Podcasts about Jason Molina

Patrick and Scott Parks are joined by film director Tommy Nickoloff, the driving force behind a documentary on the early life and career of the late, great Ohio musician Jason Molina. In the final section of the interview, Jason Molina's connection to the landscape of Ohio and why the truth should never get in the way of a good ghost story.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Patrick and Scott Parks are joined by film director Tommy Nickoloff, the driving force behind a documentary on the early life and career of the late, great Ohio musician Jason Molina. In the second part of the interview, Tommy discusses the process of getting a film accepted at a festival and his long-term vision for his film. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Patrick and Scott Parks are joined by film director Tommy Nickoloff, the driving force behind a documentary on the early life and career of the late, great Ohio musician Jason Molina. Today's episode is the first part of their conversation. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

This epsode speaks for itself. Love will prevail. A snippet of a coffee-themed Cream song during the break, and a very beautiful song of the week by Jason Molina. "Wonderous Love" - Jason Molina: https://youtu.be/xoVfncmCTAA?si=Gm2yLCyloCnzT-LxCold Brew Patreon: Patreon.com/ChrisCroftonChannel Nonfiction: ChannelNonfiction.com

You Fuckers Figure It Out filmmaker Tommy Nickoloff is our guest for Episode 211 of The Marinade. Tommy grew up with legendary songwriter Jason Molina in Lorain, OH.  In a strike of what we would call kismet married with genius, Nickoloff set out to make a film about his friend and the results are a must-watch for fans of Molina, film, music, or good stories. Jason Molina is one of my all-time favorite songwriters. Tommy coming into my life to talk about Molina was fate so far as I'm concerned. You fuckers listen and figure out whether I'm right. Everyone, it is my pleasure to bring you, my conversation with Tommy Nickoloff! Follow You Fuckers Figure It Out on Instagram: https://www.instagram.com/yffiofilm/ Support The Marinade on Patreon: https://www.patreon.com/marinadepodcast  

Having already penned much-heralded books on both John Prine and Jason Molina, author Erin Osman is now tackling the wide genre of heartland rock — which she defines more by a spiritual and ideological geography, rather than a literal one. And while Bob Seger, Tom Petty, Bruce Springsteen and John Mellancamp round out the Mount Rushmore of sorts for this soundtrack of working class 80's middle-America, Osmon casts a needed spotlight on the likes of Bonnie Raitt, Tracy Chapman, Lucinda Williams and Bruce Hornsby within the pages of 'Won't Back Down,' available now wherever you get literature. On this week's show, Osman expands upon the relationship between art and province, and why the subject matter of 'Won't Back Down' stretches across generations. Plus, details on her current role on the editorial staff of the Country Music Hall of Fame & Museum in Nashville, and how her two decades as a music journalist have led her there. Visit erinosmon.com for more info, past works and a killer playlist of tunes featured in 'Won't Back Down.' Music on this episode is from The Pretty Flowers, available digitally or on vinyl at theprettyflowers.bandcamp.com or forgeagainrecords.bandcamp.com.

UK-based alt-country band Brown Horse released Oliver's favourite album of 2025. Now they're back with 'Total Dive', the group's third LP. Oliver checks out what is another great record. It evolves the Americana sound of Jason Molina, Uncle Tupelo and Wilco, and places the band firmly among contemporaries Wednesday and MJ Lenderman. Plus, Waxahatchee's cover of a favourite from This is Lorelei's album 'Box for Buddy, Box for Star'. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Indie-Bands mit hörbarem Country-Einschlag gibt es mittlerweile ja einige – nur kommen die meisten aus den USA, nicht aus Norwich. Dort, im Osten Englands, ist das Quartett Brown Horse – sie bezeichnen ihre Musik als «Slacker Twang» – zuhause und veröffentlicht ein neues Album. Schon wieder. «Schon wieder», weil: «Total Dive» ist bereits ihr drittes Album in ebenso vielen Jahren. Sattgehört haben wir uns an dieser Band aber noch lange nicht. Auch, weil in den emotionalen, herzzerreissenden Vocals von Sänger Patrick Turner immer wieder Songwriter-Gott Jason Molina (R.I.P.), aka Songs: Ohia aka Magnolia Electric Co., durchschimmert.

