadowed Molina throughout his career, the birth of the timeless classic album that is Magnolia Electric Co., and so much more. Hosted on Acast. See acast.com/privacy for more information.

Who does MJ Lenderman sound like? Dinosaur Jr? Son Volt? Silver Jews? Drive-By Truckers? Neil Young & Crazy Horse? Oliver makes a case for the label of 'punk rock Jason Molina' as he looks through Lenderman's pre 'Manning Fireworks' releases, including some awesome live tracks. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Steven and Ian begin this week's episode by reflecting on this week's election (0:57). Steven just woke up from a week-long coma and he asked Ian to tell him who won. After they, delve into a less depressing topic: The music of The Cure! They talk about their strong new album, Songs Of A Lost World, and where it fits in the band's career. Then they talk about the best Cure albums, and also rank their top five Cure songs (16:02).In Recommendation Corner, Ian talks up the new Connor O'Malley comedy Rap World while Steven recommends the Jason Molina biography, Riding With The Ghost (51:58).New episodes of Indiecast drop every Friday. Listen to Episode 214 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Oliver plays garage psych from Chicago's Glyders, manic live garage punk from San Francisco's Thee Oh Sees and newly rereleased live tracks from the Jason Molina and Songs:Ohia treasure troves. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

This week is all about the rising Americana indie rocker MJ Lenderman (also of Wednesday). Oliver checks out favourite tracks from Lenderman's critically revered new LP 'Manning Fireworks' which takes influences from the likes of Neil Young & Crazy Horse, Jason Molina, Silver Jews and Drive-By Truckers. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Daniel Ralston is the writer and producer of the podcast series The True Story of the Fake Zombies, available everywhere. We talk about “Time of the Season” blowing up without The Zombies knowing about it, Rolling Stone's Ben Fong Torres, Buzzfeed's longform era, turning an article into a podcast, ? & the Mysterians, the ZZ Top of it all, small-town history museums, Huell Howser, 70s artists that popped off in the 80s, Jason Molina, British psych and Texas blues, Justin absolutely flubs a new podcast “segment,” Malibu real-estate scene report, Kanye's Ando house, Daniel's old neighbors (Axl Rose and a guy named “Rattlesnake”) and the current state of the The Zombies.  x.com/routinelayup x.com/danielralston https://www.iheart.com/podcast/1119-the-true-story-of-the-fak-186899838/ --- Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Neil Young and Crazy Horse, Jason Molina, Uncle Tupelo, Pavement, Drive-By Truckers, those are some of the artists that MJ Lenderman has been compared to. This week we check out Lenderman's solo work, including new single releases, along with the work he's done as guitarist of Wednesday. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Had a go at making the show as pretty as I could, influenced by Amelia Empson's gorgeous song 'Closer'. She's my new favorite thing. Strayed off the track a bit in a couple of places, James McMurtry ain't that purdy, Jason Molina is just plain dark, but mainly true to sweeter sounds of the American persuasion.

Sponsored by Betterhelp www.betterhelp.com/TheBarnJohn Moreland is a singer-songwriter whose music transcends genres and resonates deeply with audiences through its raw authenticity and emotional depth. Hailing from Tulsa, Oklahoma, Moreland's journey in music has been marked by a commitment to introspection and a relentless pursuit of truth in his songwriting.Moreland's music is characterized by its soul-stirring lyrics, haunting melodies, and his distinctive gravelly voice that carries the weight of his experiences. His songs often serve as windows into his innermost thoughts and feelings, exploring themes of love, loss, redemption, and the human condition with profound honesty and vulnerability.Growing up in the Bible Belt, Moreland's upbringing infused his music with themes of faith, doubt, and existential questioning. While he no longer considers himself religious, echoes of his upbringing can be heard in his lyrics, which grapple with the complexities of belief and the search for meaning in a world filled with uncertainty.Moreland's songwriting prowess has earned him widespread acclaim from fans and critics alike. His albums, including "High on Tulsa Heat" and "LP5," have been praised for their poetic lyricism and sonic richness, while his live performances are known for their intimate and electrifying energy.Despite his rising popularity and critical acclaim, Moreland remains grounded and true to himself, eschewing the trappings of fame for the sake of artistic integrity. He is not one to shy away from vulnerability, often baring his soul in his music in a way that invites listeners to connect with their own emotions and experiences.In addition to his solo work, Moreland has collaborated with other artists and musicians, further expanding his musical horizons and pushing the boundaries of his creativity. His commitment to pushing himself as an artist while staying true to his roots is a testament to his dedication to the craft of songwriting and the power of music to touch hearts and minds.In a world filled with noise and distractions, John Moreland's music serves as a beacon of authenticity and truth, reminding us of the power of art to illuminate the human experience and connect us to something greater than ourselves.www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

