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2 episodes with mike skinner
2 episodes with mike skinner
“The Streets ændrer alt for mig. Det er mig han rapper om. Han er jo mig!” Da Suspekt rapperen Orgi-E / Emil Simonsen hører The Streets debutalbummet ”Original Pirate Material” for første gang, er det som om der er noget der går op for den unge Albertslund-knægt: Man kan godt rappe om sine inderste følelser. Man må gerne udtrykke sårbarhed. Mike Skinner, som er manden bag The Streets, ændrer Emils måde at rappe på og får ham til at åbne op for helt nye sider af sig selv. Det kan blandt andet høres på Suspekt første store hit ”Proletar (Hvor jeg står)” og senere på Emils soloalbum ”Klamfyr”. I det her afsnit af Portrætalbum kan du både komme med til opvæksten i Albertslund, ungdommen i København og Birminghams rå gademiljøer, hvor næsten uforståelige britiske dialekter blandes med sort humor og smuk social realisme. Og så kan du blive klogere på hvad Emil Simonsens bedste nydelsesstof er…. Udsendelse nr.: 171 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Redaktør: Michelle Mølgaard Andersen Produceret af: Bowie-JettSee omnystudio.com/listener for privacy information.
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Mike Skinner, originally episode 20 from 2015-02-25.Mike and Pip caught up - at time of typing - over a decade ago (!) to check in on all things Streets, music, labels, life, the whole thing. A wide ranging chat and really interesting to listen to stuff in the not that distant past to give a bit of grounding to where things are these days. Cast your mind back! Enjoy.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMMUSICSPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
This week's edition of Bringing the Heat continues the conversation with former NASCAR Craftsman Truck Series champion Mike Skinner. Listen to part one here. This ... Continue Reading
The inaugural Truck Series champion joins the Bringing the Heat podcast.
On this week's four weeks for Friday: the debut of Typecast (!), where I respond to listener questions; a rundown of what I am watching, listening to, and reading this week (including: the new Netflix film It's What's Inside, revisiting Stephen King's Storm of the Century, Coldplay's Moon Music, The Bulwark conversation with Timothy Snyder this week on "the Politics of Impotence," Slow Burn's great new season on "The Rise of Fox News," and a searing new piece in the Atlantic, "Seventy Miles in the Darien Gap," by Cailtin Dickerson. Let me know what you are into this week in the comments! This week's Typecast is a response to Mike Skinner, who asked me: "from your personal and pastoral experience, what are two or three theological truths that are commonly shared with folks who are struggling to find and hold onto hope that are both overrated and underrated in their power and ability to help and encourage?" Such a great (multi-part) question! I will look forward to reading more of yours!
In the third and final of the Glastonbury Sidetracked specials, Annie Macmanus and Nick Grimshaw sit down with Mike Skinner of the Streets to discuss the surreal and otherworldly vibes of late night Glastonbury. What are Mike's most resounding memories as both a performer and punter at the festival? Why is a Glastonbury crowd different to all others? And will he crowd surf at the Other Stage? Get in touch with Annie and Nick! If you're over 16 WhatsApp 079700 82700 or email sidetracked@bbc.co.uk Sidetracked is a BBC Audio Production for BBC Sounds – new episodes drop every Thursday.Sidetracked is all about taking a look at the things Annie Macmanus and Nick Grimshaw have loved (and perhaps more importantly not loved) from the world of music. A week in music, a week in Annie and Nick's lives, this is the destination for music and pop culture lovers looking for an authentic and light-hearted take on the week's most compelling stories… getting seriously sidetracked along the way.
Arnim Teutoburg-Weiß wird im Juni 1974 in Ostberlin Mitte als jüngstes Kind einer Artisten-Familie geboren: Sein Vater arbeitet als Artist, die Mutter als Assistentin. Durch die Plattensammlung seiner zehn Jahre älteren Schwester kommt er erstmalig mit Rockmusik und Bands wie Queen („Live Killers“) in Berührung, während im heimischen Wohnzimmer R'n'B läuft.Ab 1995 hängt er regelmäßig bei einem Freund im Band-Proberaum ab. Deren Demotape „Die Erste“ – zu diesem Zeitpunkt bereits mit Teutoburg-Weiß als Sänger und drittem Gitarrist – erscheint noch im selben Jahr. Der Name der Band: Beatsteaks. Der erste Auftritt: Bei einem Abiball, bei dem sie mit eigenen Tracks und Coversongs von den Beastie Boys bis hin zu Nirvana und NOFX auftreten. Eines seiner damaligen Vorbilder ist Mike Patton. Laut Teutoburg-Weiß der beste Sänger seiner Generation – und seine Band Faith No More eine der besten Live-Acts, neben Turbonegro.Bereits ein Jahr später treten die Beatsteaks im Berliner SO36 auf, als Support-Act auf der Reunion-Tour der Sex Pistols, bevor 1997 das Debütalbum „48/49“ erscheint. 1998 stößt dann Thomas Götz als Schlagzeuger zur Band hinzu, erstmalig auf dem via Epitaph veröffentlichten „Launched“ (1999) zu hören. Damit werden die Beatsteaks die erste deutsche Band, die es auf das legendäre kalifornische Label schafft.Im selben Jahrzehnt entdeckt er – u.a. durch „Yo! MTV Raps“ – seine Liebe zum HipHop (u.a. A Tribe Called Quest, Missy Elliott, OutKast), bevor 2002 Mike Skinner mit The Streets und dem Debütalbum „Original Pirate Material“ auf der Bildfläche erscheint.Sieben Jahre nach dem noch aktuellen Album „Yours“, der Pandemie und einer bandinternen Mini-Krise veröffentlichen die Beatsteaks mit „Please“ diesen Monat ihr mittlerweile neuntes Studioalbum. Als Produzent stand der Band diesmal allerdings nicht Moses Schneider, der seit „Smack Smash“ (2004) alle Beatsteaks-Alben produziert hat, sondern Olaf Opal zur Seite.Dass der Sänger und Gitarrist auch außerhalb des Bandgefüges nicht untätig ist, hat er 2023 mit seinem Solo-Song „Belohne dich mit mir“ gezeigt. Geschrieben mit Porky von Deichkind und produziert von Nico von K.I.Z, ist der Song eine Verbeugung vor D'Angelo und seinem Song „Untitled (How Does It Feel)“ – und gleichzeitig seine erste Zusammenarbeit mit Opal. Hosted on Acast. See acast.com/privacy for more information.
We're honoured to be joined by co-founder of the multi-award winning restaurant Chick 'N Sours, that's a favourite to everyone from Usher to Pierre Koffman to Mike Skinner and beyond. We hear about his incredible journey from working for Marco Pierre White to starting his sandwich shop in Soho to meeting his now partner Ex DJ now Chef Carl Clarke and creating their award winning Chicken Empire. Alongside his incredible stories he discusses; many pressing issues such as; the downside that social media and hype is having on the quality of food in this country, why Food PR may no longer be required, the secret to doubling your takings with a food truck and much more.... -------- DELLI is a food platform, from the team behind Depop, that sells the best independent food and drink products that other shops don't really know about. Head to www.delli.market and discover the thousands of creative products dropping daily and use the code GOTODELLI for 25% off everything from us.
Renowned for the autobiographical candour of her lyrics, Lily Allen has sung about the pitfalls of fame, drugs, broken relationships and motherhood. She was nominated for a Grammy Award for her debut album Alright Still and after the release of It's Not Me, It's You in 2010 won a Brit Award and three Ivor Novello Awards, including Songwriter of the Year. In 2021 she embarked on a stage acting career starring in 2.22 A Ghost Story, for which she was nominated for an Olivier Award. More recently, with her childhood friend Miquita Oliver, she launched her BBC podcast series Miss Me.Talking to John Wilson, Lily recalls a sometimes sad and troubled childhood. Her father, the actor and comedian Keith Allen, had left the family home when she was four, and her film producer mother Alison Owen was often away working. She chooses as her first formative experiences a school concert in which she performed the song Baby Mine from the Disney movie Dumbo and captivated the audience. She recalls how the first started writing and recording her own songs, and built up a fanbase with the on-line platform MySpace. She chooses, as key musical influences the 1979 song Up The Junction by Squeeze, and the 2004 album A Grand Don't Come For Free by Mike Skinner, otherwise known as The Streets. Lily Allen also reflects on the pressures of juggling life in the spotlight with motherhood, and how theatre acting has offered her a new creative challenge.Producer: Edwina Pitman
Vor genau 20 Jahren, im Mai 2004, ist "A Grand Don't Come for Free" erschienen, das zweite Album, eine Rap-Oper von The Streets aus Großbritannien. Zwei Jahre davor hat Mike Skinner mit seinem Debüt "Original Pirate Material" den UK-Hip-Hop revolutioniert. Aber wie ist das alles gealtert? Kann und vor allem sollte man sich die alten Tracks von Mike Skinner heute noch anhören? Darüber, und wo man sich The Streets heuer in Österreich live anschauen kann, reden wir im FM4 Musikpodcast. Sendungshinweis: Generation Sound - der FM4 Musikpodcast. Donnerstag, 02.05.2024, 21 Uhr und Campus, Donnerstag, 02.05.2024, 4 Uhr.