Oliver checks out a favourite indie rock album on it's tenth birthday, Nada Surf's 'You Know Who You Are'. It's an album he thinks finds a perfect middle ground between the band's grungy early sound and their more pop-based indie sound. Then, a look at a reissue of the first studio release by Americana legend Jason Molina's band Magnolia Electric Co.. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. The Tear Garden, "A Return" (A Return) 2025 Artoffact 2. Sir Richard Bishop, "They Shall Take Up Serpents" (Hillbilly Ragas) 2025 Drag City 3. Cherrystones x Demdike Stare, "Navigated Dialogues As Language Ciphers" (Who Owns The Dark?) 2025 DDS 4. Sam Prekop, "Light Shadow" (Open Close) 2025 Thrill Jockey 5. Blurt, "Mecanno Giraffe" (The Mecanno Giraffe) 2025 All City 6. Eiko Ishibashi & Jim O'Rourke, "Pareidolia (single edit)" (Pareidolia) 2025 Drag City 7. Susumu Yokota, "Red Door (Will)" (Skintone Edition Volume 1) 2025 Lo 8. Ensemble Nist-Nah, "Snakelike" (Spilla) 2025 Black Truffle 9. Flutter Ridder, "Barely Dragging Whole Apart" (Flutter Ridder) 2025 Students of Decay 10. Moodymann, "I Need You so Much (feat. Roberta Sweed)" (Black Mahogani) 2004 Mahogani 11. Repetition Repetition, "Apartment Life" (Fit for Consequences: Original Recordings, 1984–1987) 2025 Freedom to Spend 12. Jason Molina, "Solitude" (Black Sabbath Covers) 2017 Secretly Canadian * Eine Sendung vom 25. Juli 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Interview with singer songwriter Robert Deeble. Born in 1966 in Long Beach, California, Robert cut his teeth as a songwriter in the gritty underground of the LBC, which introduced him to longtime collaborators like drummer Stephen Hodges (Mike Watt/Tom Waits) and folk heroine Victoria Williams, who helped launch his early records. His 1998 release, EarthSide Down, earned notice for its orchestral textures and spirit- infused lyrics—reminiscent of Leonard Cohen and Nick Drake. By his third album, Paste had described him as “truly an arresting talent, able to gain entry to places rarely imagined by most songwriters. Following his This Bar Has No One Left EP in 2005, Deeble completed a Master's degree in psychology—a journey that has deeply informed his songwriting and emotional perspective. His 2012 album Heart Like Feathers marked his musical return, with themes of Robert Deeble - Bio depression and struggle but with “a redemptive hope that brought glimmers of light (Performer Magazine).” Robert emerged again in 2018, with one of his more personal works, Beloved. Born from his experience of fostering and then adopting a child with his wife, the album captures the agony and tenderness of temporarily caring for a child, the heartbreak of letting her go, and, finally, becoming her parent. Robert's recordings over the years have featured such industry veterans as Rachel Blumberg (The Decemberists), Jen Wood (The Postal Service), Tomo Nakayama and others. He has shared bills with artists such as Low, IDA, Jason Molina, Sam Phillips, M. Ward, Over the Rhine, Mike Watt, Damien Jurado, David Bazan and Victoria Williams. The Space Between Us shows Deeble to be a craftsman of understated, emotionally resonant songwriting. Or as Bandcamp put it, "Every new record from Seattle musician Robert Deeble is like stumbling across some secret grotto.   Robert's info:  https://robertdeeble.com/ https://en.wikipedia.org/wiki/Robert_Deeble https://robertdeeble.bandcamp.com/music https://www.instagram.com/rdeeble/?hl=en https://www.facebook.com/robert.deeble.music/ https://open.spotify.com/artist/42LPbMxQThbZsibL4OdqMZ  

Tim Midyett from Mint Mile returns to discuss andwhichstray, what recent Silkworm reunion shows have been like, the throughlines between songs he wrote in that band about mortality, connection, and community and his most recent Mint Mile material, how fortune enabled him to make one more record with his late friend Steve Albini, who engineered andwhichstray in France during the second last recording session of his life, how he relates to records he has made with people who are gone, finally listening to and recording a song that the late Jason Molina wrote for Silkworm after drummer Michael Dahlquist was killed in a car accident twenty years ago, bands like Pavement who play live but don't make new records and whether he thinks Silkworm might write new songs, Aerosmith and Die Kruezen, upcoming Silkworm shows, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1044: Steve Albini (2008)Ep. #1035: Ed Kuepper and Jim WhiteEp. #994: mcluskyEp. #952: SilkwormEp. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #910: The Hard QuartetEp. #869: Steve AlbiniEp. #840: Mint MileEp. #514: Steve Albini and Silkworm's Andy Cohen and Tim MidyettEp. #369: Andrew Cohen & Light ComaEp. #70: Joel RL PhelpsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Every writer has a story about the assignment that got away; for music journalist Stephen Deusner, the story was that of Jason Molina and Songs: Ohia's 2002 record 'Didn't It Rain.'   In 2014, on the wings of Secretly Canadian reissuing 'Didn't It Rain,' Deusner pitched an ambitious oral history featuring some of the people who knew Jason best and might be able to lend some humanity to an artist who had always been mythologized — often by himself. Sadly, the piece was not published at the time, but nearly a decade to the day after its inception, the oral history was issued via Molina-verse newsletter Static & Distance.   Reviving the oratory slant of this story of a legendary album, today's episode features interviews with Secretly Canadian co-founders Ben and Chris Swanson; Darcie Schoenman Molina, Jason's widow; Edan Cohen, who produced 'Didn't It Rain' at his studio in Philadelphia; and musicians who played on the record, including Mike Brenner, Jennie Benford, and Jim Krewson of Jim & Jennie & the Pinetops.  Links:  'Didn't It Rain' Deluxe Edition Secretly Society Podcast Episodes Secretly Society Podcast on Secretly Store Secretly Society General Information   Jason Molina: Jason Molina on Instagram Static & Distance on Substack Jason Molina on Facebook JasonMolina.com Secretly Society Podcast Season 1 - Jason Molina Pt. 1 - Eight Gates - "You've Been Molina'd"