For this episode of Songs of Our Lives, I invite The Body's Lee Buford on the show. First, we get the other perspective on Dis Fig & The Body's “Orchards of a Futile Heaven.” This record just absolutely rips. Then, things go off with the Jason Molina's crushing music, Neutral Milk Hotel's being too ubiquitous, music that's so vapid it rocks, Peter Gabriel's wild romantic lines, the brutality and awesomeness of “Cop Killer,” Willie Nelson bringing a sadness to someone else's song that is devastating, the undeniable nature of Dead Prez, our mutual Roman Empire, and more!Listen to all of Lee's picks HEREDis Fig & The Body “Orchards of a Futile Heaven”The Body on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

For this episode of Songs of Our Lives, I invite The Body's Lee Buford on the show. First, we get the other perspective on Dis Fig & The Body's “Orchards of a Futile Heaven.” This record just absolutely rips. Then, things go off with the Jason Molina's crushing music, Neutral Milk Hotel's being too ubiquitous, music that's so vapid it rocks, Peter Gabriel's wild romantic lines, the brutality and awesomeness of “Cop Killer,” Willie Nelson bringing a sadness to someone else's song that is devastating, the undeniable nature of Dead Prez, our mutual Roman Empire, and more!Listen to all of Lee's picks HEREDis Fig & The Body “Orchards of a Futile Heaven”The Body on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

This week we have a show full of dark shoegaze indie. Starting with songs from Rivulet's 'I Remember Everything', including an epic Jason Molina tribute. Then we take a look at the gloomy shoegaze of Slowdive and Scotland's Telstar Ponies. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The Eastern and Western halves of Washington can seem like two different states; one dry and pastoral, the other overcast and lush. Rob Joynes is a singer-songwriter who's music captures these two contrasting landscapes. Raised on the East side of the Cascade Mountain Range, Joynes often invokes his home town of Spokane directly in his lyrics. Pairing themes of queer identity, abjection, family and aging with piano driven melodies and sentimental guitar riffs influenced by artists like Red House Painters, Jason Molina, Carissa's Wierd and Kath Bloom. Joynes presently resides in Seattle and contributes to bands Sunnyland and Fell Off. robjoynes.bandcamp.com felloff.bandcamp.com sunnyland.bandcamp.com IG : @rob_joynes

New Jersey band CR and The Nones present their new album 'The Ghosts Are Coming Home', released via Montclair-based Magic Door Record Label. Gennone came of age playing in various projects in suburban New Jersey, including his former band, CR and The Degenerates, who released five albums from 2016 to 2018. This new project has allowed him to expand the unique hybrid of folk, country, punk, and heartland rock. CR and The Nones retains the Degenerates' core of Chris Gennone, lead/slide guitarist Jim Abbott, and bassist John Dewitt. Recalling past Garden State guitar music, Gennone's soulful vocals and his band's driving hooks invoke roads, journeys, and forward motion in general. Counting Neil Young and Jason Molina among major influences, his sound has always been propulsive. In 2020, CR and The Nones released their debut album 'Living In Fear' via Favorite Friend Records. Mixed by renowned producer Ray Ketchem (Guided By Voices, Luna, Versus, Elk City, Gramercy Arms) at Magic Door Recording Studio in Montclair, NJ, this album was selfproduced by Chris Gennone (CR to his friends) and mastered by Nick Bolton at Bolton Sound in Jersey City. 'The Ghosts Are Coming Home' is a culmination of the sound and aesthetic that CR Gennone has been building over many years and multiple bands. With an expansiveness and introspection that recalls The War on Drugs or early My Morning Jacket, the ten tracks here showcase an irresistible sincerity and heartfelt delivery. "I wrote and recorded this album before, during and after Covid, and I lived in five different places during this time, so it was a different experience than other stuff I've made. In the past, we've kind of just rolled with it and come up with guitar leads, riffs, and sounds on the fly. With Covid lockdowns and the help of some friends, this record really gave me the time and space to write and play my own leads, sing my own harmonies, change arrangements, and take on more of the production aspect of it," says CR Gennone.