In the early 00's The Streets burst onto the scene. Original Pirate Material was like nothing else around, combining garage beats with everyday stories from a geezer we could all relate to. Mike Skinner wanted to literally push things forward, taking the garage genre in a new direction and using his lyrics to talk about what was really going on inside the hearts and minds of people in the clubs. It struck a chord, and The Streets got a lot of attention.Over five albums Mike Skinner would tour Australia a whole lot, always playing festivals and always drawing a huge crowd. Then in 2011 he called it a day, releasing his final album and doing his final shows as The Streets. Music stayed in his life though. He threw himself into producing, directing, and most notably DJ-ing, behind the decks instead of out front on stage.Across his five songs choices we get a snapshot of a kid writing raps in his notebook in a hostel in Sydney. As well as the man today who is older, wiser, more grounded but with plenty of stories to tell. From Johnny Cash to Grim Sickers to Daft Punk, this is The Streets, Taking 5 with Zan Rowe and playing us his songs from then and now.Johnny Cash - A Boy Named SueSnoop Dogg - Serial Killa [Ft. D.O.C., RBX & Tha Dogg Pound] Grim Sickers - Open The Till [Ft. Ghetts & Darker The Shadow Brighter The Light]Daniel Bedingfield – Gotta Get Thru ThisDaft Punk - Human / Together / One More Time / Music Sounds Better with You / Stardust (Instrumental) [Live]
Pod Bible's best Sport & Leisure podcast of 2023 is back for another instalment. This week, Seb White steps into Owen Blackhurst's huge hosting shoes and is joined by James Bird and Tommy Stewart to discuss Ridley Scott's Gladiator, Action Bronson, Tommy on I'm A Celebrity, the Daz Doorstep Challenge, Mark Rylance, Bing, Rainy Miller, Mike Skinner, Primavera, Oliver Bierhoff, Euro 96, Udinese, Serie A 90s strikers, AC Milan, Napoli, Diego Maradona, Tina Turner, Puma Kings, a secret museum, Seb's football illness, Pavarotti, Partick Thistle's Kingsley, demented Pokémon, Lynchian Lisa Simpson, artist David Shrigley, Les Dennis, Big Football, music to warm up to, Live Is Life, Pelé listening to The Beatles, Church Party's double A-side, Italia 90, noughties indie, Dutch Uncles and ovens, Damien John Kelly House, old Facebook nonsense, oranges with pips, Roy Keane, a rainy Emirates, Seb's GORE-TEX Berghaus coat, and remember, please subscribe to the magazine so that we can keep doing the podcast!Get the latest issue of MUNDIAL Mag hereSign up for the The Hat-Trick NewsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.
Joining me this episode to discuss their travel and holiday stories is the brilliant musician and producer - Mike Skinner. Please subscribe and review. Thanks, Alan. xx ‘Life's A Beach' everyone's favourite travel podcast is here to give you all the vitamin D you need. More celebrity passengers unpack their travel suitcases dishing the dirt on their holiday high-jinks. Buckle up, sit back and enjoy the inflight entertainment!! A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Mike Skinner AKA The Streets is the latest big name to join the GGBC in our first Seeing Stars episode of 2024. The Streets released The Darker The Shadow The Brighter The Light in October; Skinner's first new music in over 12 years and an accompanying film of the same name. As well as discussing comebacks, Mike, George and Dec discuss the art of performance and stagecraft, comparing the similarities between boxing and music. We touch on crowd surfing, Amir Khan and puking up in the ring. This is a bumper two parter with both episodes available now. Let's push things forward. VOTE FOR THE GGBC TO WIN A SPORTS PODCAST AWARD HERE: https://www.sportspodcastgroup.com/sports_category/best-combat-sports-podcast/ Check out our Linktree: https://linktr.ee/ggboxingclub To get in touch on the socials, search for @ggboxingclub And we've got a playlist on Spotify: https://open.spotify.com/playlist/5zArDIRbHigN2Xt3ikCDq0?si=25851a4366fb476f Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Skinner AKA The Streets is the latest big name to join the GGBC. This is Part 2 – make sure you listen to Part 1 first. Don't mug yourself. The Streets released The Darker The Shadow The Brighter The Light in October; Skinner's first new music in over 12 years and an accompanying film of the same name. Here Mike talks to George and Dec about writing a hit, the advantages of being young and arrogant when performing and he makes one of the all-time great Seeing Stars fights with one of the biggest names in music. VOTE FOR THE GGBC TO WIN A SPORTS PODCAST AWARD HERE: https://www.sportspodcastgroup.com/sports_category/best-combat-sports-podcast/ Check out our Linktree: https://linktr.ee/ggboxingclub To get in touch on the socials, search for @ggboxingclub We've got a playlist on Spotify: https://open.spotify.com/playlist/5zArDIRbHigN2Xt3ikCDq0?si=25851a4366fb476f And remember - you can now watch the GGBC on the Boxing News YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices
Anything Goes with James English Ep 398 The Streets Legend Mike Skinner Tells His Story You can contact James on his social media platforms ⬇️⬇️ http://instagram.com/jamesenglish2 http://twitter.com/jamesenglish0 Sound Edited by Stephen Pettigrew https://www.facebook.com/shinersp/ https://soundcloud.com/shinersp Learn more about your ad choices. Visit podcastchoices.com/adchoices
Anything Goes with James English Ep 398 The Streets Legend Mike Skinner Tells His Story You can contact James on his social media platforms ⬇️⬇️ http://instagram.com/jamesenglish2 http://twitter.com/jamesenglish0 Sound Edited by Stephen Pettigrew https://www.facebook.com/shinersp/ https://soundcloud.com/shinersp Learn more about your ad choices. Visit megaphone.fm/adchoices
On episode 25 of DWTN, I'm joined by Master Peace, a rising star from the UK who will be releasing their debut album “How To Make A Master Peace” on March 1st, 2024 - featuring I Might be Fake, LOO SONG, and his most recent single GET NAUGHTY! Master Peace digs into his inspiration, goals, and writing and production process behind his upcoming album, and what it's like working with Mike Skinner of The Streets. We also talk about the indie sleaze scene in the UK, and running the club night @hmmp.club which focuses on both the OG and modern age indie sleaze music. Follow Master Peace on Instagram and make sure to keep an eye out for his debut album dropping on March 1st. For listeners in the UK, you can also buy tickets for his upcoming headline tour here!
Why André 3000's flute album proves that music still needs rule breakers. Elsewhere, Annie shares her crowd surfing tactics, Drake's back sooner than we expected and Madonna attempts to get 20,000 people to fart on demand. Plus, why people are stealing Mike Skinner's trainers. Sidetracked is all about taking a look at the things Annie Macmanus and Nick Grimshaw have loved (and perhaps more importantly not loved) from the world of music. A week in music, a week in Annie and Nick's lives, this is the destination for music and pop culture lovers looking for an authentic and light-hearted take on the week's most compelling stories… getting seriously sidetracked along the way. Get in touch with Annie and Nick! If you're over 16 WhatsApp 079700 82700 or email sidetracked@bbc.co.uk Sidetracked is a BBC Audio Production for BBC Sounds – new episodes drop every Thursday.
Owen Blackhurst, Seb White, James Bird, and Tommy Stewart catch up this week to talk about audio monsters, a few less swears, The Cartridge Family, Mexico v Portugal, El Mariachi, Chief Wiggam, ‘Do You Come Here Often?', Rainy Miller, Mike Skinner, Big Bad John, Martin O'Neill, silencing Anfield, annus mirabilis, the Wolf button, chest control, Jerzey Dudek, meerkats, George Graham, wildlings, watching your team play abroad, airport pints, The Ibiza Cup, Royal Antwerp, The Yerevan 48, ON TO VICTORY!, Uncle Paul, Kermit the Frog, Portland Timbers, lumberjacks, Soccer Moses, football fines list, Dear England, Joseph Fiennes, Cafe Royal Books, the old juices, Chicken & Mushroom Pot Noodles and somehow so much more.CLICK HERE TO BUY THE NEW ISSUE OF MUNDIAL Sign up for the Newsletter - https://mundialmag.co/newsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.