Longest episode ever at 3 hours, 9 minutes? I think it is.Some Isbell talk, some Childers talk, Brandi and Mandy, fantasy football, "The Odd Couple," acapella songs, Jason Molina, being "Domesticated AF" and taking breaks and recharging. Some discussion about the future of the podcast. You OK if we keep doing this for a little longer?Check out Jason and the Marinade at: The Marinade with Jason EarleCheck out Jordan at: https://jordanfoleymusic.com/homeCheck out Jordan and Jason's podcast "Life's Greatest Hits" at:  https://jordanfoleymusic.com/podcast Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Jimmy sits down with Tommy Nickoloff, producer and director of You Fuckers Figure It Out: A Jason Molina Story. It's Tommy's debut film, and they don't hold back. They talk about growing up in Lorain in the 70s, 80s, and 90s — the same schools, the same mix of cultures, the same working-class expectations that shaped Jason, too. They share laughs, overlapping memories, figuring life out the hard way, and losing people they cared about in this unfiltered conversation.The film explores Jason Molina's early life and legacy, but it's also about Lorain and the people who came up there. Part origin story, part love letter, it shows sides of Jason that rarely get discussed: the funny, the restless, the sharp, the deeply human.PLUS: a sneak peek of the soon-to-premiere trailer.RELEVANT LINKS:Website: https://www.yffio.comFacebook: https://www.facebook.com/people/YFFIO/61576691729976/Instagram: https://www.instagram.com/yffiofilm/YouTube: https://www.youtube.com/@YFFIOJason Molina Biography (Erin Osmon): https://bookshop.org/p/books/jason-molina-riding-with-the-ghost-erin-osmon/40c7726b8dd62f77?ean=9781538112182#MAHDHouse #JasonMolina #TommyNickoloff #Documentary #YouFuckersFigureItOut #SongsOhia #LorainOhio #UnfilteredConversations #WorkingClassStories #DIY #MagnoliaElectricCo

The late great Mark Linkous and his project Sparklehorse. Sparklehorse were alt-country pioneers, in similar spheres as Elliott Smith and Jason Molina, and having great influence on Wednesday and MJ Lenderman. Plus, UK classic rock band The Heavy Heavy with two great covers of Father John Misty and Jonathan Wilson. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Episode 753: July 25, 2025 playlist: The Tear Garden, "A Return" (A Return) 2025 Artoffact Sir Richard Bishop, "They Shall Take Up Serpents" (Hillbilly Ragas) 2025 Drag City Cherrystones x Demdike Stare, "Navigated Dialogues As Language Ciphers" (Who Owns The Dark?) 2025 DDS Sam Prekop, "Light Shadow" (Open Close) 2025 Thrill Jockey Blurt, "Mecanno Giraffe" (The Mecanno Giraffe) 2025 All City Eiko Ishibashi and Jim O'Rourke, "Pareidolia (single edit)" (Pareidolia) 2025 Drag City Susumu Yokota, "Red Door (Will)" (Skintone Edition Volume 1) 2025 Lo Ensemble Nist-Nah, "Snakelike" (Spilla) 2025 Black Truffle Flutter Ridder, "Barely Dragging Whole Apart" (Flutter Ridder) 2025 Students of Decay Moodymann, "I Need You so Much (feat. Roberta Sweed)" (Black Mahogani) 2004 Mahogani Repetition Repetition, "Apartment Life" (Fit for Consequences: Original Recordings, 1984–1987) 2025 Freedom to Spend Jason Molina, "Solitude" (Black Sabbath Covers) 2017 Secretly Canadian Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Oliver looks at the new album and other favourite tracks from grungy indie rock band Momma. Plus, Jason Molina's Magnolia Electric Co and their Americana rock record 'What Comes After The Blues' 20 years after its release. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Singer-songwriter Samantha Crain wasn't sure if she'd ever be able to make music again after a car accident left her without the ability to play instruments or physically write songs. Samantha talks with Marc about her recovery and how her physical improvement coincided with the evolution of her artistic confidence. Samantha also explains her family's storied history of powerlifting, the influence of Jason Molina, and why she feels it's important to write and perform songs in the Choctaw language. Hosted on Acast. See acast.com/privacy for more information.