Part 1 of my conversation with guest Phil Stacey about the music of 2003. Show notes: In 2003, Jay had a toddler and found out another kid was on the way Started downloading a lot of music via blogs Jay saw Pat DiNizio, Gord Downie, Radiohead, Guster Phil got engaged, saw a lot of Red Sox games Coed softball struggles 50 Cent had the #1 song of the year A lot of number bands on the charts What's the deal with Kid Rock? Phil's non-top 5s: TV On the Radio, Warren Zevon, Jason Molina, Black Keys, Jet, Outkast, Ween, Lucinda Williams, Bowie Jay's non-top 5s: Gord Downie, Electric Six, Dizzee Rascal, Stephen Malkmus, Zeppelin To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Welcome back to Aquarium Drunkard Transmissions, so glad to have you here once again. Our guest this week is Will Sheff, known for his solo work and years with the indie rock band Okkervil River. In this conversation, Sheff and host Jason P. Woodbury cover a wide stretch, examining how the indie rock landscape has changed and evolved over decades, exploring the spiritual core at the heart of his music, and hearing stories about his interactions with luminaries like Roky Erickson and Jason Molina. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts, like Drifter's Sympathy, with Emil Amos of Grails, Om, Holy Sons, who will be our guest next week on Transmissions, and of course, No Way Out: An Oral History of Sunburned Hand of the Man, curated and produced by J Kelly Davis and presented by Aquarium Drunkard and Talkhouse.  Support Aquarium Drunkard Transmissions on Patreon.

Today's guest is writer Laura Snapes. Her work has been published by the BBC, Pitchfork, and NME, and she's the deputy music editor of The Guardian. We've been aiming to have her for Transmissions for some time now, and now we're so glad we've got this episode to share with you listeners, covering the psycho-geology of songs, the climate, varied definitions of the term “Americana,” and her recent listening: Julie Byrne, Be Your Own Pet, Róisín Murphy, and Jesse Lanza. Plus, the occult roots of Aphex Twin and what it means to "name" a nascent music genre. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Next week on Transmissions? Will Sheff of Okkervil River on Roky Erickson, Jason Molina, Bill Fay, and much, much more. Be well in the meantime, this Transmission is concluded. 

De quien era more than words? De nadie que fuera a estar invitada al cumpleaños de who the fuck is Mick Jagger? De nadie que haya desaparecido en alguna parte y ahora vayamos a extrañar como el desierto extraña la lluvia. Si había una guerra, y la canción de protesta venía desde antes, esa noche celebraban 30 años de la respuesta está soplando en el viento. Ahora suena la canción que dice que al final de todo, siempre, pero siempre vamos a volver a la radio. No fue el Billy Joel, el que empezó el fuego, y prefiero no nombrar muchos más porque vamos a quedar todos escuchando lo que el piano man tenía para decirle a los gin tonics, y yo no quiero mas nada que la botella de agua que está arriba de la mesa alta en la que vuelvo a hacer girar discos, pero no necesito aterrizar la aguja en el surco, tampoco voy a tomar una cancion triste y hacerla sonar contenta. Brian Eno dijo algo de aca vienen los jets calentitos, y el otro de sparklehorse, además de cambiar la canción del pobre Jules, dijo que venían unos pájaros y en las alas traían dolor.  Traigan a Cher lo más rápido que puedan, ella creía en algo que es justo lo que se precisa. El mismo disco de buen dia araña, bien claro decía, estoy enfermo de adioses. Este adiós puede ser tan largo como que te vaya bien en la transmisión de Jason Molina, dura una eternidad parecida a los siete minutos; de fumar el último cigarrillo, en un techo con un bar en un hotel en montevideo, en alguna parte de los pocitos. Volver a ser simple, es olvidarme completamente de quien lee, que lea el que tengas ganas. Puedo seguir esto hasta llegar a tu no sabes nada, porque nunca supiste lo que es amar a alguien. Ya se que fuiste al doctor y te dijo, que era un tonto, no estaba en la colina, por eso no pudiste verlo. Sin embargo había algo parecido a Kris, con un chaleco (muy parecido al que era de mi madre, que hoy llevo puesto, es negro, y fue lo ultimo que rescate cuando ya se estaban deshaciendo de las ultimas cosas que eran de ella), lo vio todo, supo bien lo que habia hacer, no decir nada, buscar la salida mas próxima, decirte aca esta mi hombro y si queres te canto un hombro, cantarte la de Me and Bobby Mc Gee, si eso ayuda a desenchufar eso que tenias metido en el oido y estaba molestando.  p.d. Viva la radio en radiomundo as usual (same as Guinness) Una de esas si me tomaria, pero debería de tener poderes de convertir agua en cerveza negra irlandesa, pero esos poderes solo están en la imaginación.