Jetzt auf steadyhq.com/track17 unterstützen und Bonus-Folgen erhalten Oder über Paypal: track17podcast@gmx.net In der neuen Review-Folge stellen wir wieder die beste und interessanteste Musik der letzten Wochen vor. Auf seinem neuen Album versucht Track17-Dauerthema Actress, auch bekannt als Darren Cunningham, mit Hilfe der Spieltheorie und seines stilvoll dekonstruierten Techno-Ansatzes immer einen Schritt voraus zu sein. Ob das gelingt? Mike Skinner, auch bekannt als The Streets, wird zum Diskussionspunkt dieser Folge. Zwischen genialer Beobachtungsgabe und Vorwürfen des Posertums ist alles dabei. Was kann der Soundtrack zu seinem ersten Film? Das Berliner Duo Afar bewegt sich mit seiner Musik in den Zwischenräumen des Pops. Gespenstisch, geheimnisvoll, aber auch genial? Der Schwede Martinou hat mit seinem zweiten Album Techno, Deep House und Dub zu einem kraftvollen und dennoch eleganten Musikstück vereint. Ein Album, das sich Albert schon lange gewünscht hat. Hilary Woods denkt den Folk derweil immer trister und farbloser. Stimmen werden zu einem dronigen Hintergrund und Melodien stellen sich hinten an. Warum gerade das funktioniert, klären wir in der Folge. Plus 17 neue Songs von Mabe Fratti, Hauschka, Forest Swords, Hinako Omori, Salamanda, Thomas Fehlmann, Voice Actor, Marina Herlop uvm. für die Spotify-Playlist "Track17 - Playlist zum Podcast" -> Links in den Shownotes [Setlist] - [00:00:00] Intro + Steady - [00:01:55] Zuletzt gehört: The Orb/David Gilmour + 30 Jahre Souls of Mischief - [00:05:45] **Actress // LXXXVIII (Ninja Tune)** - [00:18:22] Playlist Part 1: Marina Herlop, Salamanda, Sparkle Division, Hauschka - [00:22:54] **The Streets // The Darker The Shadow The Brighter The Light (679)** - [00:36:26] **Afar // The Refuge (Laut & Luise)** - [00:42:49] Playlist Part 2: Voice Actor, Forest Swords, Teichmann & Söhne, Frank Bretschneider - [00:48:17] **Martinou // Chiral (Nous'klaer)** - [00:57:42] **Hilary Woods // Acts Of Light (Sacred Bones)** - [01:05:12] Playlist Part 3: Mindy Meng Wang, Titanic, Hinako Omori, Thomas Fehlmann - Jetzt auf Spotify abonnieren. **Neue Songs auf der Playlist Track17 - Playlist zum Podcast"* - Actress – Pluto (a2) - Marina Herlop - La Alhambra - Salamander - Purple Punch - Sparkle Division – Have Some Punch - Hauschka – Altruism - The Streets - Bright Sunny Day - Afar – Vervain - Voice Actor - What It's Worth - Forest Swords - Butterfly Effect - Teichmann & Söhne – Old Banger - Frank Bretschneider – Curve - Martinou - Open Up The Blinds - Hilary Woods – Vigil - Mindy Meng Wang - Watch My Mum Dance - Titanic - Anonima - Hinako Omori – In Limbo - Thomas Fehlmann – Bundy Blessing
Our host this week is artist and musician GAIKA - he was born in London and raised in the city's night clubs. He released his debut mixtape Machine, in 2015 and since released a string of projects including BASIC VOLUME and Seguridad. He has collaborated with some of the most renowned names in contemporary music, including 3D of Massive Attack, Dean Blunt, Kelela, Mike Skinner, Mykki Blanco and SOPHIE. Alongside his music he has also created a number of art installations and has just released his new album Drift. Joining him are a group of artists whose music incorporates hip-hop, dub poetry and experimental pop – plus lots of spaces in between. First is British rapper Speech Debelle, who released her debut album Speech Therapy in 2009, which went on to win the coveted Mercury prize. She released two further albums in 2012 and 2017. In June the self-confessed food lover shared her latest album Sunday Dinner On A Monday. Next up is a singer-songwriter, composer, producer and multi-instrumentalist Lucinda Chua. Based in South London, she primarily uses her voice, a cello, and an array of effects units to create her music, and released her debut album Yian in March. Finally, South London-born poet and musician James Massiah, a wordsmith who has built a reputation for his literary voice. His collaborators include The xx and Massive Attack. He released his Natural Born Killers EP in 2019 and at the end of last year shared the latest in his New Poems series, Volume 4. Together they discuss their song-writing process, whether they are led by words or music, and the psychological effect of creativity. In the second half of the programme, Speech Debelle takes us through a playlist called Music Is Good Food, featuring tracks from Black Uhuru, Prince, Kelis, plus more.
Graham reveals how close he is to finishing his book on Harrogate band, Magna Carta and one particular highlight, when Chris Simpson and Magna Carta played the Gaza strip and there was a riot. Graham also reports on the news that Edinburgh Filmhouse appears to have been saved...Charles shares his thoughts on three new films, Michael Caine and Ken Loach's last films, The Great Escaper and The Old Oak and the Everyman York screening and Q&A for The Streets' Mike Skinner's debut film, The Darker The Shadow The Brighter The Light.
Reimann, Christophwww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei
Comment, dans une interview pour l'émission, raconte-t-il son implication dans l'exposition « Le labyrinthe de Tim Burton » qui s'installe ce vendredi à Tour et Taxis ? Quel double projet Mike Skinner a-t-il développé pour le retour de « The Streets » ? Avec quel vieux complice Ringo Starr a-t-il enregistré un nouveau titre ? Comment la série « The Continental » inspirée de l'univers de John Wick parvient-elle à faire mieux que son modèle ? Est-ce que Lana Del Rey aurait aussi influencé la chanteuse américano-japonaise Mitski ? De quelle histoire vraie s'inspire le thriller juridique « Death Business » avec Tommy Lee Jones et Jamie Foxx ? Dans quelle tendance de la musique électro placer la Français Lewis Ofman ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce jeudi 19 octobre
Mike Skinner helped define an era with The Streets' album Original Pirate Material in 2002. Now he's back with not only new music but an accompanying film, The Darker the Shadow the Brighter the Light. He talks to Nick Ahad about guerrilla filming in nightclubs and the influence of Raymond Chandler. The choreographer, writer and founder of hip hop dance company ZooNation, Kate Prince, tells us about a dramaturg who has been a key influence on her. We hear about the advice and inspiration offered by Lolita Chakrabati ahead of her work inspired by the music of Sting and The Police. The British Textile Biennial 2023 is highlighting the extraordinary influence of Lancashire. From the moors to the mills, it's a region which defined the modern world's approach to the clothes we wear. That troubling and complex legacy is explored by a series of installations. Evie Manning, co-creator of Common Wealth, talks to Nick Ahad about Fast Fast Slow - a community-led catwalk experience which explores throwaway fashion and our relationship with clothes. Presenter: Nick Ahad Producer: Kevin Core
Hopping back into the Foundation FM studio in style to continue the VIBES this week as we bring you Episode 16 of So Future Club w/ @k2rah
Mike Skinner hat als The Streets den Sound des britischen Rap geprägt. Mit „Troubled Waters“ kündigt er nicht nur sein erstes Album nach 12 Jahren an, sondern auch sein Spielfilm-Debüt. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-streets-troubled-waters
Mike Skinner hat als The Streets den Sound des britischen Rap geprägt. Mit „Troubled Waters“ kündigt er nicht nur sein erstes Album nach 12 Jahren an, sondern auch sein Spielfilm-Debüt. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-streets-troubled-waters
Mike Skinner hat als The Streets den Sound des britischen Rap geprägt. Mit „Troubled Waters“ kündigt er nicht nur sein erstes Album nach 12 Jahren an, sondern auch sein Spielfilm-Debüt. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-streets-troubled-waters
Dynamic leadership teams recognize opportunities as they present themselves, even when they come from unexpected places. When the team at CLX technologies realized their chemical industry clients wanted to keep certain key expertise in-house, CLX pivoted to oblige. Not only have they expanded the services they provide, but they also use their robust internal database of data about transportation carriers, rates, and service levels to help companies benchmark themselves.CLX Vice President Mike Skinner uses his experience in supply chain consulting, information systems, and operations management to help shippers design and deploy world class technology solutions while reducing costs and improving service levels. Prior to joining CLX Logistics, he worked for Ernst & Young's Supply Chain consulting practice, which gave him the opportunity work with companies Ford Motor Company, Sony Electronics, and Crown Cork & Seal.In this episode, Mike joins hosts Scott Luton and Crystal Davis to share his point of view on the latest in transportation technology:• The three most important criteria for companies to consider when selecting a TMS• Unique considerations for technology in the chemical industry• Developments in transportation solutions being explored by forward-looking shippersAdditional Links & Resources:Learn more about Supply Chain Now: https://supplychainnow.comCheck out our new Supply Chain Now Media Kit: https://bit.ly/3emdLcKSubscribe to Supply Chain Now and all other Supply Chain Now programs: https://supplychainnow.com/subscribeJoin the NOW Community: http://bit.ly/41kpUSO2023 Q1 U.S. Bank Freight Payment Index: https://bit.ly/3VuwnIkWEBINAR- “Decoding Digital Transformation” – Charting a path forward: https://bit.ly/3VvVc6VWEBINAR- 5 Reasons Network Design is Essential to Supply Chain Resiliency: https://bit.ly/3MxcCNsWEBINAR- Feeling the squeeze? How to Meet OTIF Targets in an Uncertain World: https://bit.ly/42eMZFZWEBINAR- The Power of Spend Visibility: A Roadmap for Success: https://bit.ly/3WToUU5WEBINAR- 5 Ways the Right TMS & ERP Integrations Streamline & Simplify Shipping: https://bit.ly/3CjWWYaThis episode is hosted by Scott Luton and Crystal Davis. For additional information, please visit our dedicated show page at: https://supplychainnow.com/supply-chain-endurance-sport-1130
I Don't Wanna Hear It Podcast227 - One and One Are Five: The Hoop-Dee-Doo RevueUse your ears to listen to our mouths use our voices to say words while you use your hands to fold materials that you pulled from a series of machines that soaked said materials in water and then used heat to dry that water so that, once your hands have finished folding them, you can then place them in a drawer inside of your home to later take out of that drawer and drape about your body.Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, our 2022 Halloween special: Ghoulie Ghoulie Ghoul, Where Are You?, our 2022 Christmas Special: How the Stench Stole Christmas, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy and frequent third host Matt Moment is in a great hardcore band called Contact. Check 'em out! You can preorder their upcoming record, Before and Through and Beyond All Time right here from Patient Zero Records.Episode PlaylistBEANS? FOR BREAKFAST? (A Streets Playlist)Scally Cap Trash: A Madcap, Bombshell Rocks, and Far From Finished PlaylistWhite Trash Rob and Middle Class Mark: A Lind Brothers PlaylistEpisode Links:The StreetsIon DissonanceDirty Water"Saturday Night" by JerseyGeneration Genocide by Jersey on Last.FMSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gy
#465 Oddball Ideas. Alex has Aston trouble. A Rolls Royce like no other. Model cars that are full size and cars that are toys. Gareth imagines “Ultra GT” a fantasy supercar race series. Plus the Gareth Jones On Speed News Bubble.