The great peaks and valleys of the creative experience, inhabiting similar world views, and moving into a garage apartment. John Calvin Abney "Shortwave radio is a nearly-defunct technology that now exists only on the edge of memory, a tool of niche hobbyists. It is a fitting metaphor, then, for those continuing down a highway without travelers, a dusty trail without service to make a call. On his new EP, Shortwaving, alternative Americana singer-songwriter and in-demand sideman (you might have seen him on stage with artists like John Moreland, Ben Kweller, Wild Child, Hanson, and countless others), John Calvin Abney explores the unease - the fear, even - that comes from repeatedly sending signals into the atmosphere and hearing little but static and silence in response. As Abney puts it in the title track: “Swim the shortwave / Cutting in and out / I'm losing strength in these hills / Between the stations / Is the dark you heard about / Can you hear it now? / Shortwaving still.” The central question of this project is this - what do you do when communication seems to be losing its ability to reach people? For Abney, the answer is to beam your message into the void regardless, almost as an act of faith. The result is a haunting set of country-rock laments, descended from classic end-of-the-party albums like Neil Young's On The Beach and Jason Molina's The Magnolia Electric Co. Chunky minor chords loop on repeat while ghostly slide guitar figures glide in and out of earshot. When Abney sings “There's a devil in the dialtone,” we can hear exactly what he means. Recorded at Columbus, Ohio's Secret Studio in a single day with a small group of friends, including co-producer Lydia Loveless on background vocals and engineering duties, one gets the feeling of accidentally stumbling upon the lost tapes of an obscure Midwestern band, amplifying incantations away in a hidden corner somewhere. These are songs about not being heard that sound almost private, as if they're perhaps not meant to be heard. This intimate quality gives Shortwaving a refreshing lack of self-consciousness. Abney gives the impression of singing these songs primarily to himself, almost as a kind of prayer. While coming to terms with the reality of communicating and creating in an age of noise and glamor, he is attempting to “whisper in a hurricane”. The theme of soldiering on through the cacophony permeates the 5-song set - whether in “Arkansas River Bridge”, where Abney challenges both heaven and the devil to “See me get back up and try,” or in the chorus of “Truckee River Blues”, where Abney sings to both the moon and himself, “Shine on, sickle blade moon / It's too late to go too soon.” Shortwaving's glimmers of hope, the “silver lining on a shadow”, as Abney puts it in the title track, come in a few buoyant musical moments later on in the EP - the chiming sparks of a faraway guitar on the instrumental track “Supporting Actor”, which sounds like it could be lifted straight from the session tapes of Led Zeppelin III, and the triumphant, crashing chords that announce the chorus of final track “Truckee River Blues”. After a dark night of the soul spent swimming in the airwaves, it feels as if John Calvin Abney finally receives his response amidst the droning static and spectral frequencies. It is a reminder of the joy and humanity contained in the very act of moving forward and sending out transmissions on these lost highways. And even though it may be harder to hear than it once was - on certain wavelengths at least, Shortwaving is a lighthouse, helping to navigate memories of what used to be." Excerpt from https://www.johncalvinabney.com/bio John Calvin Abney: Bandcamp: https://mrossperkins.bandcamp.com Instagram: @johncalvinabney Website: https://www.johncalvinabney.com Records: https://www.johncalvinabney.com/store Merch: https://johncalvinabney.bandcamp.com/merch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

This episode of Across The Margin : The Podcast features an interview with Erin Osmon, an award-winning, Los Angeles-based music journalist, critic, and author. She's written long-form album notes for archival releases on Blondie, Hüsker Dü, Townes Van Zandt, Sparklehorse, and many others. A veteran of Chicago newsrooms, her work appears in Rolling Stone, LA Times, New York Times, Washington Post, and other publications of record. She is part-time faculty at USC's Annenberg School of journalism. Her new book, about heartland rock in the 1980s, will be published by W.W. Norton in 2026. Her first book, Jason Molina: Riding with the Ghost — the focus of this episode — was published in 2017 and named a Best Music Book of the year by Pitchfork. Her book about John Prine's landmark debut album was published by Bloomsbury's 33 1/3 series. In Jason Molina: Riding with the Ghost, Erin presents a detailed, human account of the Rust Belt–born musician Jason Molina — a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. It details Molina's personal trials and triumphs and reveals for the first time the true story of his last months and works. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana–based label Secretly Canadian. As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Riding with the Ghost provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. In this episode host Michael Shields and Erin Osmon discuss how Molina's deep ties and affinity to the state that birthed him (Ohio) shaped his life and influenced his career. They explore Molina's surprising and varied musical influences, the comparison to singer-songwriter Will Oldham which shadowed Molina throughout his career, the birth of the timeless classic album that is Magnolia Electric Co., and so much more. Hosted on Acast. See acast.com/privacy for more information.