In this week's episode, we talk to Lance from Bitter Buffalo Records and Caliche, about Songs: Ohia, The Magnolia Electric Co., and the heart of it all Jason Molina. From his amazing "two take" style of recording music to the folklore-like myth that he became after his death and his final Irish goodbye. Join us as we honor and pay respect to one of the greats of this generation.

En “La Hora Rockdelux” de mayo rememoramos algunos GRANDES conciertos recientes (Big Thief, Yo La Tengo, Bruce Springsteen), nos sumergimos en el último (y ambicioso) álbum de Sílvia Pérez Cruz, recordamos a Jason Molina a los diez años de su muerte vía Magnolia Electric Co. y nos detenemos en los recomendables álbumes de debut de Yaeji y NOIA. Con un martillo (musical).01 Sílvia Pérez Cruz “21 de primavera” 02 Bruce Springsteen “No Surrender”03 Yaeji “With A Hammer” 04 Yo La Tengo “Big Day Coming” 05 Magnolia Electric Co. “Lonesome Valley” 06 Big Thief “Not” 07 NOIA feat. Maria Arnal “Otra vida por vivir”

Releasing nearly 20 albums over 15 years, singer/songwriter Jason Molina penned "bruised and barren songs of longing and lost salvation" (NPR). Delivered with a soul-cutting, unadorned tenor, his discography continues to connect with a devoted fan base through varied incarnations -- whether in a group dynamic as Magnolia Electric Co. under his first solo moniker, Songs: Ohia or his own birthname -- despite his death in 2013, at the age of 39.   A particularly prolific period in the mid-00's saw the release of the 4-CD Magnolia box set Sojourner, encompassing full-band recordings with Steve Albini in Chicago, an alternate line-up in Virginia with Cracker frontman David Lowery producing, an EP's worth of tracks from Memphis' legendary Sun Studio, and Molina solo tapes from home. If the wide-range of performances weren't enough, Molina wanted to double-down on his mythological side by adding a ouija board and real chicken bones to the screen-printed wooden box. Eventually, label and artist settled on a celestial map and Magnolia medallion. They also put out a truncated version of this massive collection as the 10-track single LP, Fading Trails in 2006.   Today, former Magnolia bandmate Jason Evans Groth and Secretly Canadian label co-founder Ben Swanson discuss their memories of the sessions that make up Sojourner, the journey this project has taken to get to vinyl (released earlier this month, available via secretlystore.com), and how artists today continue to spread the gospel of Molina's canon a decade after his passing. Follow @jasonamolina on Instagram for archival content, and join the Molina fan community via staticanddistance.substack.com.   Secretly Canadian is also auctioning off vinyl test pressings of Molina's work and more via eBay, linked here. All proceeds are donated to housing non-profit New Hope for Families.

Coachella is upon us, so Steve and Ian felt it was appropriate to talk about the music festival. But do you really need to talk about Coachella on an indie music podcast these days? This year's lineup might be the least indie-oriented in history, continuing a long-running trend favoring pop and electronic music. To illustrate this point, they revisited the 2013 lineup, a year when The Stone Roses, Blur, Phoenix and lots of other bands who might not even be booked at the festival in 2023 were the heavy hitters (3:13).Then they turned to Running With Our Eyes Closed, the recent HBO documentary about Jason Isbell and the making of his 2020 album, Reunions (15:14). Unlike most recent music docs, this film does not feel like a commercial for the subject. It is, instead, a very candid look at a marriage going through a rough patch. In fact, the film might be almost too honest in places; this is the rare music doc that doesn't flatter its subjects. Directed by Sam Jones, who also made 2002's similarly frank Wilco doc I Am Trying To Break Your Heart, Running With Our Eyes Closed ranks with the best rock films to come out in recent years.In the mailbag section, they addressed questions about The Walkmen — who recently reunited for a tour — and their overall legacy, as well as the career of Songs: Ohia singer-songwriter Jason Molina, who has emerged as an important influence on contemporary Americana and post-hardcore acts (33:11).New episodes of Indiecast drop every Friday. Listen to Episode 134 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Nina Nastasia photographiée en 2022 par Theo Stanley NINA NASTASIA. THIS IS LOVE – 3:10Riderless Horse, Temporary residence limited, 2022 NINA NASTASIA. GO AWAY – 2:15Riderless Horse, Temporary residence limited, 2022 JASON MOLINA. BE TOLD THE TRUTH – 4:00Eight Gates, Secretly Canadian, 2020 GRAVENHURST. I TURN MY FACE TO THE FOREST FLOOR – 3:50Flashlight Seasons, […] Cet article Errance #167 : De Nina Nastasia à Grant McLennan est apparu en premier sur Eldorado.