Antony Szmierek nennt Manchester sein Zuhause und arbeitet sechs Tage die Woche als Lehrer. Aufgewachsen ist der bereits 32-jährige mit The Streets, den Arctic Monkeys und Grime-Rapper Kano in den Ohren. All das hört man auch auf seiner dynamisch-lebendigen Debüt-EP «Poems to Dance To». Was für eine Neuentdeckung!
Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Kelly Molson, Founder of Rubber Cheese.Download the Rubber Cheese 2022 Visitor Attraction Website Report - the first digital benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcastCompetition ends July 31st 2023. The winner will be contacted via Twitter. Show references: www.matthewhenderson.netCreative Ideas and Solutions. Innovative consultancy and support for visitor attractions, specialising in commercial and product development. https://www.beamish.org.uk/https://culturalenterprises.org.uk/https://www.linkedin.com/in/hendersonmatthew94/ Matthew Henderson is well known across the sector, having won many awards for his creative approach to retail and product development, and is a Trustee of the Association for Cultural Enterprises.Having increased sales and developed commercial activity as Head of Commercial Operations and Development at Beamish, The Living Museum of the North, Matthew has been inspired to launch Creative Ideas and Solutions. The aim of which is to support other organisations in enhancing their visitor engagement, commercial strategy and product development. Transcriptions: Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. In today's episode, I speak with Matthew Henderson, founder of Matthew Henderson Creative Ideas and Solutions. Matt was previously Head of Commercial Operations and Development at Beamish Living Museum, where an abundance of innovative ideas drove their commercial income. We talk a lot about product development and how to develop commercial products and experiences that truly reflect your organisation. If you like what you hear, you can subscribe on itunes, Spotify and all the usual channels by searching Skip the Queue. Kelly Molson: Matthew, it is absolutely brilliant to have you on the podcast today. I'm just going to tell you, you have been, like, one of the most recommended people to me ever to come on.Matthew Henderson: Really? Kelly Molson: There are so many people, “You've got to get Matthew on. You need to get Matthew on to chat to” and finally, we are here. Matthew Henderson: Well, thank you so much. That's an amazing thing to hear, but, yeah, thank you for inviting me on. It's a real honour to be on it. Kelly Molson: Well, shuffed. It's going to be good. Okay. Right, I've got some ice breakers for you. I want to know what is your favourite crisp flavour?Matthew Henderson: Favourite crisp changes rigged, but at the moment it's probably squares just for how vinegary they are. Kelly Molson: Oh, the sort of vinegar ones? Yeah. Matthew Henderson: I would go with them, but occasionally a knickknack I would go for as well, which is quite a controversial opinion. Kelly Molson: Spicy knickknack. Did they used to do like a hang on, they did like a fishy one, didn't they? Matthew Henderson: Yeah, I wouldn't go near that, but, yeah, the spicy one, yeah. Normally I'm a chicken corner kind of guy, but I can handle a knickknack spice.Kelly Molson: Spicy knickknacks. I'm with you on that one. That is a good solid, crisp flavour. Right, good. Okay, if you had your human body but the head of animal, what animal would you choose? Matthew Henderson: Strangely, I actually do have a pet owl, so I feel like just to keep on theme yeah, probably an owl. I think their school is taken up by three quarters. Their school is hitting up by their eyes. Their brain is very small, so maybe I'll retract that. But wise old owl is quite a myth. But they are sort of very attractive, aren't they? Kelly Molson: They are. Wow. Oh, God. So many questions. You've got a pet owl, you're like Harry Potter. This is incredible. How have you got a pet owl? Matthew Henderson: Well, yeah, it's sort of a bit more run Weasy than Harry Potter would say. Growing up, I used to help my grandma nature reserve and every weekend she used to take me to there on the Saturday and then the Budapest Centre on the Sunday. It was just the sort of thing that we always did and I ended up volunteering there and fell in love with it. And then I had this little owl, who, when he came in, was written off that he would die overnight. It was so unwell. And I think a cat tried to eat him. All this sort of tragic story. And then every day he got a bit stronger, to the point where he used to come home with me every night. We've got a tesco together because you couldn't leave. It was kind of in my hoodie pocket. Matthew Henderson: And then when I sort of stopped volunteering there and got a job, he would have died of heartbreak, really. And I think so died by that point. So 14 years on, he still lives with me. Probably the funniest thing that's ever happened with Bug is when everyone did Zoom quizzes during lockdown. Kelly Molson: Yeah. Matthew Henderson: And my friend works for Capital FM and Bug the Owl just happened to be in the background while were playing this quiz. And my friend from there was on, to which he told Roman Kemp the next day about Bug the Owl at work, to which Roman Kemp and FaceTimed me the next day to see Bug the owl. And then me and Bug coal hosted capitol breakfast for 20 minutes one morning, you think lockdown life couldn't get any stranger. And then you describe what an owl looks like on Capital FM. Kelly Molson: This question has gone to a place that I would never expect him to go to. Oh, my God. Matthew Henderson: We could get him at the end. Kelly Molson: Oh, my God. Please, I would love to meet Bug. And also, my heart has just melted massively from that story. Matthew Henderson: Yeah. I love him.Kelly Molson: Absolutely incredible. Matthew Henderson: My friends always say that I should do TikToks with them because I have a dog as well, and the owl will sit on the dog's head and groom and they'll play together. And I think if I had more time, they'd probably be a TikTok account for them. Kelly Molson: You have to make that. I would download TikTok just for that. Just for you, and Bug and your dog. Oh, my God. Honestly, Matt wasn't expecting that response. That's got me all the feels. Matthew Henderson: On the random way, I think I would have an owl's head as a head and a human body. Kelly Molson: An excellent reason why. Well, this is random. My next question was, have you ever met a famous person and lost a tiny mind a little bit, but I don't know if Roman Kemp is enough to make you lose your mind. Matthew Henderson: Yeah, I think I actually met Russell Brand. This is another sort of bizarre lockdown story, just as it happens, but I went to his gig, he did an outdoor, socially distanced gig and then at the end he walked past and I got a selfie with him, to which I just put it on Instagram. We haven't broken any rules. It was all fine. And the Daily Mail lifted that photograph and ran it on the front page of their website with a story around Russell Brand refusing to social distance, which wasn't true. But, yeah, he ended up on Hollywood Reports and all sorts of zoom called with him afterwards to talk about it, and he absolutely loved it. But, yeah, meeting him was amazing. And then my ultimate hero is Mike Skinner from the Streets. Matthew Henderson: I have his lyrics tattooed, and that probably the only time in life I've been absolutely speechless. I just could not say a word when I met him. And he was very nice and very polite. But, yeah, meeting him was pretty amazing. Kelly Molson: Oh, my God, Matt, I want your life. Matthew Henderson: We might go downhill from there. I think they're only sort of two impressive odd stories. Kelly Molson: They're probably the best answers to any icebreaker questions I've ever asked. Matthew Henderson: It's quite nice because they don't naturally come up in conversation, either of those points. But maybe that's the art of icebreaking. Kelly Molson: Absolutely. Totally fascinating. Right, well, I don't know where this is going to go, but what's your unpopular opinion?Matthew Henderson: My unpopular opinion is that I've never had tea or coffee and I have no desire to. Kelly Molson: You've never had a brew? You've never had a cup of tea? Matthew Henderson: Never had one. Yeah. Shocking. And I actually went on a half day course about coffee once I've smelled this and learned all about it, but it's not for me. Kelly Molson: I think the coffee one I can get. I think that there's probably quite a few people that because tea and coffee are very different and I can understand that. But to never even have tried a little sip of tea?Matthew Henderson: Yeah, nobody's ever really that impressed with it. Yeah, maybe it's TikTok and tea this year, maybe that's the aim.Kelly Molson: 2023, we're coming at you. Matthew Henderson: About two or three years ago, I tried to grip for the first time, much to all my friends amusement. And I remember afterwards my friend Ben, who's a very loud lad, and he took me one side and said, “I'm so proud of you for trying that, man”. So I just loved, like, how genuine he was. Kelly Molson: Matt, it's already my favourite podcast. Sorry, everyone, Matt's got me in tears here. All right. Okay, let's start where it all began, shall we? Let's talk about Beamish. So you were there for ten years and you started out as a costume demonstrator? Matthew Henderson: Yeah, that's right. Kelly Molson: And then your path went further and further and further in. Matthew Henderson: Yeah, it was the best thing ever did. So, like I sort of mentioned, my grandma used to run a nature reserve, a little small cafe and gift shop, and she would let me organise the Christmas tree fairs when I was little. And sometimes I do little markets and fundraisers and stuff. So I think, looking back, I was always sort of destined for a career in tourism from that, because my mom always laughed that I was more excited about seeing the gift shop than I was the attraction a lot of time. When you look back, it's so obvious, really, but from there I started volunteering at the Falconry Centre, which is obviously where Bug the Owl came from, and got really interested in the sort of business side of it and the customer service side. Matthew Henderson: And I was studying business at college, a six month college, and they said to me, "why didn't you go and try somewhere else on work experience?" And I was like, "no, I'm going to work at the Falconry Centre. That's my sort of thing I'm going to do". And they were like, "Why didn't you just go for four half days, like four afternoons to Beamish, which was about 20 minutes up the road, and just see what it's like?" And