Who does MJ Lenderman sound like? Dinosaur Jr? Son Volt? Silver Jews? Drive-By Truckers? Neil Young & Crazy Horse? Oliver makes a case for the label of 'punk rock Jason Molina' as he looks through Lenderman's pre 'Manning Fireworks' releases, including some awesome live tracks. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Steven and Ian begin this week's episode by reflecting on this week's election (0:57). Steven just woke up from a week-long coma and he asked Ian to tell him who won. After they, delve into a less depressing topic: The music of The Cure! They talk about their strong new album, Songs Of A Lost World, and where it fits in the band's career. Then they talk about the best Cure albums, and also rank their top five Cure songs (16:02).In Recommendation Corner, Ian talks up the new Connor O'Malley comedy Rap World while Steven recommends the Jason Molina biography, Riding With The Ghost (51:58).New episodes of Indiecast drop every Friday. Listen to Episode 214 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Oliver plays garage psych from Chicago's Glyders, manic live garage punk from San Francisco's Thee Oh Sees and newly rereleased live tracks from the Jason Molina and Songs:Ohia treasure troves. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

This week is all about the rising Americana indie rocker MJ Lenderman (also of Wednesday). Oliver checks out favourite tracks from Lenderman's critically revered new LP 'Manning Fireworks' which takes influences from the likes of Neil Young & Crazy Horse, Jason Molina, Silver Jews and Drive-By Truckers. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Daniel Ralston is the writer and producer of the podcast series The True Story of the Fake Zombies, available everywhere. We talk about “Time of the Season” blowing up without The Zombies knowing about it, Rolling Stone's Ben Fong Torres, Buzzfeed's longform era, turning an article into a podcast, ? & the Mysterians, the ZZ Top of it all, small-town history museums, Huell Howser, 70s artists that popped off in the 80s, Jason Molina, British psych and Texas blues, Justin absolutely flubs a new podcast “segment,” Malibu real-estate scene report, Kanye's Ando house, Daniel's old neighbors (Axl Rose and a guy named “Rattlesnake”) and the current state of the The Zombies.  x.com/routinelayup x.com/danielralston https://www.iheart.com/podcast/1119-the-true-story-of-the-fak-186899838/ --- Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Neil Young and Crazy Horse, Jason Molina, Uncle Tupelo, Pavement, Drive-By Truckers, those are some of the artists that MJ Lenderman has been compared to. This week we check out Lenderman's solo work, including new single releases, along with the work he's done as guitarist of Wednesday. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Had a go at making the show as pretty as I could, influenced by Amelia Empson's gorgeous song 'Closer'. She's my new favorite thing. Strayed off the track a bit in a couple of places, James McMurtry ain't that purdy, Jason Molina is just plain dark, but mainly true to sweeter sounds of the American persuasion.

Sponsored by Betterhelp www.betterhelp.com/TheBarnJohn Moreland is a singer-songwriter whose music transcends genres and resonates deeply with audiences through its raw authenticity and emotional depth. Hailing from Tulsa, Oklahoma, Moreland's journey in music has been marked by a commitment to introspection and a relentless pursuit of truth in his songwriting.Moreland's music is characterized by its soul-stirring lyrics, haunting melodies, and his distinctive gravelly voice that carries the weight of his experiences. His songs often serve as windows into his innermost thoughts and feelings, exploring themes of love, loss, redemption, and the human condition with profound honesty and vulnerability.Growing up in the Bible Belt, Moreland's upbringing infused his music with themes of faith, doubt, and existential questioning. While he no longer considers himself religious, echoes of his upbringing can be heard in his lyrics, which grapple with the complexities of belief and the search for meaning in a world filled with uncertainty.Moreland's songwriting prowess has earned him widespread acclaim from fans and critics alike. His albums, including "High on Tulsa Heat" and "LP5," have been praised for their poetic lyricism and sonic richness, while his live performances are known for their intimate and electrifying energy.Despite his rising popularity and critical acclaim, Moreland remains grounded and true to himself, eschewing the trappings of fame for the sake of artistic integrity. He is not one to shy away from vulnerability, often baring his soul in his music in a way that invites listeners to connect with their own emotions and experiences.In addition to his solo work, Moreland has collaborated with other artists and musicians, further expanding his musical horizons and pushing the boundaries of his creativity. His commitment to pushing himself as an artist while staying true to his roots is a testament to his dedication to the craft of songwriting and the power of music to touch hearts and minds.In a world filled with noise and distractions, John Moreland's music serves as a beacon of authenticity and truth, reminding us of the power of art to illuminate the human experience and connect us to something greater than ourselves.www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