Indiana singer/songwriter/guitarist Strand of Oaks (Timothy Showalter) spoke with morning host Matt Pelsor about touring Europe with Magnolia Electric Company following the death of friend and fellow musician Jason Molina. He also talked about cast in the television show Mayans MC, as well as what it was like to work with Smashing Pumpkins guitarist James Iha on his most recent album “In Heaven.” WTTS In Conversation is sponsored by IndyGo. Apply at https://www.indygo.net/employment/

This week Oliver looks at the second part of the Jason Molina story. This episode focuses on Molina's work under Magnolia Electric Co, with a main focus on his Neil Young influenced live album. Also featured is a haunting solo track. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

This week Oliver explores Jason Molina's remarkable alt rock Americana work as Songs: Ohia. His works blends rock, blues, country and lo-fi with incredible songwriting that grapples with love and sorrow. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Radio Béton, Spéciale Jason Molina

G. DeGroot of Philadelphia-based project Sadurn discusses their recent release show, the recording of their debut album, songwriting process, love for Jason Molina and more.

Cynthia Cruz, author of 'The Melancholia of Class: A Manifesto for the Working Class' joins Psychotherapist Harriet Fraad and Substance Abuse Councillor Ikoi Hiroe to discuss the 'invisibility' of class, the cost of assimilation into the middle class, eating disorders, substance abuse and many other issues. 'To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers — including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more — and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to “become someone,” only to find that they lose themselves in the process.' Email us with feedback, questions, suggestions at itsnotjustinyourhead@gmail.com. Become a patron at patreon.com/itsnotjustinyourhead to gain early access to episodes, our discord server, and monthly reading/discussion groups. The Melancholia of Class: A Manifesto for the Working Class: https://repeaterbooks.com/product/the-melancholia-of-class-a-manifesto-for-the-working-class/ --- Send in a voice message: https://anchor.fm/itsnotjustinyourhead/message Support this podcast: https://anchor.fm/itsnotjustinyourhead/support

Con la excusa del 20 aniversario del álbum de Songs: Ohia, "Didn't It Rain", nos acercamos a la figura del compositor, cantante y guitarrista Jason Molina, desde la admiración a un aritsta de culto dentro de la música americana de raíces. Canciones oscuras e intensas que nos hablan de demonios interiores. Música que duele y sana a partes iguales. Todo en vinilo excepto un tema de Sojourner, que suena en cd.

2009 would prove a pivotal year in Jason Molina's life, a turning point that would lead to his tragic death only a few, short years later. But as he embarked on a batch of solo studio sessions in London that January––the sessions that would become Eight Gates––it would have been nearly impossible to imagine that they would be his last.

Jason Molina's friends and collaborators were well versed in his penchant for tall tales and his use of “truthlets”––benign fibs––in the service of a good story. But as Molina's problems with alcohol began to flare, the lines between truth and fiction seemed to grow increasingly blurry.