instantly, within about an hour of being there, I realised it was the people that I loved working with. And for all I loved the animal side, that it was that tourism, that business, that people and that culture that I loved. Matthew Henderson: And then, yeah, from there, I think it's sort of seven different jobs, but progressed from work experience to being a volunteer to then a costume demonstrator, and that's how it kind of started. Kelly Molson: Amazing. So many people start their career at one level in an attraction and just work and that's what happened, isn't it? So ultimately, you ended up as head of commercial operations. Matthew Henderson: Yeah, several different jobs, and was really fortunate with my time at Beamish that I did an apprenticeship, which I'm really sort of proud to have come from a non traditional route into the sector and then did an assistant role and an officer role and started did a maternity cover. And all these sort of real brilliant opportunities from Beamish led to that head of commercial role, which was final role at the museum. Kelly Molson: Yeah. So Beamish, to give context to people that haven't been to Beamish, and don't understand what it is. It's a living museum, isn't it? And you've kind of got like little mini attractions within this attraction itself. It's absolutely incredible. Matthew Henderson: Yeah, definitely. It's a living museum. It's around 400 acres in size and Beamish tells a story of everyday life in the Northeast in various different time periods. But the majority of the buildings have been moved brick by brick or stone by stone and recreated. So the buildings themselves are as much as part of the museum and the museum's collection as the object inside it. But they use everyday objects to tell the story of life in the Northeast. So rather than having it in a glass case and obviously there's a need to protect some object in the museum's collection and stores, sometimes it's replica. But the majority of real collections that have been really used, whether that's a teapot or a post tube or how can that history be brought to life? So, yeah, there's some amazing museum living museums around the world. Matthew Henderson: I think Beamish is one of the standouts, really.Kelly Molson: Yeah. I think the term immersive is being thrown around, like, a bit willy nilly at the moment. But for me, that is a really immersive museum experience, isn't it? Because when you go, people are in traditional costume and you can go and see things being made. Like, Matt very kindly people that are listening that won't be able to see this, but Matt very kindly sent me some sweets in the post from Beamish, which I'll just show on camera here. And the sweets get handmade in the shop and you can go and see that happening. And using all the traditional methods, So it is a fantastically kind of immersive museum experience that you can get involved in. So everything's going swim and knee and then all of a sudden there's a global pandemic. Life takes a bit of a turn, doesn't it?Matthew Henderson: Yeah, definitely. So I was working on product development at Beamish at the time, so we've been doing a lot of really exciting work about how could we use the museum's collections to create products that truly reflected that experience. And Beamish is a dream for that kind of thing, because, like you say, there's so many sort of hands on opportunities and there's so many stories to be told. And I think one of my favourite things about working in Beamish was that you have these pockets of specialism right around the museum. So you could go and have a conversation with the curator of transport and learn the intricacies of sort of steam and charms and buses and then try and come up with product from that. Or you could go and speak to the garden team or the horse team. Matthew Henderson: So were making all this sort of exciting product and then, yeah, the museum was on the rise. Visitor numbers have been going up, income had been going up, and then, yeah, the gates were shut and 95% of the income comes from visitors. And suddenly there was a need to try and diversify and to engage that audience, which is where some of the sort of work that we did during lockdown came from. Kelly Molson: And some of the things that you did are absolutely brilliant. So I saw you speak at the Museum and Heritage Awards last year and you shared some of the things that you did during lockdown that helped to drive revenue and they're so good. Some of the examples that you shared are just so creative and so genius. Can you tell us a little bit about some of them? Matthew Henderson: Yeah, so the first thing we did was set up an online shop. So the idea being that we didn't want it to feel like a traditional online shop, we wanted it to reflect the museum experience, where you can go into the sweet shop and buy sweets, you can go into the cooperative store and buy biscuits, you can go into the various different sort of exhibits and participate. Like the chemist, for instance, has a cold cream that's a recipe from 100 years ago. So we set up that online shop and literally between a very small team of used our existing ticketing platform. And it was a little bit like an episode of The Apprentice, really. There was like no budget, there's a half a platform there for us to use and how could you turn this around? Matthew Henderson: And I think because everyone at Beamish had such passion for it. It was a very concerning time, but also a very exciting time, thinking that we could try and drive some income. And we started seeing support from around the world. People were ordering these sort of tins of sweets and all this sort of product development work that we'd been doing. It was actually perfectly aligned that we had these unique products that could be sold. And then we started to think, well, how else could we use online? So the Head of Learning, Simon Woolley, who's a brilliant person, he started doing school lessons. So he would do murder mysteries online and Victorian school lessons for schools around the world. Me and him said, “there surely must be an opportunity for home schoolers here”. Matthew Henderson: So we started putting Victorian lessons on for home schoolers where they could order a slate and pencil in the post from the online shop and then Simon would essentially sort of scare them for an hour at the Victorian Headmaster. And the day was basically with the parents that we look after your kids for an hour, you have an hour off and they can participate in this living museum. Then we did things like afternoon tea deliveries. So we have famous of amazing bakers. They came to the museum and created these unbelievable afternoon teas along with tea and coffee that were sourced from local supplies and branded as Beamish specific blends for them. And we sent out costume staff to deliver them. Matthew Henderson: So you could only order them, you could order them from around the world, but they would only be delivered in the Northeast because we wanted to deliver them by hand, safely, but in full costume. And I remember a quote that came from Jeff, who was one of the costume team that was delivering them and he said, "people ordered them from as far and wide to the nearest and dearest, the United States, Australia and Europe. And occasionally there were real tears of gratitude from the receiver where it felt a privilege to be bringing a ray of happiness to someone." And that sums it up for me, really. Kelly Molson: That is incredible, isn't it? Matthew Henderson: Because it wasn't only about generating income, it was about keeping connected with that community. And 50% of Beamish's audience is local, so being able to sort of literally go to the doorstep of 1200 people, which is like the equivalent of visiting every family that came on a bank holiday. If you think in terms of scale of two or three drivers out there for a few weeks delivering them and that was a really special thing. And then I think probably we still we started wholesale ventures, we started selling to the likes of Fenix and farm shops when retail shops could be opened. But museums and visit attractions weren't just a diversified income and that was like, again, about generating income, but also that connection with people. Matthew Henderson: And it was really exciting for those shops when Beamish returned up in full costumes with these handmade sweets and keeping that name out there, that sort of museum alive. But I think for me the most special thing was were faced with the prospect that maybe Father Christmas has grown, wouldn't go ahead and how could we do an online offer of that was the challenge put forward. So we did for 13 hours a day, we did zoom calls with Father Christmas around sort of well over 1000 children took part in that. And every ten minutes, Father Christmas would call a different family and would have these absolutely amazing moments where grandparents would join in the call and seeing their children engage, their grandchildren engage with Father Christmas. Matthew Henderson: And you would see parents, grandparents just in floods of tears saying these really special moments because we could collect information in advance that Father Christmas could use to make it even more special. And really did sort of bring the magic. So that was me and Father Christmas and a small team for sort of hours a day and it was just a really special way of connecting with our audience. Kelly Molson: There's so many different ideas there as well, Matthew. I mean, obviously you've got your team around you as well. How did you go about working out what you were going to do? Because I can imagine that there were more ideas that actually didn't happen as well. Right, so how did you work out that process of going, yeah, that's the one, we can run with that. No, these ones, they're just not going to work for us. Matthew Henderson: I think essentially there's a little bit of looking at the resource that was available and the sort of finances behind it. If it was a nice thing to do, was it at least going to sort of generate a small income and then what were the things that were going to really drive income from the museum? And Rhiannon Hiles is the CEO of Beamish, was incredibly supportive as she was sort of leading the museum and me and her would have these conversations where one of us would come up with an idea. And the Father Christmas thing actually started out it was going to be pre recorded videos and it was her that said, “no, this needs to feel exactly like the experience of the museum. We need to create that magic”. Matthew Henderson: So, yeah, just really great support from her, really great team that were willing to give everything a go and it was just a real chance to bring commercials to the front