For this episode of Songs of Our Lives, I invite The Body's Lee Buford on the show. First, we get the other perspective on Dis Fig & The Body's “Orchards of a Futile Heaven.” This record just absolutely rips. Then, things go off with the Jason Molina's crushing music, Neutral Milk Hotel's being too ubiquitous, music that's so vapid it rocks, Peter Gabriel's wild romantic lines, the brutality and awesomeness of “Cop Killer,” Willie Nelson bringing a sadness to someone else's song that is devastating, the undeniable nature of Dead Prez, our mutual Roman Empire, and more!Listen to all of Lee's picks HEREDis Fig & The Body “Orchards of a Futile Heaven”The Body on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

This week we have a show full of dark shoegaze indie. Starting with songs from Rivulet's 'I Remember Everything', including an epic Jason Molina tribute. Then we take a look at the gloomy shoegaze of Slowdive and Scotland's Telstar Ponies. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The Eastern and Western halves of Washington can seem like two different states; one dry and pastoral, the other overcast and lush. Rob Joynes is a singer-songwriter who's music captures these two contrasting landscapes. Raised on the East side of the Cascade Mountain Range, Joynes often invokes his home town of Spokane directly in his lyrics. Pairing themes of queer identity, abjection, family and aging with piano driven melodies and sentimental guitar riffs influenced by artists like Red House Painters, Jason Molina, Carissa's Wierd and Kath Bloom. Joynes presently resides in Seattle and contributes to bands Sunnyland and Fell Off. robjoynes.bandcamp.com felloff.bandcamp.com sunnyland.bandcamp.com IG : @rob_joynes

New Jersey band CR and The Nones present their new album 'The Ghosts Are Coming Home', released via Montclair-based Magic Door Record Label. Gennone came of age playing in various projects in suburban New Jersey, including his former band, CR and The Degenerates, who released five albums from 2016 to 2018. This new project has allowed him to expand the unique hybrid of folk, country, punk, and heartland rock. CR and The Nones retains the Degenerates' core of Chris Gennone, lead/slide guitarist Jim Abbott, and bassist John Dewitt. Recalling past Garden State guitar music, Gennone's soulful vocals and his band's driving hooks invoke roads, journeys, and forward motion in general. Counting Neil Young and Jason Molina among major influences, his sound has always been propulsive. In 2020, CR and The Nones released their debut album 'Living In Fear' via Favorite Friend Records. Mixed by renowned producer Ray Ketchem (Guided By Voices, Luna, Versus, Elk City, Gramercy Arms) at Magic Door Recording Studio in Montclair, NJ, this album was selfproduced by Chris Gennone (CR to his friends) and mastered by Nick Bolton at Bolton Sound in Jersey City. 'The Ghosts Are Coming Home' is a culmination of the sound and aesthetic that CR Gennone has been building over many years and multiple bands. With an expansiveness and introspection that recalls The War on Drugs or early My Morning Jacket, the ten tracks here showcase an irresistible sincerity and heartfelt delivery. "I wrote and recorded this album before, during and after Covid, and I lived in five different places during this time, so it was a different experience than other stuff I've made. In the past, we've kind of just rolled with it and come up with guitar leads, riffs, and sounds on the fly. With Covid lockdowns and the help of some friends, this record really gave me the time and space to write and play my own leads, sing my own harmonies, change arrangements, and take on more of the production aspect of it," says CR Gennone.

Part 1 of my conversation with guest Phil Stacey about the music of 2003. Show notes: In 2003, Jay had a toddler and found out another kid was on the way Started downloading a lot of music via blogs Jay saw Pat DiNizio, Gord Downie, Radiohead, Guster Phil got engaged, saw a lot of Red Sox games Coed softball struggles 50 Cent had the #1 song of the year A lot of number bands on the charts What's the deal with Kid Rock? Phil's non-top 5s: TV On the Radio, Warren Zevon, Jason Molina, Black Keys, Jet, Outkast, Ween, Lucinda Williams, Bowie Jay's non-top 5s: Gord Downie, Electric Six, Dizzee Rascal, Stephen Malkmus, Zeppelin To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Welcome back to Aquarium Drunkard Transmissions, so glad to have you here once again. Our guest this week is Will Sheff, known for his solo work and years with the indie rock band Okkervil River. In this conversation, Sheff and host Jason P. Woodbury cover a wide stretch, examining how the indie rock landscape has changed and evolved over decades, exploring the spiritual core at the heart of his music, and hearing stories about his interactions with luminaries like Roky Erickson and Jason Molina. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts, like Drifter's Sympathy, with Emil Amos of Grails, Om, Holy Sons, who will be our guest next week on Transmissions, and of course, No Way Out: An Oral History of Sunburned Hand of the Man, curated and produced by J Kelly Davis and presented by Aquarium Drunkard and Talkhouse.  Support Aquarium Drunkard Transmissions on Patreon.