Oh boy. That could be applicable to any number of situations brought about by this episode. My guest, Will Johnson, is, in my humble opinion, a behemoth of the indie folk rock scene. Partially in thanks to his collaborations with artists such as Jason Molina, Vic Chestnutt, and the Monsters of Folk crew(i.e. Connor Oberst, Jim James, M. Ward and Mike Mogis). His particular brand of raw, introspective folk is completely captivating and singularly unique. With that being said, it is an absolute pleasure and honor for me to have had this conversation with him about a record that was inspiring to him on so many levels, that I'll just leave it to him to describe. I have a feeling many people will relate to some of these sentiments. If you'd like to support Will by purchasing some of his music, artwork or merchandise please visit: https://undertowstore.com/collections/will-johnson https://willjohnson.bandcamp.com/ and if you're interested in his debut novel, If Or When I Call, find that here: https://www.goliadmedia.net/books/if-or-when-i-call/ He is currently on tour with John Moreland. Go to www.will-johnson.com for links to all tour dates and tickets. If you'd like to support our show, please visit www.psychicstatic.net. Any purchase there helps keep the show moving on. Thanks! Theme song written and performed by Jeff Robbins of 123 Astronaut

Songs: Ohia and Magnolia Electric Co. frontman Jason Molina was living in London when writer Justin Taylor caught up with him for an interview in 2010. This previously unreleased audio finds Molina in good spirits, discussing life in London, and provides a rare glimpse of his gregarious, often talebearing personality––one perhaps at odds with his darker musical persona. 

Chorus'un yeni bölümünde; Indie müziğin önemli ismi Jason Molina'nın grubu Songs: Ohia'nın son albümü konuşuldu. Bu bölümde; Orta Amerika olarak tarif edilebilecek eyaletlerden gelen müziğin oluşum sürecini ve Molina'nın diğer projelerine de değiniliyor. Ant Arın Şermet'in bu bölümdeki konuğu olan Socrates Podcasts Genel Yayın Yönetmeni Cem Pekdoğru; lise ve üniversite yıllarından gelen anılarda The Magnolia Electric Co.'ya da yer veriyor. Chorus'un 25. bölümü yayında!

Hey Y'all. One of my favorite memories of Drew was seeing him cover Songs:Ohia songs solo during an apartment show in Inman Sq. Out of all the Jason Molina songs covered that time after his death, I always remembered Drew's interpretation being one of the most endearing. Thanks for listening. Stay safe y'all. j. Bandcamp https://drewodoherty.bandcamp.com The trailer for "The Hill and The Hole", one of the features that I've scored that came up in our conversation. https://vimeo.com/349979115 The trailer for "Corpse", also discussed. https://www.youtube.com/watch?v=iC6sL0WxS6c Breaking the D string on a song whose main riff is on the D string while playing Conan O'Brien. https://vimeo.com/57022397 Footage from my final show with Ted Leo & The Pharmacists during the 2003 blackout in NYC. https://www.youtube.com/watch?v=f5trEfSQEVs Intro: Charlene- Cathode Outro: Drew O'Doherty- The Robbery --- Support this podcast: https://anchor.fm/aytag/support

Programa dedicado a una de las obras maestras del más grande, Neil Young. Podría haber sido EKTIN, ATGR, Harvest, Tonight's the Night, On the Beach o Rust Never Sleeps pero, hoy le ha tocado a Zuma. Suenan además John K. Samson, Sun Kil Moon, Dinosaur Jr., Emmylou Harris, Jason Molina y Nick Cave. Todo en vinilo.

Watched 2 films about/on the late great musician Jason Molina who died tragically at the age of 39 in 2013 from organ failure brought on by alcoholism. The Road Becomes What You Leave, a short meditative look at life on the road, and Recording Josephine: Magnolia Electric Company at Electrical Audio, a 70-minute document of his band recording one of their final albums with Steve Albini in Chicago

Whether he was recording as Songs: Ohia or Magnolia Electric Company, Jason Molina was a poetic and enigmatic musician, releasing 16 studio albums before his untimely death in 2013. Hosts Jim DeRogatis and Greg Kot talk with Erin Osmon about her biography of Molina, "Riding With The Ghost." The hosts also hear what song got Leon Bridges Hooked on Sonics and review the new album from country artist Mickey Guyton. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Songs: Ohia, "I've Been Riding With The Ghost," The Magnolia Electric Co., Secretly Canadian, 2003Mickey Guyton, "Black Like Me," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "All American," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "Rosé," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "Dancing In The Living Room," Remember Her Name, Capitol Nashville, 2021Songs: Ohia, "Farewell Transmission," The Magnolia Electric Co., Secretly Canadian, 2003Songs: Ohia, "Cabwaylingo," Songs:Ohia, Secretly Canadian, 1997Songs: Ohia, "Steve Albini's Blues," Didn't It Rain, Secretly Canadian, 2002Songs: Ohia, "Soul," (Single), Palace, 1995Songs: Ohia, "White Sulfur," Songs:Ohia, Secretly Canadian, 1997Songs: Ohia, "Farewell Transmission," The Magnolia Electric Co., Secretly Canadian, 2003Songs: Ohia, "The Black Crow," The Lioness, Secretly Canadian, 1999Amanda Shires, "Just Be Simple," Just Be Simple (Unreleased), N/A, 2019Songs: Ohia, "Just Be Simple," The Magnolia Electric Co., Secretly Canadian, 2003Leon Bridges, "Motorbike," Gold-Diggers Sound, Columbia, 2021Miguel, "Sure Thing," All I Want Is You, Jive, 2010Miguel, "All I Want Is You (feat. J.Cole)," All I Want Is You, Jive, 2010Janet Jackson, "Control," Control, A&M, 1986