of everything the museum was doing. And I think from there we really did connect with that audience. I remember one of the Father Christmas calls, a parent had written that a child no longer believed in Father Christmas because the last time they saw him was in America, and he has an American accent. And our Father Christmas, luckily, could speak different languages. So straight away he said, "loving to meet you". If it was Bethany, he said, "Love it to meet you, Bethany. I saw you last time in Florida, didn't I?" And you could see a little bit of magic. Matthew Henderson: He said, “the thing is, wherever I go, I change my accent, I change the language, like when I go to France”. And then spoke in fluent French, and you could see this kind of like moment where the magic was just literally back in that house. It's like on a film where you sort of see the sort of stars coming back in and it's back to life, and you could see the joy in her parents face. And you think, if we hadn't been allowed to do those calls, what would that magic have been for her in these horrible circumstances? Equally, on the flip side, our Father Christmas only really knew French and English. Matthew Henderson: We were hoping there's not going to any last minute request as we kind of moved on the conversation. Kelly Molson: So you saw magic in one window and sweat in another window.Matthew Henderson: Behind the zoom screen. Yeah. Father Christmas sometimes had a little auto queue that I could give him prompts on, and we had a great time doing those things. Kelly Molson: It's incredible to go to that level of detail as well. To be able to put that magic back is absolutely phenomenal. What you mentioned, you said that everyone was willing to give it a go, and I think that's something that's really important to talk about because there was a level of like during the pandemic, well, let's just try it, right? What can we do? Can't do anything worse than actually is what's happening, right? So let's just give it a go. So people were quite brave in some of the things that they were doing. Do you think that's got lost a little bit now? Do you think people are a bit more cautious about what they're doing? Matthew Henderson: I think there's definitely a thing where the day to day takes over again, and I think there's a real opportunity to look at sort of strategy and given the opportunity for teams to come up with ideas, creative ideas, and then allowing them to happen, I think, with Beamish, I'm not certain we would have made an online shop within the last few years because you managing multiple different exhibits, outlets, operations, and it was never sort of creeping to the top of the priorities list. So I think the pandemic offered an opportunity to really question what you were doing and like, I said, give things a go. And Beamish has certainly carried on that sort of innovation with Rhiannon Hiles, CEO, I'm sure that will continue.Matthew Henderson: But, yeah, I think there is perhaps a thing where the day to day takes over and I think it's maybe coming together through things like the podcast that you do and the work at Association for Cultural Enterprise does and Museum and Heritage Show and hearing those inspirational stories. And I think we've all got those moments where you sit and hear somebody speak and then you just can't wait to get back to where you work to try and sort of pivot from that point, really. Kelly Molson: Yeah. It's the same with me, to be honest. I went on a new business and marketing workshop last week and came out of that completely and utterly inspired by the people that were delivering the course, by the people that were on the course with me as well. And now we're kind of back in the day to day doing. You have to really be careful to make sure that you carve out the time to do those things, don't you? You have to give time for innovation, you have to give time to be creative because you need the headspace to be able to actually do it, don't you? Matthew Henderson: Definitely. And I think if you're working in a visit attraction, there's a lot to be said around the fact that it is a joy to work in these places, because the whole purpose of them is to bring joy to people. So for me, it's often about sort of standing and looking at the attraction, walking through it when it's busy, sort of hearing those conversations, working front of house. And then I always find that at the moment when you realise, for me, I started as a costume demonstrator and that was the thing that I loved. Every time you got the opportunity to work with the visitors, to work with those people, it reignited that passion of, this is why we're here. So for all in management, you might sort of step further away and you might be more in sort of meetings and the like. Matthew Henderson: I think it's about still being connected and realising why we're all in this industry. Kelly Molson: Yeah. Off podcast earlier, when Matthew and I were chatting, we actually had a conversation about how our earliest memories are from attractions, aren't they? They're from places that we've been to, so I can remember one of my earliest memories is feeding the ducks, a place called Forty Hall in Enfield. It's a lovely heritage home. It's got beautiful grounds. It was really close to where my nan and granddad lived, so we used to always visit my nan and grandad and then go there afterwards. And it's one of my earliest memories of really happy times. And it's a visitor attraction, so we have to remember the impact that we're having on people from a really young age. And that's a huge responsibility and also something wonderful to be part of. Matthew Henderson: Yeah, completely. I went to Sovereign Hill in Australia, which is a living museum, a few years ago, and one of their directors said to me, "it's an honour to bring joy to millions of people". And often you might see that joy firsthand, but then it's like you say, you would never really know the impact of that work. You would never know that people like you and me are talking about feeding the ducks all them years later. And I think it's every time you get an opportunity to create something or to work with someone, it's about making it the most special thing and that's how you get that legacy. Matthew Henderson: And I think for Beamish in particular, the people of the Northeast have a real love for it because everybody has a connection to it, whether they donate as an object, whether they know somebody that used to live in one of the houses before it was moved, whether they went there on a school trip. And I think it's about working with all those generations. And I love the idea that we might create retail products and you don't really know where in the world they end up or who's going to treasure them. And it's a real honour and I think you have to keep remembering that, especially when sort of day to day work maybe sort of takes over or feels a little heavy. Kelly Molson: Yeah. So you've moved on from Beamish now. Let's talk a little bit about some of the things you're doing. I'm a recent Trustee of the Museum of the Broads, which is quite a big responsibility, actually, and I'm really enjoying it, but it's all quite new for me. But you've been a trustee for quite a while, haven't you, for the Association for Cultural Enterprises? Matthew Henderson: Yeah. So off the back of the work that Beamish did during lockdown, I've got the opportunity to speak at the Cultural Enterprise Conference and then met some of the team there and had kept in touch with Jill, who's the brilliant CEO. And then yeah, the advert went out that they were looking for trustees and it was one of those things I spoke to Rhiannon at Beamish and sort of said, "do you think you would apply for this?" And she was saying, "Well, I think you should." And it said, "Why didn't you give this a go?" And I think that's what I was really asking was, "should I give this a go?" So I applied and interviewed and, yeah, it's been one of the best things ever done, connecting with the work of the association, but also the other board members. Matthew Henderson: So sitting on a board for me, like some of my sort of industry heroes, really, and getting to hear them speak. And sometimes I'll be in these board meetings and I'll realise I haven't spoken in a little while because you're so busy listening to them and you kind of forget that you're part of it, really. So, yeah, they've been really welcoming to me and been a big part in the decision to give this new venture a go. Kelly Molson: Yeah. So this is exciting. So I am going to guess that everyone that you've been speaking to there has been really supportive of this. But you have jumped in with 2ft and you've set up a new consultancy. Tell us a little bit about it. Matthew Henderson: So where it came from was, through the work that I've been doing and the work for the Association for Cultural Enterprise, people had been very kind in the sort of words that they were saying about some of the work we've done. And then often I was visiting other attractions or meeting them and helping to come up with creative ideas. So the new sort of venture is allowing that to be a full time thing for me so that I can offer more support to these organisations, whether that's on product development, whether that's on community co production, creative strategy. So, yeah, it's a very new thing, but really exciting. And like we sort of said at the start, I think from that moment of helping my grandma at the nature reserve, you kind of look back and it was always meant to be that you would work in tourism and then this path has come quite naturally, really. Kelly Molson: It's really exciting. And congratulations on getting set up and taking the big leap into doing it for yourself. How do you start this process with an attraction? Because I guess just thinking about what you've been through at Beamish, I mean, it was perfectly set for all of the things that you did. You've got this amazing heritage there, you've got these artefacts that you can take design elements from for packaging and everything kind of came together so beautifully. How do you start to look at that, doing those things in a different organisation? Matthew Henderson: So I think if it's a product development, there's a lot to be said around, hopefully getting to know the team that are working in the shop. They'll know what sells well and what doesn't, and if they have any data to sort of back that up. But a lot of the time, those informal conversations of, "I wish we had a magnet wave exxon”, or speaking to the front of house teams of what are the things that the visitors find emotive, what do they laugh at? What do they cry at? What do they take a photograph of? And then, how can we draw inspiration from that