Today's guest is writer Laura Snapes. Her work has been published by the BBC, Pitchfork, and NME, and she's the deputy music editor of The Guardian. We've been aiming to have her for Transmissions for some time now, and now we're so glad we've got this episode to share with you listeners, covering the psycho-geology of songs, the climate, varied definitions of the term “Americana,” and her recent listening: Julie Byrne, Be Your Own Pet, Róisín Murphy, and Jesse Lanza. Plus, the occult roots of Aphex Twin and what it means to "name" a nascent music genre. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Next week on Transmissions? Will Sheff of Okkervil River on Roky Erickson, Jason Molina, Bill Fay, and much, much more. Be well in the meantime, this Transmission is concluded. 

In this week's episode, we talk to Lance from Bitter Buffalo Records and Caliche, about Songs: Ohia, The Magnolia Electric Co., and the heart of it all Jason Molina. From his amazing "two take" style of recording music to the folklore-like myth that he became after his death and his final Irish goodbye. Join us as we honor and pay respect to one of the greats of this generation.

Releasing nearly 20 albums over 15 years, singer/songwriter Jason Molina penned "bruised and barren songs of longing and lost salvation" (NPR). Delivered with a soul-cutting, unadorned tenor, his discography continues to connect with a devoted fan base through varied incarnations -- whether in a group dynamic as Magnolia Electric Co. under his first solo moniker, Songs: Ohia or his own birthname -- despite his death in 2013, at the age of 39.   A particularly prolific period in the mid-00's saw the release of the 4-CD Magnolia box set Sojourner, encompassing full-band recordings with Steve Albini in Chicago, an alternate line-up in Virginia with Cracker frontman David Lowery producing, an EP's worth of tracks from Memphis' legendary Sun Studio, and Molina solo tapes from home. If the wide-range of performances weren't enough, Molina wanted to double-down on his mythological side by adding a ouija board and real chicken bones to the screen-printed wooden box. Eventually, label and artist settled on a celestial map and Magnolia medallion. They also put out a truncated version of this massive collection as the 10-track single LP, Fading Trails in 2006.   Today, former Magnolia bandmate Jason Evans Groth and Secretly Canadian label co-founder Ben Swanson discuss their memories of the sessions that make up Sojourner, the journey this project has taken to get to vinyl (released earlier this month, available via secretlystore.com), and how artists today continue to spread the gospel of Molina's canon a decade after his passing. Follow @jasonamolina on Instagram for archival content, and join the Molina fan community via staticanddistance.substack.com.   Secretly Canadian is also auctioning off vinyl test pressings of Molina's work and more via eBay, linked here. All proceeds are donated to housing non-profit New Hope for Families.

Coachella is upon us, so Steve and Ian felt it was appropriate to talk about the music festival. But do you really need to talk about Coachella on an indie music podcast these days? This year's lineup might be the least indie-oriented in history, continuing a long-running trend favoring pop and electronic music. To illustrate this point, they revisited the 2013 lineup, a year when The Stone Roses, Blur, Phoenix and lots of other bands who might not even be booked at the festival in 2023 were the heavy hitters (3:13).Then they turned to Running With Our Eyes Closed, the recent HBO documentary about Jason Isbell and the making of his 2020 album, Reunions (15:14). Unlike most recent music docs, this film does not feel like a commercial for the subject. It is, instead, a very candid look at a marriage going through a rough patch. In fact, the film might be almost too honest in places; this is the rare music doc that doesn't flatter its subjects. Directed by Sam Jones, who also made 2002's similarly frank Wilco doc I Am Trying To Break Your Heart, Running With Our Eyes Closed ranks with the best rock films to come out in recent years.In the mailbag section, they addressed questions about The Walkmen — who recently reunited for a tour — and their overall legacy, as well as the career of Songs: Ohia singer-songwriter Jason Molina, who has emerged as an important influence on contemporary Americana and post-hardcore acts (33:11).New episodes of Indiecast drop every Friday. Listen to Episode 134 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Indiana singer/songwriter/guitarist Strand of Oaks (Timothy Showalter) spoke with morning host Matt Pelsor about touring Europe with Magnolia Electric Company following the death of friend and fellow musician Jason Molina. He also talked about cast in the television show Mayans MC, as well as what it was like to work with Smashing Pumpkins guitarist James Iha on his most recent album “In Heaven.” WTTS In Conversation is sponsored by IndyGo. Apply at https://www.indygo.net/employment/

This week Oliver looks at the second part of the Jason Molina story. This episode focuses on Molina's work under Magnolia Electric Co, with a main focus on his Neil Young influenced live album. Also featured is a haunting solo track. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

G. DeGroot of Philadelphia-based project Sadurn discusses their recent release show, the recording of their debut album, songwriting process, love for Jason Molina and more.