Kate Wolf and Medaya Ocher are joined by author Cynthia Cruz to discuss The Melancholia of Class: A Manifesto for the Working Class. A mix of memoir, cultural theory, and polemic, Cruz's latest work addresses the personal and social consequences of the marginalization of America's majority population, its working class. Cruz speaks about what inspired her to write the book and how she came to focus on the lives of certain famous working-class people, like musicians Amy Winehouse and Ian Curtis (who both died tragically in their 20s), and Jason Molina (who made it to 39), actress Barbara Loden, and others. How did they and Cynthia contend with the hegemonic “middle-class” culture's shaming of working-class characteristics? Denial and repression of working-class consciousness is encouraged in our society. This repression is seen as a precondition for success, but it mangles the soul and shreds the bonds of social solidarity that are the foundation of community and provide a sense of belonging. 173 years after Marx and Engels recast the working class as the protagonist of history in their Manifesto, Cruz does the same in hers. Also, Amia Srinivasan, author of The Right to Sex: Feminism in the 21st Century, returns to recommend Revolting Prostitutes: The Fight for Sex Workers' Rights by Molly Smith and Juno Mac, who are both British sex workers.

Kate Wolf and Medaya Ocher are joined by author Cynthia Cruz to discuss The Melancholia of Class: A Manifesto for the Working Class. A mix of memoir, cultural theory, and polemic, Cruz's latest work addresses the personal and social consequences of the marginalization of America's majority population, its working class. Cruz speaks about what inspired her to write the book and how she came to focus on the lives of certain famous working-class people, like musicians Amy Winehouse and Ian Curtis (who both died tragically in their 20s), and Jason Molina (who made it to 39), actress Barbara Loden, and others. How did they and Cynthia contend with the hegemonic “middle-class” culture's shaming of working-class characteristics? Denial and repression of working-class consciousness is encouraged in our society. This repression is seen as a precondition for success, but it mangles the soul and shreds the bonds of social solidarity that are the foundation of community and provide a sense of belonging. 173 years after Marx and Engels recast the working class as the protagonist of history in their Manifesto, Cruz does the same in hers. Also, Amia Srinivasan, author of The Right to Sex: Feminism in the 21st Century, returns to recommend Revolting Prostitutes: The Fight for Sex Workers' Rights by Molly Smith and Juno Mac, who are both British sex workers.

Writer and Poet Cynthia Cruz joins Kate and Medaya to discuss The Melancholia of Class: A Manifesto for the Working Class. A mix of memoir, cultural theory, and polemic, Cruz's latest work addresses the personal and social consequences of the marginalization of America's majority population, its working class. Cruz discusses what inspired her to write the book; and how she came to focus on the lives of certain famous working class people, like musicians Amy Winehouse, Ian Curtis (who both died tragically in their 20s), and Jason Molina (who made it to 39), actress Barbara Loden, and others. How did they and Cynthia contend with the hegemonic “middle class” culture's shaming of working class characteristics? Denial and repression of working class consciousness is encouraged in our society. This repression is seen as a precondition for success; but it mangles the soul and shreds the bonds of social solidarity that are the foundation of community and provide a sense of belonging. 173 after Marx and Engels did the trick in their Manifesto, Cruz does the same in hers: by casting the working class in its proper role, as the protagonist of history. Also, Amia Srinivasan, author of The Right to Sex: Feminism in the 21st Century, returns to recommend Revolting Prostitutes: The Fight for Sex Workers' Rights by Molly Smith and Juno Mac, who are both British sex workers.