to create product ranges? And that's a lovely challenge and it takes working with the team, I think, because it's a new venture. Matthew Henderson: One of the things I'm really keen on is that the support isn't a standard package, so depending on the attraction, I can sort of flex up, flex down and take different approaches, but very much about putting those people at the heart. It's not a consultant coming in to say this is how you should be doing it's more about allowing them to discover this is the different way you can do it. And we don't all have to have the same I keep using magnets, but magnets or food and what are the opportunities to support local, to create different things to be sustainable in terms of packaging and environmental impact? So, yeah, really exciting. But it's about putting those people at the heart of it all, I think.Kelly Molson: Because we talk quite a lot, don't we? About having things that are niche, like products and things on your shelves that you can only get at that attraction. Not just the blanket. Everybody's got these things. It's just another thing with the logo on it. And I think there's also a big part about at the moment especially, where we still don't really know what's coming this year. Attractions, I guess, still pretty nervous. They've had a really rough time the last few years and this year might not be that much better, we don't know. But it's thinking about what more they can do with what they already have. So looking at the products they already have and actually can we improve those rather than something from scratch? What more can we do to make this better? Matthew Henderson: Yeah, definitely. And I think people understandably in the current climate are even more cautious with money. So it's about making sure that it's an experience, that the experience doesn't stop when you get to the gift shop door that carries on. So how can you create product that is reflective of that amazing day they've had that memory and that they can take a piece of it home? And I think that's the challenge and one that is really exciting to work with organisations and attractions to do and not always the most expensive thing to do. I think there's always ways to find smaller suppliers, local suppliers that can offer that bespoke and offering support both ways. Matthew Henderson: So if it's a small producer that works in a certain town, reassuring them that, "look, it is a risk for you, it is an investment for you to partner with an attraction and to do something bespoke but look at the benefits when this happens”. What can we put in place to work both sides? Do we make an agreement that we'll keep stocking it until you've run all those labels out? Because those labels might be a big investment for a small company or a small business. So, yeah, it's adaptable solutions, but making sure experience is key, I think.Kelly Molson: That's really nice as well, isn't it? Because it builds the partnership between local organisations and therefore you're kind of actively both promoting each other. Matthew Henderson: Yeah, completely. And I think especially now, I think there is so many from lockdown. A lot of people change their lives, didn't they? And a lot of people set up as local producers or suppliers. And if they were there before, I think they had a really rough time during that. And that was one of the things with the work at Beamish, was really support and local and it's such an exciting thing to find a coffee supplier or a tea supplier. Not that I'd be sampling either of them.Kelly Molson: Wasted on you. Matthew Henderson: Yeah, a fudge supplier, and bring them into the heart of the thing that often they pay to take their family to. And how can you find opportunities to involve them? So could they go to morning briefings and bring everyone a cup of tea to try it? How do you make sure that the person stands in behind the till has as much passion about that coffee as the person that makes it? And it's by showing them that connection that every time they get an order that there's sort of a celebration in that office. Really, that, "wow, look, we've had another order from this organisation". Our business is strengthening and it goes back to the point where the customer is buying something and you want that person selling it to have as much passion. Matthew Henderson: So a lot around staff ownership, I think, is quite key with it. Kelly Molson: Yeah. I love that idea of celebration, isn't it? That's really important, isn't it, to drive that kind of passion for what you're doing. Matthew Henderson: Yeah, completely. And I think in all of our own businesses, often that's a private thing, isn't it, to celebrate it and while we're chuffed, because you have to kind of look cool and as if you don't really need the work or don't. But actually, it's about sort of really celebrating those moments. And I think through the work that the Museum and Heritage Show do and the Association of Cultural Enterprise, I think it's about celebrating those moments and really enjoying it on a bigger scale. But for those local producers, I love the idea that someone might buy something local and have a feel good moment. Matthew Henderson: So, yeah, it's really nice to buy something that's a memory or a part of the attraction, but also that feel good of supporting the attraction, which is often a charity within the cultural heritage sector, but then also supporting local and UK businesses. So, yeah, there's a lot of lovely moments to be had, I thinkKelly Molson: Isn't there? I've got, like, a big grin on my face while we're chatting about now. It's lovely, Matt. And I think, actually, we can't talk about celebrating without discussing your recent award, because you won quite a fantastic award recently, didn't you? Let's talk about it. Let's celebrate it. Matthew Henderson: Thank you. Yeah, it was an amazing thing. So my great friend Matthew Hunt, who was formerly at the Science Museum, nominated me for Rising Star, the Cultural Enterprise Awards. And then I was sort of blown away that he would even consider that and then somehow won that. And literally this isn't something maybe I shouldn't be saying on the podcast, but I was literally talking to the person next to me and didn't hear because I didn't know that ever seen that I would win. So went up and was like, over the moon to win. And to be in that room full of those people years was I remember getting back to the hotel. I just couldn't sleep. Sort of reliving that. But then actually, there'd been a vote for the overall winner during the conference and amazingly won that as well. Matthew Henderson: So, yeah, it was certainly something that it was something that sent to my mom, really, a photograph of those two awards. And then the museum had great success as well, with Best Shop for the market stalls, a lot of market stalls that they did in the museum. And heritage awards and the Pandemic Pivot award. And best products for the cold cream and the chemist shop. So it was lovely as a team, really, at Beamish to celebrate those wins. And Allison, who's the stock manager at Beamish, we had a little shelf for those trophies and it was just in our little stock room. But it's a really special thing for a team that had sort of been brought to the front through lockdown because of the needs. Kelly Molson: I think that's wonderful and it's really good. Like you say, it's really important to celebrate all those little wins and they're big wins and they definitely need to be celebrated. It's been phenomenal talking to you today. Thank you so much for coming on. We always ask our podcast listeners to recommend a book that they love for us, something that might be something that they just enjoy reading to their children. It might be something that's helped shape their career in some way. What have you got for us today? Matthew Henderson: Thank you. So I'm actually, in between leaving Beamish and this new venture, I had four weeks off where I went to the movie theatre to volunteer. So my thing was that I was going to take loads of books and to sort of read. And actually being a walking by lines in the middle of the night and not being able to sleep was a need to do that. And I read a book called A Bit Of A Stretch by Chris Atkins, and it's not a book that would normally jump off the shelf to me, but it's a real story about his time that he spent in Wandsworth Prison after being involved in a tax avoidance scheme. And it's this day by day diary of his time in Wandsworth. And the reason that I picked that is previously, Johnson King hearing outreach, working in prisons.Matthew Henderson: And I think at the moment, everyone's looking at the things that we can see in terms of cuts and the things that need support, but actually, for prison and sort of rehabilitation, it's behind a wall. And we never sort of look at it or think about it because it's not in many of our day to day lives. But that book and that sort of time for the work that I did in there really brought those people and those people that work there to the front. So I would recommend that I feel like every person in the country should have a copy of that book and it's just the most emotive funny book that I've ever read. So, yeah, I would definitely recommend it. Matthew Henderson: You could keep out the lions roaring over the top of it, but certainly I would recommend to anybody to read that. Kelly Molson: Brilliant. That great recommendation. Never been recommended before either, so this is a new one for us. Well, listen, if you want to win a copy of that book, as ever, if you go over to our Twitter account and you retweet this episode announcement with the words, I want Matthew's book, then you'll be in with the chance of winning it. It's been brilliant to have you on, Matthew. I'm so glad that everybody recommended you to come on. I'm so glad that I took their advice. Your new venture is called Creative Ideas and Solutions. Your website address is your name, right? Matthew Henderson: It is, yes. It's MatthewHenderson.net. Kelly Molson: There we go. We're going to put all of that in the show notes, so if you do fancy a chat with Matt, you'll be able to find him there. Matt, keep being you, because, honestly, this has been such a delight to talk to you. I've loved every single minute of it. I hope Bug is well and continues to be your best bud. Matthew Henderson: Thanks so much for the invitation here. It's a real honour. So thank you for that. Kelly Molson: It's been great. And maybe you'll come on again. Maybe come on again next year and you can tell us how things have been going. Matthew Henderson: Yeah, that'd be amazing. Yeah, I'll bring Bug with me. Kelly Molson: That's what I was hoping for. Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast.