Cynthia Cruz, author of 'The Melancholia of Class: A Manifesto for the Working Class' joins Psychotherapist Harriet Fraad and Substance Abuse Councillor Ikoi Hiroe to discuss the 'invisibility' of class, the cost of assimilation into the middle class, eating disorders, substance abuse and many other issues. 'To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers — including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more — and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to “become someone,” only to find that they lose themselves in the process.' Email us with feedback, questions, suggestions at itsnotjustinyourhead@gmail.com. Become a patron at patreon.com/itsnotjustinyourhead to gain early access to episodes, our discord server, and monthly reading/discussion groups. The Melancholia of Class: A Manifesto for the Working Class: https://repeaterbooks.com/product/the-melancholia-of-class-a-manifesto-for-the-working-class/ --- Send in a voice message: https://anchor.fm/itsnotjustinyourhead/message Support this podcast: https://anchor.fm/itsnotjustinyourhead/support

2009 would prove a pivotal year in Jason Molina's life, a turning point that would lead to his tragic death only a few, short years later. But as he embarked on a batch of solo studio sessions in London that January––the sessions that would become Eight Gates––it would have been nearly impossible to imagine that they would be his last.

Jason Molina's friends and collaborators were well versed in his penchant for tall tales and his use of “truthlets”––benign fibs––in the service of a good story. But as Molina's problems with alcohol began to flare, the lines between truth and fiction seemed to grow increasingly blurry.

Songs: Ohia and Magnolia Electric Co. frontman Jason Molina was living in London when writer Justin Taylor caught up with him for an interview in 2010. This previously unreleased audio finds Molina in good spirits, discussing life in London, and provides a rare glimpse of his gregarious, often talebearing personality––one perhaps at odds with his darker musical persona. 

Whether he was recording as Songs: Ohia or Magnolia Electric Company, Jason Molina was a poetic and enigmatic musician, releasing 16 studio albums before his untimely death in 2013. Hosts Jim DeRogatis and Greg Kot talk with Erin Osmon about her biography of Molina, "Riding With The Ghost." The hosts also hear what song got Leon Bridges Hooked on Sonics and review the new album from country artist Mickey Guyton. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Songs: Ohia, "I've Been Riding With The Ghost," The Magnolia Electric Co., Secretly Canadian, 2003Mickey Guyton, "Black Like Me," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "All American," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "Rosé," Remember Her Name, Capitol Nashville, 2021Mickey Guyton, "Dancing In The Living Room," Remember Her Name, Capitol Nashville, 2021Songs: Ohia, "Farewell Transmission," The Magnolia Electric Co., Secretly Canadian, 2003Songs: Ohia, "Cabwaylingo," Songs:Ohia, Secretly Canadian, 1997Songs: Ohia, "Steve Albini's Blues," Didn't It Rain, Secretly Canadian, 2002Songs: Ohia, "Soul," (Single), Palace, 1995Songs: Ohia, "White Sulfur," Songs:Ohia, Secretly Canadian, 1997Songs: Ohia, "Farewell Transmission," The Magnolia Electric Co., Secretly Canadian, 2003Songs: Ohia, "The Black Crow," The Lioness, Secretly Canadian, 1999Amanda Shires, "Just Be Simple," Just Be Simple (Unreleased), N/A, 2019Songs: Ohia, "Just Be Simple," The Magnolia Electric Co., Secretly Canadian, 2003Leon Bridges, "Motorbike," Gold-Diggers Sound, Columbia, 2021Miguel, "Sure Thing," All I Want Is You, Jive, 2010Miguel, "All I Want Is You (feat. J.Cole)," All I Want Is You, Jive, 2010Janet Jackson, "Control," Control, A&M, 1986

Many thanks to James for his time, talent and vulnerability this week. You can check out James' music on his Bandcamp  page or by watching the video that he and his landlord (!) made for All of Arkansas the lead single on his most recent album Stars Blue Wheel. You can also follow him on the socials.  As you may have gathered from Katie's review this week, Songs: Ohia is a band in pretty heavy rotation here at TVK HQ. Accordingly, when James proposed a story based on Farewell Transmission I was pretty excited. If you were listening closely, I used brief clips of two versions of the song in this week's episode. The album version and the demo which is all the more lovely for having been, seemingly recorded outside with the birds and cicadas playing their part. As always, I'd encourage you to listen to the whole song either before or after you listen to the show and if you, like me, end up falling hard for Jason Molina's work you might want to listen to Didn't it Rain , The Lioness (which has, for my money, one of the sexiest choruses ever recorded) or maybe this acoustic version of Hold On Magnolia  which has stopped my heart more than once during the production of this week's show. Such a great talent, taken too soon.As always, you can get in touch with The Volume Knob on Twitter, Instagram, Facebook or at our website volumeknob.net.Do you have a story about the song that saved your life? Send it to me at volumeknobpod@gmail.com.