Nathan and Tai take on your questions, including how place relates to depression, knowing Jason Molina, and why people aim for the status quo. Follow us on Instagram at @rudderlesspod --- Support this podcast: https://podcasters.spotify.com/pod/show/rudderless/support

Many thanks to James for his time, talent and vulnerability this week. You can check out James' music on his Bandcamp  page or by watching the video that he and his landlord (!) made for All of Arkansas the lead single on his most recent album Stars Blue Wheel. You can also follow him on the socials.  As you may have gathered from Katie's review this week, Songs: Ohia is a band in pretty heavy rotation here at TVK HQ. Accordingly, when James proposed a story based on Farewell Transmission I was pretty excited. If you were listening closely, I used brief clips of two versions of the song in this week's episode. The album version and the demo which is all the more lovely for having been, seemingly recorded outside with the birds and cicadas playing their part. As always, I'd encourage you to listen to the whole song either before or after you listen to the show and if you, like me, end up falling hard for Jason Molina's work you might want to listen to Didn't it Rain , The Lioness (which has, for my money, one of the sexiest choruses ever recorded) or maybe this acoustic version of Hold On Magnolia  which has stopped my heart more than once during the production of this week's show. Such a great talent, taken too soon.As always, you can get in touch with The Volume Knob on Twitter, Instagram, Facebook or at our website volumeknob.net.Do you have a story about the song that saved your life? Send it to me at volumeknobpod@gmail.com.

Jason Molina is one of the most capable, compelling, and confounding musicians of the last quarter century. We're celebrating his life and work as we mark five years since his passing in the spring of 2013. To do so, you'll hear from "Jason Molina: Riding With the Ghost" author Erin Osmon, Jim James, Scott Avett, Strand of Oaks frontman Tim Showalter, and Secretly Canadian Records co-founder Ben Swanson.

This week on The One You Feed we have Timothy Showalter from Strand of Oaks. Strand of Oaks aka Timothy Showalter just released one of the years best records. Heal has been celebrated by NPR, Pitchfork, Mojo and Uncut among many others. It's one of our favorite records of the year. The story behind Heal: "From the first bars of HEAL, the exhilarating melodic stomp of 'Goshen '97' puts you right into Tim Showalter's fervent teenage mindset. We find him in his family's basement den in Goshen, IN, feeling alienated but even at 15 years old, believing in the alchemy and power of music to heal your troubles. "The record is called HEAL, but it's not a soft, gentle healing, it's like scream therapy, a command, because I ripped out my subconscious, looked through it, and saw the worst parts. And that's how I got better." HEAL embodies that feeling of catharsis and rebirth, desperation and euphoria, confusion and clarity. It is deeply personal and unwittingly anthemic.Showalter was on tour, walking home on a mild autumn night in Malmo, Sweden, when he first felt the weight of the personal crisis that would ignite him to write HEAL. "It was a culmination of pressure," Showalter recalls. "My marriage was suffering, I'd released a record I was disappointed in, I didn't like how I looked or acted...so I'd gone on tour, I was gone about two years! I didn't take time to think about failure, but I knew I was going deeper and deeper...I was thinking, I have this life, but it's not my life, I haven't done it right..."When Showalter returned, he wrote 30 songs in three weeks, a process that proved difficult, but cathartic and at times invigorating. Previous Strand Of Oaks records were more skeletal, raw examples of folk-rooted Americana with occasional rock and electronic currents, that have now come to the fore. HEAL is a bold new beginning, with a thrilling full-tilt sound that draws on Showalter's love of '70s, '80s and '90s rock and pop, with the singer and guitarist playing the intense valedictory confessor. In This Interview Tim and I Discuss... The One You Feed parable. The great success of his new record. The saddest line on his new record. The importance of feeling all of our emotions, not just the good ones. How hard it is to write uplifting music that isn't cheesy. Disliking ironic music. The redemptive power of rock and roll. How we care less about what people think as we age. The power of being our authentic selves. Becoming who we are. Avoiding the victim/villain mindset. Jason Molina of Songs:Ohia. Fighting the dark times. Strand of Oaks Links Strand of Oaks homepage Buy Heal on Amazon Strand of Oaks on Twitter Strand of Oaks on Facebook Strand of Oaks playlist on YouTube Some of our most popular interviews you might also enjoy: Kino MacGregor Mike Scott of the Waterboys Todd Henry- author of Die Empty Randy Scott Hyde See omnystudio.com/listener for privacy information.