El 2002, Mike Skinner escriu un fresc del seu entorn. Hip hop, UK garage, i dub step amb hist
Jake brings you today's podcast with a new twist at the start! Mike Skinner, loyal listener of the show, provided a fantastic new intro song for the show focused around the NFL Films aspect of what the show tries to cover--breaking down the film! Then the shift is back to the 2022 Preview Series where you get everything you need to feel prepared for player outcomes in the coming season with data and film-based analysis. This show focuses on the two defensive ends the Browns need to dominate as they did in 2021. Myles Garrett had a career year but he needs to push it even farther this year, and Jadeveon Clowney has to replicate his strong debut for the Browns with even more production in both phases. Learn more about your ad choices. Visit podcastchoices.com/adchoices
2022 July 3rd - Race Time Radio With Your Host: Joe Chisholm & Co-Host Joe Chisholm Jr Watch RTR Facebook Video - July 3rd 2022 Here: – Race Time Radio: https://www.facebook.com/watch/live/?ref=watch_permalink&v=424767209661151 Featuring: - JR Fitzpatrick claims victory APC United Late Model event at Delaware Speedway - Mike Skinner NASCAR Truck Series Champion will race #IWK250 at Riverside - Ryan Turner No.91 wins Canadian Sprint Car Nationals at Ohsweken Speedway - Jacob Dykstra No.5D won Crate Sprint Event at Ohsweken Speedway - Mark Hall PR Director for Ontario Sportsman Series talking dirt racing Access To Race Time Radio: Live Stream Via: http://racetimeradio.com/live_stream.htm Web: http://www.racetimeradio.com Twitter: https://twitter.com/Racetimeradio Facebook: https://www.facebook.com/race.timeradio iTunes: https://itunes.apple.com/ca/podcast/race-time-radio/id1368707581 Free App For Easy Listening: http://instantapp.com/racetimeradiolive/ Missed a Broadcast Catch Up Here:: https://racetimeradio.podbean.com Motorsports Links: - https://www.facebook.com/FitzpatrickJR - https://twitter.com/J_R_Fitzpatrick - https://www.facebook.com/delawarespeedway - https://www.delawarespeedway.com/ - https://twitter.com/DelawareSpdway - https://twitter.com/UnitedLMSeries - https://www.facebook.com/APCSeries - https://www.apcracingseries.com/ - https://www.facebook.com/mark.hall.52687506 - https://www.facebook.com/NationalStockCarAssociation - https://ontariosportsmanseries.ca/ - https://www.southernontariomotorspeedway.com/ - https://www.facebook.com/ryan.turner.33671 - https://twitter.com/RyTurner91 - https://www.facebook.com/jacob.dykstra.752 - https://twitter.com/OhswekenSpdway - https://www.facebook.com/OHSWEKENSPEEDWAY - https://ohswekenspeedway.ca/ - https://www.riversidespeedway.ca/ - https://www.facebook.com/riversidespeedwayns - https://twitter.com/Riverside_NS - https://twitter.com/MSTheGunslinger - https://mikeskinner.com/ Race Time Radio Fuelled By:: Visit: Qwick Wick https://www.qwickwick.com/ Save $ Use Promo Code: RTR https://www.qwickwick.com/collections/frontpage/products/fire-starters 'Limited Time Offer' Visit: Rev TV: http://revtv.ca/ Visit Napa Auto Parts: - New Glasgow https://www.napacanada.com/en/ns/new-glasgow/store/1006060 - Antigonish: https://www.napacanada.com/en/ns/antigonish/store/1001258 - Port Hawkesbury: https://www.napacanada.com/en/ns/port-hawkesbury/store/1007375 Visit: Bobbleheads Canada - http://bobbleheadscanada.ca Visit: VP Racing Fuels https://vpontario.com/ Visit: APX Racewear: https://www.facebook.com/APX-Racewear-241826969293535/?fref=ts Visit: Quality Inn Halifax Airport http://www.airporthotelhalifax.com/ Visit: Dawson Dental http://dawsondental.ca/ Visit: CTMP For Upcoming Race Events https://canadiantiremotorsportpark.com/ Visit: RPM Race Parts https://www.facebook.com/RPM-Race-Parts-103247914650387 Visit: Mister Transmission https://www.mistertransmission.com Visit: SiriusXM Ch 167 https://www.siriusxm.ca/channels/canada-talks/ Plus: Join Us Weekly Sunday Nights Live on RTR Live Stream at 7:00 pm ET With Open Phone Lines: 1-519-371-7588 Tune-In Live Stream Via: http://www.racetimeradio.com/live_stream.htm or SiriusXM Ch 167 or: On On RTR Facebook Page Live Feed Here: https://www.facebook.com/race.timeradio `````````````````````````````````````````````````````````````````
For the first time since 1984 polio has been found to be spreading in the UK, after being detected at a sewage works in London on three separate occasions this year.As a result Londoners have been urged to make sure that babies and children are fully vaccinated against polio.It is a rare disabling and life-threatening disease caused by the poliovirus. Jane Clegg, Chief nurse for the NHS in London said that the majority of Londoners are fully protected against polio and won't need to take any further action.In this episode, Dr Mike Skinner from Imperial College London discusses the history of polio, how likely further community spread is, and how worried we should be about it.Follow us on Twitter for more news @EveningStandard See acast.com/privacy for privacy and opt-out information.
Using humor and compassion, Michael takes his listeners on a journey from child victimization through the mental health, legal and medical systems to his current career as a successful musician and award-winning speaker. Michael offers trauma survivors hope, insight and motivation. He gives professionals a rare opportunity to learn about their system from the inside out, to see what helps trauma survivors and what doesn't.
This week we celebrate our 50th episode by welcoming our podcast audio producer, the young Mike Skinner, Jr.! We talk Ukraine & Russia tensions,‘This Week In Pop Culture' including Facebook launching this week in 2004 & its impacts; the NFL Championship games & the taking over of the new young QB group; We remember actor Howard Hesseman (‘Dr. Johnny Fever') on his passing; Daredevil returns to the Marvel Universe & more GenX memories, rants & insults! Find us on your favorite podcast platforms including Spotify, Google Podcasts, Apple Podcasts & more! Stream our show right from our Facebook page now too(@ItCameFromGenX)! Ask your home assistant device to “Play the It Came From GenX Podcast!” Video versions on our YouTube channel (It Came From GenX). All show links & info can be found on our new website: itcamefromgenx.wordpress.com Keep up with us also on our Facebook page (@Itcamefromgenx). All show links also on Link Tree: linktr.ee/ItCameFromGenX Find us on Instagram, Twitter & TikTok! Email us at: itcamefromgenx330@gmail.com Enjoying the show? Consider becoming a patreon! https://www.patreon.com/ItCameFromGenX It'd be gnarly to hear from you! Tell us how we're doing, suggest topics or just say hello. Stay strong friends! --- Support this podcast: https://podcasters.spotify.com/pod/show/brian-fisher98/support
This week Alex & Gerald discuss "The Linking Finger Rings". Is it a good piece of magic or not really? What are the strengths, what are the weaknesses of this classic piece of magic? Also: -Kohls Jeans -Tatanka -Mentalism -“Hold out your clean hand” is hack & a weak line -Docc Hilford -Richard Osterlind at the Laff Stop -Quantum Bender -Cups & Balls -Color Monte, Mike Skinner 3 card monte & much more!
This week we are talking about the off menu episode of rap talker, philosopher and drugsman, Mike "The Streets" Skinner. Its a good one!
Follow Between The Creations on Instagram: @betweenthecreationsFollow Laurien on Instagram: @laurien_hookFollow Between The Creations on Twitter: @bthec_podcastPodcast Website: www.laurienhook.com
Latest NASCAR series driver podcast
Follow Between The Creations on Instagram: @betweenthecreationsFollow Laurien on Instagram: @laurien_hookPodcast Website: www.laurienhook.com
In one of the most wide-open episodes of all-time, former NASCAR driver Mike Skinner brings a new level of honesty and badassery to the table, in a much awaited conversation with Dale Earnhardt Jr.Skinner holds nothing back as he talks about his rough upbringing and how working in the oil fields of Colorado was the start of a journey that led to stock car racing fame. From drinking, out-running cops and smoking weed to out-running some of the best Short Track racers in America, his early days paint the picture of a true renegade racer. That mentality is what attracted legendary car owner Richard Childress, although their first phone call didn't go as planned. Learn how Skinner actually turned down the opportunity of a lifetime because of a simple misunderstanding. Skinner tells Dale Jr. and co-host Mike Davis how beer drinking and raising hell was the best preparation he ever had for getting in the racecar. The Truck Series Champion talks about the big move to the Cup Series and a two car team at RCR, and how Dale Earnhardt wasn't very keen on having a teammate. The rocky relationship and some brutal crashes led the veteran racer down a path of headache and heartache that almost did him in. How bad were some of his concussions? Skinner shares never before heard details of the damage occurred during those wrecks. He also shares intimate details, that take Dale Jr. by surprise, of why he decided to hang up the helmet after a successful second career in the Truck Series.The DJD gang were thrown a curveball in AskJr presented by Xfinity when two young Xfinity drivers hit Dale Jr. up with questions. Chase Briscoe wants him at the Chili Bowl. So, will Dale Jr. be a volunteer / work-for-beer crew member at the Chili Bowl? Then, Dale gives Harrison Burton a masters-class on his approach to drafting. Like that wasn't enough? Dale Jr. gets chippy about the rumors of making Bristol a dirt track for a race and has a very simple and authoritative solution. JRM driver Noah Gragson had to deal with a nose-bleed while driving last week, and that prompts Dale to share a story of the time that a bloody nose may have helped him avoid a fight with Chad Knaus.Ya think we're done? Nope. Dale Jr. shares his love of vintage t-shirts and what makes the best ones in Valvoline Originals. Odd History uncovers a tale of Bobby Allison and a trailer speed record. Dale Jr. also tells us how a turkey ended up in a Virginia homeowner's bathroom. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Follow Between The Creations on Instagram: @betweenthecreationsFollow Laurien on Instagram: @laurien_hookPodcast Website: www.laurienhook.comFollow Mike on Instagram: @mike_skinner
In this extraordinary conclusion to our interview, Larry McReynolds describes his tumultuous tenure with Richard Childress Racing and driver Dale Earnhardt. They did win the 1998 Daytona 500 together, but also endured one of the driest spells of Earnhardt's career. Ultimately, McReynolds would be moved over to helm Mike Skinner's RCR efforts before moving on to the Fox broadcast booth. In our second segment, hosts Rick Houston and Steve Waid dig into the June 11, 1998 issue of Winston Cup Scene, which featured coverage of the McReynolds-Kevin Hamlin-Earnhardt-Mike Skinner crew chief swap, as well as that year's spring event at Richmond. Jeff Gordon was angry with Rusty Wallace, while Dale Jarrett was peeved with not only race winner Terry Labonte, but also NASCAR for throwing a late-race red flag that allowed the race to end under green. Learn more about your ad choices. Visit megaphone.fm/adchoices
¡La apocalipsis mexicana llegó! Nos sentamos a hablar de AMLO, la Conapred y los últimos fenómenos del país. Revisamos un poco de Netflix, el documental Atleta A y la serie Control Z, además platicamos con Mike Skinner de The Streets.
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